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14-501: Discovered punches and matrices testify that the origin of the company goes back to the 16th century, when German printers brought Gutenberg's invention to Spain. The foundry belonged to the convent of San José of Barcelona and in the year 1880 became property of the printing house Narciso Ramírez y Rialp, who sold it in 1885 to the Frankfurt am Main-based Bauer Type Foundry (Bauersche Giesserei). The company continued its operations under

28-673: A strong production of lead types through acquisitions of prominent foundries: Fundición Tipográfica Nacional in 1971, the Bauer Type Foundry in 1972, Fonderie Typographique Française in 1974, matrices of the Lettergieterij Amsterdam in 1984, Ludwig & Mayer in 1985, and Fonderies Tyographiques Réunies del Líbano (United Type Foundries of Lebanon) in 1988. In 1974, it opened a branch near Paris, Neufville France, to supply lead types to France, Algeria, Morocco, and Tunisia, an activity that lasted until 1995. The acquisitions allowed

42-556: Is the fact that in 1969 the first astronauts to land on the moon placed a plaque with an inscription made in Futura. From the 1960s, Letterpress printing started to decline in favor of Offset printing. New procedures of text composition appeared—first photocomposition and then desktop publishing from digital sources—which were more rational than those using lead types. But, despite the odds, the Neufville Typefoundry managed to maintain

56-463: The article wizard to submit a draft for review, or request a new article . Search for " Friedrich Hermann Ernst Schneidler " in existing articles. Look for pages within Misplaced Pages that link to this title . Other reasons this message may be displayed: If a page was recently created here, it may not be visible yet because of a delay in updating the database; wait a few minutes or try

70-437: The company not only to maintain its activity supplying fonts for a longer period than its ex-competitors, but also to have an advantage over the longer term due to the intellectual property for the typefaces of the acquired companies, as well as of their Trademarks. In 1980, already in the beginning of the digital age, Neufville signed agreements with computer font producers for a wide range of its own typefaces, as well as those of

84-410: The company. The company nearly went bankrupt at the end of the 19th century because the company's administration assumed that type founding, rather than typesetting, would be automated. The new owner, Georg Hartmann, succeeded in saving the company. Subsequently, the company grew, also due to several takeovers, e.g. in 1916 by Frankfurt's type foundry Flinsch, itself a global player. In 1927, an office

98-423: The field of Typography, Neufville cast, using matrices received from the Bauer Type Foundry, the creations of Lucian Bernhard, E. R. Weiss, Ernst Schneidler, Imre Reiner, Paul Renner , Heinrich Jost, Dr. Konrad Bauer, and Walter Baum. “Futura”, designed by Paul Renner in 1924, was the one that obtained the most international success, becoming possibly the best-selling typeface of all time. An example of its prominence

112-626: The main foundry program were acquired by the Imprenta Municipal—Artes del Libro at the Madrid's city council. After the company was closed, its successor, Bauer Types SL , continued the casting of lead types for a few years and, in 1998, signed an agreement with the Dutch company Visualogik BV with locations in The Netherlands and France, for the digitization and marketing of the fonts under

126-554: The name of Neufville Digital . Bauer Type Foundry Bauersche Gießerei was a German type foundry founded in 1837 by Johann Christian Bauer in Frankfurt am Main . Noted typeface designers , among them Lucian Bernhard , Konrad Friedrich Bauer (not related to the company's founder), Walter Baum , Heinrich Jost , Imre Reiner  [ de ] , Friedrich Hermann Ernst Schneidler  [ de ] , Emil Rudolf Weiß , and Heinrich Wienyck , designed typefaces for

140-461: The name of Fundición Tipográfica Neufville, SA. Under his direction the company started distributing the most prestigious German Printing Machinery, thus acquiring a great popularity in Spain's graphic world. Contributing to the company's reputation were its educational publications, such as “Anuario Neufville”, published since 1910, and, since 1920, “Crónica Poligráfica”, directed by Eudald Canibell. In

154-409: The name of J. de Neufville, directed by Jacobo de Neufville, who belonged to a patrician family from Frankfurt, which was involved in the company. He was soon removed from the business for health reasons, and the company became known as “Sucesores de J. de Neufville”. In 1922, Carlos Hartmann, son of Georg Hartmann, the owner of the Bauer Type Foundry, turned the company into a Spanish-law society under

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168-1097: The typeface Futura ND. The following foundry types were issued by Bauer: In German Friedrich Hermann Ernst Schneidler Look for Friedrich Hermann Ernst Schneidler on one of Misplaced Pages's sister projects : [REDACTED] Wiktionary (dictionary) [REDACTED] Wikibooks (textbooks) [REDACTED] Wikiquote (quotations) [REDACTED] Wikisource (library) [REDACTED] Wikiversity (learning resources) [REDACTED] Commons (media) [REDACTED] Wikivoyage (travel guide) [REDACTED] Wikinews (news source) [REDACTED] Wikidata (linked database) [REDACTED] Wikispecies (species directory) Misplaced Pages does not have an article with this exact name. Please search for Friedrich Hermann Ernst Schneidler in Misplaced Pages to check for alternative titles or spellings. You need to log in or create an account and be autoconfirmed to create new articles. Alternatively, you can use

182-623: The undertakings it had absorbed. Fundición Tipográfica Neufville, SA was dissolved in 1995. Some of its older punches and matrices were deposited in the Department of Design and Image at the University of Barcelona; a few years later other matrices and foundry machinery were deposited at the Sala Temática of the Provincial Council of Lleida; and, finally, in 2005, the latest arrays that made up

196-516: Was opened in New York City. In 1972, all activities of the headquarters in Frankfurt were reportedly ceased and transferred to the former subsidiary company, Neufville Typefoundry in Barcelona , after 1995 to Bauer Types , which still owns the rights to many typefaces. These are distributed by companies like Monotype , Adobe , Paratype, URW++, Elsner & Flake , as well as Neufville Digital for

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