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Good People Rock

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27-524: 2015 compilation album by Various Artists GOOD PEOPLE ROCK: A Yellow Bird Project Covers Compilation [REDACTED] Compilation album by Various Artists Released April 14, 2015  ( 2015-04-14 ) Genre Folk Rock Pop Label Madic Records, Arts & Crafts Productions Producer Casey Cohen, Matthew Stotland GOOD PEOPLE ROCK: A Yellow Bird Project Covers Compilation

54-417: A Little Love" ( Rilo Kiley ) performed by Whispertown - 3:08 "How's Forever Been Baby" ( Elvis Perkins ) performed by Alec Ounsworth - 2:55 Side B [ edit ] "You Are A Runner & I Am My Father's Son" ( Wolf Parade ) performed by Astral Swans featuring Dan Mangan - 2:06 "Take Care" ( Beach House ) performed by Keaton Henson - 4:19 "Satellite Mind" ( Metric ) performed by Dry

81-409: A Little Love" ( Rilo Kiley ) performed by Whispertown - 3:08 "Not One Bit Ashamed" ( King Creosote ) performed by Micah P. Hinson - 4:15 "Take it In" ( Hot Chip ) performed by King Creosote - 5:46 "How's Forever Been Baby" ( Elvis Perkins ) performed by Alec Ounsworth - 2:55 "Take Care" ( Beach House ) performed by Keaton Henson - 4:19 "Satellite Mind" ( Metric ) performed by Dry

108-408: A copy of his demo along with every copy of The Earlies' material. Lapham's efforts proved fruitful as the demo garnered interest from Rough Trade Records and British-based label, Sketchbook Records. However neither company offered the young singer-songwriter a contract. Lapham remained convinced of Hinson's quality and continued to promote his work, slipping a demo of Hinson's "The Possibilities" into

135-467: A professorship at Abilene Christian University . Early in Hinson's childhood his parents would listen to Neil Diamond and John Denver records and instruments such as a little Disney keyboard, a dulcimer and his grandmother's piano were ever-present in the house. Hinson's father bought him his first guitar when he was around 11 years old so that Hinson could perform in a fifth grade talent show. However, it

162-680: Is an American Americana singer and guitarist and recording artist for Sketchbook Records in the United Kingdom and Jade Tree Records in the United States. His debut album Micah P. Hinson and the Gospel of Progress was released in 2004 to much critical praise. He has also released two EPs ; one of early material (2005's The Baby and the Satellite ) and the second as The Late Cord with John Mark Lapham of The Earlies (2006 release Lights from

189-448: Is an exclusive album of Yellow Bird Project bands covering other Yellow Bird Project bands. It was released in vinyl and digital formats via Madic Records, which is a label imprint of Arts & Crafts Productions , owned and operated by Dan Mangan . The album was crowd-funded on PledgeMusic and took several years to produce The album's first single, Andrew Bird 's cover of "The Fake Headlines" (originally by The New Pornographers ),

216-423: Is different from Wikidata Articles with hAudio microformats Album articles lacking alt text for covers Webarchive template wayback links Compilation album A compilation album comprises tracks , which may be previously released or unreleased, usually from several separate recordings by either one performer or by several performers. If the recordings are from one artist, then generally

243-404: Is divided by the number of artists on the album. Some record companies simplify the equation and pay a rounded-off rate, either as a percentage or as a set amount, regardless of the total number of artists on the record. As of 1999 , these rates were around 0.5% to 1% or 15–16 cents per record. When a compilation album includes a track from a different record company, the royalties are split between

270-942: The New Pornographers' "The Fake Headlines" for the Yellow Bird Project" . Pitchfork Media . Retrieved 2015-07-29 . ^ Minsker, Evan (2015-04-07). "Andrew Bird's Cover of New Pornographers' "The Fake Headlines" Gets New Video" . Pitchfork Media . Retrieved 2015-07-29 . External links [ edit ] Yellow Bird Project product page Archived 2017-02-28 at the Wayback Machine Authority control databases [REDACTED] MusicBrainz release group Retrieved from " https://en.wikipedia.org/w/index.php?title=Good_People_Rock&oldid=1077219492 " Category : 2015 compilation albums Hidden categories: Articles with short description Short description

297-613: The Opera Circuit , in 2006. Micah P. Hinson and the Red Empire Orchestra , Hinson's third album, was released on July 14, 2008, and a tour in support of the album was announced. A new album, Micah P. Hinson and The Pioneer Sabouteurs was released in May 2010. In December 2013, Hinson released a 7" Christmas album, Wishing for a Christmas Miracle with the Micah P. Hinson Family . The album

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324-739: The River - 3:23 "Much More Than That" ( Sharon Van Etten ) performed by T E Morris - 5:37 "You Are A Runner & I Am My Father's Son" ( Wolf Parade ) performed by Astral Swans featuring Dan Mangan - 2:06 "A Field of Birds (YBP Theme Song)" by The Tallest Man On Earth - 3:55 References [ edit ] ^ DeVille, Chris (2014-03-24). "Andrew Bird – "The Fake Headlines" (The New Pornographers Cover)" . Stereogum . Retrieved 2015-07-29 . ^ Frenette, Luke-Julius (2015-04-14). "Yellow Bird Project: Good People Rock" . Exclaim.ca . Retrieved 2015-07-29 . ^ Minsker, Evan (2014-03-24). "Listen to Andrew Bird's Cover of

351-530: The River - 3:23 "Not One Bit Ashamed" ( King Creosote ) performed by Micah P. Hinson - 4:15 "Much More Than That" ( Sharon Van Etten ) performed by T E Morris - 5:37 Digital Track listing [ edit ] "The Fake Headlines" ( The New Pornographers ) performed by Andrew Bird - 3:34 "Family Tree" ( TV on the Radio ) performed by Hayden - 5:43 "Mexican Ritual" ( Alec Ounsworth ) performed by Elvis Perkins featuring Alec Ounsworth - 4:20 "Give

378-419: The Satellite . The results of the new sessions of the material were released as an EP in early 2005, with a European tour in support of the material. Hinson encountered trouble with his back after a mishap whilst celebrating Burns night in his hometown in early 2005. Hinson was playfully punched in the small of his back by a friend, causing back pain that was unalleviated by surgery. This caused problems with

405-587: The Wheelhouse ). The follow-up to his debut, Micah P. Hinson and the Opera Circuit , was released in 2006 and his third album, Micah P. Hinson and the Red Empire Orchestra on July 14, 2008. Hinson was born in Memphis, Tennessee and shortly afterwards moved with his family to West Virginia while his father completed his PhD. When Hinson was four years old his family settled in Abilene, Texas where his father had secured

432-692: The album may be referred to as a retrospective album or an anthology . Songs included on a compilation album may be previously released or unreleased, usually from several separate recordings by either one or several performers. If by one artist, then generally the tracks were not originally intended for release together as a single work, but may be collected together as a greatest hits album , singles album or box set. Compilation albums may employ traditional product bundling strategies. According to sound technician Richard King , classical music compilations "may require more processing to match tracks coming from various sources and recording venues, as well as

459-546: The artist and the original record company. Unless specifically limited by a contract, record companies may release as many greatest hits albums by their recording artist as they wish without requiring the artist's agreement or permission. In the United Kingdom, the Official Charts Company compiles a weekly compilation albums chart, limited to various artists compilations and soundtrack compilations. Micah P. Hinson Micah Paul Hinson (born February 3, 1981)

486-771: The different sizes of ensembles." In Christgau's Record Guide: Rock Albums of the Seventies (1981), Robert Christgau said, "While compilation albums by album artists (as opposed to stylistically unified singles specialists) are often useless, sometimes they present themselves as events", citing as examples the 1971 Ray Charles LP A 25th Anniversary in Show Business Salute to Ray Charles , The Kink Kronikles (1972), and Changesonebowie (1976). Common types of compilation include: For multi-artist compilations, royalties are usually prorated. In most cases, each artist's per-record royalty rate (typically 12–14% in 1999)

513-479: The running order of his BBC Radio set. Sketchbook records signed Hinson two weeks later; a year and a half after the company's initial rejection of the artist. In the winter of 2003, Hinson recorded his debut album, Micah P. Hinson and the Gospel of Progress , produced and arranged by The Earlies under their Names On Records guise. Hinson felt involved during the recording of the album, later stating that he recorded his guitar and piano while everyone else did all

540-440: The shady women and all of this a year or two before [his record deal in 2003]". Hinson found employment, saved up some money and moved to Denton, Texas , beginning a college course there. Hinson had recorded his first full demo of material, titled The Baby and the Satellite , around 2000 and Lapham offered to sign Hinson to his label on the strength of the recording. Lapham began jointly promoting The Earlies and Hinson, sending

567-513: The singer's touring schedule and many dates were cancelled. In 2005, Hinson recorded a cover of " Yard of Blonde Girls " for the tribute album Dream Brother: The Songs of Tim and Jeff Buckley . He also helped produce the record. In July 2006, Hinson formed The Late Cord with John Mark Lapham of the Earlies. Their five track E.P, Lights from the Wheelhouse was released on the 4AD record label. Hinson released his second album, Micah P. Hinson and

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594-503: The sounds of Sonic Youth , wolf parade and Dinosaur Jr. , as well as more popular bands like Nirvana . He felt constrained by the smallness of his hometown, Abilene, and found escape in skateboarding, drugs and playing guitar. Around this period, Hinson met, later member of The Earlies , John Mark Lapham. Around this period Hinson had been declared bankrupt, was homeless and had drug dependencies. However he resolved to change things, later stating that he "had gotten away from some of

621-410: The tracks were not originally intended for release together as a single work, but may be collected together as a greatest hits album or box set . If the recordings are from several artists, there may be a theme, topic, time period, or genre which links the tracks, or they may have been intended for release as a single work—such as a tribute album . When the tracks are by the same recording artist,

648-433: The work. The music press made much of Hinson's prescription drug use at the time; claims Hinson later stated were exaggerated. Hinson also explained that that album was "kind of a greatest hits" from the songs he wrote during his teenage years, being the only time he chose between a vast number of songs. Inspired by positive reviews and finishing his first full album, Hinson set about re-recording his demo of The Baby and

675-421: Was released on April 7, 2015 with a music video that was premiered on Pitchfork Media . LP Track listing [ edit ] Side A [ edit ] "The Fake Headlines" ( The New Pornographers ) performed by Andrew Bird - 3:34 "Family Tree" ( TV on the Radio ) performed by Hayden - 5:43 "Mexican Ritual" ( Alec Ounsworth ) performed by Elvis Perkins featuring Alec Ounsworth - 4:20 "Give

702-714: Was released via the Yellow Bird Project , with all profits benefiting a children's home in Keller, Texas. On December 8, 2007, Hinson proposed to Ashley Bryn Gregory at the end of a concert at the Union Chapel in Islington London. They were married in 2008 and have three children. Hinson and Gregory are both of partial Native American ancestry. The two later divorced. As of 2023, Hinson splits his time between Madrid and Denton, Texas , where he visits his children. During

729-460: Was the influence of his older brother that really sparked Hinson's desire for music. Both the brothers owned guitars and Hinson's older brother quickly became proficient on the instrument, sparking a friendly rivalry. He began his first efforts at making music around age 12 and as he entered his teenage years he began to listen to his brother's Ministry and The Cure records. By the end of high school Hinson's tastes had expanded and he felt drawn to

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