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39-507: Herbert Vesely (31 March 1931 – 13 July 2002) was an Austrian film director and screenwriter . He directed 17 films between 1955 and 1988. This article about an Austrian film director is a stub . You can help Misplaced Pages by expanding it . Film director The film director gives direction to the cast and crew and creates an overall vision through which a film eventually becomes realized or noticed. Directors need to be able to mediate differences in creative visions and stay within

78-473: A film school to get a bachelor's degree studying film or cinema. Film students generally study the basic skills used in making a film. This includes, for example, preparation, shot lists and storyboards, blocking, communicating with professional actors, communicating with the crew, and reading scripts. Some film schools are equipped with sound stages and post-production facilities. Besides basic technical and logistical skills, students also receive education on

117-442: A 1954 essay, François Truffaut criticized the prevailing "Cinema of Quality" whereby directors, faithful to the script, merely adapt a literary novel. Truffaut described such a director as a metteur en scene , a mere "stager" who adds the performers and pictures. To represent the view that directors who express their personality in their work make better films, Truffaut coined the phrase "la politique des auteurs", or "the policy of

156-465: A film as a collaboration, her 1971 essay " Raising Kane ", examining Orson Welles 's 1941 film Citizen Kane , finds extensive reliance on co-writer Herman J. Mankiewicz and on cinematographer Gregg Toland . Richard Corliss and David Kipen argued that a film's success relies more on screenwriting. In 2006, to depict the screenwriter as the film's principal author, Kipen coined the term Schreiber theory . To film historian Georges Sadoul ,

195-402: A film's main "author" can also be an actor, screenwriter, producer, or novel's author, although a film is a collective's work. Film historian Aljean Harmetz , citing classical Hollywood's input by producers and executives, held that auteur theory "collapses against the reality of the studio system ". In 2013, Maria Giese critiqued the lack of American women who are considered to be within

234-501: A film's putative "author" could potentially even be an actor, but a film is indeed collaborative. Aljean Harmetz cited major control even by film executives. David Kipen 's view of the screenwriter as indeed the main author is termed Schreiber theory . In the 1980s, large failures prompted studios to reassert control. The auteur concept has also been applied to non-film directors, such as record producers and video game designers , such as Hideo Kojima . Even before auteur theory,

273-480: A flat fee for the project, as a weekly salary, or as a daily rate. A handful of top Hollywood directors made from $ 133.3 million to $ 257.95 million in 2011, such as James Cameron and Steven Spielberg , but the average United States film directors and producers made $ 89,840 in 2018. A new Hollywood director typically gets paid around $ 400,000 for directing their first studio film. The average annual salary in England

312-542: A recent trend of more attention to women directors in India, brought on partly by Amazon and Netflix moving into the industry. Of the movies produced in Nollywood , women direct only 2%. There are many different awards for film directing, run by various academies , critics associations , film festivals , and guilds . The Academy Award for Best Director and Cannes Film Festival Award for Best Director are considered among

351-508: A yearly salary from ¥4 million to ¥10 million, and the Directors Guild of Japan requires a minimum payment of ¥3.5 million. Korean directors make 300 million to 500 million won for a film, and beginning directors start out making around 50 million won. A Korean director who breaks into the Chinese market might make 1 billion won for a single film. According to a 2018 report from UNESCO ,

390-736: Is a film criticism concept that holds that a film director's film reflects the director's personal creative vision, as if they were the primary "auteur" (the French word for "author"). In spite of—and sometimes even because of—the production of the film as part of an industrial process, the auteur's creative voice is distinct enough to shine through studio interference and the collective process. Some film directors started as screenwriters , film editors , producers , actors , or film critics , as well as directing for similar media like television and commercials. Several American cinematographers have become directors, including Barry Sonnenfeld , originally

429-504: Is likened to the "author" of the film, thus manifesting the director's unique style or thematic focus. As an unnamed value, auteurism originated in French film criticism of the late 1940s, and derives from the critical approach of André Bazin and Alexandre Astruc , whereas American critic Andrew Sarris in 1962 called it auteur theory . Yet the concept first appeared in French in 1955 when director François Truffaut termed it policy of

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468-418: Is to envisage a way to translate a screenplay into a fully formed film, and then to realize this vision. To do this, they oversee the artistic and technical elements of film production. This entails organizing the film crew in such a way to achieve their vision of the film and communicating with the actors. This requires skills of group leadership, as well as the ability to maintain a singular focus even in

507-403: Is treated as artwork while the auteur, as its creator, is the original copyright holder. Under European Union law , largely by influence of auteur theory, a film director is considered the film's author or one of its authors. The references of auteur theory are occasionally applied to musicians, musical performers, and music producers. From the 1960s, record producer Phil Spector is considered

546-714: Is £50,440, in Canada is $ 62,408, and in Western Australia it can range from $ 75,230 to $ 97,119. In France, the average salary is €4000 per month, paid per project. Luc Besson was the highest paid French director in 2017, making €4.44 million for Valerian and the City of a Thousand Planets . That same year, the top ten French directors' salaries in total represented 42% of the total directors' salaries in France. Film directors in Japan average

585-660: The budget . There are many pathways to becoming a film director. Some film directors started as screenwriters , cinematographers , producers , film editors or actors. Other film directors have attended film school. Directors use different approaches. Some outline a general plotline and let the actors improvise dialogue, while others control every aspect and demand that the actors and crew follow instructions precisely. Some directors also write their own screenplays or collaborate on screenplays with long-standing writing partners. Other directors edit or appear in their films or compose music score for their films. A film director's task

624-1087: The Berlin/Brandenburg TV station RBB (Berlin-Brandenburg Broadcasting) and ARTE . In recent decades American directors have primarily been coming out of USC , UCLA , AFI , Columbia University , and NYU , each of which is known for cultivating a certain style of filmmaking. Notable film schools outside of the United States include Beijing Film Academy , Centro de Capacitación Cinematográfica in Mexico City, Dongseo University in South Korea, FAMU in Prague, Film and Television Institute of India , HFF Munich , La Fémis in Paris, Tel Aviv University , and Vancouver Film School . Film directors usually are self-employed and hired per project based on recommendations and industry reputation. Compensation might be arranged as

663-524: The Coen brothers' Director of Photography; Wally Pfister , cinematographer on Christopher Nolan 's three Batman films made his directorial debut with Transcendence (2014). Despite the misnomer, assistant director has become a completely separate career path and is not typically a position for aspiring directors, but there are exceptions in some countries such as India where assistant directors are indeed directors-in-training. Many film directors have attended

702-468: The French film critics André Bazin and Roger Leenhardt described that directors, vitalizing films, depict the directors' own worldviews and impressions of the subject matter, as by varying lighting, camerawork, staging, editing, and so on. As the French New Wave in cinema began, French magazine Cahiers du cinéma , founded in 1951, became a hub of discourse about directors' roles in cinema. In

741-509: The United States. Giese argues women in the US are rarely allowed to direct unless they are already celebrities, and that they are rarely afforded proper budgets. She cites women as making up less than 5% of American feature film directors , while the Hollywood Reporter stated that only about 7% of directors were women among the 250 highest-grossing films in 2016. In some law references, a film

780-547: The authors , and interpreted the films of some directors, like Alfred Hitchcock , as a body revealing recurring themes and preoccupations. American actor Jerry Lewis directed his own 1960 film The Bellboy via sweeping control, and was praised for "personal genius". By 1970, the New Hollywood era had emerged with studios granting directors broad leeway. Pauline Kael argued, however, that "auteurs" rely on creativity of others, like cinematographers. Georges Sadoul deemed

819-746: The authors". He named eight writer-directors, Jean Renoir , Robert Bresson , Jean Cocteau , Jacques Becker , Abel Gance , Max Ophüls , Jacques Tati , and Roger Leenhardt , as examples of these "authors". Jerry Lewis , an actor from the Hollywood studio system, directed his own 1960 film The Bellboy . Lewis's influence on it spanned business and creative roles, including writing, directing, lighting, editing, and art direction. French film critics, publishing in Cahiers du Cinéma and in Positif , praised Lewis's results. For his mise-en-scene and camerawork, Lewis

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858-422: The director ensures that all individuals involved in the film production are working towards an identical vision for the completed film. The set of varying challenges they have to tackle has been described as "a multi-dimensional jigsaw puzzle with egos and weather thrown in for good measure". It adds to the pressure that the success of a film can influence when and how they will work again, if at all. Generally,

897-490: The director was considered the most important influence on a film. In Germany, an early film theorist, Walter Julius Bloem , explained that since filmmaking is an art geared toward popular culture, a film's immediate influence, the director, is viewed as the artist, whereas an earlier contributor, like the screenwriter, is viewed as an apprentice. James Agee , a leading film critic of the 1940s, said that "the best films are personal ones, made by forceful directors". Meanwhile,

936-435: The director works with the editor to edit the material into the director's cut . Well-established directors have the " final cut privilege ", meaning that they have the final say on which edit of the film is released. For other directors, the studio can order further edits without the director's permission. The director is one of the few positions that requires intimate involvement during every stage of film production . Thus,

975-474: The film industry throughout the world has a disproportionately higher number of male directors compared to female directors, and they provide as an example the fact that only 20% of films in Europe are directed by women. 44% of graduates from a sample of European films schools are women, and yet women are only 24% of working film directors in Europe. However only a fraction of film school graduates aspire to direct with

1014-437: The first auteur among producers of popular music. Author Matthew Bannister named him the first "star" producer. Journalist Richard Williams wrote: Spector created a new concept: the producer as overall director of the creative process, from beginning to end. He took control of everything, he picked the artists, wrote or chose the material, supervised the arrangements, told the singers how to phrase, masterminded all phases of

1053-501: The journal Film Culture , American film critic Andrew Sarris translated the French term la politique des auteurs , by François Truffaut in 1955, into Sarris's term auteur theory . Sarris applied it to Hollywood films, and elaborated in his 1968 book, The American Cinema: Directors and Directions 1929–1968 , which helped popularize the English term. Via auteur theory, critical and public scrutiny of films shifted from their stars to

1092-452: The late 1960s, performers typically had little input on their own records. Wilson, however, employed the studio like an instrument, as well as a high level of studio control that other artists soon sought. According to The Atlantic ' s Jason Guriel, the Beach Boys' 1966 album Pet Sounds , produced by Wilson, anticipated later auteurs such as Kanye West , as well as "the rise of

1131-472: The majority entering the industry in other roles. In Hollywood, women make up only 12.6 percent of film directors, as reported by a UCLA study of the 200 top theatrical films of 2017, but that number is a significant increase from 6.9% in 2016. As of 2014, there were only 20 women in the Directors Guild of Japan out of the 550 total members. Indian film directors are also greatly underrepresented by women, even compared to other countries, but there has been

1170-467: The most prestigious awards for directing, and there is even an award for worst directing given out during the Golden Raspberry Awards . Auteur An auteur ( / oʊ ˈ t ɜːr / ; French: [otœʁ] , lit. ' author ') is an artist with a distinctive approach, usually a film director whose filmmaking control is so unbounded and personal that the director

1209-548: The nature of professional relationships that occur during film production. A full degree course can be designed for up to five years of studying. Future directors usually complete short films during their enrollment. The National Film School of Denmark has the student's final projects presented on national TV. Some film schools retain the rights for their students' works. Many directors successfully prepared for making feature films by working in television. The German Film and Television Academy Berlin consequently cooperates with

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1248-458: The overall creation. In the 1960s and the 1970s, a new generation of directors, revitalizing filmmaking by wielding greater control, manifested the New Hollywood era, when studios granted directors more leeway to take risks. Yet in the 1980s, upon high-profile failures like Heaven's Gate , studios reasserted control, muting the auteur theory. Pauline Kael , an early critic of auteur theory, debated Andrew Sarris in magazines. Defending

1287-400: The pantheon of auteur directors. She argues that there is no shortage of non-American women directors that could be considered auteurs, and lists Andrea Arnold , Jane Campion , Liliana Cavani , Claire Denis , Marleen Gorris , Agnieszka Holland , Lynne Ramsay , Agnes Varda, and Lina Wertmuller as being among them, but goes on to say that women are rarely afforded financing for films in

1326-415: The position of film director is widely considered to be a highly stressful and demanding one. It has been said that "20-hour days are not unusual". Some directors also take on additional roles, such as producing, writing or editing. Under European Union law, the film director is considered the "author" or one of the authors of a film, largely as a result of the influence of auteur theory . Auteur theory

1365-419: The recording process with the most painful attention to detail, and released the result on his own label. Another early pop music auteur was Brian Wilson , mentored by Spector. In 1962, Wilson's band, the Beach Boys , signed to Capitol Records and swiftly became a commercial success, whereby Wilson was an early recording artist who was also an entrepreneurial producer. Before the " progressive pop " of

1404-407: The restrictions of the film's budget and the demands of the producer and studio (such as the need to get a particular age rating ). Directors also play an important role in post-production . While the film is still in production, the director sends " dailies " to the film editor and explains their overall vision for the film, allowing the editor to assemble an editor's cut . In post-production,

1443-403: The sole superiors of the director are the producers and the studio that is financing the film, although sometimes the director can also be a producer of the same film. The role of a director differs from producers in that producers typically manage the logistics and business operations of the production, whereas the director is tasked with making creative decisions. The director must work within

1482-477: The stressful, fast-paced environment of a film set. Moreover, it is necessary to have an artistic eye to frame shots and to give precise feedback to cast and crew, thus, excellent communication skills are a must. Because the film director depends on the successful cooperation of many different creative individuals with possibly strongly contradicting artistic ideals and visions, they also need to possess conflict-resolution skills to mediate whenever necessary. Thus

1521-427: Was likened to Howard Hawks , Alfred Hitchcock , and Satyajit Ray . In particular, Jean-Luc Godard credited Lewis's "personal genius" for making him "the only one in Hollywood doing something different, the only one who isn't falling in with the established categories, the norms, the principles", "the only one today who's making courageous films". As early as his 1962 essay "Notes on the auteur theory", published in

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