The Hattersley loom was developed by George Hattersley and Sons of Keighley , West Yorkshire , England . The company had been started by Richard Hattersley after 1784, with his son, George Hattersley , later entering the business alongside him. The company developed a number of innovative looms , of which the Hattersley Standard Loom – developed in 1921 – was a great success.
21-594: The Hattersley Standard Loom was designed and built in 1921. Thousands of models were expected to be sold, which would bring considerable financial success to the company.[1] After the recapitalisation boom of 1919, cotton yarn production peaked in 1926 and further investment was sparse. Rayon, an artificial silk, was invented in the 1930s in nearby Silsden, and the Hattersley Silk Loom was adapted to weave this new fabric. The plain Hattersley Domestic Loom
42-471: A Franco-British exhibition in 1908. There is a Hattersley Jacquard (tapestry) loom located at Queen Street Mill in Burnley . Putting-out system#Cottage industry The putting-out system is a means of subcontracting work, like a tailor. Historically, it was also known as the workshop system and the domestic system . In putting-out, work is contracted by a central agent to subcontractors who complete
63-480: A central place of business, such as a marketplace or a larger town, to be assembled and sold. In other cases travelling agents or traders would tour the villages, supplying the raw materials and collecting the finished goods. The raw materials were often provided by the merchant , who received the finished product, hence the synonymous term "putting-out system". The advantages of this system were that workers involved could work at their own speed, and children working in
84-687: Is much easier and faster to weave as all the motions of the loom are connected via crankshaft and gear wheels. The cast metal chair, manufactured along with the loom, can be raised or lowered to suit, and the seat rocks forward and back as the weaver treadles the loom. There is an example in the Bradford Industrial Museum . There are only two known examples of the Hattersley Domestic Weaving System in operation today - by South African homeware textile producers, Mungo , whose domestic Hattersley Loom can be found in use at
105-514: Is often considered to be a form of proto-industrialization , and remained prominent until the Industrial Revolution of the 19th century. At that point, it underwent name and geographical changes. However, bar some technological advancements, the putting-out system has not changed in essential practice. Contemporary examples can be found in China, India, and South America, and are not limited to
126-505: Is the practice of hiring contractors who work inside the proprietor's factory. It replaced the putting out system , where contractors worked in their own facilities. Inside contracting was the system favored by the Springfield and Harper's Ferry Armories. Since the manufacturing system developed in the armories also became popular (the American system of manufacturing ), manufacturers in
147-522: The Industrial Revolution . Business operators would travel around the world, buying raw materials, delivering them to people who would work on them, and then collecting the finished goods to sell, or typically to ship to another market. One of the factors which allowed the Industrial Revolution to take place in Western Europe was the presence of these business people who had the ability to expand
168-735: The Mungo Mill, weaving runs of natural fibre textiles. Hattersley Domestic Weaving can also be found in New Zealand, in use by Roderick McLean of McLean and Company in Oamaru. Artworks could be replicated en masse by use of the Hattersley Jacquard (Tapestry) Loom. For example, Sir Edwin Henry Landseer 's painting Bolton Abbey in Ye Olden Times was produced in tapestry form by a Jacquard Loom at
189-505: The "workshop system" rather than the "factory system" was the rule. All of the processes were carried out under different cottage roofs. It was replaced by inside contracting and the factory system . The domestic system was a popular system of cloth production in Europe . It was also used in various other industries, including the manufacture of wrought iron ironware such as pins, pots, and pans for ironmongers . It existed as early as
210-415: The 15th century, but was most prominent in the 17th and 18th centuries. It served as a way for employers and workers to bypass the guild system, which was thought to be cumbersome and inflexible, and to access a rural labor force. Having the workers work in their homes was convenient for both parties. Workers were remote worker , manufacturing individual articles from raw materials , then bringing them to
231-470: The early 19th century tended to hire people trained in the armories as managers. They brought with them the practice of inside contracting. The manufacturer hired inside contractors and provided materials and machinery. Each inside contractor was expected to hire his own employees and meet certain production and quality goals, but everything else was left to him. As a result, the system rewarded ingenuity, but also rewarded local optimization. For example, it
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#1732881142723252-515: The project via remote work . It was used in the English and American textile industries, in shoemaking , lock -making trades, and making parts for small firearms from the Industrial Revolution until the mid-19th century. After the invention of the sewing machine in 1846, the system lingered on for the making of ready-made men's clothing. The domestic system was suited to pre-urban times because workers did not have to travel from home to work, which
273-506: The scale of their operations. In Russia, the Kustar were rural artisans engaged in cottage industries. Such industries were very common at a time when much of the population was engaged in agriculture, because the farmers and their families often had both the time and the desire to earn additional income during the part of the year (winter) when there was little work to do farming or selling produce. Inside contracting Inside contracting
294-611: The system were better treated than they would have been in the factory system, although the homes might be polluted by the toxins from the raw materials. As the woman of a family usually worked at home, someone was often there to look after any children. The domestic system is often cited as one of the causes of the rise of the nuclear family in Europe, as the workers' earnings made them less dependent on their extended family. This often led to more prosperity among workers, with more furniture, and better food and clothing than they had had before. It
315-598: The textiles industry. Historian David A. Hounshell writes: In 1854, the British obtained their military small arms through a system of contracting with private manufacturers located principally in the Birmingham and London areas ... Although significant variation occurred, almost all of the contractors manufactured parts or fitted them through a highly decentralized, putting-out process using small workshops and highly skilled labor. In small arms making as in lock production,
336-479: Was a famous Swedish entrepreneur who continued a putting-out business at Holsljunga . He contracted up to 200 domestic workers, who came to his house to get the raw material and returned after a couple of weeks with textiles, which local pedlars from the city of Borås then bought and went out to sell, among other things, around Sweden and Norway. A cottage industry is an industry —primarily manufacturing —which includes many producers, working from their homes, and
357-513: Was forced to give a £2 deposit. In a desperate attempt to feed her starving infants, Mrs. Biddell pawned the clothing she had made, thus accruing a debt that she could not repay. Biddell was sent to a workhouse, and her ultimate fate is unknown; however, her story motivated those who actively opposed the wretched conditions of England's working poor, who often spent seven days a week labouring under inhuman conditions, barely managing to survive and with no prospect of relief. Anders Jonsson (1816–1890)
378-723: Was mostly centralized in Western Europe and did not take a strong hold in Eastern Europe . Thomas Hood 's poem " The Song of the Shirt " (1843) describes the wretched life of a woman in Lambeth labouring under such a system. It was written in honour of a woman who is known only as Mrs. Biddell, a Lambeth widow and seamstress who lived in a state of poverty. In what was, at that time, common practice, she sewed trousers and shirts in her home using materials given to her by her employer, for which she
399-588: Was often organized through the putting-out system. The biggest participants in this system were the merchant capitalist and the rural worker. The merchant would "put-out" basic materials to the cottage workers, who then prepared the materials in their own homes and returned the finished merchandise back to the merchant. The term originally referred to home workers who were engaged in a task such as sewing , lace-making , wall hangings, or household manufacturing. Some industries which are nowadays usually operated from large, centralized factories were cottage industries before
420-417: Was quite unfeasible due to the state of roads and footpaths, and members of the household spent many hours in farm or household tasks. Early factory owners sometimes had to build dormitories to house workers, especially girls and women. Putting-out workers had some flexibility to balance farm and household chores with the putting-out work, this being especially important in winter. The development of this trend
441-466: Was specially developed for cottage or home use and designed to replace the wooden handloom ; the Domestic is similar in construction to a power loom . It was introduced ca.1900 and the makers claimed that a speed of 160 picks per minute could be easily attained with from 2 to 8 shafts weaving a variety of fabrics. Because foot pedals, or treadles , operate the loom it is still classed as a handloom, but it
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