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Experimental theatre (also known as avant-garde theatre ), inspired largely by Wagner 's concept of Gesamtkunstwerk , began in Western theatre in the late 19th century with Alfred Jarry and his Ubu plays as a rejection of both the age in particular and, in general, the dominant ways of writing and producing plays. The term has shifted over time as the mainstream theatre world has adopted many forms that were once considered radical.

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106-471: Like other forms of the avant-garde , it was created as a response to a perceived general cultural crisis. Despite different political and formal approaches, all avant-garde theatre opposes bourgeois theatre. It tries to introduce a different use of language and the body to change the mode of perception and to create a new, more active relation with the audience. Famed experimental theatre director and playwright Peter Brook describes his task as building "…

212-460: A dialectical approach to such political stances by avant-garde artists and the avant-garde genre of art. Sociologically, as a stratum of the intelligentsia of a society, avant-garde artists, writers, architects, et al. produce artefacts — works of art, books, buildings — that intellectually and ideologically oppose the conformist value system of mainstream society. In the essay " Avant-Garde and Kitsch " (1939), Clement Greenberg said that

318-461: A construct than a true practice for these theatre-makers. While they do pull from Eastern traditions, Brecht, Artaud, Yeats, Craig and Artaud's respective articulations of their vision for theatre predate their exposure to these practices: their approach to Eastern theatre traditions were filtered "through a personal agenda", and the absence of earnest curiosity for the oriental theatre could be argued to have led to its misinterpretation and distortion in

424-628: A greater "utopian socialist" movement, due to their shared characteristics. A once common characteristic is an egalitarian distribution of goods, frequently with the total abolition of money . Citizens only do work which they enjoy and which is for the common good , leaving them with ample time for the cultivation of the arts and sciences. One classic example of such a utopia appears in Edward Bellamy 's 1888 novel Looking Backward . William Morris depicts another socialist utopia in his 1890 novel News from Nowhere , written partially in response to

530-689: A lot of research was done into Elizabethan and Greek theatre spaces. This was integrated into the mainstream, the National Theatre in London , for example, has a highly flexible, somewhat Elizabethan traverse space (the Dorfman), a proscenium space (the Lyttelton) and an amphitheatre space (the Olivier) and the directors and architects consciously wanted to break away from the primacy of the proscenium arch. Jacques Copeau

636-404: A necessary theatre, one in which there is only a practical difference between actor and audience, not a fundamental one." Traditionally audiences are seen as passive observers. Many practitioners of experimental theatre have wanted to challenge this. For example, Bertolt Brecht wanted to mobilise his audiences by having a character in a play break through the invisible "fourth wall", directly ask

742-442: A new space. Utopia is not kind of a free imagination utopia is a matter of inner most urgency, you are forced to imagine it, it is the only way out, and this is what we need today." Philosopher Milan Šimečka said: ...utopism was a common type of thinking at the dawn of human civilization . We find utopian beliefs in the oldest religious imaginations, appear regularly in the neighborhood of ancient, yet pre-philosophical views on

848-474: A period of turbulent development of capitalism that highlighted antagonisms of capitalist society ( Saint-Simon , Fourier , Owen , Cabet , Lamennais , Proudhon and their followers). Famous quotes from writers and characters about utopia: Utopian socialist Étienne Cabet in his utopian book The Voyage to Icaria cited the definition from the contemporary Dictionary of ethical and political sciences : Utopias and other models of government, based on

954-541: A post-modern time when the modernist ways of thought and action and the production of art have become redundant in a capitalist economy. Parting from the claims of Greenberg in the late 1930s and the insights of Poggioli in the early 1960s, in The De-Definition of Art: Action Art to Pop to Earthworks (1983), the critic Harold Rosenberg said that since the middle of the 1960s the politically progressive avant-garde ceased being adversaries to artistic commercialism and

1060-454: A rigorous 50-year-long educational program to be benign oligarchs, the "philosopher-kings." Plato stressed this structure many times in statements, and in his published works, such as the Republic . The wisdom of these rulers will supposedly eliminate poverty and deprivation through fairly distributed resources, though the details on how to do this are unclear. The educational program for the rulers

1166-404: A social framework characterized by vigorous competition between alternative philosophies. The English political philosopher James Harrington (1611–1677), author of the utopian work The Commonwealth of Oceana , published in 1656, inspired English country-party republicanism (1680s to 1740s) and became influential in the design of three American colonies. His theories ultimately contributed to

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1272-525: A species to become extraordinarily cooperative and capable of creating culture . The Book of Revelation in the Christian Bible depicts an eschatological time with the defeat of Satan , of Evil and of Sin . The main difference compared to the Old Testament promises is that such a defeat also has an ontological value: "Then I saw 'a new heaven and a new earth ,' for the first heaven and

1378-662: A study of South American theatrical developments during the 1960s, the Nuevo Teatro Popular materialized amid the change and innovations entailed in the social and political developments of the period. This theatrical initiative was organized around groups or collective driven by specific events and performed themes tied to class and cultural identity that empowered their audience and help create movements that spanned national and cultural borders. These included Utopian projects, which sought to reconstruct social and cultural production, including their objectives. Augusto Boal used

1484-529: A utopia, dystopia is a concept which surpassed utopia in popularity in the fictional literature from the 1950s onwards, chiefly because of the impact of George Orwell's Nineteen Eighty-Four . In 1876, writer Charles Renouvier published a novel called Uchronia ( French Uchronie ). The neologism , using chronos instead of topos , has since been used to refer to non-existent idealized times in fiction, such as Philip Roth 's The Plot Against America (2004) , and Philip K. Dick 's The Man in

1590-446: A writer identifies a problem, a writer writes a script, a director interprets it for the stage together with the actors, the performers perform the director and writer's collective vision. Various practitioners started challenging this and started seeing the performers more and more as creative artists in their own right. This started with giving them more and more interpretive freedom and devised theatre eventually emerged. This direction

1696-546: Is Held in Common' Tianxia weigong( Chinese : 天下爲公 ; pinyin : Tiānxià wèi gōng ) influenced modern Chinese reformers and revolutionaries, such as Kang Youwei . It is said, once Maitreya is reborn into the future kingdom of Ketumati , a utopian age will commence. The city is described in Buddhism as a domain filled with palaces made of gems and surrounded by Kalpavriksha trees producing goods. During its years, none of

1802-525: Is another definition of "Avant-gardism" that distinguishes it from "modernism": Peter Bürger, for example, says avant-gardism rejects the "institution of art" and challenges social and artistic values, and so necessarily involves political, social, and cultural factors. According to the composer and musicologist Larry Sitsky , modernist composers from the early 20th century who do not qualify as avant-gardists include Arnold Schoenberg, Anton Webern, and Igor Stravinsky; later modernist composers who do not fall into

1908-461: Is bolstered by the title of the book and nation and its apparent confusion between the Greek for "no place" and "good place": "utopia" is a compound of the syllable ou-, meaning "no" and topos, meaning place. But the homophonic prefix eu-, meaning "good," also resonates in the word, with the implication that the perfectly "good place" is really "no place." In many cultures, societies, and religions, there

2014-555: Is essential for the improvement of the human condition. But if used wrongly, it becomes dangerous. Utopia has an inherent contradictory nature here. The opposite of a utopia is a dystopia . Utopian and dystopian fiction has become a popular literary category. Despite being common parlance for something imaginary, utopianism inspired and was inspired by some reality-based fields and concepts such as architecture , file sharing , social networks , universal basic income , communes , open borders and even pirate bases . The word utopia

2120-633: Is facilitated by mechanically produced art-products of mediocre quality displacing art of quality workmanship; thus, the profitability of art-as-commodity determines its artistic value. In The Society of the Spectacle (1967), Guy Debord said that the financial, commercial, and economic co-optation of the avant-garde into a commodity produced by neoliberal capitalism makes doubtful that avant-garde artists will remain culturally and intellectually relevant to their societies for preferring profit to cultural change and political progress. In The Theory-Death of

2226-519: Is not realized or feasible, but has the ideal that is somewhere beyond the horizon, a lighthouse to which it may seek to approach if it considers that ideal socially valid and generally accepted." Chronologically, the first recorded Utopian proposal is Plato 's Republic . Part conversation, part fictional depiction and part policy proposal, Republic would categorize citizens into a rigid class structure of "golden," "silver," "bronze" and "iron" socioeconomic classes. The golden citizens are trained in

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2332-546: Is not reducible to a kitsch style or reactionary orientation, but can instead be used to refer to artists who engage with the legacy of the avant-garde while maintaining an awareness that doing so is in some sense anachronistic. The critic Charles Altieri argues that avant-garde and arrière-garde are interdependent: "where there is an avant-garde, there must be an arrière-garde ." Avant-garde in music can refer to any form of music working within traditional structures while seeking to breach boundaries in some manner. The term

2438-450: Is some myth or memory of a distant past when humankind lived in a primitive and simple state but at the same time one of perfect happiness and fulfillment. In those days, the various myths tell us, there was an instinctive harmony between humanity and nature. People's needs were few and their desires limited. Both were easily satisfied by the abundance provided by nature. Accordingly, there were no motives whatsoever for war or oppression. Nor

2544-447: Is the central notion of the proposal. It has few laws, no lawyers and rarely sends its citizens to war but hires mercenaries from among its war-prone neighbors. These mercenaries were deliberately sent into dangerous situations in the hope that the more warlike populations of all surrounding countries will be weeded out, leaving peaceful peoples to remain. During the 16th century, Thomas More's book Utopia proposed an ideal society of

2650-399: Is this old notion of imagining this ideal society we know will never be realized, the other is the capitalist utopia in the sense of new perverse desire that you are not only allowed but even solicited to realize. The true utopia is when the situation is so without issue, without the way to resolve it within the coordinates of the possible that out of the pure urge of survival you have to invent

2756-615: Is used loosely to describe the work of any musicians who radically depart from tradition altogether. By this definition, some avant-garde composers of the 20th century include Arnold Schoenberg , Richard Strauss (in his earliest work), Charles Ives , Igor Stravinsky , Anton Webern , Edgard Varèse , Alban Berg , George Antheil (in his earliest works only), Henry Cowell (in his earliest works), Harry Partch , John Cage , Iannis Xenakis , Morton Feldman , Karlheinz Stockhausen , Pauline Oliveros , Philip Glass , Meredith Monk , Laurie Anderson , and Diamanda Galás . There

2862-872: The Shakers , who originated in England in the 18th century and arrived in America in 1774. A number of religious utopian societies from Europe came to the United States in the 18th and 19th centuries, including the Society of the Woman in the Wilderness (led by Johannes Kelpius (1667–1708), the Ephrata Cloister (established in 1732) and the Harmony Society , among others. The Harmony Society

2968-428: The artist who created it, which usually is aesthetically innovative, whilst initially being ideologically unacceptable to the artistic establishment of the time. The military metaphor of an advance guard identifies the artists and writers whose innovations in style, form, and subject-matter challenge the artistic and aesthetic validity of the established forms of art and the literary traditions of their time; thus,

3074-483: The idyllic state of affairs they describe is not irretrievably and irrevocably lost to mankind, that it can be regained in some way or other. One way might be a quest for an "earthly paradise" – a place like Shangri-La , hidden in the Tibetan mountains and described by James Hilton in his utopian novel Lost Horizon (1933). Christopher Columbus followed directly in this tradition in his belief that he had found

3180-458: The moral obligation of artists to "serve as [the] avant-garde" of the people, because "the power of the arts is, indeed, the most immediate and fastest way" to realise social, political, and economic reforms. In the realm of culture, the artistic experiments of the avant-garde push the aesthetic boundaries of societal norms , such as the disruptions of modernism in poetry, fiction, and drama, painting, music, and architecture, that occurred in

3286-527: The Avant-Garde ( Theorie der Avantgarde , 1974), the literary critic Peter Bürger looks at The Establishment 's embrace of socially critical works of art as capitalist co-optation of the artists and the genre of avant-garde art, because "art as an institution neutralizes the political content of the individual work [of art]". In Neo-avantgarde and Culture Industry: Essays on European and American Art from 1955 to 1975 (2000), Benjamin H. D. Buchloh argues for

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3392-673: The Avant-Garde (1991), Paul Mann said that the avant-garde are economically integral to the contemporary institutions of the Establishment, specifically as part of the culture industry . Noting the conceptual shift, theoreticians, such as Matei Calinescu , in Five Faces of Modernity: Modernism, Avant-garde, Decadence, Kitsch, Postmodernism (1987), and Hans Bertens in The Idea of the Postmodern: A History (1995), said that Western culture entered

3498-504: The East came from their desire to explore unexpected or novel approaches to theatre-making. Audiences at the time were not often exposed to Eastern theatre practices, and the latter were hence a powerful tool for modernists: Brecht could easily generate the alienation of his western audiences by presenting them with these supposedly "strange" and "foreign" theatrical conventions they were simply not familiar with. Artaud and Yeats could experiment with

3604-470: The Eastern traditions they were pulling from were often limited to a few readings, translations of Chinese and Japanese works, and, in the case of Brecht and Artaud, the witnessing of an out-of-context demonstration of Balinese Theatre Dance and Peking Opera conventions. Remaining geographically distant, for the most part, of the traditions they wrote about, the "oriental theatre" could hence be argued to be more of

3710-641: The Garden of Eden when, towards the end of the 15th century, he first encountered the New World and its indigenous inhabitants. The Peach Blossom Spring ( Chinese : 桃花源 ; pinyin : Táohuāyuán ), a prose piece written by the Chinese poet Tao Yuanming , describes a utopian place. The narrative goes that a fisherman from Wuling sailed upstream a river and came across a beautiful blossoming peach grove and lush green fields covered with blossom petals. Entranced by

3816-602: The Greek historian and biographer of the 1st century, dealt with the blissful and mythic past of humanity. From Sir Philip Sidney 's prose romance The Old Arcadia (1580), originally a region in the Peloponnesus , Arcadia became a synonym for any rural area that serves as a pastoral setting, a locus amoenus ("delightful place"). The Biblical Garden of Eden as depicted in the Old Testament Bible 's Book of Genesis 2 ( Authorized Version of 1611 ): And

3922-564: The High Castle (1962) . According to the Philosophical Dictionary , proto-utopian ideas begin as early as the period of ancient Greece and Rome, medieval heretics , peasant revolts and establish themselves in the period of the early capitalism, reformation and Renaissance ( Hus , Müntzer , More , Campanella ), democratic revolutions ( Meslier , Morelly , Mably , Winstanley , later Babeufists , Blanquists ,) and in

4028-503: The Legislative Theatre on the people of Rio to find out what they wanted to change about their community, and he used the audience reaction to change legislation in his role as a councillor. In the United States, the tumultuous 1960s saw experimental theater emerging as a reaction to the state's policies on issues like nuclear armament, racial social injustice, homophobia, sexism and military–industrial complex . The mainstream theater

4134-475: The Lord God commanded the man, saying, Of every tree of the garden thou mayest freely eat: but of the tree of the knowledge of good and evil, thou shalt not eat of it: for in the day that thou eatest thereof thou shalt surely die. [...] And the Lord God said, It is not good that the man should be alone; [...] And the Lord God caused a deep sleep to fall upon Adam and he slept: and he took one of his ribs and closed up

4240-446: The Lord God planted a garden eastward in Eden; and there he put the man whom he had formed. Out of the ground made the Lord God to grow every tree that is pleasant to the sight and good for food; the tree of life also in the midst of the garden and the tree of knowledge of good and evil . [...] And the Lord God took the man and put him into the garden of Eden to dress it and to keep it. And

4346-543: The Noh performance. His production of the same year, At the Hawk's Well was created by loosely following the rules of a Noh Play: Yeats' attempt at exploring Noh's spiritual power, its lyrical tone and its synthesis of dance, music and verse. Additionally, Gordon Craig repeatedly theorized about "the idea of danger in the Indian theatre", as a potential solution to the lack of risk-taking in

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4452-442: The absence of death and suffering ; changes in human nature and the human condition . Technology has affected the way humans have lived to such an extent that normal functions, like sleep, eating or even reproduction, have been replaced by artificial means. Other examples include a society where humans have struck a balance with technology and it is merely used to enhance the human living condition (e.g. Star Trek ). In place of

4558-416: The action on a highly practical level. When a proscenium arch has been used, its usual use has often been subverted. Audience participation can range from asking for volunteers to go onstage to having actors scream in audience members' faces. By using audience participation, the performer invites the audience to feel a certain way and by doing so they may change their attitudes, values and beliefs in regard to

4664-459: The army. In 19th-century French politics, the term avant-garde (vanguard) identified Left-wing political reformists who agitated for radical political change in French society. In the mid-19th century, as a cultural term, avant-garde identified a genre of art that advocated art-as-politics, art as an aesthetic and political means for realising social change in a society. Since the 20th century,

4770-477: The art term avant-garde identifies a stratum of the Intelligentsia that comprises novelists and writers, artists and architects et al. whose creative perspectives, ideas, and experimental artworks challenge the cultural values of contemporary bourgeois society . In the U.S. of the 1960s, the post–WWII changes to American culture and society allowed avant-garde artists to produce works of art that addressed

4876-458: The artistic vanguard oppose high culture and reject the artifice of mass culture , because the avant-garde functionally oppose the dumbing down of society — be it with low culture or with high culture . That in a capitalist society each medium of mass communication is a factory producing artworks, and is not a legitimate artistic medium; therefore, the products of mass culture are kitsch , simulations and simulacra of Art. Walter Benjamin in

4982-573: The artists who created the anti-novel and Surrealism were ahead of their times. As a stratum of the intelligentsia of a society, avant-garde artists promote progressive and radical politics and advocate for societal reform with and through works of art. In the essay "The Artist, the Scientist, and the Industrialist" (1825), Benjamin Olinde Rodrigues 's political usage of vanguard identified

5088-488: The audience questions, not giving them answers, thereby getting them to think for themselves; Augusto Boal wanted his audiences to react directly to the action; and Antonin Artaud wanted to affect them directly on a subconscious level. Peter Brook has identified a triangle of relationships within a performance: the performers' internal relationships, the performers' relationships to each other on stage, and their relationship with

5194-566: The audience. The British experimental theatre group Welfare State International has spoken of a ceremonial circle during performance, the cast providing one half, the audience providing another, and the energy in the middle. Aside from ideological implications of the role of the audience, theatres and performances have addressed or involved the audience in a variety of ways. The proscenium arch has been called into question, with performances venturing into non-theatrical spaces . Audiences have been engaged differently, often as active participants in

5300-424: The avant-garde traditions in both the United States and Europe. Among these are Fluxus , Happenings , and Neo-Dada . Brutalist architecture was greatly influenced by an avant-garde movement. Utopia A utopia ( / j uː ˈ t oʊ p i ə / yoo- TOH -pee-ə ) typically describes an imaginary community or society that possesses highly desirable or near-perfect qualities for its members. It

5406-504: The beauty, he continued upstream and stumbled onto a small grotto when he reached the end of the river. Though narrow at first, he was able to squeeze through the passage and discovered an ethereal utopia, where the people led an ideal existence in harmony with nature. He saw a vast expanse of fertile lands, clear ponds, mulberry trees, bamboo groves and the like with a community of people of all ages and houses in neat rows. The people explained that their ancestors escaped to this place during

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5512-416: The category of avant-gardists include Elliott Carter , Milton Babbitt , György Ligeti , Witold Lutosławski , and Luciano Berio , since "their modernism was not conceived for the purpose of goading an audience." The 1960s saw a wave of free and avant-garde music in jazz genre, embodied by artists such as Ornette Coleman , Sun Ra , Albert Ayler , Archie Shepp , John Coltrane and Miles Davis . In

5618-404: The causes and meaning of natural events, the purpose of creation, the path of good and evil, happiness and misfortune, fairy tales and legends later inspired by poetry and philosophy ... the underlying motives on which utopian literature is built are as old as the entire historical epoch of human history. ” Philosopher Richard Stahel said: ...every social organization relies on something that

5724-499: The civil unrest of the Qin dynasty and they themselves had not left since or had contact with anyone from the outside. They had not even heard of the later dynasties of bygone times or the then-current Jin dynasty . In the story, the community was secluded and unaffected by the troubles of the outside world. The sense of timelessness was predominant in the story as a perfect utopian community remains unchanged, that is, it had no decline nor

5830-532: The development of such a utopia. In his book Deep Utopia: Life and Meaning in a Solved World , philosopher Nick Bostrom explores what to do in a "solved world", assuming that human civilization safely builds machine superintelligence and manages to solve its political, coordination and fairness problems. He outlines some technologies considered physically possible at technological maturity, such as cognitive enhancement , reversal of aging , self-replicating spacecrafts , arbitrary sensory inputs (taste, sound...), or

5936-769: The director and writer has been challenged directly, and the directors role can exist as an outside eye or a facilitator rather than the supreme authority figure they once would have been able to assume. As well as hierarchies being challenged, performers have been challenging their individual roles. An inter-disciplinary approach becomes more and more common as performers have become less willing to be shoe-horned into specialist technical roles. Simultaneous to this, other disciplines have started breaking down their barriers. Dance , music , video art , visual art , new media art and writing become blurred in many cases, and artists with completely separate trainings and backgrounds collaborate very comfortably. In their efforts to challenge

6042-471: The early-19th century also centred on economic considerations, but with a view to preserving class distinctions; Wakefield influenced several colonies founded in New Zealand and Australia in the 1830s, 1840s and 1850s. In 1905, H. G. Wells published A Modern Utopia , which was widely read and admired and provoked much discussion. Also consider Eric Frank Russell 's book The Great Explosion (1963),

6148-506: The essay " The Work of Art in the Age of Mechanical Reproduction " (1939) and Theodor Adorno and Max Horkheimer in the Dialectic of Enlightenment (1947) said that the artifice of mass culture voids the artistic value (the aura ) of a work of art. That the capitalist culture industry (publishing and music, radio and cinema, etc.) continually produces artificial culture for mass consumption, which

6254-408: The first earth had passed away, and there was no longer any sea...'He will wipe every tear from their eyes. There will be no more death' or mourning or crying or pain, for the old order of things has passed away" and no longer just gnosiological ( Isaiah : "See, I will create/new heavens and a new earth./The former things will not be remembered,/nor will they come to mind". Narrow interpretation of

6360-470: The first time. Brecht's essay, written shortly after having witnessed performer Mei Langfang 's demonstration of a few Peking Opera performance practices in 1935 Moscow, elaborates on his experience on his experience feeling "alienated" by Mei's performance: Brecht notably mentions the absence of a fourth wall in the demonstration, which later on became a staple in Brechtian theatre, and the "stylistic" nature of

6466-620: The flesh instead thereof and the rib, which the Lord God had taken from man, made he a woman and brought her unto the man. According to the exegesis that the biblical theologian Herbert Haag proposes in the book Is original sin in Scripture? , published soon after the Second Vatican Council , Genesis 2:25 would indicate that Adam and Eve were created from the beginning naked of the divine grace , an originary grace that, then, they would never have had and even less would have lost due to

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6572-541: The idealistic principles of the American Founders. The colonies of Carolina (founded in 1670), Pennsylvania (founded in 1681), and Georgia (founded in 1733) were the only three English colonies in America that were planned as utopian societies with an integrated physical, economic and social design. At the heart of the plan for Georgia was a concept of "agrarian equality" in which land was allocated equally and additional land acquisition through purchase or inheritance

6678-546: The inhabitants of Jambudvipa will need to take part in cultivation and hunger will no longer exist. In the 21st century, discussions around utopia for some authors include post-scarcity economics , late capitalism , and universal basic income ; for example, the "human capitalism" utopia envisioned in Utopia for Realists ( Rutger Bregman 2016) includes a universal basic income and a 15-hour workweek , along with open borders . Scandinavian nations , which as of 2019 ranked at

6784-474: The last section of which details an economic and social utopia. This forms the first mention of the idea of Local Exchange Trading Systems (LETS). During the " Khrushchev Thaw " period, the Soviet writer Ivan Efremov produced the science-fiction utopia Andromeda (1957) in which a major cultural thaw took place: humanity communicates with a galaxy-wide Great Circle and develops its technology and culture within

6890-540: The late 19th and in the early 20th centuries. In art history the socio-cultural functions of avant-garde art trace from Dada (1915–1920s) through the Situationist International (1957–1972) to the postmodernism of the American Language poets (1960s–1970s). The French military term avant-garde (advanced guard) identified a reconnaissance unit who scouted the terrain ahead of the main force of

6996-742: The longest-running financially successful communes in American history. The Oneida Community , founded by John Humphrey Noyes in Oneida, New York , was a utopian religious commune that lasted from 1848 to 1881. Although this utopian experiment has become better known today for its manufacture of Oneida silverware, it was one of the longest-running communes in American history. The Amana Colonies were communal settlements in Iowa , started by radical German pietists , which lasted from 1855 to 1932. The Amana Corporation , manufacturer of refrigerators and household appliances,

7102-747: The majority of the secular communes failed within 8 years. Sosis cites anthropologist Roy Rappaport in arguing that rituals and laws are more effective when sacralized . Social psychologist Jonathan Haidt cites Sosis's research in his 2012 book The Righteous Mind as the best evidence that religion is an adaptive solution to the free-rider problem by enabling cooperation without kinship . Evolutionary medicine researcher Randolph M. Nesse and theoretical biologist Mary Jane West-Eberhard have argued instead that because humans with altruistic tendencies are preferred as social partners they receive fitness advantages by social selection , with Nesse arguing further that social selection enabled humans as

7208-646: The matters of the day, usually in political and sociologic opposition to the cultural conformity inherent to popular culture and to consumerism as a way of life and as a worldview . In The Theory of the Avant-Garde ( Teoria dell'arte d'avanguardia , 1962), the academic Renato Poggioli provides an early analysis of the avant-garde as art and as artistic movement. Surveying the historical and social, psychological and philosophical aspects of artistic vanguardism, Poggioli's examples of avant-garde art, poetry, and music, show that avant-garde artists share some values and ideals as contemporary bohemians . In Theory of

7314-535: The mediocrity of mass culture , which political disconnection transformed being an artist into "a profession, one of whose aspects is the pretense of overthrowing [the profession of being an artist]." Avant-garde is frequently defined in contrast to arrière-garde , which in its original military sense refers to a rearguard force that protects the advance-guard. The term was less frequently used than "avant-garde" in 20th-century art criticism. The art historians Natalie Adamson and Toby Norris argue that arrière-garde

7420-406: The modernist movement. Furthermore, Eastern theatre was repeatedly reduced by these western practitioners to an exotic, mystical form. It is important here to acknowledge the importance of cultural context in theatre-making: these practitioners' isolating of a particular ritual or convention from its broader cultural significance and social context shows perhaps that this "questionable exoticization"

7526-449: The musicality and ritualistic nature of Eastern dance traditions as a means to reconnect the western theatre to the mystical and to the universe; and both Grotowski and Craig could draw from the kathakali performers' training as a means to challenge the western theatre's sole focus on psychological truth and truthful behavior. However, their exposure to these theatre traditions was extremely limited: these theatre-makers's understandings of

7632-575: The myth does not take place towards the remote past but either towards the future or towards distant and fictional places, imagining that at some time in the future, at some point in space, or beyond death, there must exist the possibility of living happily. In the United States and Europe, during the Second Great Awakening (ca. 1790–1840) and thereafter, many radical religious groups formed utopian societies in which faith could govern all aspects of members' lives. These utopian societies included

7738-553: The mythological tradition (the poem Works and Days ), explained that, prior to the present era , there were four other progressively less perfect ones, the oldest of which was the Golden Age . Perhaps the oldest Utopia of which we know, as pointed out many years ago by Moses Finley , is Homer 's Scheria , island of the Phaeacians . A mythical place, often equated with classical Corcyra , (modern Corfu / Kerkyra ), where Odysseus

7844-494: The need to improve. Eventually, the Chinese term Peach Blossom Spring came to be synonymous for the concept of utopia. Datong ( Chinese : 大同 ; pinyin : dàtóng ) is a traditional Chinese Utopia. The main description of it is found in the Chinese Classic of Rites , in the chapter called "Li Yun"( Chinese : 禮運 ; pinyin : Lǐ yùn ). Later, Datong and its ideal of 'The World Belongs to Everyone/The World

7950-434: The performance's topic. For example, in a performance on bullying the character may approach an audience member, size them up and challenge them to a fight on the spot. The terrified look on the audience member's face will strongly embody the message of bullying to the member and the rest of the audience. Physically, theatre spaces took on different shapes, and practitioners re-explored different ways of staging performance and

8056-527: The performance; another key concept which would find its way into Brecht's later theories. In fact, three of Brecht's plays are set in China ( The Measures Taken , The Good Person of Szechwan , and Turandot ) Yeats , pioneer of the modernist and symbolist movement, discovered Noh drama in 1916, as detailed in his essay Certain Noble Plays of Japan , which reveals a strong interest in the musicality and stillness of

8162-569: The public good, may be inconceivable because of the disordered human passions which, under the wrong governments, seek to highlight the poorly conceived or selfish interest of the community. But even though we find it impossible, they are ridiculous to sinful people whose sense of self-destruction prevents them from believing. Marx and Engels used the word "utopia" to denote unscientific social theories. Philosopher Slavoj Žižek told about utopia: Which means that we should reinvent utopia but in what sense. There are two false meanings of utopia one

8268-625: The realism of western drama, many modernists looked to other cultures for inspiration. Indeed, Artaud has often credited the Balinese dance traditions as a strong influence on his experimental theories: his call for a departure from language in the theatre, he says, partially came to him as a concept after having seen the Balinese Theatre's performance at the Colonial Exhibition in Paris in 1931. He

8374-592: The religion-based Twelve Tribes , which started in the United States in 1972. Since its inception, it has grown into many groups around the world. Similarly, a commune called Brook Farm established itself in 1841. Founded by Charles Fourier's visions of Utopia, they attempted to recreate his idea of a central building in society called the Phalanx. Unfortunately, this commune could not sustain itself and failed after only six years of operation. They wanted to stay open for longer, but they could not afford it. Their goal, however,

8480-593: The rock music of the 1970s, the "art" descriptor was generally understood to mean "aggressively avant-garde" or "pretentiously progressive". Post-punk artists from the late 1970s rejected traditional rock sensibilities in favor of an avant-garde aesthetic. Whereas the avant-garde has a significant history in 20th-century music, it is more pronounced in theatre and performance art, and often in conjunction with music and sound design innovations, as well as developments in visual media design. There are movements in theatre history that are characterized by their contributions to

8586-469: The same name. Readers, including Utopian socialists, have chosen to accept this imaginary society as the realistic blueprint for a working nation, while others have postulated that Thomas More intended nothing of the sort. It is believed that More's Utopia functions only on the level of a satire, a work intended to reveal more about the England of his time than about an idealistic society. This interpretation

8692-487: The similarity of the word to eutopia , meaning "good place", from Greek : εὖ ("good" or "well") and τόπος ("place"), which ostensibly would be the more appropriate term for the concept in modern English. The pronunciations of eutopia and utopia in English are identical , which may have given rise to the change in meaning. Dystopia , a term meaning "bad place" coined in 1868, draws on this latter meaning. The opposite of

8798-440: The social face of theatre, rather than its stylistic appearance. Performers have used their skills to engage in a form of cultural activism. This may be in the form of didactic agit-prop theatre, or some (such as Welfare State International ) see a performance environment as being one in which a micro-society can emerge and can lead a way of life alternative to that of the broader society in which they are placed. For instance, in

8904-412: The static perfection of a utopia, libertarian transhumanists envision an " extropia ", an open, evolving society allowing individuals and voluntary groupings to form the institutions and social forms they prefer. Mariah Utsawa presented a theoretical basis for technological utopianism and set out to develop a variety of technologies ranging from maps to designs for cars and houses which might lead to

9010-527: The subject of several poems, one of which, an early translation of a 13th-century French work, is given in George Ellis' Specimens of Early English Poets . In this, "the houses were made of barley sugar and cakes, the streets were paved with pastry and the shops supplied goods for nothing." London has been so called (see Cockney ) but Boileau applies the same to Paris. Schlaraffenland is an analogous German tradition. All these myths also express some hope that

9116-485: The subsequent events narrated. On the other hand, while supporting a continuity in the Bible about the absence of preternatural gifts ( Latin : dona praeternaturalia ) with regard to the ophitic event , Haag never makes any reference to the discontinuity of the loss of access to the tree of life. The Land of Cockaigne (also Cockaygne, Cokaygne), was an imaginary land of idleness and luxury, famous in medieval stories and

9222-439: The text depicts Heaven on Earth or a Heaven brought to Earth without sin . Daily and mundane details of this new Earth, where God and Jesus rule, remain unclear, although it is implied to be similar to the biblical Garden of Eden. Some theological philosophers believe that heaven will not be a physical realm but instead an incorporeal place for souls . The Greek poet Hesiod , around the 8th century BC, in his compilation of

9328-546: The top of the World Happiness Report , are sometimes cited as modern utopias, although British author Michael Booth has called that a myth and wrote a 2014 book about the Nordic countries . Particularly in the early 19th century, several utopian ideas arose, often in response to the belief that social disruption was created and caused by the development of commercialism and capitalism . These ideas are often grouped in

9434-601: The top-down ( bureaucratic ) nature of Bellamy's utopia, which Morris criticized. However, as the socialist movement developed, it moved away from utopianism; Marx in particular became a harsh critic of earlier socialism which he described as "utopian". (For more information, see the History of Socialism article.) In a materialist utopian society, the economy is perfect; there is no inflation and only perfect social and financial equality exists. Edward Gibbon Wakefield 's utopian theorizing on systematic colonial settlement policy in

9540-611: The western theatre, and some might argue his theories about an über-marionette actor could be compared to the kathakali training. In 1956, Grotowski too found himself an interest for Eastern performance practices, and experimented with using some aspects of Kathakali in his actor training program. He had studied the South-Indian tradition in Kerala, at the Kalamandalam. In many cases, these practitioners' pulling of theatrical conventions from

9646-536: The world organized and built intentional communities with the hope of developing a better way of living together. Many of these intentional communities are relatively small. Many intentional communities have a population close to 100, with many possibly exceeding this number. While this may seem large, it is pretty small in comparison to the rest of society. From the small populations, it is apparent that people do not prefer this kind of living . While many of these new small communities failed, some continue to grow, such as

9752-511: The world. Anthropologist Richard Sosis examined 200 communes in the 19th-century United States, both religious and secular (mostly utopian socialist ). 39 percent of the religious communes were still functioning 20 years after their founding while only 6 percent of the secular communes were. The number of costly sacrifices that a religious commune demanded from its members had a linear effect on its longevity, while in secular communes demands for costly sacrifices did not correlate with longevity and

9858-706: Was a Christian theosophy and pietist group founded in Iptingen , Germany , in 1785. Due to religious persecution by the Lutheran Church and the government in Württemberg , the society moved to the United States on October 7, 1803, settling in Pennsylvania . On February 15, 1805, about 400 followers formally organized the Harmony Society, placing all their goods in common . The group lasted until 1905, making it one of

9964-427: Was aided by the advent of ensemble improvisational theater, as part of the experimental theatre movement, which did not need a writer to develop the material for a show or "theater piece". In this form the lines were devised by the actors or performers. Within this many different structures and possibilities exist for performance makers, and a large variety of different models are used by performers today. The primacy of

10070-446: Was an important figure in terms of stage design, and was very keen to break away from the excesses of naturalism to get to a more pared down, representational way of looking at the stage. The increase of the production of experimental theaters during the 1950s through the 1960s has prompted some to cite the connection between theater groups and the socio-political contexts in which they operated. Some groups have been prominent in changing

10176-873: Was coined by Sir Thomas More for his 1516 book Utopia , which describes a fictional island society in the New World . Hypothetical utopias focus on, among other things, equality in categories such as economics , government and justice , with the method and structure of proposed implementation varying according to ideology. Lyman Tower Sargent argues that the nature of a utopia is inherently contradictory because societies are not homogeneous and have desires which conflict and therefore cannot simultaneously be satisfied. To quote: There are socialist, capitalist, monarchical, democratic, anarchist, ecological, feminist, patriarchal, egalitarian, hierarchical, racist, left-wing, right-wing, reformist, free love, nuclear family, extended family, gay, lesbian and many more utopias [ Naturism , Nude Christians , ...] Utopianism, some argue,

10282-642: Was coined in 1516 from Ancient Greek by the Englishman Sir Thomas More for his Latin text Utopia . It literally translates as "no place", coming from the Greek : οὐ ("not") and τόπος ("place"), and meant any non-existent society, when 'described in considerable detail'. However, in standard usage, the word's meaning has shifted and now usually describes a non-existent society that is intended to be viewed as considerably better than contemporary society. In his original work, More carefully pointed out

10388-530: Was customarily used to push their own preconceived notions about the theatre, rather than to explore the culture they were borrowing from. Experimental theatre alters traditional conventions of space ( black box theater ), theme, movement, mood, tension, language, symbolism, conventional rules and other elements. Avant-garde In the arts and literature , the term avant-garde (from French meaning ' advance guard ' or ' vanguard ' ) identifies an experimental genre or work of art , and

10494-432: Was explained in the conceptualization of experimentation that "goes much deeper and much beyond than merely a new form/or novel content" but "a light that illuminates one's work from within. And this light in the spirit of quest – not only aesthetic quest – it is an amalgam of so many quests – intellectual, aesthetic, but most of all, spiritual quest." Traditionally, there is a highly hierarchical method of creating theatre -

10600-642: Was increasingly seen from as a purveyor of lies, hence, theatrical performances were often seen as a means to expose what is real and this entails a focus on hypocrisy, inequality, discrimination, and repression. This is demonstrated in the case of Grotowski , who rejected the lies and contradictions of mainstream theater and pushed for what he called as truthful acting in the performances of his Poor Theater as well as his lectures and workshops. Experimental theatre encourages directors to make society, or our audience at least, change their attitudes, values, and beliefs on an issue and to do something about it. The distinction

10706-532: Was originally started by the group. Other examples are Fountain Grove (founded in 1875), Riker's Holy City and other Californian utopian colonies between 1855 and 1955 (Hine), as well as Sointula in British Columbia , Canada. The Amish and Hutterites can also be considered an attempt towards religious utopia. A wide variety of intentional communities with some type of faith-based ideas have also started across

10812-413: Was particularly interested in the symbolic gestures performed by the dancers and their intimate connection to the music; in his Notes on Oriental, Greek and Indian Cultures, we find a curiosity as to what the French theatre scene could become if it pulled from traditions such as Noh and Balinese dance . Similarly, it is in his essay on Chinese acting that Brecht used the term Verfremdungseffekt for

10918-606: Was prohibited; the plan was an early step toward the yeoman republic later envisioned by Thomas Jefferson . The communes of the 1960s in the United States often represented an attempt to greatly improve the way humans live together in communities. The back-to-the-land movements and hippies inspired many to try to live in peace and harmony on farms or in remote areas and to set up new types of governance. Communes like Kaliflower , which existed between 1967 and 1973, attempted to live outside of society's norms and to create their own ideal communalist society. People all over

11024-414: Was there any need for hard and painful work. Humans were simple and pious and felt themselves close to their God or gods. According to one anthropological theory, hunter-gatherers were the original affluent society . These mythical or religious archetypes are inscribed in many cultures and resurge with special vitality when people are in difficult and critical times. However, in utopias, the projection of

11130-503: Was very similar to that of Utopia: to lead a more wholesome and simpler life than the atmosphere of pressure surrounding society at the time. It is clear that despite ambition, it is difficult for communes to stay in operation for very long. Though Francis Bacon 's New Atlantis is imbued with a scientific spirit, scientific and technological utopias tend to be based in the future, when it is believed that advanced science and technology will allow utopian living standards ; for example,

11236-509: Was washed ashore after 10 years of storm-tossed wandering and escorted to the King's palace by his daughter Nausicaa . With stout walls, a stone temple and good harbours, it is perhaps the 'ideal' Greek colony , a model for those founded from the middle of the 8th Century onward. A land of plenty, home to expert mariners (with the self-navigating ships), and skilled craftswomen who live in peace under their king's rule and fear no strangers. Plutarch ,

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