Misplaced Pages

#119880

120-474: HE/NY has given the U.S., New York, and world premieres of works by Handel , Stravinsky , Shostakovich , Nino Rota , Brahms , Copland , Mussorgsky , Grofé , and Krommer , the premiere of Dvořák's Octet-Serenade, and the first performances in more than 50 years of Gershwin ’s original symphonic orchestrations (researched by Richman) at Lincoln Center for the Performing Arts. One of the latter events drew

240-570: A Georgian house at 25 Brook Street , which he rented for the rest of his life. This house, where he rehearsed, copied music, and sold tickets, is now the Handel House Museum . During twelve months between 1724 and 1725, Handel wrote three successful operas, Giulio Cesare , Tamerlano and Rodelinda . Handel's operas are filled with da capo arias , such as Svegliatevi nel core . After composing Silete venti , he concentrated on opera and stopped writing cantatas. Scipio , from which

360-459: A basso continuo group (comprising chord-playing instrumentalists such as harpsichordists and lute players improvising chords from a figured bass part) while a group of bass instruments— viol , cello , double bass —played the bassline . A characteristic Baroque form was the dance suite . While the pieces in a dance suite were inspired by actual dance music, dance suites were designed purely for listening, not for accompanying dancers. During

480-437: A lute player who would play the bassline and improvise the chords and several bass instruments (e.g., bass viola , cello , double bass ) which would play the bassline. With the writing of the operas L'Orfeo and L'incoronazione di Poppea among others, Monteverdi brought considerable attention to this new genre. This Venetian style was taken handily to Germany by Heinrich Schütz , whose diverse style also evolved into

600-604: A musical clock with a pipe organ built by Charles Clay; it was bought by Gerrit Braamcamp and was in 2016 acquired by the Museum Speelklok in Utrecht. Deidamia , his last opera, a co-production with the Earl of Holderness , was performed three times in 1741. Handel gave up the opera business, while he enjoyed more success with his English oratorios. Il trionfo del tempo e del disinganno , an allegory , Handel's first oratorio

720-520: A "respect for the dignity and freedom of man's mind and the solemn majesty of the law", principles that would have drawn him to and kept him in England for half a century. Handel also there encountered theologian and professor of Oriental languages August Hermann Francke , who was particularly solicitous of children, especially orphans. The orphanage he founded became a model for Germany, and undoubtedly influenced Handel's own charitable impulse when he assigned

840-467: A Toscanini 150th Anniversary Tribute to Gershwin original orchestrations, works by Dvořák, Copland (featured in the Ken Burns PBS documentary The National Parks ), and Stravinsky (for which it received a GRAMMY Award nomination in 2002), as well as Henry Mancini ’s Music From Peter Gunn, (featured on National Public Radio's "All Things Considered"), Duke Ellington/ Billy Strayhorn jazz band version of

960-634: A carillon and extra-large military kettledrums (from the Tower of London ), to be sure "...it will be most excessive noisy". Saul and Israel in Egypt , both from 1739, head the list of great, mature oratorios, in which the da capo aria became the exception and not the rule. Israel in Egypt consists of little else but choruses, borrowing from the Funeral Anthem for Queen Caroline . In his next works, Handel changed his course. In these works he laid greater stress on

1080-533: A church organist and cantor was a highly prestigious office. From it, he received 5 thalers a year and lodgings in the run-down castle of Moritzburg. Around this same time, Handel made the acquaintance of Telemann . Four years Handel's senior, Telemann was studying law at Leipzig and was assisting cantor Johann Kuhnau ( Bach 's predecessor at the Thomaskirche there). Telemann recalled forty years later in an autobiography for Mattheson's Grundlage : "The writing of

1200-640: A court servant; and so, given the embarrassed financial condition of his mother, Handel set off for Hamburg to obtain experience while supporting himself. In 1703, he accepted a position as violinist and harpsichordist in the orchestra of the Hamburg Oper am Gänsemarkt . There he met the composers Johann Mattheson , Christoph Graupner and Reinhard Keiser . Handel's first two operas, Almira and Nero , were produced in 1705. He produced two other operas, Daphne and Florindo , performed in 1708. According to Mainwaring, in 1706 Handel travelled to Italy at

1320-468: A court style composer is Jean-Baptiste Lully . He purchased patents from the monarchy to be the sole composer of operas for the French king and to prevent others from having operas staged. He completed 15 lyric tragedies and left unfinished Achille et Polyxène . Lully was an early example of a conductor ; he would beat the time with a large staff to keep his ensembles together. Musically, he did not establish

SECTION 10

#1733085776120

1440-698: A handwritten date of a copy (1700) and stylistic considerations. Lang writes that the works "show thorough acquaintance with the distilled sonata style of the Corelli school " and are notable for "the formal security and the cleanness of the texture." Hogwood considers all of the oboe trio sonatas spurious and even suggests that some parts cannot be performed on oboe. That authentic manuscript sources do not exist and that Handel never recycled any material from these works makes their authenticity doubtful. Other early chamber works were printed in Amsterdam in 1724 as opus 1, but it

1560-520: A journey back from Germany to London, Handel was seriously injured in a carriage accident between The Hague and Haarlem in the Netherlands. In 1751, one eye started to fail. The cause was a cataract which was operated on by the great charlatan Chevalier Taylor . This did not improve his eyesight and possibly made it worse. He was completely blind by 1752. He died in 1759 at home in Brook Street, at

1680-495: A larger public. Next came Deborah , strongly coloured by the coronation anthems and Athaliah , his third English Oratorio. In these three oratorios Handel laid the foundation for the traditional use of the chorus which marks his later oratorios. Handel became sure of himself, broader in his presentation, and more diverse in his composition. It is evident how much he learned from Arcangelo Corelli about writing for instruments, and from Alessandro Scarlatti about writing for

1800-619: A private setting for Ruspoli and Ottoboni in 1709 and 1710, respectively. Rodrigo , his first all-Italian opera, was produced in the Cocomero theatre in Florence in 1707. Agrippina was first produced in 1709 at Teatro San Giovanni Grisostomo in Venice, owned by the Grimanis . The opera, with a libretto by Cardinal Vincenzo Grimani , ran for 27 nights successively. The audience, thunderstruck with

1920-405: A profess'd friend of Mr. Handel (who was here also) was admitted; I never was so well entertained at an opera! Mr. Handel was in the best humour in the world, and played lessons and accompanied Strada and all the ladies that sang from seven o'clock till eleven. I gave them tea and coffee, and about half an hour after nine had a salver brought in of chocolate, mulled white wine, and biscuits. Everybody

2040-667: A recovery, he had a relapse in May, with an accompanying deterioration in his mental capacities. He had strong competition from John Frederick Lampe ; The Dragon of Wantley was first performed at the Little Theatre in the Haymarket in London on 16 May 1737. It was a parody of the Italian opera seria . In Autumn 1737 the fatigued Handel reluctantly followed the advice of his physicians and went to take

2160-412: A room at the top of the house. To this room he constantly stole when the family was asleep". Although both John Hawkins and Charles Burney credited this tale, Schoelcher found it nearly "incredible" and a feat of "poetic imagination" and Lang considers it one of the unproven "romantic stories" that surrounded Handel's childhood. But Handel had to have had some experience with the keyboard to have made

2280-407: A solo singing accompanied by a kithara (an ancient strummed string instrument). The early realizations of these ideas, including Jacopo Peri 's Dafne and L'Euridice , marked the beginning of opera, which was a catalyst for Baroque music. Concerning music theory, the more widespread use of figured bass (also known as thorough bass ) represents the developing importance of harmony as

2400-632: A statue of Czech composer Antonín Dvořák in Stuyvesant Square Park, New York City, across the street from where Dvořák lived from 1892-95 while director of the National Conservatory of Music. Among the guest artists were the Guarneri String Quartet , bass-baritone William Warfield , and Czech soprano Eva Urbanová . It later presented the annual Dvořák Day Concerts featuring both American and Czech artists. On September 13, 1997,

2520-459: A technical term from scholastic logic. The term "baroque" is generally used by music historians to describe a broad range of styles from a wide geographic region, mostly in Europe, composed over a period of about 150 years. Though it was long thought that the word as a critical term was first applied to architecture, in fact it appears earlier in reference to music, in an anonymous, satirical review of

SECTION 20

#1733085776120

2640-550: A tool for expression and communication. The etymology of baroque is likely via the French baroque (which originally meant a pearl of irregular shape), and from the Portuguese barroco ("irregular pearl"); also related are the Spanish barrueco and the Italian barocco . The term is of uncertain ultimate origin, but possibly from Latin verrūca ("wart") or possibly from Baroco ,

2760-555: A year Georg married again, this time to the daughter of a Lutheran minister, Pastor Georg Taust of the Church of St. Bartholomew in Giebichenstein, who himself came from a long line of Lutheran pastors. George Frideric was the second child of this marriage; the first son was stillborn . Two younger sisters arrived afterwards: Dorthea Sophia, born on 6 October 1687, and Johanna Christiana, born on 10 January 1690. Early in his life Handel

2880-519: Is Antonio Vivaldi , who later composed hundreds of works based on the principles in Corelli's trio sonatas and concerti. In contrast to these composers, Dieterich Buxtehude was not a creature of court but instead was church musician, holding the posts of organist and Werkmeister at the Marienkirche at Lübeck. His duties as Werkmeister involved acting as the secretary, treasurer, and business manager of

3000-537: Is impossible to tell which are early works in their original form, rather than later re-workings by Handel, a frequent practice of his. Handel's probationary appointment to Domkirche expired in March 1703. By July Handel was in Hamburg. Since he left no explanation for the move biographers have offered their own speculation. Donald Burrows believes that the answer can be found by untangling Mainwaring's confused chronology of

3120-511: Is often labelled the Age of Absolutism , personified by Louis XIV of France. The style of palace, and the court system of manners and arts he fostered became the model for the rest of Europe. The realities of rising church and state patronage created the demand for organized public music, as the increasing availability of instruments created the demand for chamber music , which is music for a small ensemble of instrumentalists. One pre-eminent example of

3240-505: Is reported to have attended the Gymnasium in Halle, where the headmaster, Johann Praetorius  [ de ] , was reputed to be an ardent musician. Whether Handel remained there, and if he did for how long, is unknown, but many biographers suggest that he was withdrawn from school by his father, based on the characterization of him by Handel's first biographer, John Mainwaring . Mainwaring

3360-567: Is said the compositions spurred reconciliation between Handel and the king, supposedly annoyed by the composer's abandonment of his Hanover post. In 1717, Handel became house composer at Cannons in Middlesex , where he laid the cornerstone for his future choral compositions in the Chandos Anthems . Romain Rolland wrote that these anthems (or Psalms) stood in relation to Handel's oratorios, much

3480-407: Is the source for almost all information (little as it is) of Handel's childhood, and much of that information came from J. C. Smith Jr., Handel's confidant and copyist. Whether it came from Smith or elsewhere, Mainwaring frequently relates misinformation. It is from Mainwaring that the portrait comes of Handel's father as implacably opposed to any musical education. Mainwaring writes that Georg Händel

3600-566: The Encyclopédie : "Baroque music is that in which the harmony is confused, and loaded with modulations and dissonances. The singing is harsh and unnatural, the intonation difficult, and the movement limited. It appears that term comes from the word 'baroco' used by logicians". Rousseau was referring to the philosophical term baroco , in use since the 13th century to describe a type of elaborate and, for some, unnecessarily complicated academic argument. The systematic application by historians of

3720-527: The King James Bible . In 1728, John Gay's The Beggar's Opera , which made fun of the type of Italian opera Handel had popularised in London, premiered at Lincoln's Inn Fields Theatre and ran for 62 consecutive performances, the longest run in theatre history up to that time. After nine years the Royal Academy of Music ceased to function but Handel soon started a new company. The Queen's Theatre at

Harmonie Ensemble/New York - Misplaced Pages Continue

3840-846: The Nutcracker Suite (paired with Tchaikovsky's original Nutcracker Suite ), and the Miles Davis/Gil Evans Sketches of Spain with trumpet soloist Lew Soloff . Among its recording premieres are works by Dvořák, Stravinsky, Gershwin, Grofé, Copland, and Krommer. The CDs have been issued worldwide on the Harmonia Mundi [PIAS], Bridge Records , Koch, Sheffield Lab, and Music & Arts labels. Handel George Frideric (or Frederick ) Handel ( / ˈ h æ n d əl / HAN -dəl ; baptised Georg Fried [ e ] rich Händel , German: [ˈɡeːɔʁk ˈfʁiːdʁɪç ˈhɛndl̩] ; 23 February 1685 – 14 April 1759)

3960-574: The Renaissance period , and was followed in turn by the Classical period after a short transition (the galant style ). The Baroque period is divided into three major phases: early, middle, and late. Overlapping in time, they are conventionally dated from 1580 to 1650, from 1630 to 1700, and from 1680 to 1750. Baroque music forms a major portion of the " classical music " canon , and is widely studied, performed, and listened to. The term " baroque " comes from

4080-493: The Western classical music practice. For instance, Italian composers switched to the galant style around 1730, while German composers such as Johann Sebastian Bach largely continued to write in the baroque style up to 1750. The Florentine Camerata was a group of humanists, musicians, poets and intellectuals in late Renaissance Florence who gathered under the patronage of Count Giovanni de' Bardi to discuss and guide trends in

4200-468: The concerto grosso . Whereas Lully was ensconced at court, Corelli was one of the first composers to publish widely and have his music performed all over Europe. As with Lully's stylization and organization of the opera, the concerto grosso is built on strong contrasts—sections alternate between those played by the full orchestra, and those played by a smaller group. Fast sections and slow sections were juxtaposed against each other. Numbered among his students

4320-689: The slave-trading Royal African Company (RAC), following in the steps of his patron (the Duke of Chandos was one of the leading investors in the RAC). As noted by music historian David Hunter, 32 per cent of the subscribers and investors in the Royal Academy of Music, or their close family members, held investments in the RAC as well. In May 1719, The 1st Duke of Newcastle , the Lord Chamberlain , ordered Handel to look for new singers. Handel travelled to Dresden to attend

4440-649: The "magic" opera Orlando . After two commercially successful English oratorios Esther and Deborah , he was able to invest again in the South Sea Company . Handel reworked his Acis and Galatea which then became his most successful work ever. Handel failed to compete with the Opera of the Nobility , who engaged musicians such as Johann Adolph Hasse , Nicolo Porpora and the famous castrato Farinelli . The strong support by Frederick, Prince of Wales caused conflicts in

4560-554: The 17th St. house. Among the many honored guests were members of the Dvořák family, the Lord Mayor of Prague, and filmmaker Milos Forman. Both Steven Richman and Dean of American composers Aaron Copland conducted Harmonie Ensemble/New York at the Copland 80th Birthday Concert on Nov. 22, 1980, at New York's Symphony Space . The program was broadcast live on National Public Radio. Copland led

4680-512: The Baroque era to its climax, the High Baroque. Italy: France: Italy: Proliferation: France: Germany: Bohemia : Poland : Galant music : Bach's elder sons and pupils : Mannheim school : A characteristic of the Baroque form was the dance suite . Some dance suites by Bach are called partitas , although this term is also used for other collections of pieces. While

4800-519: The English nobility with Italian opera. In 1737, he had a physical breakdown, changed direction creatively, addressed the middle class and made a transition to English choral works. After his success with Messiah (1742), he never composed an Italian opera again. His orchestral Water Music and Music for the Royal Fireworks remain steadfastly popular. One of his four coronation anthems , Zadok

4920-431: The Haymarket (now His Majesty's Theatre), established in 1705 by architect and playwright John Vanbrugh , quickly became an opera house. Between 1711 and 1739, more than 25 of Handel's operas premièred there. In 1729, Handel became joint manager of the theatre with John James Heidegger . Handel travelled to Italy to engage new singers and also composed seven more operas, among them the comic masterpiece Partenope and

Harmonie Ensemble/New York - Misplaced Pages Continue

5040-457: The Italian Baroque. In turn, Handel's music forms one of the peaks of the "high baroque" style, bringing Italian opera to its highest development, creating the genres of English oratorio and organ concerto, and introducing a new style into English church music. He is consistently recognized as one of the greatest composers of his age. Handel started three commercial opera companies to supply

5160-428: The Italian poet Torquato Tasso , Handel enjoyed great success, although it was composed quickly, with many borrowings from his older Italian works. This work contains one of Handel's favourite arias, Cara sposa, amante cara , and the famous Lascia ch'io pianga . Handel went back to Halle twice, to attend the wedding of his sister and the baptism of her daughter, but decided to settle permanently in England in 1712. In

5280-808: The Portuguese word barroco , meaning " misshapen pearl ". The works of Antonio Vivaldi , George Frideric Handel and Johann Sebastian Bach are considered the pinnacle of the Baroque period. Other key composers of the Baroque era include Claudio Monteverdi , Domenico Scarlatti , Alessandro Scarlatti , Alessandro Stradella , Tomaso Albinoni , Johann Pachelbel , Henry Purcell , Georg Philipp Telemann , Jean-Baptiste Lully , Jean-Philippe Rameau , Marc-Antoine Charpentier , Arcangelo Corelli , François Couperin , Johann Hermann Schein , Heinrich Schütz , Samuel Scheidt , Dieterich Buxtehude , Gaspar Sanz , José de Nebra , Antonio Soler , Carlos Seixas , Adam Jarzębski and others, with Giovanni Battista Pergolesi being

5400-594: The Power of Music based on John Dryden's Alexander's Feast starred Anna Maria Strada del Pò and John Beard . Early 1737 he produced Arminio and Giustino , completed Berenice , revived Partenope , and continued with Il Parnasso in Festa , Alexander's Feast , and the revised The Triumph of Time and Truth which premiered on 23 March. In April Handel suffered a mild stroke, or rheumatic palsy , resulting in temporary paralysis in his right hand and arm. After brief signs of

5520-515: The Priest , has been performed at every British coronation since 1727. Almost blind, he died in 1759 a respected and rich man, and was given a state funeral at Westminster Abbey . Handel composed more than forty opere serie over a period of more than thirty years. Since the late 1960s, interest in Handel's music has grown. The musicologist Winton Dean wrote that "Handel was not only a great composer; he

5640-591: The Renaissance, notably Carlo Gesualdo ; However, the use of harmony directed towards tonality (a focus on a musical key that becomes the "home note" of a piece), rather than modality , marks the shift from the Renaissance into the Baroque period. This led to the idea that certain sequences of chords, rather than just notes, could provide a sense of closure at the end of a piece —one of the fundamental ideas that became known as tonality . By incorporating these new aspects of composition, Claudio Monteverdi furthered

5760-589: The Venetian Francesco Cavalli , who was principally an opera composer. Later important practitioners of this style include Antonio Cesti , Giovanni Legrenzi , and Alessandro Stradella , who additionally originated the concerto grosso style in his Sonate di viole. Arcangelo Corelli is remembered as influential for his achievements on the other side of musical technique—as a violinist who organized violin technique and pedagogy—and in purely instrumental music, particularly his advocacy and development of

5880-493: The adaptation of theories based on the plastic arts and literature to music. All of these efforts resulted in appreciable disagreement about time boundaries of the period, especially concerning when it began. In English the term acquired currency only in the 1940s, in the writings of Bukofzer and Paul Henry Lang . As late as 1960, there was still considerable dispute in academic circles, particularly in France and Britain, whether it

6000-538: The age of 74. The last performance he attended was of Messiah . Handel was buried in Westminster Abbey . More than three thousand mourners attended his funeral, which was given full state honours. Handel never married and kept his personal life private. His initial will bequeathed the bulk of his estate to his niece Johanna, but four codicils distributed much of his estate to other relations, servants, friends and charities. Handel owned an art collection that

6120-521: The aria Hark! hark! He strikes the golden lyre , Handel wrote the accompaniment for mandolin , harp , violin, viola, and violoncello . Another of his English oratorios, Solomon , was first performed on 17 March 1749 at the Covent Garden Theatre. The text for Solomon is thought to have been penned by the English Jewish poet and playwright Moses Mendes , based on the biblical stories of

SECTION 50

#1733085776120

6240-403: The arts, especially music and drama . In reference to music, they based their ideals on a perception of Classical (especially ancient Greek ) musical drama that valued discourse and oration. Accordingly, they rejected their contemporaries' use of polyphony (multiple, independent melodic lines) and instrumental music, and discussed such ancient Greek music devices as monody , which consisted of

6360-474: The bass by bassoons. Trumpets and kettledrums were frequently added for heroic scenes. The middle Baroque period in Italy is defined by the emergence of the vocal styles of cantata , oratorio , and opera during the 1630s, and a new concept of melody and harmony that elevated the status of the music to one of equality with the words, which formerly had been regarded as pre-eminent. The florid, coloratura monody of

6480-621: The chief composers represented in this exercise book were Johann Krieger , an "old master" in the fugue and prominent organ composer, Johann Caspar Kerll , a representative of the "southern style" after his teacher Girolamo Frescobaldi and imitated later by Handel, Johann Jakob Froberger , an "internationalist" also closely studied by Buxtehude and Bach , and Georg Muffat , whose amalgam of French and Italian styles and his synthesis of musical forms influenced Handel. Mainwaring writes that during this time Zachow had begun to have Handel assume some of his church duties. Zachow, Mainwaring asserts,

6600-707: The church, while his position as organist included playing for all the main services, sometimes in collaboration with other instrumentalists or vocalists, who were also paid by the church. Entirely outside of his official church duties, he organised and directed a concert series known as the Abendmusiken , which included performances of sacred dramatic works regarded by his contemporaries as the equivalent of operas. France: The work of George Frideric Handel, Johann Sebastian Bach and their contemporaries, including Domenico Scarlatti, Antonio Vivaldi , Tomaso Albinoni , Jean-Philippe Rameau, Georg Philipp Telemann, and others advanced

6720-621: The composer's important patrons and a primary subscriber to his new opera company, the Royal Academy of Music , though his patronage declined after Chandos lost large sums of money in the South Sea Bubble , which burst in 1720 in one of history's greatest financial cataclysms. Handel himself invested in the South Sea Company in 1716, when its share prices were low and sold them before the "bubble" burst in 1720. In 1720, Handel invested in

6840-554: The court of Saxe-Weissenfels and the Margraviate of Brandenburg . Halle was a relatively prosperous city, home of a salt-mining industry, a centre of trade, and a member of the Hanseatic League . The Margrave of Brandenburg became the administrator of the archepiscopal territories of Mainz , including Magdeburg when they converted, and by the early 17th century held his court in Halle, which attracted renowned musicians. Even

6960-672: The cure in the spa towns of Royal Tunbridge Wells , Aix-la-Chapelle ( Burtscheid ) in September. All the symptoms of his "disorder" vanished by November. On Christmas Eve Handel finished the score of Faramondo , but its composition was interrupted by that of the Funeral Anthem for Queen Caroline . On Boxing Day he began the composition of Serse , the only comic opera that Handel ever wrote and worked with Elisabeth Duparc . A harp and organ concerto (HWV 294) and Alexander's Feast were published in 1738 by John Walsh . He composed music for

7080-420: The dancing of Marie Sallé , for whom Handel composed Terpsicore . In 1735, he introduced organ concertos between the acts. For the first time, Handel allowed Gioacchino Conti , who had no time to learn his part, to substitute arias. Financially, Ariodante was a failure, although he introduced ballet suites at the end of each act. Alcina , his last opera with a magic content, and Alexander's Feast or

7200-433: The date of the trip or Mainwaring's statements about Handel's father must be in error. Early biographers solved the problem by making the year of the trip 1696, then noting that at the age of 11, Handel would need a guardian, so they have Handel's father or a friend of the family accompany him, all the while puzzling over why the elder Handel, who wanted Handel to become a lawyer, would spend the sum to lead his son further into

7320-446: The early Baroque gave way to a simpler, more polished melodic style. These melodies were built from short, cadentially delimited ideas often based on stylized dance patterns drawn from the sarabande or the courante . The harmonies, too, might be simpler than in the early Baroque monody, to show expression in a lighter manner on the string and crescendos and diminuendos on longer notes. The accompanying bass lines were more integrated with

SECTION 60

#1733085776120

7440-490: The effects of orchestra and soloists; the chorus retired into the background. L'Allegro, il Penseroso ed il Moderato has a rather diverting character; the work is light and fresh. During the summer of 1741, the 3rd Duke of Devonshire invited Handel to Dublin , capital of the Kingdom of Ireland , to give concerts for the benefit of local hospitals. Composed in London between 22 August and 14 September 1741, Handel's Messiah

7560-717: The excellent Johann Kuhnau served as a model for me in fugue and counterpoint; but in fashioning melodic movements and examining them Handel and I were constantly occupied, frequently visiting each other as well as writing letters." Although Mainwaring records that Handel wrote weekly when assistant to Zachow and as probationary organist at Domkirche part of his duty was to provide suitable music, no sacred compositions from his Halle period can now be identified. Mattheson, however, summarised his opinion of Handel's church cantatas written in Halle: "Handel in those days set very, very long arias and sheerly unending cantatas which, while not possessing

7680-503: The first concert was in conjunction with the dedication of the Dvořák Statue in Stuyvesant Square Park. Featured was a performance of Symphony No. 9, “From the new world,” in St. George's Church, across the park from where it was composed at 327 E. 17th Street. The event also featured violinist Josef Suk , Dvořák's great-grandson, performing Dvořák's Sonatina for Violin and Piano, also composed in

7800-635: The grandeur and sublimity of his style, applauded for Il caro Sassone ("the dear Saxon" – referring to Handel's German origins). In June 1710, Handel became Kapellmeister to German prince George, the Elector of Hanover , but left at the end of the year. It is likely he was also invited by Charles Montagu the former ambassador in Venice to visit England. He visited Anna Maria Luisa de' Medici and her husband in Düsseldorf on his way to London. With his opera Rinaldo , based on La Gerusalemme Liberata by

7920-603: The impression in Weissenfels that resulted in his receiving formal musical training. Sometime between the ages of seven and nine, Handel accompanied his father to Weissenfels , where he came under the notice of one whom Handel thereafter always regarded throughout life as his benefactor, Duke Johann Adolf I . Somehow Handel made his way to the court organ in the palace chapel of the Holy Trinity, where he surprised everyone with his playing. Overhearing this performance and noting

8040-420: The invitation of Ferdinando de' Medici . (Other sources say Handel was invited by Gian Gastone de' Medici , whom Handel had met in 1703–04 in Hamburg. ) Ferdinando, who had a keen interest in opera, was trying to make Florence Italy's musical capital by attracting the leading talents of his day. In Italy, Handel met librettist Antonio Salvi , with whom he later collaborated. Handel left for Rome and since opera

8160-450: The keyboard player what intervals are to be played above each bass note. The keyboard player would improvise a chord voicing for each bass note. Composers began concerning themselves with harmonic progressions , and also employed the tritone , perceived as an unstable interval, to create dissonance (it was used in the dominant seventh chord and the diminished chord ). An interest in harmony had also existed among certain composers in

8280-467: The largest audience in the history of Lincoln Center (10,000 people) in Damrosch Park . HE/NY also presented the first fireworks concert at Lincoln Center, marking Handel's 300th Birthday, and a Leonard Bernstein 70th Birthday Concert, which received a letter of commendation from New York City Mayor Ed Koch . Beginning in 1994, under Richman, the ensemble presented a series of benefit concerts to place

8400-608: The liberal arts." At the time Handel was studying either at Halle's Lutheran Gymnasium or the Latin School. Mainwaring has Handel travelling to Berlin the next year, 1698. The problem with Mainwaring as an authority for this date, however, is that he tells of how Handel's father communicated with the "king" during Handel's stay, declining the Court's offer to send Handel to Italy on a stipend and that his father died "after his return from Berlin." But since Georg Händel died in 1697, either

8520-433: The linear underpinnings of polyphony. Harmony is the result of counterpoint , and figured bass is a visual representation of those harmonies commonly employed in musical performance. With figured bass, numbers, accidentals or symbols were placed above the bassline that was read by keyboard instrument players such as harpsichord players or pipe organists (or lutenists ). The numbers, accidentals or symbols indicated to

8640-494: The mansion of Lord Burlington, Handel wrote Amadigi di Gaula , a " magic " opera, about a damsel in distress , based on the tragedy by Antoine Houdar de la Motte . The conception of an opera as a coherent structure was slow to capture Handel's imagination and he composed no operas for five years. In July 1717, Handel's Water Music was performed more than three times on the River Thames for King George I and his guests. It

8760-560: The melody, producing a contrapuntal equivalence of the parts that later led to the device of an initial bass anticipation of the aria melody. This harmonic simplification also led to a new formal device of the differentiation of recitative (a more spoken part of opera) and aria (a part of opera that used sung melodies). The most important innovators of this style were the Romans Luigi Rossi and Giacomo Carissimi , who were primarily composers of cantatas and oratorios, respectively, and

8880-401: The mixed vocal/instrumental forms of opera , cantata and oratorio and the instrumental forms of the solo concerto and sonata as musical genres. Dense, complex polyphonic music, in which multiple independent melody lines were performed simultaneously (a popular example of this is the fugue ), was an important part of many Baroque choral and instrumental works. Overall, Baroque music was

9000-556: The most prominent Baroque composer of sacred music. The Baroque saw the formalization of common-practice tonality , an approach to writing music in which a song or piece is written in a particular key ; this type of harmony has continued to be used extensively in Western classical and popular music . During the Baroque era, professional musicians were expected to be accomplished improvisers of both solo melodic lines and accompaniment parts. Baroque concerts were typically accompanied by

9120-405: The newly built opera. He saw Teofane by Antonio Lotti , and engaged members of the cast for the Royal Academy of Music, founded by a group of aristocrats to assure themselves a constant supply of baroque opera or opera seria . Handel may have invited John Smith, his fellow student in Halle, and his son Johann Christoph Schmidt , to become his secretary and amanuensis . By 1723 he had moved into

9240-535: The old school", revelling in fugues, canons, and counterpoint. But he was also familiar with developments in music across Europe and his own compositions "embraced the new concerted, dramatic style". When Zachow discovered the talent of Handel, he introduced him "to a vast collection of German and Italian music, which he possessed, sacred and profane, vocal and instrumental compositions of different schools, different styles, and of every master". Many traits considered "Handelian" can be traced back to Zachow's music. At

9360-819: The original 13-instrument version of Appalachian Spring and Richman conducted Copland's Music for the Theatre . A film, Copland at 80: A Self-Portrait, including the composer conducting Harmonie Ensemble/New York, has been broadcast internationally and released on video worldwide. Maestro Leonard Bernstein spoke, and was among the many prominent musical figures in attendance. Among the ensemble's birthday celebration concerts have been events devoted to Gershwin, Dvořák, Stravinsky, Toscanini , Handel, Bernstein, Morton Gould , Duke Ellington , Harry Burleigh (Dvořák's assistant), William Walton , Nino Rota, Claude Thornhill , Benny Goodman , Henry Mancini, and Gershwin's associate, Kay Swift . The ensemble's 14 CDs under Richman range from

9480-412: The period composers experimented with finding a fuller sound for each instrumental part (thus creating the orchestra), made changes in musical notation (the development of figured bass as a quick way to notate the chord progression of a song or piece), and developed new instrumental playing techniques. Baroque music expanded the size, range, and complexity of instrumental performance, and also established

9600-428: The pieces in a dance suite were inspired by actual dance music, dance suites were intended for listening, not for accompanying dancers. Composers used a variety of different movements in their dance suites. A dance suite commonly has these movements : The four dance types (allemande, courante, sarabande, and gigue) make up the majority of 17th-century suites. Later suites interpolate one or more additional dances between

9720-559: The première in October 1733 of Rameau's Hippolyte et Aricie, printed in the Mercure de France in May 1734. The critic implied that the novelty in this opera was "du barocque", complaining that the music lacked coherent melody, was filled with unremitting dissonances, constantly changed key and meter, and speedily ran through every compositional device. Jean-Jacques Rousseau , who was a musician and composer as well as philosopher, wrote in 1768 in

9840-414: The proper knack or correct taste, were perfect so far as harmony is concerned." Early chamber works do exist, but it is difficult to date any of them to Handel's time in Halle. Many historians until recently followed Chrysander and designated the six trio sonatas for two oboes and basso continuo as his first known composition, supposedly written in 1696 (when Handel was 11). Lang doubts the dating based on

9960-518: The regimental slow march of the British Grenadier Guards is derived, was performed as a stopgap, waiting for the arrival of Faustina Bordoni . In 1727, Handel was commissioned to write four anthems for the Coronation ceremony of King George II . One of these, Zadok the Priest , has been played at every British coronation ceremony since. The words to Zadok the Priest are taken from

10080-533: The rights of Messiah to London's Foundling Hospital . Shortly after commencing his university education, Handel (though Lutheran ) on 13 March 1702 accepted the position of organist at the Calvinist Cathedral in Halle , the Domkirche, replacing J. C. Leporin, for whom he had acted as assistant. The position, which was a one-year probationary appointment, showed the foundation he had received from Zachow, for

10200-772: The royal family. In March 1734 Handel composed a wedding anthem This is the day which the Lord hath made , and a serenata Parnasso in Festa for Anne, Princess Royal . Despite the problems the Opera of the Nobility was causing him at the time, Handel's neighbour in Brook Street, Mary Delany , reported on a party she invited Handel to at her house on 12 April 1734 where he was in good spirits: I had Lady Rich and her daughter, Lady Cath. Hanmer and her husband, Mr. and Mrs. Percival, Sir John Stanley and my brother, Mrs. Donellan, Strada [star soprano of Handel's operas] and Mr. Coot. Lord Shaftesbury begged of Mr. Percival to bring him, and being

10320-524: The same time Handel continued practice on the harpsichord , and learned violin and organ, but according to Burney his special affection was for the hautbois (oboe). Schoelcher speculates that his youthful devotion to the instrument explains the large number of pieces he composed for the oboe. With respect to instruction in composition, in addition to having Handel apply himself to traditional fugue and cantus firmus work, Zachow, recognising Handel's precocious talents, systematically introduced Handel to

10440-399: The same way that the Italian cantatas stood to his operas: "splendid sketches of the more monumental works." Another work, which he wrote for The 1st Duke of Chandos , the owner of Cannons, was Acis and Galatea : during Handel's lifetime, it was his most performed work. Winton Dean wrote that "the music catches breath and disturbs the memory". In 1719, the Duke of Chandos became one of

10560-476: The school, largely to provide a lecture forum for the jurist Christian Thomasius who had been expelled from Leipzig for his liberal views. Handel did not enrol in the faculty of law, although he almost certainly attended lectures. Thomasius was an intellectual and academic crusader, who was the first German academic to lecture in German and also denounced witch trials. Lang believes that Thomasius instilled in Handel

10680-479: The singers appeared in their own clothes. In 1736, Handel produced Alexander's Feast . John Beard appeared for the first time as one of Handel's principal singers and became Handel's permanent tenor soloist for the rest of Handel's life. The piece was a great success and it encouraged Handel to make the transition from writing Italian operas to English choral works. In Saul , Handel was collaborating with Charles Jennens and experimenting with three trombones,

10800-452: The smaller churches all had "able organists and fair choirs", and humanities and the letters thrived (Shakespeare was performed in the theatres early in the 17th century). The Thirty Years' War brought extensive destruction to Halle, and by the 1680s it was impoverished. However, since the middle of the war the city had been under the administration of the Duke of Saxony , and soon after the end of

10920-407: The solo voice; but there is no single composer who taught him how to write for chorus. Handel tended more and more to replace Italian soloists with English ones. The most significant reason for this change was the dwindling financial returns from his operas. Thus a tradition was created for oratorios which was to govern their future performance. The performances were given without costumes and action;

11040-416: The string-dominated norm for orchestras, which was inherited from the Italian opera, and the characteristically French five-part disposition (violins, violas—in hautes-contre, tailles and quintes sizes—and bass violins ) had been used in the ballet from the time of Louis XIII. He did, however, introduce this ensemble to the lyric theatre, with the upper parts often doubled by recorders, flutes, and oboes, and

11160-480: The subsequent period. Idiomatic instrumental textures became increasingly prominent. In particular, the style luthé —the irregular and unpredictable breaking up of chordal progressions, in contrast to the regular patterning of broken chords—referred to since the early 20th century as style brisé , was established as a consistent texture in French music by Robert Ballard , in his lute books of 1611 and 1614, and by Ennemond Gaultier . This idiomatic lute figuration

11280-522: The summer of 1713, he lived at Mr. Mathew Andrews' estate in Barn Elms , Surrey. He received a yearly income of £200 from Queen Anne after composing for her the Utrecht Te Deum and Jubilate , first performed in 1713. One of his most important patrons was the 3rd Earl of Burlington and 4th Earl of Cork , a young and extremely wealthy member of an Anglo-Irish aristocratic family. While living in

11400-557: The temptation of music as a career. Schoelcher for example has Handel travelling to Berlin at 11, meeting both Bononcini and Attilio Ariosti in Berlin and then returning at the direction of his father. But Ariosti was not in Berlin before the death of Handel's father, and Handel could not have met Bononcini in Berlin before 1702. Modern biographers either accept the year as 1698, since most reliable older authorities agree with it, and discount what Mainwaring says about what took place during

11520-759: The term "baroque" to music of this period is a relatively recent development. In 1919, Curt Sachs became the first to apply the five characteristics of Heinrich Wölfflin 's theory of the Baroque systematically to music. Critics were quick to question the attempt to transpose Wölfflin's categories to music, however, and in the second quarter of the 20th century independent attempts were made by Manfred Bukofzer (in Germany and, after his immigration, in America) and by Suzanne Clercx-Lejeune (in Belgium) to use autonomous, technical analysis rather than comparative abstractions, in order to avoid

11640-476: The transition from the Renaissance style of music to that of the Baroque period. He developed two individual styles of composition—the heritage of Renaissance polyphony ( prima pratica ) and the new basso continuo technique of the Baroque ( seconda pratica ). With basso continuo, a small group of musicians would play the bassline and the chords which formed the accompaniment for a melody . The basso continuo group would typically use one or more keyboard players and

11760-500: The trip or assume that Mainwaring conflated two or more visits to Berlin, as he did with Handel's later trips to Venice. Perhaps to fulfil a promise to his father or simply because he saw himself as "dedicated to the liberal arts", on 10 February 1702 Handel matriculated at the University of Halle . That university had only recently been founded. In 1694, the Elector of Brandenburg Frederick III (later Prussian King Frederick I) created

11880-524: The trip to Berlin. Burrows dates this trip to 1702 or 1703 (after his father's death) and concludes that since Handel (through a "friend and relation" at the Berlin court) turned down Frederick's offer to subsidise his musical education in Italy (with the implicit understanding that he would become a court musician on his return), Handel was no longer able to expect preferment (whether as a musician, lawyer or otherwise) within Brandenburg-Prussia. Since he

12000-451: The variety of styles and masterworks contained in his extensive library. He did this by requiring Handel to copy selected scores. "I used to write like the devil in those days", Handel recalled much later. Much of this copying was entered into a notebook that Handel maintained for the rest of his life. Although it has since disappeared, the notebook has been sufficiently described to understand what pieces Zachow wished Handel to study. Among

12120-512: The war he would bring musicians trained in Dresden to his court in Weissenfels . The arts and music, however, flourished only among the higher strata (not only in Halle but throughout Germany), of which Handel's family was not a part. Georg Händel (senior) was born at the beginning of the war and was apprenticed to a barber in Halle at the age of 14 after his father died. When he was 20, he married

12240-421: The widow of the official barber-surgeon of a suburb of Halle, inheriting his practice. With this, Georg determinedly began the process of becoming self-made; by dint of his "conservative, steady, thrifty, unadventurous" lifestyle, he guided the five children he had with Anna who reached adulthood into the medical profession (except his youngest daughter, who married a government official). Anna died in 1682. Within

12360-480: The wise king Solomon . Solomon contains a short and lively instrumental passage for two oboes and strings in act 3, known as "The Arrival of the Queen of Sheba". The use of English soloists reached its height at the first performance of Samson . The work is highly theatrical. The role of the chorus became increasingly important in his later oratorios. Jephtha was first performed on 26 February 1752; even though it

12480-401: The youth of the performer caused the Duke, whose suggestions were not to be disregarded, to recommend to Georg Händel that Handel be given musical instruction. Handel's father engaged the organist at the Halle parish church, the young Friedrich Wilhelm Zachow , to instruct Handel. Zachow would be the only teacher that Handel ever had. Because of his church employment, Zachow was an organist "of

12600-442: Was "alarmed" at Handel's very early propensity for music, "took every measure to oppose it", including forbidding any musical instrument in the house and preventing Handel from going to any house where they might be found. This did nothing to dampen young Handel's inclination; in fact, it did the reverse. Mainwaring tells the story of Handel's secret attic spinet : Handel "found means to get a little clavichord privately convey'd to

12720-544: Was "often" absent, "from his love of company, and a cheerful glass", and Handel, therefore, performed on organ frequently. What is more, according to Mainwaring, Handel began composing, at the age of nine, church services for voice and instruments "and from that time actually did compose a service every week for three years successively". Mainwaring ends this chapter of Handel's life by concluding that three or four years had been enough to allow Handel to surpass Zachow, and Handel had become "impatient for another situation"; "Berlin

12840-630: Was (temporarily) banned in the Papal States , composed sacred music for the Roman clergy. His famous Dixit Dominus (1707) is from this era. He also composed cantatas in pastoral style for musical gatherings in the palaces of duchess Aurora Sanseverino (whom Mainwaring called "Donna Laura") one of the most influential patrons from the Kingdom of Naples , and cardinals Pietro Ottoboni , Benedetto Pamphili and Carlo Colonna . Two oratorios , La resurrezione and Il trionfo del tempo , were produced in

12960-547: Was a German-British Baroque composer well-known for his operas , oratorios , anthems , concerti grossi , and organ concertos . Handel received his training in Halle and worked as a composer in Hamburg and Italy before settling in London in 1712, where he spent the bulk of his career and became a naturalised British subject in 1727 . He was strongly influenced both by the middle-German polyphonic choral tradition and by composers of

13080-474: Was a dramatic genius of the first order." His music was admired by Classical-era composers, especially Mozart , Haydn and Beethoven . Handel was born in 1685 (the same year as Johann Sebastian Bach and Domenico Scarlatti ) in Halle , in the Duchy of Magdeburg , then part of Brandenburg-Prussia. His parents were Georg Händel , aged 63, and Dorothea Taust. His father was an eminent barber-surgeon who served

13200-518: Was attracted to secular, dramatic music (by meeting the Italians Bononcini and Attilio Ariosti and through the influence of Telemann), Hamburg, a free city with an established opera company, was the logical choice. The question remains, however, why Handel rejected the King's offer, given that Italy was the centre of opera. Lang suggests that influenced by the teachings of Thomasius, Handel's character

13320-412: Was auctioned posthumously in 1760. The auction catalogue listed approximately seventy paintings and ten prints, his other paintings having been bequeathed. Baroque music Baroque music ( UK : / b ə ˈ r ɒ k / or US : / b ə ˈ r oʊ k / ) refers to the period or dominant style of Western classical music composed from about 1600 to 1750. The Baroque style followed

13440-447: Was composed in Italy in 1707, followed by La resurrezione in 1708 which uses material from the Bible. The circumstances of Esther and its first performance, possibly in 1718, are obscure. Another 12 years had passed when an act of piracy caused him to take up Esther once again. Three earlier performances aroused such interest that they naturally prompted the idea of introducing it to

13560-541: Was easy and seemed pleased. In 1733, the Earl of Essex received a letter with the following sentence: "Handel became so arbitrary a prince, that the Town murmurs." The board of chief investors expected Handel to retire when his contract ended, but Handel immediately looked for another theatre. In cooperation with John Rich he started his third company at Covent Garden Theatre . Rich was renowned for his spectacular productions. He suggested Handel use his small chorus and introduce

13680-538: Was first performed at the New Music Hall in Fishamble Street , Dublin on 13 April 1742, with 26 boys and five men from the combined choirs of St Patrick's and Christ Church cathedrals participating. Handel secured a balance between soloists and chorus which he never surpassed. In 1747, Handel wrote his oratorio Alexander Balus . This work was produced at Covent Garden Theatre in London, on 23 March 1748, and to

13800-518: Was his last oratorio, it was no less a masterpiece than his earlier works. In 1749, Handel composed Music for the Royal Fireworks ; 12,000 people attended the first performance. In 1750, he arranged a performance of Messiah to benefit the Foundling Hospital , a children's home in London. The performance was considered a great success and was followed by annual concerts that continued throughout his life. In recognition of his patronage, Handel

13920-401: Was later transferred to the harpsichord, for example in the keyboard music of Louis Couperin and Jean-Henri D'Anglebert , and continued to be an important influence on keyboard music throughout the 18th and early 19th centuries (in, for example, the music of Johann Sebastian Bach and Frédéric Chopin ). The rise of the centralized court is one of the economic and political features of what

14040-650: Was made a governor of the Hospital the day after his initial concert. He bequeathed a copy of Messiah to the institution upon his death. His involvement with the Foundling Hospital is today commemorated with a permanent exhibition in London's Foundling Museum , which also holds the Gerald Coke Handel Collection . In addition to the Foundling Hospital, Handel also gave to a charity that assisted impoverished musicians and their families. In August 1750, on

14160-535: Was meaningful to lump together music as diverse as that of Jacopo Peri , Domenico Scarlatti , and Johann Sebastian Bach under a single rubric. Nevertheless, the term has become widely used and accepted for this broad range of music. It may be helpful to distinguish the Baroque from both the preceding ( Renaissance ) and following ( Classical ) periods of musical history. Throughout the Baroque era, new developments in music originated in Italy, after which it took up to 20 years before they were broadly adopted in rest of

14280-440: Was such that he was unable to make himself subservient to anyone, even a king. Lang sees Handel as someone who could not accept class distinctions that required him to regard himself as a social inferior. "What Handel craved was personal freedom to raise himself out of his provincial milieu to a life of culture." Burrows notes that, like his father, Handel was able to accept royal (and aristocratic) favours without considering himself

14400-450: Was the place agreed upon." Carelessness with dates or sequences (and possibly imaginative interpretation by Mainwaring) makes this period confused. Handel's father died on 11 February 1697. It was German custom for friends and family to compose funeral odes for a substantial burgher like Georg, and young Handel discharged his duty with a poem dated 18 February and signed with his name and (in deference to his father's wishes) "dedicated to

#119880