Freeplay ( French : jeu libre ) is a literary concept from Jacques Derrida 's 1966 essay, "Structure, Sign, and Play in the Discourse of the Human Sciences". In his essay, Derrida speaks of a philosophical " event " that has occurred to the historic foundation of structure. Before the "event", man was the center of all things. After the "event", however, man could no longer be judged the center of the universe. Without this centralized reference, all that is left is "free play".
31-545: (Redirected from Freeplay ) Free Play may refer to: Assorted [ edit ] "Free Play", the creative activity of spontaneous free improvisation, by children, by artists, and people of all kinds, as described in the book Free Play: Improvisation in Life and Art , 1990, by Stephen Nachmanovitch – also a 1984 recording of that title by Stephen Nachmanovitch and Ron Fein Free play (Derrida) ,
62-400: A fixed origin. The function of this center was not only to orient, balance, and organize the structure—one cannot in fact conceive of an unorganized structure—but above all to make sure that the organizing principle of the structure would limit what we might call the freeplay of the structure. No doubt that by orienting and organizing the coherence of the system, the center of a structure permits
93-525: A form of hermeneutics : knowledge via interpretation to understand the meaning of human texts and symbolic expressions – including the interpretation of texts which themselves interpret other texts. In the British and American literary establishment, the New Criticism was more or less dominant until the late 1960s. Around that time Anglo-American university literature departments began to witness
124-502: A philosophical concept devised by Jacques Derrida Freeplay Energy , a British portable appliance manufacturer and distributor Freeplay Replay , a 1990s lottery game played in Iowa A play with a defensive penalty (gridiron football) , which gives the offense the opportunity to accept either the outcome of the play or the penalty A show hosted by Meg Turney , and Ryan Haywood that was produced by Rooster Teeth A piece of music that
155-502: A profound influence on the study of secular texts. This was particularly the case for the literary traditions of the three Abrahamic religions : Jewish literature , Christian literature and Islamic literature . Literary criticism was also employed in other forms of medieval Arabic literature and Arabic poetry from the 9th century, notably by Al-Jahiz in his al-Bayan wa-'l-tabyin and al-Hayawan , and by Abdullah ibn al-Mu'tazz in his Kitab al-Badi . The literary criticism of
186-617: A rise of a more explicitly philosophical literary theory , influenced by structuralism , then post-structuralism , and other kinds of Continental philosophy . It continued until the mid-1980s, when interest in "theory" peaked. Many later critics, though undoubtedly still influenced by theoretical work, have been comfortable simply interpreting literature rather than writing explicitly about methodology and philosophical presumptions. Today, approaches based in literary theory and continental philosophy largely coexist in university literature departments, while conventional methods, some informed by
217-515: A system of differences and the movement of a chain. Freeplay is always an interplay of absence and presence, but if it is to be radically conceived, freeplay must be conceived of before the alternative of presence and absence; being must be conceived of as presence or absence beginning with the possibility of Freeplay and not the other way around. —"Structure, Sign and Play" in Writing and Difference , p. 294 This literary criticism -related article
248-440: Is a stub . You can help Misplaced Pages by expanding it . This postmodernism -related article is a stub . You can help Misplaced Pages by expanding it . This social philosophy -related article is a stub . You can help Misplaced Pages by expanding it . Literary criticism A genre of arts criticism , literary criticism or literary studies is the study, evaluation , and interpretation of literature. Modern literary criticism
279-663: Is a radio DJ 's personal choice rather than chosen from the station's playlist Video games [ edit ] Free-to-play , a video game payment model An arcade machine mode where no coins are needed to play Freeplay (Festival) , the short name for the Freeplay Independent Games Festival from Australia A retro arcade chain in the Dallas–Fort Worth metroplex A mode in certain video games where players can freely roam an empty map that they can mess around in. Topics referred to by
310-401: Is different from Wikidata All article disambiguation pages All disambiguation pages Free play (Derrida) [U]p until the event which I wish to mark out and define, structure—or rather the structurality of structure—although it has always been involved, has always been neutralized or reduced, and this by a process of giving it a center or referring it to a point of presence,
341-539: Is often influenced by literary theory , which is the philosophical analysis of literature's goals and methods. Although the two activities are closely related, literary critics are not always, and have not always been, theorists. Whether or not literary criticism should be considered a separate field of inquiry from literary theory is a matter of some controversy. For example, The Johns Hopkins Guide to Literary Theory and Criticism draws no distinction between literary theory and literary criticism, and almost always uses
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#1733094230808372-561: The London Review of Books , the Dublin Review of Books , The Nation , Bookforum , and The New Yorker . Literary criticism is thought to have existed as far back as the classical period. In the 4th century BC Aristotle wrote the Poetics , a typology and description of literary forms with many specific criticisms of contemporary works of art. Poetics developed for the first time
403-476: The Enlightenment period (1700s–1800s), literary criticism became more popular. During this time literacy rates started to rise in the public; no longer was reading exclusive for the wealthy or scholarly. With the rise of the literate public, the swiftness of printing and commercialization of literature, criticism arose too. Reading was no longer viewed solely as educational or as a sacred source of religion; it
434-738: The New Critics , also remain active. Disagreements over the goals and methods of literary criticism, which characterized both sides taken by critics during the "rise" of theory, have declined. Some critics work largely with theoretical texts, while others read traditional literature; interest in the literary canon is still great, but many critics are also interested in nontraditional texts and women's literature , as elaborated on by certain academic journals such as Contemporary Women's Writing , while some critics influenced by cultural studies read popular texts like comic books or pulp / genre fiction . Ecocritics have drawn connections between literature and
465-494: The Renaissance developed classical ideas of unity of form and content into literary neoclassicism , proclaiming literature as central to culture, entrusting the poet and the author with preservation of a long literary tradition. The birth of Renaissance criticism was in 1498, with the recovery of classic texts, most notably, Giorgio Valla 's Latin translation of Aristotle 's Poetics . The work of Aristotle, especially Poetics ,
496-462: The history of the book is a field of interdisciplinary inquiry drawing on the methods of bibliography , cultural history , history of literature , and media theory . Principally concerned with the production, circulation, and reception of texts and their material forms, book history seeks to connect forms of textuality with their material aspects. Among the issues within the history of literature with which book history can be seen to intersect are:
527-495: The Freeplay of its elements inside the total form. And even today the notion of a structure lacking any center represents the unthinkable itself. — "Structure, Sign and Play" in Writing and Difference , p. 278 Besides the tension of Freeplay with history, there is also the tension of Freeplay with presence. Freeplay is the disruption of presence. The presence of an element is always a signifying and substitutive reference inscribed in
558-544: The Yahoos". The British Romantic movement of the early nineteenth century introduced new aesthetic ideas to literary studies, including the idea that the object of literature need not always be beautiful, noble, or perfect, but that literature itself could elevate a common subject to the level of the sublime . German Romanticism , which followed closely after the late development of German classicism , emphasized an aesthetic of fragmentation that can appear startlingly modern to
589-514: The author's psychology or biography, which became almost taboo subjects) or reader response : together known as Wimsatt and Beardsley's intentional fallacy and affective fallacy . This emphasis on form and precise attention to "the words themselves" has persisted, after the decline of these critical doctrines themselves. In 1957 Northrop Frye published the influential Anatomy of Criticism . In his works Frye noted that some critics tend to embrace an ideology, and to judge literary pieces on
620-516: The basis of their adherence to such ideology. This has been a highly influential viewpoint among modern conservative thinkers. E. Michael Jones, for example, argues in his Degenerate Moderns that Stanley Fish was influenced by his own adulterous affairs to reject classic literature that condemned adultery. Jürgen Habermas , in Erkenntnis und Interesse [1968] ( Knowledge and Human Interests ), described literary critical theory in literary studies as
651-455: The concepts of mimesis and catharsis , which are still crucial in literary studies. Plato 's attacks on poetry as imitative, secondary, and false were formative as well. The Sanskrit Natya Shastra includes literary criticism on ancient Indian literature and Sanskrit drama. Later classical and medieval criticism often focused on religious texts, and the several long religious traditions of hermeneutics and textual exegesis have had
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#1733094230808682-399: The natural sciences. Darwinian literary studies studies literature in the context of evolutionary influences on human nature. And postcritique has sought to develop new ways of reading and responding to literary texts that go beyond the interpretive methods of critique . Many literary critics also work in film criticism or media studies . Related to other forms of literary criticism,
713-630: The new direction taken in the early twentieth century. Early in the century the school of criticism known as Russian Formalism , and slightly later the New Criticism in Britain and in the United States, came to dominate the study and discussion of literature in the English-speaking world. Both schools emphasized the close reading of texts, elevating it far above generalizing discussion and speculation about either authorial intention (to say nothing of
744-494: The publication of Emanuele Tesauro 's Il Cannocchiale aristotelico (The Aristotelian Telescope) in 1654. This seminal treatise – inspired by Giambattista Marino 's epic Adone and the work of the Spanish Jesuit philosopher Baltasar Gracián – developed a theory of metaphor as a universal language of images and as a supreme intellectual act, at once an artifice and an epistemologically privileged mode of access to truth. In
775-447: The reader of English literature, and valued Witz – that is, "wit" or "humor" of a certain sort – more highly than the serious Anglophone Romanticism. The late nineteenth century brought renown to authors known more for their literary criticism than for their own literary work, such as Matthew Arnold . However important all of these aesthetic movements were as antecedents, current ideas about literary criticism derive almost entirely from
806-415: The same term [REDACTED] This disambiguation page lists articles associated with the title Free Play . If an internal link led you here, you may wish to change the link to point directly to the intended article. Retrieved from " https://en.wikipedia.org/w/index.php?title=Free_Play&oldid=1206409597 " Category : Disambiguation pages Hidden categories: Short description
837-606: The terms together to describe the same concept. Some critics consider literary criticism a practical application of literary theory, because criticism always deals directly with particular literary works, while theory may be more general or abstract. Literary criticism is often published in essay or book form. Academic literary critics teach in literature departments and publish in academic journals , and more popular critics publish their reviews in broadly circulating periodicals such as The Times Literary Supplement , The New York Times Book Review , The New York Review of Books ,
868-408: Was a form of entertainment. Literary criticism was influenced by the values and stylistic writing, including clear, bold, precise writing and the more controversial criteria of the author's religious beliefs. These critical reviews were published in many magazines, newspapers, and journals. The commercialization of literature and its mass production had its downside. The emergent literary market, which
899-601: Was expected to educate the public and keep them away from superstition and prejudice, increasingly diverged from the idealistic control of the Enlightenment theoreticians so that the business of Enlightenment became a business with the Enlightenment. This development – particularly of emergence of entertainment literature – was addressed through an intensification of criticism. Many works of Jonathan Swift , for instance, were criticized including his book Gulliver's Travels , which one critic described as "the detestable story of
930-536: Was the most important influence upon literary criticism until the late eighteenth century. Lodovico Castelvetro was one of the most influential Renaissance critics who wrote commentaries on Aristotle's Poetics in 1570. The seventeenth-century witnessed the first full-fledged crisis in modernity of the core critical-aesthetic principles inherited from classical antiquity , such as proportion, harmony, unity, decorum , that had long governed, guaranteed, and stabilized Western thinking about artworks. Although Classicism
961-552: Was very far from spent as a cultural force, it was to be gradually challenged by a rival movement, namely Baroque, that favoured the transgressive and the extreme, without laying claim to the unity, harmony, or decorum that supposedly distinguished both nature and its greatest imitator, namely ancient art. The key concepts of the Baroque aesthetic, such as " conceit ' ( concetto ), " wit " ( acutezza , ingegno ), and " wonder " ( meraviglia ), were not fully developed in literary theory until