104-630: The Grosse Fuge ( German : Große Fuge , also known in English as the Great Fugue or Grand Fugue ), Op. 133, is a single-movement composition for string quartet by Ludwig van Beethoven . An immense double fugue , it was universally condemned by contemporary music critics. A reviewer writing for the Allgemeine musikalische Zeitung in 1826 described the fugue as "incomprehensible, like Chinese" and "a confusion of Babel". However, critical opinion of
208-460: A de facto official language of Namibia after the end of German colonial rule alongside English and Afrikaans , and had de jure co-official status from 1984 until its independence from South Africa in 1990. However, the Namibian government perceived Afrikaans and German as symbols of apartheid and colonialism, and decided English would be the sole official language upon independence, stating that it
312-402: A second language , and 75–100 million as a foreign language . This would imply the existence of approximately 175–220 million German speakers worldwide. German sociolinguist Ulrich Ammon estimated a number of 289 million German foreign language speakers without clarifying the criteria by which he classified a speaker. As of 2012 , about 90 million people, or 16% of
416-587: A "commonly used" language and the Pan South African Language Board is obligated to promote and ensure respect for it. Cameroon was also a colony of the German Empire from the same period (1884 to 1916). However, German was replaced by French and English, the languages of the two successor colonial powers, after its loss in World War I . Nevertheless, since the 21st century, German has become
520-417: A double fugue, two subjects, played one against the other. The second subject in the first violin, and the first subject, syncopated , in the viola. Then the second violin and cello take up the same thing. The first variation, following the rules of fugue, opens in the subdominant key of E ♭ . Beethoven adds to the chaos with a triplet figure in the first violin, played against the quaternary rhythm of
624-448: A dying, measured sixteenth-note tremolo , when the next section bursts out in the key of B ♭ . Beethoven shifts gears: from G ♭ to B ♭ , from 4 to 8 , from pianissimo to fortissimo . The fortissimo descends immediately to piano , for a short interlude before the second fugue. This interlude is based on the main subject in diminution, meaning in double time. On top of this, Beethoven adds
728-465: A final fermata , leading to the next section in the key of G ♭ . This section ("slower and at a moderate pace") is a complete change of character from the formal fugue that preceded it and the one that follows it. It is a fugato , a section that combines contrapuntal writing with homophony . "After the strenuousness of the B ♭ Fugue [first section], the effect is of an almost blinding innocence," writes Joseph Kerman . Analysts who see
832-556: A greater need for regularity in written conventions. While the major changes of the MHG period were socio-cultural, High German was still undergoing significant linguistic changes in syntax, phonetics, and morphology as well (e.g. diphthongization of certain vowel sounds: hus (OHG & MHG "house") → haus (regionally in later MHG)→ Haus (NHG), and weakening of unstressed short vowels to schwa [ə]: taga (OHG "days")→ tage (MHG)). A great wealth of texts survives from
936-475: A larger movement or scena in oratorio or opera . " Ecco, ridente in cielo " from Gioachino Rossini 's opera The Barber of Seville , "Porgi amor" and " Se vuol ballare " from Mozart's The Marriage of Figaro are well-known cavatinas. A famous piece that bears the name, although without words, is the 5th movement of Beethoven's String Quartet in B-flat major, Opus 130 . Ralph Vaughan Williams also gave
1040-449: A lilting, slightly comic melody; analysts who see the fugue as a multi-movement work consider this section the equivalent of a scherzo . In this interlude, Beethoven introduces the use of trill (hinted at, at the end of the Meno mosso section). The music grows in intensity and shifts into A ♭ major, for a new learned fugue. In this fugue, Beethoven puts together three versions of
1144-453: A native tongue today, mostly descendants of German colonial settlers . The period of German colonialism in Namibia also led to the evolution of a Standard German-based pidgin language called " Namibian Black German ", which became a second language for parts of the indigenous population. Although it is nearly extinct today, some older Namibians still have some knowledge of it. German remained
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#17330857853041248-679: A popular foreign language among pupils and students, with 300,000 people learning or speaking German in Cameroon in 2010 and over 230,000 in 2020. Today Cameroon is one of the African countries outside Namibia with the highest number of people learning German. In the United States, German is the fifth most spoken language in terms of native and second language speakers after English, Spanish , French , and Chinese (with figures for Cantonese and Mandarin combined), with over 1 million total speakers. In
1352-418: A restatement of the scherzo section. There follows a section that analysts have described as "uneasy hesitation" or "puzzling" and "diffused". Fragments of the various subjects appear and disappear, and the music seems to lose energy. A silence, and then a fragmentary burst of the opening of the first fugue. Another silence. A snippet of the meno mosso . Another silence. And then a fortissimo restatement of
1456-475: A result, the surviving texts are written in highly disparate regional dialects and exhibit significant Latin influence, particularly in vocabulary. At this point monasteries, where most written works were produced, were dominated by Latin, and German saw only occasional use in official and ecclesiastical writing. While there is no complete agreement over the dates of the Middle High German (MHG) period, it
1560-507: A titanic struggle overcome." Daniel Chua, on the contrary, writes, "The work speaks of failure, the very opposite of the triumphant synthesis associated with Beethovenian recapitulations." Stephen Husarik, in his essay "Musical direction and the wedge in Beethoven's high comedy, Grosse Fuge op. 133", contends that in the fugue, Beethoven is actually writing a parody of Baroque formalism. "The B ♭ Fuga of op. 133 stumbles forward in what
1664-418: A traditional fugue is to make a simple, unadorned statement of the subject at the outset, but Beethoven from the very beginning presents the subject in a host of variations. In stark contrast to this simple chromatic motif is the second subject of the fugue, which leaps dramatically in huge intervals – tenths and twelfths: The third motif is a lilting melody that serves as the theme of the andante section of
1768-456: A trill, and silence. Beethoven then repeats the subject, but in a completely different rhythm, in diminution (meaning at double the tempo), twice, climbing up the scale; and then, again silence, and again the subject, this time unadorned, in a dramatic drop to pianissimo in the key of F major. This leads to a statement of the third fugal subject, with the first subject in the bass: Thus, Beethoven, in this brief introduction, presents not only
1872-580: Is a recognized minority language in the following countries: In France, the High German varieties of Alsatian and Moselle Franconian are identified as " regional languages ", but the European Charter for Regional or Minority Languages of 1998 has not yet been ratified by the government. Namibia also was a colony of the German Empire, from 1884 to 1915. About 30,000 people still speak German as
1976-596: Is also notable for its broad spectrum of dialects , with many varieties existing in Europe and other parts of the world. Some of these non-standard varieties have become recognized and protected by regional or national governments. Since 2004, heads of state of the German-speaking countries have met every year, and the Council for German Orthography has been the main international body regulating German orthography . German
2080-546: Is an Indo-European language that belongs to the West Germanic group of the Germanic languages . The Germanic languages are traditionally subdivided into three branches: North Germanic , East Germanic , and West Germanic . The first of these branches survives in modern Danish , Swedish , Norwegian , Faroese , and Icelandic , all of which are descended from Old Norse . The East Germanic languages are now extinct, and Gothic
2184-413: Is anything but a tame Baroque fugue: it is violent and dissonant, pitting awkward leaps of the second subject in iambic rhythm against the main subject in syncopation, at a constant dynamic that never falls below forte . The resulting angular rhythmic confusion and displaced dissonances last almost five minutes. First, Beethoven restates the main subject, broken up by rests between each note. Then begins
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#17330857853042288-472: Is called the "German Sprachraum ". German is the official language of the following countries: German is a co-official language of the following countries: Although expulsions and (forced) assimilation after the two World wars greatly diminished them, minority communities of mostly bilingual German native speakers exist in areas both adjacent to and detached from the Sprachraum. Within Europe, German
2392-430: Is complicated by the existence of several varieties whose status as separate "languages" or "dialects" is disputed for political and linguistic reasons, including quantitatively strong varieties like certain forms of Alemannic and Low German . With the inclusion or exclusion of certain varieties, it is estimated that approximately 90–95 million people speak German as a first language , 10–25 million speak it as
2496-520: Is generally seen as ending when the 1346–53 Black Death decimated Europe's population. Modern High German begins with the Early New High German (ENHG) period, which Wilhelm Scherer dates 1350–1650, terminating with the end of the Thirty Years' War . This period saw the further displacement of Latin by German as the primary language of courtly proceedings and, increasingly, of literature in
2600-595: Is generally seen as lasting from 1050 to 1350. This was a period of significant expansion of the geographical territory occupied by Germanic tribes, and consequently of the number of German speakers. Whereas during the Old High German period the Germanic tribes extended only as far east as the Elbe and Saale rivers, the MHG period saw a number of these tribes expanding beyond this eastern boundary into Slavic territory (known as
2704-559: Is less closely related to languages based on Low Franconian dialects (e.g., Dutch and Afrikaans), Low German or Low Saxon dialects (spoken in northern Germany and southern Denmark ), neither of which underwent the High German consonant shift. As has been noted, the former of these dialect types is Istvaeonic and the latter Ingvaeonic, whereas the High German dialects are all Irminonic; the differences between these languages and standard German are therefore considerable. Also related to German are
2808-435: Is one of the major languages of the world . German is the second-most widely spoken Germanic language , after English, both as a first and as a second language . German is also widely taught as a foreign language , especially in continental Europe (where it is the third most taught foreign language after English and French), and in the United States. Overall, German is the fourth most commonly learned second language, and
2912-587: Is one of the three biggest newspapers in Namibia and the only German-language daily in Africa. An estimated 12,000 people speak German or a German variety as a first language in South Africa, mostly originating from different waves of immigration during the 19th and 20th centuries. One of the largest communities consists of the speakers of "Nataler Deutsch", a variety of Low German concentrated in and around Wartburg . The South African constitution identifies German as
3016-401: Is partly derived from Latin and Greek , along with fewer words borrowed from French and Modern English . English, however, is the main source of more recent loanwords . German is a pluricentric language ; the three standardized variants are German , Austrian , and Swiss Standard German . Standard German is sometimes called High German , which refers to its regional origin. German
3120-533: Is probably the most relentless and humorous assertion of modal rhythms since 12th century Notre Dame organum." Kahn disagrees: "... the comparison to comic music is surprising. There is nothing comic about the Grosse Fuge ..." In many discussions of the piece, the issue of struggle is central. Sara Bitloch, violinist of the Elias String Quartet, says this sense of struggle informs her group's interpretation of
3224-510: Is the Sachsenspiegel , the first book of laws written in Middle Low German ( c. 1220 ). The abundance and especially the secular character of the literature of the MHG period demonstrate the beginnings of a standardized written form of German, as well as the desire of poets and authors to be understood by individuals on supra-dialectal terms. The Middle High German period
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3328-566: Is the only language in this branch which survives in written texts. The West Germanic languages, however, have undergone extensive dialectal subdivision and are now represented in modern languages such as English, German, Dutch , Yiddish , Afrikaans , and others. Within the West Germanic language dialect continuum, the Benrath and Uerdingen lines (running through Düsseldorf - Benrath and Krefeld - Uerdingen , respectively) serve to distinguish
3432-481: Is understood in all areas where German is spoken. Approximate distribution of native German speakers (assuming a rounded total of 95 million) worldwide: As a result of the German diaspora , as well as the popularity of German taught as a foreign language , the geographical distribution of German speakers (or "Germanophones") spans all inhabited continents. However, an exact, global number of native German speakers
3536-673: The Ostsiedlung ). With the increasing wealth and geographic spread of the Germanic groups came greater use of German in the courts of nobles as the standard language of official proceedings and literature. A clear example of this is the mittelhochdeutsche Dichtersprache employed in the Hohenstaufen court in Swabia as a standardized supra-dialectal written language. While these efforts were still regionally bound, German began to be used in place of Latin for certain official purposes, leading to
3640-627: The Alamanni , Bavarian, and Thuringian groups, all belonging to the Elbe Germanic group ( Irminones ), which had settled in what is now southern-central Germany and Austria between the second and sixth centuries, during the great migration. In general, the surviving texts of Old High German (OHG) show a wide range of dialectal diversity with very little written uniformity. The early written tradition of OHG survived mostly through monasteries and scriptoria as local translations of Latin originals; as
3744-557: The Czech Republic ( North Bohemia ), Poland ( Upper Silesia ), Slovakia ( Košice Region , Spiš , and Hauerland ), Denmark ( North Schleswig ), Romania and Hungary ( Sopron ). Overseas, sizeable communities of German-speakers are found in Brazil ( Blumenau and Pomerode ), South Africa ( Kroondal ), Namibia , among others, some communities have decidedly Austrian German or Swiss German characters (e.g. Pozuzo , Peru). German
3848-522: The Early Middle Ages . German is an inflected language , with four cases for nouns, pronouns, and adjectives (nominative, accusative, genitive, dative); three genders (masculine, feminine, neuter) and two numbers (singular, plural). It has strong and weak verbs . The majority of its vocabulary derives from the ancient Germanic branch of the Indo-European language family, while a smaller share
3952-473: The European Union 's population, spoke German as their mother tongue, making it the second most widely spoken language on the continent after Russian and the second biggest language in terms of overall speakers (after English), as well as the most spoken native language. The area in central Europe where the majority of the population speaks German as a first language and has German as a (co-)official language
4056-652: The European Union . It is the most widely spoken and official (or co-official) language in Germany , Austria , Switzerland , Liechtenstein , and the Italian autonomous province of South Tyrol . It is also an official language of Luxembourg , Belgium and the Italian autonomous region of Friuli-Venezia Giulia , as well as a recognized national language in Namibia . There are also notable German-speaking communities in France ( Alsace ),
4160-514: The German states . While these states were still part of the Holy Roman Empire , and far from any form of unification, the desire for a cohesive written language that would be understandable across the many German-speaking principalities and kingdoms was stronger than ever. As a spoken language German remained highly fractured throughout this period, with a vast number of often mutually incomprehensible regional dialects being spoken throughout
4264-724: The Holy Roman Emperor Maximilian I , and the other being Meißner Deutsch , used in the Electorate of Saxony in the Duchy of Saxe-Wittenberg . Alongside these courtly written standards, the invention of the printing press led to the development of a number of printers' languages ( Druckersprachen ) aimed at making printed material readable and understandable across as many diverse dialects of German as possible. The greater ease of production and increased availability of written texts brought about increased standardisation in
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4368-644: The Old High German language in several Elder Futhark inscriptions from as early as the sixth century AD (such as the Pforzen buckle ), the Old High German period is generally seen as beginning with the Abrogans (written c. 765–775 ), a Latin-German glossary supplying over 3,000 Old High German words with their Latin equivalents. After the Abrogans , the first coherent works written in Old High German appear in
4472-640: The Sprachraum in Europe. German is used in a wide variety of spheres throughout the country, especially in business, tourism, and public signage, as well as in education, churches (most notably the German-speaking Evangelical Lutheran Church in Namibia (GELK) ), other cultural spheres such as music, and media (such as German language radio programs by the Namibian Broadcasting Corporation ). The Allgemeine Zeitung
4576-536: The Standard German language in its written form, and the Duden Handbook was declared its standard definition. Punctuation and compound spelling (joined or isolated compounds) were not standardized in the process. The Deutsche Bühnensprache ( lit. ' German stage language ' ) by Theodor Siebs had established conventions for German pronunciation in theatres , three years earlier; however, this
4680-503: The Upper German dialects spoken in the southern German-speaking countries , such as Swiss German ( Alemannic dialects ) and the various Germanic dialects spoken in the French region of Grand Est , such as Alsatian (mainly Alemannic, but also Central–and Upper Franconian dialects) and Lorraine Franconian (Central Franconian). After these High German dialects, standard German
4784-462: The pagan Germanic tradition. Of particular interest to scholars, however, has been the Hildebrandslied , a secular epic poem telling the tale of an estranged father and son unknowingly meeting each other in battle. Linguistically, this text is highly interesting due to the mixed use of Old Saxon and Old High German dialects in its composition. The written works of this period stem mainly from
4888-573: The B ♭ quartet, by the Schuppanzigh Quartet . Music analysts and critics have described the Grosse Fuge as "inaccessible", "eccentric", "filled with paradoxes", and "Armageddon". Critic and musicologist Joseph Kerman calls it "the most problematic single work in Beethoven's output and ... doubtless in the entire literature of music", and violinist David Matthews describes it as "fiendishly difficult to play". Beethoven originally wrote
4992-553: The Blessed Spirits" from Gluck's opera Orfeo ed Euridice (1774), and also in Haydn 's String Quartet in G, Op. 33, No. 5 . ii, mm. 27–29. Another similar subject, with syncopated or gapped rhythm (called Unterbrechung in German), appears in a treatise on counterpoint by Johann Georg Albrechtsberger , who taught Beethoven composition. Joseph Kerman suggests that Beethoven modeled
5096-553: The Classical structure. "In my student days I wrote dozens of [fugues] ... but [imagination] also wishes to exert its privileges ... and a new and really poetic element must be introduced into the traditional form," Beethoven wrote. The resulting movement was a mammoth work, 741 measures long; the total number of measures in the other movements is 643. The fugue is dedicated to the Archduke Rudolf of Austria , his student and patron. At
5200-714: The Empire. Its use indicated that the speaker was a merchant or someone from an urban area, regardless of nationality. Prague (German: Prag ) and Budapest ( Buda , German: Ofen ), to name two examples, were gradually Germanized in the years after their incorporation into the Habsburg domain; others, like Pressburg ( Pozsony , now Bratislava), were originally settled during the Habsburg period and were primarily German at that time. Prague, Budapest, Bratislava, and cities like Zagreb (German: Agram ) or Ljubljana (German: Laibach ), contained significant German minorities. In
5304-718: The Frisian languages— North Frisian (spoken in Nordfriesland ), Saterland Frisian (spoken in Saterland ), and West Frisian (spoken in Friesland )—as well as the Anglic languages of English and Scots. These Anglo-Frisian dialects did not take part in the High German consonant shift, and the Anglic languages also adopted much vocabulary from both Old Norse and the Norman language . The history of
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#17330857853045408-524: The German language begins with the High German consonant shift during the Migration Period , which separated Old High German dialects from Old Saxon . This sound shift involved a drastic change in the pronunciation of both voiced and voiceless stop consonants ( b , d , g , and p , t , k , respectively). The primary effects of the shift were the following below. While there is written evidence of
5512-447: The German states; the invention of the printing press c. 1440 and the publication of Luther's vernacular translation of the Bible in 1534, however, had an immense effect on standardizing German as a supra-dialectal written language. The ENHG period saw the rise of several important cross-regional forms of chancery German, one being gemeine tiutsch , used in the court of
5616-675: The Germanic dialects that were affected by the High German consonant shift (south of Benrath) from those that were not (north of Uerdingen). The various regional dialects spoken south of these lines are grouped as High German dialects, while those spoken to the north comprise the Low German and Low Franconian dialects. As members of the West Germanic language family, High German, Low German, and Low Franconian have been proposed to be further distinguished historically as Irminonic , Ingvaeonic , and Istvaeonic , respectively. This classification indicates their historical descent from dialects spoken by
5720-646: The Irminones (also known as the Elbe group), Ingvaeones (or North Sea Germanic group), and Istvaeones (or Weser–Rhine group). Standard German is based on a combination of Thuringian - Upper Saxon and Upper Franconian dialects, which are Central German and Upper German dialects belonging to the High German dialect group. German is therefore closely related to the other languages based on High German dialects, such as Luxembourgish (based on Central Franconian dialects ) and Yiddish . Also closely related to Standard German are
5824-507: The MHG period. Significantly, these texts include a number of impressive secular works, such as the Nibelungenlied , an epic poem telling the story of the dragon -slayer Siegfried ( c. thirteenth century ), and the Iwein , an Arthurian verse poem by Hartmann von Aue ( c. 1203 ), lyric poems , and courtly romances such as Parzival and Tristan . Also noteworthy
5928-415: The decline of the previously favoured da capo aria (in which the musical form is ABA, with the repeated A section given improvised variations). Examples occur in the operas of Mozart, Weber, and Rossini. In 19th-century bel canto operas of Bellini, Donizetti, and Verdi the term came to refer to a principal singer’s opening aria, whether in one movement or paired with a contrasting cabaletta . In Italian,
6032-430: The development of non-local forms of language and exposed all speakers to forms of German from outside their own area. With Luther's rendering of the Bible in the vernacular, German asserted itself against the dominance of Latin as a legitimate language for courtly, literary, and now ecclesiastical subject-matter. His Bible was ubiquitous in the German states: nearly every household possessed a copy. Nevertheless, even with
6136-452: The dialect so as to make the work as natural and accessible to German speakers as possible. Copies of Luther's Bible featured a long list of glosses for each region, translating words which were unknown in the region into the regional dialect. Luther said the following concerning his translation method: One who would talk German does not ask the Latin how he shall do it; he must ask the mother in
6240-507: The eastern provinces of Banat , Bukovina , and Transylvania (German: Banat, Buchenland, Siebenbürgen ), German was the predominant language not only in the larger towns—like Temeschburg ( Timișoara ), Hermannstadt ( Sibiu ), and Kronstadt ( Brașov )—but also in many smaller localities in the surrounding areas. In 1901, the Second Orthographic Conference ended with a (nearly) complete standardization of
6344-450: The eight-note motif that is the main fugal subject, the "contour [that] is a driving force behind the Grosse Fuge". But Leah Gayle Weinberg writes: "The Grosse Fuge has been and continues to be a problematic subject of scholarly discussion for many reasons; the most basic is that its very form defies categorization." Beethoven himself subtitled the fugue tantôt libre, tantôt recherchée 'sometimes free, sometimes learned'. Some sections of
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#17330857853046448-520: The estate of his brother Johann in Gneixendorf during the late autumn of 1826, and it is the last complete piece of music he was to write. In May 1827, about two months after Beethoven's death, Matthias Artaria published the first edition of Op. 130 with the new finale, the Grosse Fuge separately (under the French title Grande Fugue ) as Op. 133, and a four-hand piano arrangement of the fugue as Op. 134. Dozens of analyses have attempted to delve into
6552-415: The fugue as a multi-movement work rolled into one view this as the traditional Andante movement. It opens with a statement of the third subject, against a pedal tone in the viola, and continues with the third subject in the second violin, against the main subject cantus firmus in the viola. The counterpoint becomes more complex, with the cello and first violin playing the main subject in canon while
6656-416: The fugue as a variation of sonata-allegro form consider this to be part of the recapitulation section. In this section, Beethoven uses another complex contrapuntal device: the second violin plays the theme, the first violin plays the main subject in a high register, and the viola plays the main subject in inversion – that is, upside down. A series of trills leads back to the home key of B ♭ , and
6760-404: The fugue as the closing movement of his String Quartet No. 13, Op. 130 , composed in late 1825. His choice of a fugal form for the final movement was well grounded in tradition: Haydn , Mozart , and Beethoven himself had previously written fugues as final movements of quartets. But in recent years, Beethoven had become increasingly concerned with the challenge of integrating this Baroque form into
6864-473: The fugue stood best on its own. The fugue is connected to the other movements of Op. 130 by various hints of motifs, and by a tonal link to the preceding Cavatina movement (the Cavatina ends on a G, and the fugue begins with the same G). The lively final movement which replaced the fugue is in the form of a contredanse and is completely uncontroversial. Beethoven composed this replacement finale while staying at
6968-645: The fugue with death, in a melange of hazy associations with the yew tree (a symbol of death in Celtic Britain), the Holocaust, and the death of her own father: German language German (German: Deutsch , pronounced [dɔʏtʃ] ) is a West Germanic language in the Indo-European language family , mainly spoken in Western and Central Europe . It is the most spoken native language within
7072-403: The fugue. "Every part has to feel like it's a huge struggle ... You need to finish the Grosse Fuge absolutely exhausted." She calls the piece "apocalyptic". Arnold Steinhardt of the Guarneri String Quartet calls it "Armageddon ... the chaos out of which life itself evolved". One way to express the impact of the fugue is through poetry. In her poem "Little Fugue", Sylvia Plath associates
7176-418: The fugue: A fourth element – not so much a motif as an effect – is the trill . Beethoven also uses trills extensively, simultaneously creating a sense of disintegration of the motifs, leading to a climax. The fugue opens with a 24-bar overture , which starts with a dramatic fortissimo unison G, and statement of the main fugal subject in the key of G major: This statement of the subject disintegrates into
7280-435: The home, the children on the streets, the common man in the market-place and note carefully how they talk, then translate accordingly. They will then understand what is said to them because it is German. When Christ says ' ex abundantia cordis os loquitur ,' I would translate, if I followed the papists, aus dem Überflusz des Herzens redet der Mund . But tell me is this talking German? What German understands such stuff? No,
7384-417: The influence of Luther's Bible as an unofficial written standard, a widely accepted standard for written German did not appear until the middle of the eighteenth century. German was the language of commerce and government in the Habsburg Empire , which encompassed a large area of Central and Eastern Europe . Until the mid-nineteenth century, it was essentially the language of townspeople throughout most of
7488-514: The largest concentrations of German speakers are in the states of Rio Grande do Sul (where Riograndenser Hunsrückisch developed), Santa Catarina , and Espírito Santo . Cavatina Cavatina (Italian for "little song") is a musical term, originally meaning a short song of simple character, without a second strain or any repetition of the air . It is now frequently applied to any simple, melodious air, as distinguished from brilliant arias or recitatives , many of which are part of
7592-424: The listeners as well as the instrumentalists, to substitute for the fugue which was so difficult to understand. I maintained to Beethoven that this fugue, which departed from the ordinary and surpassed even the last quartets in originality, should be published as a separate work and that it merited a designation as a separate opus. I communicated to him that Artaria was disposed to pay him a supplementary honorarium for
7696-491: The main subject in a way that harks back to the overtura . More elements of the first fugue return: the syncopation used for the main subject, the tenth leaps from the second subject, the diminuted main subject in the viola. This leads back to a restatement of the meno mosso e moderato section. This time, though, instead of a silky pianissimo , the fugato is played forte , heavily accented (Beethoven writes f on every sixteenth-note group), march-like. Analysts who see
7800-509: The main subject: (1) the subject in its simple form, but in augmentation (meaning half the speed); (2) the same subject, abbreviated, in retrograde (that is, played backwards); and (3) a variation of the first half of the subject in diminution (that is, double time). Together, they sound like this: Here Beethoven starts to use trills intensely. This adds to the extremely dense texture and rhythmic complexity. Kerman writes of this fugal section, "The piece seems to be in danger of cracking under
7904-407: The material that will make up the entire piece but also the spirit: violent shifts of mood, melodies disintegrating into chaos, dramatic silences, instability, and struggle. Following the overture is a strictly formal double fugue in the key of B ♭ major that follows all the rules of a Baroque fugue: an exposition and three variations, showcasing different contrapuntal devices. But this
8008-402: The mother in the home and the plain man would say, Wesz das Herz voll ist, des gehet der Mund über . Luther's translation of the Bible into High German was also decisive for the German language and its evolution from Early New High German to modern Standard German. The publication of Luther's Bible was a decisive moment in the spread of literacy in early modern Germany , and promoted
8112-551: The motif after J. S. Bach's fugue in B minor from The Well-Tempered Clavier . Its subject is shown below: Whatever the origin of the motif, Beethoven was fascinated by it. He used it, or fragments of it, in a number of places in the late quartets, most notably in the first movement of his Op. 132 string quartet . The opening is shown below: In the course of the Grosse Fuge , Beethoven plays this motif in every possible variation: fortissimo and pianissimo , in different rhythms, upside down and backwards . The usual practice in
8216-435: The new finale. Beethoven told me he would reflect on it, but already on the next day I received a letter giving his agreement. Why the notoriously stubborn Beethoven readily agreed to replace the fugue is unclear: some historians have speculated he did it for the money, as Beethoven perennially struggled to manage his personal finances and often lacked money. Others suggest he did it to satisfy his critics or because he believed
8320-630: The ninth century, chief among them being the Muspilli , Merseburg charms , and Hildebrandslied , and other religious texts (the Georgslied , Ludwigslied , Evangelienbuch , and translated hymns and prayers). The Muspilli is a Christian poem written in a Bavarian dialect offering an account of the soul after the Last Judgment , and the Merseburg charms are transcriptions of spells and charms from
8424-433: The piece structurally, the composition remains filled with paradoxes that leave the listener ultimately dissatisfied with an exegesis derived solely from a structural perspective." Since its composition, musicians, critics and listeners have tried to explain the tremendous impact this piece has. "[It] is one of the great artistic testaments to the human capacity for meaning in the face of the threat of chaos. Abiding faith in
8528-493: The premiere performance of the Op. 130 quartet, the other movements were received enthusiastically, but the fugue was not a success. Many musicians and critics in Vienna's music periodicals denounced the fugue. Composer and violinist Louis Spohr called it, and the other late quartets, "an indecipherable, uncorrected horror". Despite the contemporary criticism, Beethoven himself never doubted
8632-462: The pronunciation of the ending -ig as [ɪk] instead of [ɪç]. In Northern Germany, High German was a foreign language to most inhabitants, whose native dialects were subsets of Low German. It was usually encountered only in writing or formal speech; in fact, most of High German was a written language, not identical to any spoken dialect, throughout the German-speaking area until well into the 19th century. However, wider standardization of pronunciation
8736-513: The relevance of visionary struggle in our lives powerfully informs the structure and character of the music," writes Mark Steinberg, violinist of the Brentano String Quartet . "More than anything else in music ... it justifies the ways of God to men," writes musicologist Leonard Ratner . But beyond a recognition of the hugeness and almost mystical impact of the music, critics fail to agree on its character. Robert S. Kahn says "it presents
8840-399: The second subject in the second violin and the syncopated main subject in the viola. The second variation, back in the key of B ♭ , is a stretto section, meaning that the fugal voices enter one right after the other. To this, Beethoven adds a countersubject in dactylic rhythm (shown in red below). In the third variation, Beethoven presents a variation of the second subject in
8944-463: The second violin and viola pass the third subject between them. Despite the growing complexity of the fugal writing, Beethoven instructs the players sempre piano – always quiet. Leonard Ratner writes of this section, "[This] comes as a wonderful change of color, offered with the silkiest of textures, and with exquisite moments of glowing diatonism ." The polyphony gradually dissipates into homophony, and from there into unison, finally tapering into
9048-541: The states of North Dakota and South Dakota , German is the most common language spoken at home after English. As a legacy of significant German immigration to the country , German geographical names can be found throughout the Midwest region , such as New Ulm and Bismarck (North Dakota's state capital), plus many other regions. A number of German varieties have developed in the country and are still spoken today, such as Pennsylvania Dutch and Texas German . In Brazil,
9152-401: The structure of the Grosse Fuge , with conflicting results. The work has been described as an expansion of the formal Baroque grand fugue, as a multi-movement work rolled into a single piece, and as a symphonic poem in sonata form . Stephen Husarik has suggested that the relationships between the keys of the different sections of the fugue mirror what he describes as the wedge-like structure of
9256-414: The tension of its own rhythmic fury." In the second episode of this fugue, Beethoven adds in the triplet figure from the first variation of the first fugue: The trills become more intense. In the third episode, in the dominant key of E ♭ major, Beethoven uses a leaping motif that recalls the second subject of the first fugue: The fourth episode returns to the key of A ♭ . The cello plays
9360-496: The third most commonly learned second language in the United States in K-12 education. The language has been influential in the fields of philosophy, theology, science, and technology. It is the second most commonly used language in science and the third most widely used language on websites . The German-speaking countries are ranked fifth in terms of annual publication of new books, with one-tenth of all books (including e-books) in
9464-436: The title of "Cavatina" to the 3rd movement of his Symphony No. 8 . Camille Saint-Saëns wrote a Cavatine for trombone and piano . In opera, the term has been described as: a musical form appearing in operas and occasionally in cantatas and instrumental music....In opera the cavatina is an aria, generally of brilliant character, sung in one or two sections without repeats. It developed in the mid-18th century, coincident with
9568-401: The triplet rhythm of the countersubject of the first variation, with the main subject syncopated in eighth notes, in diminution (that is, the subject is played at twice the speed). This last variation grows increasingly chaotic, with triplets breaking out in the inner voices, until it ultimately collapses – each instrument finishing on a different part of the measure and ending inconclusively on
9672-454: The value of the fugue. Karl Holz , Beethoven's secretary, confidant and second violinist of the Schuppanzigh Quartet that first performed the work, brought Beethoven the news that the audience had demanded encores of two middle movements. Beethoven, enraged, was reported to have growled, "And why didn't they encore the Fugue? That alone should have been repeated! Cattle! Asses!" However, the fugue
9776-506: The very opening of the piece, leading to the coda. From here the music moves forward, at first haltingly, but then with more and more energy, to the final passage, where the first subject is played in triplets below the soaring violin line playing a variant of the second subject. Analyses of the Grosse Fuge help to understand the structure and contrapuntal devices of the piece. Musicologist David Benjamin Levy writes, "Regardless of how one hears
9880-409: The word is the diminutive of cavata , the act of producing a sound from a musical instrument (especially string instruments), and by extension, the quality of that sound. For example, one can notice the grace of an expert violinist's cavata or the richness of the cavata from a cello crafted by an exceptionally skilled luthier. From this meaning comes "cavatina," understood as the entrance aria of
9984-408: The work follow the strict formal structure of Baroque grand fugues, while others are more freely constructed. Regardless of how closely Beethoven follows Baroque tradition, the use of contrapuntal techniques is ubiquitous throughout the work. The central motif of the fugue is an eight-note subject that climbs chromatically upward: A similar motif appears in act 2, measures 44–47, of the "Dance of
10088-408: The work has risen steadily since the early 20th century and it is now considered among Beethoven's greatest achievements. Igor Stravinsky described it as "an absolutely contemporary piece of music that will be contemporary forever". The Grosse Fuge was originally composed as the final movement of Beethoven's Quartet No. 13 in B ♭ major , Op. 130, written in 1825; but Beethoven's publisher
10192-543: The world being published in German. German is most closely related to other West Germanic languages, namely Afrikaans , Dutch , English , the Frisian languages , and Scots . It also contains close similarities in vocabulary to some languages in the North Germanic group , such as Danish , Norwegian , and Swedish . Modern German gradually developed from Old High German , which in turn developed from Proto-Germanic during
10296-579: The written form of German. One of the central events in the development of ENHG was the publication of Luther's translation of the Bible into High German (the New Testament was published in 1522; the Old Testament was published in parts and completed in 1534). Luther based his translation primarily on the Meißner Deutsch of Saxony , spending much time among the population of Saxony researching
10400-429: Was a "neutral" language as there were virtually no English native speakers in Namibia at that time. German, Afrikaans, and several indigenous languages thus became "national languages" by law, identifying them as elements of the cultural heritage of the nation and ensuring that the state acknowledged and supported their presence in the country. Today, Namibia is considered to be the only German-speaking country outside of
10504-530: Was an artificial standard that did not correspond to any traditional spoken dialect. Rather, it was based on the pronunciation of German in Northern Germany, although it was subsequently regarded often as a general prescriptive norm, despite differing pronunciation traditions especially in the Upper-German-speaking regions that still characterise the dialect of the area today – especially
10608-410: Was concerned about the dismal commercial prospects of the piece and wanted the composer to replace the fugue with a new finale. Beethoven complied, and the Grosse Fuge was published as a separate work in 1827 as Op. 133. The work was composed when Beethoven was nearly totally deaf, and is considered to be part of his set of late quartets . The Grosse Fuge was first performed in 1826, as the finale of
10712-485: Was established on the basis of public speaking in theatres and the media during the 20th century and documented in pronouncing dictionaries. Official revisions of some of the rules from 1901 were not issued until the controversial German orthography reform of 1996 was made the official standard by governments of all German-speaking countries. Media and written works are now almost all produced in Standard German which
10816-432: Was so roundly condemned by critics and audience alike that Beethoven's publisher, Matthias Artaria (1793–1835), decided to try to convince Beethoven to publish it separately. Artaria tasked Holz with persuading Beethoven to separate the fugue from the rest of the quartet. Holz wrote: Artaria ... charged me with the terrible and difficult task of convincing Beethoven to compose a new finale, which would be more accessible to
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