60-609: " Getting Away with It " is the first single by the English band Electronic , which comprised Bernard Sumner of New Order , ex- Smiths guitarist Johnny Marr , and guesting vocalist Neil Tennant of the Pet Shop Boys . It was first released in 1989. Musically, Bernard Sumner wrote the verse and Johnny Marr wrote the chorus . The lyrics, co-written by Tennant with Sumner, are a parody of Marr's Smiths partner Morrissey , and his public persona as morose and masochistic (Pet Shop Boys would further satirise this trend on their 1990 song "Miserablism"). Morrissey, for his part, criticised
120-532: A "single album" would otherwise be called a "single" or "extended play", depending on the length. As a distinct release type, the single album developed during the CD era in the 1990s. Single albums were marketed as a more affordable alternative to a full-length CD album. The Circle Album Chart tracks sales of all albums released as physical media (described as "offline" media), therefore, single albums compete alongside full-length studio albums (LPs) and mini-albums (EPs) on
180-470: A 46:1 gear ratio, resulting in a rotation speed of 78.3 rpm. With these factors applied to the 10-inch format, songwriters and performers increasingly tailored their output to fit the new medium. The three-minute single remained the standard into the 1960s, when the availability of microgroove recording and improved mastering techniques enabled recording artists to increase the duration of their recorded songs. The breakthrough came with Bob Dylan 's " Like
240-415: A Rolling Stone " in 1965: although Columbia Records tried to make the record more "radio-friendly" by cutting the performance into halves and separating them between the two sides of the disc , both Dylan and his fans demanded that the full six-minute take be placed on one side and that radio stations play the song in its entirety. The next milestone, which cemented pop radio's tolerance for longer songs,
300-403: A display such as a television set . The most common form of the vinyl single is the 45 or 7-inch . The names are derived from its play speed, 45 rpm, and the standard diameter, 7 inches (17.8 cm). The 45 rpm speed was chosen to allow a 5 + 1 ⁄ 2 minute playing time from the 7-inch disc. The 7-inch 45 rpm record was released March 31, 1949, by RCA Victor as
360-437: A foundation to sustain" and added that "When artists have one big record and go run with that, it doesn't work because they never had a foundation to begin with." The same article cited examples such as Cardi B , Camila Cabello and Jason Derulo releasing four or more singles prior to their album releases. Kanye West released singles weekly in 2010 with his GOOD Fridays series. He did this to support his upcoming release at
420-603: A glass of whisky . The title was originally written in sentence case , just as Pet Shop Boys songs are. The photograph was inverted for the second UK 12-inch, with the typeface from the Panasonic logo appropriated for the band's name. This arrangement was used for the US editions of the single in 1990. Two music videos were made for "Getting Away with It". The first, directed by Chris Marker and produced by Michael Shamberg for European use in 1989, featured Sumner, Marr and Tennant in
480-401: A large-hole record on a player with a quarter-inch spindle by inserting a single "puck" or by using a spindle adapter . Although 7 inches remained the standard size for vinyl singles, 12-inch singles were introduced for use by DJs in discos in the 1970s. The longer playing time of these singles allowed the inclusion of extended dance mixes of tracks. In addition, the larger surface area of
540-460: A major marketing mistake on the part of record companies, as it eliminated an inexpensive recording format for young fans to become accustomed to purchasing music. In its place was the predominance of the album, which alienated customers by the expense of purchasing a longer format for only one or two songs of interest. That in turn encouraged interest in file sharing software on the internet like Napster for single recordings, which began to undercut
600-422: A range of playback speeds (from 16 to 78 rpm ) and in several sizes (including 12 inches or 30 centimetres). By about 1910, however, the 10-inch (25 cm), 78-rpm shellac disc had become the most commonly used format. The inherent technical limitations of the gramophone disc defined the standard format for commercial recordings in the early 20th century. The relatively crude disc-cutting techniques of
660-511: A rare guitar solo by Marr, while the three remixes that appeared on the two UK 12-inch releases take in disparate musical styles like disco and acid house . "Getting Away with It" was first issued by Factory Records in the United Kingdom in December 1989, and released the following year in the rest of the world. It appeared on 7-inch , 12-inch , CD and cassette . The primary B-side
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#1733094256855720-510: A remix. "Irony" was later included on their debut studio album The Wonder Years . A single album is distinct from a single even if it includes only one song. The single " Gotta Go " by Chungha was released on a single album titled XII , which was a one-track CD. Even though "Gotta Go" was the only song on XII , the two releases charted separately: XII reached No. 4 on the Gaon Album Chart, and "Gotta Go" reached No. 2 on
780-626: A smaller, more durable and higher- fidelity replacement for the 78 rpm shellac discs. The first 45 rpm records were monaural , with recordings on both sides of the disc. As stereo recordings became popular in the 1960s, almost all 45 rpm records were produced in stereo by the early 1970s. Columbia Records , which had released the 33 + 1 ⁄ 3 rpm 12-inch vinyl LP in June 1948, also released 33 + 1 ⁄ 3 rpm 7-inch vinyl singles in March 1949, but they were soon eclipsed by
840-404: A song recording of fewer tracks than an album or LP record , typically one or two tracks. A single can be released for sale to the public in a variety of physical or digital formats. Singles may be standalone tracks or connected to an artist's album, and in the latter case would often have at least one single release before the album itself, called lead singles . The single was defined in
900-455: A studio environment miming to the single edit of the song. Additional footage of Marker's muse Catherine Belkhodja , strolling among peacocks through Paris Zoo and also singing to the track, was left out. The second video, shot in 1990, was made for the US release. Sumner and Tennant appeared, alternately, against a series of coloured background, with artistic effects superimposed. Two women's faces are also panned in close-up. The later version
960-463: A variety of various artists compilations, sometimes in remixed form, and was the second track on the retrospective set Get the Message – The Best of Electronic in 2006. The song was recorded by British artist Skin for inclusion on the re-release of her debut album Fleshwounds . Unlike the original, the music was updated to a more rock-edged sound. It has since become a fan favourite at her gigs and
1020-560: Is a common part of Johnny Marr's live sets, and in July 2013 Sumner joined Marr at Jodrell Bank to perform the song. In April 2024, Marr was joined on stage in London by Neil Tennant. Although the music was written with their first album in mind — and before their involvement with Neil Tennant — "Getting Away with It" was not included on Electronic's first LP in May 1991 (a reflection of their confidence in
1080-644: Is available on the 2006 Get the Message DVD . Ben Thompson in NME wrote "The most complete pop record of the week, by an infinite margin...A lovely airy melody drifts in and out of the song; gently weighted with obtuse, lovelorn one-liners...The record somehow manages to be much more than the sum of its parts and stubbornly refuses to give up its element of mystery". In Sounds Damon Wise wrote: "It's nothing shocking, nothing that surprising, it's just that every time you think you're tired of it you can't help flipping back
1140-403: Is never left out of a setlist. A double A-side of the song was to be released with her single "Lost", but due to poor sales of the album and singles it was pulled by EMI at the last minute. No video was shot for the song. The phrase 'getting away with this' was used in a Spitting Image spoof of Pet Shop Boys in 1993. Single (music) In music , a single is a type of release of
1200-431: Is not known, perhaps a copyright or other legal problem. The lightweight and inexpensive 45 rpm discs introduced by RCA were quickly popular and in the early 1950s all major US labels had begun manufacturing seven-inch singles. In the decades that followed, the seven-inch single was the format that many major artists made their recording debut on and some recordings were exclusively released as vinyl 45s only. According to
1260-494: Is released specifically on physical media. A "single album" refers to a physical release (such as a CD, LP, or other media) that typically contains one to three unique tracks, while a "single" is only a song itself, typically a digital stream or download. Although the terms "single albums" and "singles" are similar and sometimes may overlap, they are generally considered two distinct release types in South Korea. In Western contexts,
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#17330942568551320-465: Is the only version of the song which has yet to be released on Compact Disc; the 7-inch edit was included on both the US and UK CD singles despite being labelled "Full Length Version"). The Full Length Version on the 12" vinyl version is 5:14 - as used on the 1994 CD re-issue of the album. The 7" mix is just the "Full Length Version" faded out before the strings outro. The single's cover was designed by Peter Saville , who used an elegant stock photo of
1380-524: Is unique and includes an additional term, the single album ( Korean : 싱글 음반 ; RR : singgeul eumban ). In contemporary usage in English, the term "album" refers to an LP-length recording regardless of the medium. In contrast, under the country's copyright law, the Korean usage of "album" ( Korean : 음반 ; RR : eumban ) denotes a musical recording of any length that
1440-536: The New York Times , the popularity of the seven-inch single reached a peak in 1974 when 200 million were sold. In the 1980s its popularity began to decline as jukeboxes became fewer, consumers tended to prefer to buy albums and formats such as cassettes and CDs was overtaking vinyl 45s. Despite its major decline, vinyl seven-inch singles has continued to released in the 2000s by indie labels such as Sub Pop and Third Man Records . In some regions (e.g. US),
1500-504: The Bandcamp storefront. Nowadays physically-released music is mainly bought in the form of full-length albums instead of singles. The most common physical formats of singles had been the 7" (45) vinyl records and the CD single , but singles have also been released on other formats such as 12" vinyl records , 10" shellac records, cassette single , and mini CD . The origins of the single are in
1560-581: The Recording Industry Association of America (RIAA) introduced digital single certification due to significant sales of digital formats, with Gwen Stefani 's " Hollaback Girl " becoming RIAA's first platinum digital single. In 2013, RIAA incorporated on-demand streams into the digital single certification. Single sales in the United Kingdom reached a low in January 2005, as the popularity of
1620-419: The stylus to catch that chorus". Melody Maker ' s observer Mick Mercer expressed the similar opinion about fall short of expectations and complained about lack of charm of Sumner's voice. However, he concluded that the single was "better than New Order, worse than Pet Shop Boys, with Marr conspicuous by his abstinence". Today the song remains well known due to its commercial success (it reached number 12 in
1680-469: The 12-inch discs allowed for wider grooves (larger amplitude) and greater separation between grooves, the latter of which results in less cross-talk. Consequently, they are less susceptible to wear and scratches. The 12-inch single is still considered a standard format for dance music , though its popularity has declined in recent years. Before the 7-inch single was introduced, 78 rpm 10-inch shellac records with around three minutes of music on them were
1740-442: The 2000s. Distinctions for what makes a "single" have become more tenuous since: the biggest digital music distributor, the iTunes Store , only accepts as singles releases with three tracks or fewer that are less than ten minutes each (with longer releases being classified as " EPs " or "albums"). However, releases which do not fit these criteria have been promoted as singles by artists and labels elsewhere, such as on Spotify and
1800-578: The 2007 holiday season. The format included three songs by an artist, plus a ringtone accessible from the user's computer. Sony announced plans to release 50 singles in October and November, and Universal Music Group expected to release somewhere between 10 and 20 titles. In a reversal of this trend, a single has been released based on a ringtone itself: the Crazy Frog ringtone, which was a cult hit in Europe in 2004,
1860-567: The 45 player in March 1949. There was plenty of information leaked to the public about the new 45 rpm system through front-page articles in Billboard magazine on December 4, 1948, and again on January 8, 1949. RCA was trying to blunt the lead Columbia had established upon releasing their 33 + 1 ⁄ 3 LP system in June 1948. To compete with Columbia, RCA released albums as boxes of 45 rpm seven-inch singles that could be played continuously like an LP on their record changer. RCA
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1920-628: The Circle Digital Chart. Even when a single album and single share the same name, they still chart separately, as was the case with the Wonder Girls single album and single " Why So Lonely ": the single album peaked at No. 3 on the Gaon Album Chart, while the single peaked at No. 1 on the Gaon Digital Chart. Sounds (magazine) Sounds was a UK weekly pop/rock music newspaper , published from 10 October 1970 to 6 April 1991. It
1980-675: The RCA Victor 45. The first regular production 45 rpm record pressed was "PeeWee the Piccolo": RCA Victor 47-0146 pressed December 7, 1948 at the Sherman Avenue plant in Indianapolis ; R.O. Price, plant manager. The claim made that 48-0001 by Eddy Arnold was the first 45 is evidently incorrect (even though 48-0000 has not turned up, 50-0000-Crudup, 51-0000-Meisel, and 52-0000 Goodman are out there) since all 45s were released simultaneously with
2040-699: The UK Top 20. "Getting Away with It" was played live in August 1990 at Dodger Stadium in Los Angeles — when Electronic supported Depeche Mode on their World Violation Tour for two dates at the venue — at the Cities in the Park event in Manchester a year later, and at Wembley Hall One in December 1991. Pet Shop Boys guested on all these performances. "Getting Away With It"
2100-504: The UK and number 38 in the USA), the calibre of its performers, and the fact that it was Electronic's debut single (and was thus anticipated by both the music press and fans of New Order, The Smiths and Pet Shop Boys at the time). Along with " Get the Message " and perhaps " Disappointed ", it remains their best known song, and was their biggest selling single, shipping 350,000 copies in the US and reaching
2160-537: The United Advertising Publications (UAP) division and later as part of the then CMP Information portfolio. A legacy of Sounds was the creation of the heavy metal/ rock magazine Kerrang! , which was originally issued as a supplement before being spun off as a separate publication. Sounds was one of the trinity of British music weeklies, along with NME and Melody Maker , that were colloquially known as 'The Inkies'. Sounds folded in 1991 after
2220-461: The United States as albums, which on compact disc had virtually identical production and distribution costs but could be sold at a higher price, became most retailers' primary method of selling music. Singles continued to be produced in the UK and Australia and survived the transition from compact disc to digital download. The decline of the physical single in the US during this time has been cited as
2280-474: The chart, even if they only contain one song. The Circle Digital Chart , which tracks downloads and streams of sole tracks, is regarded as the official "singles" chart. To give an example of the differences between full-length albums, single albums, and singles, the K-pop girl group Wonder Girls released the single album The Wonder Begins , which consists of the single "Irony" alongside two other unique tracks and
2340-549: The compact disc was overtaken by the then-unofficial medium of the music download. Recognizing this, on 17 April 2005, Official UK Singles Chart added the download format to the existing format of physical CD singles. Gnarls Barkley was the first act to reach No.1 on this chart through downloads alone in April 2006, for their debut single " Crazy ", which was released physically the following week. On 1 January 2007, digital downloads (including unbundled album tracks ) became eligible from
2400-430: The default hole size fitted the original RCA 1.5-inch (3.8 cm) hub which, due to a format war , was incompatible with the 0.25-inch (6.4 mm) spindle of a Columbia-system 33 1/3 RPM 12-inch LP player. In other regions (e.g. UK, Australia), the default was a small hole compatible with a multi-speed 0.25-inch spindle player, but with a "knock out" that could be removed for usage on a larger hub player. One could play
2460-609: The first interview with them. The Obscurist Chart ran for about a year, first appearing on 5 September 1981 issue, as an alternative to the main, sales-driven record charts, allowing bands and music outside the mainstream to be recognised. The chart was started by Paul Platypus, who played with Mark Perry in The Reflections and compiled the first nine charts. The last chart appeared in 11 December 1982 issue. In 1987, Morgan-Grampian had been acquired by United News and Media (later to become United Business Media), first as part of
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2520-457: The introduction of Apple's iTunes Store originally known as iTunes in January 2001, along with the emergence of portable music devices like the iPod . In September 1997, with the release of Duran Duran 's " Electric Barbarella " for paid downloads, Capitol Records became the first major label to sell a digital single from a well-known artist. Previously, Geffen Records also released Aerosmith 's " Head First " digitally for free. In 2004,
2580-546: The late 19th century, when music was distributed on phonograph cylinders that held two to four minutes' worth of audio. They were superseded by disc phonograph records , which initially also had a short duration of playing time per side. In the first two to three decades of the 20th century, almost all commercial music releases were, in effect, singles (the exceptions were usually for classical music pieces, where multiple physical storage media items were bundled together and sold as an album). Phonograph records were manufactured with
2640-492: The list. To be eligible for inclusion in charts, the single must meet the requirement set by the charting company that governs the playing time of the single. In popular music , the commercial and artistic importance of the single (as compared to the EP or album) has varied over time, technological development, and according to the audience of particular artists and genres. Singles have generally been more important to artists who sell to
2700-443: The mid-20th century with the 45 (named after its speed in revolutions per minute ), a type of 7-inch sized vinyl record containing an A-side and a B-side , i.e. one song on each side. The single format was highly influential in pop music and the early days of rock and roll , and it was the format used for jukeboxes and preferred by younger populations in the 1950s and 1960s. Singles in digital form became very popular in
2760-426: The music recording market. Dance music , however, has followed a different commercial pattern and the single, especially the 12-inch vinyl single, remains a major method by which dance music is distributed. Another development of the 2000s was the popularity of mobile phone ringtones based on pop singles. In September 2007, Sony BMG announced that it would introduce a new type of CD single, called "ringles", for
2820-564: The newer material), although it was slotted in between tracks 4 and 5 on the international versions and the subsequent 1994 reissue on Parlophone , to bolster sales. In some territories "Getting Away with It" replaced the album track "Gangster". "Getting Away with It" also appeared on the Australian " Forbidden City " CD single in 1996, and in two versions on a withdrawn compilation planned for release in Japan three years later. It has also featured on
2880-430: The point of release, without the need for an accompanying physical. Sales gradually improved in the following years, reaching a record high in 2008 that still proceeded to be overtaken in 2009, 2010 and 2011. In the late 2010s, artists began a trend of releasing multiple singles before eventually releasing a studio album. An unnamed A&R representative confirmed to Rolling Stone in 2018 that "an artist has to build
2940-420: The song in a 1991 interview, calling it "totally useless" and joking that the song had a "very apt title". In a 2021 interview with Music Radar, Marr revealed that Chris Lowe also worked on the track, citing the bassline as his work. ABC and The The drummer David Palmer programmed the track's drums. The fluid, rich production incorporates a full orchestra (conducted by Art of Noise's Anne Dudley ) and
3000-462: The standard format. Later, 10-inch vinyl singles have commonly been released as limited edition collectors items, which sometimes includes rare tracks or special artwork. With the rise of digital downloading and audio streaming, individual tracks within an album became accessible separately. Despite this shift, the notion of a "single" from an album remains, pinpointing the more promoted or favored songs. The surge in music downloads escalated following
3060-411: The time and the thickness of the needles used on record players limited the number of grooves per inch that could be inscribed on the disc surface and a high rotation speed was necessary to achieve acceptable recording and playback fidelity. 78 rpm was chosen as the standard because of the introduction of the electrically powered synchronous turntable motor in 1925, which ran at 3,600 rpm with
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#17330942568553120-514: The time, My Beautiful Dark Twisted Fantasy , and ended up releasing 15 tracks in the program. CD singles and 7-inch records are now obscure and uncommon for new releases: as of the 2020s singles are predominantly digital, and physical releases are mainly full-length albums instead, on CD and 12-inch LPs. The sales of singles are recorded in record charts in most countries in a Top 40 format. The charts are often published in magazines and numerous television shows and radio programs count down
3180-629: The up and coming bands of the time from Buzzcocks and Slaughter & The Dogs to The Fall and Joy Division . John Robb joined in 1987 and used the term " Britpop " to refer to bands such as the La's , the Stone Roses and Inspiral Carpets , although it did not develop into the Britpop genre/movement at that time (as these acts were grouped under labels such as Baggy , Madchester and indie-dance). Keith Cameron wrote about Nirvana after Robb carried out
3240-445: The youngest purchasers of music (younger teenagers and pre-teens ), who tend to have more limited financial resources. Starting in the mid-1960s, albums became a greater focus and became more important as artists created albums of uniformly high-quality and coherent themes, a trend that reached its apex in the development of the concept album . Over the 1990s and the early 2000s, the single generally received less and less attention in
3300-466: Was also releasing 7-inch singles pressed in different colors for different genres, making it easy for customers to find their preferred music. The novelty of multicolored singles wore off soon: by 1952, all RCA singles were pressed in black vinyl. The lowest recording numbers found (so far) for each genre of RCA 45s are: 47-0146 yellow, 47-2715 black, 48-0001 green, 49-0100 deep red, 50-0000 cerise, 51-0000 light blue. 52-0000 deep blue. What became of 48-0000
3360-412: Was an instrumental called "Lucky Bag", the only unadulterated reflection of Marr and Sumner's early, shared enthusiasm for Italo house . This song was also remixed and released on the UK maxi single . As well as the single edit and three 12-inch remixes, "Getting Away with It" was released as an instrumental; as an unedited, longer version; and in its early form before Dudley's strings were added (this
3420-499: Was known for giving away posters in the centre of the paper (initially black and white, then colour from late 1971) and later for covering heavy metal (especially the new wave of British heavy metal (NWOBHM)) and punk and Oi! music in its late 1970s–early 1980s heyday. It was produced by Spotlight Publications (part of Morgan Grampian), which was set up by John Thompson and Jo Saul with Jack Hutton and Peter Wilkinson, who left Melody Maker to start their own company. Sounds
3480-459: Was released as a mashup with " Axel F " in June 2005 amid a massive publicity campaign and subsequently hit No. 1 on the UK chart. The term single is sometimes regarded as a misnomer since one record usually contains two songs: the A-side and B-side . In 1982, CBS marketed one-sided singles at a lower price than two-sided singles. In South Korean music , the terminology for "albums" and "singles"
3540-762: Was the Beatles Hey Jude ; released August 1968 it clocked in at over seven minutes, pushing the limits of the 45 rpm single. Singles have been issued in various formats, including 7-inch (18 cm), 10-inch and 12-inch discs, usually playing at 45 rpm; 10-inch shellac discs, playing at 78 rpm; maxi singles ; 7-inch plastic flexi discs ; cassettes ; 8 or 12 cm (3.1 or 4.7 in) CD singles, and less commonly on Digital Compact Cassette and many non-standard sizes of vinyl disc (5 in or 13 cm, 8 in or 20 cm, etc.). Singles were also released on DVD and Laserdisc video formats, which would additionally contain music videos to be watched on
3600-474: Was their first project, a weekly paper devoted to progressive rock and described by Hutton, to those he was attempting to recruit from his former publication, as "a leftwing Melody Maker ". Sounds was intended to be a weekly rival to titles such as Melody Maker and New Musical Express ( NME ). Sounds was one of the first music papers to cover punk . Mick Middles covered the Manchester music scene for Sounds from 1978 to 1982 writing about many of
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