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112-557: It features the largest statue of Godzilla in the country, based on the Shin Godzilla design of the character, with an original screenplay for the 1954 film being contained within the base. The current statue replaces another of Godzilla, based on the Heisei design that was commissioned in 1995 as a memorial for the character's death in the film Godzilla vs. Destoroyah , which was relocated to Toho Cinemas Hibiya in 2018. The square

224-417: A Stegosaurus and an alligator to form a sort of blended chimera , inspired by illustrations from an issue of Life magazine. To emphasize the monster's relationship with the atomic bomb, its skin texture was inspired by the keloid scars seen on the survivors of Hiroshima . The basic design has a reptilian visage, a robust build, an upright posture, a long tail and three rows of serrated plates along

336-541: A portmanteau of the Japanese words gorira ( ゴリラ , "gorilla") and kujira ( 鯨 （ クジラ ） , "whale") due to his burly build to resemble a gorilla and his habit to favor whale meat . The account has been acknowledged by Toho themselves, director Ishirō Honda , producer Tanaka, special effects director Eiji Tsuburaya , producer Ichirō Satō  [ ja ] , and production head Iwao Mori  [ ja ] , with Satō and Mori recalling that

448-468: A sketch comedy show or as a humorous interlude on an award telecast. Such crossovers may sometimes involve the real actors—for example, a sketch on Royal Canadian Air Farce saw Yasir and Sarah from Little Mosque on the Prairie buying the gas station from Corner Gas , with many of the characters in the sketch being portrayed by the shows' real actors—although they may also feature one genuine star from

560-571: A video game meet and interact with each other. These can range from a character simply appearing as a playable character or boss in the game, as a special guest character, or a major crossover where two or more franchises encounter. Konami made the first crossover video game featuring Simon Belmont from Castlevania , Universal Pictures ' King Kong and Mikey from the Warner Bros. movie The Goonies in Konami Wai Wai World for

672-564: A " shared universe ". For example, in the Marvel Comics universe, Spider-Man has frequent dealings with another Marvel hero, Daredevil , just as in the DC Comics Universe, the Flash and Green Lantern often collaborate. In comic book terminology, these "guest star" roles are common enough that they are generally not considered crossovers; rather, this short-term collaboration to fight crime

784-399: A January 2014 episode of Republic of Doyle as Bill Murdoch, a 21st-century descendant of his regular character William Murdoch. The earliest example of a crossover in children's television was PBS ' 1971 program The Electric Company . Crossovers can take the form of a promotional cameo appearance , used to draw attention to another work of fiction, with little rational explanation in

896-427: A body cavity made of thin wires and bamboo wrapped in chicken wire for support and covered in fabric and cushions, which were then coated in latex. It was held together by small hooks on the back, though subsequent Godzilla suits incorporated a zipper. Prior to 1984, most Godzilla suits were made from scratch, thus resulting in slight design changes in each film appearance. The most notable changes from 1962 to 1975 were

1008-447: A cameo to a full comedy sketch or episode—is an extremely popular way of circumventing this problem. By various means, such crossovers typically avoid outcry from fans by being obvious parody or homage . However, on rare occasion, the humor of such crossovers can be used by one show make a narrative point by capitalizing on the audience's experience of the other program. Parodic crossovers can be directly established as being outside

1120-450: A crossover "event". In one case, a New York City blackout caused by Paul Reiser 's character on Mad About You was experienced by the characters on Friends and Madman of the People . Such "event nights" can also be linked by a single character's quest across multiple shows on the same evening. ABC attempted this kind of "event night" crossover with its Friday night programming during

1232-577: A device in establishing continuity in a shared fictional universe. This crossover is common in the Star Trek universe , where minor guest stars from one series have appeared as featured guest stars later ones. A good example of this crossover is that of the Klingons Kor , Koloth , and Kang . After the passage of about a century of narrative time, the three onetime adversaries of Captain Kirk appeared together in

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1344-521: A distinctive disyllabic roar (transcribed in several comics as Skreeeonk! ), which was created by composer Akira Ifukube , who produced the sound by rubbing a pine tar-resin-coated glove along the string of a contrabass and then slowing down the playback. In the American version of Godzilla Raids Again (1955) titled Gigantis the Fire Monster (1959), Godzilla's roar was mostly substituted with that of

1456-480: A filmographic metaphor for the United States, as well as an allegory of nuclear weapons in general. The earlier Godzilla films, especially the original, portrayed Godzilla as a frightening nuclear-spawned monster. Godzilla represented the fears that many Japanese held about the atomic bombings of Hiroshima and Nagasaki and the possibility of recurrence. As the series progressed, so did Godzilla, changing into

1568-745: A fire-breathing monster in a commercial for the Honda Odyssey . The monster was never mentioned by name, being seen briefly on a video screen inside the minivan. The Sea Shepherd Conservation Society christened a vessel the MV Gojira . Its purpose is to target and harass Japanese whalers in defense of whales in the Southern Ocean Whale Sanctuary. The MV Gojira was renamed the MV ; Brigitte Bardot in May 2011, due to legal pressure from Toho . Gojira

1680-456: A giant version of NBA player Charles Barkley . The commercial was subsequently adapted into a comic book illustrated by Jeff Butler . Godzilla has also appeared in a commercial for Snickers candy bars , which served as an indirect promo for the 2014 film. Godzilla's success inspired the creation of numerous other monster characters, such as Gamera , Reptilicus of Denmark, Yonggary of South Korea, Pulgasari of North Korea, Gorgo of

1792-425: A human to create the movements of the computer-generated Godzilla, but it was said to have ended up looking too much like a man in a suit. Tatopoulos subsequently reimagined the creature as a lean, digitigrade bipedal, iguana-like creature that stood with its back and tail parallel to the ground, rendered via CGI . Several scenes had the monster portrayed by stuntmen in suits. The suits were similar to those used in

1904-415: A laser-like high velocity projectile and unleashes it from its jaws in the form of a blue or red radioactive beam. Toho's special effects department has used various techniques to render the beam, from physical gas-powered flames to hand-drawn or computer-generated fire. Godzilla is shown to possess immense physical strength and muscularity. Haruo Nakajima, the actor who played Godzilla in the original films,

2016-533: A less destructive and more heroic character. Ghidorah (1964) was the turning point in Godzilla's transformation from villain to hero, by pitting him against a greater threat to humanity, King Ghidorah . Godzilla has since been viewed as an anti-hero . Roger Ebert cited Godzilla as a notable example of a villain-turned-hero, along with King Kong, Jaws ( James Bond ) , the Terminator and John Rambo . Godzilla

2128-470: A major Valiant hero. Cartoon crossovers are not uncommon, and most of them – like comics or live-action TV shows – will often feature characters owned by the same company or network. One example is Cartoon Network 's The Grim Adventures of the KND . It features five crossovers – Ed, Edd n Eddy , Codename: Kids Next Door , The Grim Adventures of Billy & Mandy , a reference to The Powerpuff Girls , and

2240-427: A new concept derivative of an older one. Another intention is to give fictional characters more emotional credibility and thus increase immersion for the fans. Crossovers generally occur between properties owned by a single holder, but they can, more rarely, involve properties from different holders, provided that the inherent legal obstacles can be overcome. They may also involve using characters that have passed into

2352-619: A number of different works. Illustrator Howard Pyle conceived his work Twilight Land as one such crossover. In it, a nameless narrator is transported to "Twilight Land" and meets famous fairy tale characters for a soirée in an inn: Mother Goose , Cinderella , Fortunatus , Sinbad the Sailor , Aladdin , Boots , the Valiant Little Tailor , and others gather in the framing device and tell each other adventurous tales featuring other literary personages. French author Jules Lemaître wrote

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2464-543: A quote from Scooby-Doo , which are all licensed Cartoon Network series. During the 1970s and 1980s, crossovers were particularly common among the Hanna-Barbera properties. Some of the earliest examples happened on The New Scooby-Doo Movies which featured appearances by characters from Harlem Globetrotters , Josie and the Pussycats , Jeannie , Speed Buggy , Batman and Robin , and The Addams Family . Later,

2576-655: A rich family history by speculating familial connections between them (such as a blood-relationship between Sherlock Holmes and Tarzan ). Roger Zelazny 's novel A Night in the Lonesome October combines Sherlock Holmes, Doctor Frankenstein, Jack the Ripper, and the Cthulhu Mythos, although he never specifically identifies them as such ("The Count", "The Good Doctor", "Jack", etc.). Occasionally, authors will include into crossovers classic fictional characters whose copyright

2688-437: A short period when the organ recycles. Various films, non-canonical television shows, comics, and games have depicted Godzilla with additional powers, such as an atomic pulse, magnetism, precognition, fireballs, convert electromagnetic energy into intensive body heat, converting shed blood into temporary tentacle limbs, an electric bite, superhuman speed, laser beams emitted from its eyes and even flight. Godzilla has

2800-418: A sort of sequel to Cinderella , named Princess Mimi , where Cinderella's daughter is courted by Polyphemus and Charles Perrault 's Hop-o'-My-Thumb . It is also common for authors to 'crossover' characters who have passed into the public domain, and thus do not require copyright or royalty payments for their use in other works. The League of Extraordinary Gentlemen by Alan Moore and Kevin O'Neill

2912-490: A whim. It is generally not motivated to attack by predatory instinct; it does not usually eat people and instead sustains itself on nuclear radiation and an omnivorous or piscivorian diet consisting especially of cetaceans and large fish. When inquired if Godzilla was "good or bad", producer Shōgo Tomiyama likened it to a Shinto "God of Destruction" which lacks moral agency and cannot be held to human standards of good and evil. "He totally destroys everything and then there

3024-536: Is a stub . You can help Misplaced Pages by expanding it . Godzilla Godzilla ( / ɡ ɒ d ˈ z ɪ l ə / ɡod- ZIL -ə ) is a fictional monster, or kaiju , that debuted in the eponymous 1954 film , directed and co-written by Ishirō Honda . The character has since become an international pop culture icon , appearing in various media : 33 Japanese films produced by Toho Co., Ltd. , five American films , and numerous video games , novels, comic books , and television shows . Godzilla has been dubbed

3136-547: Is a fighting game engine that features many fan-created and fictional characters and stages from various television series, movies, as well as other video games. Crossovers of multiple characters, owned by one company or published by one publisher , have been used to set an established continuity, where characters can frequently meet within one setting. This is especially true of comic book publishers , as different characters in various Marvel , DC , or Valiant comic books frequently interact with one another since they live in

3248-431: Is a rebirth. Something new and fresh can begin." Tomoyuki Tanaka noted in his book that Godzilla and humanity can become temporal allies against greater threats, however they are essentially enemies due to the difficulty to co-exist. Godzilla's signature weapon is its "atomic heat beam" (also known as "atomic breath" ), nuclear energy that it generates inside of its body, uses electromagnetic force to concentrate it into

3360-493: Is another example of this, as all of the main characters and most of the secondary / background characters are fictional characters whose copyright has expired, and all are characters of different authors and creators brought together within one massive extended universe. Many of the works of Philip José Farmer 's Wold Newton family sequences (which has also been explored and developed by other authors) also utilize and interweave numerous otherwise unrelated fictional characters into

3472-767: Is called a team-up . A crossover in comic book terms only occurs when a story spans more than one title. This has led to "crossover events" in which major occurrences are shown as affecting most or all of the stories in the shared universe; see Category:Crossover comics . The earliest such crossover event was Gardner Fox 's Zatanna's Search which took place in Hawkman #4 (October/November 1964), Detective Comics #336 (February 1965), The Atom #19 (June/July 1965), Green Lantern #42 (January 1966), Detective Comics #355 (September 1966), and Justice League of America #51 (February 1967). This story dealt with Zatanna attempting to reconnect with her father, Zatara , and seeking

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3584-474: Is clearly intended in appearance and description by other characters to be Dr. Fu Manchu appears as a significant villain; however, as this character was not in the public domain at the time of writing and the rights still held by the estate of his creator Sax Rohmer , he is not directly named as such in the work and is only referred to as 'the Devil Doctor'. Crossovers involving principals can also occur when

3696-554: Is considered "the original radioactive superhero " due to his accidental radioactive origin story predating Spider-Man (1962 debut), though Godzilla did not become a hero until Ghidorah in 1964. By the 1970s, Godzilla came to be viewed as a superhero, with the magazine King of the Monsters in 1977 describing Godzilla as "Superhero of the '70s." Godzilla had surpassed Superman and Batman to become "the most universally popular superhero of 1977" according to Donald F. Glut. Godzilla

3808-400: Is different from a spoof , where one discrete character, setting, or universe, copies another character, setting, or universe, often in a comedic manner. Crossovers often occur in an official capacity in order for the intellectual property rights holders to reap the financial reward of combining two or more popular, established properties. In other cases, the crossover can serve to introduce

3920-552: Is in between the Toho Cinemas office building and Hibiya Chanter shopping mall . It is also near Yurakucho Marion (previously The Nippon Theatre) which was destroyed by Godzilla in its 1954 and 1984 films. The statue, including its platform, stands at 3 metres (9.8 ft) high. A plaque at the square reads (in Japanese ) "The human race must coexist with Godzilla", a quote from the 2016 film. This Tokyo location article

4032-444: Is more common on animated programs, such as when Bender found and ate Bart Simpson 's shorts on Futurama , or Milhouse had a talking Bender doll on The Simpsons . This would seem to be another case when a popular franchise is acknowledged as fiction and not a crossover of the stories. Perhaps the most obvious parodic crossover is found when characters from two series interact outside either series. This occurs most commonly on

4144-401: Is shown to have great vitality: it is immune to conventional weaponry thanks to its rugged hide and ability to regenerate , and as a result of surviving a nuclear explosion, it cannot be destroyed by anything less powerful. One incarnation possesses an electromagnetic pulse-producing organ in its body which generates an asymmetrical permeable shield, making it impervious to all damage except for

4256-458: Is still held by the original authors (or at least their estates), but who are nevertheless considered iconic or 'mythic' enough to be recognised from a few character traits or descriptions without being directly named (thus not requiring royalties payments to be made to the copyright holder). A prominent example occurs within The League of Extraordinary Gentlemen, Volume One , wherein a character who

4368-483: Is that of Mad About You and Friends , which share the character of Ursula Buffay . Neither show shares any production or distribution commonality, but rather an actress ( Lisa Kudrow ), a setting ( New York City ) and a schedule ( Friends initially followed Mad About You on NBC 's Thursday night schedule ). Mad About You and Friends share another type of "network crossover". On rare occasions, networks have chosen to theme an entire night's programming around

4480-506: Is the name of a French death metal band, formerly known as Godzilla; legal problems forced the band to change their name. In May 2015, Toho launched a lawsuit against Voltage Pictures over a planned picture starring Anne Hathaway . Promotional material released at the Cannes Film Festival used images of Godzilla. Steven Spielberg cited Godzilla as an inspiration for Jurassic Park (1993), specifically Godzilla, King of

4592-566: Is when the characters from all three shows split into groups, where the members all share the same clichéd character archetypes, such the main characters Goku, Luffy, and Toriko falling into the dumb, good-natured, strong character archetype. Manga artist Leiji Matsumoto has been known to cross over the characters of his various stories and characters such as Captain Harlock , Galaxy Express 999 , and Queen Millennia , all of which were originally written as separate, self-contained stories. In

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4704-903: The Hanna-Barbera Superstars 10 set of movies involved several crossovers, including such combinations as The Jetsons Meet the Flintstones . This was taken to an extreme in the 1977–79 series Laff-A-Lympics , which was essentially a gathering of the Hanna-Barbera characters for a regular series. Crossovers are not necessarily composed of characters under common ownership. Two of the most notable cartoon crossovers consisted of characters from different companies. Disney's movie Who Framed Roger Rabbit had characters from various companies, most notably Disney and Warner Bros. The film also includes cameos of characters from MGM . Another cartoon crossover would occur in 1990, Cartoon All-Stars to

4816-519: The Maetel Legend , Queen Promethium is revealed to be having been Yukino Yaoi, the protagonist from Queen Millennia . Matsumoto has also created various crossovers with Space Battleship Yamato , an anime on which he served as director, although the rights to Yamato are actually owned by Yoshinobu Nishizaki. The first film crossover in a series of Universal Studios monster films was Frankenstein Meets

4928-538: The Star Trek: Deep Space Nine episode, " Blood Oath " – as the Klingons and Federation had become allies in the century between, the former villains are now portrayed as heroes. The distinction between "spin-off" and "crossover" is sometimes narrow. The two terms can become especially conflated if two shows are linked by a guest star with a single appearance. There is debate, for instance over whether Out of

5040-827: The Fantastic Four , and the Avengers , as well as DC Comics characters such as the Justice League , the Legion of Doom and the Green Lantern Corps . First appearing in 1954, Godzilla has starred in a total of 38 films: 33 Japanese films produced and distributed by Toho Co., Ltd. and five American films, one produced by TriStar Pictures and four produced by Legendary Pictures . He has also appeared in countless other entertainment mediums, which include comic book lines, novelizations , and video games; each appearance expands upon

5152-521: The King of the Monsters , an epithet first used in Godzilla, King of the Monsters! (1956), the American localization of the 1954 film. Originally and in most iterations of the creature, Godzilla is a colossal prehistoric reptilian or dinosaurian monster that is amphibious or resides partially in the ocean, awakened and empowered after many years by exposure to nuclear radiation and nuclear testing . With

5264-486: The Shinjuku ward of Tokyo named Godzilla a special resident and official tourism ambassador to encourage tourism. During an unveiling of a giant Godzilla bust at Toho headquarters, Shinjuku mayor Kenichi Yoshizumi stated, "Godzilla is a character that is the pride of Japan." The mayor extended a residency certificate to an actor in a rubber suit representing Godzilla, but as the suit's hands were not designed for grasping, it

5376-702: The human condition . Godzilla has been featured alongside many supporting characters and, over the decades, has faced off against various human opponents, such as the Japan Self-Defense Forces (JSDF), in addition to other gargantuan monsters, including Gigan , King Ghidorah , and Mechagodzilla . Godzilla has fought alongside allies such as Anguirus , Mothra , and Rodan and has had offspring, including Godzilla Junior and Minilla . Godzilla has also battled characters and creatures from other franchises in crossover media —such as King Kong — as well as various Marvel Comics characters, like S.H.I.E.L.D. ,

5488-710: The nuclear bombings of Hiroshima and Nagasaki and the Lucky Dragon 5 incident still fresh in the Japanese consciousness, Godzilla was conceived as a metaphor for nuclear weapons . Others have suggested that Godzilla is a metaphor for the United States, a "giant beast" woken from its "slumber" that then takes terrible vengeance on Japan. As the film series expanded, some storylines took on less serious undertones, portraying Godzilla as an antihero or lesser threat who defends humanity. Later films address disparate themes and commentary, including Japan's apathy, neglect, and ignorance of its imperial past , natural disasters , and

5600-487: The public domain with those concurrently under copyright protection . A crossover story may try to explain its own reason for the crossover, such as characters being neighbors (notable examples being the casts from The Golden Girls and Empty Nest ) or meeting via dimensional rift or similar phenomenon (a common explanation for science fiction properties that have different owners). Some crossovers are not explained at all. Others are absurd or simply impossible within

5712-521: The 1997 season. There, they proposed that the title character of Sabrina the Teenage Witch should chase her cat, Salem , through Boy Meets World , You Wish and Teen Angel because it had run away with a "time ball" that was displacing each show through time. In 2013, the Canadian crime drama series Republic of Doyle and Murdoch Mysteries produced a crossover, which was complicated by

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5824-404: The American film Godzilla (2014) from Legendary Pictures , Godzilla was scaled to be 108.2 m (355 ft) and weighing 90,000 short tons (81,650 metric tons), making it the largest film version at that time. Director Gareth Edwards wanted Godzilla "to be so big as to be seen from anywhere in the city, but not too big that he couldn't be obscured". For Shin Godzilla (2016), Godzilla

5936-467: The Blue is a spin-off of Happy Days , or whether the star of Out of the Blue merely crossed over into Happy Days . Often, the problems of bringing together two shows with different narrative ambitions make the writing of a crossover burdensome. Such difficulties are encountered by situation comedies that wish to crossover with dramatic television programs. The satirical crossover—ranging in length from

6048-645: The Chipmunks , the Smurfs , ALF (from his short-lived cartoon spinoff ), Garfield , and the trio of Baby Kermit , Baby Piggy , and Baby Gonzo (from Jim Henson's Muppet Babies ). Animation companies granted unlimited, royalty-free use of their cartoon characters for this project, a feat that has been unequalled before or since. This cartoon was also introduced by then- President George H. W. Bush and Barbara Bush , and would be distributed to schools and video stores free of charge nationwide. Webtoons (animated shows from

6160-569: The Famicom in 1988. Mario & Sonic at the Olympic Games , released in Japan two months before Super Smash Bros. Brawl , was the first time that Mario and Sonic (as well as their associated characters) appeared in a game together. In literature , some authors also engage in crossovers by including characters from different novels they have written in one. The first popular crossover in literature

6272-469: The Monsters , portraying the character through performance capture . In Shin Godzilla , a majority of the character was portrayed via CGI, with Mansai Nomura portraying Godzilla through motion capture. In 2024, Godzilla Minus One was nominated for the Academy Award for Best Visual Effects , becoming the first Godzilla film nominated for an Oscar . At the 96th Academy Awards ceremony, it won

6384-558: The Monsters! (1956), which he grew up watching. Spielberg described Godzilla as "the most masterful of all the dinosaur movies because it made you believe it was really happening." Godzilla also influenced the Spielberg film Jaws (1975). Godzilla has also been cited as an inspiration by filmmakers Martin Scorsese and Tim Burton . A carnivorous dinosaur from the Triassic period

6496-617: The Rescue . This cartoon featured popular characters from children's Saturday morning cartoons, banding together to promote an anti-drug message. ABC , CBS , Fox , and NBC aired this half-hour special one Saturday morning with characters from all their networks, including Huey, Dewey, and Louie (from Disney's DuckTales ), Winnie the Pooh , Tigger , Slimer (from The Real Ghostbusters and Extreme Ghostbusters ), Michelangelo (from Teenage Mutant Ninja Turtles ), Bugs Bunny, Daffy Duck, Alvin and

6608-643: The Toho films, with the actors' heads being located in the monster's neck region and the facial movements controlled via animatronics. However, because of the creature's horizontal posture, the stuntmen had to wear metal leg extenders, which allowed them to stand two metres (six feet) off the ground with their feet bent forward. The film's special effects crew also built a 1 ⁄ 6 scale animatronic Godzilla for close-up scenes, whose size outmatched that of Stan Winston 's T. rex in Jurassic Park . Kurt Carley performed

6720-747: The United Kingdom and the Cloverfield monster of the United States. Dakosaurus is an extinct sea crocodile of the Jurassic Period , which researchers informally nicknamed "Godzilla". Paleontologists have written tongue-in-cheek speculative articles about Godzilla's biology, with Kenneth Carpenter tentatively classifying it as a ceratosaur based on its skull shape, four-fingered hands, and dorsal scutes and paleontologist Darren Naish expressing skepticism, while commenting on Godzilla's unusual morphology. Godzilla's ubiquity in pop culture has led to

6832-558: The Wolf Man , in 1943. After the comics publishing house Marvel Comics ventured into movie production , they set off to produce solitary films with popular superheroes from the Avengers team, with characters from upcoming films making cameo appearances in films starring another superhero, leading up to the crossover film The Avengers (2012). Inspired by Marvel's success, Warner Bros. , who hold movie rights for DC Comics ' heroes, announced

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6944-500: The agent has issues over possibly becoming a sperm donor, with David Boreanaz (who plays Booth) repaying the favor in " Road to the North Pole ". An appearance by Elmo , from Sesame Street , was made, in a hallucination of Connie Ray 's, on TV sitcom The Torkelsons . Fan fiction fusions between different science fiction movies and series are often created, such as Star Wars and Star Trek or Babylon 5 and Stargate . M.U.G.E.N.

7056-683: The aid of Hawkman, Batman, Robin , the Atom, Green Lantern, and the Elongated Man along the way. The first major crossover event was spearheaded by the Marvel Editor-in-Chief at the time, Jim Shooter . As a way to further toy sales he devised the Secret Wars crossover which brought all the major Marvel heroes into a 12-issue miniseries to battle a common threat. After the threat was dealt with, they all returned to their regular titles. Secret Wars

7168-439: The award. Godzilla is one of the most recognizable symbols of Japanese popular culture worldwide and remains an important facet of Japanese films, embodying the kaiju subset of the tokusatsu genre. Godzilla's vaguely humanoid appearance and strained, lumbering movements endeared it to Japanese audiences, who could relate to Godzilla as a sympathetic character, despite its wrathful nature. Audiences respond positively to

7280-406: The back. In the original film, the plates were added for purely aesthetic purposes, in order to further differentiate Godzilla from any other living or extinct creature. Godzilla is sometimes depicted as green in comics, cartoons, and movie posters, but the costumes used in the movies were usually painted charcoal gray with bone-white dorsal plates up until the film Godzilla 2000: Millennium . In

7392-560: The character because it acts out of rage and self-preservation and shows where science and technology can go wrong. In 1967, the Keukdong Entertainment Company of South Korea, with production assistance from Toei Company , produced Yongary, Monster from the Deep , a reptilian monster who invades South Korea to consume oil. The film and character has often been branded as an imitation of Godzilla. Godzilla has been considered

7504-550: The character, eventually making Godzilla as tall as 100 m (328 ft). This was done so that it would not be dwarfed by the newer, bigger buildings in Tokyo's skyline, such as the 243-metre-tall (797 ft) Tokyo Metropolitan Government Building which Godzilla destroyed in the film Godzilla vs. King Ghidorah (1991). Supplementary information, such as character profiles, would also depict Godzilla as weighing between 20,000 and 60,000 metric tons (22,050 and 66,140 short tons). In

7616-452: The characters have no prior relationship, but are related by time period, locale or profession. The Law and Order series, for example, afford a commonality of setting and profession which lends itself to crossovers, both within the franchise and in a wider universe. Following the cancellation of the ABC soap opera One Life to Live and its high-rated finale, several characters crossed over into

7728-414: The context of the Japanese films, Godzilla's exact origins vary, but it is generally depicted as an enormous, violent, prehistoric sea monster awakened and empowered by nuclear radiation. Although the specific details of Godzilla's appearance have varied slightly over the years, the overall impression has remained consistent. Inspired by the fictional Rhedosaurus created by animator Ray Harryhausen for

7840-435: The context of the hosting show's narrative. When not clearly presented as parody, this is frequently scorned by fans as blatant commercialism. A notable example of this is The Simpsons episode " A Star Is Burns ", in which the character of Jay Sherman (from The Critic ) appeared. It originally aired on March 5, 1995, on FOX right before The Critic began its second season, its first season having aired on ABC. This episode

7952-444: The continuity of one or all of the properties being crossed over. A good example is the crossover between The Simpsons and The X-Files , which was largely accepted as being outside standard X-Files continuity. They can occur by virtue of a dream sequence , in which the characters of one show will appear as part of a dream had by a character on another show. This method was perhaps used most famously to explain to audiences that

8064-403: The creation of numerous parodies and tributes, as seen in media such as Bambi Meets Godzilla , which was ranked as one of the "50 greatest cartoons", two episodes of Mystery Science Theater 3000 and the song " Godzilla " by Blue Öyster Cult . Godzilla has also been used in advertisements, such as in a commercial for Nike , where Godzilla lost an oversized one-on-one game of basketball to

8176-432: The creature's head. The Cybot Godzilla consisted of a hydraulically powered mechanical endoskeleton covered in urethane skin containing 3,000 computer operated parts which permitted it to tilt its head and move its lips and arms. In Godzilla (1998), special effects artist Patrick Tatopoulos was instructed to redesign Godzilla as an incredibly fast runner. At one point, it was planned to use motion capture from

8288-553: The employee was Amikura. However, Honda's widow Kimi dismissed the employee-name story as a tall tale in a 1998 BBC documentary on Godzilla, believing that Honda, Tanaka, and Tsuburaya gave "considerable thought" to the name of the monster, stating, "the backstage boys at Toho loved to joke around with tall stories, but I don't believe that one". Honda's longtime assistant director Kōji Kajita  [ ja ] added: "Those of us who were closest to them don't even know how and why they came up with Gojira ." Toho later translated

8400-504: The entirety of Newhart had been the dream of Bob Newhart 's character on The Bob Newhart Show . It has more recently been used to demonstrate that cast members of The Young and the Restless appeared in a dream of a character on The King of Queens . Parodic crossovers can take the form of " gag " cameos by characters of one property appearing on another. Crossovers of this type can also be completely wordless. This type of crossover

8512-439: The fictional setting, and have to be ignored by the series' respective continuities . Still others intentionally make the relations between two or more fictional universes confusing, as with The Simpsons and Futurama , where each show is fiction in the other. In contrast with legal crossovers, unofficial crossovers are created solely because of the artistic pleasure derived by their creators. Unofficial crossovers often take

8624-425: The film The Beast from 20,000 Fathoms , Godzilla's character design was conceived as that of an amphibious reptilian monster based around the loose concept of a dinosaur with an erect standing posture, scaly skin, an anthropomorphic torso with muscular arms, lobed bony plates along its back and tail, and a furrowed brow. Art director Akira Watanabe combined attributes of a Tyrannosaurus , an Iguanodon ,

8736-495: The films by an actor wearing a latex costume , though the character has also been rendered in animatronic , stop-motion and computer-generated form. Taking inspiration from King Kong , special effects artist Eiji Tsuburaya had initially wanted Godzilla to be portrayed via stop-motion, but prohibitive deadlines and a lack of experienced animators in Japan at the time made suitmation more practical. The first suit, weighing in excess of 100 kg (220 lb), consisted of

8848-457: The form of fan-written fiction and fan art , but the trope is increasingly prevalent in amateur films and audio . Whereas official crossovers are frequently stymied by such concerns as copyright, royalties payments, quality of writing and ownership of the characters, unofficial crossovers are unfettered by such concerns, so long as property holders do not exercise their right to enjoin the distribution of such material. A good example would be

8960-431: The illusion of great size. In the original 1954 film , Godzilla was scaled to be 50 m (164 ft) tall. This was done so Godzilla could just peer over the largest buildings in Tokyo at the time. In the 1956 American version , Godzilla is estimated to be 121.9 m (400 ft) tall, because producer Joseph E. Levine felt that 50 m did not sound "powerful enough". As the series progressed, Toho would rescale

9072-553: The internet) can also have crossovers with different webtoons, franchises, YouTubers and more. Some examples are when Kate from TomSka 's Crash Zoom series makes an appearance in Eddsworld as a trick or treater who possesses Matt and Edd in the episode, "Trick or Threat". In addition to this a couple of characters from Eddsworld make appearances in some Crash Zoom episodes such as "Orcs and Dorks". Anime has also participated in many crossover events featuring characters or shows from

9184-447: The legs from the suits' steel wire reinforcements wearing through the rubber padding. The ventilation problem was partially solved in the suit used in 1994's Godzilla vs. SpaceGodzilla , which was the first to include an air duct that allowed suit actors to last longer during performances. In The Return of Godzilla (1984), some scenes made use of a 16-foot high robotic Godzilla (dubbed the "Cybot Godzilla") for use in close-up shots of

9296-455: The mistaken assumption that the character is in the public domain , resulting in litigation by Toho to protect their corporate asset from becoming a generic trademark . In April 2008, Subway depicted a giant monster in a commercial for their Five Dollar Footlongs sandwich promotion. Toho filed a lawsuit against Subway for using the character without permission, demanding $ 150,000 in compensation. In February 2011, Toho sued Honda for depicting

9408-440: The monster Anguirus . From The Return of Godzilla (1984) to Godzilla vs. King Ghidorah (1991), Godzilla was given a deeper and more threatening-sounding roar than in previous films, though this change was reverted from Godzilla vs. Mothra (1992) onward. For the 2014 American film, sound editors Ethan Van der Ryn and Erik Aadahl refused to disclose the source of the sounds used for their Godzilla's roar. Aadahl described

9520-580: The monster is referred to as a male and is depicted laying eggs through parthenogenesis . In the Legendary Godzilla films, Godzilla is referred to as a male. Godzilla's allegiance and motivations, as well as its level of intelligence, have changed from film to film to suit the needs of the story. Although Godzilla does not like humans, it will fight alongside humanity against common threats. However, it makes no special effort to protect human life or property and will turn against its human allies on

9632-470: The monster's Japanese name as "Godzilla" for overseas distribution. The first recorded foreign usage of "Godzilla" was printed in the Hawaii Tribune-Herald on November 20, 1955. During the development of the American version of Godzilla Raids Again (1955), Godzilla's name was changed to "Gigantis" by producer Paul Schreibman, who wanted to create a character distinct from Godzilla. Within

9744-785: The monsters forming teams in numerous movies, much like the Marvel movie franchise. Godzilla , Mothra and Rodan (Radon) each first appeared in standalone films before being set against each other or even teaming up against stronger enemies. Their first encounter was in 1964, first in Mothra vs. Godzilla and a few months later of all three in Ghidorah, the Three-Headed Monster . In 1962, Toho released King Kong vs. Godzilla . Crossovers in video games occur when otherwise separated fictional characters, stories , settings , universes , or media in

9856-526: The network's remaining soap opera General Hospital , remaining in the same timeline as their former show. Though most common on shows of the same production company (see, for example, " Hurricane Saturday "), crossovers have also occurred because shows share the same distributor or television network . A notable example of this kind of link is that between Murder, She Wrote and Magnum, P.I. These shows were made by different companies, but owned by Universal Studios and broadcast on CBS . Another case

9968-467: The original Japanese films, Godzilla and all the other monsters are referred to with gender-neutral pronouns equivalent to "it", while in the English dubbed versions, Godzilla is explicitly described as a male. In his book, Godzilla co-creator Tomoyuki Tanaka suggested that the monster was probably male; but also suggested that the original 1954 version could have been female. In the 1998 film Godzilla ,

10080-467: The production of Batman v Superman: Dawn of Justice (2016) and further plans to develop the cinematic DC Extended Universe , while Paramount Pictures and Entertainment One announced plans to create a cinematic universe on the Transformers film series . There have been numerous crossovers in Japanese cinema. The boom of kaiju films saw a lot of crossovers produced at Toho Studios , with some of

10192-499: The reduction in Godzilla's number of toes and the removal of the character's external ears and prominent fangs, features which would all later be reincorporated in the Godzilla designs from The Return of Godzilla (1984) onward. The most consistent Godzilla design was maintained from Godzilla vs. Biollante (1989) to Godzilla vs. Destoroyah (1995), when the suit was given a cat-like face and double rows of teeth. Several suit actors had difficulties in performing as Godzilla due to

10304-444: The same company or network. One of the biggest projects down would be Dream 9 Toriko x One Piece x Dragon Ball Z Super Special Collaboration as it includes three Shonen Jump franchises, being Dragon Ball Z , One Piece , and Toriko , crossed over into an hour long special-like most crossovers, this special is filler, a fan-service episode that follows the common plot line in most crossovers. What makes this crossover unique

10416-510: The show amid a cast comprised otherwise of the sketch show's own stable of actors. Parodic crossovers can be used to lend verisimilitude to the fictional world of a program. Characters from a fictional television series may appear on a stylized version of an established non-fictional television series, such as game shows or reality shows . These crossovers between celebrity hosts and fictional characters are quite common on situation comedies . Mama's Family once appeared on Family Feud and

10528-499: The shows' incompatible historical settings; Murdoch Mysteries is a historical series set in the 1890s, while Republic of Doyle is set in the present day. The problem was solved by having the actors cross over as relatives of their primary characters; Allan Hawco appeared on the November 25, 2013 episode of Murdoch Mysteries as Jacob Doyle, a 19th-century ancestor of his regular character Jake Doyle, while Yannick Bisson appeared on

10640-599: The southernmost Japanese island, is named the Godzilla Megamullion . The Japan Coast Guard played a role in name, reaching an agreement with Toho. Toho's Chief Godzilla officer Keiji Ota stated that "I am truly honored that (the megamullion) bears Godzilla's name, the Earth's most powerful monster." In a 2007 interview, Japanese defense minister Shigeru Ishiba said that he would mobilize the Japan Self-Defense Forces in response to an appearance by Godzilla. In April 2015,

10752-559: The suitmation sequences for the adult Godzilla. In Godzilla (2014), the character was portrayed entirely via CGI. Godzilla's design in the reboot was intended to stay true to that of the original series, though the film's special effects team strove to make the monster "more dynamic than a guy in a big rubber suit." To create a CG version of Godzilla, the Moving Picture Company (MPC) studied various animals such as bears, Komodo dragons , lizards, lions and wolves , which helped

10864-412: The suits' weight, lack of ventilation and diminished visibility. Haruo Nakajima , who portrayed Godzilla from 1954 to 1972, said the materials used to make the 1954 suit (rubber, plastic, cotton, and latex) were hard to find after World War II . The suit weighed 100 kilograms after its completion and required two men to help Nakajima put it on. When he first put it on, he sweated so heavily that his shirt

10976-702: The townsfolk of The Vicar of Dibley have had their heirlooms valuated on Antiques Roadshow , for instance. One of the earlier instances of crossovers in TV productions outside the US is the episode Unter Brüdern  [ de ] (1990), which was produced by WDR and DFF as a crossover between the West German crime series Tatort and the East German crime series Polizeiruf 110 . Their respective popular heroes Horst Schimanski and Peter Fuchs join forces to solve

11088-431: The two syllables of the roar as representing two different emotional reactions, with the first expressing fury and the second conveying the character's soul. Godzilla's size is inconsistent, changing from film to film and even from scene to scene for the sake of artistic license. The miniature sets and costumes were typically built at a 1 ⁄ 25 – 1 ⁄ 50 scale and filmed at 240 frames per second to create

11200-637: The unauthorised live action fan film Batman: Dead End which brings together the properties of Batman , Alien and Predator in one setting. Unofficial crossovers can also occur in a "what-if" scenario. Roger makes frequent cameo appearances in Family Guy , while Brian makes cameos on American Dad! . Roger, Rallo Tubbs , and Klaus Heissler were seen in the final Family Guy Star Wars spoof, " It's A Trap! ", as Moff Jerjerrod , Nien Nunb , and Admiral Ackbar , respectively. Stewie also appears as an interactive hallucination of Booth on Bones when

11312-430: The universe created by the films. Although the process of creating Godzilla's first film is comprehensively recorded, exactly how its name came to be remains unclear. The most widely accepted report of its origin is that producer Tomoyuki Tanaka named the monster after sturdy Toho worker Shirō Amikura, the later chief of the theater club of Toho, who was jokingly dubbed " Gujira " ( グジラ ) then " Gojira " ( ゴジラ ) ,

11424-461: The visual effects artists visualize Godzilla's body structure, like that of its underlying bone, fat and muscle structure, as well as the thickness and texture of its scales. Motion capture was also used for some of Godzilla's movements. T. J. Storm provided the performance capture for Godzilla by wearing sensors in front of a green screen. Storm reprised the role of Godzilla in Godzilla: King of

11536-402: Was a black belt in judo and used his expertise to choreograph the battle sequences. Godzilla is amphibious : it has a preference for traversing Earth's hydrosphere when in hibernation or migration, can breathe underwater due to pore-shaped gills and is described in the original film by the character Dr. Yamane as a transitional form between a marine and a terrestrial reptile. Godzilla

11648-514: Was accepted on Godzilla's behalf by a Toho executive. Reporters noted that Shinjuku's ward has been flattened by Godzilla in three Toho movies. Crossover (fiction) A crossover is the placement of two or more otherwise discrete fictional characters, settings , or universes into the context of a single story . They can arise from legal agreements between the relevant copyright holders (known as intercompany crossovers ), common corporate ownership or unofficial efforts by fans . This

11760-948: Was also voted the most popular movie monster in The Monster Times poll in 1973, beating Count Dracula , King Kong , the Wolf Man , the Mummy , the Creature from the Black Lagoon and the Frankenstein Monster . In 1996, Godzilla received the MTV Lifetime Achievement Award , as well as being given a star on the Hollywood Walk of Fame in 2004 to celebrate the premiere of the character's 50th anniversary film, Godzilla: Final Wars . Godzilla's pop-cultural impact has led to

11872-557: Was hailed as both a critical and commercial success, largely because the events of the crossover had lasting effects on the characters (such as the introduction of Spider-Man 's black suit which would later become the villain Venom ). Jim Shooter later perfected his crossover technique at Valiant Comics with the Unity event. Unity brought all the Valiant characters together to defeat Mothergod , but

11984-721: Was largely condemned by fans of The Simpsons as existing to promote The Critic , an animated series considered inferior by comparison. Even Simpsons creator Matt Groening objected, preferring to remove his name from the credits of that particular episode in protest. In its simplest and most common form, a television crossover involves a starring character on a parent show appearing on a spin-off or vice versa because of established character relationships. An obvious example of this type of crossover occurred when Cliff Huxtable of The Cosby Show visited his daughter, Denise , on A Different World . More complex multi-production franchises can utilize crossovers of characters to serve as

12096-487: Was made even taller than the Legendary version, at 118.5 m (389 ft). In Godzilla: Planet of the Monsters (2017), Godzilla's height was increased further still to 300 m (984 ft). In Godzilla: King of the Monsters (2019) and Godzilla vs. Kong (2021), Godzilla's height was increased to 119.8 m (393 ft) from the 2014 incarnation. Godzilla's appearance has traditionally been portrayed in

12208-540: Was named Gojirasaurus in 1997 . The main-belt asteroid 101781 Gojira , discovered by American astronomer Roy Tucker at the Goodricke-Pigott Observatory in 1999, was named in honor of the creature. The official naming citation was published by the Minor Planet Center on July 11, 2018 ( M.P.C. 110635 ). The largest megamullion , located 600 kilometers to the south-east of Okinotorishima ,

12320-409: Was soaked within seconds. Kenpachiro Satsuma in particular, who portrayed Godzilla from 1984 to 1995, described how the Godzilla suits he wore were even heavier and hotter than their predecessors because of the incorporation of animatronics. Satsuma himself suffered numerous medical issues during his tenure, including oxygen deprivation , near-drowning, concussions, electric shocks and lacerations to

12432-1150: Was the 1885 Mark Twain novel, The Adventures of Huckleberry Finn , which had an important guest appearance by Tom Sawyer . Similarly, Lady Glencora Palliser from the Pallisers series of Anthony Trollope appears towards the end of Miss Mackenzie , a novel published between the first and second Palliser novels in 1865, a character first introduced in the novel, Can You Forgive Her? (1864). Andrew Lang 's 1890 collection, Old Friends: Essays in Epistolary Parody , contains letters combining characters from different sources, including one based on Jane Austen 's Northanger Abbey and Charlotte Brontë 's Jane Eyre . Kim Newman frequently uses this device, as does Stephen King . The works of James Branch Cabell , J.D. Salinger , William Faulkner , Margaret Laurence , Thomas Pynchon , Kurt Vonnegut , Mordecai Richler , Sir H. Rider Haggard , Edgar Rice Burroughs , Robert Heinlein , and Isaac Asimov also cross over with each other, linking different characters and settings together over

12544-458: Was told within the existing Valiant Comics titles (and two bookend special issues). Readers were not obliged to buy all 18 chapters as the story was coherent when reading just one title, but far more layered when all were read. Like Secret Wars , the Unity crossover had lasting effects on the Valiant universe; most notably the introduction of Turok , the birth of Magnus, Robot Fighter and the death of

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