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133-729: The Federal Theatre Project ( FTP ; 1935–1939) was a theatre program established during the Great Depression as part of the New Deal to fund live artistic performances and entertainment programs in the United States . It was one of five Federal Project Number One projects sponsored by the Works Progress Administration , created not as a cultural activity but as a relief measure to employ artists, writers, directors, and theater workers. National director Hallie Flanagan shaped

266-410: A collective form of reception. The structure of dramatic texts , unlike other forms of literature , is directly influenced by this collaborative production and collective reception. The early modern tragedy Hamlet (1601) by Shakespeare and the classical Athenian tragedy Oedipus Rex ( c.  429 BCE ) by Sophocles are among the masterpieces of the art of drama. A modern example

399-504: A "pleasing fantasy for children". The musical Sing for Your Supper also met with Congressional criticism, although its patriotic finale, " Ballad for Americans ", was chosen as the theme song of the 1940 Republican National Convention. A fictionalized view of the Federal Theatre Project is presented in the 1999 film Cradle Will Rock , in which Cherry Jones portrays Hallie Flanagan. Theatre Theatre or theater

532-587: A Nation , about housing conditions in New York; Power , about energy from the consumer's point of view; and Triple A Plowed Under , on farming problems in America. Another that was criticized, on the history of medicine, was not completed. Dramas criticized by Congress were American Holiday , about a small-town murder trial; Around the Corner , a Depression-era comedy; Chalk Dust , about an urban high school; Class of '29 ,

665-577: A Time , and Paul de Kruif 's Men Against Death were both honored by the National Committee for Education by Radio. In March 1939, at the invitation of the BBC, Flanagan broadcast the story of the Federal Theatre Project to Britain. Asked to expand the program to encompass the entire WPA, the radio division produced No Help Wanted , a dramatization by William N. Robson with music by Leith Stevens . The Times called it "the best broadcast ever sent us from

798-406: A dancing floor (orchestra), dressing room and scene-building area (skene). Since the words were the most important part, good acoustics and clear delivery were paramount. The actors (always men) wore masks appropriate to the characters they represented, and each might play several parts. Athenian tragedy—the oldest surviving form of tragedy—is a type of dance -drama that formed an important part of

931-521: A female President who works for peace. Negro Theatre Unit productions that drew criticism were The Case of Philip Lawrence , a portrait of life in Harlem; Did Adam Sin? , a review of black folklore with music; and Haiti , a play about Toussaint Louverture . Also criticized for their content were the dance dramas Candide , from Voltaire; How Long Brethren , featuring songs by future Guggenheim Fellowship recipient Lawrence Gellert ; and Trojan Incident ,

1064-506: A major role in the recognition of the impact the AIDS epidemic on the world of theater, co-founding Broadway Cares/Equity Fights AIDS . In 2021, Actor's Equity introduced an "Open Access" membership policy, whereby "any theatre worker who can demonstrate they have worked professionally as an actor or stage manager within Equity's geographical jurisdiction" may join the union. This opened eligibility to

1197-568: A member of one of Equity's sister performing arts unions, the "Four A's": SAG-AFTRA , AGMA , AGVA or GIAA . Such applicants must have been a member of said sister union for at least one year, be a member in good standing of that union, have worked as a performer under the union's jurisdiction on a principal or "under-five" contract or at least three days of extra ("background") work, and must have completed non-union theatrical work. The AEA has several different types of contract, with different rules associated with them. Each contract type deals with

1330-572: A more organized equality strike. Starting on June 5, 1929, Gillmore attended several meetings in New York with the heads of Broadway. After the meeting, he notified the AEA that appearances in sound and talking motion pictures had been suspended until the outcome of the meetings with the international Studio Crafts Union. Due to the negotiations and the suspension of contracts through the AEA, studios were desperate for actors to speed up production, which had dropped significantly. The New York Times wrote, "It

1463-527: A particular type. Kālidāsa in the 1st century BCE, is arguably considered to be ancient India 's greatest Sanskrit dramatist. Three famous romantic plays written by Kālidāsa are the Mālavikāgnimitram ( Mālavikā and Agnimitra ), Vikramuurvashiiya ( Pertaining to Vikrama and Urvashi ), and Abhijñānaśākuntala ( The Recognition of Shakuntala ). The last was inspired by a story in the Mahabharata and

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1596-500: A play that is neither a comedy nor a tragedy—for example, Zola's Thérèse Raquin (1873) or Chekhov's Ivanov (1887). In Ancient Greece however, the word drama encompassed all theatrical plays, tragic, comic, or anything in between. Drama is often combined with music and dance : the drama in opera is generally sung throughout; musicals generally include both spoken dialogue and songs ; and some forms of drama have incidental music or musical accompaniment underscoring

1729-453: A specific type of theater venue or production type. These include, but are not limited to: Council of Resident Stock Theatres (CORST), Guest Artist, Letters of Agreement (LoA), League of Resident Theatres (LoRT) Small Professional Theatres (SPT), and Theatre for Young Audiences (TYA). AEA actors and stage managers are not allowed to work in non-Equity houses or on any productions in which an Equity Agreement has not been signed anywhere within

1862-443: A studio would put out worldwide. On July 20, 1929, the AEA gained its first victory, which gave producers and actors a leg to stand on in their battle for equality. Over 30 days (up to August 20, 1929), Gillmore fought to give the AEA the ability to represent all actors, producers, radio personality, vaudeville performers, and agents in the country. This would also give all power and representation to one organization in order to create

1995-775: A sufficient number of unemployed people in the theatre profession. The project in Alabama was closed in January 1937 when its personnel were transferred to a new unit in Georgia. Only one event was presented in Arkansas. Units created in Minnesota, Missouri and Wisconsin were closed in 1936; projects in Indiana, Nebraska, Rhode Island and Texas were discontinued in 1937; and the Iowa project was closed in 1938. Many of

2128-519: A tool for developing dramatic work or skills or as a form for situational comedy. Spolin also became interested in how the process of learning improvisation was applicable to the development of human potential. Spolin's son, Paul Sills popularized improvisational theatre as a theatrical art form when he founded, as its first director, The Second City in Chicago. Having been an important part of human culture for more than 2,500 years, theatre has evolved

2261-586: A translation of Euripides with a prologue from Homer. Help Yourself , a satire on high-pressure business tactics, was among the comedies criticized by Congress. Others were Machine Age , about mass production; On the Rocks by George Bernard Shaw ; and The Tailor Becomes a Storekeeper . Children's plays singled out were Mother Goose Goes to Town , and Revolt of the Beavers , which the New York American called

2394-421: A vehicle to tell a story qualify as comedies. This may include a modern farce such as Boeing Boeing or a classical play such as As You Like It . Theatre expressing bleak, controversial or taboo subject matter in a deliberately humorous way is referred to as black comedy . Black Comedy can have several genres like slapstick humour, dark and sarcastic comedy. Tragedy, then, is an imitation of an action that

2527-435: A very colourful shadow. The thin rods which controlled their movements were attached to a leather collar at the neck of the puppet. The rods ran parallel to the bodies of the puppet and then turned at a ninety degree angle to connect to the neck. While these rods were visible when the shadow was cast, they laid outside the shadow of the puppet; thus they did not interfere with the appearance of the figure. The rods are attached at

2660-666: A white project manager in Dallas was fired for attempting to segregate black and white theater technicians on a railroad car. Additionally, the white assistant director of the project was pulled because "he was unable to work amicably" with the black artists. The FTP overtly sought out relationships with the African American community including Carter Woodson of the Association for the Study of Negro Life and History , as well as Walter White of

2793-693: A wide range of different theories and practices. Some are related to political or spiritual ideologies, while others are based purely on "artistic" concerns. Some processes focus on a story, some on theatre as event, and some on theatre as catalyst for social change. The classical Greek philosopher Aristotle , in his seminal treatise, Poetics ( c.  335 BCE ) is the earliest-surviving example and its arguments have influenced theories of theatre ever since. In it, he offers an account of what he calls "poetry" (a term which in Greek literally means "making" and in this context includes drama — comedy , tragedy , and

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2926-661: A year the Federal Theatre Project employed 15,000 men and women, paying them $ 23.86 a week while the Actors Equity Association's minimum was $ 40.00. These men and women would only do six performances a week and have only four hours per day to rehearse. During its nearly four years of existence 30 million people attended FTP productions in more than 200 theaters nationwide — renting many that had been shuttered — as well as parks, schools, churches, clubs, factories, hospitals and closed-off streets. Its productions totaled approximately 1,200, not including its radio programs. Because

3059-436: Is Long Day's Journey into Night by Eugene O'Neill (1956). Considered as a genre of poetry in general, the dramatic mode has been contrasted with the epic and the lyrical modes ever since Aristotle 's Poetics ( c.  335 BCE ); the earliest work of dramatic theory . The use of "drama" in the narrow sense to designate a specific type of play dates from the 19th century . Drama in this sense refers to

3192-545: Is a collaborative form of performing art that uses live performers, usually actors or actresses , to present experiences of a real or imagined event before a live audience in a specific place, often a stage . The performers may communicate this experience to the audience through combinations of gesture , speech, song, music , and dance . It is the oldest form of drama , though live theatre has now been joined by modern recorded forms. Elements of art, such as painted scenery and stagecraft such as lighting are used to enhance

3325-657: Is an ancient form of storytelling that renowned for its elaborate puppet/human and complex musical styles. The earliest evidence is from the late 1st millennium CE, in medieval-era texts and archeological sites. The oldest known record that concerns wayang is from the 9th century. Around 840 AD an Old Javanese (Kawi) inscriptions called Jaha Inscriptions issued by Maharaja Sri Lokapala from Mataram Kingdom in Central Java mentions three sorts of performers: atapukan, aringgit, and abanol. Aringgit means Wayang puppet show, Atapukan means Mask dance show, and abanwal means joke art. Ringgit

3458-644: Is described in an 11th-century Javanese poem as a leather shadow figure. Theatre in the medieval Islamic world included puppet theatre (which included hand puppets, shadow plays and marionette productions) and live passion plays known as ta'ziyeh , where actors re-enact episodes from Muslim history . In particular, Shia Islamic plays revolved around the istishhād (martyrdom) of Ali 's sons Hasan ibn Ali and Husayn ibn Ali . Secular plays were known as akhraja , recorded in medieval adab literature, though they were less common than puppetry and ta'ziya theatre. Theatre took on many alternative forms in

3591-526: Is known primarily from the substantial papyrus fragments of Menander . Aristotle defined comedy as a representation of laughable people that involves some kind of blunder or ugliness that does not cause pain or disaster. In addition to the categories of comedy and tragedy at the City Dionysia, the festival also included the Satyr Play . Finding its origins in rural, agricultural rituals dedicated to Dionysus,

3724-419: Is serious, complete, and of a certain magnitude: in language embellished with each kind of artistic ornament, the several kinds being found in separate parts of the play; in the form of action, not of narrative; through pity and fear effecting the proper purgation of these emotions. Aristotle's phrase "several kinds being found in separate parts of the play" is a reference to the structural origins of drama. In it

3857-467: Is the most famous. It was the first to be translated into English and German . Śakuntalā (in English translation) influenced Goethe 's Faust (1808–1832). The next great Indian dramatist was Bhavabhuti ( c.  7th century CE ). He is said to have written the following three plays: Malati-Madhava , Mahaviracharita and Uttar Ramacharita . Among these three, the last two cover between them

3990-781: Is universally acknowledged in the Western critical tradition", Marvin Carlson explains, "almost every detail about his seminal work has aroused divergent opinions." Important theatre practitioners of the 20th century include Konstantin Stanislavski , Vsevolod Meyerhold , Jacques Copeau , Edward Gordon Craig , Bertolt Brecht , Antonin Artaud , Joan Littlewood , Peter Brook , Jerzy Grotowski , Augusto Boal , Eugenio Barba , Dario Fo , Viola Spolin , Keith Johnstone and Robert Wilson (director) . Actors%27 Equity Association Leading up to

4123-508: Is why actors are commonly called "Children of the Pear Garden". During the dynasty of Empress Ling, shadow puppetry first emerged as a recognized form of theatre in China. There were two distinct forms of shadow puppetry, Pekingese (northern) and Cantonese (southern). The two styles were differentiated by the method of making the puppets and the positioning of the rods on the puppets , as opposed to

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4256-537: The 20th century in the realism of Stanislavski and Lee Strasberg , the political theatre of Erwin Piscator and Bertolt Brecht , the so-called Theatre of the Absurd of Samuel Beckett and Eugène Ionesco , American and British musicals, the collective creations of companies of actors and directors such as Joan Littlewood 's Theatre Workshop , experimental and postmodern theatre of Robert Wilson and Robert Lepage ,

4389-501: The City Dionysia as an audience member (or even as a participant in the theatrical productions) in particular—was an important part of citizenship . Civic participation also involved the evaluation of the rhetoric of orators evidenced in performances in the law-court or political assembly , both of which were understood as analogous to the theatre and increasingly came to absorb its dramatic vocabulary. The Greeks also developed

4522-430: The Great Depression , people with little money for entertainment found an entire evening of entertainment at the movies for 25 cents, while commercial theatre charged $ 1.10 to $ 2.20 admission to cover the cost of theater rental, advertising and fees to performers and union technicians. Unemployed directors, actors, designers, musicians and stage crew took any kind of work they were able to find, whatever it paid, and charity

4655-479: The Guggenheim Foundation , Flanagan was chosen to lead the Federal Theatre Project by WPA head Harry Hopkins . Flanagan and Hopkins had been classmates at Grinnell College . Roosevelt and Hopkins selected her despite considerable pressure to choose someone from the commercial theatre industry; they believed the project should be led by someone with academic credentials and a national perspective. Flanagan had

4788-515: The Hollywood blacklist , the AEA refused to participate. Although its constitution guaranteed its members the right to refuse to work alongside Communists , or a member of a Communist front organization, the AEA did not ban any members. At a 1997 ceremony commemorating the blacklist's 50th anniversary, Richard Masur , then president of the Screen Actors Guild, apologized for its participation in

4921-631: The NAACP . One of the existing stipulations from the Works Progress Administration for employment in the FTP was prior professional theater experience. However, when encountered with 40 young jobless black playwrights, national director Hallie Flanagan waived the WPA requirement in the interest of providing a platform and training ground for new young playwrights. During a national conference Flanagan proposed that

5054-554: The Persian response to news of their military defeat at the Battle of Salamis in 480 BCE—is the notable exception in the surviving drama. When Aeschylus won first prize for it at the City Dionysia in 472 BCE, he had been writing tragedies for more than 25 years, yet its tragic treatment of recent history is the earliest example of drama to survive. More than 130 years later, the philosopher Aristotle analysed 5th-century Athenian tragedy in

5187-554: The Sundanese and wayang kulit (leather shadow-puppet play) of the Javanese and Balinese —draw much of their repertoire from indigenized versions of the Ramayana and Mahabharata . These tales also provide source material for the wayang wong (human theatre) of Java and Bali , which uses actors. Some wayang golek performances, however, also present Muslim stories, called menak . Wayang

5320-593: The U.S. Supreme Court for killing the Agricultural Adjustment Act . These politically themed plays quickly drew criticism from members of Congress . Although the undisguised political invective in the Living Newspaper productions sparked controversy, they also proved popular with audiences. As an art form, the Living Newspaper is perhaps the Federal Theatre's most well-known work. Problems with

5453-546: The high-style , verbally elaborate tragedies of Seneca . Although Rome had a native tradition of performance, the Hellenization of Roman culture in the 3rd century BCE had a profound and energizing effect on Roman theatre and encouraged the development of Latin literature of the highest quality for the stage. The only surviving plays from the Roman Empire are ten dramas attributed to Lucius Annaeus Seneca (4 BCE–65 CE),

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5586-511: The postcolonial theatre of August Wilson or Tomson Highway , and Augusto Boal 's Theatre of the Oppressed . Drama is the specific mode of fiction represented in performance . The term comes from a Greek word meaning " action ", which is derived from the verb δράω, dráō , "to do" or "to act". The enactment of drama in theatre, performed by actors on a stage before an audience , presupposes collaborative modes of production and

5719-514: The satyr play —as well as lyric poetry , epic poetry , and the dithyramb ). He examines its "first principles" and identifies its genres and basic elements; his analysis of tragedy constitutes the core of the discussion. Aristotle argues that tragedy consists of six qualitative parts, which are (in order of importance) mythos or "plot", ethos or "character", dianoia or "thought", lexis or "diction", melos or "song", and opsis or "spectacle". "Although Aristotle's Poetics

5852-573: The specificity of theatre as synonymous expressions that differentiate theatre from the other performing arts , literature and the arts in general. A theatre company is an organisation that produces theatrical performances, as distinct from a theatre troupe (or acting company), which is a group of theatrical performers working together. Modern theatre includes performances of plays and musical theatre . The art forms of ballet and opera are also theatre and use many conventions such as acting , costumes and staging. They were influential in

5985-484: The well-made plays of Scribe and Sardou gave way to the problem plays of Naturalism and Realism ; the farces of Feydeau ; Wagner's operatic Gesamtkunstwerk ; musical theatre (including Gilbert and Sullivan 's operas); F. C. Burnand 's, W. S. Gilbert 's and Oscar Wilde 's drawing-room comedies; Symbolism ; proto- Expressionism in the late works of August Strindberg and Henrik Ibsen ; and Edwardian musical comedy . These trends continued through

6118-465: The 1st century CE. It began after the development of Greek and Roman theatre and before the development of theatre in other parts of Asia. It emerged sometime between the 2nd century BCE and the 1st century CE and flourished between the 1st century CE and the 10th, which was a period of relative peace in the history of India during which hundreds of plays were written. The wealth of archeological evidence from earlier periods offers no indication of

6251-407: The 5th century BCE have survived. We have complete texts extant by Aeschylus , Sophocles , and Euripides . The origins of tragedy remain obscure, though by the 5th century BCE it was institutionalized in competitions ( agon ) held as part of festivities celebrating Dionysus (the god of wine and fertility ). As contestants in the City Dionysia's competition (the most prestigious of

6384-547: The Actors' and Producers' strike of 1929, Hollywood and California in general had a series of workers' equality battles that directly influenced the film industry. The films The Passaic Textile Strike (1926), The Miners' Strike (1928) and The Gastonia Textile Strike (1929) gave audience and producers insight into the effect and accomplishments of labor unions and striking. These films were set apart by being current documentaries, not merely melodramas produced for glamor. In 1896,

6517-590: The African American Dance Unit featuring Nigerian artists displaced by the Ethiopian Crisis . These projects employed over 1,000 black actors and directors. The Negro Actors' Guild of America incorporated on October 1, 1936 in the state of New York. The ten Articles for the Certificate of Incorporation addressed the welfare, appreciation and development of black artists. The Federal Theatre Project

6650-707: The Americas". The Federal Dance Project (FDP) was a short-lived entity that was ultimately absorbed into the Federal Theater Project. Dancer Helen Tamiris was the central figure of the FDP, which existed as an independent entity from January 1936 until October 1937. In May 1938, Martin Dies Jr ., director of The House Committee on Un-American Activities specifically targeted the WPA's Federal Theatre Project. Assailing Flanagan's professional character and political affiliations,

6783-540: The Corduba-born Stoic philosopher and tutor of Nero. These tragedies are known for their philosophical themes, complex characters, and rhetorical style. While Seneca's plays provide valuable insights into Roman theater, they represent only a small fraction of the dramatic repertoire that existed in ancient Rome. The first form of Indian theatre was the Sanskrit theatre , earliest-surviving fragments of which date from

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6916-557: The Depression years as seen through young college graduates; Created Equal , a review of American life since colonial times; It Can't Happen Here , Sinclair Lewis 's parable of democracy and dictatorship; No More Peace , Ernst Toller 's satire on dictatorships; Professor Mamlock , about Nazi persecution of Jews; Prologue to Glory , about the early life of Abraham Lincoln; The Sun and I , about Joseph in Egypt; and Woman of Destiny , about

7049-452: The FTP into a federation of regional theaters that created relevant art, encouraged experimentation in new forms and techniques, and made it possible for millions of Americans to see live theatre for the first time. Although The Federal Theatre project consumed only 0.5% of the allocated budget from the WPA and was widely considered a commercial and critical success, the project became a source of heated political contention. Congress responded to

7182-497: The Federal Theatre Project and Congress intensified when the State Department objected to the first Living Newspaper, Ethiopia , about Haile Selassie and his nation's struggles against Benito Mussolini 's invading Italian forces . The U.S. government soon mandated that the FTP, a government agency, could not depict foreign heads of state on the stage for fear of diplomatic backlash. Playwright and director Elmer Rice , head of

7315-401: The Federal Theatre Project is the reemployment of theatre workers now on public relief rolls: actors, directors, playwrights, designers, vaudeville artists, stage technicians, and other workers in the theatre field. The far reaching purpose is the establishment of theatres so vital to community life that they will continue to function after the program of this Federal Project is completed. Within

7448-424: The Federal Theatre Project. The others included 32 revivals or stock productions; seven plays that were initiated by community groups; five that were never produced by the project; two works of Americana; two classics; one children's play; one Italian translation; and one Yiddish play. The Living Newspapers productions that drew criticism were Injunction Granted , a history of American labor relations; One-Third of

7581-414: The Federal Theatre was created to employ and train people, not to generate revenue, no provision was made for the receipt of money when the project began. At its conclusion, 65 percent of its productions were still presented free of charge. The total cost of the Federal Theatre Project was $ 46 million. "In any consideration of the cost of the Federal Theatre," Flanagan wrote, "it should be borne in mind that

7714-673: The Federal Theatre. Blitzstein, Houseman, Welles and Feder collaborated on the controversial production, The Cradle Will Rock . Living Newspapers were plays written by teams of researchers-turned-playwrights. These men and women clipped articles from newspapers about current events, often hot button issues like farm policy, syphilis (spirochete) infection, the Tennessee Valley Authority , and housing inequity . These newspaper clippings were adapted into plays intended to inform audiences, often with progressive or left-wing themes. Triple-A Plowed Under , for instance, attacked

7847-855: The French Theatre in Los Angeles, the German Theater in New York City, and the Negro Theatre Unit which had several chapters across the country, with its largest office in New York City. The FTP set up 17 so-called Negro Theatre Units (NTU) in cities throughout the United States. The NTU had additional offices in Hartford, Boston, Salem, Newark, and Philadelphia in the East; Seattle, Portland, and Los Angeles in

7980-589: The French had a larger distinction between comedy and tragedy, whereas the English fudged the lines occasionally and put some comedic parts in their tragedies. Common forms of non-comedic plays were sentimental comedies as well as something that would later be called tragédie bourgeoise , or domestic tragedy —that is, the tragedy of common life—were more popular in England because they appealed more to English sensibilities. While theatre troupes were formerly often travelling,

8113-642: The Negro Youth Theater— were dedicated to the Harlem community with the intention of developing unknown theatre artists. Both theatre projects were headquartered at the Lafayette Theatre in Harlem, where some 30 plays were presented. The first was Frank H. Wilson 's folk drama, Walk Together Chillun (1936), about the deportation of 100 African-Americans from the South to the North to work for low wages. The second

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8246-445: The New York office of the FTP, resigned in protest and was succeeded by his assistant, Philip W. Barber. Numbers following the city of origin indicate the number of additional cities where the play was presented. Capitalizing on the FTP's national network and inherent diversity of artists, the Federal Theatre established specific chapters dedicated to showcasing and celebrating the work of previously under-represented artists. Including

8379-503: The Romans first experienced theatre in the 4th century BCE, with a performance by Etruscan actors . Beacham argues that they had been familiar with "pre-theatrical practices" for some time before that recorded contact. The theatre of ancient Rome was a thriving and diverse art form, ranging from festival performances of street theatre , nude dancing, and acrobatics , to the staging of Plautus 's broadly appealing situation comedies , to

8512-509: The WPA's Federal Project Number One . Government relief efforts funding theatre through the Federal Emergency Relief Administration and Civil Works Administration in the two preceding years were amateur experiments regarded as charity, not a theatre program. The Federal Theatre Project was a new approach to unemployment in the theatre profession. Only those certified as employable could be offered work, and that work

8645-788: The West between the 15th and 19th centuries, including commedia dell'arte from Italian theatre , and melodrama . The general trend was away from the poetic drama of the Greeks and the Renaissance and toward a more naturalistic prose style of dialogue, especially following the Industrial Revolution . Theatre took a big pause during 1642 and 1660 in England because of the Puritan Interregnum. The rising anti-theatrical sentiment among Puritans saw William Prynne write Histriomastix (1633),

8778-625: The West; Cleveland, Detroit, Peoria, and Chicago in the Midwest; and Raleigh, Atlanta, Birmingham, and New Orleans in the South. There were additional units in San Francisco, Oklahoma, Durham, Camden, and Buffalo. By the project's conclusion, 22 American cities had served as headquarters for black theater units. The New York Negro Theatre Unit was the most well known. Two of the four federal theaters in New York City—Lafayette Theatre and

8911-526: The Woods (1986), and The Phantom of the Opera (1986), as well as more contemporary hits including Rent (1994), The Lion King (1997), Wicked (2003), Hamilton (2015) and Frozen (2018). Musical theatre may be produced on an intimate scale Off-Broadway , in regional theatres , and elsewhere, but it often includes spectacle. For instance, Broadway and West End musicals often include lavish costumes and sets supported by multimillion-dollar budgets. Theatre productions that use humour as

9044-443: The ban, saying: "Only our sister union, Actors' Equity Association, had the courage to stand behind its members and help them continue their creative lives in the theater. For that, we honor Actors' Equity tonight." In the 1960s, the AEA played a role in gaining public funding for the arts, including the founding of the National Endowment for the Arts (NEA). The AEA fought the destruction of historic Broadway theaters . It played

9177-458: The best friend the theatre as an institution has ever had in this country." We let out these works on the vote of the people. Part of the Works Progress Administration, the Federal Theatre Project was a New Deal program established August 27, 1935, funded under the Emergency Relief Appropriation Act of 1935 . Of the $ 4.88 billion allocated to the WPA, $ 27 million was approved for the employment of artists , musicians , writers and actors under

9310-530: The best known of which is Peking Opera which is still popular today. Xiangsheng is a certain traditional Chinese comedic performance in the forms of monologue or dialogue. In Indonesia , theatre performances have become an important part of local culture, theatre performances in Indonesia have been developed for thousands of years. Most of Indonesia's oldest theatre forms are linked directly to local literary traditions (oral and written). The prominent puppet theatres — wayang golek (wooden rod-puppet play) of

9443-420: The chapter. This argument from McClendon received support from Edna Thomas , Harry Edwards, Carlton Moss , Abraham Hale Jr., Augusta Smith and Dick Campbell . This crusade for equality eventually became a sticking point for the Dies Committee , which pulled funding for the Federal Theater Project, arguing that "racial equality forms a vital part of the Communist dictatorship and practices". Numbers following

9576-494: The city of origin indicate the number of additional cities where the play was presented. Numbers following the city of origin indicate the number of additional cities where the play was presented. Numbers following the city of origin indicate the number of additional cities where the play was presented. These plays were given their first professional production in the United States by the Federal Theatre Project. Titles are shown as they appeared on event programs. Numbers following

9709-757: The city of origin indicate the number of additional cities where the play was presented. The Federal Theatre of the Air began weekly broadcasts March 15, 1936. For three years the radio division of the Federal Theatre Project presented an average of 3,000 programs annually on commercial stations and the NBC, Mutual and CBS networks. The major programs originated in New York; radio divisions were also created in 11 states. Series included Professional Parade , hosted by Fred Niblo ; Experiments in Symphonic Drama , original stories written for classical music; Gilbert and Sullivan Light Opera ,

9842-419: The committee heard testimony from former Federal Theatre Project members who were unhappy with their tenure with the project. Flanagan testified that the FTP was pro-American insofar as the work celebrated the constitutional freedoms of speech and expression to address the relevant and pressing concerns of its citizens. Citing the Federal Theatre's call for racial equality, impending war, and further perpetuating

9975-578: The complete works performed by Federal Theatre actors and recordings by D'Oyly Carte ; Ibsen's Plays , performances of 12 major plays; Repertory Theatre of the Air , presenting literary classics; Contemporary Theatre , presenting plays by modern authors; and the interview program, Exploring the Arts and Sciences . The radio division presented a wide range of programs on health and safety, art, music and history. The American Legion sponsored James Truslow Adams 's Epic of America . The children's program, Once Upon

10108-552: The concepts of dramatic criticism and theatre architecture. Actors were either amateur or at best semi-professional. The theatre of ancient Greece consisted of three types of drama : tragedy , comedy , and the satyr play . The origins of theatre in ancient Greece, according to Aristotle (384–322 BCE), the first theoretician of theatre, are to be found in the festivals that honoured Dionysus. The performances were given in semi-circular auditoria cut into hillsides, capable of seating 10,000–20,000 people. The stage consisted of

10241-608: The daunting task of building a nationwide theater program to employ thousands of unemployed artists in as little time as possible. The Theatre industry had struggled financially prior to the financial collapse of 1929. By that time it was already threatened with extinction due to the growing popularity of films and radio, but the commercial theatre was reluctant to adapt its practices. Many actors, technicians and stagehands had suffered since 1914 , when movies began to replace stock , vaudeville and other live stage performances nationwide. Sound motion pictures displaced 30,000 musicians. In

10374-467: The dealings of the pantheon of Gods and their involvement in human affairs, backed by the chorus of Satyrs . However, according to Webster , satyr actors did not always perform typical satyr actions and would break from the acting traditions assigned to the character type of a mythical forest creature. Western theatre developed and expanded considerably under the Romans . The Roman historian Livy wrote that

10507-527: The decision, Flanagan's stepdaughter, Joanne Bentley quoted an unnamed Congressmen saying "Culture! What the Hell—Let 'em have a pick and shovel!" Members of Congress criticized a total of 81 of the Federal Theatre Project's 830 major titles for their content in public statements, committee hearings, on the floor of the Senate or House, or in testimony before Congressional committees. Only 29 were original productions of

10640-433: The development of musical theatre . The city-state of Athens is where Western theatre originated. It was part of a broader culture of theatricality and performance in classical Greece that included festivals , religious rituals , politics , law , athletics and gymnastics, music , poetry , weddings, funerals, and symposia . Participation in the city-state's many festivals—and mandatory attendance at

10773-454: The dialogue ( melodrama and Japanese Nō , for example). In certain periods of history (the ancient Roman and modern Romantic ) some dramas have been written to be read rather than performed. In improvisation , the drama does not pre-exist the moment of performance; performers devise a dramatic script spontaneously before an audience. Music and theatre have had a close relationship since ancient times— Athenian tragedy , for example,

10906-479: The elements of theatre, the Treatise gives most attention to acting ( abhinaya ), which consists of two styles: realistic ( lokadharmi ) and conventional ( natyadharmi ), though the major focus is on the latter. Its drama is regarded as the highest achievement of Sanskrit literature . It utilised stock characters , such as the hero ( nayaka ), heroine ( nayika ), or clown ( vidusaka ). Actors may have specialized in

11039-472: The entire epic of Ramayana . The powerful Indian emperor Harsha (606–648) is credited with having written three plays: the comedy Ratnavali , Priyadarsika , and the Buddhist drama Nagananda . The Tang dynasty is sometimes known as "The Age of 1000 Entertainments". During this era, Ming Huang formed an acting school known as The Pear Garden to produce a form of drama that was primarily musical. That

11172-477: The existence of a tradition of theatre. The ancient Vedas ( hymns from between 1500 and 1000 BCE that are among the earliest examples of literature in the world) contain no hint of it (although a small number are composed in a form of dialogue ) and the rituals of the Vedic period do not appear to have developed into theatre. The Mahābhāṣya by Patañjali contains the earliest reference to what may have been

11305-517: The festivals to stage drama) playwrights were required to present a tetralogy of plays (though the individual works were not necessarily connected by story or theme), which usually consisted of three tragedies and one satyr play. The performance of tragedies at the City Dionysia may have begun as early as 534 BCE; official records ( didaskaliai ) begin from 501 BCE, when the satyr play was introduced. Most Athenian tragedies dramatize events from Greek mythology , though The Persians —which stages

11438-706: The first Actors Union Charter was recognized by the American Federation of Labor as an attempt to create a minimum wage for actors being exploited. It was not until January 13, 1913, that the Union Charter failed. It later reemerged as the Actors Equity Association, with more than 111 actors and Francis Wilson as its founding board president. At a meeting held at the Pabst Grand Circle Hotel in New York City, on May 26, 1913, Actors' Equity

11571-612: The first improvisation form. Popularized by 1997 Nobel Prize in Literature winner Dario Fo and troupes such as the Upright Citizens Brigade improvisational theatre continues to evolve with many different streams and philosophies. Keith Johnstone and Viola Spolin are recognized as the first teachers of improvisation in modern times, with Johnstone exploring improvisation as an alternative to scripted theatre and Spolin and her successors exploring improvisation principally as

11704-414: The foundation for the development of a truly creative theatre in the United States with outstanding producing centers in each of those regions which have common interests as a result of geography, language origins, history, tradition, custom, occupations of the people." On October 24, 1935, Flanagan prefaced her instructions on the Federal Theatre's operation with a statement of purpose: The primary aim of

11837-553: The funds were allotted, according to the terms of the Relief Act of 1935, to pay wages to unemployed people. Therefore, when Federal Theatre was criticized for spending money, it was criticized for doing what it was set up to do." The FTP established five regional centers in New York, New York , Boston (Northeast), Chicago (Midwest), Los Angeles (West), and New Orleans (South). The FTP did not operate in every state, since many lacked

11970-646: The idea of the national theatre gained support in the 18th century, inspired by Ludvig Holberg . The major promoter of the idea of the national theatre in Germany, and also of the Sturm und Drang poets, was Abel Seyler , the owner of the Hamburgische Entreprise and the Seyler Theatre Company . Through the 19th century , the popular theatrical forms of Romanticism , melodrama , Victorian burlesque and

12103-659: The late 19th and early 20th century . After the Edwardian musical comedy that began in the 1890s, the Princess Theatre musicals of the early 20th century, and comedies in the 1920s and 1930s (such as the works of Rodgers and Hammerstein ), with Oklahoma! (1943), musicals moved in a more dramatic direction. Famous musicals over the subsequent decades included My Fair Lady (1956), West Side Story (1957), The Fantasticks (1960), Hair (1967), A Chorus Line (1975), Les Misérables (1980), Cats (1981), Into

12236-408: The leadership of the Harlem chapter of the FTP be led by an African American artist. Rose McClendon, an established actor at the time, publicly argued against this proposal and instead suggested that initially an established white theater artist take the mantle with the understanding and intention of satisfying the WPA's prior professional theater experience clause and giving way to black artists to lead

12369-469: The loss of their jobs. The theater strikes combined with freelance contracts fueled the need for actors and stagehands to strike for better working conditions and pay. Frank Gillmore , the head and treasurer of the Actor's Equity Association, understood that he would need multiple unions across the country to make a change not only in proper representation and pay, but in actors' ability to negotiate any contract

12502-464: The most complete work of dramaturgy in the ancient world. It addresses acting , dance , music , dramatic construction , architecture , costuming , make-up , props , the organisation of companies, the audience, competitions, and offers a mythological account of the origin of theatre. In doing so, it provides indications about the nature of actual theatrical practices. Sanskrit theatre was performed on sacred ground by priests who had been trained in

12635-466: The most notorious attack on theatre prior to the ban. Viewing theatre as sinful, the Puritans ordered the closure of London theatres in 1642 . On 24 January 1643, the actors protested against the ban by writing a pamphlet titled The Actors remonstrance or complaint for the silencing of their profession, and banishment from their severall play-houses . This stagnant period ended once Charles II came back to

12768-488: The movie stage under better conditions, but this was the least of its problems. In late December, groups of theater owners and non-represented producers filed lawsuits to claim damages from the AEA's contract holdout. "The plaintiffs not only seek a temporary injunction against the defendants, pending trial on an order to show cause why a permanent injunction should not be granted, but also ask damages of $ 100,000." The AEA allowed small numbers of contracts to be negotiated over

12901-411: The necessary skills (dance, music, and recitation) in a [hereditary process]. Its aim was both to educate and to entertain. Under the patronage of royal courts, performers belonged to professional companies that were directed by a stage manager ( sutradhara ), who may also have acted. This task was thought of as being analogous to that of a puppeteer —the literal meaning of " sutradhara " is "holder of

13034-410: The necks to facilitate the use of multiple heads with one body. When the heads were not being used, they were stored in a muslin book or fabric-lined box. The heads were always removed at night. This was in keeping with the old superstition that if left intact, the puppets would come to life at night. Some puppeteers went so far as to store the heads in one book and the bodies in another, to further reduce

13167-557: The next few years. In 1933, the Screen Actors Guild was created and took the AEA's place as the main representative for movie actors and producers. This allowed the AEA to focus on live productions, such as theatrical performances, while the Screen Actors Guild focused on movie production and non-scripted live performances, such as minstrel, vaudeville, and live radio shows. In the 1940s, the AEA stood against segregation . When actors were losing jobs through 1950s McCarthyism and

13300-514: The notable artists of the time participated in the Federal Theatre Project, including Susan Glaspell who served as Midwest bureau director. The legacy of the Federal Theatre Project can also be found in beginning the careers of a new generation of theater artists. Arthur Miller , Orson Welles , John Houseman , Martin Ritt , Elia Kazan , Joseph Losey , Marc Blitzstein and Abe Feder are among those who became established, in part, through their work in

13433-437: The oldest surviving work of dramatic theory —his Poetics ( c.  335 BCE ). Athenian comedy is conventionally divided into three periods, "Old Comedy", "Middle Comedy", and "New Comedy". Old Comedy survives today largely in the form of the eleven surviving plays of Aristophanes , while Middle Comedy is largely lost (preserved only in relatively short fragments in authors such as Athenaeus of Naucratis ). New Comedy

13566-697: The physicality, presence and immediacy of the experience. Places, normally buildings, where performances regularly take place are also called "theatres" (or "theaters"), as derived from the Ancient Greek θέατρον (théatron, "a place for viewing"), itself from θεάομαι (theáomai, "to see", "to watch", "to observe"). Modern Western theatre comes, in large measure, from the theatre of ancient Greece , from which it borrows technical terminology, classification into genres , and many of its themes , stock characters , and plot elements. Theatre artist Patrice Pavis defines theatricality, theatrical language , stage writing and

13699-574: The possibility of reanimating puppets. Shadow puppetry is said to have reached its highest point of artistic development in the eleventh century before becoming a tool of the government. In the Song dynasty , there were many popular plays involving acrobatics and music. These developed in the Yuan dynasty into a more sophisticated form known as zaju , with a four- or five-act structure. Yuan drama spread across China and diversified into numerous regional forms, one of

13832-411: The project's racial integration and accusations of Communist infiltration and cancelled its funding effective June 30, 1939. One month before the project's end, drama critic Brooks Atkinson summarized: "Although the Federal Theatre is far from perfect, it has kept an average of ten thousand people employed on work that has helped to lift the dead weight from the lives of millions of Americans. It has been

13965-443: The remainder of the Puritans and very religious of the time. The main question was if seeing something immoral on stage affects behaviour in the lives of those who watch it, a controversy that is still playing out today. The seventeenth century had also introduced women to the stage, which was considered inappropriate earlier. These women were regarded as celebrities (also a newer concept, thanks to ideas on individualism that arose in

14098-413: The rumor that the FTP was a front for radical and communist activities, Congress ended federal funding as of June 30, 1939, immediately putting 8,000 people out of work across the country. Although the overall financial cost of the FTP was minuscule in the grand scheme of the WPA's budget, Congress determined that the average American did not consider theater a viable recipient of their tax dollars. Following

14231-422: The satyr play eventually found its way to Athens in its most well-known form. Satyr's themselves were tied to the god Dionysus as his loyal woodland companions, often engaging in drunken revelry and mischief at his side. The satyr play itself was classified as tragicomedy, erring on the side of the more modern burlesque traditions of the early twentieth century. The plotlines of the plays were typically concerned with

14364-455: The scale of poetry in general (where the tragic divides against epic and lyric ) or at the scale of the drama (where tragedy is opposed to comedy ). In the modern era, tragedy has also been defined against drama, melodrama , the tragicomic , and epic theatre . Improvisation has been a consistent feature of theatre, with the Commedia dell'arte in the sixteenth century being recognized as

14497-448: The seeds of Sanskrit drama. This treatise on grammar from 140 BCE provides a feasible date for the beginnings of theatre in India . The major source of evidence for Sanskrit theatre is A Treatise on Theatre ( Nātyaśāstra ), a compendium whose date of composition is uncertain (estimates range from 200 BCE to 200 CE) and whose authorship is attributed to Bharata Muni . The Treatise is

14630-588: The spoken parts were written in the Attic dialect whereas the choral (recited or sung) ones in the Doric dialect , these discrepancies reflecting the differing religious origins and poetic metres of the parts that were fused into a new entity, the theatrical drama . Tragedy refers to a specific tradition of drama that has played a unique and important role historically in the self-definition of Western civilisation . That tradition has been multiple and discontinuous, yet

14763-461: The strings or threads". The performers were trained rigorously in vocal and physical technique. There were no prohibitions against female performers; companies were all-male, all-female, and of mixed gender. Certain sentiments were considered inappropriate for men to enact, however, and were thought better suited to women. Some performers played characters their own age, while others played ages different from their own (whether younger or older). Of all

14896-558: The term has often been used to invoke a powerful effect of cultural identity and historical continuity—"the Greeks and the Elizabethans , in one cultural form; Hellenes and Christians , in a common activity", as Raymond Williams puts it. From its obscure origins in the theatres of Athens 2,500 years ago, from which there survives only a fraction of the work of Aeschylus , Sophocles and Euripides , through its singular articulations in

15029-453: The theatrical culture of the city-state. Having emerged sometime during the 6th century BCE, it flowered during the 5th century BCE (from the end of which it began to spread throughout the Greek world), and continued to be popular until the beginning of the Hellenistic period . No tragedies from the 6th century BCE and only 32 of the more than a thousand that were performed in during

15162-696: The throne in 1660 in the Restoration . Theatre (among other arts) exploded, with influence from French culture, since Charles had been exiled in France in the years previous to his reign. In 1660, two companies were licensed to perform, the Duke's Company and the King's Company . Performances were held in converted buildings, such as Lisle's Tennis Court . The first West End theatre , known as Theatre Royal in Covent Garden , London,

15295-519: The time because of his use of floor space and scenery. Because of the turmoil before this time, there was still some controversy about what should and should not be put on the stage. Jeremy Collier , a preacher, was one of the heads in this movement through his piece A Short View of the Immorality and Profaneness of the English Stage . The beliefs in this paper were mainly held by non-theatre goers and

15428-429: The type of play performed by the puppets. Both styles generally performed plays depicting great adventure and fantasy, rarely was this very stylized form of theatre used for political propaganda. Japanese forms of Kabuki , Nō , and Kyōgen developed in the 17th century CE. Cantonese shadow puppets were the larger of the two. They were built using thick leather which created more substantial shadows. Symbolic colour

15561-505: The union to theatre workers who had not previously worked for Equity employers. Theatre workers need to provide a copy of their contract and proof of pay. This policy was made permanent in 2023, superseding previous methods for earning eligibility to join Equity such as the Equity Membership Candidate (EMC) program. Asides from Open Access, theatre workers may join Equity by being employed under an Equity contract, or by being

15694-519: The wake of Renaissance Humanism ), but on the other hand, it was still very new and revolutionary that they were on the stage, and some said they were unladylike, and looked down on them. Charles II did not like young men playing the parts of young women, so he asked that women play their own parts. Because women were allowed on the stage, playwrights had more leeway with plot twists, like women dressing as men, and having narrow escapes from morally sticky situations as forms of comedy. Comedies were full of

15827-475: The works of Shakespeare , Lope de Vega , Racine , and Schiller , to the more recent naturalistic tragedy of Strindberg , Beckett's modernist meditations on death, loss and suffering, and Müller's postmodernist reworkings of the tragic canon, tragedy has remained an important site of cultural experimentation, negotiation, struggle, and change. In the wake of Aristotle's Poetics (335 BCE), tragedy has been used to make genre distinctions, whether at

15960-532: The young and very much in vogue, with the storyline following their love lives: commonly a young roguish hero professing his love to the chaste and free minded heroine near the end of the play, much like Sheridan's The School for Scandal . Many of the comedies were fashioned after the French tradition, mainly Molière, again hailing back to the French influence brought back by the King and the Royals after their exile. Molière

16093-531: Was Conjur' Man Dies (1936), a comedy-mystery adapted by Arna Bontemps and Countee Cullen from Rudolph Fisher 's novel. The most popular production was the third, which came to be called the Voodoo Macbeth (1936), director Orson Welles 's adaptation of Shakespeare's play set on a mythical island suggesting the Haitian court of King Henri Christophe . The New York Negro Theatre Unit also oversaw projects from

16226-457: Was a form of dance - drama that employed a chorus whose parts were sung (to the accompaniment of an aulos —an instrument comparable to the modern oboe ), as were some of the actors' responses and their 'solo songs' ( monodies ). Modern musical theatre is a form of theatre that also combines music, spoken dialogue, and dance. It emerged from comic opera (especially Gilbert and Sullivan ), variety , vaudeville , and music hall genres of

16359-440: Was also very prevalent; a black face represented honesty, a red one bravery. The rods used to control Cantonese puppets were attached perpendicular to the puppets' heads. Thus, they were not seen by the audience when the shadow was created. Pekingese puppets were more delicate and smaller. They were created out of thin, translucent leather (usually taken from the belly of a donkey). They were painted with vibrant paints, thus they cast

16492-561: Was designed by Thomas Killigrew and built on the site of the present Theatre Royal, Drury Lane . One of the big changes was the new theatre house. Instead of the type of the Elizabethan era, such as the Globe Theatre , round with no place for the actors to prepare for the next act and with no "theatre manners", the theatre house became transformed into a place of refinement, with a stage in front and stadium seating facing it. Since seating

16625-489: Was distinguished for its focus on racial injustice. Flanagan expressly ordered her subordinates to follow the WPA policy against racial prejudice. In fact when it came to making decisions on a national level for the project, the Federal Theatre Regulation mandated that "there may be racial representation in all national planning." A specific example of the FTP's adherence to an anti-prejudicial environment came when

16758-508: Was founded by 112 professional theater actors, who established its constitution and elected Francis Wilson as president. Leading up to the association's establishment, a handful of influential actors—known as The Players—held secret organizational meetings at Edwin Booth's The Players at its Gramercy Park mansion. A bronze plaque commemorates the room in which The Players met to establish Actors' Equity. Members included Frank Gillmore , who from

16891-532: Was founded during the strike. Equity represented directors and choreographers until 1959, when they broke away and formed their own union . The Actors Equality Strike was a series of walkouts that started in 1927 in local theaters in Los Angeles and quickly grew to the motion picture stage. During the nationwide walkouts, the Academy of Motion Picture Arts and Sciences started issuing contracts to freelance film actors, which led Hollywood's actors and actresses to fear

17024-422: Was no longer all the way around the stage, it became prioritized—some seats were obviously better than others. The king would have the best seat in the house: the very middle of the theatre, which got the widest view of the stage as well as the best way to see the point of view and vanishing point that the stage was constructed around. Philippe Jacques de Loutherbourg was one of the most influential set designers of

17157-477: Was often their only recourse. "This is a tough job we're asking you to do," Hopkins told Flanagan at their first meeting in May 1935. "I don't know why I still hang on to the idea that unemployed actors get just as hungry as anybody else." Hopkins promised "a free, adult, uncensored theatre" — something Flanagan spent the next four years trying to build. She emphasized the development of local and regional theatre, "to lay

17290-512: Was one of the top comedic playwrights of the time, revolutionizing the way comedy was written and performed by combining Italian commedia dell'arte and neoclassical French comedy to create some of the longest lasting and most influential satiric comedies. Tragedies were similarly victorious in their sense of righting political power, especially poignant because of the recent Restoration of the Crown. They were also imitations of French tragedy, although

17423-462: Was pointed out that while the Equality regulations were in effect, about 2000 motion picture contracts, involving salaries said to amount to $ 500,000 were offered to actors in New York." Any actor who entered into a contract not approved by the AEA would be banished from the union and have to reapply for admission after negotiations were finished. By December 1929, the AEA was negotiating terms to reset

17556-597: Was the executive secretary of Actors' Equity from 1918 to 1929 and president from 1929 to 1937. Actors' Equity joined the American Federation of Labor in 1919, and called a strike seeking recognition as a labor union. The strike ended the dominance of the Producing Managers' Association , including theater owners and producers like Abe Erlanger and his partner, Mark Klaw . The strike increased membership from under 3,000 to approximately 14,000. The Chorus Equity Association , which merged with Actors' Equity in 1955,

17689-415: Was to be within the individual's defined skills and trades. "For the first time in the relief experiments of this country the preservation of the skill of the worker, and hence the preservation of his self-respect, became important," wrote Hallie Flanagan , director of the Federal Theatre Project. A theater professor at Vassar College who had studied the operation of government-sponsored theatre abroad for

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