The European Union Chamber Orchestra ( EUCO ) is a chamber orchestra with funding from the European Commission , founded in 1981 and initially known as the European Community Chamber Orchestra.
93-496: The orchestra has toured worldwide and broadcast on BBC Radio 3 . It has performed with at that time debuting Peter Donohoe , Nikolai Demidenko , Amandine Savary , Sheku Kanneh-Mason , and Tasmin Little . The orchestra has produced 18 CDs. This article on a classical orchestra is a stub . You can help Misplaced Pages by expanding it . This article about an organization in Europe is
186-654: A stub . You can help Misplaced Pages by expanding it . BBC Radio 3 BBC Radio 3 is a British national radio station owned and operated by the BBC . It replaced the BBC Third Programme in 1967 and broadcasts classical music and opera , with jazz , world music , drama , culture and the arts also featuring. The station has described itself as "the world's most significant commissioner of new music". Through its New Generation Artists scheme promotes young musicians of all nationalities. The station broadcasts
279-409: A Sunday. This has reduced the total number of continuity announcers required each day down from four to three. The Greenwich Time Signal , popularly known as "the pips", is broadcast every hour to herald the news bulletin, except at midnight and 18:00, and 22:00 on Sunday, when the chimes of Big Ben are played. There is no Greenwich Time Signal at 15:00 on Saturday or 11:00 and 12:00 on Sunday due to
372-463: A broadcast signal from Radio 4 on 198 longwave to verify the annihilation of organised society in Great Britain. BBC Radio 4 broadcasts a wide variety of speech-related programming, including news, drama, comedy, science and history. Music is broadcast as in documentaries relating to various forms of both popular and classical music, and the long-running music-based Desert Island Discs . Sport
465-669: A continuous news service devoted to the Gulf War , Radio 4 News FM , with the main Radio 4 service transferring to long wave. Before this, Radio 4's FM frequencies had occasionally been used for additional news coverage, generally for live coverage of statements and debates in Parliament. By the start of the 1990s, Radio 4 had become available on FM in most of the UK - previously FM coverage had been restricted mainly to England and south Wales. This meant that it
558-452: A different aspect of their work being chosen for study each time. However, the programme also covers more 'difficult' or less-widely known composers, with weeks devoted to Rubbra , Medtner , Havergal Brian , Kapralova , and the Minimalists among others. On 2 August 2013, in honour of the station's 70th year, listeners were asked to nominate a composer who had never before been featured for
651-405: A lack of female broadcasters. In September 1972, Radio 4 employed the first female continuity announcers—Hylda Bamber and Barbara Edwards. For quite some time, the introduction of female newsreaders led to complaints from listeners; women discussing topics of feminist interest led to similar complaints. In addition, there has been long-running criticism by atheist and humanist groups of Thought for
744-500: A later date. The mix in these proms of classical music to combine with music of a classical nature from the programmes was hoped to introduce a much younger audience to the genres catered for by Radio 3. As of 2014 Radio 3 was having to undergo further changes as a result of recent findings from the BBC Trust . In the station's latest service review, carried out in 2010, the Trust recommended
837-641: A listening share of 1.6% as of March 2024. Radio 3 is the successor station to the Third Programme which began broadcasting on 29 September 1946. The name Radio 3 was adopted on 30 September 1967 when the BBC launched its first pop music station, Radio 1 and rebranded its national radio channels as Radio 1, Radio 2 (formerly the Light Programme ), Radio 3, and Radio 4 (formerly the Home Service ). Radio 3
930-468: A live Internet stream transmitted at a rate of 320 kbit /s, instead of Radio 3's usual 192 kbit/s, using its AAC-LC 'Coyopa' coding technology. This technology was later developed further, and Radio 3 became the first BBC Radio station to broadcast permanently in this High Definition Sound (as it has been termed) format. BBC Radio 3's Breakfast programme originally launched in 1992 as On Air and took on its current name in 2007. It airs every day and
1023-464: A planned switch-off of long wave transmissions by 2025. BBC Radio 4's medium wave frequencies were switched off on 15 April 2024, which previously served as relays in areas with a weak LW signal to provide reception of BBC Radio 4 LW, such as Northern Ireland and south west England. Most were turned off at 12:27 PM BST and broadcast an endless closedown loop informing listeners to retune to other methods of reception. The final transmitter to change into
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#17330854537201116-413: A quarter, resulting in a letter of protest to The Times signed by Harold Pinter , Tom Stoppard and Fay Weldon among others; new weekday programmes for breakfast time and drive time, entitled On Air and In Tune respectfully, were launched, as was a new three-hour programme of popular classics on Sunday mornings fronted by Brian Kay . These moves were defended by Kenyon who argued that
1209-515: A recorded repeat on Sunday afternoons at approximately the same time. Choral Evensong forms part of Radio 3's remit on religious programming though non-religious listeners have campaigned for its retention. Composer of the Week was launched in the BBC Home Service on 2 August 1943 under its original title of This Week's Composer . From 15 December 1964 the programme became a regular feature in
1302-519: A result of international agreements aimed at avoiding interference (all ITU Region 1 MW/LW broadcast frequencies are divisible by 9). At this point, Radio 4 became available across all of the UK for the first time and the station officially became known as Radio 4 UK, a title that remained until 29 September 1984. For a time during the 1970s Radio 4 carried regional news bulletins Monday to Saturday. These were broadcast twice at breakfast, at lunchtime and at 17:55. There were also programme variations for
1395-613: A result of the Broadcasting in the Seventies report. The second controller, Stephen Hearst who assumed the role in 1972, was different. As Hearst had previously been head of television arts features his appointment was seen with scepticism among the staff who viewed him as a populariser. According to Hearst when interviewed for Humphrey Carpenter 's book, the main rival candidate for controller Martin Esslin , head of Radio Drama, had said to
1488-470: A service on 11 October 2006. When Choral Evensong was moved from Radio 4 to Radio 3 with effect from 8 April 1970 and reduced to just one broadcast per month, the BBC received 2,500 letters of complaint, and weekly transmissions were resumed on 1 July. In 2007 the live broadcast was switched to Sundays, which again caused protests. The live transmission was returned to Wednesdays in September 2008, with
1581-399: A special broadcast at Christmas. The composer listeners chose was Louise Farrenc . The programme is written and presented by either Donald Macleod or Kate Molleson. Two programs formerly showcased live or recorded performances from venues across the country. Lunchtime was from 1 to 2 pm and Afternoon continued until 5 pm, with presenters being rotated weekly for
1674-578: A week to six" and "segregating programmes into classes". Mention of the campaign even reached debate in the House of Commons. From the launch until 1987, the controllers of Radio 3 showed preferences towards speech and arts programming as opposed to focus on classical music and the Proms. The first controller, Newby, made little contribution to the station, focusing on the transition from the Third programme to Radio 3 and as
1767-484: A year after broadcast as streaming audio from Radio 4's listen again page and via BBC Sounds . A selection of programmes is also available as podcasts or downloadable audio files. Many comedy and drama programmes from the Radio 4 archives are broadcast on BBC Radio 4 Extra . Due to the capacity limitations of DAB and increasing sport broadcasts on BBC Radio 5 Sports Extra , BBC Radio 4 DAB has to reduce its bit rate most evenings, such that after 7 p.m. its DAB output
1860-608: A younger audience. Innovations of this type began in 2008 with the introduction of a concert celebrating the music from the television programme Doctor Who as composed by Murray Gold and was later followed by a further Doctor Who prom in 2010, a free family prom in 2009, another free Horrible Histories prom in 2011 and a Wallace and Gromit prom in 2012. These particular concerts were introduced by Wright, who became Proms Director in addition to his duties at Radio 3 in October 2007, and many were also televised for broadcast at
1953-412: Is "Radio 3's flagship early evening music programme". It was first broadcast on 13 July 1992 and was launched in response to the forthcoming launch of the competitor radio station Classic FM . Since 1997 the programme has been presented by Sean Rafferty and (since 2017) Katie Derham , and features a mix of live and recorded classical and jazz music, interviews with musicians, and arts news. The show
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#17330854537202046-550: Is a weeknight programme, broadcast between 7:30 and 10 pm, with recorded concerts from various venues around the country and Europe. Regular presenters include Nicola Heywood-Thomas , Martin Handley and Petroc Trelawny . The last broadcast with the Live in Concert name was on 15 July 2015. BBC Radio 4 BBC Radio 4 is a British national radio station owned and operated by
2139-403: Is also not part of the station's output, apart from during news bulletins, although between 1994 and 2023, the station's long wave frequency was used to broadcast ball-by-ball commentaries of most Test cricket matches played by England. Consequently, for around 70 days a year, listeners had to rely on FM broadcasts or DAB for mainstream Radio 4 broadcasts – the number relying solely on long wave
2232-663: Is broadcast on the FM band between 90.2 and 92.6 MHz , on DAB Digital Radio , the digital television services Freeview , Freesat , Sky , Virgin Media , TalkTalk TV and Virgin Media Ireland and on BBC Sounds both online and on the app, where Radio 3 programmes can be listened back to. On its FM frequencies, the station uses less dynamic range compression of the volume of music than rival station Classic FM . On DAB it uses dynamic range control (DRC) which allows compression to be defined by
2325-466: Is considered by many to be its flagship. There is no comparable British commercial network: Channel 4 abandoned plans to launch its own speech-based digital radio station in October 2008 as part of a £100m cost cutting review. The station is available on FM in most of Great Britain, parts of Ireland and the north of France; LW throughout the UK and in parts of Northern Europe, and the Atlantic north of
2418-621: Is noted for its relaxed, convivial style of presentation. Jazz Record Requests was the first weekly jazz programme on the Third Programme. First presented by the jazz musician Humphrey Lyttelton , the 30-minute programme was launched on 12 December 1964 and is still running. Now an hour long, it was broadcast on Saturdays, usually in the late afternoon, until October 2019 when it moved to Sunday afternoon. Presenters of it on Radio 3 have included Ken Sykora , Steve Race , Peter Clayton , Charles Fox and Geoffrey Smith . Alyn Shipton became
2511-464: Is on air on weekdays from 6:30am until 9:30am, with a 9:00 am finish at the weekend. Short news bulletins are broadcast on the hour. The programme is presented by Petroc Trelawny , Hannah French and Kate Molleson during the week and by Tom McKinney and Elizabeth Alker at the weekend. The Anglican service of sung evening prayer is broadcast on Wednesday afternoons. It is broadcast live from cathedrals, university college chapels and churches throughout
2604-534: Is the second-most-popular British domestic radio station by total hours, after Radio 2 . It recorded its highest audience, of 11 million listeners, in May 2011, and was "UK Radio Station of the Year" at the 2003, 2004, 2008 and 2023 Radio Academy Awards . It also won a Peabody Award in 2002 for File on 4: Export Controls . Costing £71.4 million (2005/6), it is the BBC's most expensive national radio network and
2697-594: Is usually in mono, even though many of its programmes are made in stereo (including its flagship drama "The Archers"), these can be heard in stereo only on FM, Digital TV on Freeview & Freesat (Ch. 704), Sky, Virgin and on line via BBC Sounds. BBC World Service, which uses BBC Radio 4 FM & DAB frequencies between 01:00 and 05:20, is in stereo, but only on Radio 4 FM & DAB and not on its own dedicated DAB channel. BBC Radio 4 Extra broadcasts in mono on DAB, but has always been in stereo on Digital TV (Freeview / Freesat Ch 708), Sky, Virgin and online. Announcers carry out
2790-650: The Azores to about 20 degrees west; DAB ; Digital TV including Freeview , Freesat , Sky and Virgin Media , and on the Internet. Freesat, Sky and Virgin have a separate channel for Radio 4 LW output in mono, in addition to the FM output. The longwave signal is part of the Royal Navy's system of letters of last resort . In the event of a suspected catastrophic attack on Britain, submarine captains, in addition to other checks, check for
2883-511: The BBC . The station replaced the BBC Home Service on 30 September 1967 and broadcasts a wide variety of spoken-word programmes from the BBC's headquarters at Broadcasting House , London . Since 2019, the station controller has been Mohit Bakaya . He replaced Gwyneth Williams , who had been the station controller since 2010. Broadcasting throughout the United Kingdom, the Isle of Man and
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2976-658: The BBC National Programme . The letters LO continued to be used internally as a designation in the BBC for technical operations in the London area (for example, the numbering of all recordings made in London contained LO). The code LO was changed to LN in the early 1970s. When the British Broadcasting Company first began transmissions on 14 November 1922 from station 2LO in the Strand , which it had inherited from
3069-642: The BBC Proms concerts, live and in full, each summer in addition to performances by the BBC Orchestras and Singers . There are regular productions of both classic plays and newly commissioned drama. Radio 3 won the Sony Radio Academy UK Station of the Year Gold Award for 2009 and was nominated again in 2011. According to RAJAR , the station broadcasts to a weekly audience of 1.9 million with
3162-522: The Channel Islands on FM , LW and DAB , and on BBC Sounds , it can be received in the eastern counties of Ireland , northern France and Northern Europe . It is available on Freeview , Sky , and Virgin Media . Radio 4 currently reaches over 10 million listeners, making it the UK's second most-popular radio station after BBC Radio 2 . BBC Radio 4 broadcasts news programmes such as Today , The World at One and PM heralded on air by
3255-598: The Greenwich Time Signal pips or the chimes of Big Ben . The pips are only accurate on FM, and LW; there is a delay on digital radio of three to five seconds and online up to 23 seconds. Radio 4 broadcasts the Shipping Forecast which, in August 2017, was 150 years old. According to RAJAR , the station broadcasts to a weekly audience of 9.2 million with a listening share of 11.1% as of December 2023. BBC Radio 4
3348-523: The Marconi Company (one of six commercial companies which created), but technology did not yet exist either for national coverage or joint programming between transmitters . Whilst it was possible to combine large numbers of trunk telephone lines to link transmitters for individual programmes, the process was expensive and not encouraged by the General Post Office as it tied up large parts of
3441-690: The Queen's Hall , conducted by Sir Henry Wood . The BBC's involvement with the Proms led to the creation of the BBC Symphony Orchestra and the BBC Wireless Orchestra to perform music. Television transmission began in 1947 and today, selected concerts are also simulcast on BBC Four . Promenade concerts are centred on the Royal Albert Hall with broadcasts from other venues around the UK. Radio 3 in Concert (originally Live in Concert )
3534-527: The Study on 4 / Options adult education slot from Radio 4's FM frequencies. Consequently, the full Radio 4 schedule became available on FM for the first time. However, adult educational and Open University programming returned to Radio 4 in 1994 when Radio 5 was closed to make way for the launch of BBC Radio 5 Live and were broadcast until the end of the 1990s on Sunday evenings on longwave only. Between 17 January 1991 and 2 March 1991 FM broadcasts were replaced by
3627-621: The 1930s wing of Broadcasting House in central London . However, in addition to these studios, certain programmes and performances are broadcast from other BBC bases including from BBC Cymru Wales ' Cardiff headquarters and BBC North 's headquarters at MediaCityUK , Salford. The BBC also has recording facilities at the Royal Albert Hall , the Royal Festival Hall and the Queen Elizabeth Hall which can be used to record and broadcast performances at these London venues. Radio 3
3720-499: The 2003/4 Charter renewal application and the Annual report for the year which reported that Radio 3 had "achieved a record [audience] reach in the first quarter of 2004", and by the government: the Secretary of State's foreword to the government's Green Paper in 2005 made special mention of "the sort of commitment to new talent that has made Radio 3 the largest commissioner of new music in
3813-446: The BBC announced that Radio 4 will stop broadcasting opt-outs on long wave with the last opt-outs airing on 31 March 2024. The two displaced programmes, Daily Service and Yesterday in Parliament moved to BBC Radio 4 Extra . The daily amount of Shipping Forecasts was reduced to be broadcast 2 times on weekdays and 3 times on weekends. Test Match Special moved to BBC Radio 5 Sports Extra on 31 July 2023. These end ahead of
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3906-526: The BBC trialled its first music downloads over the internet by offering free music downloads of all nine symphonies as played by the BBC Philharmonic Orchestra under Gianandrea Noseda . The stated aim was "to gauge audiences' appetite for music downloads and their preferred content, and will inform the development of the BBC strategy for audio downloads and on demand content". The experiment was wildly successful, attracting 1.4 million downloads but
3999-500: The Night to begin promptly. In 1998, Roger Wright took over as controller of the station. Soon after his appointment some changes were made to showcase a wider variety of music; a new, relaxed, late-night music programme Late Junction featured a wide variety of genres; programmes focusing on jazz and world music were given a higher profile as were programmes presented by Brian Kay , focusing on light music, and Andy Kershaw , whose show
4092-470: The Saturday Afternoon drama and the omnibus edition of The Archers respectively. Only pips broadcast on FM and LW are accurate. On digital platforms there is a delay of between three and five seconds, and up to 23 seconds online. Radio 4 programmes cover a wide variety of genre including news and current affairs, history, culture, science, religion, arts, comedy, drama and entertainment. A number of
4185-488: The Seventies report also proposed a large cutback in the number and size of the BBC's orchestras. In September 1969, a distinguished campaign group entitled the Campaign for Better Broadcasting was formed to protest, with the backing of Sir Adrian Boult , Jonathan Miller , Henry Moore and George Melly . The campaign objected to "the dismantling of the Third Programme by cutting down its spoken word content from fourteen hours
4278-414: The Seventies . On 10 July 1969 the BBC published its plans for radio and television in a policy document entitled Broadcasting in the Seventies . Later described in 2002 by Jenny Abramsky , Head of Radio and Music, as "the most controversial document ever produced by radio", the document outlined each station's target audience and what content should be broadcast on each channel. This concept went against
4371-422: The UK. On occasion, it broadcasts Choral Vespers from Catholic cathedrals, (such as Westminster Cathedral ), Orthodox Vespers, or a recorded service from choral foundations abroad. Choral Evensong is the BBC's longest-running outside broadcast programme, the first edition having been relayed from Westminster Abbey on 7 October 1926. Its 80th anniversary was celebrated, also live from Westminster Abbey, with
4464-464: The aim of the BBC, which is to provide a comprehensive radio service". Curran had earlier dismissed any suggestion that Radio 3's small audience was a consideration: "What is decisive is whether there is a worthwhile audience, and I mean by worthwhile an audience which will get an enormous satisfaction out of it." As a result of Broadcasting in the Seventies , factual content, including documentaries and current affairs, were moved to BBC Radio 4 and
4557-473: The audio transmissions. In October 2007, Radio 3 collaborated with the English National Opera in presenting a live video stream of a performance of Carmen , "the first time a UK opera house has offered a complete production online" and in September 2008, Radio 3 launched a filmed series of concerts that was available to watch live and on demand for seven days "in high quality vision". This strategy
4650-430: The changes were not "some ghastly descent into populism" but were instead to create "access points" for new listeners. However, there was still "widespread disbelief" when it was announced in the summer that a new morning programme would take the 9 am spot from the revered Composer of the Week and would be presented by a signing from Classic FM – the disc jockey Paul Gambaccini . The criticism, especially once
4743-402: The children's programme Making Tracks , experimental music programme Mixing It , theatre and film programme Stage and Screen and Brian Kay's Light Programme all being dropped, a reduction in the number of concerts and format changes to several other programmes. In spite of the changes, figures still continued to fall. The mid- to late 2000s did, however, offer new projects undertaken on
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#17330854537204836-505: The closedown loop was the Plymouth relay on 774 kHz at 4:59 PM BST. These relays stopped broadcasting the closedown loop and fell silent completely by 30 April 2024. An online schedule page lists the running order of programmes. The station broadcasts a mix of live and pre-recorded programmes. Live programming includes breakfast programme Today , magazine programme Woman's Hour , consumer affairs programme You and Yours , and (often)
4929-405: The content of the channel more accessible to a wider audience, but his efforts, which included the evening drivetime programme Homeward Bound and Sunday phone-in request programme Your Concert Choice (the former an uninterrupted sequence of musical items identified only at the end of the programme; the latter a resurrection from the old Home Service ), were criticised. However, during this time
5022-523: The day and would use the frequencies of either Radio 1 or 2 as the two stations would merge content. However "Day-time serious music would be the casualty" of these proposals and caused some controversy. A further rumour was expressed that Radio 3 could be closed altogether as a strong statistical case existed against the station according to The Guardian . However, the Director-General, Charles Curran , publicly denied this as "quite contradictory to
5115-402: The earlier methods laid out by the BBC's first Director General John Reith and caused controversy at the time, despite laying out the radio structure that is recognisable today. At the time of the review, Radio 3 faced several problems. An early option to cut costs, required under the proposals, was to reduce the number of networks from four to three, so that Radio 3 would not broadcast during
5208-504: The feeling that they thought it mattered what Radio 3 did." Drummond's successor was Nicholas Kenyon , previously chief music critic of The Observer , who took over in February 1992 and was immediately faced with the looming launch date for commercial competitor Classic FM who were, and still remain, Radio 3's biggest rivals. Kenyon, similar to Singer a decade earlier, believed that Radio 3 had to make changes to its presentation before
5301-436: The first time a whole weekend had been transmitted "live from another continent". However, Drummond complained about the former that "not one single senior person in the BBC had listened to any part of it", reflecting his general feeling that the BBC senior management paid little attention stating: "I can't remember ever having a serious conversation with anyone above me in the BBC about Radio 3 ... I would much rather have had
5394-420: The following duties from Broadcasting House: Newsreaders read hourly summaries and longer bulletins from New Broadcasting House. In 2012 the BBC announced that it would be reducing its main presentation team from 12 to ten. Other continuity announcers for whom it is not known whether they are freelance or BBC employees, include Joanna Kean, Kelsey Bennett, Arlene Fleming (who also used to read
5487-420: The interviewing panel that audience figures should play no part in the decision making process over programming. Hearst said he responded to the same question about this issue by commenting that as the station was financed by public money it needed to consider the size of its audience – there was a minimum viable figure but this could be increased with "a lively style of broadcasting". Hearst attempted to make
5580-491: The introduction of Through the Night , consisting of radio recordings from members of the European Broadcasting Union and distributed to some of these other stations under the title Euroclassic Notturno since 1998. The introduction of 24-hour broadcasting resulted in the introduction of a fixed programming point at 22:00 so that if live programme overran, later programming could be cancelled to allow Through
5673-433: The latter program. The live Monday edition of Lunchtime was repeated on Sunday at the same time. From 2024, these were merged as Classical Live . The Early Music Show presents European music dating up to the time of Bach, broadcast at 2 pm each Sunday. Episodes cover the music, the performers, and occasional discussions of musical style. Regular presenters include Lucie Skeaping and Hannah French. In Tune
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#17330854537205766-414: The long running arts discussion programme Critics' Forum was launched as well as themed evenings and programmes of miscellaneous music including Sounds Interesting . In 1978, Ian McIntyre took over as controller of Radio 3 but quickly faced uncomfortable relationships between departments. At approximately the same time Aubrey Singer became managing director of Radio and began to make programming on
5859-421: The music critic Edward Greenfield to fear that "people would lose the mix of cultural experiences which expanded intellectual horizons". However, Radio 3 controller Howard Newby reassured these concerns by replying that only the coverage of political and economic affairs would be passed to Radio 4, and Radio 3 would keep drama, poetry, and talks by scientists, philosophers and historians. The Broadcasting in
5952-486: The music programmes' presentation was too stiff and formal and he therefore encouraged announcers to be more natural and enthusiastic. Repeats of classic drama performances by the likes of John Gielgud and Paul Scofield were also included because, in his view, newer drama was "gloomy and pretentious". He also introduced features and celebrations of the anniversaries of famous figures including William Glock , Michael Tippett and Isaiah Berlin . Drummond also introduced
6045-682: The music, film, books, arts and culture programme Front Row . Continuity is managed from Broadcasting House with news bulletins, including the hourly summaries and longer programmes such as the Six O'Clock News and Midnight News , and news programmes such as Today , The World at One and PM , which by early 2013 had returned to Broadcasting House after 15 years at BBC Television Centre in White City . The news returning to Broadcasting House has also meant that newsreaders can provide cover for continuity, which regularly occurs at 23:00 each night and 16:00 on
6138-528: The new station began broadcasting rather than react later. As a result, three senior producers were sent to study classical music stations in the United States and the station hired advertising agents Saatchi & Saatchi to help improve public perception. Kenyon's tenure was to meet with much controversy: in attempts to update the station's presentation, popular announcers Malcolm Ruthven, Peter Barker and Tony Scotland were axed as well as drama being cut by
6231-515: The news) and Richard Evans. Criticism voiced by centre-right newspapers in recent years have a perceived left political bias across a range of issues, as well as sycophancy in interviews, particularly on the popular morning news magazine Today as part of a reported perception of a general "malaise" at the BBC. Conversely, the journalist Mehdi Hasan has criticised the station for an overtly " socially and culturally conservative" approach. There has been criticism of Today in particular for
6324-527: The number of specially recorded evening concerts. The Trust did recognise, however, that "Radio 3 plays a vital role in the cultural and creative life of the UK" and as a result, the report did agree to reinvest in the Proms, to retain the long dramas found on the station and to continue to broadcast a new concert live each evening. The current controller of Radio 3 is Sam Jackson, who replaced Alan Davey in April 2023. BBC Radio 3 broadcasts from studios inside
6417-562: The parts of England not served by BBC Local Radio stations. These included Roundabout East Anglia , a VHF opt-out of the Today programme broadcast from BBC East 's studios in Norwich each weekday from 6.45 a.m. to 8.45 a.m. Roundabout East Anglia came to an end in August 1980, ahead of the launch of BBC Radio Norfolk . All regional news bulletins broadcast from BBC regional news bases around England ended in August 1980, apart from in
6510-731: The presenter in May 2012. Broadcast on Saturday nights between 6 and 9:30 pm, Opera on 3 features live performances by the Metropolitan Opera from the Metropolitan Opera House in New York City . The annual BBC Proms concerts are broadcast live each summer on Radio 3. Broadcasting the Proms began in 1927, when the Third Programme transmitted the Thirty-Second Season of the Promenade Concerts live from
6603-558: The programme Sounding the Century , which ran for two years from 1997, presented a retrospective of 20th-century music. Both won awards. He also introduced a number of well received specialist programmes including children's programme The Music Machine , early music programme Spirit of the Age , jazz showcase Impressions , vocal music programme Voices and the arts programme Night Waves . BBC Radio 3 began nighttime transmissions in May 1996 with
6696-437: The programme went on air a few weeks later, was so unrelenting that Gambaccini announced the following spring that he would not be renewing his contract with Radio 3. However, Kenyon's controllership was marked by several highly distinguished programming successes. Fairest Isle was an ambitious project from 1995 which marked the 300th anniversary of the death of Henry Purcell with a year-long celebration of British music and
6789-484: The programmes on Radio 4 take the form of a "magazine" show, featuring numerous small contributions over the course of the programme— Woman's Hour , From Our Own Correspondent , You and Yours . The rise of these magazine shows is primarily due to the work of Tony Whitby , controller of Radio 4 from 1970 to 1975. The station hosts a number of long-running programmes, many of which have been broadcast for over 40 years. Most programmes are available for 30 days or over
6882-492: The schedule of the newly established daytime "Third Network" classical music service, the Music Programme (later to be absorbed into Radio 3). The programme was renamed Composer of the Week on 18 January 1988. Each week, in five daily programmes, the work of a particular composer is studied in detail and illustrated with musical excerpts. Bach , Beethoven , Haydn , Mozart and Handel have all featured once most years,
6975-437: The separate titled strands were abolished. The document stated that Radio 3 was to have "a larger output of standard classical music" but with "some element in the evening of cultural speech programmes – poetry, plays". Equally, questions were being asked by the poet Peter Porter about whether other spoken content, for example poetry, would remain on the station. These concerns also led to the composer Peter Maxwell Davies and
7068-510: The show Mixing It which targeted the music genres that fell between Radios 1 and 3, often seen as a precursor to the programme Late Junction . During Drummond's time, Radio 3 also began to experiment with outside broadcasts, including an ambitious Berlin Weekend to mark the reunification of Germany in 1990, and a much praised weekend of programming that was broadcast from London and Minneapolis-St Paul – creating broadcasting history by being
7161-438: The southwest as until January 1983 there was no BBC Local Radio in the southwest so these news bulletins and its weekday morning regional programme, Morning Sou'West , continued to be broadcast from the BBC studios in Plymouth on VHF and on the Radio 4 medium wave Plymouth relay until 31 December 1982. The launch of Radio 5 on 27 August 1990 saw the removal of Open University , schools programming, children's programmes and
7254-506: The start of the Proms. Senior management was also getting dissatisfied with listening figures leading to the Director-General Alasdair Milne to suggest that presentation style was "too stodgy and old-fashioned". In 1987 the positions of Controller of Music and Controller of Radio 3 were merged, and with it the operation of the Proms, under the former Music Controller John Drummond . Drummond, like Hearst, believed that
7347-522: The station become more accessible to new audiences, easier to navigate through the different genres and to review the output of the BBC's orchestras and singers. Soon after this verdict, the license fee was capped and the BBC given more services to pay for with the same level of income. As a result, the corporation had to reduce its costs. In the proposal entitled Delivering Quality First , the BBC proposed that Radio 3 contribute by broadcasting 25% fewer live or specially recorded lunchtime concerts and reducing
7440-528: The station more populist in a drive to retain listeners in face of possible competition from competitors using a "streamed format". An example of this is the replacement of Homeward Bound in 1980 with an extended, presenter-driven programme called Mainly for Pleasure . The same year an internal paper recommended the disbandment of several of the BBC's orchestras and of the Music Division, resulting in low morale and industrial action by musicians that delayed
7533-545: The station was transferred to the new British Broadcasting Company which in 1923 took up the nearby Savoy Hill for its broadcasting studios. At midnight on New Year's Eve 1923, the twelve chimes of Big Ben were broadcast for the first time to mark the new year. In 1927 the company became the British Broadcasting Corporation . On 9 March 1930 2LO was replaced by the BBC Regional Programme and
7626-516: The station: The Beethoven Experience in June 2005 saw the broadcast of his works broadcast non-stop for six days. A similar project occurred six months later when A Bach Christmas was run for ten days in the lead to Christmas and in February 2007 when a week was similarly given over to the works of Tchaikovsky & Stravinsky , and Schubert in March 2012. As part of the original Beethoven Experience,
7719-454: The telephone network. The stations that followed the establishment of 2LO in London were therefore autonomously programmed using local talent and facilities. By May 1923, simultaneous broadcasting was technically possible at least between main transmitters and relay stations , the quality was not felt to be high enough to provide a national service or regular simultaneous broadcasts. In 1924, it
7812-425: The user. The station also uses a BBC-designed pulse-code modulation digitisation technique similar to NICAM , which is used for outside broadcasts running through a telephone line. This runs at a sample rate of 14,000 per second per channel. A similar technique was later used for recording at the same rate. In September 2010, for the final week of the Proms broadcasts, the BBC trialled XHQ (Extra High Quality),
7905-504: The world" as a model for what the BBC should be about. By 2008, however, the station faced pressures to increase its audience by making programmes more accessible while loyal listeners began to complain about the tone of these new changes. Presentation was described as "gruesome in tone and level" and global music output was mocked as "street-smart fusions" and "global pop". At the same time RAJAR began to record lower listening figures and decisions on policy were being changed resulting in
7998-461: Was also introduced to some of the BBC Proms concerts. By the latter years of the 2000s, Radio 3's prospects were improving. The year 2008/9 saw the introduction of more concerts and other innovations had introduced Radio 3's largest event to a wider audience. The introduction of family orientated concerts to the BBC Proms , which are broadcast live on Radio 3, helped the station to introduce itself to
8091-460: Was broadcast on medium wave with a network of VHF FM transmitters being added from 1955. Radio 4 replaced it on 30 September 1967, when the BBC restructured and renamed its domestic radio stations, in response to the challenge of offshore radio . It moved to long wave in November 1978, taking over the 200 kHz frequency (1,500 metres) previously held by Radio 2 - later moved to 198 kHz as
8184-471: Was felt that technical standards had improved enough for London to start to provide the majority of the output, cutting the local stations back to providing items of local interest. Each of these main stations were broadcast at approximately 1 kilowatt (kW): Each of these relay stations were broadcast at approximately 120 watts (W): The BBC Home Service was the predecessor of Radio 4 and broadcast between 1939 and 1967. It had regional variations and
8277-477: Was met with anger from the major classical record labels who considered it unfair competition and "devaluing the perceived value of music". As a result, no further free downloads have been offered, including as part of the BBC iPlayer service, and the BBC Trust has ruled out any classical music podcasts with extracts longer than one minute. In 2007, Radio 3 also began to experiment with a visual broadcast as well as
8370-484: Was now a small minority. The cricket broadcasts took precedence over on-the-hour news bulletins, but not the Shipping Forecast , carried since Radio 4's move to long wave in 1978 because long wave can be received clearly at sea. Initially the power was 100 watts on 350 metres (857 kHz ). 2LO was allowed to transmit for seven minutes, after which the "operator" had to listen on the wavelength for three minutes for possible instructions to close down. On 14 November 1922
8463-434: Was possible for the main Radio 4 service to be transferred from LW to FM, and this took place on 16 September 1991 with opt-outs - extra shipping forecasts, Daily Service and Yesterday in Parliament , joined in 1994 by Test Match Special . Longwave also occasionally opted out at other times, such as to broadcast special services, the most recent being when Pope Benedict XVI visited Britain in 2010 . On 30 May 2023,
8556-481: Was previously dropped by Radio 1. In these changes, Wright believed that, in the case of the former, he was addressing "this feeling people had that they didn't want to put Radio 3 on unless they were going to listen carefully" and in the latter cases that he was "not dumbing down but smarting up" the programmes. By 2004, Radio 3's programming and services were being recognised by the Corporation at large, as seen in
8649-486: Was the overall label applied to the collection of services which had until then gone under the umbrella title of the Third Network, namely: All these strands, including the Third Programme, kept their separate identities within Radio 3 until 4 April 1970, when there was a further reorganisation following the introduction of the structural changes which had been outlined the previous year in the BBC document Broadcasting in
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