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Gaita zuliana

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Gaita zuliana (often simply called " gaita ") is a style of Venezuelan folk music (and dance) from Maracaibo , Zulia State . Dating as far back as the 1800s, gaitas began as improvised songs in the neighborhoods of Zulia where, as Robert T. Carroll describes, “people would gather in a circle and encourage each other to make up verses to a song." Gaita incorporates various instrumentations and rhythms from Spanish, Indigenous and African music. According to Joan Coromines , it may come from the word " gaits ," the Gothic word for "goat", which is the skin generally used for the membrane of the furro drum. Other instruments used in gaita include maracas , cuatro , charrasca and tambora .

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125-672: The style became popular throughout Venezuela in the 1960s, and it fused with other styles such as salsa and merengue in the 1970s. It is not to be confused with the gaita escocesa, also known simply as gaita , which is Spanish for bagpipes . This is a very distinctive genre, very strongly sung, with the chorus sung by several singers, and with local rhythms, this genre is the distinctive genre of Christmas in Venezuela. Although gaitas are most commonly heard around Christmas time, there are various themes present, ranging from romance to political. These various themes serve, as Nava Ibeth puts it, as

250-459: A U.S. territory , Puerto Ricans have automatic birthright American citizenship , and are considerably influenced by American culture . The population of Puerto Ricans is between 9 and 10 million worldwide, with the overwhelming majority residing in Puerto Rico and mainland United States . The culture held in common by most Puerto Ricans is referred to as a Western culture largely derived from

375-428: A "salsa craze" that brought back some of the older templates and motivated the development of timba . Before the birth of timba, Cuban dance music lived a period of high experimentation among several bands like the charangas: Los Van Van , Orquesta Ritmo Oriental, and Orquesta Revé; the conjuntos: Adalberto Alvarez y Son 14, Conjunto Rumbavana and Orquesta Maravillas de Florida; and the jazz band Irakere . Timba

500-649: A 1984 album by singer José Alberto "El Canario" with producer Louie Ramírez. Some viewed salsa romántica as a rhythmically watered-down version of the genre. Critics of salsa romántica , especially in the late '80s and early '90s, called it a commercialized, diluted form of Latin pop, in which formulaic, sentimental love ballads were simply put to Afro-Cuban rhythms — leaving no room for classic salsa's brilliant musical improvisation, or for classic salsa lyrics that tell stories of daily life or provide social and political commentary. Some artists of these styles include Ómar Alfann, Palmer Hernández and Jorge Luis Piloto. The 1990s

625-558: A 54% majority of the ballots cast against the continuation of the island's territorial political status, and in favor of a new status. Of votes for new status, a 61.1% majority chose statehood. This was by far the most successful referendum for statehood advocates. In all earlier referenda, votes for statehood were matched almost equally by votes for remaining an American territory, with the remainder for independence. Support for U.S. statehood has risen in each successive popular referendum. The fifth Puerto Rican status referendum of 2017 ,

750-520: A Puerto Rican population count, especially if they have ancestry of at least one parent born in target country, for example people of Dominican, Cuban, or Mexican etc ancestry born in Puerto Rico and later returning to their ancestral country- wouldn't be counted in a Puerto Rican population count, but likely rather counted as a "returning emigrant". Similarly, Puerto Ricans born in the mainland United States would be counted under an "American" statistic, so

875-599: A cultural identity marker for those nations as well. In 1971, the Fania All-Stars sold out Yankee Stadium . By the early 1970s, the music's center moved to Manhattan and the Cheetah , where promoter Ralph Mercado introduced many future Puerto Rican salsa stars to an ever-growing and diverse crowd of Latino audiences. The 1970s also brought new semi-known Salsa bands from New York City, bands such as Ángel Canales, Andy Harlow, Chino Rodríguez y su Consagracion (Chino Rodríguez

1000-621: A discrete genetic population. Native American admixture in Puerto Ricans ranges between about 5% and 35%, with around 15% being the approximate average. Puerto Rico's self-identified indigenous population therefore consist mostly of indigenous-identified persons (oftentimes with predominant Indigenous ancestry, but not always) from within the genetically mestizo population of mixed European and Amerindian ancestry, even when most other Puerto Ricans of their exact same mixture would identify either as mixed-race or even as white. For its 2020 census,

1125-477: A dozen of the over 1,400 public schools aimed at conducting instruction in English only. Objections from teaching staff are common, perhaps because many of them are not fully fluent in English. English is taught as a second language and is a compulsory subject from elementary levels to high school. Home to a sizeable deaf community , the actual numbers are unknown due to unavailable source data. A 1986 estimate places

1250-509: A fee to be classified as white, which was the opposite of " one-drop rule " in US society after the American Civil War. Studies have shown that the racial ancestry mixture of the average Puerto Rican (regardless of racial self-identity) is about 64% European, 21% African, and 15% Native Taino, with European ancestry strongest on the west side of the island and West African ancestry strongest on

1375-411: A horn section, as well as tumbadoras (congas) to the traditional Son cubano ensemble; which typically contained bongos , bass , tres , one trumpet, smaller hand-held percussion instruments (like claves , güiro , or maracas ) usually played by the singers, and sometimes a piano . Machito's band was the first to experiment with the timbales . These three drums (bongos, congas and timbales) became

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1500-456: A jazz element. Tumbao is the name of the rhythm that is typically played with the conga drums. Its most basic pattern is played on the beats 2, 3, 4, 6, 7 and 8. Tumbao rhythm is helpful for learning to dance contra-tiempo ("On2"). The beats 2 and 6 are emphasized when dancing On2, and the Tumbao rhythm heavily emphasizes those beats as well. The Montuno rhythm is a rhythm that is often played with

1625-594: A life of its own, organically evolving into an authentic pan-Latin American cultural identity. Music professor and salsa trombonist Christopher Washburne wrote: This pan-Latino association of salsa stems from what Félix Padilla labels a 'Latinizing' process that occurred in the 1960s and was consciously marketed by Fania Records: 'To Fania, the Latinizing of salsa came to mean homogenizing the product, presenting an all-embracing Puerto Rican, Pan-American or Latino sound with which

1750-632: A majority of the population on the island. In 1791, the slaves in Saint-Domingue ( Haiti ), revolted against their French masters. Many of the French escaped to Puerto Rico via what is now the Dominican Republic and settled in the west coast of the island, especially in Mayagüez . Some Puerto Ricans are of British heritage, most notably Scottish people and English people who came to reside there in

1875-527: A marked change in the way Puerto Ricans view themselves. This may show that Puerto Ricans are now more open to embracing all sides of their mixed-race heritage and do not view themselves as part of the standard race dynamic in the United States hence the high number of people identifying as "some other race", a similar phenomenon went on in the mainland United States with the overall US Hispanic/Latino population. Most have significant ancestry from two or more of

2000-520: A name that everyone could pronounce. Sanabria's Latin New York magazine was an English language publication. Consequently, his promoted events were covered in The New York Times , as well as Time and Newsweek magazines. Sanabria confessed the term salsa was not developed by musicians: "Musicians were busy creating the music but played no role in promoting the name salsa." For this reason

2125-509: A piano. The Montuno rhythm loops over the 8 counts and is useful for finding the direction of the music. By listening to the same rhythm, that loops back to the beginning after eight counts, one can recognize which count is the first beat of the music. Most salsa compositions follow the basic son montuno model based on the Afro-Cuban clave rhythm and composed of a verse section, followed by a coro-pregón (call-and-response) chorus section known as

2250-411: A salsa band is either playing with the clave (generally: congas, timbales, piano, tres guitar, bongos, claves (instrument), strings) or playing independent of the clave rhythm (generally: bass, maracas, güiro, cowbell). Melodic components of the music and dancers can choose to be in clave or out of clave at any point. For salsa, there are four types of clave rhythms , the 3-2 and 2-3 Son claves being

2375-479: A short period to New York City taking with him his modern son montuno . During that period his success was limited (NYC was more interested in Mambo), but his guajeos (who influenced the musicians he shared the stage with, such as Chano Pozo, Machito, and Mario Bauzá), together with the piano tumbaos of Lilí Martínez, the trumpet of Félix Chappottín and the rhythmic lead vocals of Roberto Faz would become very relevant in

2500-417: A significant minority. Also present in today's Puerto Ricans are traces (about 10-15%) of the aboriginal Taíno natives that inhabited the island at the time European colonizers arrived in 1493. Recent studies in population genetics have concluded that Puerto Rican gene pool is on average predominantly European, with a significant Sub-Saharan African, North African Guanche , and Indigenous American substrate,

2625-464: A soloist). During this period Cuba received international salsa musicians for the first time. Venezuelan salsa star Oscar D'León's 1983 tour of Cuba is mentioned prominently by every Cuban I've ever interviewed on the subject. Rubén Blades' album Siembra was heard everywhere on the island throughout the mid-80s and has been quoted extensively in the guías and coros of everyone from Van Van's Mayito Rivera (who quotes [Blades'] 'Plástico' in his guías on

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2750-767: A total of 3,644,515 (91.9%) of the population being born in Puerto Rico and 201,310 (5.1%) born in the United States. The total population born outside Puerto Rico is 322,773 (8.1%). Of the 108,262 who were foreign born outside the United States (2.7% of Puerto Ricans), 92.9% were born in Latin America, 3.8% in Europe, 2.7% in Asia, 0.2% in Northern America , and 0.1% in Africa and Oceania each. The populations during Spanish rule of Puerto Rico were: The original inhabitants of Puerto Rico are

2875-485: A way for the Zulians to express themselves. This notion is also corroborated by Robert Carroll’s study in how lyrics present in gaitas serve as a retelling of the history of Zulia , which are viewed through the perceptive of its writers. For instance, the lyrics “‘thus began the history/ of my people’s gaita/ because when that black man sang it/ he gave us his inheritance and memory” in the song “Historia de la gaita” (History of

3000-628: Is Cheo Marquetti y su Conjunto - Los Salseros which was formed in 1955. The first album to mention Salsa on its cover was titled “Salsa” which was released by La Sonora Habanera in 1957. Later on self-identified salsa bands were predominantly assembled by Puerto Rican and Cuban musicians in New York City in the 1970s. The music style was based on the late son montuno of Arsenio Rodríguez , Conjunto Chappottín and Roberto Faz . These musicians included Celia Cruz , Willie Colón , Rubén Blades , Johnny Pacheco , Machito and Héctor Lavoe . During

3125-796: Is Ricardo Aguirre, "El Monumental de la Gaita" or the Monumental Artist of the Gaita. Trinidad and Tobago has adopted gaita with some variation, calling it parang . Salsa music Salsa music is a style of Caribbean music , combining elements of Cuban , Puerto Rican , and American influences. Because most of the basic musical components predate the labeling of salsa, there have been many controversies regarding its origin. Most songs considered as salsa are primarily based on son montuno and son Cubano , with elements of cha-cha-chá , bolero , rumba , mambo , jazz , R&B , rock , bomba , and plena . All of these elements are adapted to fit

3250-401: Is even a Francosign language like ASL. Indeed, there is a hesitancy amongst Puerto Rican Deaf to even mention LSPR after heavy handed oralist education of English, Spanish, and Signed English . Today, there is much contact between ASL, PRSL, and Signed Spanish . The Spanish of Puerto Rico has evolved into having many idiosyncrasies in vocabulary and syntax that differentiate it from

3375-545: Is internationally recognized by Spain, which considers Puerto Rico to be an Ibero-American nation. Therefore, Puerto Rican citizens have the ability to apply for Spanish citizenship after only two years residency in Spain (instead of the standard 10 years). Puerto Rican voters, despite not voting in the 2024 election for the President on the island, nevertheless were a surprisingly important political "hot potato" for both parties, due to

3500-470: Is one of the most important components in which many villages were founded from these immigrants, which started from 1493 to 1890 and beyond. Many Spaniards, especially Canarians, chose Puerto Rico because of its Hispanic ties and relative proximity in comparison with other former Spanish colonies. They searched for security and stability in an environment similar to that of the Canary Islands and Puerto Rico

3625-518: Is quite low, and, contrary to songo, salsa remained consistently wedded to older Cuban templates. Some believe the pan-Latin Americanism of salsa was found in its cultural milieu, more than its musical structure. An exception of this is probably found in the work of Eddie Palmieri and Manny Oquendo , who were considered more adventurous than the highly produced Fania records artists. The two bands incorporated less superficially jazz elements as well as

3750-546: Is represented in the House of Representatives by an elected representative commonly known as the Resident Commissioner , who has the same duties and obligations as a representative, with the exception of being able to cast votes on the final disposition of legislation on the House floor. The Resident Commissioner is elected by Puerto Ricans to a four-year term and does serve on congressional committee . Puerto Ricans residing in

3875-527: Is the harmonic sum of all Latin culture ". On the other hand, even some New York based artists were originally against the commercialization of music under that name; Machito said: "There's nothing new about salsa, it is just the same old music that was played in Cuba for over fifty years." Similarly, Tito Puente stated: "The only salsa I know is sold in a bottle called ketchup. I play Cuban music. Cuban musicologist Mayra Martínez wrote that "the term salsa obscured

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4000-485: The Canary Islands , this is also true for many Dominicans and Cubans. Canarians are of partial Guanche ancestry, a North African Berber ethnic group who were the original inhabitants before Spanish conquest. This means that by extension, many Puerto Ricans have minuscule amounts of North African blood through the indigenous Guanches of the Canary Islands. In the 1899 census , taken the year Spain ceded Puerto Rico to

4125-553: The Caribbean archipelago and island of Puerto Rico , and a nation identified with the Commonwealth of Puerto Rico through ancestry , culture , or history . Puerto Ricans are predominately a tri-racial , Spanish-speaking , Christian society, descending in varying degrees from Indigenous Taíno natives , Southwestern European colonists , and West and Central African slaves , freedmen , and free Blacks . As citizens of

4250-634: The Charanga format, which consists of a string section (of violins , viola , and cello ), tumbadoras (congas) , timbales , bass , flute , claves and güiro . Bongos are not typically used in charanga bands. Típica 73 , Orquesta Broadway , Orquesta Revé and Orquesta Ritmo Oriental where popular Salsa bands with charanga instrumentation. Johnny Pacheco, Charlie Palmieri , Mongo Santamaría and Ray Barretto also experimented with this format. Throughout its 50 years of life, Los Van Van have always experimented with both types of ensembles. The first 15 years

4375-593: The Great Famine of the 1840s , immigrated to Puerto Rico. They were followed by smaller waves from other European countries and China. During the early 20th century Jews began to settle in Puerto Rico. The first large group of Jews to settle in Puerto Rico were European refugees fleeing German–occupied Europe in the 1930s and 1940s. The second influx of Jews to the island came in the 1950s, when thousands of Cuban Jews fled Cuba after Fidel Castro came to power. The native Taino population began to dwindle, with

4500-517: The Mariel boatlift took hundreds of Cuban musicians to the US, many of them were astonished to hear what sounded to them like Cuban music from the 1950s. Cuban conguero Daniel Ponce summarized this sentiment: "When the Cubans arrived in New York, they all said 'Yuk! This is old music.' The music and the feelings and arrangements [haven't] changed." Nonetheless, there was an awareness of the modern Cuban styles in

4625-643: The National Geographic Genographic Project , "the average Puerto Rican individual carries 12% Native American, 65% West Eurasian (Mediterranean, Northern European and/or Middle Eastern) and 20% Sub-Saharan African DNA." In genetic terms, even many of those of pure Spanish origin would have North and, in some cases, West African ancestry brought from founder populations, particularly in the Canary Islands. Along with European, West African, and Taino, many Puerto Ricans have small amounts of North African blood due to settlers from Canary Islands ,

4750-477: The Spanish language . The origin of the connection of this word to a style of music is disputed by various music writers and historians. The musicologist Max Salazar traced the origin of the connection to 1930 when Ignacio Piñeiro composed the song Échale salsita (Put some sauce in it). The phrase is seen as a cry from Piñeiro to his band, telling them to increase the tempo to "put the dancers into high gear". In

4875-629: The Taíno , who called the island Borikén or Borinquen ; however, as in other parts of the Americas, the native people soon diminished in number after the arrival of Spanish settlers. Besides miscegenation , the negative impact on the numbers of Amerindian people, especially in Puerto Rico, was almost entirely the result of Old World diseases that the Amerindians had no natural/bodily defenses against, including measles , chicken pox , mumps , influenza , and even

5000-765: The Vietnam War , the Gulf War , the War in Afghanistan , and the Iraq War . Since 2007, the Puerto Rico State Department has developed a protocol to issue certificates of Puerto Rican citizenship to Puerto Ricans. In order to be eligible, applicants must have been born in Puerto Rico; born outside of Puerto Rico to a Puerto Rican-born parent; or be an American citizen with at least one year residence in Puerto Rico. The citizenship

5125-501: The bridge of a song, the songo was considered a rhythmic and harmonic hybrid (particularly regarding funk and clave-based Cuban elements). The music analyst Kevin Moore stated: "The harmonies, never before heard in Cuban music, were clearly borrowed from North American pop [and] shattered the formulaic limitations on harmony to which Cuban popular music had faithfully adhered for so long." During

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5250-658: The common cold . In fact, it was estimated that the majority of all the Amerindian inhabitants of the New World died out due to contact and contamination with those Old World diseases, while those that survived were further reduced through deaths by warfare with Spanish colonizers and settlers. Thousands of Spanish settlers also immigrated to Puerto Rico from the Canary Islands during the 18th and 19th centuries, so many so that whole Puerto Rican villages and towns were founded by Canarian immigrants, and their descendants would later form

5375-478: The montuno . The verse section can be short, or expanded to feature the lead vocalist and/or carefully crafted melodies with clever rhythmic devices. Once the montuno section begins, it usually continues until the end of the song. The tempo may gradually increase during the montuno in order to build excitement. The montuno section can be divided into various sub-sections sometimes referred to as mambo , diablo , moña , and especial . Many musicologists find many of

5500-453: The "harmonic displacement" technique of the Cuban jazz pianist Gonzalo Rubalcaba . Curiously, it was in Cuba where hip hop and salsa first began to meet. For example, many breakdown sections in NG La Banda 's album En la calle are a combination of guaguancó and hip hop rhythms. During this period, Cuban musicians had more of an impact on jazz than salsa in the United States. Even though

5625-487: The 17th and 18th centuries. When Spain revived the Royal Decree of Graces of 1815 with the intention of attracting non-Spanish Europeans to settle in the island, thousands of Corsicans (though the island was French since 1768 the population spoke an Italian dialect similar to Tuscan Italian) during the 19th century immigrated to Puerto Rico, along with German immigrants as well as Irish immigrants who were affected by

5750-560: The 1940s, the Puerto Rican economy was small and undeveloped, it relied heavily on agriculture. At this time, Puerto Rican migration waves were mainly to Dominican Republic, the Virgin Islands, and US cities such as Boston, Philadelphia, Baltimore, Miami, New Orleans, and most importantly metropolitan area surrounding New York City and North Jersey. Over 5,000 Puerto Ricans migrated to Hawaii from 1900 to 1901. Puerto Rican migration to

5875-419: The 1997 classic Llévala a tu vacilón ), to El Médico de la Salsa (quoting another major hook from 'Plástico'—'se ven en la cara, se ven en la cara, nunca en el corazón'—in his final masterpiece before leaving Cuba, Diós sabe ). Prior to D'León's performance, many Cuban musicians rejected the salsa movement, considering it a bad imitation of Cuban music. Some people say that D'León's performance gave momentum to

6000-555: The 50 States and the US territory of Puerto Rico. Puerto Rican populations in other countries are very small, not large enough to have dominance over certain neighborhoods and cities like in Florida and the US Northeast. Unsurprisingly, Puerto Rico's neighbors have the biggest Puerto Rican communities outside Puerto Rico and the US mainland, to the west Dominican Republic with as high as 20,000 Puerto Ricans according to some sources, and to

6125-756: The Africans who were brought to Puerto Rico did so as a result of the slave trade taking place from many groups in the African continent, but particularly the West Africans , the Yoruba , the Igbo , and the Kongo people . Indigenous people make up the third largest racial identity among Puerto Ricans, comprising 0.5% of the population. Although this self-identification may be ethno-political in nature since unmixed Tainos no longer exist as

6250-460: The Anglo-American pop market with their Latin-influenced hits, usually sung in English. More often than not, clave was not a major consideration in the composing or arranging of these hits. Sergio George is up front and unapologetic about his attitude towards clave: "Though clave is considered, it is not always the most important thing in my music. The foremost issue in my mind is marketability. If

6375-457: The Cuban base, the music's history or part of its history in Cuba. And salsa was a way to do this so that Jerry Masucci, Fania and other record companies, like CBS, could have a hegemony on the music and keep the Cuban musicians from spreading their music abroad." Izzy Sanabria responded that Martínez was likely giving an accurate Cuban viewpoint, "but salsa was not planned that way". Johnny Pacheco, co-founder of Fania Records gave his definition of

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6500-683: The District of Columbia through the Electoral College system. Nevertheless, both the Democratic Party and Republican Party , while not fielding candidates for public office in Puerto Rico, provide the islands with state-sized voting delegations at their presidential nominating conventions. Delegate selection processes frequently have resulted in presidential primaries being held in Puerto Rico. U.S. citizens residing in Puerto Rico do not elect U.S. representatives or senators . However, Puerto Rico

6625-479: The Northeast region and in Florida, in the metropolitan areas of New York , Orlando , Philadelphia , Miami , Chicago , Tampa , and Boston , among others. Though, over 95% of Puerto Ricans living outside of Puerto Rico, live in the United States (US states), there is a significant and growing number of Puerto Ricans, mainly from Puerto Rico itself but to a lesser degree stateside Puerto Ricans as well, living outside

6750-635: The Puerto Rican band La Sonora Ponceña recorded two albums named after songs of Arsenio Rodriguez ( Hachero pa' un palo and Fuego en el 23 ). The 1970s was witness to two parallel modernizations of the Cuban son in Havana and in New York . During this period the term salsa was introduced in New York, and songo was developed in Havana. The band Los Van Van , led by the bassist Juan Formell , started developing songo in

6875-441: The Puerto Rican deaf population to be between 8,000 and 40,000. Due to ongoing colonization from the US mainland, the larger American Sign Language (ASL) is supplanting the local Puerto Rican Sign Language (PRSL, also known as LSPR: Lenguaje de Señas Puertorriqueño ). Although assumed to be a dialect or variant of ASL, it is currently unknown the degree of mutual intelligibility between Puerto Rican Sign Language nor whether it

7000-420: The Puerto Rican expressed his/her intentions to remain a Spanish subject. Since 1948, it was decided by Congress that all Puerto Ricans, whether born within the United States or in Puerto Rico, were naturally born United States citizens . Puerto Ricans and other U.S. citizens residing in Puerto Rico cannot vote in presidential elections as that is a right reserved by the U.S. Constitution to admitted states and

7125-486: The Puerto Rican people to take decisions in a sovereign manner, and to address their urgent economic and social needs, including unemployment, marginalization, insolvency and poverty". Puerto Rico has held four referendums to determine whether to retain its status as a territory or to switch to some other status such as statehood. The fourth, the Puerto Rican status referendum, 2012 occurred on November 6, 2012. The result

7250-517: The Puerto Rican populations abroad may be slightly larger as some may be stateside-born and counted as "American" rather than "Puerto Rican" on local government statistics on immigrants. Spanish and English are the official languages of the entire Commonwealth. A 1902 English-only language law was abolished on April 5, 1991. Then on January 28, 1993, the Legislative Assembly of Puerto Rico approved Law Number 1 again making Spanish and English

7375-479: The Spanish colonial period, there was significant migration from Puerto Rico to Santo Domingo (DR), Cuba, the Virgin Islands, and Venezuela, and vice versa, because migration between neighboring colonies especially under the same European power, was common. Nearly all Puerto Ricans who migrated to these areas during these times, assimilated and intermixed with the local populations. In the early days of US rule, from 1900 to

7500-521: The Spanish province where most Puerto Ricans draw their European ancestry from, being of partial North African blood. Very few self-identified Black Puerto Ricans are of unmixed African ancestry, while a genetically unmixed Amerindian population in Puerto Rico is technically extinct despite a minuscule segment of self-identified Amerindian Puerto Ricans due to a minor Amerindian component in their ancestral mixture. Research data shows that 60% of Puerto Ricans carry maternal lineages of Native American origin and

7625-546: The Spanish spoken elsewhere. While the Spanish spoken in all Iberian, Mediterranean and Atlantic Spanish Maritime Provinces was brought to the island over the centuries, the most profound regional influence on the Spanish spoken in Puerto Rico has been from that spoken in the present-day Canary Islands. The Spanish of Puerto Rico also includes occasional Taíno words, typically in the context of vegetation, natural phenomena or primitive musical instruments. Similarly, words attributed to primarily West African languages were adopted in

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7750-475: The U.S. Census Bureau listed the following groups to constitute "Asian": Asian Indian, Bangladeshi , Bhutanese, Cambodian, Chinese , Filipino, Hmong , Indonesian, Japanese , Korean, Laotian, Malaysian , Nepalese, Pakistani, Sri Lankan, Taiwanese, Thai, Vietnamese , and Other Asian. Though, the largest groups come from China and India . These groups represented 0.1% of the population. People of "Some other race alone" or "Two or more races" constituted 75.3% of

7875-467: The U.S. states have all rights and privileges of other U.S. citizens living in the states. As statutory U.S. citizens, Puerto Ricans born in Puerto Rico may enlist in the U.S. military and have been included in the compulsory draft when it has been in effect. Puerto Ricans have fully participated in all U.S. wars and military conflicts since 1898, including World War I , World War II , the Korean War ,

8000-417: The US northeast started as early as the 1890s; however, it was a very, very small flow at the time. During the 1940s, Puerto Rican desire for independence slowly started to decline while desire for statehood and dependence on the US started rise, due to this more Puerto Ricans started to look at the US more favorably and take full advantage of their US citizenship, huge flows of Puerto Ricans started to arrive in

8125-538: The US. Tito Puente recorded the Irakere composition "Bacalao con pan" (1980), and Rubén Blades covered Los Van Van's "Muevete" (1985). While the Puerto Rican bands Batacumbele (featuring a young Giovanni Hidalgo ) and Zaperoko fully embraced songo music under the mentorship of Changuito . During the '80s other variants of salsa like salsa romántica and salsa erótica evolved, with lyrics dwelling on love and romance. Salsa romántica can be traced back to Noches Calientes ,

8250-650: The Union, and the states with the largest populations of Puerto Ricans relative to the national population of Puerto Ricans in the United States at large are the states of New York , Florida , New Jersey , and Pennsylvania , with large populations also in Massachusetts , Connecticut , California , Illinois , and Texas . For 2009, the American Community Survey estimates give a total of 3,859,026 Puerto Ricans classified as "Native" Puerto Ricans. It also gives

8375-655: The United States as a result of the passage of the Jones–Shafroth Act of 1917. Since this law was the result of Congressional legislation, and not the result of an amendment to the United States Constitution , the current U.S. citizenship of Puerto Ricans can be revoked by Congress, as they are statutory citizens , not 14th Amendment citizens . The Jones Act established that Puerto Ricans born prior to 1899 were considered naturalized citizens of Puerto Rico, and anyone born after 1898 were U.S. citizens, unless

8500-797: The United States following its invasion and annexation in the Spanish–American War , 61.8% of the people were identified as White . In the 2020 United States Census the total of Puerto Ricans that self-identified as White was 17.1% or 560,592 out of the 3,285,874 people living in Puerto Rico, down from 75.8% in the 2010 Census, reflecting a change in perceptions of race in Puerto Rico. For every United States census until 2010, most Puerto Ricans self identified as "white". The European ancestry of Puerto Ricans comes primarily from one source: Spaniards (including Canarians , Catalans , Castilians , Galicians , Asturians , Andalusians , and Basques ). The Canarian cultural influence in Puerto Rico

8625-439: The United States, particularly industrial cities in the Northeast and Midwest, coinciding with a strong decline in Puerto Ricans migrating to other countries and even other areas in the US like Baltimore, New Orleans, and Hawaii. From 1940 to 1960, the stateside Puerto Rican population rose from 69,967 to 892,513. In the modern day, there are about 5.9 million Puerto Ricans in the US mainland. Large concentrations can be found in

8750-408: The arrival of the Spanish in the 16th century, through disease and intermarriage. Many Spaniard men took Taino and West African wives and in the first centuries of the Spanish colonial period the island was overwhelmingly racially mixed. "By 1530 there were 14 native women married to Spaniards, not to mention Spaniards with concubines." Under Spanish rule, mass immigration shifted the ethnic make-up of

8875-415: The band was a pure charanga, but later a trombone section was added. Nowadays the band could be considered a hybrid. Salsa music typically ranges from 160 bpm (beats per minute) and 220 bpm, which is suitable for salsa dancing . The key instrument that provides the core groove of a salsa song is the clave. It is often played with two wooden sticks (called clave ) that are hit together. Every instrument in

9000-407: The basic Son montuno template when performed within the context of salsa. Originally the name salsa was used to label commercially several styles of Hispanic Caribbean music, but nowadays it is considered a musical style on its own and one of the staples of Hispanic American culture. While the term salsa today is a rebranding of various Latin musical styles, the first self-identified salsa band

9125-555: The chord beat, the tumbao, and the Montuno rhythm. The chord beat (often played on cowbell) emphasizes the odd-numbered counts of salsa: 1, 3, 5 and 7 while the tumbao rhythm (often played on congas) emphasizes the "off-beats" of the music: 2, 4, 6, and 8. Some dancers like to use the strong sound of the cowbell to stay on the Salsa rhythm. Alternatively, others use the conga rhythm to create a jazzier feel to their dance since strong "off-beats" are

9250-691: The components of salsa music in the Son Montuno of several artists of the 30s and 40s like Arsenio Rodríguez, Conjunto Chappottín (Arsenio's former band now led by Félix Chappottín and featuring Luis "Lilí" Martínez Griñán ) and Roberto Faz. Salsa musician Eddie Palmieri once said "When you talk about our music, you talk about before, or after, Arsenio.....Lilí Martínez was my mentor". Several songs of Arsenio's band, like Fuego en el 23 , El Divorcio , Hacheros pa' un palo , Bruca maniguá , No me llores and El reloj de Pastora were later covered by many salsa bands (like Sonora Ponceña and Johnny Pacheco). On

9375-423: The contemporary Mozambique (music) . They were known for its virtuous trombone soloists like Barry Rogers (and other "Anglo" jazz musicians who had mastered the style). Andy González , a bass player who performed with Palmieri and Oquendo recounts: "We were into improvising ... doing that thing Miles Davis was doing — playing themes and just improvising on the themes of songs, and we never stopped playing through

9500-407: The contexts of foods, music or dances. There are many religious beliefs represented in the island. Religious breakdown in Puerto Rico (as of 2006) is given in the table on the right. The majority of Puerto Ricans in the island are Christians . Spiritists have a large secondary following. Muslims , Hindus , Jews , and Buddhists all have a small presence as well. Roman Catholicism has been

9625-505: The early 20th century, the majority of the people of Puerto Rico feel pride in their Puerto Rican nationality, regardless of the individual's particular racial, ethnic, political, or economic background. Many Puerto Ricans are consciously aware of the rich contribution of all cultures represented on the island. This diversity can be seen in the everyday lifestyle of many Puerto Ricans such as the profound Latin, African, and Taíno influences regarding food, music, dance, and architecture. During

9750-556: The east US Virgin Islands with 7,759, 8.9% of the territory's population, second highest percentage of any US state or territory, after Puerto Rico (95.5%) and before Connecticut (8.0%). There are small numbers of Puerto Ricans in other countries like Canada, Spain, Mexico, United Kingdom, and other countries in Europe and the Caribbean/Latin America. Due to Puerto Rico being a US territory, the vast majority of Puerto Ricans leaving

9875-405: The east side, and the levels of Taino ancestry (which, according to some research, ranges from about 5%-35%) generally highest in the southwest of the island. A study of a sample of 96 healthy self-identified White Puerto Ricans and self-identified Black Puerto Ricans in the U.S. showed that, although all carried a contribution from all 3 ancestral populations (European, African, and Amerindian),

10000-575: The founding source populations of Spaniards, Africans, and Tainos, although Spanish ancestry is predominant in a majority of the population. Small amounts of Puerto Ricans may have additional ancestries from other parts of the world. Similar to many other Latin American ethnic groups, Puerto Ricans are multi-generationally mixed race, though most are European dominant in ancestry, Puerto Ricans who are "evenly mixed" can accurately be described " Mulatto ", " Quadroon ", or Tri-racial very similar to mixed populations in Cuba and Dominican Republic. According to

10125-478: The gaita) mention how gaita originated from a slave . Another example of this is “Sentir Zuliano,” (Zulian Feeling) a gaita that, according to Robert Carroll, expresses a sentimental, poetic description of what it means to, as the name implies, “feel Zulian.” Other examples include “Lago de Maracaibo” (Lake of Maracaibo) which refers to the oil boom in Venezuela during the 1960s with lyrics such as “Tus riquezas petroleras al mundo tiene asombrado.” (Your oil riches amaze

10250-496: The highest-rated radio shows in the New York market with a reported audience of over a quarter of a million listeners every Sunday (per Arbitron Radio Ratings). Ironically, although New York's Hispanic population at that time was over two million, there had been no commercial Hispanic FM. Given his jazz and salsa conga playing experience and knowledge (working as a sideman with such bands as salsa's Frankie Dante's Orquesta Flamboyán and jazz saxophonist Archie Shepp ), Dawson also created

10375-621: The island go to the mainland United States, comprising Puerto Ricans of all income brackets and lifestyles. However, majority of the small number of Puerto Ricans living outside of the United States, including outside of Puerto Rico and other territories, are usually financially well-off and entrepreneurial, owning homes and businesses in the countries they choose to settle in. Statistical counts of Puerto Rican populations in other countries usually only center on ethnic Puerto Ricans born in Puerto Rico. Non-Puerto Ricans born in Puerto Rico and later moving to target country usually wouldn't be included in

10500-579: The island, as a result of the Royal Decree of Graces of 1815. Puerto Rico went from being two-thirds black and mulatto in the beginning of the 19th century, to being nearly 80% white by the middle of the 20th century. This was compounded by more flexible attitudes to race under Spanish rule, as epitomized by the Regla del Sacar . Under Spanish rule, Puerto Rico had laws such as Regla del Sacar or Gracias al Sacar , which allowed persons of mixed ancestry to pay

10625-401: The island. The US Census Bureau's 2015 update provides the following: 94.1% of adults speak Spanish, 5.8% speak only English and little to no Spanish, 78.3% do not speak English "very well", 15.8% are fully bilingual in both English and Spanish, 0.1% speak other languages. Public school instruction in Puerto Rico is conducted almost entirely in Spanish. There have been pilot programs in about

10750-544: The large number of Puerto Rican voters on the mainland. Since 1953, the UN has been considering the political status of Puerto Rico and how to assist it in achieving "independence" or "decolonization." In 1978, the Special Committee determined that a "colonial relationship" existed between the US and Puerto Rico. The UN's Special Committee has referred often to Puerto Rico as a nation in its reports, because, internationally,

10875-504: The late 1960s. Songo incorporated rhythmic elements from folkloric rumba as well as funk and rock to the traditional son . With the arrival of the drummer Changuito , several new rhythms were introduced and the style had a more significant departure from the son montuno / mambo -based structure. Songo integrated several elements of North American styles like jazz, rock and funk in many different ways than mainstream salsa. Whereas salsa would superimpose elements of another genre in

11000-400: The latter two originating in the aboriginal people of the Canary Islands and Puerto Rico's pre-Columbian Taíno inhabitants, respectively. The population of Puerto Ricans and descendants is estimated to be between 8 and 10 million worldwide, with most living on the islands of Puerto Rico and in the United States mainland. Within the United States, Puerto Ricans are present in all states of

11125-585: The long-running "Salsa Meets Jazz" weekly concert series at the Village Gate jazz club where jazz musicians would sit in with an established salsa band, for example Dexter Gordon jamming with the Machito band. Dawson helped to broaden New York's salsa audience and introduced new artists such as the bilingual Ángel Canales who were not given play on the Hispanic AM stations of that time. His show won several awards from

11250-553: The main Christian denomination among Puerto Ricans since the arrival of the Spanish in the 15th century, but the presence of Protestant , Mormon , Pentecostal , and Jehovah's Witnesses denominations has increased under U.S. sovereignty, making modern Puerto Rico an inter-denominational, multi-religious community. The Afro-Caribbean religion Santería is also practiced. In 1998, a news report stated that "Puerto Rico [was] no longer predominantly Catholic". Pollster Pablo Ramos wrote that

11375-548: The mid-1940s, Cuban Cheo Marquetti emigrated to Mexico. He named his group Conjunto Los Salseros, with whom he recorded a couple of albums for the Panart and Egrem labels. Later on, while based in Mexico City , the musician Beny Moré would shout salsa during a performance to acknowledge a musical moment's heat, making a connection with the hot salsa (sauce) made in the country. Puerto Rican music promoter Izzy Sanabria claims he

11500-422: The most important, and the 3-2 and 2-3 Rumba claves . Most salsa music is played with one of the son claves, though a rumba clave is occasionally used, especially during rumba sections of some songs. As an example of how a clave fits within the 8 beats of a salsa dance , the beats of the 2-3 Son clave are played on the counts of 2, 3, 5, the "and" of 6, and 8. There are other common rhythms found in salsa music:

11625-580: The nation’s madman” in which Coquivacoa expresses his concern for what Chavez’s presidency would do to the country. Famous gaita groups include Cardenales del Éxito, Rincón Morales, Estrellas del Zulia, Barrio Obrero, Gran Coquivacoa , Saladillo, Universidad de la Gaita, Koquimba, Melody Gaita, and Maracaibo 15 . The group Guaco started as a gaita group but now plays a unique and distinct style of music influenced by European-Spanish and Afro-Caribbean rhythms. An important singer involved in Gaita Zuliana music

11750-451: The official languages of Puerto Rico. All official business of the U.S. District Court for the District of Puerto Rico is conducted in English. The official languages of the executive branch of government of Puerto Rico are Spanish and English, with Spanish being the primary language. English is the primary language of less than 10% of the population. Puerto Rican Spanish is the dominant language of business, education and daily life on

11875-428: The other hand, a different style, Mambo , was developed by Cachao , Beny Moré and Dámaso Pérez Prado . Moré and Pérez Prado moved to Mexico City where the music was played by Mexican big band wind orchestras. During the 1950s, New York became a hotspot of Mambo with musicians like the aforementioned Pérez Prado, Luciano "Chano" Pozo , Mongo Santamaría, Machito and Tito Puente. The highly popular Palladium Ballroom

12000-654: The people from all of Latin America and Spanish-speaking communities in the United States could identify and purchase.' Motivated primarily by economic factors, Fania's push for countries throughout Latin America to embrace salsa did result in an expanded market. But in addition, throughout the 1970s, salsa groups from Colombia, the Dominican Republic, and Venezuela, among other Latin American nations, emerged, composing and performing music that related to their own specific cultural experiences and affiliations, which posited salsa as

12125-467: The people of Puerto Rico are often considered to be a Caribbean nation with their own national identity. Most recently, in a June 2016 report, the Special Committee called for the United States to expedite the process to allow self-determination in Puerto Rico. More specifically, the group called on the United States to expedite a process that would allow the people of Puerto Rico to exercise fully their right to self-determination and independence. ... allow

12250-432: The population in the 2020 Census . Although the average Puerto Rican is of mixed-race, few actually identified as multiracial ("two or more races") in the 2010 census; only 3.3% did so. They more often identified with their predominant heritage or phenotype. However, in the 2020 census, the amount of Puerto Ricans identifying as multiracial went up to 49.8% and an additional 25.5% identified as "some other race", showing

12375-474: The population was 38% Roman Catholic, 28% Pentecostal, and 18% were members of independent churches. However, an Associated Press article in March 2014 stated that "more than 70 percent of [Puerto Ricans] identify themselves as Catholic". The CIA World Factbook reports that 85% of the population of Puerto Rico identifies as Roman Catholic, while 15% identify as Protestant and Other. Puerto Ricans became citizens of

12500-523: The proportions showed significant variation. Depending on individuals, although often correlating with their self-identified race, African ancestry ranged from less than 10% to over 50%, while European ancestry ranged from under 20% to over 80%. Amerindian ancestry showed less fluctuation, generally hovering between 5% and 20% irrespective of self-identified race. The majority of the European ancestry in Puerto Ricans comes from southern Spain, more specifically

12625-432: The readers of Latin New York magazine, Izzy Sanabria's Salsa Magazine at that time and ran until late 1980 when Viacom changed the format of WRVR to country music . Despite an openness to experimentation and a willingness to absorb non-Cuban influences, such as jazz , rock , bomba and plena , and already existing mambo-jazz, the percentage of salsa compositions based in non-Cuban genres during this period in New York

12750-476: The region a decade later. In 1966, the Palladium closed because it lost its liquor license. The mambo faded away, as new hybrid styles such as boogaloo, the jala-jala and the shing-a-ling had brief but important success. Elements of boogaloo can be heard in some songs of Tito Puente, Eddie Palmieri, Machito and even Arsenio Rodríguez. Nonetheless, Puente later recounted: "It stunk ... I recorded it to keep up with

12875-479: The same period a parallel modernization of Cuban son was being developed by Los Van Van , Irakere , NG La Banda , Charanga Habanera and other artists in Cuba under the name of songo and timba , styles that at present are also labelled as salsa. Though limited by an embargo , the continuous cultural exchange between salsa-related musicians inside and outside of Cuba is undeniable. The word Salsa means sauce in

13000-459: The same period, Cuban super group Irakere fused bebop and funk with batá drums and other Afro-Cuban folkloric elements; Orquesta Ritmo Oriental created a new highly syncopated, rumba-influenced son in the charanga ensemble; and Elio Revé developed changüí . On the other hand, New York saw in the 1970s the first use of the term salsa to commercialize several styles of Latin dance music. However, several musicians believe that salsa took on

13125-632: The song hits, that's what matters. When I stopped trying to impress musicians and started getting in touch with what the people on the street were listening to, I started writing hits. Some songs, especially English ones originating in the United States, are at times impossible to place in clave." As Washburne points out however, a lack of clave awareness does not always get a pass: Puerto Ricans Puerto Ricans ( Spanish : Puertorriqueños ), most commonly known as Boricuas , but also occasionally referred to as Borinqueños , Borincanos , or Puertorros , are an ethnic group native to

13250-611: The songo style. For this reason some Cuban musicians of this period like Manolito y su Trabuco , Orquesta Sublime, and Irakere referred to this late-80s sound as salsa cubana , a term which for the first time, included Cuban music as a part of salsa movement. In the mid-1990s California-based Bembé Records released CDs by several Cuban bands, as part of their salsa cubana series . Nonetheless, this style included several innovations. The bass tumbaos were busier and more complex than tumbaos typically heard in NY salsa. Some guajeos were inspired by

13375-439: The standard percussion instruments in most salsa bands and function in similar ways to a traditional drum ensemble. The timbales play the bell pattern, the congas play the supportive drum part, and the bongos improvise, simulating a lead drum. The improvised variations of the bongos are executed within the context of a repetitive marcha, known as the martillo ('hammer'), and do not constitute a solo. The bongos play primarily during

13500-434: The term “Salsa” during various interviews. “La salsa es, y siempre ha sido la musica Cubana.” “Salsa is, and always has been, Cuban music.”. The marketing potential from the name was so big, that eventually both Machito, Puente and even musicians in Cuba embraced the term as a financial necessity. The instrumentation in salsa bands is mostly based on the son montuno ensemble developed by Arsenio Rodríguez, who added

13625-634: The times. Popular Boogaloo songs include "Bang Bang" by the Joe Cuba Sextet and "I Like It Like That" by Pete Rodríguez and His Orchestra. During the late 1960s, the Dominican musician Johnny Pacheco and Italian-American businessman Jerry Masucci founded the recording company Fania Records . They introduced many of the artists that would later be identified with the salsa movement, including Willie Colón, Celia Cruz, Larry Harlow , Ray Barretto , Héctor Lavoe and Ismael Miranda . Fania's first record album

13750-440: The traditions of Spain , and more specifically Andalusia and the Canary Islands . Puerto Rico has also received immigration from other parts of Spain such as Catalonia as well as from other European countries such as France, Ireland, Italy and Germany. Puerto Rico has also been influenced by African culture , with many Puerto Ricans partially descended from Africans, though Afro-Puerto Ricans of unmixed African descent are only

13875-415: The typical Puerto Rican has between 5% and 15% Native American admixture. The Puerto Rico of today has come to form some of its own social customs, cultural matrix, historically rooted traditions, and its own unique pronunciation, vocabulary, and idiomatic expressions within the Spanish language , known as Puerto Rican Spanish . Even after the attempted assimilation of Puerto Rico into the United States in

14000-453: The use of the term salsa has been controversial among musicians. Some have praised its unification element. Celia Cruz said, "Salsa is Cuban music with another name. It's mambo, chachachá, rumba, son ... all the Cuban rhythms under one name." Willie Colón described salsa not as a precise musical style but a power to unite in the broadest terms: "Salsa was the force that united diverse Latino and other non-Latino racial and ethnic groups ...Salsa

14125-507: The verses and the piano solos. When the song transitions into the montuno section, the bongo player picks up a large hand held cowbell called the bongo bell. Often the bongocero plays the bell more during a piece, than the actual bongos. The interlocking counterpoint of the timbale bell and bongo bell provides a propelling force during the montuno. The maracas and güiro sound a steady flow of regular pulses (subdivisions) and are ordinarily clave-neutral. Nonetheless, some bands instead follow

14250-547: The whole set." Andy and his brother Jerry González started showing up in the DownBeat Reader's Poll, and caught the attention of jazz critics. During the 1980s, several Latin American countries, such as Colombia, Venezuela, Peru, Mexico and Panama, began producing their own salsa music. Two of the biggest stars from this period are Oscar D'León from Venezuela and Joe Arroyo from Colombia. Other popular acts are Fruko y sus Tesos , Grupo Niche and Rubén Blades (now as

14375-653: The world). Gaitas and politics have gone hand in hand for many years. For instance, during the Presidency of Carlos Andres Perez , the gaita song “Un ojo dimos” (roughly translated to ‘We sacrificed an eye’), the lyrics depict how despite the sacrifice the people of Venezuela had to do in order to elect Perez as president, Perez only introduced laws that would benefit the political elite . When Hugo Chavez became president of Venezuela, Gran Coquivacoa ’s “Loco Chavez” (Crazy Chavez) includes lyrics such as “yet we see here/that if we speak about madmen/lots of people are now following

14500-482: Was "Cañonazo", recorded and released in 1964. It was panned by music critics as 10 of the 11 songs were covers of previously recorded tunes by such Cuban artists as Sonora Matancera , Chappottín y Sus Estrellas and Conjunto Estrellas de Chocolate. Pacheco put together a team that included percussionist Louie Ramírez , bassist Bobby Valentín and arranger Larry Harlow to form the Fania All-Stars in 1968. Meanwhile,

14625-454: Was able to transition into the salsa movement, eventually becoming known as the Queen of Salsa . Larry Harlow stretched out from the typical salsa record formula with his opera Hommy (1973), inspired by The Who 's Tommy album , and also released his critically acclaimed La Raza Latina, a Salsa Suite . In 1975, Roger Dawson created the "Sunday Salsa Show" over WRVR FM, which became one of

14750-430: Was created by musicians of Irakere who later formed NG La Banda under the direction of Jose Luis "El Tosco" Cortez. Many timba songs are more related to main-stream salsa than its Cuban predecessors earlier in the decade. For example, the song "La expresiva" (of NG La Banda ) uses typical salsa timba/bongo bell combinations. The tumbadoras (congas) play elaborate variations on the son montuno-based tumbao, rather than in

14875-480: Was held on June 11, 2017, and offered three options: "Statehood", "Independence/Free Association", and "Current Territorial Status." With 23% of registered voters casting ballots, 97% voted for statehood. Benefits of statehood would include an additional $ 10 billion per year in federal funds, the right to vote in presidential elections, higher Social Security and Medicare benefits, and a right for its government agencies and municipalities to file for bankruptcy. The latter

15000-543: Was marked by "pop salsa" in the US, and the "timba explosion" in Cuba. Sergio George produced several albums that mixed salsa with contemporary pop styles with Puerto Rican artists like Tito Nieves , La India , and Marc Anthony . George also produced the Japanese salsa band Orquesta de la Luz . Brenda K. Starr , Son By Four , Víctor Manuelle , and the Cuban-American singer Gloria Estefan enjoyed crossover success within

15125-537: Was one of the first Chinese Puerto Rican artists that caught the eye of Fania Record's owner Jerry Masucci and later became the booking agent for many of the Fania artists.), Wayne Gorbea, Ernie Agusto y la Conspiración, Orchestra Ray Jay, Orchestra Fuego, and Orchestra Cimarron, among other bands that were performing in the Salsa market on the East Coast. Celia Cruz, who had had a successful career in Cuba with Sonora Matancera,

15250-581: Was taken for granted, and the stage was set for the emergence of mambo music in New York, where music fans were becoming accustomed to innovation." He later notes that Mambo helped pave the way for the widespread acceptance of salsa years later. Another popular style was cha-cha-cha , which originated in the Charanga bands in Cuba. By the early 1960s, there were several charanga bands in New York led by musicians (like Johnny Pacheco , Charlie Palmieri , Mongo Santamaría and Ray Barretto ) who would later become salsa stars. In 1952, Arsenio Rodríguez moved for

15375-553: Was the epicenter of mambo in New York. Ethnomusicologist Ed Morales notes that the interaction of Afro-Cuban and jazz music in New York was crucial to the innovation of both forms of music. Musicians who would become great innovators of mambo, like Mario Bauzá and Chano Pozo, began their careers in New York working in close conjunction with some of the biggest names in jazz , like Cab Calloway , Ella Fitzgerald , and Dizzy Gillespie , among others. Morales noted that: "The interconnection between North American jazz and Afro-Cuban music

15500-454: Was the first to use the word salsa to denote a music genre : In 1973, I hosted the television show Salsa which was the first reference to this particular music as salsa . I was using [the term] salsa , but the music wasn't defined by that. The music was still defined as Latin music. And that was a very, very broad category, because it even includes mariachi music. It includes everything. So salsa defined this particular type of music ... It's

15625-523: Was the most suitable. This began as a temporary exile which became a permanent relocation and the last significant wave of Spanish or European migration to Puerto Rico. Other sources of European populations are Corsicans , French , Italians , Portuguese (especially Azoreans), Greeks , Germans , Irish , Scots , Maltese , Dutch , English , and Danes . In the 2020 United States Census , 7.0% of people self-identified as Black. Africans were brought by Spanish Conquistadors . The vast majority of

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