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Enoch Sontonga

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A songwriter is a person who creates musical compositions or writes lyrics for songs , or both. The writer of the music for a song can be called a composer , although this term tends to be used mainly in the classical music genre and film scoring. A songwriter who mainly writes the lyrics for a song is referred to as a lyricist . The pressure from the music industry to produce popular hits means that song writing is often an activity for which the tasks are distributed among a number of people. For example, a songwriter who excels at writing lyrics might be paired with a songwriter with the task of creating original melodies. Pop songs may be composed by group members from the band or by staff writers – songwriters directly employed by music publishers . Some songwriters serve as their own music publishers, while others have external publishers.

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65-526: Enoch Mankayi Sontonga ( c.  1873 – 18 April 1905) was a South African composer , who is best known for writing the Xhosa hymn " Nkosi Sikelel' iAfrika " (English: "God Bless Africa" ), which, in abbreviated version, has been sung as the first half of the national anthem of South Africa since 1994. Previously, it had been the official anthem of the African National Congress since 1925. It

130-573: A composition , and it is then transmitted via oral tradition . Conversely, in some Western classical traditions music may be composed aurally—i.e. "in the mind of the musician"—and subsequently written and passed through written documents . In the development of European classical music , the function of composing music initially did not have much greater importance than that of performing it. The preservation of individual compositions did not receive enormous attention and musicians generally had no qualms about modifying compositions for performance. In

195-403: A recording studio that oversees the production and recording of the final product. However, record producers can be involved in co-writing songs as the composer wearing two hats as the producer and songwriter as they may write and compose the original music such as the beat and then oversee the production that takes control of the recording sessions with the artist and engineer all the way down to

260-532: A singer in a choir , as a player in a youth orchestra , or as a performer on a solo instrument (e.g., piano , pipe organ , or violin ). Teens aspiring to be composers can continue their postsecondary studies in a variety of formal training settings, including colleges, conservatories, and universities. Conservatories , which are the standard musical training system in countries such as France and Canada, provide lessons and amateur orchestral and choral singing experience for composition students. Universities offer

325-467: A breeze, to avant-garde music from the 20th century that uses graphic notation , to text compositions such as Aus den Sieben Tagen , to computer programs that select sounds for musical pieces. Music that makes heavy use of randomness and chance is called aleatoric music , and is associated with contemporary composers active in the 20th century, such as John Cage , Morton Feldman , and Witold Lutosławski . The nature and means of individual variation of

390-511: A composer and a lyricist ( Andrew Lloyd Webber with Tim Rice , or Elton John with Bernie Taupin ), a performer and a producer ( Madonna with Patrick Leonard or Mariah Carey with Walter Afanasieff ), or between bandmates ( Mick Jagger and Keith Richards of the Rolling Stones or Björn Ulvaeus and Benny Andersson of ABBA ). According to Billboard , the songwriting partnership between John Lennon and Paul McCartney remains

455-426: A composition professor , ensemble experience, and graduate courses in music history and music theory, along with one or two concerts featuring the composition student's pieces. A master's degree in music (referred to as an M.Mus. or M.M.) is often a required minimum credential for people who wish to teach composition at a university or conservatory. A composer with an M.Mus. could be an adjunct professor or instructor at

520-412: A culture eventually developed whereby faithfulness to the composer's written intention came to be highly valued (see, for example, Urtext edition ). This musical culture is almost certainly related to the high esteem (bordering on veneration) in which the leading classical composers are often held by performers. The historically informed performance movement has revived to some extent the possibility of

585-432: A given place is referred to as performance practice , whereas interpretation is generally used to mean the individual choices of a performer. Although a musical composition often has a single author, this is not always the case. A work of music can have multiple composers, which often occurs in popular music when a band collaborates to write a song, or in musical theatre , where the songs may be written by one person,

650-402: A number of elements for a song, including an introduction, various verses and a chorus. At minimum, a songwriter must prepare a lead sheet for a song, which consists of one or more pieces of sheet music with the melody notes and chord progression indicated on it. The songwriter may expand upon the melody and chord progression by adding an instrumental melody (which may occur before or after

715-604: A perforated appendix which was a common cause of death at the time - the water was not very safe. Sontonga married Diana Mgqibisa, the daughter of a minister in the African Methodist Episcopal Church, and they had a son. Mgqibisa died in 1939. The song started to be more well known after John Langalibalele Dube 's Ohlange Institute 's choir used it. They played it at the South African Native National Congress meeting in 1912. It

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780-441: A performer of Western popular music creates a "cover" of an earlier song, there is little expectation of exact rendition of the original; nor is exact faithfulness necessarily highly valued (with the possible exception of "note-for-note" transcriptions of famous guitar solos ). In Western art music, the composer typically orchestrates their compositions, but in musical theatre and pop music, songwriters may hire an arranger to do

845-516: A publisher can be the first step for any professional songwriting career, with some writers with a desire for greater independence outgrowing this set-up once they achieve a degree of success. Songwriter Allan Eshuijs described his staff writer contract at Universal Music Publishing as a starter deal. His success under the arrangement eventually allowed him to found his own publishing company so that he could "keep as much [publishing income] as possible and say how it's going to be done." A beatmaker

910-473: A range of composition programs, including bachelor's degrees, Master of Music degrees, and Doctor of Musical Arts degrees. As well, there are a variety of other training programs such as classical summer camps and festivals, which give students the opportunity to get coaching from composers. Bachelor's degrees in composition (referred to as B.Mus. or B.M) are four-year programs that include individual composition lessons, amateur orchestra/choral experience, and

975-408: A rock producer that may rarely contribute as a co-writer of a song. A top-line writer or top-liner is a songwriter who writes a song over a pre-made beat. In top-lining, the writer is not creating a song from scratch, but rather creating lyrics and melodies over an existing music genre , tonality , harmony , rhythm , and form of a song. In modern commercial writing, it is a common practice for

1040-453: A sequence of courses in music history, music theory, and liberal arts courses (e.g., English literature), which give the student a more well-rounded education. Usually, composition students must complete significant pieces or songs before graduating. Not all composers hold a B.Mus. in composition; composers may also hold a B.Mus. in music performance or music theory. Master of Music degrees (M.mus.) in composition consists of private lessons with

1105-533: A song becomes a hit record ; legally, in the US, songs written after 1934 may be copied only by the authors. The legal power to grant these permissions may be bought, sold or transferred. This is governed by international copyright law . Songwriters can be employed in a variety of different ways. They may exclusively write lyrics or compose music alongside another artist, present songs to A&R , publishers, agents and managers for consideration. Song pitching can be done on

1170-468: A song created under an employment contract cannot be "recaptured" by the writer after 35 years. In Nashville, young writers are often strongly encouraged to avoid these types of contracts. Staff writers are common across the whole industry, but without the more office-like working arrangements favoured in Nashville. All the major publishers employ writers under contract. Obtaining a staff writer contract with

1235-467: A songwriter's behalf by their publisher or independently using tip sheets like RowFax , the MusicRow publication and SongQuarters . Skills associated with song-writing include entrepreneurism and creativity. Staff writers do not necessarily get printed credit for their contributions to the song. Songwriters who sign an exclusive songwriting agreement with a publisher are called staff writers . Being

1300-430: A staff writer effectively means that, during the term of the songwriter's contract with the publisher, all their songs are automatically published by that company and cannot be published elsewhere. In the Nashville country music scene, there is a strong staff writer culture where contracted writers work normal "9-to-5" hours at the publishing office and are paid a regular salary, says staff writer Gary Growden. This salary

1365-459: A tendency to cluster in specific cities throughout history. Based on over 12,000 prominent composers listed in Grove Music Online and using word count measurement techniques, the most important cities for classical music can be quantitatively identified. Paris has been the main hub for western classical music in all periods. It was ranked fifth in the 15th and 16th centuries but first in

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1430-676: A university, but it would be difficult in the 2010s to obtain a tenure track professor position with this degree. To become a tenure track professor, many universities require a doctoral degree . In composition, the key doctoral degree is the Doctor of Musical Arts , rather than the PhD ; the PhD is awarded in music, but typically for subjects such as musicology and music theory . Doctor of Musical Arts (referred to as D.M.A., DMA, D.Mus.A. or A.Mus.D) degrees in composition provide an opportunity for advanced study at

1495-487: A very difficult time breaking through and getting the credit they deserve." During the Medieval eras, most of the art music was created for liturgical (religious) purposes and due to the views about the roles of women that were held by religious leaders, few women composed this type of music, with the nun Hildegard von Bingen being among the exceptions. Most university textbooks on the history of music discuss almost exclusively

1560-463: Is a person who writes music . The term is especially used to indicate composers of Western classical music , or those who are composers by occupation. Many composers are, or were, also skilled performers of music. The term is descended from Latin , compōnō ; literally "one who puts together". The earliest use of the term in a musical context given by the Oxford English Dictionary

1625-444: Is a songwriter who creates and composes music or beats for a song, often laying the groundwork or 'musical bed'. Then a composer who specializes in melody will create the top line for the track. Tools typically used are keyboards, drum machines, softsynths and digital audio workstations . Beat makers or composers are not necessarily record producers by definition or acting role since they generally do not work directly with an artist in

1690-422: Is because the process of "working out" a song or arrangement requires a songwriter to play an instrument, typically the guitar or the piano , to hear how the chord progression sounds and to hear how well a given set of chords supports a melody. In addition to selling their songs and musical concepts for other artists to sing, some songwriter-musicians create songs to perform themselves. Songwriters need to create

1755-400: Is co-written, written jointly or written in collaboration with other authors. Co-writers may use the "stream of consciousness" approach, referring to having ideas flow rather than being discussed. The first step in co-writing is to establish the division of the contribution between co-writers. In copyright law, there is no distinction of importance between the lyrics of the song or the melody of

1820-506: Is from Thomas Morley 's 1597 A Plain and Easy Introduction to Practical Music , where he says "Some wil [ sic ] be good descanters [...] and yet wil be but bad composers". "Composer" is a loose term that generally refers to any person who writes music. More specifically, it is often used to denote people who are composers by occupation, or those who work in the tradition of Western classical music . Writers of exclusively or primarily songs may be called composers, but since

1885-432: Is in effect the writer's "draw", an advance on future earnings, which is paid monthly and enables them to live within a fixed budget. The publisher owns the copyright of songs written during the term of the agreement for a designated period, after which the songwriter can reclaim the copyright. In an interview with HitQuarters , songwriter Dave Berg extolled the benefits of the set-up: "I was able to concentrate on writing

1950-543: Is responsible in creating the entire music and lyrics of a song. According to Billboard , 44% of the songs that reached number one on the Billboard Hot 100 chart during the 1970s were written by just one songwriter. The percentage declined to 42% in the 1980s, 24% in the 1990s, 6% in the 2000s, and 4% in the 2010s. Lionel Richie and Diane Warren are the only songwriters with at least 8 number-one singles written solely by themselves. Songs written by more than one person

2015-404: Is termed "interpretation". Different performers' interpretations of the same work of music can vary widely, in terms of the tempos that are chosen and the playing or singing style or phrasing of the melodies. Composers and songwriters who present their music are interpreting, just as much as those who perform the music of others. The standard body of choices and techniques present at a given time and

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2080-589: The Baroque music era, many composers were employed by aristocrats or as church employees. During the Classical period , composers began to organize more public concerts for profit, which helped composers to be less dependent on aristocratic or church jobs. This trend continued in the Romantic music era in the 19th century. In the 20th century, composers began to seek employment as professors in universities and conservatories. In

2145-479: The K-pop music industry. Sampling is the reuse of a portion (or sample) of a sound recording in another recording. The original songwriter(s) of a song usually receive co-writing credit when their work is sampled on another song, although they did not literally involve in making the latter. For example, Sting is credited as a co-writer alongside Todd Gaither and Faith Evans for " I'll Be Missing You " (1997) due to

2210-519: The Renaissance music era, composers typically worked for aristocratic employers. While aristocrats typically required composers to produce a significant amount of religious music, such as Masses , composers also penned many non-religious songs on the topic of courtly love : the respectful, reverential love of a great woman from afar. Courtly love songs were very popular during the Renaissance era. During

2275-400: The orchestration of the accompaniment parts and writing of the overture is done by an orchestrator, and the words may be written by a third person. A piece of music can also be composed with words, images, or, in the 20th and 21st centuries, computer programs that explain or notate how the singer or musician should create musical sounds. Examples of this range from wind chimes jingling in

2340-427: The 17th to 20th centuries inclusive. London was the second most meaningful city: eighth in the 15th century, seventh in the 16th, fifth in the 17th, second in the 18th and 19th centuries, and fourth in the 20th century. Rome topped the rankings in the 15th century, dropped to second in the 16th and 17th centuries, eighth in the 18th century, ninth in the 19th century but back at sixth in the 20th century. Berlin appears in

2405-410: The 20th century the terms ' songwriter ' or ' singer-songwriter ' are more often used, particularly in popular music genres. In other contexts, the term 'composer' can refer to a literary writer, or more rarely and generally, someone who combines pieces into a whole. Across cultures and traditions composers may write and transmit music in a variety of ways. In much popular music, the composer writes

2470-422: The 20th century, composers also earned money from the sales of their works, such as sheet music publications of their songs or pieces or as sound recordings of their works. In 1993, American musicologist Marcia Citron asked, "Why is music composed by women so marginal to the standard 'classical' repertoire?" Citron "examines the practices and attitudes that have led to the exclusion of women composers from

2535-461: The Western world, before the Romantic period of the 19th century, composition almost always went side by side with a combination of either singing, instructing and theorizing . Even in a conventional Western piece of instrumental music, in which all of the melodies , chords , and basslines are written out in musical notation, the performer has a degree of latitude to add artistic interpretation to

2600-517: The definition of composition is broad enough for the creation of popular and traditional music songs and instrumental pieces and to include spontaneously improvised works like those of free jazz performers and African percussionists such as Ewe drummers . During the Middle Ages, most composers worked for the Catholic church and composed music for religious services such as plainchant melodies. During

2665-503: The guidance of faculty composition professors. Some schools require DMA composition students to present concerts of their works, which are typically performed by singers or musicians from the school. The completion of advanced coursework and a minimum B average are other typical requirements of a D.M.A program. During a D.M.A. program, a composition student may get experience teaching undergraduate music students. Some composers did not complete composition programs, but focused their studies on

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2730-552: The highest artistic and pedagogical level, requiring usually an additional 54+ credit hours beyond a master's degree (which is about 30+ credits beyond a bachelor's degree). For this reason, admission is highly selective. Students must submit examples of their compositions. If available, some schools will also accept video or audio recordings of performances of the student's pieces. Examinations in music history, music theory, ear training/dictation, and an entrance examination are required. Students must prepare significant compositions under

2795-405: The increased use by composers of more detailed scoring in the form of dynamics, articulation et cetera; composers became uniformly more explicit in how they wished their music to be interpreted, although how strictly and minutely these are dictated varies from one composer to another. Because of this trend of composers becoming increasingly specific and detailed in their instructions to the performer,

2860-492: The location of his grave remained a mystery is that it was listed under the name "Enoch" and not by his surname "Sontonga". On 24 September 1996, Sontonga's grave was declared a national monument and a memorial on the site was unveiled by then- President Nelson Mandela . At the same ceremony, the South African Order of Meritorious Service (Gold) was bestowed on Enoch Sontonga posthumously. Composer A composer

2925-418: The melodies or lyrics. There is a way to prevent such legal battles. A songwriter can commit their "intent to make a song", which prevents any of the parties ripping the song apart. Some artists send out a legal disclaimer making clear that if their melody is not used after doing a topline, it reverts to them, and the track back to the track writer. Songwriters are also often skilled musicians. In part, this

2990-400: The mid-20th century was Nadia Boulanger . Philips states that "[d]uring the 20th century the women who were composing/playing gained far less attention than their male counterparts." Women today are being taken more seriously in the realm of concert music, though the statistics of recognition, prizes, employment, and overall opportunities are still biased toward men. Famous composers have

3055-435: The mix stage. They are referred to as Record Producer / Songwriters as they generally receive songwriting and production credits for both roles. This is especially true for R&B, hip-hop producers in urban hip hop production , when composing the original music as the co-writer is integrated into their traditional role as a Record Producer, such as Rodney Jerkins , Dr. Dre , Timbaland or Pharrell Williams , as opposed to

3120-588: The most successful one of all time, resulting over 180 songs and a record 20 number ones for the Beatles on the Billboard Hot 100. Songwriting camp is a gathering of multiple producers and topliners in a pre-selected location for the purpose of writing songs for a specific artist. As one of the most successful artists in releasing many hit songs , Rihanna has been known for holding various writing camps to make her albums. Writing camps are also very popular in

3185-400: The music are varied, depending on the musical culture in the country and the time period it was written. For instance, music composed in the Baroque era , particularly in slow tempos, often was written in bare outline, with the expectation that the performer would add improvised ornaments to the melody line during a performance. Such freedom generally diminished in later eras, correlating with

3250-417: The musical track to be produced first without any vocal melody or lyrics. This is partially due to the rise of portable music production equipment and digital audio workstations that are designed for the swift arrangement of electronic music, such as Cubase and Ableton Live . The top-liner usually is also a singer, and will sing over the track as the demo singer. If the song is for a particular artist,

3315-435: The orchestration. In some cases, a pop songwriter may not use notation at all, and, instead, compose the song in their mind and then play or record it from memory. In jazz and popular music, notable recordings by influential performers are given the weight that written scores play in classical music. The study of composition has traditionally been dominated by the examination of methods and practice of Western classical music, but

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3380-701: The performance of voice or an instrument or on music theory , and developed their compositional skills over the course of a career in another musical occupation. Songwriter The old-style apprenticeship approach to learning how to write songs is being supplemented by university degrees , college diplomas and "rock schools". Knowledge of modern music technology (sequencers, synthesizers, computer sound editing), songwriting elements and business skills are significant for modern songwriters. Several music colleges offer songwriting diplomas and degrees with music business modules. Since songwriting and publishing royalties can be substantial sources of income, particularly if

3445-408: The performer elaborating seriously the music as given in the score, particularly for Baroque music and music from the early Classical period . The movement might be considered a way of creating greater faithfulness to the original in works composed at a time that expected performers to improvise . In genres other than classical music, the performer generally has more freedom; thus for instance when

3510-479: The received ' canon ' of performed musical works." She argues that in the 1800s, women composers typically wrote art songs for performance in small recitals rather than symphonies intended for performance with an orchestra in a large hall, with the latter works being seen as the most important genre for composers; since women composers did not write many symphonies, they were deemed to be not notable as composers. According to Abbey Philips, "women musicians have had

3575-430: The role of male composers. As well, very few works by women composers are part of the standard repertoire of classical music. In Concise Oxford History of Music , " Clara Shumann [ sic ] is one of the only female composers mentioned", but other notable women composers of the common practice period include Fanny Mendelssohn and Cécile Chaminade , and arguably the most influential teacher of composers during

3640-682: The role of producer is not generally understood by the public, the average listener does not know when an artist also takes on the role of producer. Brian Wilson of the Beach Boys is one of the earliest and most widely known examples of a songwriter turned music producer. Within two years of the band's commercial breakthrough, Wilson had taken over from his father Murry, and he was the sole producer of all their recordings between 1963 and 1967. Many singers also write songs for themselves, and as such, they are usually referred to as singer-songwriters. In solitary songwriting or sole writing, only one person

3705-526: The song, therefore each writer is given equal ownership over the song, unless another agreement is arranged. "Phantom" songwriters provide small contributions to songs. The songwriter suggests a line for a verse or a session musician who informally proposes a chord progression for a coda. "Phantom" songwriters are usually not given credit. Songwriting partnership or songwriting duo is a prolific collaboration which consists of two songwriters, usually sharing 50% royalty each. Songwriting partnership can be between

3770-440: The top ten rankings only in the 18th century and was ranked third most important city in both the 19th and 20th centuries. New York City entered the rankings in the 19th century (in fifth place) and stood at second rank in the 20th century. The patterns are very similar for a sample of 522 top composers. Professional classical composers often have a background in performing classical music during their childhood and teens, either as

3835-531: The top-liner may sing the demo in that artist's style. Top-liners often work in groups to co-write. Sometimes producers send out tracks to more than one top-line writer so that the producer or singer could choose the best option. Since the track is the same, melodies by different writers can sometimes be very similar. Occasionally, the producer might choose a few lines of melodic or lyrical ideas from one top-liner without properly crediting or paying them. These situations sometimes result in legal battles over ownership of

3900-401: The vocal melody, or alongside the vocal melody) and creating a more complex song structure (e.g., verse, chorus, bridge, instrumental solo section, etc.). With recent technological improvements, a songwriter can now create commercially viable music almost entirely on their laptop. This technological advancement has made the producer/songwriter role a much more popular occurrence. Perhaps because

3965-478: The whole time and have always had enough money to live on." Unlike contracted writers, some staff writers operate as employees for their respective publishers. Under the terms of these work for hire agreements, the compositions created are fully owned by the publisher. Because the recapture provision of the United States Copyright Act of 1976 does not apply to "works made for hire", the rights to

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4030-422: The work, by such means as by varying their articulation and phrasing , choosing how long to make fermatas (held notes) or pauses, and — in the case of bowed string instruments, woodwinds or brass instruments — deciding whether to use expressive effects such as vibrato or portamento . For a singer or instrumental performer, the process of deciding how to perform music that has been previously composed and notated

4095-419: Was composed in 1897 and it was originally intended to be a school anthem. Some sources say he wrote the tune the same year. It was first sung in public in 1899 at the ordination of Reverend Mboweni, who was the first Tsonga Methodist minister. Later the Xhosa poet Samuel Mqhayi wrote a further seven verses. Sontonga died on 18 April 1905. According to his death certificate, he died of gastro-enteritis and

4160-730: Was also adopted by South Africa's newly formed northern neighbour, Zimbabwe and translated into Shona, " Ishe Komborera Afrika " from 1980 until 1994. Sontonga, a Xhosa , was born in the city of Uitenhage in the Eastern Cape Colony . He trained as a teacher at the Lovedale Institution and subsequently worked as a teacher and choirmaster at the Methodist Mission school in Nancefield , near Johannesburg for eight years. The first verse and chorus of " Nkosi Sikelel' iAfrika "

4225-617: Was sung after the closing prayer and the ANC adopted it as its official closing anthem in 1925. It was recorded in London as "Nkosi sikelel' iAfrika" in 1923 and it was published by the Lovedale Press in 1927. For many years, the site of Sontonga's grave was unknown, but it was finally located in the " Native Christian " section of the Braamfontein cemetery in the early-1990s. One of the reasons why

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