Grand Romantic is the debut studio album of Nate Ruess , lead vocalist from The Format and Fun . It was released on June 16, 2015, by Fueled by Ramen . The album was produced by Some Nights producer Jeff Bhasker . Following the hiatus of Fun, Ruess announced that he would be working on material for a solo project.
62-513: The album received a generally positive reception, however critics noted that it was overly theatrical in terms of production, lyricism and vocal delivery. Grand Romantic debuted at number 7 on the Billboard 200 and spawned four singles : " Nothing Without Love ", "AhHa", "Great Big Storm" and "What This World Is Coming To". On June 10, the album was made available for streaming on the MTV website. Later
124-414: A recommender system to help users discover other songs they may enjoy based on their listening history and other factors, as well as the ability to create and share public playlists with other users. It may also include customized radio or social media platforms . Streaming services saw a significant pace of growth during the 2010s, overtaking digital downloading as the largest source of revenue in
186-642: A viral dance meme —was boosted to number-one on the Billboard Hot 100 chart in February 2013 after U.S. YouTube views for music content were added to its methodology. After Spotify's launch, new competing services began to emerge in the North American market, including Beats Music —which was backed by headphone maker Beats Electronics , Microsoft Groove Music Pass (formerly Xbox Music), Amazon Music Unlimited , and Google Play Music All-Access (a branch of
248-491: A cent per steam, while streaming services like Spotify tripled in value with no increase in payouts to artists. This is one of the main limitations that comes with music streaming services. Digital distribution of music began to achieve prominence in the late 1990s and early 2000s; MP3.com and PeopleSound were early forerunners to later services, offering the ability for musicians (including, especially, independent musicians ) to upload and distribute their songs online in
310-504: A cultural shift for consumers renting rather than buying music outright. Consumers moving away from traditional physical media towards streaming platforms attributed convenience, variety, and affordability as advantages. On the contrary, streaming has also been criticized by some artists for making them earn less from their music and artistry compared to physical formats, especially with pay-per-stream systems. Some critique that this system makes it so artists get paid as low as one-tenth of
372-591: A digital music store. In 2019, Beatport , an online music store primarily targeting DJs and electronic music , announced music streaming services known as Beatport Cloud and Beatport Link. The latter is designed to integrate directly with DJ software such as Serato , Rekordbox , Traktor , and its first-party web application Beatport DJ (which launched in 2021); the service targets professional DJs shifting to streaming-based models for their music libraries, as well as amateur DJs. By 2013, on-demand music streaming had begun to displace online music stores as
434-423: A legal alternative to file sharing platforms such as Napster and Kazaa , the service allowed users to stream songs on-demand using peer-to-peer technology , and would be offered in subscription-based and ad-supported tiers. Ek stated that he wanted to "create a service that was better than piracy and at the same time compensates the music industry." In 2006, a French music streaming website known as Blogmusiq
496-449: A minimum of 1,000 listens every year to receive royalties" starting early 2024. Additionally, some have expressed concern about the focus of streaming metrics as the primary source of monetary compensation for musicians and songwriters as streaming fraud gains traction. When music services already face critiques for taking large cuts from artists, some say their business models help record labels profit even more. Streaming services take
558-561: A more accurate picture of any given year's best-selling albums, as a title that hypothetically spent nine weeks at No. 1 in March could possibly have sold fewer copies than one spending six weeks at No. 3 in January. Albums at the peak of their popularity at the time of the November/December chart-year cutoff many times end up ranked lower than one would expect on a year-end tally, yet are ranked on
620-412: A musician, Paul McCartney has the most top-10 albums, with 51. This includes 32 with The Beatles , 11 solo albums, seven albums with the group Wings , and one album credited to him and his first wife, Linda McCartney . Note: Swift is the first living artist to chart five albums in the top 10 simultaneously. She was previously the first living soloist to have four albums simultaneously chart in
682-400: A new algorithm, utilizing data from all of the major on-demand audio subscription services, including Spotify , Apple Music , Google Play and Groove Music . Under the new methodology, 10 track sales or 1,500 song streams from an album are treated as equivalent to one purchase of the album. Billboard continues to publish a pure album sales chart, called " Top Album Sales ", that maintains
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#1733085343116744-457: A partnership with Rhapsody owner RealNetworks to form the joint venture Rhapsody America, and transition Urge subscribers to Rhapsody. Yahoo Music Unlimited was discontinued in July 2008, and Yahoo also directed users to Rhapsody. In the 2010s, online streaming gradually had begun to displace radio airplay as a significant factor in the commercial success of music. Spotify officially launched in
806-470: A project that embraces the concept of love, calling it "a fittingly grandiose, occasionally silly, passionately effusive, and ultimately very catchy album." Annie Zaleski of The A.V. Club saw potential in the album's themes but said that it was brought down by subdued production and lyrical content with neither depth or conflict in its romantic tales, concluding that " Grand Romantic often feels so preoccupied with grandiose gestures that it loses sight of
868-593: A service also offering downloads and a music locker). Beats Electronics was later acquired by Apple Inc. , which discontinued Beats Music in 2015 and replaced it with a new Apple Music service. Tidal , a streaming service oriented towards high-fidelity audio, also emerged in 2015, with backing from rapper Jay-Z , and a focus on exclusive content. In October 2015, after initially offering "Music Key"—a subscription bundling Play Music All Access with ad-free viewing of music content on YouTube, Google launched YouTube Red — which extended ad-free access to all videos on
930-412: A subscription music streaming service known as "Urge To Go". Urge was briefly integrated with Windows Media Player as a competitor to Apple 's iTunes and iTunes Store , but was discontinued in 2007 amid cannibalization by Microsoft's Zune platform (which was positioned as a competitor to iPod , and used its own separate DRM and music store that was incompatible with Urge). Viacom then entered into
992-445: A week spent at No. 200, two points for a week spent at No. 199, etc., up to 200 points for each week spent at No. 1). Other factors, including an album's total weeks spent on the chart and its peak position, are calculated into an album's year-end total. Since Billboard began obtaining sales information from Nielsen SoundScan, the year-end charts are now calculated by a very straightforward cumulative total of yearlong sales. This gives
1054-455: Is a type of online streaming media service that focuses primarily on music , and sometimes other forms of digital audio content such as podcasts . These services are usually subscription-based services allowing users to stream digital copyright restricted songs on-demand from a centralized library provided by the service. Some services may offer free tiers with limitations, such as advertising and limits on use. They typically incorporate
1116-506: Is also tracked from Friday to Thursday. Digital downloads of albums are included in Billboard 200 tabulation. Albums that are not licensed for retail sale in the United States (yet purchased in the U.S. as imports) are not eligible to chart. A long-standing policy rendering titles that are sold exclusively by specific retail outlets (such as Walmart and Starbucks ) ineligible for charting,
1178-580: Is based mostly on sales – both at retail and digital – of albums in the United States. The weekly sales period was Monday to Sunday when Nielsen started tracking sales in 1991, but since July 2015, the tracking week begins on Friday (to coincide with the Global Release Day of the music industry ) and ends on Thursday. A new chart is published the following Tuesday, post dated to the Saturday of that week, four days later. The chart's streaming schedule
1240-415: Is proof-positive more Nate Ruess is always a good thing." Jon Dolan of Rolling Stone was positive towards the album's theatrical production and upbeat optimism, saying that, "Fun. co-producers Jeff Bhasker and Emile Haynie help Ruess create richly orchestrated bombast with the right amount of sonic wanderlust." Matt Collar of AllMusic praised the collaboration of Ruess, Bhasker and Haynie for creating
1302-609: Is the case for smaller artists, who take up a large portion of the music industry. Without an extensive fan base, these artists aren't able to make a sufficient amount of money. To increase the diversity and value of their services, music streaming services have sometimes produced or acquired other forms of music-related content besides songs, including music documentaries and concert presentations. Spotify had begun to increasingly make investments into podcasts , buoyed by acquisitions such as sports publication The Ringer and exclusive rights to The Joe Rogan Experience . In
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#17330853431161364-417: The Billboard 200). A new chart that keeps the previous criteria for the Billboard 200 – dubbed the " Top Current Albums " chart – was also introduced in the same issue. Billboard has adjusted its policies for Christmas and holiday albums several times. The albums were eligible for the main album charts until 1963, when a " Christmas Albums " chart was created. Albums appearing here were not listed on
1426-549: The Billboard 200. "Both Dark Side of the Moon and The Wall should be in the Billboard Top 200," said former Pink Floyd member Roger Waters in 1992. " The Wall still does anything up to four million each year... They've created a catalog chart in which to place all these old albums, leaving the main chart free for all the artists the record companies will want to book advertising space for. It just offers further evidence of
1488-476: The MP3 format. In 1999, MP3.com offered a service known as Beam-It, allowing users to rip and upload music from CDs they owned into a personal library they could stream via their accounts. The service was then the subject of a lawsuit by Universal Music Group , which ultimately ruled that the service constituted the unauthorized distribution of their copyrighted sound recordings. The lawsuit proved detrimental to
1550-633: The Recording Industry Association of America when Gold, Platinum and Diamond album awards are announced. (RIAA awards reflect wholesale shipments , not retail sales .) Beginning with the December 13, 2014, issue, Billboard updated the methodology of its album chart again, changing from a "pure sales-based ranking" to one measuring "multi-metric consumption". With this overhaul, the Billboard 200 includes on-demand streaming and digital track sales (as measured by Nielsen SoundScan) by way of
1612-752: The dot-com bubble ; in 2005, the service evolved into Yahoo Music Unlimited , a subscription service that allowed songs to be streamed in DRM-protected Windows Media Audio (WMA), and purchased for an additional fee. The social networking service MySpace , and later the video sharing platform YouTube , also became prominent outlets for streaming music, with the latter becoming a particularly popular outlet for music videos and gradually displacing music television . In 2006, Swedish businessman Daniel Ek and Martin Lorentzon founded Spotify , which first launched in 2008; aiming to create
1674-403: The "Top Holiday Albums" list and the Billboard 200. Since May 25, 1991, the Billboard 200's positions have been derived from Nielsen SoundScan sales data; as of 2008 , it is contributed to by approximately 14,000 music sellers. Because these numbers are supplied by a subset of sellers rather than record labels , it is common for these numbers to be substantially lower than those reported by
1736-501: The "Top LPs" chart, and in 1974, this rule was reverted and holiday albums again appeared within the main list. In 1983, the " Christmas Albums " chart was resurrected, but a title's appearance here did not disqualify it from appearing on the "Top Pop Albums" chart. In 1990, the chart was retitled " Top Holiday Albums "; as of 2009 , it holds 50 positions and runs for several weeks during the end-of-calendar-year holiday season. Its current policy allows holiday albums to concurrently chart on
1798-626: The "big five" major labels. In 2003, Roxio acquired the assets associated with the former file sharing platform Napster . It was combined with assets from a second acquisition— PressPlay —to form a new service under the Napster brand, which included an online music store and subscription music streaming. Pandora Radio launched in 2005; the service initially allowed users to create and listen to internet radio stations based on categories such as genres, which could then be personalized by giving "thumbs up" and "thumbs down" ratings to songs and artists
1860-463: The 10 longest rises to number one on the Billboard 200 since the adoption of Nielsen Music data in 1991. Note: Newhart, Meader and Fontaine's albums were all number one on the mono chart but not on the stereo chart. Garland is listed on a technicality; she has 17 pop hits, but all were from 1939 to 1955 – all before the 1958 establishment of the Hot 100. Music streaming A music streaming service
1922-407: The 2010s, record charts began to increasingly include listener data from streaming platforms into their methodologies. In March 2012, Billboard launched a new "On-Demand Songs" chart, which was added to the formula of its flagship Hot 100 chart. In January 2013, On-Demand Songs was broadened into " Streaming Songs ", and YouTube views in the United States on videos containing music were added to
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1984-469: The Hot 100 formula the following month. In 2014, the UK Singles Chart similarly changed its methodology to include streaming. To account for streaming and the decline of album purchases, album charts began to adopt a metric known as " album-equivalent units " (AEUs), which are based on purchases of the album, and how many times individual songs from the album have been purchased or streamed. In 2016,
2046-443: The United States in 2011, and Billboard began to increasingly include streams into the methodologies of its record charts . In 2012, Psy 's K-pop song " Gangnam Style " became a major international hit, driven primarily by the viral popularity of its music video; "Gangnam Style" would become the first YouTube video to reach one billion views . " Harlem Shake "—a song by trap producer Baauer that had become associated with
2108-447: The United States music industry in 2015, and accounting for a majority since 2016. As a result of its ascendance, streaming services (along with streams of music-related content on video sharing platforms ), were incorporated into the methodologies of major record charts ; the " album-equivalent unit " was also developed as an alternative metric for the consumption of albums, to account for digital music and streaming. It has also caused
2170-462: The company, and it was subsequently acquired by UMG's parent company Vivendi Universal , and later sold to CNET (which shut down its music distribution platform). In December 2001, Rhapsody was launched by the startup Listen.com, becoming the first service to offer subscription-based streaming access to a library of music online. Initially limited to content from independent labels such as Naxos , it later reached agreements to stream music from
2232-462: The consolidated "Top LPs" chart debuted in 1963. In 1982, Billboard began publishing a "Midline Albums" chart (alternatively titled "Midline LPs"), which ranked older or mid-priced titles. The chart held 50 positions and was published on a biweekly (and later triweekly) basis. On May 25, 1991, Billboard premiered the " Top Pop Catalog Albums " chart, the criteria for which were albums that were more than 18 months old and had fallen below no. 100 on
2294-544: The discontinuation of Groove Music Pass, and directed its users to Spotify. In 2018, YouTube Red rebranded as YouTube Premium, and YouTube concurrently introduced a redesigned YouTube Music platform, along with a separate YouTube Music subscription at a lower price point. The YouTube Music platform can be used without a subscription, but carries video advertising, and does not support background playback on mobile devices. The YouTube Music service eventually replaced Google Play Music entirely in 2020, and Google no longer operates
2356-428: The dishonesty that's rife in this business." Starting with the issue dated December 5, 2009, however, the catalog limitations – which removed albums over 18 months old that had dropped below No. 100 and had no currently running singles – for the Billboard 200 were lifted, turning the chart into an all-inclusive list of the 200 highest-selling albums in the country (essentially changing " Top Comprehensive Albums " into
2418-491: The estimated number of users of paid services was 667 million in 2023 . In 2019, streaming services accounted for the majority of music revenue globally for the first time. Music streaming services have faced criticism over the amount of royalties they distribute, including accusations that they do not fairly compensate musicians and songwriters. In 2013, Spotify stated that it paid artists an average of $ 0.007 per stream. Music Week editor Tim Ingham commented that while
2480-411: The figure may "initially seem alarming," he noted: "Unlike buying a CD or download, streaming is not a one-off payment. Hundreds of millions of streams of tracks are happening every day, which quickly multiplies the potential revenues on offer – and is a constant long-term source of income for artists." Amidst those rising number of streams, Spotify has also confirmed that they will require tracks "to get
2542-457: The first week of December to the final week in November. This altered calendar allows for Billboard to calculate year-end charts and release them in time for its final print issue in the last week of December. Prior to Nielsen SoundScan, year-end charts were calculated by an inverse-point system based solely on an album's performance on the Billboard 200 (e.g., an album would be given one point for
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2604-418: The following year's chart as well, as their cumulative points are split between the two chart-years. In 2015, Billboard compiled a ranking of the 100 best-performing albums on the Billboard 200 over its 52 years, along with the best-performing artists. Shown below are the top 10 albums and top 10 artists over the 52-year period of the Billboard 200, through October 2015. Also shown are the artists placing
2666-399: The increase in album sales as the early 1950s format wars stabilized into market dominance by 45 RPM singles and long-playing 12-inch albums – and with 78 RPM record and long-playing 10-inch album sales decreasing dramatically – Billboard premiered a weekly "Best-Selling Popular Albums" chart on March 24, 1956. The position count varied anywhere from 10 to 30 albums. The first no. 1 album on
2728-452: The issue dated March 23, 2021, from Facebook . As of the issue dated December 7, 2024, the number-one album on the chart is GNX by Kendrick Lamar . Billboard began an album chart in 1945. Initially only five positions long, the album chart was not published on a weekly basis, with weeks sometimes passing before it was updated. A biweekly (though with a few gaps), 15-position "Best-Selling Popular Albums" chart appeared in 1955. With
2790-617: The little details that in the past have made Ruess’ music so memorable." Alfred Soto of Spin criticized Ruess for his inability to tone down his singing style or deliver songs that stood out on the album. Jim Farber of the New York Daily News compared the album negatively to Adam Lambert 's The Original High saying that while both are musically similar, Lambert's voice performs campy theatrics better than Ruess' unsubtle delivery, saying that "[T]here's no roundness, or richness, to his tone. It's all hard angles, offering no cushion for
2852-637: The main revenue stream of digital music. In 2023, the International Federation of the Phonographic Industry (IFPI) reported that growth in revenue in the music industry had increased by 11.2% compared to the previous year. In 2021—its largest increase in the past 20 years—with paid music streaming services accounting for $ 12.3 billion in revenue ($ 2.2 billion YoY), and ad-supported streaming $ 4.6 billion ($ 1.1 billion YoY). Revenue from music streaming services had more than doubled since 2017, and
2914-652: The main stereo and mono album charts. Mono albums were moved to the "Essential Inventory – Mono" chart (25 positions) after spending 40 weeks on the "Mono Action Chart", and stereo albums were moved to the "Essential Inventory – Stereo" chart (20 positions) after 20 weeks on the "Stereo Action Chart". In January 1961, the "Action Charts" became "Action Albums – Stereophonic" (15 positions) and "Action Albums – Monophonic" (24 positions). Albums appeared on either chart for up to nine weeks, and were then moved to an "Essential Inventory" list of approximately 200 titles and with no numerical ranking. This list continued to be published until
2976-407: The most albums on the overall "all-time" top 100 album list. Source: Source: Source: List of acts with the most weeks at number one on the Billboard 200 since August 17, 1963. List of acts who reached number one on the Billboard 200 with a new album in consecutive calendar years since August 17, 1963. The following artists are the only ones with 30 or more top-10 albums: Note: As
3038-753: The new weekly list was Belafonte by Harry Belafonte . The chart was renamed "Best-Selling Pop Albums" later in 1956, and then "Best-Selling Pop LPs" in 1957. Beginning on May 25, 1959, Billboard split the ranking into two charts: "Best-Selling Stereophonic LPs" for stereo albums (30 positions) and "Best-Selling Monophonic LPs" for mono albums (50 positions). These were renamed "Stereo Action Charts" (30 positions) and "Mono Action Charts" (40 positions), respectively, in 1960. In January 1961, they became "Action Albums – Stereophonic" (15 positions) and "Action Albums – Monophonic" (25 positions), and three months later, they became "Top LPs – Stereo" (50 positions) and "Top LPs – Monaural" (150 positions). On August 17, 1963,
3100-534: The platform, and added premium original video content in an effort to compete with services such as Netflix . Concurrently, YouTube introduced YouTube Music , an app dedicated to music content on the platform. In 2016, Rhapsody was renamed Napster ; Rhapsody had acquired Napster in 2011. In 2017, Pandora launched a "Premium" tier, which features an on-demand service more in line with its competitors, while still leveraging its existing recommendation engine and manual curation. In October 2017, Microsoft announced
3162-665: The popularity of an artist or groups of artists. Sometimes, a recording act is remembered for its " number ones " that outperformed all other albums during at least one week. The chart grew from a weekly top 10 list in 1956 to become a top 200 list in May 1967, acquiring its existing name in March 1992. Its previous names include the Billboard Top LPs (1961–1972), Billboard Top LPs & Tape (1972–1984), Billboard Top 200 Albums (1984–1985), Billboard Top Pop Albums (1985–1991), and Billboard 200 Top Albums (1991–1992). The chart
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#17330853431163224-416: The revenue from songs on their platform and send it back to record labels and management companies that own the rights to the songs. These companies then take another cut before sending it to the artists. However, in the past, there were ‘royalty models’ that would allow for artists to get a share of physical albums sold, but with the creation of streaming services, those models have now become obsolete. This
3286-481: The same day, the "AhHa" visualizer video was released. Grand Romantic received positive reviews but music critics were divided over Ruess' musical vision in terms of production, lyrics and performance. At Metacritic , which assigns a normalized rating out of 100 to reviews from mainstream critics, the album received an average score of 61, based on 10 reviews. Awarding the album four of five stars, Jack Appleby of Alternative Press wrote that " Grand Romantic
3348-496: The screech." Alongside the release of this album, The Grand Romantic , a 28-minute short film starring Nate Ruess was also released. It features a number of songs from this album. Adapted from the Grand Romantic liner notes. Billboard 200 The Billboard 200 is a record chart ranking the 200 most popular music albums and EPs in the United States. It is published weekly by Billboard magazine to convey
3410-454: The stereo album chart; it was number one for 12 weeks on the mono album chart. ‡ The South Pacific soundtrack ran for 28 weeks at number one on the stereo album chart; it was number one for three weeks on the mono album chart. § This is the Blue Hawaii album's run on the mono album chart; it was number one for four weeks on the stereo album chart. Notes: Here are the albums to complete
3472-428: The stereo and mono charts were combined into a 150-position chart called "Top LPs". On April 1, 1967, the chart was expanded to 175 positions, and then finally to 200 positions on May 13, 1967. In February 1972, the album chart's title was changed to "Top LPs & Tape"; in 1984, it was retitled "Top 200 Albums"; in 1985, it was retitled again to "Top Pop Albums"; in 1991, it became the " Billboard 200 Top Albums"; and it
3534-401: The top 10 for 5 consecutive weeks. Note: Had the Billboard 200 allowed catalog albums to chart previous to December 5, 2009, Michael Jackson would have claimed six simultaneous top 10 titles for two consecutive weeks and The Beatles would have claimed five simultaneous top 10 titles that year. † The West Side Story soundtrack ran for 53 weeks at number one on
3596-438: The traditional Billboard 200 methodology but is based exclusively on SoundScan's sales data. Beginning on January 18, 2020, Billboard incorporated video and audio data from YouTube , along with visual plays from streaming services like Apple Music , Spotify, Tidal and Vevo , into the Billboard 200. The change has also impacted Billboard 's genre-specific album charts. Billboard 's "chart year" runs from
3658-669: The user liked or disliked. The service's recommendation engine, the Music Genome Project , analyzes and determines songs based on various traits. Pandora initially operated within the royalty framework enforced by SoundExchange for internet radio in the United States, resulting in operational limitations: users could not choose individual songs to play on-demand, and could only skip a limited number of songs per-hour (although users could later receive more skips by watching video advertisements). Yahoo! acquired Launch Media and its LaunchCast internet radio platform in 2001 amid
3720-619: Was given its current title of the " Billboard 200" on March 14, 1992. From the end of 1970 to 1985, Billboard also printed a " Bubbling Under the Top LPs " albums chart paired with the " Bubbling Under the Hot 100 " singles chart, which listed albums that had not yet charted on what was then the "Top LPs & Tape" chart. In 1960, Billboard began concurrently publishing album charts that ranked sales of older or mid-priced titles. These "Essential Inventory" charts were divided by stereo and mono albums, and featured titles that had already appeared on
3782-576: Was reversed on November 7, 2007, and took effect in the issue dated November 17, 2007. On December 13, 2014, Billboard began to include on-demand streaming and digital track sales (as measured by Nielsen SoundScan) using a new algorithm with data from all major on-demand audio subscription and online music sales services in the U.S. Starting on the issue dated January 18, 2020, Billboard updated its method again by incorporating video data from YouTube , along with visual plays from digital platforms like Apple Music , Spotify , Tidal , Vevo and, as of
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#17330853431163844-403: Was shut down after copyright complaints by the local royalty agency SACEM . After reaching agreements with SACEM, the site subsequently relaunched as Deezer , which reached seven million users by the end of 2009. Also in 2006, MTV owner Viacom partnered with Microsoft on an online music platform known as Urge , which included a music store, music videos and online radio stations, and
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