The Eduardo Sívori Museum of Plastic Arts ( Spanish : Museo de Artes Plásticas Eduardo Sívori ) is a municipal art museum in Buenos Aires, Argentina . It was named after painter Eduardo Sívori and was inaugurated in 1938.
54-471: Since 1995, the museum is located in a building that had previously operated as coffeehouse (and originally a dairy farm) at Parque Tres de Febrero in the Palermo neighborhood . Its collection of objects is estimated in 4,000 pieces of art. Founded on the initiative of city councilman Fernando Ghio, who proposed the creation of a municipal museum devoted to Argentine artists (as a more specialized counterpart of
108-463: A State visit to Argentina by then-Crown Prince Akihito and Princess Michiko of Japan. 34°34′24″S 58°24′53″W / 34.57333°S 58.41472°W / -34.57333; -58.41472 Expressionist Expressionism is a modernist movement , initially in poetry and painting , originating in Northern Europe around the beginning of the 20th century. Its typical trait
162-514: A brief period of influence in American theatre, including the early modernist plays by Eugene O'Neill ( The Hairy Ape , The Emperor Jones and The Great God Brown ), Sophie Treadwell ( Machinal ) and Elmer Rice ( The Adding Machine ). Expressionist plays often dramatise the spiritual awakening and sufferings of their protagonists. Some utilise an episodic dramatic structure and are known as Stationendramen (station plays), modeled on
216-537: A part of the development of functionalism . In Mexico, in 1953, German émigré Mathias Goeritz published the Arquitectura Emocional ("Emotional Architecture") manifesto with which he declared that "architecture's principal function is emotion". Modern Mexican architect Luis Barragán adopted the term that influenced his work. The two of them collaborated in the project Torres de Satélite (1957–58) guided by Goeritz's principles of Arquitectura Emocional . It
270-608: A permanent home for the museum, the former Hostal del Ciervo Café (name taken from a neighbor sculpture named "family of deers" by French artist Georges Gardet ) facing the Parque Tres de Febrero rose garden. The Norman -styled building, built in 1912, was refurbished with a modern annex housing two wings, and inaugurated on August 4, 1996. The 4,000 m (43,000 ft²) museum, directed since its reinaugural by María Isabel de Larrañaga (the daughter of an Argentine painter, Enrique de Larrañaga (1900–1956)), maintains over 4,000 works; among
324-581: A reaction against Abstract Expressionism was implicit in it at the start, and is one of its most lineal continuities." The Expressionist movement included other types of culture, including dance, sculpture, cinema and theatre. Exponents of expressionist dance included Mary Wigman , Rudolf von Laban , and Pina Bausch . Some sculptors used the Expressionist style, as for example Ernst Barlach . Other expressionist artists known mainly as painters, such as Erich Heckel , also worked with sculpture. There
378-566: A wide range of the arts, including expressionist architecture , painting, literature, theatre , dance, film and music . Paris became a gathering place for a group of Expressionist artists, many of Jewish origin, dubbed the School of Paris . After World War II, figurative expressionism influenced artists and styles around the world. The term is sometimes suggestive of angst . In a historical sense, much older painters such as Matthias Grünewald and El Greco are sometimes termed expressionist, though
432-619: Is arguable that all artists are expressive but there are many examples of art production in Europe from the 15th century onward which emphasize extreme emotion. Such art often occurs during times of social upheaval and war, such as the Protestant Reformation , German Peasants' War , and Eighty Years' War between the Spanish and the Netherlands, when extreme violence, much directed at civilians,
486-606: Is often termed the first expressionist drama. In it, an unnamed man and woman struggle for dominance. The man brands the woman; she stabs and imprisons him. He frees himself and she falls dead at his touch. As the play ends, he slaughters all around him (in the words of the text) "like mosquitoes." The extreme simplification of characters to mythic types, choral effects, declamatory dialogue and heightened intensity all would become characteristic of later expressionist plays. The German composer Paul Hindemith created an operatic version of this play, which premiered in 1921. Expressionism
540-727: Is that the term was coined by the Czech art historian Antonin Matějček in 1910 as the opposite of Impressionism : "An Expressionist wishes, above all, to express himself... (an Expressionist rejects) immediate perception and builds on more complex psychic structures... Impressions and mental images that pass through ... people's soul as through a filter which rids them of all substantial accretions to produce their clear essence [...and] are assimilated and condensed into more general forms, into types, which he transcribes through simple short-hand formulae and symbols." Important precursors of Expressionism were
594-598: Is to present the world solely from a subjective perspective, distorting it radically for emotional effect in order to evoke moods or ideas. Expressionist artists have sought to express the meaning of emotional experience rather than physical reality. Expressionism developed as an avant-garde style before the First World War . It remained popular during the Weimar Republic , particularly in Berlin. The style extended to
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#1733084681344648-577: Is well-mannered." Some of the style's main visual artists of the early 20th century were: The style originated principally in Germany and Austria. There were groups of expressionist painters, including Der Blaue Reiter and Die Brücke . Der Blaue Reiter (The Blue Rider, named after a painting) was based in Munich and Die Brücke (The Bridge) was originally based in Dresden (some members moved to Berlin ). Die Brücke
702-664: The Cologne Werkbund Exhibition (1914) , and Erich Mendelsohn 's Einstein Tower in Potsdam , Germany completed in 1921. The interior of Hans Poelzig 's Berlin theatre (the Grosse Schauspielhaus ), designed for the director Max Reinhardt , is also cited sometimes. The influential architectural critic and historian Sigfried Giedion , in his book Space, Time and Architecture (1941), dismissed Expressionist architecture as
756-521: The Galileo Galilei planetarium , in 1966. Its Modernist architecture is distinctive in the city—a sphere supported by three arches. A popular field trip destination for the city's schoolchildren , the planets and other astronomical phenomena are projected on the dome, inside. An Edwardian -style former café on the grounds became the Eduardo Sívori Museum in 1996. Many people use
810-530: The Mayor Antonio Crespo. The Zoo contained 89 species of mammals, 49 species of reptiles and 175 species of birds, with a total of over 2,500 different animals. The institution's goals were to conserve species, produce research, and to educate the public. It is located opposite Plaza Italia at the junction of the Las Heras and Sarmiento Avenue . It was closed to the public in 2016. The Japanese garden
864-596: The National Museum of Fine Arts ) in 1933, the institution was inaugurated in 1938 as the "Municipal Museum of Fine Arts , Applied Art , and Comparative Art." The museum became the venue for the annual municipal art salon , first held in 1936. The museum was originally housed in the Buenos Aires City Legislature ( City Council Building ).Its second director, Carlos Abregú Virreira, drew from his rustic, Santiago del Estero Province background to augment
918-468: The neighborhood of Palermo in Buenos Aires , Argentina. Located between Libertador and Figueroa Alcorta Avenues , it is known for its groves, lakes, and rose gardens ( El Rosedal ). Following the 1852 overthrow of strongman Juan Manuel de Rosas , his extensive northside Buenos Aires properties became public lands and, in 1862, a municipal ordinance provided for a city park on most of that land. On
972-546: The American poet Walt Whitman 's (1819–1892) Leaves of Grass (1855–1891); the Russian novelist Fyodor Dostoevsky (1821–1881); Norwegian painter Edvard Munch (1863–1944); Dutch painter Vincent van Gogh (1853–1890); Belgian painter James Ensor (1860–1949); and pioneering Austrian psychoanalyst Sigmund Freud (1856–1939). In 1905, a group of four German artists, led by Ernst Ludwig Kirchner , formed Die Brücke (the Bridge) in
1026-452: The Argentine artists represented are Líbero Badii, Cesáreo Bernaldo de Quirós , Antonio Berni , Pío Collivadino , Lucio Correa Morales , Pedro Figari ( Uruguay ), Antonio Pujía , Guillermo Roux , Lino Enea Spilimbergo , Rogelio Yrurtia , and its namesake, Eduardo Sívori. The permanent exhibit halls are complemented by one for temporary displays, an art library, restoration workshop, and
1080-560: The German philosopher Friedrich Nietzsche (1844–1900), especially his philosophical novel Thus Spoke Zarathustra (1883–1892); the later plays of the Swedish dramatist August Strindberg (1849–1912), including the trilogy To Damascus (1898–1901), A Dream Play (1902), The Ghost Sonata (1907); Frank Wedekind (1864–1918), especially the "Lulu" plays Erdgeist ( Earth Spirit ) (1895) and Die Büchse der Pandora ( Pandora's Box ) (1904);
1134-580: The Ivelyse Gordon de Grimaldi Sculpture Garden. The museum's finances suffered during the 1998–2002 Argentine great depression , and numerous works were put at auction from 2000 to 2004 by the Friends of the Sívori Museum Association; one work, by Expressionist painter Rómulo Macció , was auctioned at a reported one-twentieth of its market value. Expanding its schedule of educational events with
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#17330846813441188-902: The José Hernandez Museum, in 1955, and the Bunge house's designation as its site led to the Sívori's move to a Retiro neighborhood mansion. The ongoing, northward expansion of Ninth of July Avenue forced yet another relocation, to the new San Martín Cultural Center , in 1961. It was merged with the Buenos Aires Museum of Modern Art between 1975 and 1977 as the Municipal Museum of Visual Arts, and did not regain its administrative autonomy until 1982; its collections continued to grow through acquisitions, as well as private donations and bequeathals. A 1995 initiative by Mayor Jorge Domínguez resulted in
1242-404: The centre" of expressionist music, with dissonance predominating, so that the "harmonious, affirmative element of art is banished" (Adorno 2009, 275–76). Erwartung and Die Glückliche Hand , by Schoenberg, and Wozzeck , an opera by Alban Berg (based on the play Woyzeck by Georg Büchner ), are examples of Expressionist works. If one were to draw an analogy from paintings, one may describe
1296-496: The city of Dresden. This was arguably the founding organization for the German Expressionist movement, though they did not use the word itself. A few years later, in 1911, a like-minded group of young artists formed Der Blaue Reiter (The Blue Rider) in Munich. The name came from Wassily Kandinsky 's Der Blaue Reiter painting of 1903. Among their members were Kandinsky, Franz Marc , Paul Klee , and August Macke . However,
1350-402: The cultural institution as a whole is through its relationship to realism and the dominant conventions of representation." More explicitly, that the expressionists rejected the ideology of realism. The term refers to an "artistic style in which the artist seeks to depict not objective reality but rather the subjective emotions and responses that objects and events arouse within a person". It
1404-412: The expressionist painting technique as the distortion of reality (mostly colors and shapes) to create a nightmarish effect for the particular painting as a whole. Expressionist music roughly does the same thing, where the dramatically increased dissonance creates, aurally, a nightmarish atmosphere. In architecture, two specific buildings are identified as Expressionist: Bruno Taut 's Glass Pavilion of
1458-545: The idea from the Symbolist director and designer, Edward Gordon Craig ). Staging was especially important in Expressionist drama, with directors forgoing the illusion of reality to block actors in as close to two-dimensional movement. Directors also made heavy use of lighting effects to create stark contrast and as another method to heavily emphasize emotion and convey the play or a scene's message. German expressionist playwrights: Playwrights influenced by Expressionism: Among
1512-487: The initiative of Congressman Vicente Fidel López and President Domingo Sarmiento , work began in 1874 on Parque Tres de Febrero (February 3 Park), named in honor of February 3, 1852, the date of the defeat of Governor Rosas, among whose opponents had been Sarmiento. Designed by urbanist Jordán Czeslaw Wysocki and architect Julio Dormal , the park was inaugurated on November 11, 1875. The dramatic economic growth of Buenos Aires afterwards helped to lead to its transfer to
1566-553: The late 20th and early 21st century have developed distinct styles that may be considered part of Expressionism. After World War II, figurative expressionism influenced artists and styles around the world. In the U.S., American Expressionism and American Figurative Expressionism , particularly Boston Expressionism , were an integral part of American modernism around the Second World War. Thomas B. Hess wrote that "the ‘New figurative painting’ which some have been expecting as
1620-410: The most vociferous 'anti-expressionists.'" What can be said, however, is that it was a movement that developed in the early twentieth century, mainly in Germany, in reaction to the dehumanizing effect of industrialization and the growth of cities, and that "one of the central means by which expressionism identifies itself as an avant-garde movement, and by which it marks its distance to traditions and
1674-729: The municipal domain in 1888, whereby French Argentine urbanist Carlos Thays was commissioned to expand and further beautify the park, between 1892 and 1912. Thays designed the Zoological Gardens , the Botanical Gardens , the adjoining Plaza Italia and the Rose Garden. The Andalusian Patio and Monument to the Four Argentine Regions (the "Spaniards' Monument") were added in 1927, the Municipal Velodrome in 1951 and
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1728-498: The museum's 1952 relocation to an Avenida del Libertador house which had belonged to a patron of traditional Argentine art, Félix Bunge (1894–1935). Its relocation involved the transfer of some 130 works, however, to other institutions and over the objection to the Sívori Museum authorities. The event, moreover, began an era of impermanence and uncertainty for the museum. The establishment of one of these recipients of this transfer,
1782-768: The museum's collection with works from the Argentine Northwest during his 1943–1951 tenure. The museum was renamed in 1946 for the "portraiteur of the pampas ", the late Realist painter Eduardo Sívori ; Sívori had founded the first artisan guild in Argentina, the Society for the Promotion of Fine Arts, where he served as president. The installation of the Eva Perón Foundation in the City Council Building led to
1836-677: The painter Kandinsky he avoided "traditional forms of beauty" to convey powerful feelings in his music. Arnold Schoenberg , Anton Webern and Alban Berg , the members of the Second Viennese School , are important Expressionists (Schoenberg was also an expressionist painter). Other composers that have been associated with expressionism are Krenek (the Second Symphony), Paul Hindemith ( The Young Maiden ), Igor Stravinsky ( Japanese Songs ), Alexander Scriabin (late piano sonatas) (Adorno 2009, 275). Another significant expressionist
1890-456: The park every day, both on foot and bicycle, and this number increases greatly at the weekends. Boat rides are available on the three artificial lakes within the park. Close to the boating lake is the Poets' Garden, with stone and bronze busts of renowned poets, including Jorge Luis Borges , Luigi Pirandello and William Shakespeare . The Buenos Aires Zoo was a 45-acre (18-ha) zoo founded in 1888 by
1944-434: The poets associated with German Expressionism were: Other poets influenced by expressionism: In prose, the early stories and novels of Alfred Döblin were influenced by Expressionism, and Franz Kafka is sometimes labelled an Expressionist. Some further writers and works that have been called Expressionist include: The term expressionism "was probably first applied to music in 1918, especially to Schoenberg", because like
1998-559: The presentation of the suffering and death of Jesus in the Stations of the Cross . Strindberg had pioneered this form with his autobiographical trilogy To Damascus . These plays also often dramatise the struggle against bourgeois values and established authority, frequently personified by the Father. In Sorge's The Beggar , ( Der Bettler ), for example, the young hero's mentally ill father raves about
2052-487: The prospect of mining the riches of Mars and is finally poisoned by his son. In Bronnen's Parricide ( Vatermord ), the son stabs his tyrannical father to death, only to have to fend off the frenzied sexual overtures of his mother. In Expressionist drama, the speech may be either expansive and rhapsodic, or clipped and telegraphic. Director Leopold Jessner became famous for his expressionistic productions, often set on stark, steeply raked flights of stairs (having borrowed
2106-436: The rendering of the visual appearance of objects, Expressionist artists sought to portray emotions and subjective interpretations. It was not important to reproduce an aesthetically pleasing impression of the artistic subject matter, they felt, but rather to represent vivid emotional reactions by powerful colours and dynamic compositions. Kandinsky, the main artist of Der Blaue Reiter , believed that with simple colours and shapes
2160-496: The rise of Adolf Hitler in the 1930s, there were subsequent expressionist works. Expressionism is notoriously difficult to define, in part because it "overlapped with other major 'isms' of the modernist period: with Futurism , Vorticism , Cubism , Surrealism and Dadaism ." Richard Murphy also comments, “the search for an all-inclusive definition is problematic to the extent that the most challenging expressionists such as Kafka , Gottfried Benn and Döblin were simultaneously
2214-497: The spectator could perceive the moods and feelings in the paintings, a theory that encouraged him towards increased abstraction. In Paris a group of artists dubbed the École de Paris ( School of Paris ) by André Warnod were also known for their expressionist art. This was especially prevalent amongst the foreign born Jewish painters of the School of Paris such as Chaim Soutine , Marc Chagall , Yitzhak Frenkel , Abraham Mintchine and others. These artists' expressionism
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2268-444: The style of several of the films of Ingmar Bergman . More generally, the term expressionism can be used to describe cinematic styles of great artifice, such as the technicolor melodramas of Douglas Sirk or the sound and visual design of David Lynch 's films. Two leading Expressionist journals published in Berlin were Der Sturm , published by Herwarth Walden starting in 1910, and Die Aktion , which first appeared in 1911 and
2322-419: The subsequent improvement in its finances, the museum continues to host the annual Manuel Belgrano salon. 34°34′9″S 58°25′5″W / 34.56917°S 58.41806°W / -34.56917; -58.41806 Parque Tres de Febrero Parque Tres de Febrero , popularly known as Bosques de Palermo ( Palermo Woods ), is an urban park of approximately 400 hectares (about 989 acres) located in
2376-421: The term Expressionism did not firmly establish itself until 1913. Though mainly a German artistic movement initially and most predominant in painting, poetry and the theatre between 1910 and 1930, most precursors of the movement were not German. Furthermore, there have been expressionist writers of prose fiction, as well as non-German-speaking expressionist writers, and, while the movement declined in Germany with
2430-532: The term is applied mainly to 20th-century works. The Expressionist emphasis on individual and subjective perspective has been characterized as a reaction to positivism and other artistic styles such as Naturalism and Impressionism . While the word expressionist was used in the modern sense as early as 1850, its origin is sometimes traced to paintings exhibited in 1901 in Paris by obscure artist Julien-Auguste Hervé, which he called Expressionismes . An alternative view
2484-501: The work of American artist Marsden Hartley , who met Kandinsky in Germany in 1913. In late 1939, at the beginning of World War II , New York City received many European artists. After the war, Expressionism influenced many young American artists. Norris Embry (1921–1981) studied with Oskar Kokoschka in 1947 and during the next 43 years produced a large body of work in the Expressionist tradition. Embry has been termed "the first American German Expressionist". Other American artists of
2538-457: Was Béla Bartók in early works, written in the second decade of the 20th century, such as Bluebeard's Castle (1911), The Wooden Prince (1917), and The Miraculous Mandarin (1919). Important precursors of expressionism are Richard Wagner (1813–1883), Gustav Mahler (1860–1911), and Richard Strauss (1864–1949). Theodor Adorno describes expressionism as concerned with the unconscious, and states that "the depiction of fear lies at
2592-423: Was a dominant influence on early 20th-century German theatre, of which Georg Kaiser and Ernst Toller were the most famous playwrights. Other notable Expressionist dramatists included Reinhard Sorge , Walter Hasenclever , Hans Henny Jahnn , and Arnolt Bronnen . Important precursors were the Swedish playwright August Strindberg and German actor and dramatist Frank Wedekind. During the 1920s, Expressionism enjoyed
2646-493: Was active for a longer period than Der Blaue Reiter, which was only together for a year (1912). The Expressionists were influenced by artists and sources including Edvard Munch, Vincent van Gogh and African art . They were also aware of the work being done by the Fauves in Paris, who influenced Expressionism's tendency toward arbitrary colours and jarring compositions. In reaction and opposition to French Impressionism, which emphasized
2700-547: Was an Expressionist style in German cinema, important examples of which are Robert Wiene 's The Cabinet of Dr. Caligari (1920), Paul Wegener 's The Golem: How He Came into the World (1920), Fritz Lang 's Metropolis (1927) and F. W. Murnau 's Nosferatu, a Symphony of Horror (1922) and The Last Laugh (1924). The term "expressionist" is also sometimes used to refer to stylistic devices thought to resemble those of German Expressionism, such as film noir cinematography or
2754-534: Was described as restless and emotional by Frenkel. These artists, centered in the Montparnasse district of Paris tended to portray human subjects and humanity, evoking emotion through facial expression. Others focused on the expression of mood rather than a formal structure. The art of Jewish expressionists was characterized as dramatic and tragic, perhaps in connection to Jewish suffering following persecution and pogroms. The ideas of German expressionism influenced
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#17330846813442808-489: Was edited by Franz Pfemfert . Der Sturm published poetry and prose from contributors such as Peter Altenberg , Max Brod , Richard Dehmel , Alfred Döblin , Anatole France , Knut Hamsun , Arno Holz, Karl Kraus , Selma Lagerlöf , Adolf Loos , Heinrich Mann , Paul Scheerbart , and René Schickele , and writings, drawings, and prints by such artists as Kokoschka , Kandinsky, and members of Der blaue Reiter . Oskar Kokoschka 's 1909 playlet, Murderer, The Hope of Women
2862-676: Was opened in 1967 at its current location, occupying a part of the Parque Tres de Febrero, in Plaza Sicilia. Is located in Adolfo Berro Avenue and front of the Alemania square. The demolition of the original Japanese Garden in the Retiro area led to the 1967 opening of the current Buenos Aires Japanese Gardens , the World's largest outside Japan . The gardens were inaugurated on occasion of
2916-518: Was represented in propagandist popular prints . These were often unimpressive aesthetically but had the capacity to arouse extreme emotions in the viewer. Expressionism has been likened to Baroque by critics such as art historian Michel Ragon and German philosopher Walter Benjamin . According to Alberto Arbasino , a difference between the two is that "Expressionism doesn't shun the violently unpleasant effect, while Baroque does. Expressionism throws some terrific 'fuck yous', Baroque doesn't. Baroque
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