" Jetrel " is the fifteenth episode of the first season of Star Trek: Voyager . Neelix has mixed feelings as he encounters a former enemy of his alien race.
166-440: The story for this television episode was written by James Thomton and Scott Nimerfro, while the teleplay (aka script) was written by Jack Klein, Karen Klein, and Kenneth Biller and it was directed by Kim Friedman. It made its debut on television on May 15, 1995, on UPN . Neelix is aghast when a Haakonian named Dr. Ma'Bor Jetrel contacts Voyager and asks to meet him. The Haakonians fought a long, destructive war against his people,
332-528: A Fox affiliate. For 50 years, DuMont was the only major broadcast television network to cease operations, until CBS Corporation and Time Warner merged two other struggling networks, UPN and The WB , in September 2006, to create The CW Television Network – whose schedule was originally composed largely of programs from both of its predecessor networks. On February 22, 2018, Lightning One, Inc., owned by Smashing Pumpkins lead singer Billy Corgan , filed
498-410: A CBS affiliate; though WOIO eventually took over production of the newscast by 2002). Harrisburg affiliate WLYH-TV briefly continued its newscasts after switching to UPN from CBS in 1995, until WHP-TV began operating the station under a local marketing agreement that fall. WFTC /Minneapolis continued to produce a late evening newscast after Fox Television Stations (which acquired KMSP-TV through
664-631: A DuMont public affairs program, was awarded a Peabody Award in 1952 in the Education category. Sheen's Emmy and the Science Review Peabody were the only national awards the DuMont Network received. Though DuMont series and performers continued to win local TV awards, by the mid-1950s the DuMont network no longer had a national presence. The earliest measurements of TV audiences were performed by
830-476: A U.S. trademark application for "The Dumont Network." The application by Lightning One was very likely associated with its ownership of the "National Wrestling Alliance" trademark, the moniker of one of the oldest wrestling promotions in the United States. However, according to the registration filing, the trademark for "The Dumont Network" as owned by Lightning One was allowed to lapse on July 2, 2020, rendering
996-499: A badly needed cash infusion, giving it the resources to mount "top shelf" programming and to provide a national television service on a scale approaching that of CBS and NBC. Through UPT president Leonard Goldenson , ABC also gained ties with the Hollywood studios that more than matched those DuMont's producers had with Broadway. Realizing that ABC had more resources than they could even begin to match, DuMont officials were receptive to
1162-515: A cable-originated service to increase its distribution to markets without an over-the-air affiliate in July 1998; however, the service, which was to have been named UPN Plus, ultimately never launched. UPN did have one cable-only affiliate in its station form, WNFM-TV in Fort Myers , Florida , which joined the network in 1998. In markets where Viacom had a CBS/UPN duopoly after its 2000 merger with CBS,
1328-443: A combination of "UPN" or "Paramount" (the latter having been used only by the network's Viacom-owned stations, some of whom adopted the "Paramount" branding prior to UPN's launch), and the affiliated station's channel number. By the late 1990s, affiliates were simply branded under the "UPN (channel number or city)" scheme (for example, Chicago affiliate WPWR-TV called itself "UPN Chicago" and New York City O&O-turned-affiliate WWOR-TV
1494-449: A considerable loss after attempting to compete with three established VHF stations. The FCC's Hyman H. Goldin said in 1960, "If there had been four VHF outlets in the top markets, there's no question DuMont would have lived and would have eventually turned the corner in terms of profitability." During the early years of television, there was some measure of cooperation among the four major U.S. networks. However, as television grew into
1660-623: A contractual clause that would – within a 45-day grace period – force Chris-Craft to either buy Viacom out of UPN, or have Chris-Craft sell its ownership stake in UPN to Viacom. Three days later on February 8, Chris-Craft subsequently filed a lawsuit against Viacom in the New York Supreme Court to block Viacom's merger with CBS, claiming that a pact signed between the two partners in 1997 had prevented either from owning "any interest, financial or otherwise" in "any competing network," including CBS, for
1826-462: A few nights of programming each week, with additional nights of primetime shows gradually being added over the course of several seasons. Because of this, UPN's affiliates were basically independent stations for all intents and purposes during the network's early years, with these stations airing either syndicated programs or movies during primetime on nights when the network did not provide programming. The first expansion of its primetime lineup came with
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#17328847854701992-415: A fixed medium, were not eligible for copyright at the time, although films of those telecasts could if they contained a proper copyright notice) or lapsed into the public domain in the late 1970s when DuMont's successor-company Metromedia declined to renew the copyrights. A large number of episodes of Life Is Worth Living have been saved, and they are now aired weekly on Catholic -oriented cable network,
2158-463: A four-year period through January 2001. On March 17, New York Supreme Court judge Herman Cahn ruled against Chris-Craft's move for a permanent injunction to curtail the Viacom-CBS merger and the enforcement of Viacom's ultimatum. Unable to find a suitable partner, on March 20, Chris-Craft allowed Viacom to buy out its 50% stake for $ 5 million, giving Viacom full control of UPN. This gave UPN
2324-401: A full complement of five O&Os, augmented by nine primary affiliates. ABC also had a radio network descended from NBC's Blue Network from which to draw talent, affiliate loyalty, and generate income to subsidize television operations. However, ABC had only 14 primary stations, while CBS and NBC had over 40 each. By 1951, ABC was badly overextended and on the verge of bankruptcy. That year,
2490-763: A joint venture with the Tribune Company at roughly the same time. Paramount formed the Paramount Stations Group in 1991 when it purchased the assets of the TVX Broadcast Group , which owned several independent stations in major markets. This was not unlike the purchase of the Metromedia stations by News Corporation five years earlier, which were used as the nucleus for Fox. In another parallel, 20th Century Fox (the News Corporation subsidiary behind
2656-670: A lease on the Adelphi Theatre on 54th Street and the Ambassador Theatre on West 49th Street gave the network a site for variety shows. In 1954, the lavish DuMont Tele-Centre opened in the former Jacob Ruppert 's Central Opera House at 205 East 67th Street, today the site of the Fox Television Center and home of WABD successor station WNYW. DuMont was the first network to broadcast a film production for TV: Talk Fast, Mister , produced by RKO in 1944. DuMont also aired
2822-491: A local newscast in the 10:00–11:00 p.m. Eastern and Pacific (9:00–10:00 p.m. Central and Mountain Time) timeslot at some point during or throughout their affiliations with the network; there were also a few stations that produced a weekday morning newscast, although early evening newscasts were largely absent on most of these stations. The UPN affiliate body had fewer news-producing stations in comparison to stations aligned with
2988-495: A merger offer from ABC. Goldenson quickly brokered a deal with Ted Bergmann, DuMont's managing director, under which the merged network would have been called "ABC-DuMont" until at least 1958 and would have honored all of DuMont's network commitments. In return, DuMont would get $ 5 million in cash, guaranteed advertising time for DuMont sets, and a secure future for its staff. A merged ABC-DuMont would have been an entity rivaling CBS and NBC, as it would have owned stations in five of
3154-648: A minority shareholder in DuMont Laboratories when it advanced $ 400,000 in 1939 for a 40% share in the company. Paramount had television interests of its own, having launched stations in Los Angeles in 1939 and Chicago in 1940. DuMont's association with Paramount would later come back to haunt DuMont. Soon after his experimental Washington station signed on , DuMont began experimental coaxial cable hookups between his laboratories in Passaic and his two stations. It
3320-550: A monster, Neelix agrees to be examined and Jetrel informs him that he has incipient metremia. Jetrel convinces Captain Janeway to make a detour to the Talaxian system. Using the ship's transporter systems, Jetrel feels he will be able to develop a cure by retrieving samples of the Metreon cloud still surrounding Rinax. Janeway agrees but Neelix is still bitter. He angrily condemns Jetrel for
3486-475: A move that resulted in calls by state politicians for the FCC to revoke Fox's license to operate the station. KTTV took over production of sister station KCOP's newscasts in 2007, before discontinuing news programming on that station in 2013. KMAX's news department has since been merged with that of KOVR although it still produces a morning newscast separate from that station. WKBD shut down its news department (which
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#17328847854703652-554: A network's station in the East Coast and West Coast. For this reason, some doubt was cast on UPN's future after Fox Television Stations bought most of Chris-Craft's television stations for $ 5.5 billion on August 12, 2000, which included several UPN affiliates (including WWOR and KCOP). Fox later bought the third-largest UPN affiliate, Chicago's WPWR-TV, through a separate deal with Newsweb Corporation for $ 450 million in June 2002. Despite
3818-441: A new block. In 1999, UPN contracted the rights to the network's children's programming lineup to The Walt Disney Company ; as a result, the teen-oriented and animated series were replaced with a new block called Disney's One Too , which debuted on September 6, 1999, and featured select programs seen on ABC's Disney's One Saturday Morning lineup (such as Recess and Sabrina: The Animated Series ). Many UPN affiliates at
3984-480: A news sharing agreement with KIRO-TV between 2003 and 2005. Not all of UPN's news-producing stations were owned by the two companies that formed the nuclei of the network's affiliate group; WUAB / Cleveland , which started its news department in 1988, also continued its 10:00 p.m. newscast as a UPN affiliate (it would begin producing newscasts for sister station WOIO-TV in February 1995, after that station became
4150-451: A profitable business, an intense rivalry developed among the networks, just as it had in radio. NBC and CBS competed fiercely for viewers and advertising dollars, a contest neither underfunded DuMont nor ABC could hope to win. According to author Dennis Mazzocco, "NBC tried to make an arrangement with ABC and CBS to destroy the DuMont network." The plan was for NBC and CBS to exclusively offer ABC their most popular series after they had aired on
4316-427: A programming partnership with Chris-Craft to create the network. Chris-Craft and Paramount/Viacom each owned independent stations in several large and mid-sized U.S. cities, and these stations formed the nuclei of the new network. Warner Bros. announced plans to launch a similar network, which would become known as The WB , in close proximity to UPN. The belief that a new broadcast network could grow to be competitive
4482-492: A radio network from which to draw big-name talent, affiliate loyalty, or radio profits to underwrite television operations until the television medium itself became profitable. Most early television licenses were granted to established radio broadcasters, and many longtime relationships with radio networks carried over to the new medium. As CBS and NBC (and to a lesser extent, ABC) gained their footing, they began to offer programming that drew on their radio backgrounds, bringing over
4648-511: A request of $ 100,000, which Salhany refused. At one point, the network was set to be titled the U/P Network before its current name was decided. Ultimately, the "U" in UPN stood for Chris-Craft subsidiary United Television , which owned the network's two largest stations, WWOR-TV in New York City and KCOP-TV in Los Angeles ; the "P" represented Paramount Television, the studio that formed
4814-400: A satellite television programming network featuring programs largely produced by college students since 1991. The founder and first head of UPN, Lucie Salhany , approached NACB with an offer of US$ 50,000 to transfer the name. Due to the costs related to rebranding the student network, and under the advice of its then-volunteer legal counsel, Cary Tepper, the non-profit association countered with
4980-629: A scheduled NFL game between the Pittsburgh Steelers and Miami Dolphins in Miami to be postponed from its scheduled start time of 1:00 p.m. to 8:30 p.m. ET; the game aired locally on KDKA-TV and WFOR-TV while their respective UPN sister stations, WNPA-TV and WBFS-TV , aired CBS's regular Sunday night programming instead. These factors led to the network struggling in the ratings over much of UPN's existence, with its later Star Trek franchise, Star Trek: Enterprise , perhaps suffering
5146-627: A sitcom set during the Civil War that centered on a black English nobleman who becomes the valet to Abraham Lincoln ; even before its premiere, the series was riddled by controversy and protests from several African American activist groups (including the Los Angeles chapter of the NAACP , who picketed outside Paramount Studios one week before the originally scheduled pilot episode ) and some advertisers for its perceived lighthearted take on American slavery in
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5312-458: A small number of surviving episodes released commercially by at least one major distributor of public domain programming. Because so few episodes remain of most DuMont series, they are seldom rerun, even though there is no licensing cost to do so. There also is a small collection of various DuMont programs available via the Roku streaming service. DuMont programs were by necessity low-budget affairs, and
5478-399: A television network. The decision was made to shut down network operations and operate WABD and WTTG as independent stations . On April 1, 1955, most of DuMont's entertainment programs were dropped. Bishop Sheen aired his last program on DuMont on April 26 but later moved it to ABC. By May, just eight programs were left on the network, with only inexpensive shows and sporting events keeping
5644-539: Is available on the Roku streaming channel under the DuMont name. Allen B. DuMont Laboratories was founded in 1931 by Allen B. DuMont with $ 1,000 from a laboratory in his basement. He and his staff were responsible for early technical innovations like the first consumer electronic television receiver in 1938. Their most revolutionary contribution came when the team extended the life of a cathode-ray tube from 24 to 1,000 hours, making television sets practical for consumers. The company's television receivers soon became
5810-470: Is best remembered for being used by Jackie Gleason's producers for the 39-half-hour episodes of The Honeymooners that aired on CBS during the 1955–56 television season. In August 1955, Paramount, with the help of other stockholders, seized full control of DuMont Laboratories. Shareholders approved a split of the manufacturing and broadcasting operations of the company in August 1955, and the sponsored shows on
5976-504: Is forgiven, allowing the Haakonian to die with some semblance of peace. Reviewers Lance Parkin and Mark Jones complained that Neelix's forgiveness was too hasty but accepted that it was inevitable in the scope of one episode. The episode had a Nielsen rating of 5.8 when it aired in 1995. In 2022, a reviewer on the website Collider listed the episode in their top 25 episodes of Star Trek: Voyager and wrote "The beauty of science-fiction
6142-546: Is its ability to reflect real-world incidents through a genre-specific lens". UPN The United Paramount Network ( UPN ) was an American broadcast television network that operated from 1995 to 2006. It was originally a joint venture between Chris-Craft Industries 's subsidiary, United Television , & Viacom 's subsidiary, Paramount Television (which produced most of UPN's programming), then became solely owned by Viacom in 2000 after subsequently purchasing Chris-Craft's remaining stake. On December 31, 2005, UPN
6308-415: Is said that one of those broadcasts on the hookup announced that the U.S. had dropped an atomic bomb on Nagasaki , Japan, on August 9, 1945. This was later considered the official beginning of the DuMont Network by both Thomas T. Goldsmith , the network's chief engineer and DuMont's best friend, and DuMont himself. Regular network service began on August 15, 1946, on WABD and W3XWT. In November 1946, W3XWT
6474-684: Is still the standard for US TV. It was another two years before the West Coast got live programming from the East (and the East able to get live programming from the West), but this was the beginning of the modern era of network television. The first broadcasts came from DuMont's 515 Madison Avenue headquarters. It soon found additional space, including a fully functioning theater, in the New York branch of Wanamaker's department store at Ninth Street and Broadway. Later,
6640-499: The C. E. Hooper company of New York. DuMont performed well in the Hooper ratings; in fact, DuMont's talent program, The Original Amateur Hour , was the most popular series of the 1947–48 season. Two seasons later, Variety ranked DuMont's popular variety series Cavalcade of Stars as the 10th most popular series. In February 1950, Hooper's competitor A. C. Nielsen bought out the Hooper ratings system. DuMont did not fare well with
6806-518: The DuMont Network , DuMont Television , DuMont / Du Mont , or (incorrectly) Dumont / ˈ d uː m ɒ n t / ) was one of America's pioneer commercial television networks , rivaling NBC and CBS for the distinction of being first overall in the United States. It was owned by Allen B. DuMont Laboratories , a television equipment and television set manufacturer. DuMont was founded in 1940 and began operation on August 15, 1946. The network
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6972-702: The Eternal Word Television Network , which also makes a collection of them available on DVD (in the biographical information about Fulton J. Sheen added to the end of many episodes, a still image of Bishop Sheen looking into a DuMont Television camera can be seen). Several companies that distribute DVDs over the Internet have released a small number of episodes of Cavalcade of Stars and The Morey Amsterdam Show . Two more DuMont programs, Captain Video and His Video Rangers and Rocky King, Inside Detective , have had
7138-636: The First transcontinental railroad ) was activated. The ceremony, hosted by DuMont and WDTV, was carried on all four networks. WGN-TV (channel 9) in Chicago and WABD in New York were able to share programs through a live coaxial cable feed when WDTV signed on in Pittsburgh, because the station completed the East Coast-to-Midwest chain, allowing stations in both regions to air the same program simultaneously, which
7304-716: The Kids' WB Saturday morning lineup from fellow predecessor The WB, resulting in UPN affiliates that joined The CW in September 2006 carrying network-supplied children's programming for the first time since the One Too block ended. Some Fox stations that declined to carry 4Kids TV passed on that block to an affiliate of UPN or The WB, or an independent station , in order for the Fox affiliate to air general entertainment programming or local newscasts on Saturday mornings (for example, WFLD in Chicago moved
7470-709: The Metro-Goldwyn Mayer library. UPN had approximately 143 full-power owned-and-operated or primary affiliate stations in the United States, and another 65 stations aired some UPN programming as secondary affiliates. Although it was considered a major network by Nielsen for ratings purposes, UPN was not available in every American television market . In some areas, UPN programming was shown off-pattern by affiliates of other networks (airing immediately after programming from their primary network on some Fox and WB stations, or during overnight timeslots on major network affiliates) or by otherwise independent stations, such as in
7636-592: The Paramount Teleplex as the main brand for movies at any given timeslot, the Paramount Prime Movie for primetime features, and the Paramount Late Movie for films airing in late night timeslots. From 2002 to 2006, UPN offered a movie block (airing on Saturdays or Sundays depending on the affiliates) called Hot Weekend Movie , which carried movies (theatrical, made-for-TV and direct-to-video) from
7802-481: The Paramount Television Network , a service that provided local television stations with filmed television programs. Paramount's network "undercut the company that it had invested in." Paramount did not share its stars, big budgets, or filmed programs with DuMont; the company had stopped financially supporting DuMont in 1941. Although Paramount executives indicated they would produce programs for DuMont,
7968-630: The UCLA Film and Television Archive in Los Angeles, in the Peabody Awards Collection at the University of Georgia , and in the Museum of Broadcast Communications in Chicago. Although nearly the entire DuMont film archive was destroyed, several surviving DuMont shows have been released on DVD . Much of what survived was either never properly copyrighted (live telecasts, because they were not set on
8134-590: The UPN Movie Trailer to its stations. The weekend block featured mostly older theatrically released action and comedy films, often those from the Paramount film library. The Movie Trailer block was discontinued in 2000 to give stations that opted for them room for a two-hour block of select UPN series that aired in primetime during the past week. There were also three Paramount-branded blocks that aired on Viacom's UPN owned-and-operated stations between 1995 and 2000:
8300-521: The United Paramount Network , with initial plans to run two hours of programming in prime time for two nights per week. The new network would be co-owned by United & Paramount Television, while most of its shows were to be produced by Paramount Television. Initially, the network was to simply be called "U", but the "U Network" trademark was held by the now-defunct National Association of College Broadcasters (NACB), which had been operating
8466-494: The Yankee Network , and Paramount, were interested in starting television networks, but were prevented from doing so by restrictive FCC regulations, although the Paramount Television Network had limited success in network operations in the late 1940s and early 1950s. Despite no history of radio programming, no stable of radio stars to draw on, and perennial cash shortages, DuMont was an innovative and creative network. Without
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#17328847854708632-573: The channel 9 allocation in nearby Steubenville, Ohio , and move it to Pittsburgh so Steubenville had a chance to have its own television station. As a result, no other commercial VHF station signed on in Pittsburgh until WIIC-TV in 1957, giving WDTV a de facto monopoly on television in the area. Since WDTV carried secondary affiliations with the other three networks, DuMont used this as a bargaining chip to get its programs cleared in other large markets. Despite its severe financial straits, by 1953 DuMont appeared to be on its way to establishing itself as
8798-414: The destruction of its extensive program archive by the 1970s, has prompted TV historian David Weinstein to refer to it as the "forgotten network". A few popular DuMont programs, such as Cavalcade of Stars and Emmy Award winner Life Is Worth Living , appear in television retrospectives or are mentioned briefly in books about U.S. television history. In addition, a collection of programs and promos
8964-545: The 13th: The Series , War of the Worlds , Star Trek: The Next Generation , and Star Trek: Deep Space Nine . In 1993, Time Warner and Chris-Craft Industries entered into a joint venture to distribute programs via a prime time programming service, the Prime Time Entertainment Network (PTEN), which is UPN's partial parent. Chris-Craft later became a partner in UPN, and Time Warner launched The WB in
9130-599: The 1940s and 1950s, television signals were sent between stations via coaxial cable and microwave links owned by AT&T. The service provider did not have enough circuits to provide signal relay service from the four networks to all of their affiliates at the same time, so AT&T allocated times when each network could offer live programs to its affiliates. In 1950, AT&T allotted NBC and CBS each over 100 hours of live prime time network service, but gave ABC 53 hours, and DuMont 37. AT&T also required each television network to lease both radio and television lines. DuMont
9296-470: The 1998–99 season). In 1997, UPN added two teen-oriented series to the lineup with reruns of the syndicated Sweet Valley High (based on the young adult book series by Francine Pascal ) and a new series, Breaker High (which co-starred a then-unknown Ryan Gosling ); both shows filled the weekday morning block for the 1997–98 season, while they were also included alongside the animated series on Sunday mornings. Unlike other networks, UPN gave its affiliates
9462-495: The 19th century . Despite the publicity Desmond received from the controversial approach it applied to its topic, the series suffered from low ratings (with the first episode on October 5, 1998, placing 116th out of 125 programs aired that week on network television) and was canceled after four episodes. Six months before Viacom announced its $ 36 billion merger with (the original) CBS Corporation , in March 1999, Viacom applied
9628-426: The 4Kids TV schedule to co-owned then-UPN affiliate WPWR-TV , while WFLD aired infomercials). During the late 1990s, UPN produced a number of television films under the umbrella brand Blockbuster Shockwave Cinema , in conjunction with sponsor (and then-sister company) Blockbuster Video , almost all of which were sci-fi films . From UPN's inception until 2000, the network also offered a hosted movie series called
9794-403: The 9:00 p.m. hour; both received mixed reviews. Neither lasted long. Other early UPN programs included the action series Nowhere Man , starring Bruce Greenwood and Marker , starring Richard Grieco ; the comic western Legend starring Richard Dean Anderson ; the sci-fi themed action series, The Sentinel ; and Moesha , a sitcom starring R&B musician Brandy Norwood . Of
9960-485: The Big Three television networks (NBC, ABC and CBS) and considerably fewer than Fox and especially The WB. In several markets, the local UPN affiliate either outsourced news programming to an NBC, ABC or CBS station in the market (either due to insufficient funds or studio space for production of their own newscasts, or in later years after the FCC permitted duopolies in markets with at least eight unique station owners in 2000,
10126-675: The Chicago station. When the network launched in January 1995, UPN automatically added six affiliates with functioning news departments through Chris-Craft/United Television and Viacom's respective affiliation deals with the network; all of those stations started their news operations as either independent stations or during prior affiliations with other networks: WWOR-TV/Secaucus, New Jersey (New York City), KCOP-TV/Los Angeles, WKBD-TV / Detroit , KPTV / Portland, Oregon , KMSP-TV / Minneapolis and WTOG / Tampa, Florida . Two more stations would join them later on: KSTW / Seattle , also owned by Viacom at
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#173288478547010292-556: The Chris-Craft purchase, and converted it into a Fox O&O) acquired the station from Clear Channel Communications and switched the station to UPN – it was moved to 10:00 p.m. to avoid competing with KMSP's 9:00 p.m. newscast until the WFTC newscast was canceled in June 2006. With the exception of KPTV and KMSP, both of which are now Fox stations, none of the former UPN affiliates that produced newscasts during their affiliation with
10458-436: The FCC ruled that Paramount essentially controlled DuMont, which effectively placed the network at the five-station cap. Paramount's exertion of influence over the network's management and the power of its voting stock led the FCC to its conclusion. Thus, DuMont was unable to open additional stations as long as Paramount owned stations or owned a portion of DuMont. Paramount refused to sell. In 1949, Paramount Pictures launched
10624-484: The Fox Family Channel, which was renamed ABC Family (now Freeform) the past year. At the same time, the "One Too" branding was dropped from on-air usage due to the rebranding of ABC's Saturday morning lineup from One Saturday Morning to ABC Kids (although the block was unofficially referred to as Disney's Animation Weekdays outside the network). UPN subsequently chose not to renew its contract with Disney, with
10790-441: The Fox network, which was spun off with the company's other entertainment assets to 21st Century Fox on June 28, 2013 before Disney acquired them on March 20, 2019), like Paramount, had long been a powerhouse in television syndication. All indicators suggested that Paramount was about to launch a network of its own. On October 27, 1993, Viacom and Chris-Craft announced the formation of a new television network, later to be named
10956-560: The Talaxians, fifteen years ago. Jetrel was responsible for developing the Metreon Cascade, a superweapon that killed over 300,000 people on Talax's moon Rinax, including Neelix's family. Jetrel says he has come forward to examine Talaxians like Neelix who helped evacuate survivors from Rinax, in the process exposing themselves to high concentrations of metreon isotopes that can cause a fatal blood disease, metremia. Although he considers Jetrel
11122-588: The UPN station was used to air CBS network programs if local sporting events or extended breaking news coverage would air on the CBS station, sometimes resulting in UPN programs being pre-empted outright, as the CBS-owned outlets were usually the senior partner in the duopolies (an exception being Detroit , where WKBD-TV is considered the senior partner to WWJ-TV due to WKBD being longer-established). One such event occurred on September 26, 2004, when Hurricane Jeanne forced
11288-467: The Viacom buyout. Shortly afterward, Viacom shortened the network's official name from the "United Paramount Network" to the three-letter initialism, "UPN". Viacom also proposed a rebranding of UPN into the " Paramount Network ", using a prototype logo based on Paramount's mountain logo, which served as the basis for the "P" triangle in the network's original logo that was used until September 2002. This idea
11454-510: The addition of programming on Wednesday nights on March 6, 1996 (during the second half of the 1995–96 season); that expansion also saw UPN assume the broadcast rights to the Blockbuster Entertainment Awards , which aired its inaugural broadcast on CBS the year before. UPN ordered 36 sci-fi films to air as part of its weekly movie presentations beginning in 1998; the films were supplied by four production companies, with most of
11620-449: The animated adaptation of Dilbert . In Summer 2005, UPN aired R U the Girl , in which R&B group TLC (not with Left Eye) searched for a woman to join them on a new song. The network also produced some special programs, including 2001's Iron Chef USA . Much of UPN's comedy programming between 1996 and 2006 (particularly those that aired as part of the network's Monday evening lineup)
11786-510: The battle between the Hearst Corporation (then-owners of WCAE ) and KQV over the channel 4 license that eventually would become WTAE-TV , and -- perhaps the most impactful one to DuMont's future -- locally-based Westinghouse Electric Corporation (owners of radio pioneer KDKA ) battling with local interest groups for the channel 13 license that was intended to be a non-commercial license. The FCC also denied CBS's request to be granted
11952-579: The bigger networks. ABC would become a network of re-runs, but DuMont would be shut out. ABC president Leonard Goldenson rejected NBC executive David Sarnoff 's proposal, but did not report it to the Justice Department . DuMont survived the early 1950s only because of WDTV in Pittsburgh, the lone commercial VHF station in what then was the sixth-largest market in the country after New York City, Chicago, Los Angeles, Philadelphia, and Washington. WDTV's only competition came from UHF stations WENS-TV (on
12118-614: The brand "UPN Hawaii"). This would be a continuation of the trend of networks using such naming schemes, which originated at Fox (and even earlier by the Canadian CBC ), and was also predominately used at CBS (which has most of its owned-and-operated stations, with a few exceptions, brand using a combination of the network's name and over-the-air channel number) and The WB (with the exception of its Tribune Broadcasting-owned affiliates in Los Angeles and Chicago, and certain other stations); NBC and ABC also use similar branding schemes, but not to
12284-521: The case of KIKU-TV in Honolulu , Hawaii . Some affiliates were also known to extensively preempt network programming in order to broadcast local sporting events. By 2003, UPN had an estimated audience reach of 85.98% of all U.S. households (equivalent to 91,689,290 households with at least one television set). In contrast, The WB was viewable in 91.66% of all U.S. television homes. This is mainly because UPN did not have wide distribution in areas ranked below
12450-426: The change: none of its shows appeared on Nielsen's annual top 20 lists of the most popular series. The aforementioned Life is Worth Living did receive Nielsen ratings of up to 11.1, meaning that it attracted more than 10 million viewers. Bishop Sheen's one-man program – in which he discussed philosophy, psychology, and other fields of thought from a Christian perspective – was the most widely viewed religious series in
12616-455: The company announced a merger with United Paramount Theaters (UPT) (the former theater division of Paramount Pictures, which was spun off as a result of the United States v. Paramount Pictures, Inc. antitrust decision), but it was not until 1953 that the FCC approved the merger. By this time, DuMont had begun to differentiate itself from NBC and CBS. It allowed its advertisers to choose
12782-537: The company's stock; both the original Viacom – which was renamed CBS Corporation – and a new company that took the Viacom name would be controlled by the original Viacom's parent National Amusements (controlled by Sumner Redstone ). UPN was kept by CBS Corporation, while the new Viacom took Paramount Pictures among other holdings each company acquired in the deal. The split took effect on December 31, 2005. On January 24, 2006, UPN parent CBS Corporation and Time Warner ,
12948-439: The deceased Talaxian victims of Rinax. He believes that he can use the transporter to regenerate their dissociated remains and confesses he came to Voyager as a pretext to use the ship's transporter; Neelix does not have metremia. Janeway allows Jetrel to proceed but the improbable experiment fails. The scientist collapses, knowing that he will never be able to redeem himself. Neelix pays a last visit to Jetrel and tells him that he
13114-447: The devastation he caused, only to learn that the scientist is also paying the price—his wife left him in the wake of the attack on Rinax, his children refuse to acknowledge him, and he is in the final stages of metremia with only a few days to live. The ship's arrival at Rinax opens old wounds for Neelix. He confesses to Kes that he lied for years about being part of the Talaxian defense forces. He never reported for duty; instead, he spent
13280-415: The division of affiliates, but Chris-Craft expressed extreme skepticism and declined to proceed with the merger. A merger would ultimately come in 2006 with the creation of The CW . UPN launched on January 16, 1995, initially carrying programming only on Monday and Tuesday nights from 8:00 to 10:00 p.m. Eastern and Pacific Time . The first telecast, the two-hour pilot episode of Star Trek: Voyager ,
13446-440: The existing system of allocation and control of television broadcast stations and affiliations". The name was later changed to "Metropolitan Broadcasting Company" to distance the company from what was seen as a complete failure. In 1958, John Kluge bought Paramount's shares for $ 4 million, and in 1961 renamed the company Metromedia . WABD became WNEW-TV and later WNYW . WTTG still broadcasts under its original call letters as
13612-540: The fact that UPN would not be able to have extensive small-market coverage at launch due to a lack of commercial television stations in those areas, Paramount Television denied Advance Entertainment Corporation permission from distributing the network's programming over the WWOR EMI Service , the superstation feed of New York City affiliate WWOR-TV, preventing the network from reaching markets without an exclusive or secondary UPN affiliate. The network proposed launching
13778-522: The first TV situation comedy , Mary Kay and Johnny , as well as the first network-televised soap opera , Faraway Hill . Cavalcade of Stars , a variety show hosted by Jackie Gleason , was the birthplace of The Honeymooners skits (Gleason took his variety show to CBS in 1952, but filmed the "Classic 39" Honeymooners episodes at DuMont's Adelphi Theater studio in 1955–56). Bishop Fulton J. Sheen 's devotional program Life Is Worth Living went up against Milton Berle in many cities, becoming
13944-399: The first U.S. TV show to star an Asian American person; and The Hazel Scott Show , starring pianist and singer Hazel Scott , the first U.S. network TV series to be hosted by a black woman. Although DuMont's programming pre-dated videotape , many DuMont offerings were recorded on kinescopes. These kinescopes were said to be stored in a warehouse until the 1970s. Actress Edie Adams ,
14110-552: The first show to compete successfully in the ratings against "Mr. Television". In 1952, Sheen won an Emmy Award for "Most Outstanding Personality". The network's other notable programs include: The network was a pioneer in TV programming aimed at minority audiences and featuring minority performers, at a time when the other American networks aired few television series for non-whites. Among DuMont's minority programs were The Gallery of Madame Liu-Tsong , starring film actress Anna May Wong ,
14276-770: The former. It also would have had to sell two other stations – most likely ABC's two smallest O&Os, WXYZ-TV in Detroit and KGO-TV in San Francisco (both broadcasting on channel 7) – to get under the FCC's limit of five stations per owner. However, Paramount vetoed the plan almost out of hand due to antitrust concerns. A few months earlier, the FCC had ruled that Paramount controlled DuMont, and there still were some questions about whether UPT had really separated from Paramount. With no other way to readily obtain cash, DuMont sold WDTV to Westinghouse for $ 9.75 million in late 1954, after Westinghouse decided to give public backing to
14442-441: The frequency now occupied by WINP-TV ) and WKJF-TV (now WPGH-TV ) and distant stations from Johnstown, Pennsylvania , Youngstown, Ohio , and Wheeling, West Virginia . There also were external factors such as the FCC's freeze on licenses and intense competition for the remaining VHF licenses in Pittsburgh, including WENS-TV appealing the FCC's granting of the channel 11 license that was eventually affirmed for WIIC-TV (now WPXI ),
14608-461: The growing pressure of audience erosion to cable television in the 1980s and 1990s; there were unaffiliated commercial television stations in most of the major television markets, even after the foundation of Fox in 1986. Meanwhile, Paramount , which had long been successful in syndication with repeats of Star Trek , launched several first-run syndicated series by the 1990s, including Entertainment Tonight , The Arsenio Hall Show , Friday
14774-704: The history of television. 169 local television stations aired Life , and for three years the program competed successfully against NBC's popular The Milton Berle Show . The ABC and CBS programs that aired in the same timeslot were canceled. Life is Worth Living was not the only DuMont program to achieve double-digit ratings. In 1952, Time magazine reported that popular DuMont game show Down You Go had attracted an audience estimated at 16 million viewers. Similarly, DuMont's summer 1954 replacement series, The Goldbergs , achieved audiences estimated at 10 million. Still, these series were only moderately popular compared to NBC's and CBS's highest-rated programs. Nielsen
14940-443: The honors. Sheen also was nominated for Public Service Emmys in 1952, 1953, and 1954. DuMont received an Emmy nomination for Down You Go , a popular game show during the 1952–53 television season (in the category Best Audience Participation, Quiz, or Panel Program ). The network was nominated twice for its coverage of professional football during the 1953–54 and 1954–55 television seasons. The Johns Hopkins Science Review ,
15106-414: The last broadcast of Monday Night Fights .) According to one source, the final program aired on only five stations nationwide. It appears that the boxing show was syndicated to a few other east coast stations until 1958, but likely not as a production of DuMont or its successor company. Likewise, the remains of DuMont were used to syndicate a high school football Thanksgiving game in 1957; that telecast,
15272-416: The locations where their advertising ran, potentially saving them millions of dollars. By contrast, ABC followed NBC's and CBS's practice of forcing advertisers to purchase a large "must-buy" list of stations, even though it was only a fourth the size of NBC and CBS. ABC's fortunes were dramatically altered in February 1953, when the FCC cleared the way for UPT to buy the network. The merger provided ABC with
15438-465: The majority owner of The WB, announced that they would shut down the two respective networks and launch a new broadcast network that would be operated as a joint venture between both companies, The CW , which incorporated UPN and The WB's higher-rated programs with newer series produced exclusively for The CW. The new network immediately signed 10-year affiliation agreements with 16 stations affiliated with The WB (out of 19 stations that were affiliated with
15604-454: The merger of that network's owned-and-operated stations into Viacom's Paramount Stations Group unit), created duopolies between CBS and UPN stations in Philadelphia ( KYW-TV and WPSG), Boston ( WBZ-TV and WSBK-TV ), Miami ( WFOR-TV and WBFS-TV ), Dallas–Fort Worth ( KTVT and KTXA ), Detroit ( WWJ-TV and WKBD-TV ), and Pittsburgh ( KDKA-TV and WNPA ). Viacom's purchase of CBS
15770-516: The mini-series A Woman Called Golda , and the weekly pop music program, Solid Gold . Star Trek: Phase II was reworked as the theatrical film, Star Trek: The Motion Picture , absorbing the costs already incurred from the aborted television series. Paramount, and its eventual parent Viacom (which bought the studio's then-parent, Paramount Communications, in 1994), continued to consider launching their own television network. Independent stations , even more than network affiliates , were feeling
15936-446: The most and ultimately being canceled by the network in a controversial decision in February 2005. The most consistent ratings performer for the network was WWE SmackDown . During the 2004–2005 season, the network was getting consistently better ratings than The WB, much of this thanks to its carriage of the WWE. When the network launched, UPN began having most of its stations branded using
16102-510: The most popular radio stars. Early television station owners, when deciding which network would receive their main affiliation, were more likely to choose CBS's roster of Lucille Ball, Jack Benny , and Ed Sullivan , or NBC's lineup of Milton Berle and Sid Caesar , over DuMont, which offered a then-unknown Jackie Gleason and Bishop Fulton J. Sheen . In smaller markets, with a limited number of stations, DuMont and ABC were often relegated to secondary status, so their programs got clearance only if
16268-485: The network continue to maintain an independent news department – despite license requirements imposed by the station's 1983 transfer of its license to Secaucus, New Jersey from New York City to cover New Jersey issues, WWOR-TV, which continued to produce news programming after coming under common ownership with Fox O&O WNYW , shut down its news department in July 2013 and replaced its lone 10:00 p.m. newscast with an outside produced program called Chasing New Jersey ,
16434-453: The network dropping all children's programming after August 31, 2003. This left UPN as one of only two major broadcast networks that did not air a children's programming block, the other being Pax TV, which discontinued its Pax Kids lineup in 2000, before returning children's programming as Ion Television through the 2006 launch of Qubo (as a 24/7 network, it was pulled off the air in 2021). Incidentally, UPN's successor The CW carried over
16600-514: The network five owned-and-operated stations (O&Os), the maximum allowed by the FCC at the time. However, DuMont was hampered by Paramount's two stations -- KTLA (channel 5) in Los Angeles and WBKB (channel 4, now WBBM-TV on channel 2) in Chicago – the descendants of the two experimental stations that rankled DuMont in 1940. Although these stations generally did not carry DuMont programming (KTLA did for just one year, 1947 to 1948), and, in fact, competed against DuMont's affiliates in those cities
16766-510: The network for eight months in 1998 due to a compensation dispute; it received a rare waiver from the network to air a marathon of the last half of season four of Star Trek: Voyager which it had not aired in August 1998, before the fifth season's premiere in September. ). One Chris-Craft/United Television-owned station, KMSP-TV in Minneapolis–Saint Paul , only branded as "UPN 9" for its entertainment and network programming. Due to
16932-430: The network on August 31; as a result, UPN's last two weeks of programming did not air in 10 markets where Fox owned a UPN affiliate that was set to become an owned-and-operated station of MyNetworkTV, when that network launched on September 5, alongside other markets where the local UPN station affiliated with MyNetworkTV or terminated their UPN affiliation during the summer. Shortly after the network's closure, UPN's website
17098-477: The network received relatively few awards from the TV industry. Most awards during the 1950s went to NBC and CBS, who were able to out-spend other companies and draw on their extensive history of radio broadcasting in the relatively new television medium. During the 1952–53 TV season, the aforementioned Bishop Sheen won an Emmy Award for Most Outstanding Personality . Sheen beat out three CBS nominees -- Arthur Godfrey , Edward R. Murrow , and Lucille Ball -- for
17264-541: The network were discontinued. The last non-sports program on DuMont, the game show What's the Story , aired on September 23, 1955. After that, DuMont's network feed was used only for occasional sporting events. The last broadcast on what was left of the DuMont Television Network, a boxing match , aired on August 6, 1956. (The date has also been reported as September 1955, November 1957 or August 4, 1958, with
17430-452: The network's early offerings, only Star Trek: Voyager , Moesha and The Sentinel would last longer than one season. As a result of the lack of viewership, UPN operated on a loss and had lost $ 800 million by 2000. Within nearly two years of the network's launch, on December 8, 1996, Paramount/Viacom purchased a 50% stake in UPN from Chris-Craft for approximately $ 160 million. Like Fox had done nine years earlier, UPN started with
17596-506: The network's launch were already airing The Disney Afternoon , a block supplied by Disney-owned syndication distributor Buena Vista Television ; however, that block would be discontinued in August 1997. The addition of Disney's One Too expanded UPN's children's program block back to two hours, running on Sunday mornings and weekday afternoons. In September 2002, Digimon: Digital Monsters moved to UPN from Fox Kids , due to Disney's acquisition of Fox's children's program inventory as well as
17762-454: The network's programs. One month later on February 22, Fox announced the formation of MyNetworkTV , a new network that would also launch in September 2006 that would use the company's soon-to-be former UPN affiliates as the nucleus. Over the next eight months, determinations were made as to which shows from the two networks would cross over to The CW, as well as which of UPN and The WB's affiliate stations would be selected to become affiliates of
17928-445: The network's run (though it did offer children's programming on weekend mornings until 2003, and a movie package to its affiliates on weekend afternoons until 2000, when the latter was replaced with a two-hour repeat block of UPN programs); as a result, affiliates held the responsibility of programming their Saturday and Sunday evening schedules with syndicated programs, sports, movies or network programs that were preempted from earlier in
18094-428: The network) that were owned by that network's part-owner, the Tribune Company – including stations in the coveted markets of New York City , Los Angeles and Chicago – and 11 UPN stations that were owned by CBS Corporation. Fox Television Stations' nine UPN affiliates were passed over for affiliations as a result, and two days later, those stations removed all UPN branding from those stations and ceased promotion of
18260-410: The network, with the network's de facto owned-and-operated flagship stations becoming Philadelphia outlet WPSG (now an independent station) and San Francisco outlet KBHK-TV (now KPYX, also an independent). In addition, neither Chris-Craft or Viacom had ever held ownership of Chicago affiliate WPWR-TV , which had been the largest UPN station that was not owned-and-operated by the network before
18426-553: The network. Under CBS, new shows began to breathe life into the network starting in Fall 2003 with America's Next Top Model and sitcom All of Us (which was produced by Will and Jada Pinkett Smith ), followed up by the Fall 2004 premiere of the mystery series Veronica Mars and the Fall 2005 premiere of the sitcom Everybody Hates Chris , produced and narrated by Chris Rock . On June 14, 2005, Viacom announced that it would be split into two companies due to declining performance of
18592-515: The networks relied on separate regional networks in the two time zones for live programming, and the West Coast received network programming from kinescopes (films shot directly from live television screens) originating from the East Coast. On January 11, 1949, the coaxial cable linking East and Midwest (known in television circles as "the Golden Spike", in reference to the golden spike that united
18758-553: The new network, The CW , when it launched on September 18, 2006. Paramount Pictures had played a pivotal role in the development of network television. It was a partner in the DuMont Television Network , and the Paramount Theaters chain, which was spun off from the corporate/studio parent and merged with ABC in a deal that helped cement that network's status as a major network. The Paramount Television Network
18924-409: The new network. Programming-wise, six UPN shows – America's Next Top Model (which was the last surviving series from UPN that remained on The CW's schedule until it moved to VH1 in 2016), Veronica Mars , Everybody Hates Chris , Girlfriends , All of Us , and WWE SmackDown! – were chosen to move to The CW for its inaugural 2006–07 fall schedule. With the exception of WWE SmackDown! , all of
19090-536: The only DuMont broadcast to have been sent in color, was a personal project of Allen DuMont himself, whose hometown team in Montclair, New Jersey , was contending in the game for a state championship. DuMont spun off WABD and WTTG as the DuMont Broadcasting Corporation; in requesting the FCC's approval of the reorganization, it told the commission that the network "could not be operated profitably under
19256-555: The only time the network carried programming officially outside of weeknights. UPN had planned to air a second season of the XFL in 2002, but it also demanded that SmackDown! be reduced by 30 minutes; McMahon did not agree to the change and the football league folded not long afterward. Like Fox and The WB, UPN never aired national morning or evening newscasts ; however, several of its affiliates and owned-and-operated stations did produce their own local news programs. Several UPN affiliates ran
19422-498: The option of running its weekend children's program block on either Saturdays or Sundays. In January 1998, the network entered into a deal with Saban Entertainment to program the Sunday morning block (with shows such as The Incredible Hulk , X-Men and Spider-Man joining the lineup). There were rumors that UPN then entered into discussions with then-corporate sister Nickelodeon (both networks were owned by Viacom ) to produce
19588-560: The original 1937 acquisition proposal required Paramount to expand its television interests "through DuMont". Paramount representative Paul Raibourn, who also was a member of DuMont's board of directors, denied that any such restriction had ever been discussed, but Dr. DuMont was vindicated by a 1953 examination of the original draft document. DuMont aspired to grow beyond its three stations, applying for new television station licenses in Cincinnati and Cleveland in 1947. This would have given
19754-774: The picture quality was marginal at best, depending on geographic location. (see also: UHF television broadcasting § UHF reception issues ) . Tied to this was a decision to restrict VHF allocations in medium- and smaller-sized markets. Meanwhile, television sets would not be required to have all-channel tuning until 1964, with the passage of the All-Channel Receiver Act . Forced to rely on UHF to expand, DuMont saw one station after another go dark due to dismal ratings. It bought small, distressed UHF station KCTY (channel 25) in Kansas City , Missouri , in 1954, but ran it for just three months before shutting it down at
19920-463: The primary network was off the air or delayed via kinescope recording ("tele-transcriptions," in DuMont parlance). Adding to DuMont's troubles was the FCC's 1948 "freeze" on television license applications . This was done to sort out the thousands of applications that had come streaming in, but also to rethink the allocation and technical standards laid down prior to World War II. It became clear soon after
20086-429: The programs that aired during the network's final three months were reruns. Unlike The WB, which closed its operations two days later with The Night of Favorites and Farewells (a special night of programming paying tribute to the network's most popular series), UPN closed with little to no fanfare on September 15, 2006, fading to black after that night's WWE SmackDown!. The Fox-owned UPN stations had disaffiliated from
20252-453: The public interest groups for the channel 13 allocation in Pittsburgh, allowing the station to launch that spring as educational WQED . While this gave DuMont a short-term cash infusion, it eliminated the leverage the network had to get program clearances in other markets. Without its de facto monopoly in Pittsburgh, the company's advertising revenue shrank to less than half that of 1953. By February 1955, DuMont realized it could not continue as
20418-412: The radio revenues that supported mighty NBC and CBS, DuMont programmers relied on their wits and on connections with Broadway . The network largely ignored the standard business model of 1950s TV, in which one advertiser sponsored an entire show, enabling it to have complete control over its content. Instead, DuMont sold commercials to several different advertisers, freeing producers of its shows from
20584-670: The rare distinction of being one of the only broadcast networks to not have had owned-and-operated stations (O&O) in the three largest media markets, New York City, Los Angeles, and Chicago (with The WB – the only network that never have had an O&O – being the only other, as minority owner Tribune Broadcasting owned most of its charter affiliates including those in all three markets , while majority owner Time Warner only owned WTBS-TV , an independent station that originated then- superstation TBS ). With Viacom taking full ownership control of UPN, KCOP-TV and WWOR-TV lost their statuses as O&Os and automatically became affiliates of
20750-402: The remains of the network going through the summer. The network also largely abandoned the use of the intercity network coaxial cable, on which it had spent $ 3 million in 1954 to transmit shows that mostly lacked station clearance. The company only retained network links for live sports programming and utilizing the company's Electronicam process to produce studio-based programming. Electronicam
20916-486: The same broad level outside their O&Os. While the "Big Three" networks do not require their affiliates to have such naming schemes (though some affiliates choose to adopt it anyway) and only on the network's O&Os is the style required, UPN mandated it on all stations – though in one case, Milwaukee affiliate WCGV branded as "Channel 24" from 1998 to 2001, excluding UPN imagery from its station branding (WCGV, which previously branded as "UPN 24", had disaffiliated from
21082-539: The series), and former ABC series Clueless and The Hughleys . The first program that UPN acquired from another network was In the House , which moved to the network from NBC (which canceled the LL Cool J sitcom after its second season) in 1996. In its later years, as part of the network's desire to maintain its own identity with its own unique shows, UPN instituted a policy of "not picking up other networks' scraps", which
21248-416: The shows and aired them together on Tuesday nights until Roswell ended its run in 2002; Buffy ended its run the following year. In January 2002, Viacom President and COO, Mel Karmazin restructured the network, resulting in UPN being taken out of the ownership of Paramount Television , and being placed under the oversight of CBS Television, with CBS President Leslie Moonves being given responsibility for
21414-428: The six largest U.S. television markets (excluding only Philadelphia) as well as ABC's radio network. It also would have inherited DuMont's de facto monopoly in Pittsburgh and would have been one of two networks, along with NBC, to have full ownership of a station in the nation's capital. However, it would have had to sell a New York station – either DuMont's WABD or ABC's flagship WJZ-TV (channel 7, now WABC-TV ), probably
21580-459: The standard of the industry. In 1942, DuMont worked with the U.S. Army in developing radar during World War II . This brought in $ 5 million for the company. Early sales of television receivers were hampered by the lack of regularly scheduled programming. A few months after selling his first set in 1938, DuMont opened his own New York-area television station (W2XVT) in Passaic, New Jersey . In 1940,
21746-423: The station being operated through a legal duopoly or management agreement with a major network affiliate); other affiliates opted to carry syndicated programming in the hour following UPN's primetime programming lineup. For example, one of the largest O&O UPN affiliates in the country, WPWR-TV , never aired news programming in its 11-year run. This is mainly due to Viacom and Chris Craft 's non-affiliation with
21912-625: The station moved to Manhattan as W2XWV on channel 4 and commenced broadcasting on April 13, 1940. Unlike CBS and NBC , which reduced their television broadcasting during World War II, DuMont continued experimental and commercial broadcasts throughout the war. In 1944, W2XWV received its commercial license, the third in New York, under the call letters WABD (derived from DuMont's initials). In 1945, it moved to channel 5. On May 19, 1945, DuMont opened experimental W3XWT in Washington, D.C. which became commercial station WTTG . Paramount Pictures became
22078-474: The station's circumstances of holding full cable carriage across the state of Minnesota and into The Dakotas as a superstation , local management preferred to retain their pre-UPN "Minnesota 9" branding in some manner, as most of the UPN schedule was of low appeal to the station's rural viewers, and it was building a successful and competitive news department that did not depend on the success or failure of UPN. KMSP's news division success despite UPN affiliation
22244-507: The studio never supplied the network with programs or technical assistance. The acrimonious relationship between Paramount and DuMont climaxed during the 1953 FCC hearings regarding the ABC– United Paramount Theaters merger when Paul Raibourn, an executive at Paramount, publicly derided the quality of DuMont television sets in court testimony. DuMont began with one basic disadvantage: unlike NBC, CBS and ABC, it did not have
22410-519: The third national network. despite a smaller footprint than ABC. While DuMont programs aired live on 16 stations, the network could count on only seven primary stations – its three owned-and-operated stations ("O&Os) plus WGN-TV in Chicago, KTTV (channel 11) in Los Angeles, KFEL-TV (channel 2, now KWGN-TV ) in Denver , and WTVN-TV (channel 6, now WSYX ) in Columbus, Ohio . In contrast, by 1953 ABC had
22576-576: The time of UPN's launch, the network's de jure flagship stations were Chris-Craft-owned WWOR-TV in Secaucus, New Jersey (which serves the New York City market) and KCOP-TV in Los Angeles (which serves the Los Angeles market). Even after Chris-Craft sold its share in the network to Viacom, WWOR and KCOP were still commonly regarded as the de jure flagship stations of the network since it had long been common practice for this status to be associated with
22742-489: The time, after it affiliated with UPN in 1997 through the reversal of a 1995 affiliation switch with CBS affiliate KIRO-TV (which also kept its news department as a UPN affiliate), and KMAX-TV/Sacramento, which joined UPN after being acquired by Viacom in 1998 and began producing newscasts shortly after its 1995 affiliation with The WB. KSTW and WTOG's news departments were shut down in 1998 due to cost-cutting measures mandated by Viacom; newscasts would briefly return to KSTW via
22908-404: The titles coming from Paramount. Some titles would be shown on Showtime first, which allowed the premium cable channel to cooperate in advertising the movies. UPN completed its prime time expansion in the 1998–99 season, with Thursdays and Fridays as the last nights of programming to be added to the network's evening slate. That season saw the debut of The Secret Diary of Desmond Pfeiffer ,
23074-444: The top 100 Nielsen-designated media markets, whereas The WB operated The WB 100+ Station Group – a cable -only station group that was launched by the network in September 1998 – to provide broad coverage to those markets (from January 1995 to October 1999, The WB's programming was carried over the superstation feed of the network's Chicago affiliate WGN-TV through a programming agreement with its owner Tribune Broadcasting). Despite
23240-483: The trademark dead. All three DuMont-owned stations still are operating and are owned-and-operated stations of their respective networks, just as when they were part of DuMont. Of the three, only Washington's WTTG still has its original call letters. WTTG and New York's WABD (later WNEW-TV, and now WNYW) survived as Metromedia-owned independents until 1986, when they were purchased by the News Corporation to form
23406-462: The uncertainty of the network's future following the Fox purchases, UPN reached four-year affiliation agreements with Fox Television Stations' nine UPN affiliates on September 24, 2003. In 2001, UPN entered into a public bidding war to acquire two series from The WB – Buffy the Vampire Slayer and Roswell – from producing studio 20th Century Fox Television . UPN eventually outbid The WB for
23572-589: The veto power held by sole sponsors. This eventually became the standard model for U.S. television. Some commercial time was sold regionally on a co-op basis, while other spots were sold network-wide. DuMont also holds another important place in American TV history. WDTV's sign-on made it possible for stations in the Midwest to receive live network programming from stations on the East Coast , and vice versa. Before then,
23738-505: The war hiding on Talax. Later, Neelix seeks out Jetrel in sickbay, only to find the Doctor deactivated and Jetrel covertly conducting experiments. Suspecting the worst of Jetrel, Neelix tries to notify Janeway but the scientist renders him unconscious. Jetrel heads for the transporter room, where he is confronted by the Captain. Jetrel pleads with Janeway to let him conclude his work and bring back
23904-493: The war that 12 channels (" channel 1 " had been removed from television broadcasting in 1948 for allocation to land-mobile radio) were not nearly enough for national television service. What was to be a six-month freeze lasted until 1952, when the FCC opened the UHF spectrum. The FCC, however, did not require television manufacturers to include UHF capability. To see UHF stations, most consumers had to buy expensive converters . Even then,
24070-588: The war. ABC had just come into existence as a radio network in 1943 and did not enter network television until 1948 when its flagship station in New York City, WJZ-TV ( WABC-TV ), began broadcasting. CBS also waited until 1948 to begin network operations, because it was waiting for the Federal Communications Commission to approve its color television system (which it eventually did not, due to its mechanical nature and incompatibility with black and white receivers). Other companies, including Mutual ,
24236-515: The week due to special programming, in the 8:00–10:00 p.m. ( Eastern and Pacific Time ) time period. This primetime scheduling allowed for many of the network's affiliates to air local newscasts during the 10:00–11:00 p.m. (Eastern and Pacific Time) time period. Most of UPN's programming through the years was produced by Paramount Television or a Viacom-owned sister company ( Viacom Productions , Big Ticket Television , Spelling Television or CBS Productions ). UPN's first official program
24402-488: The wife of comedian Ernie Kovacs (both regular performers on early television) testified in 1996 before a panel of the Library of Congress on the preservation of television and video. Adams claimed that so little value was given to these films that the stored kinescopes were loaded into three trucks and dumped into Upper New York Bay . Nevertheless, a number of DuMont programs survive at The Paley Center for Media in New York,
24568-545: Was Star Trek: Voyager , with the first comedy shows to debut being two short-lived series: the Richard Jeni starring vehicle Platypus Man and Pig Sty . Other notable UPN programs during the network's existence included The Sentinel , Moesha , Star Trek: Enterprise , WWE SmackDown , America's Next Top Model , Girlfriends , the Moesha spin-off The Parkers , Veronica Mars , Everybody Hates Chris , and
24734-412: Was a strong argument when fan pressure was generated in 2004 for them to pick up Angel , the spin-off of Buffy the Vampire Slayer which had been dropped from The WB. UPN aired only one regular sports event program: the much-hyped XFL in 2001, airing Sunday evening games as part of a package from co-creator and WWE founder Vince McMahon , which also included what was then WWF SmackDown! , and
24900-414: Was abandoned after many affiliates protested, citing that the rebranding might confuse viewers and result in ratings declines, alongside the costs of rebranding their stations with a new image and new network (and possible call sign changes). Several years later, cable television network Spike (part of Viacom) rebranded as Paramount Network . Viacom's purchase of CBS a few months before (which resulted in
25066-514: Was an auspicious start, with 21.3 million viewers; however, Voyager would neither achieve such viewership levels again, nor would any of the series premiering on UPN's second night of broadcasting survive the season. In contrast, The WB debuted one week earlier, on January 11, with four series – only one of which, Muscle , would not survive its first season. The first comedy series to premiere on UPN were Platypus Man , starring Richard Jeni , and Pig Sty , with both shows airing Monday nights in
25232-419: Was branded "UPN 38" and KMAX-TV / Sacramento was branded "UPN 31". WNPA / Pittsburgh originally branded itself as "UPN 19", but rebranded itself as "UPN Pittsburgh" soon after the network introduced its second and final logo in September 2002, making it one of the few that had carried both standardization styles. Many UPN-affiliated stations followed the same branding scheme (for example, KFVE / Honolulu used
25398-577: Was granted a commercial license, the capital's first, as WTTG , named after Goldsmith. These two DuMont owned-and-operated stations were joined by WDTV (channel 3) in Pittsburgh on January 11, 1949. Although NBC in New York had station-to-station television links as early as 1940 with WPTZ ( KYW ) in Philadelphia and WRGB in Schenectady, New York , DuMont received its station licenses before NBC resumed its previously sporadic network broadcasts after
25564-476: Was hindered by the cost of broadcasting , a freeze on new television stations in 1948 by the Federal Communications Commission (FCC), and even the company's partner, Paramount Pictures . Despite innovations in broadcasting, and launching one of television's biggest stars of the 1950s— Jackie Gleason —the network never reached solid finances. Forced to expand on UHF channels when UHF tuning
25730-428: Was kept by CBS Corporation , which was the new name for Viacom when it split into two separate companies. On January 24, 2006, CBS Corporation and Time Warner jointly announced that the companies would shut down UPN and competitor The WB to launch a new joint venture network later that year. UPN ceased broadcasting on September 15, 2006, with The WB following two days later. Select programs from both networks moved to
25896-479: Was largely aimed at African American audiences, with minor exceptions in shows such as Clueless , Realitycheck and Head Over Heels . UPN occasionally acquired series canceled by the other broadcast networks, including former WB series Buffy the Vampire Slayer and Roswell (both of which moved to UPN in 2001, Buffy was picked up after The WB chose not to renew it due to issues with license fees while Roswell joined UPN after that same network also canceled
26062-508: Was later shared with WWJ-TV ) in December 2002, with its 10:00 p.m. newscast continuing to be produced by ABC affiliate WXYZ-TV until its eventual cancellation in 2005. CBS re-launched a news operation for both WWJ and WKBD under the umbrella title of CBS News Detroit in January 2023. When the network launched in January 1995, UPN introduced a weekend morning cartoon block called UPN Kids (later called "The UPN Kids Action Zone" during
26228-629: Was launched in 1948, but dissolved in the 1950s. Paramount had long had plans for its own television network with the Paramount Television Service . Set to launch in early 1978, it would have run its programming for only one night a week. Thirty "Movies of the Week" would have followed Star Trek: Phase II on Saturday nights. Plans for the new network were scrapped when sufficient advertising slots could not be sold, though Paramount would contribute some programs to Operation Prime Time , such as
26394-496: Was not the only company to report TV ratings. Companies such as Trendex , Videodex , and Arbitron had also measured TV viewership. The chart in this section comes from Videodex's August 1950 ratings breakdown, as reported in Billboard magazine. DuMont struggled to get its programs aired in many parts of the country, in part due to technical limitations of network lines maintained by telephone company AT&T Corporation . During
26560-411: Was not yet standard on television sets, DuMont fought an uphill battle for program clearance outside its three owned-and-operated stations: WABD New York City , WTTG Washington, D.C. , and WDTV Pittsburgh , ultimately ending network operations on August 6, 1956, leaving three main networks other than public broadcasting , until the founding of Fox in 1986. DuMont's obscurity, caused mainly by
26726-404: Was one of the pushes for Fox Television Stations to acquire United Television overall, then convert KMSP-TV to a Fox owned-and-operated station in Fall 2002. The UPN affiliation thus moved to new sister station WFTC , which followed all UPN branding guidelines until Fox pulled their support for the network in January 2006. DuMont Television Network The DuMont Television Network (also
26892-412: Was predicated on the idea that the network in question would not have a fledgling rival to contend with. With the change in landscape, the joint understanding of assured defeat prompted executives from Viacom and Time Warner (at the time, UPN and The WB's respective owners, with the latter owning most of The WB) to discuss the prospect of merging the networks together. Both sides reached an agreement on
27058-472: Was redirected to The CW's website, and then to CBS's website. At the time of its shutdown, UPN ran only two hours of primetime network programming on Monday through Fridays from 8:00 to 10:00 p.m. ET (compared to the three primetime hours on Monday through Saturdays and four hours on Sundays offered by the Big Three networks , ABC, NBC and CBS). UPN never carried any weekend primetime programming throughout
27224-515: Was referred to as "UPN 9", until The CW's launch was announced in January 2006). However, most of the UPN owned-and-operated stations under Viacom/CBS Corporation branded themselves by the network/city conventions (for example, KBHK-TV / San Francisco was branded as "UPN Bay Area", WKBD / Detroit was branded as "UPN Detroit", WUPA was branded as "UPN Atlanta" and WUPL / New Orleans was branded as "UPN New Orleans"). That type of branding did not always apply though, as for example, WSBK-TV / Boston
27390-471: Was said to be the "death knell" for the Federal Communications Commission 's longtime ban on television station duopolies . Further transactions added San Francisco ( KPIX-TV and KBHK-TV , the latter of which was traded to Viacom/CBS by Fox Television Stations ) and Sacramento ( KOVR and KMAX-TV , the former of which was sold to Viacom/CBS by the Sinclair Broadcast Group ) to the mix. At
27556-541: Was the only television network without a radio network, so it was the only network forced to pay for a service it did not use. DuMont protested AT&T's actions with the Federal Communications Commission, and eventually reached a compromise. DuMont's biggest corporate hurdle may have been with the company's own partner, Paramount. Relations between the two companies were strained as early as 1939 when Paramount opened experimental television stations in Los Angeles and Chicago without DuMont's involvement. Dr. DuMont claimed that
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