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135-416: The original meaning of "final girl", as described by Clover in 1987, is quite narrow. Clover studied slasher films from the 1970s and 1980s (which is considered the golden age of the genre) and defined the final girl as a woman who is the sole survivor of the group of people (usually youths) who are chased by a villain, and who gets a final confrontation with the villain (whether she kills him herself or she

270-516: A 2006 documentary, the movie "became the flashpoint, igniting protests across the nation". Protesters picketed theaters playing the film with placards reading, "Deck the hall with holly – not bodies!" Released in November 1984 by TriStar Pictures , persistent carol -singers forced one Bronx cinema to pull Silent Night, Deadly Night a week into its run. The widespread outrage led to the film's removal, with only 741,500 tickets sold. As interest in

405-534: A brief period. Jamie Lee Curtis , daughter of Janet Leigh , was cast as the heroine Laurie Strode while veteran actor Donald Pleasence was cast as Dr. Sam Loomis , an homage to John Gavin 's character in Psycho . Halloween 's opening tracks a six-year-old's point-of-view as he kills his older sister, a scene emulated in numerous films such as Blow Out (1981) and The Funhouse (1981). Carpenter and Hill deny writing sexually active teens to be victims in favor of

540-489: A budget of just $ 1.8 million, the film was a commercial success, grossing more than $ 25.5 million (7.6 million admissions) in North America and launched one of the most successful film series in history. A Nightmare on Elm Street provided the success that New Line Cinema needed to become a major Hollywood company. To this day, New Line is referred to as "The House That Freddy Built". The final slasher film released during

675-416: A chainsaw for heroic purposes. ( The previous film also contained a chainsaw, but it was ultimately not used for violence). In one of the film's sequences, protagonist Ash Williams attaches a chainsaw to his stump to replace a severed hand (which he had removed with the same chainsaw), marking a point where the protagonist quits running from the demon and chooses to fight. The chainsaw hand had appearances in

810-429: A chainsaw in a film, though chainsaws have been used against him in some films. The band Arrogant Worms has a song called "Malcolm", in which the title character "solves his problems with a chainsaw and he never has the same problem twice". The Portland Timbers soccer team's mascot, Timber Joey, cuts off a slab of wood from the team's victory log using a chainsaw after each Timbers home goal. The players who scored

945-504: A device used in subsequent films Prom Night (1980) and Graduation Day (1981). Early examples include a maniac seeking revenge in The Terror (1928), based on the play by Edgar Wallace . B-movie mogul Val Lewton produced The Leopard Man (1943), about a murderer framing his crimes against women on an escaped show leopard . Basil Rathbone 's The Scarlet Claw (1944) sees Sherlock Holmes investigate murders committed with

1080-415: A family death but are murdered one by one. William Castle 's Homicidal (1961) features gore in its murder scenes, something both Psycho and Peeping Tom had edited out. Richard Hillard's Violent Midnight (1963) showed a black-gloved killer's point of view as they pull down a branch to watch a victim and also featured a skinny-dipping scene. Crown International 's Terrified (1963) features

1215-414: A few years earlier, had been very profitable. Many 1984 slasher films with brief theatrical runs found varying degrees of success on home video, such as Splatter University , Satan's Blade , Blood Theatre , Rocktober Blood and Fatal Games . Movies like The Prey and Evil Judgement were filmed years prior and finally were given small theatrical releases. Silent Madness used 3D to ride

1350-583: A five-pronged garden weeder that the killer would raise in the air and bring down on the victim repeatedly, an editing technique that became familiar in the genre. Robert Siodmak 's The Spiral Staircase (1946), based on Ethel White 's novel Some Must Watch , stars Ethel Barrymore as a sympathetic woman trying to survive black-gloved killers. The Spiral Staircase also features an early use of jump scares . British writer Agatha Christie 's particularly influential 1939 novel Ten Little Indians (adapted in 1945 as And Then There Were None ), centers on

1485-594: A group of people with secret pasts who are killed one-by-one on an isolated island. Each of the murders mirrors a verse from a nursery rhyme , merging the themes of childhood innocence and vengeful murder. House of Wax (1953), The Bad Seed (1956), Screaming Mimi (1958), Jack the Ripper (1959), and Cover Girl Killer (1959) all incorporated Christie's literary themes. Alfred Hitchcock 's Psycho (1960) used visuals that had been deemed unacceptable by movie studios, including scenes of violence, sexuality, and

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1620-530: A healthy 6.2 million. Both series fell out rather quickly, when Child's Play 3 (1991) selling only 3.5 million tickets in North America and Candyman: Farewell to the Flesh (1995) selling only 3.2 million. Chainsaws in popular culture Chainsaws , which are commonly used tools in logging and woodworking, are also a common sight in popular culture. Chainsaws have appeared in countless films being used for their intended purpose, but this rarely, if ever,

1755-664: A home on VHS. Paul Lynch 's Humongous was released through AVCO Embassy Pictures , but a change in management severely limited the film's theatrical release. Films such as Hospital Massacre and Night Warning enjoyed strong home rentals from video stores, though Dark Sanity , The Forest , Unhinged , Trick or Treats , and Island of Blood fell into obscurity with little theatrical releases and only sub-par video transfers. Supernatural slasher films continued to build in popularity with The Slayer , The Incubus , Blood Song , Don't Go to Sleep and Superstition (the supernatural-themed Halloween III: Season of

1890-471: A live-show death when a talk-show host mocked her. She is not a heroine but a dark reflection of the atrocities Art the Clown committed, fit for ridicule and loathing." John Squires of Bloody Disgusting described Happy Death Day ' s Tree Gelbman as a modern example of the trope and contrasts her to Friday the 13th ' s Alice Hardy . The character Maxine Minx (from X films), manages to escape

2025-861: A masked killer. Spain's The House That Screamed (1969) features violent murders and preempted later campus-based slashers. Subgenres that influenced slasher films include splatter films , Krimi films, and giallo films. Splatter films focus on gratuitous gore. Herschell Gordon Lewis 's Blood Feast (1963) was a hit at drive-in theaters and is often considered the first splatter film. Lewis followed with gory films Two-Thousand Maniacs! (1964), Color Me Blood Red (1965), The Gruesome Twosome (1967) and The Wizard of Gore (1970). This grotesque style translated to Andy Milligan 's The Ghastly Ones (1969), Twisted Nerve (1968), Night After Night After Night (1969) as well as The Haunted House of Horror (1969). Post-World War II Germany adapted British writer Edgar Wallace 's crime novels into

2160-418: A metaphor for Mia overcoming her drug addiction and gaining control. She faces her inner demon both literally and figuratively and conquers it. Heyes from the 2016 slasher film Terrifier has been observed by some critics to be a darker depiction of the "final girl" archetype. Having been driven insane by the events in the film, Heyes becomes a killer herself. An analysis by Brendan D. describes Victoria as

2295-475: A movie on home video, resulting in shot-on-video slashers Blood Cult (1985), The Ripper (1985), Spine (1986), Truth or Dare? (1986), Killer Workout (1987), and Death Spa (1989). Lesser-known horror properties Sleepaway Camp , The Slumber Party Massacre and Silent Night, Deadly Night became series on home video. The Hills Have Eyes Part 2 (1985) and Friday the 13th: A New Beginning (1985) were theatrically released but neither film

2430-402: A much healthier life on home video. The Dorm That Dripped Blood and Honeymoon Horror , each made for between $ 50–90,000, became successful in the early days of VHS . Because of this change, independent productions began having difficulties finding theatrical distribution. Girls Nite Out had a very limited release in 1982 but was re-released in 1983 in more theaters until finally finding

2565-462: A new bar for acceptable levels of on-screen violence. The criticisms that began with Friday the 13th would lead to the genre's eventual decline in subsequent years. The small-budget thrillers Silent Scream and Prom Night were box office hits with 3.2 and 5.5 million admissions, respectively. Jamie Lee Curtis starred in the independent Prom Night , as well studio films Terror Train and The Fog to earn her "scream queen" title. MGM 's

2700-467: A nursing academy. Hands of the Ripper (1971) depicts the psychological trauma suffered by Jack the Ripper 's daughter, who continues the murderous reign of her father. Fright (1971) is based on the " babysitter and the man upstairs " urban legend while Tower of Evil (1972) features careless partying teens murdered in a remote island lighthouse. Pete Walker broke taboos by advertising his films' negative reviews to attract viewers looking for

2835-439: A purely innocent or virginal character. Instead, she is a "flawed and complex individual who is ultimately able to use her past trauma and inner strength to overcome the killers". Sienna is the main protagonist of the 2022 slasher film Terrifier 2 . Her character was designed to be the good equivalent to the evil of Art the Clown , even down to the design of her later costume; a Valkyrie-style angel warrior. Unlike Vicky, Sienna

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2970-445: A recurring theme in later horror films. Along with the "madman on the loose" plotline, these films employed several influences upon the slasher genre, such as lengthy point of view shots and a "sins of the father" catalyst to propel the plot's mayhem. George Archainbaud 's Thirteen Women (1932) tells the story of a sorority whose former members are set against one another by a vengeful peer who crosses out their yearbook photos,

3105-412: A reflection of Art—"Our most recent final girl is Victoria from Terrifier , and what makes her so unique is her post-final girl status. Most final girls appear in the sequel or following situation as a capable guide for the next group of cannon fodder to demonstrate the villain's return. Instead, the trauma corrupts Victoria; she becomes monstrous like Art, with a disfigured appearance; and the brutality of

3240-497: A saturation point in 1981, as heavily promoted movies like My Bloody Valentine and The Burning were box office failures. After the success of Friday the 13th , Paramount Pictures picked up My Bloody Valentine with hopes to achieve similar success. The film became the subject of intense scrutiny in the wake of John Lennon's murder , and was released heavily edited; lacking the draw of gore, My Bloody Valentine barely sold 2 million tickets in North America, much less than

3375-620: A scene was included depicting immortal spirit John McKenna (played by Chuck Norris ) stopping a logger's chainsaw with his bare hand. The scene became memetic after being posted on the Internet, with a clip of the scene gaining over 5 million views on YouTube . In the Sharknado franchise , the protagonist is Fin Shepard who fight sharks in tornadoes with a chainsaw to protect his family. Due to television's higher level of censorship, chainsaw violence

3510-909: A series. Three other spoofs , Evil Laugh (1986), The Texas Chainsaw Massacre 2 (1986) and Friday the 13th Part VI: Jason Lives (1986), were box office disappointments; Texas Chainsaw Massacre 2 sold just 2 million tickets while Jason Lives sold 5.2 million, both significantly down from their predecessors. The home video market saw the output of low-budget, tongue-in-cheek slashers like Stripped to Kill (1987), Return to Horror High (1987), and Killer Workout (1987), and previous franchises foregoing theaters for direct-to-video self-parody sequels in Hello Mary Lou: Prom Night II (1987), Silent Night, Deadly Night Part 2 (1987), Slumber Party Massacre II (1987), Sleepaway Camp II: Unhappy Campers (1988), and Sleepaway Camp III: Teenage Wasteland (1989). Trying to cater

3645-588: A shapeless lumberjack shirt, the sequel's conventionally attractive lead is established immediately as combining masculine traits with feminine attributes. Ginny exits a battered VW bug in a flowing fuchsia skirt and a low-cut t-shirt." Ginny's adoption of the monster's own strategy, in Part II , brings into question whether the final girl image is in fact a wholly positive one. The character Nancy Thompson (from A Nightmare on Elm Street and A Nightmare on Elm Street 3: Dream Warriors ) has often been regarded as one of

3780-544: A similar route with a cameo in Maniac Cop 2 (1990) and no participation in Maniac Cop III: Badge of Silence (1993). The Nightmare on Elm Street series dominated the late 1980s horror wave, with A Nightmare on Elm Street 3: Dream Warriors (1987) selling 11.5 million tickets in North America, and A Nightmare on Elm Street 4: The Dream Master (1988) following another 12 million tickets. By comparison, Friday

3915-905: A subgenre of their own called Krimi films. The Krimi films were released in the late 1950s through the early 1970s and featured villains in bold costumes accompanied by jazz scores from composers such as Martin Böttcher and Peter Thomas . Fellowship of the Frog (1959), about a murderer terrorizing London, was successful in America, leading to similar adaptations like The Green Archer (1961) and Dead Eyes of London (1961). The Rialto Studio produced 32 Krimi films between 1959 and 1970. Italy's giallo thrillers are crime procedurals or murder mysteries interlaced with eroticism and psychological horror. Giallo films feature unidentified killers murdering in grand fashions. Unlike most American slasher films

4050-694: A surprising 3.9 million admissions, making a hit erotic slasher-thriller that predates blockbusters Fatal Attraction (1987) and Basic Instinct (1992) by several years. Internationally, Australia released Next of Kin while Puerto Rico's Pieces was filmed in Boston and Madrid by an Italian-American producer with a Spanish director. Italian gialli saw slasher film influences in their releases for Sergio Martino 's The Scorpion with Two Tails , Lucio Fulci 's The New York Ripper and Dario Argento 's Tenebrae . Traditional slasher films saw less frequent output. The House on Sorority Row followed

4185-401: A video game was the 1983 Texas Chainsaw Massacre Atari game . This game, with antagonist Leatherface chasing down victims on a highway for points, though, had low sales and limited exposure due to many stores refusing to sell it. Chainsaws were used as weapons in the 1970s and 1980s horror film-inspired cult Splatterhouse game series, and used by enemies in some "beat 'em ups" (such as

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4320-452: A violent exploitation film, with Gene Siskel and Roger Ebert famously despising the film. Siskel, in his Chicago Tribune review, revealed the identity and fate of the film's killer in an attempt to hurt its box office, and provided the address of the chairman of Paramount Pictures for viewers to complain. The MPAA was criticized for allowing Friday the 13th an R rating, but its violence would inspire gorier films to follow, as it set

4455-527: A virginal " final girl " survivor, though subsequent filmmakers copied what appeared to be a "sex-equals-death" mantra. When shown an early cut of Halloween without a musical score, all major American studios declined to distribute it, one executive even remarking that it was not scary. Carpenter added music himself, and the film was distributed locally in four Kansas City theaters through Akkad's Compass International Pictures in October 1978. Word-of-mouth made

4590-416: A wave of "dream" slashers that included Dreamaniac (1986), Bad Dreams (1988), Deadly Dreams (1988), and Dream Demon (1988). Of those films, Bad Dreams was a minor hit with 2.4 million admissions. Paramount Pictures released the parody April Fool's Day (1986) with hopes to start a sister series to its Friday the 13th property, though the film's modest 3.5 million admissions never led to

4725-589: A wave of protest from the National Organization for Women (NOW), who picketed the film's screening on the University of Iowa campus. The year's most controversial slasher was William Lustig 's Maniac , about a schizophrenic serial killer in New York. Maniac was maligned by critics. Vincent Canby of The New York Times said that watching the film was like "watching someone else throw up." Lustig released

4860-427: Is a whodunit featuring a subplot depicting creative death sequences on a secluded lakeside setting, which greatly inspired Friday the 13th (1980), its 1981 sequel and subsequent slashers. Sergio Martino 's Torso (1973) featured a masked killer preying upon beautiful and promiscuous young women in retribution for a past misdeed. Torso 's edge-of-your-seat climax finds a sensible "final girl" facing off with

4995-513: Is a well-developed character who refuses to back down against a series of more or less lethal male antagonists. Sally Hardesty from The Texas Chainsaw Massacre (1974), created by Tobe Hooper and portrayed by Marilyn Burns , has been regarded as one of the earliest examples of the final girl trope. According to Clover, Laurie Strode (from Halloween , Halloween II , Halloween H20: 20 Years Later , Halloween Resurrection , Halloween (2018) , Halloween Kills and Halloween Ends )

5130-520: Is an example of a female survivor and not a final girl, due to her lack of moral purity, who is saved by a male (Sam Loomis, not to be confused with the Halloween character of the same name) at the film's ending. Laurie Strode from Halloween (1978) is a final girl, but one that is saved by someone else (also named Sam Loomis ). On this basis, Tony Williams argues that, while 1980s horror film heroines were more progressive than those of earlier decades,

5265-448: Is another example of a final girl. Tony Williams notes that Clover's image of supposedly progressive final girls are never entirely victorious at the culmination of a film nor do they manage to eschew the male order of things as Clover argues. He holds up Strode as an example of this. She is rescued by a male character, Dr. Samuel Loomis , in the ending of Halloween . Before the release of Alien 3 , Clover identified Ellen Ripley from

5400-452: Is braver and more heroic and she actively poses a threat to Art, so far being the only person in the franchise to kill him. In the 2024 sequel Terrifier 3 Sienna reprises her role as the main protagonist and once again takes him on solo. Slasher film A slasher film is a subgenre of horror films involving a killer or a group of killers stalking and murdering a group of people, usually by use of bladed or sharp tools. Although

5535-482: Is characterized by (in Clover's words) "smartness, gravity, competence in mechanical and other practical matters, and sexual reluctance" being a ship's mechanic who rejects the sexual advances made by male characters on the ship. However, Ezra notes that Call fits the description imperfectly as she is a gynoid , not a human being. Christine Cornea disputes the idea that Ripley is a final girl, contrasting Clover's analysis of

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5670-500: Is discussed in film studies as being a young woman (occasionally a young man) left alone to face the killer's advances in the movie's end. Laurie Strode ( Jamie Lee Curtis ), the heroine in Halloween , is an example of a typical final girl. Final girls are often, like Laurie Strode, virgins among sexually active teens. Others have called the trope "self-mythologising" based on a handful of especially high-profile examples, asserting that its prominence has been overstated – particularly

5805-513: Is envisioned and embedded into the public psyche as the main and most marketable/recognisable character, even if his screentime is dwarfed in any specific film by the nominal protagonists. The Scream film series is a rarity that follows its heroine Sidney Prescott ( Neve Campbell ) rather than masked killer Ghostface , whose identity changes from film to film, and is only revealed in each entry's finale. Another alleged trope frequently associated with slasher discourse - and horror more broadly -

5940-418: Is given a prominent role in the plot. More prominent, however, is portrayals of chainsaws as improvised weapons or torture devices. Despite chainsaws having been around since the 1930s, they were not seen being used as a weapon in film until the 1960s, possibly due to Hays Code censorship restrictions on portrayals of graphic violence. Among the earliest films to portray chainsaws as weapons are Dark of

6075-659: Is no foregrounding in Alien , as there is in the slasher film genre, of the character's sexual purity and abstinence relative to the other characters (who would be, in accordance with the final girl convention, killed by the film's monster "because" of this). The science fiction genre that Alien inhabits, according to Cornea, simply lacks this kind of sexual theme in the first place, as it has no place in such "traditional" science fiction formats. Additionally, professor Brenda M. Boyle argues that in Alien Resurrection , Ripley has crossed

6210-517: Is often drawn upon in cartoons, comedy series, and comedy films. It has appeared occasionally as part of the post- Scream wave of self-referential horror, for instance David Arquette 's The Tripper . A stereotype of comedic chainsaw portrayal is a chainsaw-wielding lunatic in a hockey mask (seen for example in the Simpsons episode " Cape Feare "). Horror cinema's archetypal hockey-mask killer Jason Voorhees has never actually been portrayed wielding

6345-496: Is or might be still alive, leaving viewers uncertain about the future of the final girl (a notable example being Jess Bradford in 1974's Black Christmas ). The viewers wait for a send-off or sequel bait, and are felt that they are left with an apparent victory. Tony Williams also gives several examples of final girls in the heroines of the Friday the 13th series, such as Chris Higgins from Part III . He notes that she does not conclude

6480-446: Is rare and usually only described with both the attack and the damaged body left unseen. An example of this is an episode (" Born Again ") of The X-Files revolving around the ghost of a police officer dismembered with a chainsaw by corrupt colleagues; all flashbacks skip over the actual murder. One notable exception is the series Dexter in which chainsaw attacks are occasionally seen, most notably in dreams and flashbacks regarding

6615-466: Is referred to in interviews with Brian De Palma as having been the inspiration for the chainsaw scene in Scarface . The real case, which De Palma apparently saw crime-scene photos of while researching the film, involved multiple victims and bodies stuffed into metal drums. De Palma described the murder as part of his appeal that Scarface should be passed with an R certificate on the basis that graphic content

6750-412: Is saved at the last minute by someone else, such as a police officer), and who has such a "privilege" because of her implied moral superiority (for example, she is the only one who refuses sex, drugs, or other such behaviors, unlike her friends). A common plot line in many horror films is one in which several victims are killed one-by-one by a killer amid increasing terror, culminating in a climax in which

6885-669: Is that of the "black character(s) dying first" (often formulated as " always dying first"). Actual analyses of the films, such as a 2013 investigative piece in Complex , have found that the trope is largely self-mythologising as opposed to being a statistical reality (per Complex, in only 10% of the fifty analysed movies, all containing one or more speaking black characters, did any of them die first). The appeal of watching people inflict violence upon each other dates back thousands of years to Ancient Rome , though fictionalized accounts became marketable with late 19th century horror plays produced at

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7020-429: Is visually and thematically a precursor to John Carpenter 's Halloween (1978), as young women are terrorized in a previously safe environment during an iconic holiday. Like Halloween , Clark's film opens with a lengthy point-of-view , but it differs in the treatment of the killer's identity. Despite making $ 4,053,000 on a $ 620,000 budget, Black Christmas was initially criticized, with Variety complaining that it

7155-456: The Alien franchise as a final girl. Elizabeth Ezra continues this analysis for Alien Resurrection , arguing that by definition both Ripley and Annalee Call must be final girls, and that Call is the "next generation of Clover's Final Girl". In Ezra's view, Call exhibits traits that fit Clover's definition of a final girl, namely that she is boyish, having a short masculine-style haircut, and that she

7290-577: The Grand Theft Auto series (starting with the Scarface -inspired GTA: Vice City ), 50 Cent: Bulletproof , Saints Row 2 , and Scarface: The World Is Yours . Chainsaw-inspired weapons have also made appearances in sci-fi war games. Some examples include the chainsaw bayonets in the Gears of War series, the "Ripper" chainsaw-knife of the Fallout series , and the "chainswords" seen in games based on

7425-624: The Scream films) is recognized as "one of the most seminal character arcs in horror movie history". Often cited as a foil to protagonist Sidney Prescott, her character development over the course of the series has led many critics to acknowledge her as a prominent final girl as well. In the Kevin Williamson 1997 slasher film based on Lois Duncan ’s 1973 novel , I Know What You Did Last Summer , Julie James (played by Jennifer Love Hewitt ) and her boyfriend Ray Bronson ( Freddie Prinze Jr. ) are

7560-504: The Warhammer 40,000 franchise. Chainsaw-based weaponry can be seen in the popular Facebook game Battle Stations , where it exists as a large-scale, ship-mounted melee weapon. In Lollipop Chainsaw , the heroine Juliet Starling uses a chainsaw as a primary weapon of the game. The character Dorothy in Stella Glow uses a chainsaw as one of her primary weapons. In Shadow Warrior 2 ,

7695-615: The 1937 British film ) and Peter Cushing starred in Corruption (1968). Hammer Studios , a London-based company, followed Psycho 's success with Taste of Fear (1961), Maniac (1963), Paranoiac (1963), Nightmare (1964), Fanatic (1965), The Nanny (1965), and Hysteria (1965). Hammer's rival Amicus had Robert Bloch , author of 1959 Psycho novel , write the script for Psychopath (1968). Francis Ford Coppola 's debut, Dementia 13 (1963), takes place in an Irish castle where relatives gather to commemorate

7830-543: The AIDS crisis , the film's portrayal of the gay community fueled subsequent backlash once the virus became an epidemic. Low budget exploitative films New Year's Evil , Don't Go in the House and Don't Answer the Phone! were called-out for misogyny that dwelled on the suffering of females exclusively. Acclaimed filmmaker Brian De Palma 's Psycho -homage Dressed to Kill drew

7965-720: The Grand Guignol . Maurice Tourneur 's The Lunatics (1912) used visceral violence to attract the Guignol's audience. In the United States, public outcry over films like this eventually led to the passage of the Hays Code in 1930. The Hays Code is one of the entertainment industry's earliest set of guidelines restricting sexuality and violence deemed unacceptable. Crime writer Mary Roberts Rinehart influenced horror literature with her novel The Circular Staircase (1908), adapted into

8100-432: The Halloween -clone He Knows You're Alone sold nearly 2 million tickets, though Paramount Pictures John Huston -directed Phobia only sold an estimated 22,000 tickets. Two high-profile slasher-thrillers were met with protest, William Friedkin 's Cruising and Gordon Willis ' Windows , both of which equate homosexuality with psychosis . Cruising drew protests from gay rights groups, and though it pre-dates

8235-783: The Robocop arcade game ). The Doom franchise features a chainsaw as one of the Doomguy 's recurring weapons. Some horror games in which chainsaws are used as weapons include the Resident Evil series, Dead Rising , Dead Rising 2 , the Silent Hill series, Manhunt , Dead Space , Left 4 Dead 2 , MadWorld , No More Room in Hell , and the Evil Dead spin-off games. Chainsaws also appear in organized crime-themed video games. These include

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8370-631: The Son of Sam slayings, cashed-in on headlines and public fascination. Wes Craven modernized the Sawney Bean legend in The Hills Have Eyes (1977) by building upon themes presented in The Texas Chain Saw Massacre . The Hills Have Eyes was another huge financial success, relaunching Craven's career after it had been damaged by controversy surrounding his previous film, The Last House on

8505-560: The counter-culture and traditional conservative values, with the film's squealing antagonist Leatherface carrying a chainsaw and wearing the faces of victims he and his family eat. The Texas Chain Saw Massacre spawned imitators and its false "based on a true story" advertisements gave way to reenactments of true crime . The Town That Dreaded Sundown (1976), based on the Phantom Killer case, and Another Son of Sam (1977), based on

8640-563: The drive-in success of The Texas Chain Saw Massacre (1974), The Toolbox Murders was quickly and cheaply shot but did not generate the interest of the former films. Exploitative Killer's Delight is a San Francisco-set serial killer story claiming to take inspiration from Ted Bundy and the Zodiac Killer . Leading up to Halloween 's October release were August's gialli -inspired Eyes of Laura Mars (written by John Carpenter) and September's " babysitter in peril " TV Movie Are You in

8775-427: The protagonist's mother's death. This is due to the larger amount of content freedom given to programs created for pay television, of which the series is one. Dexter Morgan also uses a chainsaw at some points. Chainsaws have made appearances in cartoon series, usually as a source of comedy. These have ranged from more young-adult audience fare ( The Simpsons , Family Guy ) to even children's series, for instance

8910-403: The telekinesis -themed slasher Tourist Trap was initially unsuccessful, it has undergone a reappraisal by fans. 1979's most successful slasher was Fred Walton 's When a Stranger Calls , which sold 8.5 million tickets in North America. Its success has largely been credited to its opening scene, in which a babysitter ( Carol Kane ) is taunted by a caller who repeatedly asks, "Have you checked

9045-444: The "Golden Age" of slasher films. Notable slasher films include The Texas Chain Saw Massacre (1974), Black Christmas (1974), Halloween (1978), Friday the 13th (1980), A Nightmare on Elm Street (1984), Child's Play (1988), Scream (1996), and I Know What You Did Last Summer (1997). Many slasher films released decades ago continue to attract cult followings . The slasher canon can be divided into three eras:

9180-452: The "final girl" trope occurs in Silent Night, Bloody Night (1972), whose main protagonist and narrator Diane Adams, portrayed by Mary Woronov , has been cited by multiple commentators as displaying the characteristics of a "final girl," with Rosie Knight of WomenWriteAboutComics even positing that she is arguably the first example of this character type. Conversely, in her own review of

9315-453: The 13th Part 2 ) has often been viewed as an example of the trope. In The Dread of Difference: Gender and the Horror Film , Barry Keith Grant stated that, "Ginny temporarily adopts Mrs. Voorhees's authoritarian role to survive. Although circumstances necessitate this, she clearly uses her enemy's strategy to become a phallic mother herself. This posture really questions the positive image of

9450-457: The 13th Part III , the first slasher trilogy, was an enormous success, selling 12 million tickets and dethroning E.T.: The Extra Terrestrial from the top of the box office. The film's iconic hockey mask has grown to pop-culture iconography . Universal Pictures had a tiny release for Death Valley , while Columbia Pictures found modest success with Silent Rage . Independent distributor Embassy Pictures released The Seduction to

9585-639: The 13th Part VII: The New Blood (1988) and Halloween 4: The Return of Michael Myers (1988) sold approximately 4.5 million tickets each, less than half of the Elm Street films. The personality-driven appeal of Freddy Krueger was not lost on filmmakers, as characters like Chucky and Candyman were given ample dialogue and placed in urban settings that had largely been ignored by the Golden Age. Chucky's Child's Play (1988) and its 1990 sequel sold over 14.7 million tickets combined, while Candyman (1992) sold

9720-404: The 15 million sold by Friday the 13th the year beforehand. Thematically similar to My Bloody Valentine , The Prowler hoped to lure an audience with gore effects by Friday the 13th 's Tom Savini but large MPAA edits contributed to its failure to find a nationwide distributor. Suffering similar censorship was The Burning , which also employed Savini's special effects, though it does mark

9855-514: The 1980s) is "death by sex", where sex scenes are shortly followed by violence, with the participants being murdered in gruesome ways. More recent horror movies challenge more of these tropes. Buffy Summers in Buffy the Vampire Slayer , in the words of Jes Battis, "subverts" the final girl trope of B-grade horror films. Jason Middleton observes that although Buffy fulfills the monster-killing role of

9990-628: The Black Cat (1972) paying homage to Hitchcock's film. Gialli were popular in American cinemas and drive-in theaters . Thriller Assault (1971) and Spanish mystery A Dragonfly for Each Corpse (1974) share many traits with Italian gialli . Death Steps in the Dark (1977) spoofed the familiar conventions found in giallo films. Despite successes from Deep Red (1975) and The Blood-Stained Shadow (1978), giallo films gradually fell out of fashion by

10125-573: The Final Girl." He then called her "not victorious" when she called out for her boyfriend at the end of the film saying that it was done in a "non-independent manner". John Kenneth Muir references Ginny in Horror Films of the 1980s, Volume 1 , saying "Amy Steel is introduced as Ginny, our final girl and heroine, and the only person who seems to have an inkling of the nearby danger. She's more resourceful than Alice and nearly upstages even Laurie Strode during

10260-585: The Golden Age of slasher films is 1978–1984, with some scholars citing over 100 similar films released over the six-year period. Despite most films receiving negative reviews, many Golden Age slasher films were extremely profitable and have established cult followings . Many films reused Halloween 's template of a murderous figure stalking teens, though they escalated the gore and nudity from Carpenter's restrained film. Golden Age slasher films exploited dangers lurking in American institutions such as high schools, colleges, summer camps, and hospitals. Cashing in on

10395-843: The Golden Age slasher waned, Wes Craven 's A Nightmare on Elm Street revitalized the genre by mixing fantasy and the supernatural in a cost-effective way. Craven had toyed with slasher films before in Deadly Blessing (1981), though he was frustrated that the genre he had helped create with The Last House on the Left (1972) and The Hills Have Eyes (1977) had not benefited him financially. Developing A Nightmare on Elm Street since 1981, Craven recognized time running out due to declining revenues from theatrical slasher film releases. A Nightmare on Elm Street and especially its villain Freddy Krueger ( Robert Englund ) became cultural phenomenons. On

10530-417: The Golden Age such as Too Scared to Scream (filmed in 1981, released in 1985), The Mutilator (filmed in 1984, released in 1985), Blood Rage (filmed in 1983, released in 1987), Killer Party (filmed in 1984, released in 1986) and Mountaintop Motel Massacre (filmed in 1983, released in 1986) found video distribution. Mirroring the punk rock movement, novice filmmakers proved anyone could make

10665-432: The Golden Age, The Initiation , was greatly overshadowed by A Nightmare on Elm Street (though both films feature dreams as plot points and a horribly burned "nightmare man"). The success of A Nightmare on Elm Street welcomed in a new wave of horror films that relied on special effects, almost completely silencing the smaller low-budget Golden Age features. Despite A Nightmare on Elm Street 's success, fatigue hit

10800-630: The House Alone? Of them, The Eyes of Laura Mars grossed $ 20 million against a $ 7 million budget. Influenced by the French New Wave 's Eyes Without a Face (1960), science fiction thriller Westworld (1973) and Black Christmas (1974), Halloween was directed, composed and co-written by Carpenter, and produced and co-written by Debra Hill on a budget of $ 300,000 provided by Syrian-American producer Moustapha Akkad . To minimize costs, locations were reduced and time took place over

10935-464: The Left (1972). Following holiday-themed exploitation films Home for the Holidays (1972), All Through the House (1972) and Silent Night, Bloody Night (1973), Christmas horror film Black Christmas (1974) uses horror as a board to debate social topics of its time, including feminism , abortion, and alcoholism. Using the "killer calling from inside the house " gimmick , Black Christmas

11070-469: The Scarecrow brought the genre to the small screen. Two sequels had bigger body counts and more gore than their predecessors, but not higher box office intakes. Friday the 13th Part 2 sold 7.8 million tickets and Halloween II sold 9.2 million. Both sequels sold under half of their original film's tickets, though they were still very popular ( Halloween II was the second highest-grossing horror film of

11205-461: The Sun (1968) and The Wizard of Gore (1970). Wes Craven 's 1972 film The Last House on the Left was referred to as the "original Chainsaw Massacre" in advertising campaigns during later re-releases. In 1974, Tobe Hooper 's The Texas Chain Saw Massacre was released. The film, loosely based on famous murderer Ed Gein (though unlike the killers in the film, Gein did not use chainsaws), etched

11340-718: The Witch , though part of the Halloween franchise , does not adhere to the slasher film formula). Alone in the Dark was New Line Cinema 's first feature film, released to little revenue and initially dismissed by critics, though the film has gained critical reappraisal. Director Amy Holden Jones and writer Rita Mae Brown gender-swapped to showcase exploitative violence against men in The Slumber Party Massacre , while Visiting Hours pitted liberal feminism against macho right-wing bigotry with exploitative results. Friday

11475-405: The beginning of Friday the 13th Part 2 (1981). Derek Soles argues that the tragic destiny of such final girls represents an expression of patriarchal society where capable, independent women must either be contained or destroyed. In more recent films, this has started to change, with the final girl no longer being always doomed, a notable example being the Scream series. According to Clover,

11610-418: The chainsaw into the public mind as an object of gruesome terror. It was followed by a direct sequel , two standalone sequels , and in 2003, a remake , which received its own prequel . Following its release, many horror films, especially low-budget ones, began to incorporate chainsaw gore scenes, a trend that continues to the present day. In 1987, Sam Raimi 's Evil Dead II featured a protagonist using

11745-420: The character with that of Barbara Creed , who presents Ripley as "the reassuring face of womanhood". Cornea does not accept either Clover's or Creed's views on Ripley. While she accepts Clover's general thesis of the final girl convention, she argues that Ripley does not follow the conventions of the slasher film, as Alien follows the different conventions of the science fiction film genre. In particular, there

11880-495: The children?" Less successful were Ray Dennis Steckler 's burlesque slasher The Hollywood Strangler Meets the Skid Row Slasher and Abel Ferrara 's The Driller Killer , both of which featured gratuitous on-screen violence against vagrant people. The election of Ronald Reagan as the 40th president of the United States drew in a new age of conservatism that ushered concern of rising violence on film. The slasher film, at

12015-722: The classical (1974–1993), the self-referential (1994–2000) and the neoslasher cycle (2000–2013). Slasher films typically adhere to a specific formula: a past wrongful action causes severe trauma that is reinforced by a commemoration or anniversary that reactivates or re-inspires the killer. Built around stalk-and-murder sequences, the films draw upon the audience's feelings of catharsis , recreation , and displacement , as related to sexual pleasure. Paste magazine 's definition notes that, "slasher villains are human beings, or were human beings at some point ... Slasher villains are human killers whose actions are objectively evil, because they’re meant to be bound by human morality. That’s part of

12150-402: The depraved, using a "no press is bad press" mantra with The Flesh and Blood Show (1972), Frightmare (1974), House of Mortal Sin (1976), Schizo (1976) and The Comeback (1978). Other filmmakers followed Walker's lead, as posters dubbed Blood and Lace (1971) as "sickest PG-rated movie ever made!", while Scream Bloody Murder (1973) called itself "gore-nography." By 1974

12285-501: The equivalent of the final girl who can die last or survive. From the 2013 horror remake Evil Dead . Mia's whole ordeal is beyond devastating, and the fact that she survives is incredible. She starts off as a troubled addict, goes through withdrawal, literally goes to Hell and back, loses her brother and friends and turns into a tough-as-nails final girl. Also, the fact that the Abomination appears as an evil double of Mia could be seen as

12420-417: The estranged daughter of the late Billy Loomis, Samantha Carpenter (from Scream (2022) ) becomes the new target of the new generation of Ghostface killers. Throughout the film, it is revealed that she has been haunted by her father's past and struggles with the legacy he left behind. Her survival and eventual triumph over the killers further subverts the traditional Final Girl trope, as she is not presented as

12555-435: The exploitation film battled political correctness and their popularity waned, and while films like The Love Butcher (1975) and The Redeemer: Son of Satan (1976) were accused of promoting bigotry, the low-budget independent film The Texas Chain Saw Massacre (1974) became a major hit and the most commercially successful horror film since The Exorcist . The story concerns a violent clash of cultures and ideals between

12690-448: The farm alone where she and her friends have endured horrors under the elderly couple during the night. While the focus of characterization signals her as the primary final-girl candidate early on, her open promiscuity marks a notable departure from the common criteria of the genre. Coinciding with the series’ themes of female sexual empowerment, Maxine’s survival serves as a rebuttal of traditional slasher formulas on sexual autonomy. Being

12825-457: The fear that the genre is meant to prey upon, the idea that killers walk among us." Films with similar structures that have non-human antagonists lacking a conscience, such as Alien or The Terminator , are not traditionally considered slasher films (though many slasher antagonists are superhuman, have supernatural traits, or possess slightly warped or abstract anthropomorphic forms both physically and metaphysically). The final girl trope

12960-559: The feature film debuts of Brad Grey , Holly Hunter , Jason Alexander , Fisher Stevens , Bob Weinstein and Harvey Weinstein . Profits of Halloween and Friday the 13th drew studio interest, to varying success. Warner Bros. 's Eyes of a Stranger (402,386 admissions) and Night School (420,818 admission), Paramount Pictures ' The Fan (1.1 million admissions), Universal Pictures The Funhouse (2.8 million admissions), and Columbia Pictures Happy Birthday to Me (3.8 million admissions). CBS ' TV movie, Dark Night of

13095-609: The film unrated on American screens, sidestepping the MPAA to still sell 2.2 million tickets at the box office. Alfred Hitchcock's Psycho 's influence was felt two decades later in Cries in the Night and The Unseen . Joe D'Amato 's gruesome Italian horror film Antropophagus and the Australian slasher Nightmares showed that the genre was spreading internationally. Slasher films reached

13230-425: The film wholly victorious and is catatonic at the end of the film. Williams also observes that Friday the 13th: The Final Chapter does not have a final girl, despite Trish Jarvis surviving at the end. Additionally, Williams notes that final girls often survive, but in the sequel they are either killed or institutionalized. A notable example is Alice Hardy who survives Friday the 13th (1980) only to be killed in

13365-476: The film's sequel and various spin-offs, symbolizing the will to fight. Due to the high level of gore associated with the chainsaw's use as a weapon, appearances outside of the horror genre were uncommon. One notable one was in Brian De Palma 's 1983 gangster film Scarface , where a scene depicted a Colombian gangster dismembering another gangster to extract information. In the 1996 film Forest Warrior ,

13500-555: The film's tense finale, wherein she brazenly dresses up as Jason's dead mother and starts barking orders at the confused serial killer." In Blood Money: A History of the First Teen Slasher Film Cycle , Richard Nowell said "The shift in characterization of the female leads was also trumpeted during Ginny's self-confident entrance (Amy Steel) in Friday the 13th Part II . Where the makers of its predecessor introduced Alice as she prepared cabins while dressed in denim jeans and

13635-499: The film, Rebecca McCallum of Attack from Planet B contends that the film "follows the then more typical presentation of the hysterical woman or submissive mistress as opposed to the final girl trope which would be cemented in Sally Hardesty of Tobe Hooper 's The Texas Chainsaw Massacre ." Another early example of a "final girl" can be found in the film Black Christmas (1974), where Jess Bradford , played by Olivia Hussey ,

13770-517: The final girl in many movies shares common characteristics: she is typically sexually unavailable or virginal , and avoids the vices of the victims like illegal drug use . She sometimes has a unisex name such as Avery, Chris, or Sidney. Occasionally the final girl will have a shared history with the killer. The final girl is the "investigating consciousness" of the film, moving the narrative forward and, as such, she exhibits intelligence, curiosity, and vigilance. Another trope of slashers (particularly in

13905-399: The final girl's confrontation with the killer, Clover argues, she becomes masculinized through "phallic appropriation" by taking up a weapon, such as a knife or chainsaw , against the killer. The phenomenon of the male audience having to identify with a young female character in an ostensibly male-oriented genre , usually associated with sadistic voyeurism , raises interesting questions about

14040-399: The final girl, she is the opposite of Clover's description of a final girl in many ways. Buffy is a cheerleader, a "beautiful blond" with a feminine first name, and "gets to have sex with boys and still kill the monster". One of the basic premises of Clover's theory is that audience identification is unstable and fluid across gender lines, particularly in the case of the slasher film. During

14175-412: The gender change is done conservatively, and the final-girl convention cannot be regarded as a progressive one "without more thorough investigation." Furthermore, in many slashers, the final girl's victory is often ambiguous or only apparent. The fact that she is still alive at the end of the movie does not make her a victorious heroine. In many of these movies, the end is ambiguous, where the killer/entity

14310-437: The goal get to keep the slice of wood. Despite their substantial ability to inflict damage on living creatures, real-life chainsaw attacks and murders are uncommon. This likely is due to their heavy, unwieldy weight, loud noise, risk of user injury, and high price compared to other potential close-quarters weapons, although those same drawbacks make them weapons with a formidable value of intimidation. One real chainsaw murder

14445-410: The height of its commercial power, also became the center of a political and cultural maelstrom. Sean S. Cunningham 's sleeper hit Friday the 13th was the year's most commercially successful slasher film, grossing more than $ 59.7 million and selling nearly 15 million tickets in North America. Despite a financial success, distributor Paramount Pictures was criticized for "lowering" itself to release

14580-432: The innocent, virginal qualities ascribed to putative final girls - and that, in the 21st century, the trope has been filtered through the lens of parody, subversion, and self-aware humour (e.g. Final Girl ) rather than deployed sincerely. When slasher films become franchises, they typically take on villain protagonist characteristics, with the series following the continued efforts of their antagonists, rather than any of

14715-474: The killer in an isolated villa. Umberto Lenzi 's Eyeball (1975), which unfolds in an Agatha Christie manner, is noted by some as a slasher precursor, as American tourists are targeted by a killer wearing a red raincoat. The influence of Hitchcock's Psycho extended also to gialli , with films such as The Strange Vice of Mrs. Wardh (1971), The Case of the Scorpion's Tail (1971) and The Crimes of

14850-444: The killer's disposable victims, including any individual entry's heroes or final survivor(s) (who, in so far as they continue to appear within the series, are often killed off immediately after their next on-screen appearance, which has become its own trope). Examples of antiheroes around whom the respective series have become centered include Michael Myers , Freddy Krueger , Jason Voorhees , Chucky and Leatherface . The antagonist

14985-448: The last surviving member of the group, usually female, either vanquishes the killer or escapes. The final girl trope has evolved throughout the years, from early final girls most often being damsels in distress , often saved by a strong male (such as a police officer or heroic stranger), to more modern final girls who are more likely to survive due to their own abilities. According to Clover's definition, Lila Crane from Psycho (1960)

15120-401: The line between human and monster. This conflict of identity could further jeopardize her status as a final girl beyond Alien 3 . In Brian De Palma 's 1976 film based on Stephen King 's 1974 novel, Carrie , Sue Snell (played by Amy Irving ) is the sole survivor of Carrie White 's telekinetic outburst of destruction at a high school prom . The character Ginny Field (from Friday

15255-631: The mid-1970s as diminishing returns forced budget cuts. Films such as Play Motel (1979) and Giallo a Venezia (1979) exploited their low-budgets with shocking hardcore pornography . The early 1970s saw an increase in exploitation films that lured audiences to grindhouses and drive-ins by advertising of sex and violence. Robert Fuest 's And Soon the Darkness (1970) set off the '70s exploitation wave by maximizing its small budget and taking place in daylight. The Jekyll and Hyde Portfolio (1971) follows an insane killer who stalks and murders victims at

15390-424: The most influential horror movie heroines. In his book Horror films of the 1980s , John Kenneth Muir references Nancy Thompson. The character Sidney Prescott (from the Scream films) is widely recognized as one of the most iconic and popular horror film heroines. Ana Horvat describes Sidney Prescott as "embodying the most important characteristics of the Final Girl". The character of Gale Weathers (also from

15525-407: The movie a sleeper hit that was selected to screen at the November 1978 Chicago Film Festival, where the country's major critics acclaimed it. Halloween grew into a major box office success, grossing over $ 70 million worldwide and selling over 20 million tickets in North America, becoming the most profitable independent film until being surpassed by Teenage Mutant Ninja Turtles (1990). Though

15660-486: The nature of slasher films and their relationship with feminism . Clover argues that for a film to be successful, it is necessary for this surviving character to be female because she must experience abject terror, and many viewers would reject a film that showed abject terror on the part of a male. The terror has a purpose, in that the female, if she survives, is "purged" of undesirable characteristics, such as relentless pursuit of personal pleasure. One pioneering example of

15795-472: The only main characters to survive a vengeful killer. Characters in the 2011 horror film The Cabin in the Woods explicitly discuss Dana's role as the final girl after a zombie attack on her and her friends. As part of a human sacrifice ritual that mirrors various horror film traditions and requires the deaths of five slasher movie archetypes: "the whore," "the athlete," "the scholar," "the fool," and "the virgin,"

15930-415: The player character Lo Wang can use multiple types of chainsaws, including ones resembling swords. Although the original portrayals of chainsaw violence worked on its capacity to inflict gory damage upon a human body or sadistically produce pain, its prominence in low-budget B-movies has since produced a separate image of the chainsaw as a comedic, often campy expression of over-the-top terror. This image

16065-477: The protagonists of gialli are frequently (but not always) jet-setting adults sporting the most stylish Milan fashions . These protagonists are often outsiders reluctantly brought into the mystery through extenuating circumstances, like witnessing a murder or being suspected of the crimes themselves. Much like Krimi films, gialli plots tended to be outlandish and improbable, occasionally employing supernatural elements. Mario Bava 's A Bay of Blood (1971)

16200-678: The public of adult action thrillers that were popular in the 1980s, Sylvester Stallone 's cop-thriller Cobra (1986) is a thinly-veiled slasher film advertised as an action movie, and sold 13.2 million tickets. The home video market made stars out of character actors such as Terry O'Quinn and Bruce Campbell , whose respective independent horror-thrillers The Stepfather (1987) and Maniac Cop (1988) found more support on home video than in theaters. Quinn returned for Stepfather II (1989) but chose not to reprise his role in Stepfather III (1992), Destroyer (1988), while Campbell followed

16335-603: The real-life crimes of Richard Speck , promoted star Charles Bronson 's justice-for-all character above its horror themes. Robert Hiltzik 's Sleepaway Camp was a home video hit, being unique for its pubescent victims and themes of paedophilia and transvestism . Sleepaway Camp featured homosexual scenes, which were taboo at the time. In Canada, whodunit Curtains had a brief theatrical life before finding new life on VHS, while criticism toward American Nightmare ' s portrayal of prostitutes, drug addicts, and pornography addicts hurt its video rentals. Sledgehammer

16470-505: The same general plot as Prom Night (1980) with guilty teens stalked and punished for a terrible secret. The Final Terror borrows visual and thematic elements from Just Before Dawn (1981), as Sweet Sixteen borrows from Happy Birthday to Me (1981). The most successful slasher of the year was Psycho II , which sold over 11 million theatrical admissions. The film also reunited original Psycho (1960) cast members Anthony Perkins and Vera Miles . 10 to Midnight , inspired by

16605-555: The series The Grim Adventures of Billy & Mandy contains a chainsaw-wielding character based on Evil Dead's protagonist Ash. In the manga and anime adaptation of Black Butler , a chainsaw was prominently featured as Grell Sutcliff's personalized Deathscythe . In the manga and anime Chainsaw Man the protagonist Denji can transform into a human-chainsaw hybrid by pulling a cord protruding from his chest. CSI:Crime Scene Investigation has used chainsaws in one storyline, highlighting their potential for serious accidents. What

16740-894: The shot of a toilet flushing. The film featured an iconic score by Bernard Herrmann that has been frequently imitated in slasher and horror films. That same year, Michael Powell released Peeping Tom , showing the killer's perspective as he murders women to photograph their dying expressions. Psycho was nominated for four Academy Awards, including Best Supporting Actress for Janet Leigh and Anthony Perkins garnering universal acclaim for his role as Norman Bates . This notice drew bankable movie stars to horror films. Joan Crawford starred in William Castle 's Strait-Jacket (1964) and in Jim O'Connolly 's Berserk! (1967), while Albert Finney starred in MGM 's Night Must Fall (1964) (a remake of

16875-475: The silent film The Bat (1926), about guests in a remote mansion menaced by a killer in a grotesque mask. Its success led to a series of "old dark house" films including The Cat and the Canary (1927), based on John Willard 's 1922 stage play , and Universal Pictures ' The Old Dark House (1932), based on the novel by J.B. Priestley . In both films, the town dwellers are pitted against strange country folk,

17010-434: The slasher genre, and its popularity had declined substantially. The home video revolution, fueled by the popularity of VHS , provided a new outlet for low-budget filmmaking . Without major studio backing for theatrical release, slasher films became second only to pornography in the home video market. The drop in budgets to accommodate a more economic approach was usually met with a decline in quality. Holdovers filmed during

17145-466: The success of Friday the 13th Part III (1982), though the effect did not translate to the VHS format. Friday the 13th: The Final Chapter brought the saga of Jason Voorhees to a close, with his demise the main marketing tool. It worked, with The Final Chapter selling 10 million tickets in North America, hinting the series would continue even if Jason's demise marked a shift in the genre. This shift

17280-592: The term "slasher" may occasionally be used informally as a generic term for any horror film involving murder, film analysts cite an established set of characteristics which set slasher films apart from other horror subgenres, such as monster movies , splatter films , supernatural and psychological horror films. Critics cite the Italian giallo films and psychological horror films such as Peeping Tom (1960) and Psycho (1960) as early influences. The genre hit its peak between 1978 and 1984 in an era referred to as

17415-408: The undead have nothing to do with the film. Distributors were aware of fading box office profits, and they were attempting to hoodwink audiences into thinking long-shelved releases like Mortuary were different. The public had largely lost interest in theatrically released slashers, drawing a close to the Golden Age. Production rates plummeted and major studios all but abandoned the genre that, only

17550-837: The year behind An American Werewolf in London ). Independent companies churned out slasher films Final Exam , Bloody Birthday , Hell Night , Don't Go in the Woods... Alone! , Wes Craven 's Deadly Blessing and Graduation Day . Fantasy and sci-fi genres continued to blend with the slasher film in Strange Behavior , Ghostkeeper and Evilspeak . The international market found Italy's Absurd and Madhouse and Germany's Bloody Moon . Straight-to-video productions cut costs to maximize profit. The independent horror film Madman opened in New York City's top 10, according to Variety , but soon fell out of theaters for

17685-400: Was a "bloody, senseless kill-for-kicks" flick that exploited unnecessary violence. Despite its modest initial box office run, the film has garnered critical reappraisal, with film historians noting its importance in the horror film genre and some even citing it as the original slasher film. Jumpstarted by the massive success of John Carpenter 's Halloween (1978), the era commonly cited as

17820-560: Was apparently the massacre of two victims by a third perpetrator was then revealed to be an inexperienced operator who had caused a kickback accident that killed both himself and a bystander. In the early days of the remote-controlled robot combat shows Battlebots and Robot Wars , many robots were armed with chainsaws, because converting the tool into a remote-controlled weapon was a simple task. Their use declined as builders began developing custom-made kinetic-energy weapons that could do far more damage. The first chainsaw appearance in

17955-431: Was embraced by fans or critics and took steep box office declines from their predecessors; still, Friday the 13th: A New Beginning was a modest hit opening at the top of the box office and finishing its run with 6.2 million admissions. Rushed into production, A Nightmare on Elm Street Part 2: Freddy's Revenge (1985) became the highest grossing horror film of 1985. The success of the first two Elm Street films inspired

18090-459: Was emphasized by the controversy from Silent Night, Deadly Night (1984): Unlike the recent appearance of other Christmas horror films, including the same year's Don't Open till Christmas , promotional material for Silent Night, Deadly Night pictured a killer Santa with the tagline: "He knows when you've been naughty!" According to Going to Pieces: The Rise and Fall of the Slasher Film ,

18225-414: Was shot-on-video for just $ 40,000, with a gender-reversal climax showing Playgirl model Ted Prior as a "final guy." Other home video slashers from the year include Blood Beat , Double Exposure , and Scalps , the latter claiming to be one of the most censored films in history. Releases began to distance from the genre. The poster for Mortuary features a hand bursting from the grave, though

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