Estudios Churubusco is one of the oldest and largest movie studios in Mexico . It is located in the Churubusco neighborhood of Mexico City .
239-563: It was inaugurated in 1945 after a 1943 agreement between RKO and Emilio Azcárraga Vidaurreta (of Televisa ). In 1950, it was acquired by the government of Mexico and merged with Estudios y Laboratorios Azteca to form Estudios Churubusco Azteca . Since 1958 it has been controlled by the government of Mexico. Of the four motion picture studios during the golden age of Mexican cinema —the others were Estudios America , Estudios San Angel and Estudios Tepeyac —it and Televisa San Angel (the former Estudios San Angel) are still in operation. It
478-452: A "friend in deed and [we] certainly have been in need." Floyd Norman , the studio's first black animator who worked closely with Disney during the 1950s and 1960s, said, "Not once did I observe a hint of the racist behavior Walt Disney was often accused of after his death. His treatment of people—and by this I mean all people—can only be called exemplary." Watts argues that many of Disney's post-World War II films "legislated
717-506: A "security office" to oversee an ideological vetting system. "We are going to screen everyone in a creative or executive capacity", he declared. "The work of Communist sympathizers will not be used." As more credits were expunged, some in the industry began to question whether Hughes's hunt for subversives served primarily as a convenient rationale for further curtailing production and trimming expenses. In September, Hughes and his corporate president, Ned Depinet, sold their RKO studio stock to
956-473: A Chicago-based syndicate with no experience in the movie business; the syndicate's chaotic reign lasted until February 1953, when the stock and control were reacquired by Hughes. The studio's net loss in 1952 was over $ 10 million, and shooting had taken place for just a single in-house production over the last five months of the year. During the turmoil, Samuel Goldwyn ended his eleven-year-long distribution deal with RKO. Wald and Krasna escaped their contracts and
1195-510: A Reasonable Doubt , a remake of a 1956 RKO film directed by Fritz Lang, fared even worse critically, receiving a 7% rating on Rotten Tomatoes . A stage version of Top Hat toured Great Britain in the second half of 2011. The most recent RKO film coproductions are the well-received A Late Quartet (2012) and the 2015 flop Barely Lethal . Two months after Dina Merrill's May 2017 death, independent producer Keith Patterson sued RKO, Hartley, and his second-in-command, Mary Beth O'Connor, over
1434-512: A camera, he began experimenting at home. He came to the conclusion that cel animation was more promising than the cutout method. Unable to persuade Cauger to try cel animation at the company, Disney opened a new business with a co-worker from the Film Ad Co, Fred Harman . Their main client was the local Newman Theater, and the short cartoons they produced were sold as "Newman's Laugh-O-Grams". Disney studied Paul Terry's Aesop's Fables as
1673-642: A certain installment of the "Career Day" newsreel segments on The Mickey Mouse Club focusing on the bureau (which aired in January 1958), as well as an unmade 1961 educational short warning children about the dangers of child molestation . Disney's public persona was very different from his actual personality. Playwright Robert E. Sherwood described him as "almost painfully shy ... diffident" and self-deprecating. According to his biographer Richard Schickel , Disney hid his shy and insecure personality behind his public identity. Kimball argues that Disney "played
1912-589: A consequence, they were fired by RKO per the terms of the Waldorf Statement , the major studios' pledge to "eliminate any subversives". Scott, Dmytryk, and eight others who also defied HUAC—dubbed the Hollywood Ten —were blacklisted across the industry. Ironically, the studio's major success of the year was Crossfire , a Scott–Dmytryk film. Odlum concluded it was time to exit the film business, and he put Atlas's remaining RKO shares—approximately 25 percent of
2151-401: A coproduction between RKO and Lupino's company, The Filmakers. Of more historic note, Lupino was Hollywood's only female director during the period; of the five pictures The Filmakers made with RKO, Lupino directed three, including her now celebrated The Hitch-Hiker (1953). Exposing many moviegoers to Asian cinema for the first time, RKO distributed Akira Kurosawa 's epochal Rashomon in
2390-617: A creator of entertainment for an almost unlimited public and as a highly ingenious merchandiser of his wares can rightly be compared to the most successful industrialists in history." Correspondent Alistair Cooke calls Disney a "folk-hero ... the Pied Piper of Hollywood", while Gabler considers Disney "reshaped the culture and the American consciousness". In the American Dictionary of National Biography , Langer writes: Disney remains
2629-414: A cynical manipulator of cultural and commercial formulas", while PBS records that critics have censured his work because of its "smooth façade of sentimentality and stubborn optimism, its feel-good re-write of American history". Disney has been accused of antisemitism for having given Nazi propagandist Leni Riefenstahl a tour of his studio a month after Kristallnacht . Riefenstahl's invitation
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#17330854984602868-438: A designer's studio. It never had a stable of important actors, writers, or directors, but ... it was rich in artists and special-effects technicians. As a result, its most distinctive pictures contained a strong element of fantasy—not so much the fantasy of horror, which during the thirties was the province of Universal , but the fantasy of the marvelous and adventurous." As a group, the studio's craft divisions were among
3107-473: A distributor. Following the 1927 sensation The Jazz Singer , Disney used synchronized sound on the third short, Steamboat Willie , to create the first post-produced sound cartoon . After the animation was complete, Disney signed a contract with the former executive of Universal Pictures, Pat Powers , to use the "Powers Cinephone" recording system; Cinephone became the new distributor for Disney's early sound cartoons, which soon became popular. To improve
3346-504: A downright feeling of animosity for our M. Mouse. Mr. A. Hitler, the Nazi old thing, says that Mickey's silly. Imagine that! Well, Mickey is going to save Mr. A Hitler from drowning or something some day. Just wait and see if he doesn't. Then won't Mr. A. Hitler be ashamed!" In late 1939, when Disney was discussing plans to move his staff to a newly built studio in Burbank , one employee asked him how
3585-478: A dozen movies for the studio over two decades. From soon after its debut in early 1935 until July 1942, Louis de Rochemont 's innovative documentary series The March of Time was distributed by RKO; at its peak in the late 1930s and early 1940s, over twenty million filmgoers saw its two-reelers each month in eleven thousand US and foreign theaters. Lacking the financial resources of industry leaders MGM , Paramount , and Fox , RKO turned out many pictures during
3824-525: A foreign language, not suppressed or sponsored or anything. Just Disney." Many of those with whom Disney worked commented that he gave his staff little encouragement due to his exceptionally high expectations. Norman recalls that when Disney said "That'll work", it was an indication of high praise. Instead of direct approval, Disney gave high-performing staff financial bonuses, or recommended certain individuals to others, expecting that his praise would be passed on. Views of Disney and his work have changed over
4063-835: A functional city was replaced by a park more akin to a permanent world's fair . In 2009, the Walt Disney Family Museum, designed by Disney's daughter Diane and her son Walter E. D. Miller, opened in the Presidio of San Francisco . Thousands of artifacts from Disney's life and career are on display, including numerous awards that he received. In 2014, the Disney theme parks around the world hosted approximately 134 million visitors. Early in 1925, Disney hired an ink artist, Lillian Bounds . They married in July of that year, at her brother's house in her home town of Lewiston, Idaho . The marriage
4302-645: A generous donor to Thomas E. Dewey 's 1944 bid for the presidency . In 1946, he was a founding member of the Motion Picture Alliance for the Preservation of American Ideals , an organization who stated they "believ[ed] in, and like, the American Way of Life ... we find ourselves in sharp revolt against a rising tide of Communism, Fascism and kindred beliefs, that seek by subversive means to undermine and change this way of life". In 1947, during
4541-431: A goodwill trip to South America, ensuring he was absent during a resolution he knew would be unfavorable to the studio. Due to the strike—and the financial state of the company—several animators left the studio, and Disney's relationship with other members of staff was permanently strained as a result. The strike temporarily interrupted the studio's next production, Dumbo (1941), which Disney produced in
4780-549: A half-decade, with a planned slate of seventeen features. RKO released Fritz Lang's final two American films, While the City Sleeps and Beyond a Reasonable Doubt (both 1956), but years of mismanagement had driven away many directors, producers, and stars. The studio was also saddled with the last of the inflated B movies such as Pearl of the South Pacific (1955) and The Conqueror (1956) that enchanted Hughes. While
5019-526: A hit, and The Set-Up (1949), directed by Robert Wise and starring Robert Ryan , which won the Critic's Prize at the Cannes Film Festival . The Thing from Another World (1951), a science-fiction drama coproduced with Howard Hawks's Winchester Pictures, is seen as a classic of the genre. In 1952, RKO put out two films directed by Fritz Lang , Rancho Notorious and Clash by Night . The latter
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#17330854984605258-659: A job as a commercial illustrator at the age of 18. He moved to California in the early 1920s and set up the Disney Brothers Studio (now The Walt Disney Company ) with his brother Roy . With Ub Iwerks , he developed the character Mickey Mouse in 1928, his first highly popular success; he also provided the voice for his creation in the early years. As the studio grew, he became more adventurous, introducing synchronized sound , full-color three-strip Technicolor , feature-length cartoons and technical developments in cameras. The results, seen in features such as Snow White and
5497-523: A kind of cultural Marshall Plan . They nourished a genial cultural imperialism that magically overran the rest of the globe with the values, expectations, and goods of a prosperous middle-class United States." Film historian Jay P. Telotte acknowledges that many see Disney's studio as an "agent of manipulation and repression", although he observes that it has "labored throughout its history to link its name with notions of fun, family, and fantasy". John Tomlinson, in his study Cultural Imperialism , examines
5736-612: A large payout in April and later in the year signed a three-picture deal with MGM. Sarnoff and Kennedy began talks about setting up a holding company funded by RCA cash and KAO securities, but plans stalled as Sarnoff grew frustrated with Kennedy's reluctance to pay for the Photophone work proceeding, if slowly, at FBO and Pathé. An attempt by Kennedy to reorganize yet another studio that had turned to him for help, now ERPI-aligned First National, further strained his relationship with Sarnoff and raised
5975-474: A larger fee for producing the Oswald series, but found Mintz wanting to reduce the payments. Mintz had also persuaded many of the artists involved to work directly for him, including Harman, Ising, Carman Maxwell and Friz Freleng . Disney also found out that Universal owned the intellectual property rights to Oswald. Mintz threatened to start his own studio and produce the series himself if Disney refused to accept
6214-722: A larger plot in Anaheim , 35 miles (56 km) south of the studio, was purchased. To distance the project from the studio—which might attract the criticism of shareholders—Disney formed WED Enterprises (now Walt Disney Imagineering ) and used his own money to fund a group of designers and animators to work on the plans; those involved became known as "Imagineers". After obtaining bank funding he invited other stockholders, American Broadcasting-Paramount Theatres —part of American Broadcasting Company (ABC)—and Western Printing and Lithographing Company . In mid-1954, Disney sent his Imagineers to every amusement park in
6453-440: A legal battle with Wall Street Financial Associates (WSFA). Hartley and Merrill claimed that the owners of WSFA fraudulently induced them into signing an acquisition agreement by concealing their "cynical and rapacious" plans to purchase RKO, with the intention only of dismantling it. WSFA sought a preliminary injunction prohibiting RKO's majority owners from selling their interests in the company to any third parties. The WSFA motion
6692-477: A less tense merger, engineered by Murdock, was finalized, establishing the Keith-Albee-Orpheum (KAO) theater chain. With Pathé's finances in a ditch, Murdock, at Walker's prodding, turned to Kennedy for help in reorganizing the studio and consolidating it with PDC. The two men found that they had mutual interests, in particular, removing Edward Albee , the "Czar of Vaudeville" and Murdock's nominal boss, from
6931-518: A massive reorganization following an attempted hostile takeover. With RKO General dismantling its broadcast business, RKO Pictures Inc., along with the original RKO studio's trademarks , remake rights, and other remaining assets, was put up for sale. After a bid by RKO Pictures' own management team failed, the managers made a deal with Wesray Capital Corporation —under the control of former US treasury secretary William E. Simon and investor Ray Chambers —to buy RKO through Entertainment Acquisition Co.,
7170-525: A memo, Selznick wrote, "I feel, in spite of his enormous ears and bad chin line, that his charm is ... tremendous". Selznick's tenure was widely considered masterful: In 1931, before he arrived, the studio had produced forty-two features for $ 16 million in total budgets. In 1932, under Selznick, forty-one features were made for $ 10.2 million, with clear improvement in quality and popularity. He backed several major successes, including A Bill of Divorcement (1932), with Cukor directing Hepburn's debut, and
7409-603: A model, and the first six "Laugh-O-Grams" were modernized fairy tales. In May 1921, the success of the "Laugh-O-Grams" led to the establishment of Laugh-O-Gram Studio , for which he hired more animators, including Fred Harman's brother Hugh , Rudolf Ising and Iwerks. The Laugh-O-Grams cartoons did not provide enough income to keep the company solvent, so Disney started production of Alice's Wonderland —based on Alice's Adventures in Wonderland —which combined live action with animation; he cast Virginia Davis in
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7648-470: A month. In July 1924, Disney also hired Iwerks, persuading him to relocate to Hollywood from Kansas City. In 1926, the first official Walt Disney Studio was established at 2725 Hyperion Avenue; the building was demolished in 1940. By 1926, Winkler's role in the distribution of the Alice series had been handed over to her husband, the film producer Charles Mintz , although the relationship between him and Disney
7887-820: A nervous breakdown in October 1931—which he blamed on the machinations of Powers and his own overwork—so he and Lillian took an extended holiday to Cuba and a cruise to Panama to recover. With the loss of Powers as distributor, Disney studios signed a contract with Columbia Pictures to distribute the Mickey Mouse cartoons, which became increasingly popular, including internationally. Disney and his crew also introduced new cartoon stars like Pluto in 1930, Goofy in 1932 and Donald Duck in 1934. Always keen to embrace new technology and encouraged by his new contract with United Artists , Disney filmed Flowers and Trees (1932) in full-color three-strip Technicolor ; he
8126-479: A new home in the Holmby Hills district of Los Angeles. With the help of his friends Ward and Betty Kimball , who already had their own backyard railroad , Disney developed blueprints and immediately set to work on creating a miniature live steam railroad for his back yard. The name of the railroad, Carolwood Pacific Railroad , came from his home's location on Carolwood Drive. The miniature working steam locomotive
8365-470: A new subsidiary, General Teleradio. Thomas F. O'Neil , son of General Tire's founder William O'Neil and chairman of the broadcasting group, saw that the company's new television stations, indeed all TV outlets, were in need of programming. In September 1954, WOR-TV had launched the Million Dollar Movie program, running a single film for a week, twice every night plus Saturday and Sunday matinees;
8604-409: A newly created purchasing entity. The sale was completed in late 1987, and Wesray linked RKO with its Six Flags amusement parks to form RKO/Six Flags Entertainment Inc. In 1989, RKO Pictures, which had produced no films while under Wesray control, was sold off yet again. Actress and Post Cereals heiress Dina Merrill and her husband, producer Ted Hartley , acquired a majority interest and merged
8843-547: A nominal profit of a bit more than $ 500,000 in 1941. Many of RKO's other artistically ambitious pictures were also dying at the box office and it was losing its last exclusive deal with a major star as well. Rogers, after winning an Oscar in 1941 for her performance in the previous year's Kitty Foyle , held out for a freelance contract like Lombard's or Grant's. No star appeared in more RKO films than Rogers: thirty between 1931 and 1943, then one-offs in 1946 and 1956. On June 17, 1942, Schaefer tendered his resignation. He departed
9082-415: A now fabled performance as Quasimodo in the latter, returned periodically to the studio, headlining six more RKO features. For Maureen O'Hara , who made her American screen debut in the film, it was the first of ten pictures she made for RKO through 1952. Carole Lombard signed freelance deals for headlining roles in four films between 1939 and 1941—the last of her pictures to come out before her death in
9321-433: A number of unpleasant harbingers for all of Hollywood. The British government imposed a 75 percent tax on films produced abroad; along with similarly confiscatory taxes and quota laws enacted by other countries, this led to a sharp decline in foreign revenues. The postwar attendance boom peaked sooner than expected and television emerged as a competitor for audience interest. Across the board, profits fell—a 27 percent drop for
9560-464: A number of well-received films he made for RKO. RKO, and the movie industry as a whole, had its most profitable year ever in 1946. A Goldwyn production released by RKO, The Best Years of Our Lives , was the most successful Hollywood film of the decade and won the Academy Award for Best Picture. But the legal status of the industry's reigning business model was increasingly being called into doubt:
9799-515: A painter. Walt Disney Walter Elias Disney ( / ˈ d ɪ z n i / DIZ -nee ; December 5, 1901 – December 15, 1966) was an American animator, film producer, voice actor, and entrepreneur. A pioneer of the American animation industry , he introduced several developments in the production of cartoons . As a film producer, he holds the record for most Academy Awards earned (22) and nominations (59) by an individual. He
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10038-529: A pair of four-film series, the comedic Great Gildersleeve (1943–44) and noirish Dick Tracy (1945–47). Film noir , to which lower budgets lent themselves, became something of a house style at the studio; indeed, the RKO B Stranger on the Third Floor (1940) is widely seen as initiating noir's classic period. Its cinematographer , Nicholas Musuraca , who began at FBO in the 1920s and stayed with RKO through 1954,
10277-466: A party through the plant. Leni was in the party. If we had known it in advance she wouldn't have got in." Animation historian Jim Korkis, theorizes that Disney may have also met with Riefenstahl for financial reasons: as an attempt by Disney to recover over 135,000 Reichsmarks owed from his German film distributor and to get the ban on Disney films lifted in Germany. Animator Art Babbitt , organizer behind
10516-542: A period of time, to which her father raised no objections and even reportedly said, "Sharon, I think it's wonderful how these Jewish families have accepted you." Disney has also been accused of other forms of racism because some of his productions released between the 1930s and 1950s contain racially insensitive material. Gabler argues that "Walt Disney was no racist. He never, either publicly or privately, made disparaging remarks about blacks or asserted white superiority. Like most white Americans of his generation, however, he
10755-613: A plane crash. After costarring with Ginger Rogers for the eighth time in The Story of Vernon and Irene Castle (1939), Fred Astaire departed the studio. The studio's B Western star of the period was George O'Brien , who made eighteen RKO pictures, sixteen between 1938 and 1940. The Saint in New York (1938) successfully launched a B detective series featuring the character Simon Templar that ran through 1943. The Wheeler and Woolsey comedy series ended in 1937 when Woolsey became ill (he died
10994-433: A remake of a 1949 RKO movie that was itself a King Kong knockoff; the Disney coproduction was distributed by Buena Vista. In the early 2000s, the company was involved as a coproducer of TV movies and modestly budgeted features, about one a year. In 2003, it coproduced a Broadway stage version of the 1936 Astaire–Rogers vehicle Swing Time , under the title Never Gonna Dance . That same year, RKO Pictures entered into
11233-502: A series of popular live-action nature films, titled True-Life Adventures , with Seal Island the first; the film won the Academy Award in the Best Short Subject (Two-Reel) category. In early 1950, Disney produced Cinderella , his studio's first animated feature in eight years. It was popular with critics and theater audiences. Costing $ 2.2 million to produce, it earned nearly $ 8 million in its first year. Disney
11472-428: A seven-year contract and cast her in the big-budget musical Flying Down to Rio (1933). Rogers was paired with Fred Astaire , making his second film. Billed fourth and fifth respectively, the picture turned them into stars. Hermes Pan , assistant to the film's dance director, became one of Hollywood's leading choreographers through his subsequent work with Astaire. Along with Columbia Pictures , RKO became one of
11711-451: A showcase to the world for the ingenuity and imagination of American free enterprise. During 1966, Disney cultivated businesses willing to sponsor EPCOT. He received a story credit in the 1966 film Lt. Robin Crusoe, U.S.N. as Retlaw Yensid, his name spelt backwards. He increased his involvement in the studio's films, and was heavily involved in the story development of The Jungle Book ,
11950-508: A simple and inexpensive manner; the film received a positive reaction from audiences and critics alike. Shortly after the release of Dumbo in October 1941, the U.S. entered World War II. Disney formed the Walt Disney Training Films Unit within the company to produce instruction films for the military such as Four Methods of Flush Riveting and Aircraft Production Methods . Disney also met with Henry Morgenthau Jr. ,
12189-669: A spending spree, buying up theater after theater to add to its exhibition chain. In October 1930, the company purchased a 50 percent stake in the New York Van Beuren studio, which specialized in cartoons and live shorts. Looking to get out of the film business, Kennedy arranged for RKO to purchase Pathé, in a deal that protected his associates' bond investments while it crushed many small stockholders who had bought in at artificially high prices. (Indeed, Kennedy, who had previously sold all of his Pathé holdings, started buying back bonds, which he turned around for substantial gains.) The deal
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#173308549846012428-680: A subsidiary created three years earlier, RKO Pictures Inc. In collaboration with Universal Studios, RKO put out five films over the next three years. Although the studio frequently worked with major names—including Burt Reynolds and Dolly Parton in The Best Little Whorehouse in Texas , Jack Nicholson in The Border , and Nastassja Kinski in Cat People (all 1982)—it met with little success. Corporate restructuring brought RKO General under
12667-529: A subsidiary of AT&T 's Western Electric division. The industry's two largest companies, Paramount and Loew's / MGM , along with First National Pictures —third of the silent era "Big Three" major studios , but by then in marked decline—and Universal Pictures , were poised to contract with ERPI and its Vitaphone and Movietone systems for sound conversion as well. Seeking a customer for Photophone, then general manager of RCA David Sarnoff approached financier Joseph P. Kennedy in late 1927 about using
12906-656: A theme park. When he visited Griffith Park in Los Angeles with his daughters, he wanted to be in a clean, unspoiled park, where both children and their parents could have fun. He visited the Tivoli Gardens in Copenhagen, Denmark, and was heavily influenced by the cleanliness and layout of the park. In March 1952, he received zoning permission to build a theme park in Burbank, near the Disney studios. This site proved too small, and
13145-456: A weakened and troubled studio, but RKO was about to turn the corner. Propelled by the box-office boom of World War II and guided by new management, RKO made a strong comeback over the next half-decade. By the end of June 1942, Floyd Odlum had taken over a controlling interest in the company via his Atlas Corporation , edging aside the Rockefellers and Sarnoff. Charles Koerner , former head of
13384-502: A young actress who would quickly become one of the studio's big stars, Katharine Hepburn . John Barrymore was also enlisted for a few memorable performances. In November 1931, just as Selznick was assuming his new post, the separate Pathé distribution network was folded into RKO's. After less than a year of largely independent operation out of Culver City, the Pathé feature film division soon followed (due to exhibition contracts, features from
13623-628: Is a central figure in creating the look of classic noir. Design chief Albert D'Agostino —another long-termer, who succeeded Van Nest Polglase in 1941—and art director Walter Keller, along with others in the department, such as art directors Carroll Clark and Jack Okey and set decorator Darrell Silvera , are similarly credited. The studio's 1940s list of contract players was filled with noir regulars: Robert Mitchum (who graduated to major star status) and Robert Ryan each made no fewer than ten film noirs for RKO. Gloria Grahame , Jane Greer , and Lawrence Tierney were also notable studio players in
13862-686: Is estimated that 95% of the films produced in Mexico since 2000 have used many of the services the studio provides. Among the films shot at the Estudios Churubusco were the James Bond film Licence to Kill (1988), Honey, I Shrunk the Kids (1989), Total Recall (1990), Amores perros (2000), which was nominated for an Academy Award for Best Foreign Language Film, and Frida (2002). In 2017, Estudios Churubusco celebrated its 72nd anniversary by opening
14101-522: The 1941 strike at the studio and who held a well-known grudge against Disney, claimed in his later years that he saw Disney and his lawyer attend meetings of the German American Bund , a pro-Nazi organization, during the late 1930s. However, according to Disney biographer Neal Gabler: "...that was highly unlikely, not only because Walt had little enough time for his family, much less political meetings, but because he had no real political leanings at
14340-529: The Academy Award for Best Picture ; it cost a profligate $ 1.4 million, however, and lost nearly half that on its first release. Cimmaron' s female principal, Irene Dunne , was the studio's one major homegrown star of this early pre-Code era; having made her screen debut as the lead in the 1930 musical Leathernecking , she would headline at the studio for the entire decade, under contracts that gave her an unusual amount of power. Other significant actors of
14579-499: The Chouinard Art Institute ; he brought animals into the studio and hired actors so that the animators could study realistic movement. To portray the changing perspective of the background as a camera moved through a scene, Disney's animators developed a multiplane camera which allowed drawings on pieces of glass to be set at various distances from the camera, creating an illusion of depth. The glass could be moved to create
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#173308549846014818-643: The Disneyland series, which was made in collaboration with NASA rocket designer Wernher von Braun . Disney also oversaw aspects of the full-length features Lady and the Tramp (the first animated film in CinemaScope ) in 1955, Sleeping Beauty (the first animated film in Technirama 70 mm film ) in 1959, One Hundred and One Dalmatians (the first animated feature film to use Xerox cels ) in 1961, and The Sword in
15057-635: The Kansas City Art Institute and also took a correspondence course in cartooning. In 1917, Elias bought stock in a Chicago jelly producer, the O-Zell Company, and moved back to the city with his family. Disney enrolled at McKinley High School and became the cartoonist of the school newspaper, drawing patriotic pictures about World War I; he also took night courses at the Chicago Academy of Fine Arts . In mid-1918, he attempted to join
15296-644: The San Fernando Valley as a movie ranch for exteriors and large-scale standing sets. With RKO Productions' films handled by sibling subsidiary RKO Distributing Corp., the studio released a limited slate of twelve features in its first year; in 1930, the figure more than doubled to twenty-nine. That July, RKO Productions Inc. was renamed RKO Radio Pictures Inc. RKO Pictures Ltd. was set up to handle British distribution. Encouraged by Rio Rita ' s success, RKO produced several costly musicals incorporating Technicolor sequences, among them Dixiana and Hit
15535-756: The Second Red Scare , Disney testified before the House Un-American Activities Committee (HUAC), where he branded Herbert Sorrell , David Hilberman and William Pomerance , former animators and labor union organizers, as communist agitators; Disney stated that the 1941 strike led by them was part of an organized communist effort to gain influence in Hollywood. The New York Times reported in 1993 that Disney had been an FBI informant passing secret information to J. Edgar Hoover about communist activities in Hollywood. However, while Walt Disney
15774-682: The Secretary of the Treasury , and agreed to produce short Donald Duck cartoons to promote war bonds . Disney also produced several propaganda productions , including shorts such as Der Fuehrer's Face —which won an Academy Award—and the 1943 feature film Victory Through Air Power . The military films generated only enough revenue to cover costs, and the feature film Bambi —which had been in production since 1937—underperformed on its release in August 1942, and lost $ 200,000 at
16013-649: The U.S. Supreme Court ruled in Bigelow v. RKO that the company was liable for damages under antitrust statutes for having denied an independent movie house access to first-run films —a common practice among all of the Big Five. With profits at a high point, Floyd Odlum cashed in by selling off about 40 percent of his shares in the company to a group of investment firms. After Koerner's death, Radio-Keith-Orpheum president N. Peter Rathvon and RKO Radio Pictures president Ned E. Depinet had exchanged positions, with Depinet moving to
16252-778: The United States Army to fight the Germans , but he was rejected as too young. After forging the date of birth on his birth certificate, he joined the Red Cross in September 1918 as an ambulance driver. He was shipped to France but arrived in November, after the armistice . He drew cartoons on the side of his ambulance for decoration and had some of his work published in the army newspaper Stars and Stripes . He returned to Kansas City in October 1919, where he worked as an apprentice artist at
16491-820: The Yankee Network , a New England regional radio network, in 1943. In 1950, it purchased the West Coast regional Don Lee Broadcasting System , and two years later, the Bamberger Broadcasting Service , owner of the WOR radio and television stations in New York City. The latter acquisition gave General Tire majority control of the Mutual Broadcasting System , one of America's leading radio networks. General Tire then merged its broadcasting interests into
16730-570: The history of animation and in the cultural history of the United States , where he is acknowledged as a national cultural icon . His film work continues to be shown and adapted, the Disney theme parks have grown in size and number around the world and his company has grown to become one of the world's largest mass media and entertainment conglomerates . Disney was born on December 5, 1901, at 1249 Tripp Avenue, in Chicago's Hermosa neighborhood. He
16969-576: The opening, closing and medal ceremonies . He was one of twelve investors in the Celebrity Sports Center , which opened in 1960 in Glendale, Colorado ; he and Roy bought out the others in 1962, making the Disney company the sole owner. Despite the demands wrought by non-studio projects, Disney continued to work on film and television projects. In 1955, he was involved in " Man in Space ", an episode of
17208-551: The optical printer and lifelike matte work, an art that reached its apex with 1941's Citizen Kane . Pan Berman had received his first screen credit in 1925 as a nineteen-year-old assistant director on FBO's Midnight Molly . He departed RKO in December 1939 after policy clashes with studio president George J. Schaefer , handpicked the previous year by the Rockefellers and backed by Sarnoff. With Berman gone, Schaefer became in effect production chief, though other men—including
17447-413: The theme park industry, and in July 1955 he opened Disneyland in Anaheim, California . To fund the project he diversified into television programs, such as Walt Disney's Disneyland and The Mickey Mouse Club . He was also involved in planning the 1959 Moscow Fair , the 1960 Winter Olympics , and the 1964 New York World's Fair . In 1965, he began development of another theme park, Disney World ,
17686-446: The "Experimental Prototype Community of Tomorrow" ( EPCOT ), which he described as: an experimental prototype community of tomorrow that will take its cue from the new ideas and new technologies that are now emerging from the creative centers of American industry. It will be a community of tomorrow that will never be completed, but will always be introducing and testing and demonstrating new materials and systems. And EPCOT will always be
17925-503: The 1930s and 1940s stated, "As far as I'm concerned, there was no evidence of antisemitism. I think the whole idea should be put to rest and buried deep. He was not antisemitic. Some of the most influential people at the studio were Jewish. It's much ado about nothing. I never once had a problem with him in that way." In addition songwriter Robert B. Sherman recalled that when one of Disney's lawyers made antisemitic remarks towards him and his brother Richard , Disney defended them and fired
18164-528: The 2013 film Saving Mr. Banks . In 2001, the German author Peter Stephan Jungk published Der König von Amerika (trans: The King of America ), a fictional work of Disney's later years that re-imagines him as a power-hungry racist. The composer Philip Glass later adapted the book into the opera The Perfect American (2013). Several commentators have described Disney as a cultural icon . On Disney's death, journalism professor Ralph S. Izard comments that
18403-588: The Arts (colloquially called CalArts), and had an architect draw up blueprints for a new building. Disney provided four exhibits for the 1964 New York World's Fair , for which he obtained funding from selected corporate sponsors. For PepsiCo , who planned a tribute to UNICEF , Disney developed It's a Small World , a boat ride with audio-animatronic dolls depicting children of the world; Great Moments with Mr. Lincoln contained an animatronic Abraham Lincoln giving excerpts from his speeches; Carousel of Progress promoted
18642-454: The Beach (1947). RKO and Orson Welles had an arm's-length reunion via The Stranger (1946), an independent production he starred in as well as directed. Welles later called it his worst film, but it was the only one he ever made that turned a profit in its first run. In December 1946, the studio released Frank Capra 's It's a Wonderful Life ; while it would eventually be recognized as one of
18881-518: The Big Five saw their profits dwindle in 1948—from Fox, down 11 percent, to Loew's/MGM, down 62 percent—but at RKO they virtually vanished: from $ 5.1 million in 1947 to $ 0.5 million, a drop of 90 percent. The production-distribution end of the RKO business, now deep in the red, would never make a profit again. Offscreen, Robert Mitchum's arrest and conviction for marijuana possession—he served two months in jail—was widely assumed to mean career death for RKO's most promising young star, but Hughes surprised
19120-555: The Deck , both scripted and directed, like Rio Rita , by Luther Reed . Following the example of the other major studios, RKO had planned to create its own musical revue , Radio Revels . Promoted as the studio's most extravagant production to date, it was to be photographed entirely in Technicolor. The project was abandoned, as the public's taste for musicals temporarily subsided. From more than sixty Hollywood musicals in 1929 and over eighty
19359-576: The Disney association was beneficial, RKO's own product was widely seen as declining in quality and Briskin was gone by the end of the year. Pandro Berman—who had filled in on three previous occasions—accepted the position of production chief on a noninterim basis. He left the job before the decade's turn, but his brief tenure resulted in some of the most notable films in studio history, including Gunga Din , with Grant and McLaglen; Love Affair , starring Dunne and Charles Boyer ; and The Hunchback of Notre Dame (all 1939). Charles Laughton , who gave
19598-473: The Fight and Flying Padre . In early 1952, Hughes fought off a lawsuit by screenwriter Paul Jarrico , who had been caught up in the latest round of HUAC hearings; Hughes had fired him and removed his name from the credits of a recent release, The Las Vegas Story , a money-losing melodrama starring Jane Russell. The studio owner subsequently ordered 100 RKO employees on "leave of absence" while he established
19837-528: The Hollywood studios except for RKO seemingly bowed to the theater owners and prohibited radio appearances by their contract actors. The ban soon crumbled. Selznick spent a mere fifteen months as RKO production chief, resigning over a dispute with new corporate president Merlin Aylesworth concerning creative control. One of his last acts at RKO was to approve a screen test for a thirty-three-year-old, balding Broadway song-and-dance man named Fred Astaire . In
20076-417: The Hollywood studios from 1946 to 1947. In July, RKO Pathé's signature newsreel was sold to Warner Bros. for a reported $ 4 million. The phenomenon later called McCarthyism was building strength, and in October, the House Un-American Activities Committee (HUAC) began hearings into Communism in the motion picture industry. Two of RKO's top talents, Dmytryk and producer Adrian Scott , refused to cooperate. As
20315-544: The Kansas City Film Ad Company, run by A. V. Cauger; the following month Iwerks, who was not able to run their business alone, also joined. The company produced commercials using the cutout animation technique. Disney became interested in animation, although he preferred drawn cartoons such as Mutt and Jeff and Max Fleischer 's Out of the Inkwell . With the assistance of a borrowed book on animation and
20554-558: The Pesmen-Rubin Commercial Art Studio, where he drew commercial illustrations for advertising, theater programs and catalogs, and befriended fellow artist Ub Iwerks . In January 1920, as Pesmen-Rubin's revenue declined after Christmas, Disney, aged 18, and Iwerks were laid off. They started their own business, the short-lived Iwerks-Disney Commercial Artists. Failing to attract many customers, Disney and Iwerks agreed that Disney should leave temporarily to earn money at
20793-735: The Pooh and the Blustery Day was released in 1968, it earned Disney an Academy Award in the Short Subject (Cartoon) category, awarded posthumously. After Disney's death, his studios continued to produce live-action films prolifically while the quality of their animated films was allowed to languish. In the late 1980s, this trend was reversed in what The New York Times describes as the " Disney Renaissance " that began with The Little Mermaid (1989). Disney's studios continue to produce successful film, television and stage entertainment. Disney's plans for
21032-563: The RKO Pathé line of newsreels and shorts, was likewise changed from "Radio Pictures" to "RKO Radio Pictures". In February 1937, Selznick, now a leading independent producer, took over RKO's Culver City studio and Forty Acres , as the backlot was known, under a long-term lease. Gone with the Wind , his coproduction with MGM , was largely shot there. In addition to its central Hollywood studio, RKO production now revolved around its Encino ranch . While
21271-474: The RKO name (an initialism of Radio-Keith-Orpheum ). Two years later, another Kennedy concern, the Pathé studio, was folded into the operation. By the mid-1940s, RKO was controlled by investor Floyd Odlum . RKO has long been renowned for its cycle of musicals starring Fred Astaire and Ginger Rogers in the mid- to late 1930s. Actors Katharine Hepburn and, later, Robert Mitchum had their first major successes at
21510-580: The RKO theater chain and allied with Odlum, had assumed the title of production chief some time prior to Schaefer's departure. With Schaefer gone, Koerner could actually do the job. Announcing a new corporate motto, "Showmanship in Place of Genius: A New Deal at RKO", a snipe at Schaefer's artistic ambitions in general and his sponsorship of Welles in particular, Koerner brought the studio much-needed stability until his death in February 1946. The change in RKO's fortunes
21749-453: The Rising Sun , released a few months later, was similarly profitable. Much more than the other Big Five studios, RKO relied on B pictures to fill up its schedule. Of the thirty-one features released by RKO in 1944, for instance, ten were budgeted below $ 200,000, twelve were in the $ 200,000 to $ 500,000 range, and only nine cost more. In contrast, a clear majority of the features put out by
21988-626: The Saint and the Falcon were so similar that Saint creator Leslie Charteris sued RKO. The Falcon was first played by George Sanders , who had appeared five times as the Saint. He bowed out after four Falcon films and was replaced by his brother, Tom Conway . Conway had a nine-film run in the part before the series ended in 1946. Johnny Weissmuller starred in six RKO Tarzan pictures for producer Sol Lesser between 1943 and 1948 before being replaced by Lex Barker for five more. Producer Herman Schlom oversaw
22227-496: The Seven Dwarfs (1937) was the highest-grossing movie in the period between The Birth of a Nation (1915) and Gone with the Wind (1939). The theater operation excepted, on December 31, 1936, most of the domestic RKO subsidiaries, including RKO Distributing Corp. and its exchanges, were folded into RKO Radio Pictures Inc. Following the shift in print advertising a few years earlier, the screen brand on RKO's output, aside from
22466-417: The Seven Dwarfs (1937), Pinocchio , Fantasia (both 1940), Dumbo (1941), and Bambi (1942), furthered the development of animated film. New animated and live-action films followed after World War II, including the critically successful Cinderella (1950), Sleeping Beauty (1959) and Mary Poppins (1964), the last of which received five Academy Awards. In the 1950s, Disney expanded into
22705-442: The Seven Dwarfs , based on the fairy tale . When news leaked out about the project, many in the film industry predicted it would bankrupt the company; industry insiders nicknamed it "Disney's Folly". The film, which was the first animated feature made in full color and sound, cost $ 1.5 million to produce—three times over budget. To ensure the animation was as realistic as possible, Disney sent his animators on courses at
22944-521: The Stone in 1963. In 1964, Disney produced Mary Poppins , based on the book series by P. L. Travers ; he had been trying to acquire the rights to the story since the 1940s. It became the most successful Disney film of the 1960s, although Travers disliked the film intensely and regretted having sold the rights. The same year he also became involved in plans to expand the California Institute of
23183-587: The U.S. Government would have disqualified him from making these films. The Walt Disney Family Museum acknowledges that ethnic stereotypes common to films of the 1930s were included in some early cartoons but also points out that Disney donated regularly to Jewish charities and was named the 1955 "Man of the Year" by the B'nai B'rith chapter in Beverly Hills. The organization itself found no evidence of antisemitism on Disney's part. The plaque read: "For exemplifying
23422-473: The U.S. to analyze what worked and what pitfalls or problems there were in the various locations and incorporated their findings into his design. Construction work started in July 1954, and Disneyland opened in July 1955; the opening ceremony was broadcast on ABC, which reached 70 million viewers. The park was designed as a series of themed lands, linked by the central Main Street, U.S.A. —a replica of
23661-490: The United States, sixteen months after its original 1950 Japanese release. The only smash hits released by RKO in the 1950s came out during this period, but neither was an in-house production: Goldwyn's Hans Christian Andersen (1952) was followed by Disney's Peter Pan (1953). The first two shorts directed by a twenty-two-year-old photographer from the Bronx were both released in 1951 by RKO Pathé— Stanley Kubrick 's Day of
23900-531: The aegis of the new holding company GenCorp , and starting with the Meryl Streep vehicle Plenty (1985), RKO Pictures took on more projects as sole studio backer. In January 1986, Paramount signed a two-year distribution agreement with the company. Films such as the erotic thriller Half Moon Street (1986) and the Vietnam War drama Hamburger Hill (1987) followed, but production ended as GenCorp underwent
24139-453: The affluent ... [' Yankee '] lifestyle has a direct pedagogic effect". Disney has been portrayed numerous times in fictional works. H. G. Wells references Disney in his 1938 novel The Holy Terror , in which World Dictator Rud fears that Donald Duck is meant to lampoon the dictator. Disney was portrayed by Len Cariou in the 1995 made-for-TV film A Dream Is a Wish Your Heart Makes: The Annette Funicello Story , and by Tom Hanks in
24378-476: The attorney. Gabler, the first writer to gain unrestricted access to the Disney archives, concludes that the available evidence does not support accusations of antisemitism and that Disney largely got that reputation due to his association with Motion Picture Alliance for the Preservation of American Ideals – an anti-Communist organization formed in 1944, that was rumored to have antisemitic undertones. Gabler concludes that "...though Walt himself, in my estimation,
24617-438: The best tenets of American citizenship and inter-group understanding and interpreting into action the ideals of B'nai B'rith." Disney had numerous Jewish employees, many of whom were in influential positions. None of Disney's employees including animator Art Babbitt , who disliked Disney intensely – ever accused him of making antisemitic slurs or taunts. Jewish story man Joe Grant , who worked closely with Disney throughout
24856-515: The box office. On top of the low earnings from Pinocchio and Fantasia , the company had debts of $ 4 million with the Bank of America in 1944. At a meeting with Bank of America executives to discuss the future of the company, the bank's chairman and founder, Amadeo Giannini , told his executives, "I've been watching the Disneys' pictures quite closely because I knew we were lending them money far above
25095-424: The business and renamed it List Industries. Hughes soon found himself the target of no fewer than five separate lawsuits filed by minority shareholders in RKO, accusing him of malfeasance in his dealings with the Chicago group and a wide array of acts of mismanagement. "RKO's contract list is down to three actors and 127 lawyers", quipped Dick Powell . Leery of the studio's mounting problems and sparring with it over
25334-437: The central figure in the history of animation. Through technological innovations and alliances with governments and corporations, he transformed a minor studio in a marginal form of communication into a multinational leisure industry giant. Despite his critics, his vision of a modern, corporate utopia as an extension of traditional American values has possibly gained greater currency in the years after his death. In December 2021,
25573-467: The character easier to animate. Disney, who had begun to distance himself from the animation process, provided Mickey's voice until 1947. In the words of one Disney employee, "Ub designed Mickey's physical appearance, but Walt gave him his soul." Mickey Mouse first appeared in May 1928 as a single test screening of the short Plane Crazy , but it, and the second feature, The Gallopin' Gaucho , failed to find
25812-423: The collapse of plans to create multiple TV series based on RKO properties, starting with Citizen Kane . According to Patterson's suit, O'Connor controls access to Hartley and holds both his healthcare proxy and an option to acquire RKO and its intellectual property at a deep markdown after his death. As of November 2022, Hartley, then 98 years old, was still making public appearances connected with his avocation as
26051-473: The company with their Pavilion Communications. After a brief period as RKO/Pavilion, the business was reorganized as RKO Pictures LLC. With the inaugural RKO production under Hartley and Merrill's ownership, False Identity (1990), the company also stepped into the distribution business. In 1992, it handled the well-regarded independent production Laws of Gravity , directed by Nick Gomez . RKO's next significant film came in 1998 with Mighty Joe Young ,
26290-616: The company's first public stock offering in 1940, and implemented heavy salary cuts. The latter measure, and Disney's sometimes high-handed and insensitive manner of dealing with staff, led to a 1941 animators' strike which lasted five weeks. While a federal mediator from the National Labor Relations Board negotiated with the two sides, Disney accepted an offer from the Office of the Coordinator of Inter-American Affairs to make
26529-453: The company's losses against his earnings elsewhere. Hughes had reneged on his promise to give Odlum first option on buying the RKO theater chain when he divested it, and was now paying the price. With negotiations between the two at a stalemate, in July 1955, Hughes turned around and sold RKO Radio Pictures Inc. to the General Tire and Rubber Company for $ 25 million, leaving himself and Odlum
26768-687: The construction of Disneyland, Disney worked on other projects away from the studio. He was consultant to the 1959 American National Exhibition in Moscow; Disney Studios' contribution was America the Beautiful , a 19-minute film in the 360-degree Circarama theater that was one of the most popular attractions. The following year he acted as the chairman of the Pageantry Committee for the 1960 Winter Olympics in Squaw Valley, California , where he designed
27007-400: The corporate offices in New York and Rathvon relocating to Hollywood and doubling as production chief while a permanent replacement was sought for Koerner. On the first day of 1947, producer and Oscar-winning screenwriter Dore Schary , who had been working at the studio on loan from Selznick, took over the role. RKO appeared in good shape to build on its recent successes, but the year brought
27246-412: The creation of Mickey Mouse". In 1933, Disney produced The Three Little Pigs , a film described by the media historian Adrian Danks as "the most successful short animation of all time". The film won Disney another Academy Award in the Short Subject (Cartoon) category. The film's success led to a further increase in the studio's staff, which numbered nearly 200 by the end of the year. Disney realized
27485-465: The decade. Cooper sought to more tightly align costs and prospective grosses, impacting the budgets for " programmers " such as the Wheeler and Woolsey comedies: under Selznick, Hold 'Em Jail and Girl Crazy (both 1932) had cost an average of $ 470,000; under Cooper, Diplomaniacs (1933) was shot for just $ 242,000. Ginger Rogers had already made several minor films for RKO when Cooper signed her to
27724-408: The decades, and there have been polarized opinions. Mark Langer, in the American Dictionary of National Biography , writes that "Earlier evaluations of Disney hailed him as a patriot, folk artist, and popularizer of culture. More recently, Disney has been regarded as a paradigm of American imperialism and intolerance, as well as a debaser of culture." Steven Watts wrote that some denounce Disney "as
27963-399: The directors under long-term contract to RKO in the 1940s, the best known was Edward Dmytryk , who first came to notice with the remarkably profitable Hitler's Children (1943). Shot on a $ 205,000 budget, placing it in the bottom quartile of Big Five studio productions, it was one of the ten biggest Hollywood hits of the year. Another low-cost war-themed film directed by Dmytryk, Behind
28202-491: The division continued to come out under the combined brand until the following November). RKO Pathé was now effectively the studio's newsreel-and-shorts subsidiary. In January 1932, Variety named Constance Bennett as one of the industry's top six female "money stars". From September, the start of the industry's exhibition season, print advertising for the company's features displayed the revised name "RKO Radio Pictures". The New York City–based corporate headquarters moved into
28441-429: The early 1930s, as his capricious management style took a heavy toll. Production chief Schary quit almost immediately due to his new boss's interference and Rathvon soon followed. Within weeks of taking over, Hughes had dismissed three-fourths of the work force; production was virtually shut down for six months as the conservative Hughes shelved or canceled several of the " message pictures " that Schary had backed. All of
28680-529: The early to mid-1950s, Disney began to devote less attention to the animation department, entrusting most of its operations to his key animators, the Nine Old Men , although he was always present at story meetings. Instead, he started concentrating on other ventures. Around the same time, Disney established his own film distribution division Buena Vista , replacing his most recent distributor RKO Pictures . For several years Disney had been considering building
28919-472: The end of the month, he closed the deal, arranging to sell off his FBO and KAO shares, options, and convertibles at enormous profit. On October 23, 1928, RCA announced the creation of the Radio-Keith-Orpheum Corp. holding company, with Sarnoff as board chairman. The new administration made clear that Kennedy's services were no longer needed and he stepped down from his board and executive positions in
29158-446: The era that belied their economies with high style in an Art Deco mode, exemplified by such Astaire–Rogers musicals as The Gay Divorcee (1934), their first pairing as leads, and Top Hat (1935). One of the figures most responsible for that style was another Selznick recruit: Van Nest Polglase , supervisor of RKO's highly regarded design department for almost a decade. Film historian James Naremore has described RKO as "chiefly
29397-544: The exhibition circuit from Glen Alden in 1971. Now little more than a name and beneficiary of General Tire's doubtful largesse, RKO announced in early 1958 that it would continue as a financial backer, coproducing independently made pictures. Fewer than half a dozen resulted. The final RKO film, Verboten! , a coproduction with director Samuel Fuller 's Globe Enterprises, was released, fitfully, beginning in March 1959, first by Rank and then Columbia . That same year, "Pictures"
29636-469: The facility to the public for the first time so they could learn more about the studios and its many film achievements. 19°21′20″N 99°08′34″W / 19.35551°N 99.14284°W / 19.35551; -99.14284 RKO RKO Radio Pictures Inc. , commonly known as RKO Pictures or simply RKO , was an American film production and distribution company, one of the "Big Five" film studios of Hollywood 's Golden Age . The business
29875-476: The family , neither Disney nor his wife hid the fact Sharon had been adopted, although they became annoyed if people outside the family raised the point. The Disneys were careful to keep their daughters out of the public eye as much as possible, particularly in the light of the Lindbergh kidnapping ; Disney took steps to ensure his daughters were not photographed by the press. In 1949, Disney and his family moved to
30114-507: The field. Freelancer George Raft starred in two noir hits: Johnny Angel (1945) and Nocturne (1946). Tourneur, Musuraca, Mitchum, and Greer, along with D'Agostino's design group, joined to make the A-budgeted Out of the Past (1947), now considered one of the greatest of all film noirs. Nicholas Ray began his directing career with the noir They Live by Night (1948), the first of
30353-411: The film's production, with Walt even sending him gifts. When Baskett was in failing health, Disney not only began financially supporting him and his family, but also campaigned successfully for an Honorary Academy Award for his performance, making Baskett the first black actor so honored. Baskett died shortly afterward, and his widow wrote Disney a letter of gratitude for his support claiming he had been
30592-435: The final release of Carole Lombard's lifetime, was a modest success and Suspicion a substantial one, with an Oscar-winning turn by Joan Fontaine . That May, having granted twenty-five-year-old star and director Orson Welles virtually complete creative control over the film, RKO released Citizen Kane . While it opened to strong reviews and went on to be hailed as one of the greatest movies ever made, it lost money at
30831-482: The financial risk. ... They're good this year, they're good next year, and they're good the year after. ... You have to relax and give them time to market their product." Disney's production of short films decreased in the late 1940s, coinciding with increasing competition in the animation market from Warner Bros. and Metro-Goldwyn-Mayer . Roy Disney, for financial reasons, suggested more combined animation and live-action productions. In 1948, Disney initiated
31070-514: The first feature-length talking picture. Its success prompted Hollywood to convert from silent to sound film production en masse. The Radio Corporation of America (RCA) controlled an advanced optical sound-on-film system, Photophone , recently developed by General Electric , RCA's parent company. Its path to joining the anticipated boom in sound movies had a major hurdle: Warner Bros. and Fox , Hollywood's other vanguard sound studio, were already financially and technologically aligned with ERPI,
31309-401: The first time. The $ 15.2 million RKO made on the deal convinced the other major studios that their libraries held profit potential—a turning point in the way Hollywood did business. The new owners of RKO made an initial effort to revive the studio, hiring veteran producer William Dozier to head production. In the first half of 1956, the production facilities were as busy as they had been in
31548-764: The following year). RKO filled the void by releasing independently produced features such as the Dr. Christian series and the Laurel and Hardy comedy The Flying Deuces (1939). The studio soon had its own new B comedy stars in Lupe Vélez and Leon Errol : The Girl from Mexico (1939) was followed by seven frantic installments of the Mexican Spitfire series between 1940 and 1943. The studio's technical departments maintained their reputation as industry leaders; Vernon Walker's special effects unit became famous for its sophisticated use of
31787-450: The following year, the number dropped to eleven in 1931. Rio Rita star Bebe Daniels , who had joined the new studio as its top female name after the final months of her contract at Paramount were bought out, fell victim to the shifting market. Her big musical follow-up, Dixiana , had been a big money loser, and in January 1931 her contract was sold to Warner Bros. RKO, meanwhile, was in a contractual bind that it could not get out of: it
32026-409: The format proved hugely successful and non- network -affiliated stations around the country were eager to emulate it. With the purchase of RKO, the studio's library was under O'Neil's control and he quickly put the rights to the 742 films to which RKO retained clear title up for sale. C&C Television Corp., a subsidiary of beverage maker Cantrell & Cochrane , won the bidding in December 1955 and
32265-574: The former RKO Hollywood studio, FBO's old home, is now part of the Paramount lot. The renovated Culver City studio, where DeMille once reigned, is now owned and operated as an independent production facility. Forty Acres, the Culver City backlot, was razed in the mid-1970s. List Industries, the former RKO Theatres Corp., was bought by Glen Alden Corp. in 1959. Glen Alden acquired another chain in 1967, creating RKO–Stanley Warner Theatres. Cinerama purchased
32504-459: The former head of the industry censorship board , Joseph I. Breen—nominally filled the role. Schaefer, announcing his philosophy with a new studio slogan, "Quality Pictures at a Premium Price", was keen on signing up independent producers whose films RKO would distribute. In 1941, the studio landed one of the most prestigious independents in Hollywood when it arranged to handle Samuel Goldwyn 's productions. The first two Goldwyn pictures released by
32743-403: The futuristic city of EPCOT did not come to fruition. After Disney's death, his brother Roy deferred his retirement to take full control of the Disney companies. He changed the focus of the project from a town to an attraction. At the inauguration in 1971, Roy dedicated Walt Disney World to his brother. Walt Disney World expanded with the opening of Epcot Center in 1982; Walt Disney's vision of
32982-434: The greatest films of Hollywood's Golden Age, at the time it lost more than half a million dollars for RKO. John Ford's The Fugitive (1947) and Fort Apache (1948), which appeared right before studio ownership changed hands again, were followed by She Wore a Yellow Ribbon (1949) and Wagon Master (1950); all four were coproductions between RKO and Argosy, the company run by Ford and RKO alumnus Merian C. Cooper. Of
33221-528: The heart of which was to be a new type of city, the " Experimental Prototype Community of Tomorrow " (EPCOT). Disney was a heavy smoker throughout his life and died of lung cancer in 1966 before either the park or the EPCOT project were completed. Disney was a shy, self-deprecating and insecure man in private but adopted a warm and outgoing public persona. He had high standards and high expectations of those with whom he worked. Although there have been accusations that he
33460-412: The holding company of Producers Distributing Corporation (PDC), a smaller studio than FBO but more prestigious. Famed director Cecil B. De Mille —PDC studio chief and owner of its Culver City production facility—had been draining the company's resources for his well-appointed productions, and it had been finding little success in getting its films into first-run theaters , which were largely tied up by
33699-617: The importance of electricity; and Ford's Magic Skyway portrayed the progress of mankind. Elements of all four exhibits—principally concepts and technology—were re-installed in Disneyland, although It's a Small World is the ride that most closely resembles the original. During the early to mid-1960s, Disney developed plans for a ski resort in Mineral King , a glacial valley in California's Sierra Nevada . He hired experts such as
33938-432: The importance of telling emotionally gripping stories that would interest the audience, and he invested in a "story department" separate from the animators, with storyboard artists who would detail the plots of Disney's films. By 1934, Disney had become dissatisfied with producing cartoon shorts, and believed a feature-length cartoon would be more profitable. The studio began the four-year production of Snow White and
34177-509: The impression of a camera passing through the scene. The first work created on the camera—a Silly Symphony called The Old Mill (1937)—won the Academy Award for Animated Short Film because of its impressive visual power. Although Snow White had been largely finished by the time the multiplane camera had been completed, Disney ordered some scenes be re-drawn to use the new effects. Snow White premiered in December 1937 to high praise from critics and audiences. The film became
34416-462: The industry by announcing that his contract was not endangered. Of much broader significance, Hughes decided to get the jump on his Big Five competitors by being the first to settle the federal government's antitrust suit against the major studios, which had won a crucial Supreme Court ruling in United States v. Paramount Pictures, Inc. Under the consent decree he signed, Hughes agreed to dissolve
34655-458: The industry's leading artists and craftsmen whose work was never seen. From the studio's earliest days through late 1935, Max Steiner , regarded by many historians as the most influential composer of the early years of sound cinema, made music for over 100 RKO films. His score for The Informer brought Steiner his third Oscar nomination and first win. Murray Spivack , head of the studio's audio special effects department, made important advances in
34894-404: The land, but the deal later collapsed over funding. In late 1965, he announced plans to develop another theme park to be called "Disney World" (now Walt Disney World ), a few miles southwest of Orlando, Florida . Disney World was to include the "Magic Kingdom"—a larger and more elaborate version of Disneyland—plus golf courses and resort hotels. The heart of Disney World was to be
35133-406: The latter would emerge in mid-1935; RKO would not until 1940. Cooper took over as production head after Selznick's departure and oversaw two hits starring Hepburn: Morning Glory (1933), for which she won her first Oscar , and Little Women (1933), director Cukor's second collaboration with the actress. Among the studio's in-house productions, the latter was the biggest box-office success of
35372-475: The latter, starring John Wayne, was the biggest hit produced at the studio during the decade, that bar was low—it placed only eleventh among the year's top earners. A major money loser in standard terms, its $ 4.5 million in North American rentals not coming close to covering its $ 6 million production cost, Hughes had paid RKO Teleradio millions to buy back the rights. In March 1956 came the news that RKO Pathé
35611-424: The lavish Rio Rita , including a number of Technicolor sequences. Opening in September to rave reviews, it was named one of the ten best pictures of the year by Film Daily . Cinema historian Richard Barrios credits it with initiating the "first age of the filmed Broadway musical". By the end of the year, RKO was making use of an additional production facility—five hundred acres had been acquired near Encino in
35850-417: The live-action musical feature The Happiest Millionaire (both 1967) and the animated short Winnie the Pooh and the Blustery Day (1968). Disney had been a heavy smoker since World War I. He did not use cigarettes with filters and had smoked a pipe as a young man. In early November 1966, he was diagnosed with lung cancer and was treated with cobalt therapy . On November 30, he felt unwell and
36089-482: The main street in his hometown of Marceline. The connected themed areas were Adventureland , Frontierland , Fantasyland and Tomorrowland . The park also contained the narrow gauge Disneyland Railroad that linked the lands; around the outside of the park was a high berm to separate the park from the outside world. An editorial in The New York Times considered that Disney had "tastefully combined some of
36328-403: The majors. In early 1927, despite months of DeMille's strenuous objections, an agreement was reached to merge PDC into Pathé , a lower-level studio known for its newsreel and churn out of cheap shorts . Investment banker Elisha Walker , whose Blair & Co. firm owned the controlling interest in Pathé, brought on Keith-Albee general manager John J. Murdock as studio president. In January 1928,
36567-509: The making of Alice in Wonderland . Roy believed the program added millions to the box office takings. In a March 1951 letter to shareholders, he wrote that "television can be a most powerful selling aid for us, as well as a source of revenue. It will probably be on this premise that we enter television when we do". In 1954, after the Disneyland funding had been agreed, ABC broadcast Walt Disney's Disneyland , an anthology consisting of animated cartoons, live-action features and other material from
36806-469: The merged businesses, leaving him with co-ownership and management of Pathé and the PDC assets that it had absorbed. RCA owned the governing stock interest in RKO, 22 percent (in the early 1930s, its stake rose as high as 60 percent). On January 25, 1929, the new company's production arm, presided over by former FBO vice-president Joseph I. Schnitzer, was unveiled as RKO Productions Inc. A week later, it filed for
37045-484: The monumental King Kong (1933)—largely Merian Cooper's brainchild, brought to life by the astonishing special effects work of Willis O'Brien . Still, the shaky finances and excesses that marked the company's pre-Selznick days had not left RKO in shape to withstand the Depression . Most of the other major studios were in similar straits. In January 1933, both RKO and Paramount were forced into receivership , from which
37284-475: The more experienced director Jacques Tourneur . The Lewton unit's moody, atmospheric work—represented by films such as Cat People (1942), I Walked with a Zombie (1943), and The Body Snatcher (1945)—is now highly regarded. Richard Dix concluded his lengthy RKO career with the 1943 Lewton production The Ghost Ship . Tim Holt , who succeeded George O'Brien as RKO's cowboy star, appeared in forty-six B Westerns and more than fifty movies altogether for
37523-488: The most successful motion picture of 1938 and by May 1939 its total gross of $ 6.5 million made it the most successful sound film made to that date. Disney won another Honorary Academy Award, which consisted of one full-sized and seven miniature Oscar statuettes. The success of Snow White heralded one of the most productive eras for the studio; the Walt Disney Family Museum calls the following years "the 'Golden Age of Animation ' ". With work on Snow White finished,
37762-446: The new RKO Building , an Art Deco skyscraper that was one of the first Rockefeller Center structures to open. Hollywood on the Air , an RKO-produced program for NBC radio that promoted films from multiple studios, sparked independent exhibitors' ire at the free access to cinema stars it gave listeners—especially in the middle of prime moviegoing Friday night. Toward the end of 1932, all of
38001-442: The old parent company, Radio-Keith-Orpheum Corp., and split RKO's production-distribution business and its exhibition chain into two entirely separate corporations—RKO Pictures Corp. and RKO Theatres Corp.—with the obligation to promptly sell off one or the other. While Hughes delayed the divorcement procedure until December 1950 and did not actually sell his stock in the theater company for another three years, his decision to acquiesce
38240-410: The other studios to loan out their biggest names or signed one of the growing number of freelance performers to short-term, " pay or play " deals. Thus RKO pictures of the mid- and late forties offered Bing Crosby , Henry Fonda , and others who were out of the studio's price range for extended contracts. John Wayne appeared in 1943's A Lady Takes a Chance while on loan from Republic Pictures ; he
38479-630: The other top four studios were budgeted at over half a million dollars. A focus on B pictures limited the studio's financial risk; while it also limited the potential for reward (Dmytryk's extraordinary coups aside), RKO had a history of making better profits with its run-of-the-mill and low-cost product than with its A movies. The studio's low-budget films offered training opportunities for new directors, as well, among them Mark Robson , Robert Wise , and Anthony Mann . Film editors Robson and Wise received their first directing assignments with producer Val Lewton , whose specialized B horror unit also included
38718-642: The outstanding stock—on the market. For her performance in The Farmer's Daughter (1947), a coproduction with Selznick's Vanguard Films, Loretta Young won the Best Actress Oscar the following March. It was the last major Academy Award for an RKO picture. In May 1948, eccentric aviation tycoon and occasional movie producer Howard Hughes spent $ 8.8 million to gain control of the company, beating out British film magnate J. Arthur Rank for Odlum's stake. During Hughes's tenure, RKO suffered its worst years since
38957-469: The period included Joel McCrea , Ricardo Cortez , Dolores del Río , and Mary Astor . Richard Dix , Oscar-nominated for his performance in Cimarron , would serve as RKO's standby B-movie leading man until the early 1940s, while Tom Keene was top-billed in twelve low-budget Westerns between 1931 and 1933. The comedy team of Bert Wheeler and Robert Woolsey , often wrangling over ingenue Dorothy Lee ,
39196-600: The picture. Sarnoff's vision of a new big-league studio was coming into focus—and both Kennedy and Walker had similar notions. Assisted by Murdock and with Blair & Co.'s backing, Kennedy quickly maneuvered to interlock KAO and FBO, selling the exhibitor a substantial stake in his studio while buying up copious amounts of KAO stock. Within months, he had installed himself as chairman of the theater chain's new board of directors. When Albee, still KAO president, visited his office, Kennedy reportedly asked, "Didn't you know, Ed? You're washed up. You're through." DeMille departed with
39435-458: The pleasant things of yesterday with fantasy and dreams of tomorrow". Although there were early minor problems with the park, it was a success, and after a month's operation, Disneyland was receiving over 20,000 visitors a day; by the end of its first year, it attracted 3.6 million guests. The money from ABC was contingent on Disney television programs. The studio had been involved in a successful television special on Christmas Day 1950 about
39674-610: The prevailing central producer system. "Under the factory system of production you rob the director of his individualism", said Selznick, "and this being a creative industry that is harmful to the quality of the product made." Instituting unit production, he predicted, would also result in cost savings of 30–40 percent. To make films under the new system, Selznick recruited prize behind-the-camera personnel, such as director George Cukor and producer/director Merian C. Cooper , and gave producer Pandro S. Berman , aged twenty-six, increasingly important projects. Selznick discovered and signed
39913-539: The previous October to take the place of The March of Time after Time Inc. switched its distribution to Twentieth Century-Fox. In June 1944, a subsidiary, RKO Television Corporation, was established to produce content for the fledgling medium. Talk Fast, Mister , an hour-long drama shot at the RKO Pathé studio in Manhattan and broadcast by the DuMont Laboratories –owned New York station WABD on December 18, 1944,
40152-477: The primary homes of the screwball comedy . As film historian James Harvey describes, compared to their richer competition, the two studios were "more receptive to experiment, more tolerant of chaos on the set. It was at these two lesser 'majors' ... that nearly all the preeminent screwball directors did their important films— [Howard] Hawks and [Gregory] La Cava and [Leo] McCarey and [George] Stevens ." The relatively unheralded William A. Seiter directed
40391-486: The process by urging Iwerks to abandon the practice of drawing every frame individually in favor of the more efficient technique of drawing key poses and letting assistants sketch the inbetween poses . Disney asked Powers for an increase in payments for the cartoons. Powers refused and signed Iwerks to work for him; Stalling resigned shortly afterwards, thinking that without Iwerks, the Disney Studio would close. Disney had
40630-645: The quality of the music, Disney hired the professional composer and arranger Carl Stalling , on whose suggestion the Silly Symphony series was developed, providing stories through the use of music; the first in the series, The Skeleton Dance (1929), was drawn and animated entirely by Iwerks. Also hired at this time were several artists, both local and from New York. Both the Mickey Mouse and Silly Symphonies series were successful, but Disney and his brother felt they were not receiving their rightful share of profits from Powers. In 1930, Disney tried to trim costs from
40869-622: The recently begun War in Europe would affect its construction - to which Disney responded by asking: "What war?" During World War II , Disney was actively involved in making propaganda films against the Nazis, both for the general public (such as Der Fuehrer's Face and Education for Death ), as well as educational and training films exclusively for the United States Government . As early as March 1941 (several months before America's entry into
41108-537: The reductions. Disney declined Mintz's ultimatum and lost most of his animation staff, except Iwerks, who chose to remain with him. To replace Oswald, Disney and Iwerks developed Mickey Mouse , possibly inspired by a pet mouse that Disney had adopted while working in his Laugh-O-Gram studio, although the origins of the character are unclear. Disney's original choice of name was Mortimer Mouse, but his wife Lillian thought it too pompous, and suggested Mickey instead. Iwerks revised Disney's provisional sketches to make
41347-412: The release of the forthcoming nature documentary The Living Desert , the Disney company exited its long-standing arrangement with RKO and set up its own distribution firm, Buena Vista . Contractual obligations meant that one last Disney feature would be released by RKO in 1954, and it continued to handle Disney shorts into 1956. Looking to forestall the impending legal imbroglio, by early 1954 Hughes
41586-483: The renowned Olympic ski coach and ski-area designer Willy Schaeffler . With income from Disneyland accounting for an increasing proportion of the studio's income, Disney continued to look for venues for other attractions. In 1963, he presented a project to create a theme park in downtown St. Louis , Missouri; he initially reached an agreement with the Civic Center Redevelopment Corp, which controlled
41825-470: The role of a bashful tycoon who was embarrassed in public" and knew that he was doing so. Disney acknowledged the façade and told a friend that "I'm not Walt Disney. I do a lot of things Walt Disney would not do. Walt Disney does not smoke. I smoke. Walt Disney does not drink. I drink." Critic Otis Ferguson , in The New Republic , called the private Disney: "common and everyday, not inaccessible, not in
42064-581: The same time at the Park School in Marceline in late 1909. The Disney family were active members of a Congregational church . In 1911, the Disneys moved to Kansas City, Missouri . There, Disney attended the Benton Grammar School , where he met fellow-student Walter Pfeiffer, who came from a family of theatre fans and introduced him to the world of vaudeville and motion pictures. Before long, Disney
42303-438: The shell of RKO Pictures Corp. and what were now, according to Fortune , its "sole assets ... $ 18 million in cash." For Hughes, this was the effective end of a quarter-century's involvement in the movie business. Historian Betty Lasky describes Hughes's relationship with RKO as a "systematic seven-year rape." In taking control of the studio, General Tire restored RKO's close ties to broadcasting. General Tire had bought
42542-429: The show). One of the segments of Disneyland consisted of the five-part miniseries Davy Crockett which, according to Disney biographer Neal Gabler , "became an overnight sensation". The show's theme song, " The Ballad of Davy Crockett ", became internationally popular and ten million records were sold. As a result, Disney formed his own record production and distribution entity, Disneyland Records . As well as
42781-524: The strongest in the industry. Costumer Walter Plunkett , who worked with the company from the close of the FBO era through the end of 1939, was known as the top period wardrobist in the business. Sidney Saunders, innovative head of the studio's paint department, was responsible for significant progress in rear projection quality. On June 13, 1935, RKO premiered the first feature film shot entirely in advanced three-strip Technicolor , Becky Sharp . The movie
43020-424: The studio as well. The deal that brought the team to RKO had called for them to produce sixty features over five years; in just shy of half that time, they succeeded in making four. The Encino ranch shut down permanently in 1953 and the property was sold off. In November, Hughes finally fulfilled his obligations under the 1948 consent decree, divesting RKO Theatres; Albert A. List purchased the controlling interest in
43259-454: The studio began producing Pinocchio in early 1938 and Fantasia in November of the same year. Both films were released in 1940, and neither performed well at the box office—partly because revenues from Europe had dropped following the start of World War II in 1939. The studio incurred a loss on both pictures and was deeply in debt by the end of February 1941. In response to the financial crisis, Disney and his brother Roy started
43498-610: The studio did excellent box office: The Little Foxes , directed by William Wyler and starring Bette Davis, and the Howard Hawks–directed Ball of Fire also garnered four Oscar nominations apiece; the latter was Barbara Stanwyck's biggest hit under the RKO banner. However, Schaefer agreed to terms so favorable to Goldwyn that it was next to impossible for the studio to make money with his films. David O. Selznick loaned out his leading contracted director for two RKO pictures in 1941: Alfred Hitchcock's Mr. and Mrs. Smith ,
43737-407: The studio was acquired by the General Tire and Rubber Company in 1955. It soon broke new business ground as the first major studio to sell the bulk of its film library's TV rights. The original RKO Pictures ceased production in 1957 and was effectively dissolved two years later. In 1978, broadcaster RKO General , the corporate heir, launched a production subsidiary, RKO Pictures Inc. , which revived
43976-623: The studio's first significant contribution to the genre, The Richest Girl in the World (1934). The drama Of Human Bondage (1934), directed by John Cromwell , was Bette Davis 's first great success. Stevens's Alice Adams and director John Ford 's The Informer were each nominated for the 1935 Best Picture Oscar—the Best Director statuette won by Ford was the only one ever given for an RKO production. The Informer' s star, Victor McLaglen , also took home an Academy Award; he would appear in
44215-564: The studio's library. The show was successful in terms of ratings and profits, earning an audience share of over 50%. In April 1955, Newsweek called the series an "American institution". ABC was pleased with the ratings, leading to Disney's first daily television program, The Mickey Mouse Club , a variety show catering specifically to children. The program was accompanied by merchandising through various companies (Western Printing, for example, had been producing coloring books and comics for over 20 years, and produced several items connected to
44454-522: The studio, beginning in 1940. That same year, Chester Lauck and Norris Goff brought their famous comic characters Lum and Abner from radio to the screen for the first of six independently produced RKO releases. Between 1943 and 1946, the studio teamed contract actors Wally Brown and Alan Carney for comedies that openly mimicked the work of the wildly popular Abbott and Costello ; Brown and Carney 's eight pairings did not approach their prototypes' success. The Falcon detective series began in 1941;
44693-563: The studio. Ann Sothern played the lead in seven RKO films between 1935 and 1937, paired five times with Gene Raymond . Stars Barbara Stanwyck and Cary Grant each signed on for several pictures. Both were sound-era trendsetters, working as freelancers under nonexclusive studio deals. Stanwyck had appeared in major studio films since 1929 without a binding long-term contract, as subsequently would several other top-billed women, including Dunne, Bennett, and Harding. When Grant went freelance after wrapping up his Paramount contract in late 1936, it
44932-504: The studio. Cary Grant was a mainstay for years, with credits including touchstones of the screwball comedy genre with which RKO was identified. The work of producer Val Lewton 's low-budget horror unit and RKO's many ventures into the field now known as film noir have been acclaimed, largely after the fact, by film critics and historians. The studio produced two of the most famous films in motion picture history: King Kong and producer/director/star Orson Welles 's Citizen Kane . RKO
45171-484: The system for his Film Booking Offices of America (FBO). A Kennedy-led investment group had acquired the modest-sized, low-budget-focused studio the previous year, and he had turned it into a steady profit maker. Negotiations resulted in RCA acquiring a substantial interest in FBO; Sarnoff had apparently already conceived of a plan for the studio to attain a central position in the film industry, maximizing Photophone revenue. Next
45410-443: The theatrical brand with its first releases three years later. In 1989, this business, with its remaining assets, including the studio trademarks and the remake rights to many classic RKO films, was sold to new owners, who established the small independent company RKO Pictures LLC . The original studio's film library is now largely controlled by Warner Bros. Discovery . In October 1927, Warner Bros. released The Jazz Singer ,
45649-489: The threat that Photophone would be locked out of the industry entirely. Though Kennedy's deal with First National collapsed within weeks, the RCA executive saw that it was time to make his move. In September, while Kennedy was traveling in Europe, Sarnoff began negotiations with Walker, whose firm was now heavily invested in KAO, to merge the exhibition circuit with Film Booking Offices under RCA control. Soon after Kennedy's return at
45888-505: The time and brought down the wrath of the Hearst newspaper chain on RKO. The next year saw the commercial failure of Welles's The Magnificent Ambersons —like Kane , critically lauded and overbudget—and the expensive embarrassment of his aborted documentary It's All True . The three Welles productions combined to drain $ 2 million from the RKO coffers, major money for a corporation that had reported an overall deficit of $ 1 million in 1940 and
46127-601: The time." Disney's office appointment book makes no mention of him attending Bund rallies, and no other employee ever claimed he attended such meetings. According to Gabler, Disney was apolitical and "something of a political naïf" during the 1930s and he had previously told one reporter – as tensions in Europe were brewing – that America should "let 'em fight their own wars" claiming he had "learned my lesson" from World War I . Disney also demonstrated his political naivete in an October 1933 article for Overland Monthly claiming: "Of course there must be millions of people who have
46366-551: The title role . The result, a 12½-minute, one-reel film, was completed too late to save Laugh-O-Gram Studio, which went into bankruptcy in 1923. Disney moved to Hollywood in July 1923 at 21 years old. Although New York was the center of the cartoon industry, he was attracted to Los Angeles because his brother Roy was convalescing from tuberculosis there, and he hoped to become a live-action film director. Disney's efforts to sell Alice's Wonderland were in vain until he heard from New York film distributor Margaret J. Winkler . She
46605-542: The trademark "Radio Pictures". While the main FBO studio in Hollywood was refitted for sound, production of shorts began in New York at the RKO Gramercy studio Sarnoff had just opened. RCA's radio network, NBC , began broadcasting a weekly variety show , The RKO Hour , that became a prime promotional vehicle for the studio's films. The first two features released by the new company were musicals: The melodramatic Syncopation , which actually completed shooting before FBO
46844-521: The use of rerecording technology first heard in King Kong . In October 1935 the ownership team expanded, with financier Floyd Odlum leading a syndicate that bought 50 percent of RCA's stake in the company; the Rockefeller brothers , also major stockholders, increasingly became involved in the business. While RKO kept missing the mark in building Hepburn's career, other actors became regular headliners for
47083-522: The values in Disney's films are those "considered valuable in American Christian society", which include "individualism, decency, ... love for our fellow man, fair play and toleration". Disney's obituary in The Times calls the films "wholesome, warm-hearted and entertaining ... of incomparable artistry and of touching beauty". Journalist Bosley Crowther argues that Disney's "achievement as
47322-541: The war) Disney began offering his services to various branches of the United States Armed Forces to make training films "...for national defence industries at cost and without profit. In making this offer, I am motivated solely by a desire to help as best I can in the present emergency." These training films contained highly classified information and required the highest level of security clearance to be viewed. If Disney had any previous sympathies toward Nazism,
47561-515: The work of Ariel Dorfman and Armand Mattelart , whose 1971 book Para leer al Pato Donald ( transl. How to Read Donald Duck ) identifies that there are "imperialist ... values 'concealed' behind the innocent, wholesome façade of the world of Walt Disney"; this, they argue, is a powerful tool as "it presents itself as harmless fun for consumption by children." Tomlinson views their argument as flawed, as "they simply assume that reading American comics, seeing adverts, watching pictures of
47800-580: The year, it turned a $ 3.7 million profit for RKO, the most in the company's history. Bergman returned in the coproductions Notorious (1946) and Stromboli (1950), and in the independently produced Joan of Arc (1948). Freelancing Randolph Scott appeared in one major RKO release annually from 1943 through 1948. In similar fashion, many leading directors made one or more films for RKO during this era, including Alfred Hitchcock once more, with Notorious , and Jean Renoir , with This Land Is Mine (1943), reuniting Laughton and O'Hara, and The Woman on
48039-403: Was racist or antisemitic , they have been contradicted by many who knew him. Historiography of Disney has taken a variety of perspectives, ranging from views of him as a purveyor of homely patriotic values to being a representative of American cultural imperialism . Widely considered to be one of the most influential cultural figures of the 20th century, Disney remains an important presence in
48278-461: Was a bankable constant for almost a decade. Exceptions like Cimarron and Rio Rita aside, RKO's product was largely regarded as mediocre, so in October 1931 Sarnoff hired twenty-nine-year-old David O. Selznick to replace LeBaron as production chief. In addition to implementing rigorous cost-control measures, Selznick championed the unit production system, which gave the producers of individual movies much greater independence than they had under
48517-403: Was a project of the renowned Jerry Wald – Norman Krasna production team, lured by Hughes from Warner Bros. with great fanfare in August 1950. The company also began a close working relationship with Ida Lupino . She starred in two suspense films with Robert Ryan—Nicholas Ray's On Dangerous Ground (1952, though shooting had been completed two years earlier) and Beware, My Lovely (1952),
48756-437: Was also able to negotiate a deal giving him the sole right to use the three-strip process until August 31, 1935. All subsequent Silly Symphony cartoons were in color. Flowers and Trees was popular with audiences and won the inaugural Academy Award for best Short Subject (Cartoon) at the 1932 ceremony . Disney had been nominated for another film in that category, Mickey's Orphans , and received an Honorary Award "for
48995-589: Was also responsible for notable coproductions such as It's a Wonderful Life and Notorious , and it distributed many celebrated films by animation pioneer Walt Disney and leading independent producer Samuel Goldwyn . Though it often could not compete financially for top star and director contracts, RKO's below-the-line personnel were among the finest, including composer Max Steiner , cinematographer Nicholas Musuraca , and designer Van Nest Polglase . Maverick industrialist Howard Hughes took over RKO in 1948. After years of disarray and decline under his control,
49234-470: Was an undeniable plus side to the merger: when Pathé's Constance Bennett , Ann Harding , and Helen Twelvetrees joined the Radio family in early 1931, they were bigger box office draws than anyone on the RKO roster. The studio's production schedule surpassed forty features a year, released under the names "Radio Pictures" and, until late 1932, "RKO Pathé". Cimarron (1931) became the only RKO production to win
49473-409: Was being dissolved. On January 22, 1957, after a year and a half without a notable success, RKO announced that it was closing its domestic distribution offices— Universal would take over most future releases—and that a reduced production wing would move to the Culver City lot. In fact, General Tire shut down RKO production for good. Overseas distribution exchanges were dispensed with: RKO Japan Ltd.
49712-466: Was built by Disney Studios engineer Roger E. Broggie , and Disney named it Lilly Belle after his wife; after three years Disney ordered it into storage due to a series of accidents involving his guests. Disney grew more politically conservative as he got older. A Democratic Party supporter until the 1940 presidential election , when he switched allegiance to the Republican Party , he became
49951-422: Was committed to producing two more features with Technicolor's system, even as audiences had come to associate color with the momentarily out-of-favor musical genre. Fulfilling its obligations, RKO produced two all-Technicolor pictures, The Runaround and Fanny Foley Herself (both 1931), containing no musical sequences. Neither was a success. Despite these issues—and the foundering US economy—RKO had gone on
50190-586: Was coproduced with Pioneer Pictures, founded by Cooper—who departed RKO after two years helming production—and John Hay "Jock" Whitney , who brought in his cousin Cornelius Vanderbilt Whitney ; Cooper had successfully encouraged the Whitneys to purchase a major share of the Technicolor business as well. Although judged by critics a failure as drama, Becky Sharp was widely lauded for its visual brilliance and technical expertise. RKO also employed some of
50429-427: Was denied in July 2003, freeing RKO to deal with another potential purchaser, InternetStudios.com. In 2004, that planned sale fell through when InternetStudios.com apparently folded. The company's minimal involvement in new film production continued to focus on its remake rights: Are We Done Yet? , based on Mr. Blandings Builds His Dream House (1948), was released in April 2007 to dismal reviews. In 2009, Beyond
50668-461: Was formed after the Keith-Albee-Orpheum theater chain and Joseph P. Kennedy's Film Booking Offices of America studio were brought together under the control of the Radio Corporation of America (RCA) in October 1928. RCA executive David Sarnoff engineered the merger to create a market for the company's sound-on-film technology, RCA Photophone , and in early 1929 production began under
50907-592: Was generally happy, according to Lillian, although according to Disney's biographer Neal Gabler she did not "accept Walt's decisions meekly or his status unquestionably, and she admitted that he was always telling people 'how henpecked he is'." Lillian had little interest in films or the Hollywood social scene and she was, in the words of the historian Steven Watts, "content with household management and providing support for her husband". Their marriage produced two daughters, Diane (born December 1933) and Sharon (adopted in December 1936, born six weeks previously). Within
51146-552: Was less involved than he had been with previous pictures because of his involvement in his first entirely live-action feature, Treasure Island (1950), which was shot in Britain, as was The Story of Robin Hood and His Merrie Men (1952). Other all-live-action features followed, many of which had patriotic themes. He continued to produce full-length animated features too, including Alice in Wonderland (1951) and Peter Pan (1953). From
51385-500: Was losing the rights to both the Out of the Inkwell and Felix the Cat cartoons, and needed a new series. In October, they signed a contract for six Alice comedies , with an option for two further series of six episodes each. Disney and his brother Roy formed the Disney Brothers Studio—which later became The Walt Disney Company —to produce the films; they persuaded Davis and her family to relocate to Hollywood to continue production, with Davis on contract at $ 100
51624-415: Was made a "Special Agent in Charge Contact" in 1954, FBI officials claim this was largely an honorary title regularly awarded to members of a community who might be of use to the bureau. The FBI declassified and released Walt Disney's file on their website, and revealed that much of Disney's correspondence with the bureau (via studio personnel) was in relation to the production of educational films ; such as
51863-412: Was marked by both diminished production and a slew of expensive flops, the studio continued to turn out some well-received films under production chiefs Sid Rogell and Sam Bischoff , though both became fed up with Hughes's interloping and each in turn quit after less than two years. Bischoff was the last man to hold the job under Hughes. There were B noirs such as The Window (1949), which turned into
52102-404: Was not antisemitic, nevertheless, he willingly allied himself with people who were antisemitic, and that reputation stuck. He was never really able to expunge it throughout his life." Disney distanced himself from the Motion Picture Alliance, and had no involvement with the organization after 1947. According to Disney's daughter Diane Disney-Miller , her sister Sharon dated a Jewish boyfriend for
52341-401: Was offering to buy out all of RKO's other stockholders. Before the end of the year, at a cost of $ 23.5 million, Hughes had gained near-total control of RKO Pictures Corp., becoming the first virtual sole owner of a studio since Hollywood's pioneer days—virtual, but not quite actual. Floyd Odlum reemerged to block Hughes's acquisition of the 95 percent ownership of RKO stock he needed to write off
52580-530: Was one of the crucial steps in the collapse of classical Hollywood's studio system . Shooting at RKO picked up again in early 1949, but from an average of around thirty films annually before Hughes's takeover, production fell to just twelve that year. Sporting the new title of managing director of production, Hughes quickly became notorious for meddling in minute filmmaking matters and promoting actresses he favored—including two under personal contract to him, Jane Russell and Faith Domergue . While his time at RKO
52819-427: Was paid to draw the horse of a retired neighborhood doctor. Elias was a subscriber to the Appeal to Reason newspaper, and Disney practiced drawing by copying the front-page cartoons of Ryan Walker . He also began to develop an ability to work with watercolors and crayons. He lived near the Atchison, Topeka and Santa Fe Railway line and became enamored with trains. He and his younger sister Ruth started school at
53058-408: Was presented with two Golden Globe Special Achievement Awards and an Emmy Award , among other honors. Several of his films are included in the National Film Registry by the Library of Congress and have also been named as some of the greatest films ever by the American Film Institute . Born in Chicago in 1901, Disney developed an early interest in drawing. He took art classes as a boy and took
53297-414: Was racially insensitive." The feature film Song of the South was criticized by contemporary film critics, the NAACP , and others for its perpetuation of black stereotypes , but during filming Disney became close friends with its star, James Baskett , describing him in a letter to his sister Ruth as "the best actor, I believe, to be discovered in years." Disney and Baskett stayed in contact long after
53536-426: Was reincorporated as RKO, premiered on March 29, 1929. The comedic Street Girl debuted July 30. This was billed as RKO's first "official" production and its first to be shot in Hollywood. As with many early RKO films, the producer was studio chief William LeBaron , who had held the same position at FBO. A few nonsinging pictures followed, but RKO's first major hit was again a musical. The studio spent heavily on
53775-506: Was secured on January 29, 1931, and the studio, with its contract players, well-regarded newsreel operation, and DeMille's old Culver City studio and backlot , became the semiautonomous RKO Pathé Pictures Inc. The acquisition, though a defensible investment in the long term for Pathé's physical facilities, was yet another major expense borne by the fledgling RKO, particularly as the reliably avaricious Kennedy had masked Pathé's considerable financial woes, just as he had with FBO and KAO. There
54014-410: Was securing a string of exhibition venues like those the leading Hollywood production companies owned. Kennedy began investigating the possibility of such a purchase. At that same time, the allied Keith-Albee and Orpheum theater circuits, built around the then fading medium of live vaudeville , were pursuing a transition into the movie business. In 1926 the exhibitors had acquired a 50 percent stake in
54253-493: Was sold to Disney and the British Commonwealth Film Corporation in July 1957, and RKO Radio Pictures Ltd. in the UK was dissolved a year later. The Hollywood and Culver City facilities were sold in late 1957 for $ 6.15 million to Desilu Productions , owned by Desi Arnaz and Lucille Ball , who had been an RKO contract player from 1935 to 1942. Desilu was acquired by Gulf and Western Industries in 1967 and merged into G+W's other production company, neighboring Paramount Pictures ;
54492-426: Was solicited to Disney by painter and ballet dancer Hurbert "Jay" Stowitts , a close friend of Riefenstahl, and a former colleague of Leopold Stokowski who at the time was collaborating with Disney on Fantasia . A month later a spokesperson for Disney told the New York Daily News : "Miss Refiensthal got into the studio, but she crashed the gate. A Los Angeles man who is known to Disney obtained permission to take
54731-451: Was sometimes strained. The series ran until July 1927, by which time Disney had begun to tire of it and wanted to move away from the mixed format to all animation. After Mintz requested new material to distribute through Universal Pictures , Disney and Iwerks created Oswald the Lucky Rabbit , a character Disney wanted to be "peppy, alert, saucy and venturesome, keeping him also neat and trim". In February 1928, Disney hoped to negotiate
54970-473: Was soon offering the films to independent stations in a package called "MovieTime USA". RKO Teleradio Pictures—the newly renamed General Teleradio, under which RKO Radio Pictures now operated as a business division—retained the broadcast rights for the cities where it owned TV stations. By 1956, RKO's classic movies were playing widely on television, often in the Million Dollar Movie format, allowing many to see such films as Citizen Kane and King Kong for
55209-438: Was soon working regularly with RKO, making nine more movies for the studio. Gary Cooper appeared in RKO releases produced by Goldwyn and, later, the startup International Pictures, and Claudette Colbert starred in a number of RKO coproductions. Ingrid Bergman , on loan out from Selznick, starred opposite Bing Crosby in The Bells of St. Mary's (1945), a coproduction with director Leo McCarey . The top box-office film of
55448-507: Was spending more time at the Pfeiffers' house than at home. Elias had purchased a newspaper delivery route for The Kansas City Star and Kansas City Times . Disney and his brother Roy woke up at 4:30 every morning to deliver the Times before school and repeated the round for the evening Star after school. The schedule was exhausting, and Disney often received poor grades after falling asleep in class, but he continued his paper route for more than six years. He attended Saturday courses at
55687-464: Was still rare for a leading man to do so while his star was on the rise. He ultimately appeared in fourteen RKO releases between 1937 and 1948. Soon after the appointment of a new production chief, Samuel Briskin, in late 1936, RKO entered into an important distribution deal with animator Walt Disney (Van Beuren consequently folded its cartoon operations). For nearly two decades, the studio released his company's features and shorts; Snow White and
55926-403: Was stripped from the corporate identity; the holding company for General Tire's broadcasting operation and the few remaining motion picture assets was renamed RKO General . In the words of scholar Richard B. Jewell, "The supreme irony of RKO's existence is that the studio earned a position of lasting importance in cinema history largely because of its extraordinarily unstable history. Since it
56165-452: Was taken by ambulance from his home to St. Joseph Hospital where, on December 15, at age 65, he died of circulatory collapse caused by the cancer. His remains were cremated two days later and his ashes interred at the Forest Lawn Memorial Park in Glendale, California . The release of The Jungle Book and The Happiest Millionaire in 1967 raised the total number of feature films that Disney had been involved in to 81. When Winnie
56404-552: Was the first made-for-TV movie . In collaboration with Mexican businessman Emilio Azcárraga Vidaurreta , RKO established Estudios Churubusco in Mexico City in 1945. With RKO on increasingly secure ground, Koerner sought to increase its output of handsomely budgeted, star-driven features. However, the studio's only remaining major stars with anything like extended deals were Grant, whose services were shared with Columbia Pictures, and O'Hara, shared with Fox. Lacking in-house stars, Koerner and his successors under Odlum arranged with
56643-502: Was the fourth son of Elias Disney —born in the Province of Canada , to Irish parents—and Flora ( née Call), an American of German and English descent. Aside from Walt, Elias and Flora's sons were Herbert, Raymond and Roy ; and the couple had a fifth child, Ruth, in December 1903. In 1906, when Disney was four, the family moved to a farm in Marceline, Missouri , where his uncle Robert had just purchased land. In Marceline, Disney developed his interest in drawing when he
56882-417: Was the weakling of Hollywood's 'majors,' RKO welcomed a diverse group of individualistic creators and provided them ... with an extraordinary degree of freedom to express their artistic idiosyncrasies.... [I]t never became predictable and it never became a factory." Beginning with 1981's Carbon Copy , RKO General became involved in the coproduction of a number of feature films and TV projects through
57121-465: Was virtually immediate: corporate profits rose from $ 736,241 in 1942 (the theatrical division compensating for the studio's $ 2.34 million deficit) to $ 6.96 million the following year. The Rockefellers sold off their stock and, early in 1943, RCA dispensed with the last of its holdings in the company as well, cutting David Sarnoff's ties to the studio that was largely his conception. A new RKO Pathé "news magazine" series, This Is America , had been launched
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