Grey Room is a peer-reviewed academic journal published quarterly, in print and online, by the MIT Press . Founded in 2000, it includes work in the fields of architecture , art , media , and politics . To date it has featured contributions by such prominent historians and theorists as Yve-Alain Bois , Judith Butler , Georges Canguilhem , Jonathan Crary , Hubert Damisch , T. J. Demos , Friedrich Kittler , Chantal Mouffe , Antonio Negri , Jennifer Roberts , Bernhard Siegert , Paolo Virno , Paul Virilio , and Samuel Weber .
3-568: Beginning with issue #51, the composition of the editorial board changed. Founding editors Branden W. Joseph , Reinhold Martin , and Felicity Scott, and editors Karen Beckman and Tom McDonough, resigned from the editorial board after issue #50 and assumed roles on the advisory board of the journal. Zeynep Çelik Alexander, Lucia Allais, Eric de Bruyn, Gabriella Coleman (since resigned from the editorial board), Noam M. Elcott, John Harwood, Byron Hamann, and Matthew C. Hunter have served as editors since. This article about an architecture journal
6-403: Is a stub . You can help Misplaced Pages by expanding it . See tips for writing articles about academic journals . Further suggestions might be found on the article's talk page . This article about a journal on politics or political science is a stub . You can help Misplaced Pages by expanding it . See tips for writing articles about academic journals . Further suggestions might be found on
9-681: The article's talk page . Branden W. Joseph Branden Wayne Joseph is the Frank Gallipoli Professor of Modern and Contemporary Art in the department of Art History and Archaeology at Columbia University . Prior to coming to Columbia in the fall of 2006, Joseph taught at the University of California, Irvine . He is the author of Random Order: Robert Rauschenberg and the Neo-Avant-Garde , contributing author to Anthony McCall: The Solid Light Films and Related Works and an editor of
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