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164-536: Little is known of Bosch's life, though there are some records. He spent most of it in the town of 's-Hertogenbosch , where he was born in his grandfather's house. The roots of his forefathers are in Nijmegen and Aachen (which is visible in his surname: Van Aken). His pessimistic fantastical style cast a wide influence on northern art of the 16th century, with Pieter Bruegel the Elder being his best-known follower. Today, Bosch

328-680: A border town and had to endure multiple sieges. In 1678 Nijmegen was host to the negotiations between the European powers that aimed to put an end to the constant warfare that had ravaged the continent for years. The result was the Treaty of Nijmegen that failed to provide for a lasting peace. In 1702, at the start of the War of the Spanish Succession , the French nearly took Nijmegen by surprise. Only because of

492-487: A regional body . Since 2021 this has been the Arnhem-Nijmegen Green Metropolitan Region ( Dutch : Groene Metropoolregio Arnhem-Nijmegen ), which aids co-operation in planning and development in the region's eighteen municipalities. Nijmegen is twinned with: Nijmegen has hosted since 1925 the annual Four Days Marches (Vierdaagse), as a means of promoting sport and exercise. Beginning on

656-607: A "revolution took place in painting"; a "new beauty" in art emerged, one that depicted the visible rather than the metaphysical world. In the 19th century, the Early Netherlandish artists were classified by nationality, with Jan van Eyck identified as German and van der Weyden (born Roger de la Pasture) as French. Scholars were at times preoccupied as to whether the school's genesis was in France or Germany. These arguments and distinctions dissipated after World War I, and following

820-562: A council of 39 councillors, elected every four years. After the 2022 municipal elections, the three largest parties, GroenLinks (9 seats), Stadspartij Nijmegen (7 seats) and the D66 (6 seats) formed a coalition. Since 2012 the mayor has been Hubert Bruls of the Christian Democratic Appeal party (CDA), the city council approving a third six-year term from 2024. In addition to the city council, since 1988 Nijmegen has been part of

984-468: A distinctly rich and complex iconographical tradition. Marian devotion grew from the 13th century, mostly forming around the concepts of the Immaculate Conception and her Assumption into heaven . In a culture that venerated the possession of relics as a means to bring the earthly closer to the divine, Mary left no bodily relics, thus assuming a special position between heaven and humanity. By

1148-577: A domestic scene is no more complicated than a one showing religious iconography, but one the viewer would recognise and understand. Van der Weyden's symbolism was far more nuanced than Campin's but not as dense as van Eyck's. According to Harbison, van der Weyden incorporated his symbols so carefully, and in such an exquisite manner, that "Neither the mystical union that results in his work, nor his reality itself for that matter, seems capable of being rationally analyzed, explained or reconstructed." His treatment of architectural details, niches , colour and space

1312-424: A few thousand examples survive. Early northern art in general was not well regarded from the early 17th to the mid-19th century, and the painters and their works were not well documented until the mid-19th century. Art historians spent almost another century determining attributions, studying iconography, and establishing bare outlines of even the major artists' lives; attribution of some of the most significant works

1476-686: A form of indulgence . The single leaves had other uses rather than inserts; they could be attached to walls as aids to private meditation and prayer, as seen in Christus' 1450–60 panel Portrait of a Young Man , now in the National Gallery , which shows a small leaf with text to the Vera icon illustrated with the head of Christ. The French artists were overtaken in importance from the mid-15th century by masters in Ghent, Bruges and Utrecht . English production, once of

1640-534: A further dimension to the subject of ambiguity in Bosch's work, emphasising ironic tendencies, for example in The Garden of Earthly Delights , both in the central panel (delights), and the right panel (hell). They theorise that the irony offers the option of detachment, both from the real world and from the painted fantasy world, thus appealing to both conservative and progressive viewers. According to Joseph Koerner , some of

1804-686: A good view over the river Waal and Rhine valley. By 69, when the Batavi , the original inhabitants of the Rhine and Meuse ( Maas ) delta, revolted , a village called Oppidum Batavorum had formed near the Roman camp. This village was destroyed in the revolt, but when it had ended the Romans built another, bigger camp where the Legio X Gemina was stationed. Soon after, another village formed around this camp. In 98, Nijmegen

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1968-511: A greater complexity of emotions than had been previously seen. This first generation of Early Netherlandish artists were interested in the accurate reproduction of objects (according to Panofsky they painted "gold that looked like gold"), paying close attention to natural phenomena such as light, shadow and reflection . They moved beyond the flat perspective and outlined figuration of earlier painting in favour of three-dimensional pictorial spaces. The position of viewers and how they might relate to

2132-663: A heightened sense of contemporary beliefs and spiritual ideals. Morally the works express a fearful outlook, combined with a respect for restraint and stoicism. The paintings above all emphasise the spiritual over the earthly. Because the cult of Mary was at an apex at the time, iconographic elements related to the Life of Mary vastly predominate. Craig Harbison describes the blending of realism and symbolism as perhaps "the most important aspect of early Flemish art". The first generation of Netherlandish painters were preoccupied with making religious symbols more realistic. Van Eyck incorporated

2296-399: A helicopter, 1,200 policemen, and 750 members of the armed forces, they evicted the squatters and demolished the block, while clouding the entire area in teargas and CS gas . This received enormous backlash in local politics. While the city government wanted the squatters out to build a parking garage, most of the population wanted affordable housing to be built in the area. The city council

2460-530: A higher form of art than panel painting, and their ornate and luxurious qualities better reflected the wealth, status and taste of their owners. Manuscripts were ideally suited as diplomatic gifts or offerings to commemorate dynastic marriages or other major courtly occasions. From the 12th century, specialist monastery-based workshops (in French libraires ) produced books of hours (collections of prayers to be said at canonical hours ), psalters , prayer books and histories, as well as romance and poetry books. At

2624-473: A hundred fans and Mayor Hubert Bruls after winning Division B of the 2018 Bandy World Championship . The city is also home to one of the country's oldest cricket clubs, Quick 1888 , a current member of the KNCB . Formed in 1888, it is the largest cricket club in the east of the country and was formed 13 years after the first club, Utile Dulci from Deventer . The cricket club has two men's teams. The city also has

2788-443: A master's workshop was occupied with both the reproduction of copies of proven commercially successful works, and the design of new compositions arising from commissions. In this case, the master would usually produce the underdrawing or overall composition to be painted by assistants. As a result, many surviving works that evidence first-rank compositions but uninspired execution are attributed to workshop members or followers. By

2952-456: A means to guarantee salvation in the afterlife. Vast numbers of Virgin and Child paintings were produced, and original designs were widely copied and exported. Many of the paintings were based on Byzantine prototypes of the 12th and 13th centuries, of which the Cambrai Madonna is probably the best known. In this way the traditions of the earlier centuries were absorbed and re-developed as

3116-866: A means to showcase wealth and power, whereas portraits were less favoured. According to Maryan Ainsworth , those that were commissioned functioned to highlight lines of succession, such as van der Weyden's portrait of Charles the Bold; or for betrothals as in the case of van Eyck's lost Portrait of Isabella of Portugal . Religious paintings were commissioned for royal and ducal palaces, for churches, hospitals, and convents, and for wealthy clerics and private donors. The richer cities and towns commissioned works for their civic buildings. Artists often worked in more than one medium; van Eyck and Petrus Christus are both thought to have contributed to manuscripts. Van der Weyden designed tapestries, though few survive. The Netherlandish painters were responsible for many innovations, including

3280-442: A painter's reputation, as with Memling, whose St John Altarpiece for Bruges' Sint-Janshospitaal brought him additional civic commissions. Wealthy foreign patronage and the development of international trade afforded the established masters the chance to build up workshops with assistants. Although first-rank painters such as Petrus Christus and Hans Memling found patrons among the local nobility, they catered specifically to

3444-519: A peak in the region in the decades after 1400, mainly due to the patronage of Burgundian and House of Valois-Anjou dukes such as Philip the Bold , Louis I of Anjou and Jean, Duke of Berry . This patronage continued in the low countries with the Burgundian dukes, Philip the Good and his son Charles the Bold . The demand for illuminated manuscripts declined towards the end of the century, perhaps because of

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3608-479: A prefabricated pattern, to the inclusion of a donor portrait. The addition of coats-of-arms were often the only change – an addition seen in van der Weyden's Saint Luke Drawing the Virgin , which exists in several variations. Many of the Burgundian dukes could afford to be extravagant in their taste. Philip the Good followed the example set earlier in France by his great-uncles including Jean, Duke of Berry by becoming

3772-455: A result of technological advances such as infrared reflectography, which enable researchers to examine a painting's underdrawing. Art historians of the early and mid-20th century, such as Tolnay and Baldass , identified between thirty and fifty paintings that they believed to be by Bosch's hand. A later monograph by Gerd Unverfehrt (1980) attributed twenty-five paintings and 14 drawings to him. In early 2016, The Temptation of St. Anthony ,

3936-726: A result, Early Netherlandish painters are often categorised as belonging to both the Northern Renaissance and the Late or International Gothic . The major Netherlandish painters include Campin, van Eyck, Rogier van der Weyden , Dieric Bouts , Petrus Christus , Hans Memling , Hugo van der Goes and Hieronymus Bosch . These artists made significant advances in natural representation and illusionism , and their work typically features complex iconography . Their subjects are usually religious scenes or small portraits, with narrative painting or mythological subjects being relatively rare. Landscape

4100-551: A set of tapestries, such as a chamber Philip the Bold named for a set of white tapestries with scenes from The Romance of the Rose . For about two centuries during the Burgundian period, master weavers produced "innumerable series of hangings heavy with gold and silver thread, the like of which the world had never seen". The practical use of textiles results from their portability; tapestries provided easily assembled interior decorations suited to religious or civic ceremonies. Their value

4264-629: A small panel in the Nelson-Atkins Museum of Art in Kansas City, Missouri , long attributed to the workshop of Hieronymus Bosch, was credited to the painter himself after intensive forensic study by the Bosch Research and Conservation Project. The BRCP has also questioned whether two well-known paintings traditionally accepted to be by Bosch, The Seven Deadly Sins in the Prado and Christ Carrying

4428-485: A strong patron of the arts and commissioning a large number of artworks. The Burgundian court was seen as the arbiter of taste and their appreciation in turn drove demand for highly luxurious and expensive illuminated manuscripts, gold-edged tapestries and jewel-bordered cups. Their appetite for finery trickled down through their court and nobles to the people who for the most part commissioned local artists in Bruges and Ghent in

4592-415: A suburban village south-east of Nijmegen. During the 2006 European heat wave , closest official weather station Volkel reached a high of 36.7 °C (98.1 °F) on 19 July. The heat wave coincided with that year's Four Day Marches, which were cancelled after the first day, when two people died of hyperthermia -related causes. Temperatures on that day, 18 July, reached around 36 °C (96.8 °F) in

4756-450: A wide variety of iconographic elements, often conveying what he saw as a co-existence of the spiritual and material worlds. The iconography was embedded in the work unobtrusively; typically the references comprised small but key background details. The embedded symbols were meant to meld into the scenes and were "a deliberate strategy to create an experience of spiritual revelation". Van Eyck's religious paintings in particular "always present

4920-535: Is The Garden of Earthly Delights ( c.  1495–1505 ) whose outer panels are intended to bracket the main central panel between the Garden of Eden depicted on the left panel and the Last Judgment depicted on the right panel. It is attributed by Fischer as a transition painting rendered by Bosch from between his middle period and his late period. In the left hand panel God presents Eve to Adam ; innovatively God

5084-423: Is a "promised passage from sin and death to salvation and rebirth". Other artists employed symbolism in a more prosaic manner, despite van Eyck's great influence on both his contemporaries and later artists. Campin showed a clear separation between spiritual and earthly realms; unlike van Eyck, he did not employ a programme of concealed symbolism. Campin's symbols do not alter the sense of the real; in his paintings

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5248-404: Is especially tied to the tradition and conventions of illuminated manuscripts . Modern art historians see the era as beginning with 14th-century manuscript illuminators. They were followed by panel painters such as Melchior Broederlam and Robert Campin , the latter generally considered the first Early Netherlandish master, under whom van der Weyden served his apprenticeship. Illumination reached

5412-525: Is generally assumed that either Bosch's father or one of his uncles taught the artist to paint, but none of their works survive. Bosch first appears in the municipal record on 5 April 1474, when he is named along with two brothers and a sister. 's-Hertogenbosch was a flourishing city in 15th-century Brabant , in the south of the present-day Netherlands, at the time part of the Burgundian Netherlands , and during its lifetime passing through marriage to

5576-414: Is given a youthful appearance. The figures are set in a landscape populated by exotic animals and unusual semi-organic hut-shaped forms. The central panel is a broad panorama teeming with nude figures engaged in innocent, self-absorbed joy, as well as fantastical compound animals, oversized fruit, and hybrid stone formations. The right panel presents a hellscape ; a world in which humankind has succumbed to

5740-442: Is often richly described but relegated as a background detail before the early 16th century. The painted works are generally oil on panel, either as single works or more complex portable or fixed altarpieces in the form of diptychs , triptychs or polyptychs . The period is also noted for its sculpture, tapestries , illuminated manuscripts , stained glass and carved retables . The first generations of artists were active during

5904-454: Is one of the most famous Bosch's works along with The Garden of Earthly Delights . It shows Saint Anthony being tempted or assailed in the desert by demons, whose temptations he resisted; the Temptation of St Anthony (or Trial... ) is the more common name of the subject. But strictly there are at least two different episodes deriving from Athanasius's Life of St. Anthony and later versions of

6068-545: Is one of the warmest cities of the Netherlands, especially during summer, when the highest temperatures in the country are usually measured in the triangle Roermond–Nijmegen–Eindhoven. The lack of north–south oriented mountain ranges in Europe make this area prone to sudden shifts in weather, giving the region a semi-continental climate. Some of the northernmost wineries in the world are found just outside Nijmegen, around Groesbeek ,

6232-478: Is presented in such an inexplicable manner that "the particular objects or people we see before us have suddenly, jarringly, become symbols with religious truth". Paintings and other precious objects served an important aid in the religious life of those who could afford them. Prayer and meditative contemplation were means to attain salvation, while the very wealthy could also build churches (or extend existing ones), or commission artworks or other devotional pieces as

6396-408: Is reflected in their positioning in contemporary inventories, in which they are typically found at the top of the record, then ranked in accordance with their material or colouring. White and gold were considered of the highest quality. Charles V of France had 57 tapestries, of which 16 were white. Jean de Berry owned 19, while Mary of Burgundy , Isabella of Valois , Isabeau of Bavaria and Philip

6560-461: Is seen as a highly individualistic painter with deep insight into humanity's desires and deepest fears. Attribution has been especially difficult; today only about 25 paintings are confidently given to his hand along with eight drawings. About another half-dozen paintings are confidently attributed to his workshop. His most acclaimed works consist of three triptych altarpieces, including The Garden of Earthly Delights . Hieronymus Bosch's first name

6724-552: Is still debated. Scholarship of Early Netherlandish painting was one of the main activities of 19th- and 20th-century art history, and a major focus of two of the most important art historians of the 20th century: Max J. Friedländer ( From Van Eyck to Breugel and Early Netherlandish Painting ) and Erwin Panofsky ( Early Netherlandish Painting only covering artists up to Hieronymus Bosch who died in 1516). The term "Early Netherlandish art" applies broadly to painters active during

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6888-574: Is thought to have been either Jan van Eyck or his brother Hubert . According to Georges Hulin de Loo , Hand G's contributions to the Turin-Milan Hours "constitute the most marvelous group of paintings that have ever decorated any book, and, for their period, the most astounding work known to the history of art". Jan van Eyck's use of oil as a medium was a significant development, allowing artists far greater manipulation of paint. The 16th-century art historian Giorgio Vasari claimed van Eyck invented

7052-605: The Habsburgs . In 1463, four thousand houses in the town were destroyed by a catastrophic fire, which the then (approximately) thirteen-year-old Bosch presumably witnessed. He became a popular painter in his lifetime and often received commissions from abroad. In 1486/7 he joined the highly respected Brotherhood of Our Lady, a devotional confraternity of some forty influential citizens of 's-Hertogenbosch , and seven thousand 'outer-members' from around Europe. Sometime between 1479 and 1481, Bosch married Aleid Goyaerts van den Meervenne, who

7216-727: The Hanseatic League in 1364. The arts also flourished in this period. Famous medieval painters like the Limbourg brothers were born and educated in Nijmegen. Some of Hieronymus Bosch 's ancestors also came from the city. During the Dutch Revolt , trade came to a halt and even though Nijmegen became a part of the Republic of United Provinces after its capture from the Spanish in 1591 , it remained

7380-555: The Master of the Legend of Saint Lucy explored the same mix of illusionism and realism. The Limbourgs' career ended just as van Eyck's began – by 1416 all the brothers (none of whom had reached 30) and their patron Jean, Duke of Berry were dead, most likely from plague . Van Eyck is thought to have contributed several of the more acclaimed miniatures of the Turin-Milan Hours as the anonymous artist known as Hand G. A number of illustrations from

7544-578: The Netherlands as a whole. Located on the Waal River close to the German border , Nijmegen is one of the oldest cities in the Netherlands and the first to be recognized as such in Roman times. In 2005, it celebrated 2,000 years of existence. Nijmegen became a free imperial city in 1230 and in 1402 a Hanseatic city. Since 1923 it has been a university city with the opening of a Catholic institution now known as

7708-649: The Nijmegen Devils , an Ice hockey club. Nijmegen also plays host to the annual Zevenheuvelenloop ( Seven Hills Run ), an annual 15 km (9 mi) run recognised by the IAAF as a Bronze Label race. The three main employers in Nijmegen are: 1. Radboud University ; 2. The three hospitals in the city: Radboud University Medical Center , Sint Maartenskliniek , and Canisius-Wilhelmina Ziekenhuis (CWZ); 3. The semiconductor industry. Nexperia and Ampleon (both spun off from NXP Semiconductors ) are headquartered in

7872-526: The Radboud University Nijmegen . The city is well known for the annual International Four Days Marches Nijmegen event. Its population as of 2024 was 187,011. The municipality is formed by the city of Nijmegen, incorporating the former villages of Hatert , Hees and Neerbosch, as well as the urban expansion projects in Veur-Lent , Nijmegen-Oosterhout and Nijmegen–Ressen , all situated north of

8036-598: The Ruhr region) is about 78 km (48.5 mi) away, while the German town of Kleve (in the Lower Rhine region ) is about 20 km (12.4 mi) away. The first mention of Nijmegen in history is in the first century BCE, when the Romans built a military camp on the place where Nijmegen was to appear; the location had great strategic value because of the surrounding hills, which give

8200-463: The river Waal . The city lies a few kilometers from the border with Germany, and to some extent the westernmost villages in the municipality of Kranenburg , Germany, function as dormitories for people who work in the Dutch city of Nijmegen in part due to the immigration of Dutch people from the region who were attracted by the lower house pricing just across the border. The German city of Duisburg (in

8364-666: The "miracle-working" Byzantine icons then popular in Italy. The format became extremely popular across the north, and his innovations are an important contributing factor to the emergence of the Marian diptych. Although the Netherlandish artists are primarily known for their panel paintings, their output includes a variety of formats, including illuminated manuscripts, sculpture, tapestries, carved retables , stained glass , brass objects and carved tombs . According to art historian Susie Nash , by

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8528-414: The 12th century that had already produced significant numbers of liturgical texts . There was a strong political aspect; the form had many influential patrons such as Jean, Duke of Berry and Philip the Good, the latter of whom collected more than a thousand illuminated books before his death. According to Thomas Kren, Philip's "library was an expression of the man as a Christian prince, and an embodiment of

8692-543: The 1440s and 1450s. While Netherlandish panel paintings did not have intrinsic value as did for example objects in precious metals, they were perceived as precious objects and in the first rank of European art. A 1425 document written by Philip the Good explains that he hired a painter for the "excellent work that he does in his craft". Jan van Eyck painted the Annunciation while in Philip's employ, and Rogier van der Weyden became

8856-638: The 15th and 16th centuries in the northern European areas controlled by the Dukes of Burgundy and later the Habsburg dynasty . These artists became an early driving force behind the Northern Renaissance and the move away from the Gothic style. In this political and art-historical context, the north follows the Burgundian lands which straddled areas that encompass parts of modern France, Germany, Belgium, Luxembourg, and

9020-590: The 15th century the reach and influence of the Burgundian princes meant that the Low Countries' merchant and banker classes were in the ascendancy. The early to mid-century saw great rises in international trade and domestic wealth, leading to an enormous increase in the demand for art. Artists from the area attracted patronage from the Baltic coast, the north German and Polish regions, the Iberian Peninsula , Italy and

9184-482: The 15th- and 16th-century Northern Renaissance period, once known as the Flemish Primitives . It flourished especially in the cities of Bruges , Ghent , Mechelen , Leuven , Tournai and Brussels , all in present-day Belgium . The period begins approximately with Robert Campin and Jan van Eyck in the 1420s and lasts at least until the death of Gerard David in 1523, although many scholars extend it to

9348-487: The 16th century, continued to think his work was created merely to titillate and amuse, much like the " grotteschi " of the Italian Renaissance . While the art of the older masters was based in the physical world of everyday experience, Bosch confronts his viewer with, in the words of the art historian Walter Gibson, "a world of dreams [and] nightmares in which forms seem to flicker and change before our eyes". In one of

9512-410: The 1950s, 60s and 70s who finished the demolition. There are still a few noteworthy sights, however. Valkhof hill downtown features a Carolingian chapel (eighth, ninth century AD) and a small remainder of an imperial castle that was demolished in 1798. The 750-year old Stevenskerk had to be reconstructed after WWII. As of 2023, Nijmegen has a total population of about 182,465. The city is governed by

9676-413: The Burgundian court, with van Eyck in particular assuming roles for which an ability to read Latin was necessary; inscriptions found on his panels indicate that he had a good knowledge of both Latin and Greek. A number of artists were financially successful and much sought-after in the Low Countries and by patrons across Europe. Many artists, including David and Bouts, could afford to donate large works to

9840-509: The Cross in the Museum of Fine Arts, Ghent should instead be credited to the artist's workshop rather than to the painter's own hand. Nijmegen Nijmegen ( / ˈ n aɪ m eɪ ɡ ən / NY -may-gən , Dutch: [ˈnɛimeːɣə(n)] ; Nijmeegs : Nimwèège [ˈnɪmβ̞ɛːçə] ) is the largest city in the Dutch province of Gelderland and the tenth largest of

10004-456: The Cross , in which Christ's body is given the t-shape of a crossbow to reflect its commission for a chapel for the Leuven guild of archers. Workshops typically consisted of a family home for the master and lodging for apprentices. The masters usually built up inventories of pre-painted panels as well as patterns or outline designs for ready sale. With the former, the master was responsible for

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10168-565: The Dutch government in exile. The Dutch organization for investigating wartime atrocities, the NIOD , announced in January 2005 that its study of the incident confirmed that it was an accident caused by poor communications and chaos in the airspace. Over 750 people died in the bombardment. During September 1944, the city saw heavy fighting during Operation Market Garden . The objective of the Battle of Nijmegen

10332-555: The Early Netherlandish school lie in the miniature paintings of the late Gothic period. This was first seen in manuscript illumination, which after 1380 conveyed new levels of realism, perspective and skill in rendering colour, peaking with the Limbourg brothers and the Netherlandish artist known as Hand G, to whom the most significant leaves of the Turin-Milan Hours are usually attributed. Although his identity has not been definitively established, Hand G, who contributed c. 1420,

10496-465: The Estonian Michael Sittow both worked in the Netherlands in a fully Netherlandish style. Simon Marmion is often regarded as an Early Netherlandish painter because he came from Amiens , an area intermittently ruled by the Burgundian court between 1435 and 1471. The Burgundian duchy was at its peak influence, and the innovations made by the Netherlandish painters were soon recognised across

10660-620: The Four Last Things and The Haywain Triptych . Bosch painted his works mostly on oak panels using oil as a medium. Bosch's palette was rather limited and contained the usual pigments of his time. He mostly used azurite for blue skies and distant landscapes, green copper-based glazes and paints consisting of malachite or verdigris for foliage and foreground landscapes, and lead-tin-yellow , ochres and red lake ( carmine or madder lake ) for his figures. One of his most famous triptychs

10824-596: The Free Spirit ) as well as by obscure hermetic practices. Again, since Erasmus had been educated at one of the houses of the Brethren of the Common Life in 's-Hertogenbosch, and the town was religiously progressive, some writers have found it unsurprising that strong parallels exist between the caustic writing of Erasmus and the often bold painting of Bosch. Others, following a strain of Bosch-interpretation datable already to

10988-400: The French primitifs flamands that became popular after the famous exhibition in Bruges in 1902 and remains in use today, especially in Dutch and German. In this context, "primitive" does not refer to a perceived lack of sophistication, but rather identifies the artists as originators of a new tradition in painting. Erwin Panofsky preferred the term ars nova ("new art"), which linked

11152-405: The Good all held substantial collections. Tapestry production began with design. The designs, or cartoons were typically executed on paper or parchment, put together by qualified painters, then sent to weavers, often across a great distance. Because cartoons could be re-used, craftsmen often worked on source material that was decades old. As both paper and parchment are highly perishable, few of

11316-563: The Netherlands was invaded by Germany, with Nijmegen being the first Dutch city to fall into German hands. On 22 February 1944, Nijmegen was heavily bombed by American planes, causing great damage to the city centre. It was subsequently claimed by the Allies that the American pilots thought they were bombing the German city of Kleve , while the Germans alleged that it was a planned operation authorised by

11480-505: The Netherlands. The Netherlandish artists have been known by a variety of terms. "Late Gothic" is an early designation which emphasises continuity with the art of the Middle Ages . In the early 20th century, the artists were variously referred to in English as the " Ghent-Bruges school " or the "Old Netherlandish school". "Flemish Primitives" is a traditional art-historical term borrowed from

11644-436: The Waalsprong area, ruins from before the Roman times were found which were identified in 2022 as those of a sauna. This 3,600 year-old sauna is the first of its kind in mainland Europe. Not many very old buildings are left in town: first the Americans bombed it in February 1944, later the Germans shelled it for about five months after the liberation in September 1944, and finally there were a number of vigorous city planners in

11808-404: The advancement of the diptych format, the conventions of donor portraits , new conventions for Marian portraits, and, through works such as van Eyck's Madonna of Chancellor Rolin and van der Weyden's Saint Luke Drawing the Virgin in the 1430s, laying the foundation for the development of landscape painting as a separate genre. Before the mid-15th century, illuminated books were considered

11972-424: The application of multiple transparent glazes—conceals the brushwork. His paintings with their rough surfaces, so-called impasto painting, differed from the tradition of the great Netherlandish painters of the end of the 15th and the beginning of the 16th centuries, who wished to hide the work done and thus suggest their paintings as more nearly divine creations. Bosch did not date his paintings, but—unusually for

12136-549: The artist at an advanced age, probably in his late sixties. Bosch lived all his life in and near 's-Hertogenbosch , in the Duchy of Brabant . His grandfather Jan van Aken (died 1454) was a painter and is first mentioned in the records in 1430. Jan had five sons, four of whom were also painters. Bosch's father, Anthonius van Aken (died c. 1478), acted as artistic adviser to the Illustrious Brotherhood of Our Blessed Lady. It

12300-458: The border decorations, these last often done by women. The masters rarely signed their work, making attribution difficult; the identities of some of the more significant illuminators are lost. Netherlandish artists found increasingly inventive ways to highlight and differentiate their work from manuscripts from surrounding countries; such techniques included designing elaborate page borders and devising ways to relate scale and space. They explored

12464-608: The bridge were positioned in a bombed-out house slightly upstream of the bridge. During the shelling, the house was hit, killing six soldiers and wounding one. Nijmegen was liberated from German occupation by the British Grenadier Guards of the Guards Armoured Division , as well as elements of the American 82nd Airborne Division in September 1944. The city was later used as a springboard for Operation Veritable ,

12628-452: The churches, monasteries and convents of their choosing. Van Eyck was a valet de chambre at the Burgundian court and had easy access to Philip the Good. Van der Weyden was a prudent investor in stocks and property; Bouts was commercially minded and married the heiress Catherine "Mettengelde" ("with the money"). Vrancke van der Stockt invested in land. The Early Netherlandish masters' influence reached artists such as Stefan Lochner and

12792-452: The cities of Arras , Bruges and Tournai . The perceived technical ability of these artisans was such that, in 1517, Pope Leo X sent Raphael 's cartoons to Brussels to be woven into hangings. Such woven wall hangings played a central political role as diplomatic gifts, especially in their larger format; Philip the Good gifted several to participants at the Congress of Arras in 1435, where

12956-500: The city of Maastricht . In November 2005, the city centre of Nijmegen was the site of the assassination of political activist Louis Sévèke by a former activist, Marcel Teunissen, who was arrested in 2007 in Spain and extradited to the Netherlands. Teunissen has also been accused of bank robbery. He committed his acts out of revenge for a forcible eviction from the squatter scene by Louis Sévèke. Nijmegen has an oceanic climate ( Cfb ). It

13120-516: The city or by purchase. Apprenticeship lasted four to five years, ending with the production of a " masterpiece " that proved his ability as a craftsman, and the payment of a substantial entrance fee. The system was protectionist at a local level through the nuances of the fee system. Although it sought to ensure a high quality of membership, it was a self-governing body that tended to favour wealthy applicants. Guild connections sometimes appear in paintings, most famously in van der Weyden's Descent from

13284-506: The city. Few Roman remains are visible today; a fragment of the old city wall can be seen near the casino and the foundations of the amphitheatre are traced in the paving of the present-day Rembrandtstraat. The Valkhof Museum , on the Valkhof, has a permanent display of the history of Nijmegen, including artifacts from the Roman era. Additionally, they usually have temporary exhibitions of more and less famous artists. During building works in

13448-439: The city. Multinational companies such as Qualcomm , Photronics Inc , and Applied Materials also have facilities in Nijmegen. Other notable companies headquartered in Nijmegen include Synthon , a Dutch multinational pharmaceutical company and Vaxxinova , an EW group subsidiary which produces animal vaccines. To prevent flooding in the near future, the Dutch government is changing the course of more than 30 rivers throughout

13612-703: The continent. By the time of van Eyck's death, his paintings were sought by wealthy patrons across Europe. Copies of his works were widely circulated, a fact that greatly contributed to the spread of the Netherlandish style to central and southern Europe. Central European art was then under the dual influence of innovations from Italy and from the north. Often the exchange of ideas between the Low Countries and Italy led to patronage from nobility such as Matthias Corvinus , King of Hungary , who commissioned manuscripts from both traditions. The first generation were literate, well educated and mostly from middle-class backgrounds. Van Eyck and van der Weyden were both highly placed in

13776-609: The contours of shadows with their fingers, at times to blot or reduce the glaze . The most usual way in the 15th century for a patron to commission a piece was to visit a master's workshop. Only a certain number of masters could operate within any city's bounds; they were regulated by artisan guilds to whom they had to be affiliated to be allowed to operate and receive commissions. Guilds protected and regulated painting, overseeing production, export trade and raw material supply; and they maintained discrete sets of rules for panel painters, cloth painters and book illuminators. For example,

13940-714: The costly production process in comparison to panel painting. Yet illumination remained popular at the luxury end of the market, and prints , both engravings and woodcuts , found a new mass market, especially those by artists such as Martin Schongauer and Albrecht Dürer . Following van Eyck's innovations, the first generation of Netherlandish painters emphasised light and shadow, elements usually absent from 14th-century illuminated manuscripts. Biblical scenes were depicted with more naturalism, which made their content more accessible to viewers, while individual portraits became more evocative and alive. Johan Huizinga said that art of

14104-524: The country. These measures, taken along the rivers IJssel, Lek, Maas and Waal, are known as ‘Room for the River’. Room for the river Waal as it passes Nijmegen is one of these measures. As part of this, the artificial island Veur-Lent was created in 2015. Early Netherlandish painting Early Netherlandish painting is the body of work by artists active in the Burgundian and Habsburg Netherlands during

14268-449: The credibility of the church". The signatories, a group of predominantly German-speaking theologians asserted that "the freedom of theologians, and theology in the service of the church, regained by Vatican II , must not be jeopardised again." The signatories pledged their loyalty to the Pope, but argued that the teaching office of pope and bishops "cannot and must not supersede, hamper and impede

14432-496: The cryptic qualities of the artist's work are due to his special focus on social, political, and spiritual enemies, whose symbolism is, by nature, disguised because it is intended to conceal the artist from criticism and harm. A 2012 study on Bosch's paintings alleges that they actually conceal a strong nationalist consciousness, censuring the foreign imperial government of the Burgundian Netherlands , especially Maximilian Habsburg . By systematically superimposing images and concepts,

14596-449: The current Radboud University Nijmegen was founded and in 1927 a channel was dug between the Waal and Meuse ( Maas ) rivers. The Waal was bridged in 1878 by a rail bridge and in 1936 by a road bridge , which was claimed to be Europe's biggest bridge at the time. In November 2013 a second road bridge ( Dutch : De Oversteek ), 2 km downstream, was opened to ease congestion. In 1940,

14760-469: The defence of the Netherlands. When events in the Franco-Prussian war proved that old-fashioned fortifications were no longer of use, this policy was changed and the fortifications were dismantled in 1874. The old castle had already been demolished in 1797, so that its bricks could be sold. Through the second half of the 19th century and the first half of the 20th century, Nijmegen grew steadily. In 1923

14924-446: The delicateness of the linen cloth and the solubility of the hide glue from which the binder was derived. Well known and relatively well preserved – though substantially damaged – examples include Matsys' Virgin and Child with Saints Barbara and Catherine (c. 1415–25) and Bouts' Entombment (c. 1440–55). The paint was generally applied with brushes or sometimes with thin sticks or brush handles. The artists often softened

15088-399: The destruction of many manuscripts. Originals were highly sought after, a revival that helped the rediscovery of Netherlandish art in the later part of the century. During the mid-15th century, tapestry was one of the most expensive and prized artistic products in Europe. Commercial production proliferated across the Netherlands and northern France from the early 15th century, especially in

15252-514: The duke's portrait painter in the 1440s. Burgundian rule created a large class of courtiers and functionaries. Some gained enormous power and commissioned paintings to display their wealth and influence. Civic leaders also commissioned works from major artists, such as Bouts' Justice for Emperor Otto III , van der Weyden's The Justice of Trajan and Herkinbald and David's Justice of Cambyses . Civic commissions were less common and were not as lucrative, but they brought notice to and increased

15416-497: The early 15th century, Mary had grown in importance within the Christian doctrine to the extent that she was commonly seen as the most accessible intercessor with God. It was thought that the length each person would need to suffer in limbo was proportional to their display of devotion while on earth. The veneration of Mary reached a peak in the early 15th century, an era that saw an unending demand for works depicting her likeness. From

15580-413: The early 16th century can be seen as leading directly from the artistic innovations and iconography of the previous century, with some painters, following the traditional and established formats and symbolism of the previous century, continuing to produce copies of previously painted works. Others came under the influence of Renaissance humanism , turning towards secular narrative cycles, as biblical imagery

15744-498: The early 16th century, the region led the field in almost every aspect of portable visual culture, "with specialist expertise and techniques of production at such a high level that no one else could compete with them". The Burgundian court favoured tapestry and metalwork , which are well recorded in surviving documentation, while demand for panel paintings is less evident – they may have been less suited to itinerant courts. Wall hangings and books functioned as political propaganda and as

15908-425: The early works ( c.  1470–1485 ), the middle period ( c.  1485–1500 ), and the late period ( c.  1500 until his death). According to Stefan Fischer, thirteen of Bosch's surviving paintings were completed in the late period, with seven attributed to his middle period. Bosch's early period is studied in terms of his workshop activity and possibly some of his drawings. Indeed, he taught pupils in

16072-511: The emperor Louis the Pious was sent to Nijmegen by his son, Lothair I . Thanks to the Waal , trade flourished. Henry VI, Holy Roman Emperor , was born at Nijmegen in 1165. In 1230 his son Frederick II granted Nijmegen city rights . In 1247, the city was ceded to the count of Guelders as collateral for a loan. The loan was never repaid, and Nijmegen has been a part of Gelderland ever since. This did not hamper trade; Nijmegen even became part of

16236-440: The era was meant to be fully integrated with daily routine, to "fill with beauty" the devotional life in a world closely tied to the liturgy and sacraments. After about 1500 a number of factors turned against the pervasive Northern style, not least the rise of Italian art, whose commercial appeal began to rival Netherlandish art by 1510, and overtook it some ten years later. Two events symbolically and historically reflect this shift:

16400-563: The era. Egg tempera was the dominant medium until the 1430s, and while it produces both bright and light colours, it dries quickly and is a difficult medium in which to achieve naturalistic textures or deep shadows. Oil allows smooth, translucent surfaces and can be applied in a range of thicknesses, from fine lines to thick broad strokes. It dries slowly and is easily manipulated while still wet. These characteristics allowed more time to add subtle detail and enable wet-on-wet techniques. Smooth transitions of colour are possible because portions of

16564-579: The first known accounts of Bosch's paintings, in 1560 the Spaniard Felipe de Guevara wrote that Bosch was regarded merely as "the inventor of monsters and chimeras ". In the early 17th century, the artist-biographer Karel van Mander described Bosch's work as comprising "wondrous and strange fantasies"; however, he concluded that the paintings are "often less pleasant than gruesome to look at". In recent decades, scholars have come to view Bosch's vision as less fantastic, and accepted that his art reflects

16728-489: The first rank and most influential of the early generation of Early Netherlandish painters. Their influence was felt across northern Europe, from Bohemia and Poland in the east to Austria and Swabia in the south. A number of artists traditionally associated with the movement had origins that were neither Dutch nor Flemish in the modern sense. Van der Weyden was born Roger de la Pasture in Tournai . The German Hans Memling and

16892-437: The fore in paintings that were provisionally religious or mythological, and his genre scenes were complex, with overtones of religious skepticism and even hints of nationalism. Campin, van Eyck and van der Weyden established naturalism as the dominant style in 15th-century northern European painting. These artists sought to show the world as it actually was, and to depict people in a way that made them look more human, with

17056-401: The formats and images that would be most sought after and their designs were then developed by workshop members. Ready made paintings were sold at regularly held fairs, or the buyers could visit workshops, which tended to be clustered in certain areas of the major cities. The masters were allowed to display in their front windows. This was the typical mode for the thousands of panels produced for

17220-523: The halls were draped from top to bottom and all around ( tout autour ) with tapestries showing scenes of the "Battle and Overthrow of People of Liege". At Charles the Bold and Margaret of York's wedding the room "was hung above with draperies of wool, blue and white, and on the sides was tapestried with a rich tapestry woven with the history of Jason and the Golden Fleece". Rooms typically were hung from ceiling to floor with tapestries and some rooms named for

17384-487: The height of Burgundian influence in Europe, when the Low Countries became the political and economic centre of Northern Europe, noted for its crafts and luxury goods. Assisted by the workshop system, panels and a variety of crafts were sold to foreign princes or merchants through private engagement or market stalls. A majority of the works were destroyed during waves of iconoclasm in the 16th and 17th centuries; today only

17548-469: The highest quality, had greatly declined and relatively few Italian manuscripts went north of the Alps. The French masters did not give up their position easily however, and even in 1463 were urging their guilds to impose sanctions on the Netherlandish artists. The Limbourg brothers ' ornate Très Riches Heures du Duc de Berry perhaps marks both the beginning and a highpoint of Netherlandish illumination. Later

17712-399: The iconographic innovations and painterly techniques developed by van Eyck had become standard throughout northern Europe. Albrecht Dürer emulated van Eyck's precision. Painters enjoyed a new level of respect and status; patrons no longer simply commissioned works but courted the artists, sponsoring their travel and exposing them to new and wide-ranging influences. Hieronymus Bosch , active in

17876-566: The intermediary layers of paint can be wiped or removed as the paint dries. Oil enables differentiation among degrees of reflective light, from shadow to bright beams, and minute depictions of light effects through the use of transparent glazes. This new freedom in controlling light effects gave rise to more precise and realistic depictions of surface textures; van Eyck and van der Weyden typically show light falling on surfaces such as jewellery, wooden floors, textiles and household objects. The paintings were most often made on wood, but sometimes on

18040-524: The interplay between the three essential components of a manuscript: border, miniature and text. An example is the Nassau book of hours (c. 1467–80) by the Vienna Master of Mary of Burgundy , in which the borders are decorated with large illusionistic flowers and insects. These elements achieved their effect by being broadly painted, as if scattered across the gilded surface of the miniatures. This technique

18204-504: The intervention of an Anglo-Dutch army under the Earl of Athlone and the bravery of the citizens of Nijmegen was the Assault on Nijmegen repulsed. In the second half of the 19th century, the fortifications around the city became a major problem. There were too many inhabitants inside the walls, but the fortifications could not be demolished because Nijmegen was deemed as being of vital importance to

18368-617: The invasion across the Rhine River by Allied Troops. From 1946 to 1948 Mariënbosch concentration camp , near Nijmegen, was used to house German nationals who were to be deported from the Netherlands. On 23 February 1981, the Nijmegen police department and the Dutch Army stormed the Piersonstraat and Zeigelhof, a squatted housing block in the city centre of Nijmegen. Using 200 riot vans, three Leopard 1s , three armoured personnel carriers ,

18532-434: The joins". Many paintings' frames were altered, repainted or gilded in the 18th and early 19th centuries when it was common practice to break apart hinged Netherlandish pieces so they could be sold as genre pieces. Many surviving panels are painted on both sides or with the reverse bearing family emblems, crests or ancillary outline sketches. In the case of single panels, the markings on the reverse are often wholly unrelated to

18696-530: The large foreign population in Bruges. Painters not only exported goods but also themselves; foreign princes and nobility, striving to emulate the opulence of the Burgundian court, hired painters away from Bruges. The paintings of the first generation of Netherlandish artists are often characterised by the use of symbolism and biblical references. Van Eyck pioneered, and his innovations were taken up and developed by van der Weyden, Memling and Christus. Each employed rich and complex iconographical elements to create

18860-426: The late 15th and early 16th centuries, remains one of the most important and popular of the Netherlandish painters. He was anomalous in that he largely forwent realistic depictions of nature, human existence and perspective, while his work is almost entirely free of Italian influences. His better-known works are instead characterised by fantastical elements that tend towards the hallucinatory, drawing to some extent from

19024-528: The leads of Friedländer , Panofsky, and Pächt, English-language scholars now almost universally describe the period as "Early Netherlandish painting", although many art historians view the Flemish term as more correct. In the 14th century, as Gothic art gave way to the International Gothic era, a number of schools developed in northern Europe. Early Netherlandish art originated in French courtly art, and

19188-597: The less expensive canvas. The wood was usually oak, often imported from the Baltic region, with the preference for radially cut boards which are less likely to warp. Typically the sap was removed and the board well-seasoned before use. Wood supports allow for dendrochronological dating, and the particular use of Baltic oak gives clues as to the artist's location. The panels generally show very high degrees of craftsmanship. Lorne Campbell notes that most are "beautifully made and finished objects. It can be extremely difficult to find

19352-473: The life that may be represented, though all usually have this name. The most common is the temptation, by seductive women and other demonic forms, but the Martin Schongauer composition (copied by Michelangelo ) probably shows a later episode where St Anthony, normally flown about the desert supported by angels , was ambushed and attacked in mid-air by devils . Anasthasius describes another episode where

19516-439: The location is a fusion of the earthly and celestial. Van Eyck's iconography is often so densely and intricately layered that a work has to be viewed multiple times before even the most obvious meaning of an element is apparent. The symbols were often subtly woven into the paintings so that they only became apparent after close and repeated viewing, while much of the iconography reflects the idea that, according to John Ward, there

19680-447: The mid-15th century, Netherlandish portrayals of the life of Christ tended to be centred on the iconography of the Man of Sorrows . Those who could afford to commissioned donor portraits . Such a commission was usually executed as part of a triptych, or later as a more affordable diptych. Van der Weyden popularised the existing northern tradition of half-length Marian portraits . These echoed

19844-438: The middle class – city officials, clergy, guild members, doctors and merchants. Less expensive cloth paintings ( tüchlein ) were more common in middle-class households, and records show a strong interest in domestically owned religious panel paintings. Members of the merchant class typically commissioned smaller devotional panels, containing specified subject matter. Alterations varied from having individualised panels added to

20008-415: The movement with innovative composers of music such as Guillaume Dufay and Gilles Binchois , who were favoured by the Burgundian court over artists attached to the lavish French court. When the Burgundian dukes established centres of power in the Netherlands, they brought with them a more cosmopolitan outlook. According to Otto Pächt a simultaneous shift in art began sometime between 1406 and 1420 when

20172-506: The municipal records of 's-Hertogenbosch , and in the account books of the local order of the Illustrious Brotherhood of Our Blessed Lady . Nothing is known of his personality or his thoughts on the meaning of his art. Bosch's date of birth has not been determined with certainty. It is estimated at c. 1450 on the basis of a hand-drawn portrait (which may be a self-portrait) made shortly before his death in 1516. The drawing shows

20336-431: The narrowest sense with the death of Gerard David in 1523. A number of mid- and late-16th-century artists maintained many of the conventions, and they are frequently but not always associated with the school. The style of these painters is often dramatically at odds with that of the first generation of artists. In the early 16th century, artists began to explore illusionistic depictions of three dimensions. The painting of

20500-432: The obverse and may be later additions, or as Campbell speculates, "done for the artist's amusement". Painting each side of a panel was practical since it prevented the wood from warping. Usually the frames of hinged works were constructed before the individual panels were worked on. Glue binder was often used as an inexpensive alternative to oil. Many works using this medium were produced but few survive today because of

20664-423: The orthodox religious belief systems of his age. His depictions of sinful humanity and his conceptions of Heaven and Hell are now seen as consistent with those of late medieval didactic literature and sermons. Most writers attach a more profound significance to his paintings than had previously been supposed, and attempt to interpret them in terms of a late medieval morality. It is generally accepted that Bosch's art

20828-407: The overall design of the painting, and typically painted the focal portions, such as the faces, hands and the embroidered parts of the figure's clothing. The more prosaic elements would be left to assistants; in many works it is possible to discern abrupt shifts in style, with the relatively weak Deesis passage in van Eyck's Crucifixion and Last Judgement diptych being a better-known example. Often

20992-682: The painter known as the Master of the Life of the Virgin , both of whom, working in mid-15th-century Cologne , drew inspiration from imported works by van der Weyden and Bouts. New and distinctive painterly cultures sprang up; Ulm , Nuremberg , Vienna and Munich were the most important artistic centres in the Holy Roman Empire at the start of the 16th century. There was a rise in demand for printmaking (using woodcuts or copperplate engraving ) and other innovations borrowed from France and southern Italy. Some 16th-century painters borrowed heavily from

21156-400: The paintings once ascribed to him were actually from his hand. It is known that from the early 16th century onward, numerous copies and variations of his paintings began to circulate. In addition, his style was highly influential, and was widely imitated by his numerous followers. Over the years, scholars have attributed to him fewer and fewer of the works once thought to be his. This is partly

21320-441: The period show a strong stylistic resemblance to Gerard David, though it is unclear whether they are from his hands or those of followers. A number of factors led to the popularity of Netherlandish illuminators. Primary was the tradition and expertise that developed in the region in the centuries following the monastic reform of the 14th century, building on the growth in number and prominence of monasteries, abbeys and churches from

21484-418: The powerful families of England and Scotland. At first, masters had acted as their own dealers, attending fairs where they could also buy frames, panels and pigments. The mid-century saw the development of art dealership as a profession; the activity became purely commercially driven, dominated by the mercantile class. Smaller works were not usually produced on commission. More often the masters anticipated

21648-510: The previous century's techniques and styles. Even progressive artists such as Jan Gossaert made copies, such as his reworking of van Eyck's Madonna in the Church . Gerard David linked the styles of Bruges and Antwerp , often travelling between the cities. He moved to Antwerp in 1505, when Quentin Matsys was the head of the local painters' guild , and the two became friends. By the 16th century

21812-420: The road bridge was possibly foiled by a local Dutch resistance hero, Jan van Hoof , who is said to have cut the wires to the bridge. The Germans made repeated attacks on the bridge using bombs attached to driftwood, midget submarines and later resorted to shelling the bridge with 88mm barrages. Troops were positioned on the bridge giving an excellent arc of fire in case of attack. Troops that could not fit onto

21976-422: The rules set higher citizenship requirements for miniaturists and prohibited them from using oils. Overall, panel painters enjoyed the highest level of protection, with cloth painters ranking below. Membership of a guild was highly restricted and access was difficult for newcomers. A master was expected to serve an apprenticeship in his region, and show proof of citizenship, which could be obtained through birth in

22140-526: The saint was attacked on the ground. With copied content from Triptych of the Temptation of St. Anthony ; see that page for attribution. In the 20th century, when changing artistic tastes made artists like Bosch more palatable to the European imagination, it was sometimes argued that Bosch's art was inspired by heretical points of view (e.g., the ideas of the Cathars and/or putative Adamites or Brethren of

22304-515: The scene became important for the first time; in the Arnolfini Portrait , van Eyck arranges the scene as if the viewer has just entered the room containing the two figures. Advancements in technique allowed far richer, more luminous and closely detailed representations of people, landscapes, interiors and objects. Although, the use of oil as a binding agent can be traced to the 12th century, innovations in its handling and manipulation define

22468-490: The separation between the heavenly from earthly, but placed them in everyday settings such as churches, domestic chambers or seated with court officials. Yet the earthly churches are heavily decorated with heavenly symbols. A heavenly throne is clearly represented in some domestic chambers (for example in the Lucca Madonna ). More difficult to discern are the settings for paintings such as Madonna of Chancellor Rolin , where

22632-555: The spectator with a transfigured view of visible reality". To him the day-to-day is harmoniously steeped in symbolism, such that, according to Harbison, "descriptive data were rearranged ... so that they illustrated not earthly existence but what he considered supernatural truth." This blend of the earthly and heavenly evidences van Eyck's belief that the "essential truth of Christian doctrine" can be found in "the marriage of secular and sacred worlds, of reality and symbol". He depicts overly large Madonnas, whose unrealistic size shows

22796-682: The start of the Dutch Revolt in 1566 or 1568– Max J. Friedländer 's acclaimed surveys run through Pieter Bruegel the Elder . Early Netherlandish painting coincides with the Early and High Italian Renaissance , but the early period (until about 1500) is seen as an independent artistic evolution, separate from the Renaissance humanism that characterised developments in Italy. Beginning in the 1490s, as increasing numbers of Netherlandish and other Northern painters traveled to Italy, Renaissance ideals and painting styles were incorporated into northern painting. As

22960-445: The start of the 15th century, Gothic manuscripts from Paris dominated the northern European market. Their popularity was in part due to the production of more affordable, single leaf miniatures which could be inserted into unillustrated books of hours. These were at times offered in a serial manner designed to encourage patrons to "include as many pictures as they could afford", which clearly presented them as an item of fashion but also as

23124-467: The state – his politics and authority, his learning and piety". Because of his patronage the manuscript industry in the Lowlands grew so that it dominated Europe for several generations. The Burgundian book-collecting tradition passed to Philip's son and his wife, Charles the Bold and Margaret of York ; his granddaughter Mary of Burgundy and her husband Maximilian I ; and to his son-in-law, Edward IV , who

23288-455: The study asserts that Bosch also made his expiatory self-punishment, for he was accepting well-paid commissions from the Habsburgs and their deputies, and therefore betraying the memory of Charles the Bold . The exact number of Bosch's surviving works has been a subject of considerable debate. His signature can be seen on only seven of his surviving paintings, and there is uncertainty whether all

23452-477: The teaching task of theologians as scholars." Sport in the city is principally focused on its football club NEC Nijmegen or just NEC, short for Nijmegen Eendracht Combinatie, which plays at the 12,500-seat Stadion de Goffert . The club plays in the Eredivisie . Another football club is Jonker Boys . Bandy Vereniging Nijmegen is the biggest bandy club in the country. The national team got celebrated by over

23616-401: The temptations of evil and is reaping eternal damnation. Set at night, the panel features cold colours, tortured figures and frozen waterways. The nakedness of the human figures has lost any eroticism suggested in the central panel, as large explosions in the background throw light through the city gate and spill onto the water in the panel's midground. Triptych of the Temptation of St. Anthony

23780-764: The third Tuesday of each July, over 40,000 participants from about 70 countries undertake four days of walking with distances ranging from 30 to 50 km (19 to 31 mi) a day. The marches are supplemented with festivities such as the Vierdaagse Festival . In 1968, theologians in the Catholic Church issued what is now known as the Nijmegen Statement , demanding sweeping reforms in the Vatican's Holy Office, previously known as The Inquisition, and calling for greater scope for theological inquiry. Among its signatories

23944-638: The time—seems to have signed several of them, although some signatures purporting to be his are certainly not. About twenty-five paintings remain today that can be attributed to him. In the late 16th century, Philip II of Spain acquired many of Bosch's paintings. As a result, the Prado Museum in Madrid now owns the Adoration of the Magi , The Garden of Earthly Delights , the tabletop painting of The Seven Deadly Sins and

24108-448: The transporting of a marble Madonna and Child by Michelangelo to Bruges in 1506, and the arrival of Raphael 's tapestry cartoons to Brussels in 1517, which were widely seen while in the city. Although the influence of Italian art was soon widespread across the north, it in turn had drawn on the 15th-century northern painters, with Michelangelo's Madonna based on a type developed by Hans Memling . Netherlandish painting ends in

24272-460: The ultimate origin of the current name. A collection of artifacts from Roman antiquity were compiled by Johannes Smetius in the 17th century, called the Smetius Collection . In January 2022, archeologists led by Pepijn van de Geer announced the discovery of an intact 2,000-year-old blue glass bowl with a vertical stripe pattern in Nijmegen. Researchers assume that this well-preserved bowl

24436-470: The use of oil paint; a claim that, while exaggerated, indicates the extent to which van Eyck helped disseminate the technique. Van Eyck employed a new level of virtuosity, mainly from taking advantage of the fact that oil dries so slowly; this gave him more time and more scope for blending and mixing layers of different pigments, and his technique was quickly adopted and refined by both Robert Campin and Rogier van der Weyden . These three artists are considered

24600-425: The vision of hell in van Eyck's Crucifixion and Last Judgement diptych . Bosch followed his own muse, tending instead towards moralism and pessimism. His paintings, especially the triptychs , are among the most significant and accomplished of the late Netherlandish period. The Reformation brought changes in outlook and artistic expression as secular and landscape imagery overtook biblical scenes. Sacred imagery

24764-412: The workshop, who were influenced by him. The recent dendrochronological investigation of the oak panels by the scientists at the Bosch Research and Conservation Project led to a more precise dating of the majority of Bosch's paintings. Bosch sometimes painted in a comparatively sketchy manner, contrasting with the traditional Early Netherlandish style of painting in which the smooth surface—achieved by

24928-616: Was a few years his senior. The couple moved to the nearby town of Oirschot, where Aleid Goyaerts van den Meervenne had inherited a house and land from her wealthy family. An entry in the accounts of the Brotherhood of Our Lady records Bosch's death in 1516. A funeral mass served in his memory was held in the church of Saint John on 9 August of that year. Bosch produced at least sixteen triptychs: of them, eight survive fully intact with another five surviving in fragments. Bosch's works are generally organised into three periods of his life dealing with

25092-770: Was an avid collector of Flemish manuscripts. The libraries left by Philip and Edward IV formed the nucleus from which sprang the Royal Library of Belgium and the English Royal Library . Netherlandish illuminators had an important export market, designing many works specifically for the English market. Following a decline in domestic patronage after Charles the Bold died in 1477, the export market became more important. Illuminators responded to differences in taste by producing more lavish and extravagantly decorated works tailored for foreign elites, including Edward IV of England, James IV of Scotland and Eleanor of Viseu . There

25256-556: Was blended with mythological themes. A full break from the mid-15th-century style and subject matter was not seen until the development of Northern Mannerism around 1590. There was considerable overlap, and the early- to mid-16th-century innovations can be tied to the Mannerist style, including naturalistic secular portraiture, the depiction of ordinary (as opposed to courtly) life, and the development of elaborate landscapes and cityscapes that were more than background views. The origins of

25420-463: Was considerable overlap between panel painting and illumination; van Eyck, van der Weyden, Christus and other painters designed manuscript miniatures. In addition, miniaturists would borrow motifs and ideas from panel paintings; Campin's work was often used as a source in this way, for example in the "Hours of Raoul d'Ailly". Commissions were often shared between several masters, with junior painters or specialists assisting, especially with details such as

25584-598: Was continued by, among others, the Flemish Master of James IV of Scotland (possibly Gerard Horenbout ), known for his innovative page layout. Using various illusionistic elements, he often blurred the line between the miniature and its border, frequently using both in his efforts to advance the narrative of his scenes. During the early 19th century, the collection of 15th- and 16th-century Netherlandish cut-out, as miniatures or parts for albums, became fashionable amongst connoisseurs such as William Young Ottley , leading to

25748-411: Was created to teach specific moral and spiritual truths in the manner of other Northern Renaissance figures, such as the poet Robert Henryson , and that the images rendered have precise and premeditated significance. According to Dirk Bax, Bosch's paintings often represent visual translations of verbal metaphors and puns drawn from both biblical and folkloric sources. Latterly art historians have added

25912-552: Was largely dominated by left-wing and progressive parties such as the Green Party , Democrats 66 , Socialist Party , and Labour . At times Nijmegen has been the only major city in the Netherlands with a solely left-wing government, and received the nickname ' Havana on the Waal'. Nijmegen celebrated its 2000th year of existence in 2005. It is considered the oldest city in the Netherlands. In gaining this qualification, it has competed with

26076-568: Was made in a glass workshop. According to van de Geer, this type of bowl was made by allowing molten glass to cool and harden over a mold. Beginning in the latter half of the 4th century, Roman power decreased and Noviomagus eventually became part of Francia . It also appeared around this time on the Tabula Peutingeriana . In the 8th century Emperor Charlemagne maintained his palatium in Nijmegen in 777, and possibly on at least three more occasions. During his brief deposition of 830,

26240-523: Was mainly to prevent the Germans from destroying the bridges. Capturing the road bridge allowed the British Army XXX Corps to attempt to reach the 1st British Airborne Division in Arnhem . The bridge was heavily defended by over 300 German troops on both the north and south sides with close to 20 anti-tank guns and two anti-aircraft guns , supported with artillery. The Germans' late attempt to blow

26404-519: Was originally Jheronimus (or Joen, respectively the Latin and Middle Dutch form of the name "Jerome"), and he signed a number of his paintings as Jheronimus Bosch . His surname Bosch derives from his birthplace, 's-Hertogenbosch ('Duke's forest'), which is commonly called "Den Bosch" ('the forest'). Little is known of Bosch's life or training. He left behind no letters or diaries, and what has been identified has been taken from brief references to him in

26568-413: Was shown in a didactic and moralistic manner, with religious figures becoming marginalized and relegated to the background. Pieter Bruegel the Elder , one of the few who followed Bosch's style, is an important bridge between the Early Netherlandish artists and their successors. His work retains many 15th-century conventions, but his perspective and subjects are distinctly modern. Sweeping landscapes came to

26732-511: Was the first of two settlements in what is now the Kingdom of the Netherlands to receive Roman city rights . In 103, the X Gemina was restationed in Vindobona , now Vienna , which may have been a major blow to the economy of the village around the camp, losing around 5000 inhabitants. In 104 Emperor Trajan renamed the town, which became known as Ulpia Noviomagus Batavorum , Noviomagus for short,

26896-662: Was theologian Fr. Joseph Ratzinger , then a member of the faculty at the University of Tübingen , but later the head of the successor to the Holy Office , the Congregation for the Doctrine of the Faith , and later still Pope Benedict XVI . The Nijmegen Statement said: "Any form of Inquisition however subtle, not only harms the development of sound theology, it also causes irreparable damage to

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