EastWest Studios (formerly known as Western Studio , a component of United Western Recorders and later Ocean Way Recording ) is a recording studio complex located at 6000 West Sunset Boulevard in Hollywood . Originally constructed by Bill Putnam in the 1960s, the studios are currently owned by sound developer Doug Rogers and managed by Candace Stewart.
35-673: EastWest Studios was first known as Western Studio, one half of the United Western Recorders studio complex located on 6000 and 6050 West Sunset Boulevard. In 1984, United Western Recorders was sold and renamed to Ocean Way Recording . In 1998, the former Western Studio half at 6000 Sunset was divided from Ocean Way Recording, sold, and renamed to Cello Studios. In 2005, Cello Studios ceased operation. On January 17, 2006, Doug Rogers acquired ownership of 6000 Sunset. Rogers commissioned designer Philippe Starck (SLS Hotel Los Angeles, St. Martins Lane hotel, London) to refurbish and redesign
70-506: A 24-bit orchestral virtual instrument. The virtual instrument was conceived by producers Doug Rogers (head of EastWest Sounds) and Nick Phoenix (co-founder of Two Steps From Hell ) and recorded by Grammy -winning recording engineer Professor Keith O Johnson. Recording took place in a 2200-seater concert hall, starting in August 2002. The resulting multi-channel recordings would later be edited and programmed for another year. Four editions of
105-455: A 24-bit orchestral virtual instrument. The virtual instrument was conceived by producers Doug Rogers (head of EastWest Sounds) and Nick Phoenix (co-founder of Two Steps From Hell ) and recorded by Grammy -winning recording engineer Professor Keith O Johnson. Recording took place in a 2200-seater concert hall, starting in August 2002. The resulting multi-channel recordings would later be edited and programmed for another year. Four editions of
140-530: A Down , Weezer , Muse , Red Hot Chili Peppers , Audioslave , and the Mars Volta . Cello Studios closed in 2005. When Allen Sides sold Western to Rick Adams, the equipment inventory was also purchased from Ocean Way Recording, including a collection of rare vintage microphones, as well as vintage outboard gear including valuable studio effects units such as the Fairchild 670 limiters, no longer made, which were
175-454: A certain genre. All of these collections are available in EastWest's ComposerCloud subscription. 34°05′52″N 118°19′15″W / 34.0979°N 118.3209°W / 34.0979; -118.3209 United Western Recorders 34°5′52.19″N 118°19′13.49″W / 34.0978306°N 118.3204139°W / 34.0978306; -118.3204139 United Western Recorders
210-557: A component of United Western Recorders and later Ocean Way Recording ) is a recording studio complex located at 6000 West Sunset Boulevard in Hollywood . Originally constructed by Bill Putnam in the 1960s, the studios are currently owned by sound developer Doug Rogers and managed by Candace Stewart. EastWest Studios was first known as Western Studio, one half of the United Western Recorders studio complex located on 6000 and 6050 West Sunset Boulevard. In 1984, United Western Recorders
245-551: A crucial element of the sound of many classic pop recordings of the Fifties and Sixties. While the building was modified to accommodate the new facility's needs, the studios themselves have not been altered since Putnam's original design. During this period, the studio played host to artists such as Alanis Morissette , Natalie Merchant , Elton John , R.E.M. , Bette Midler , Barenaked Ladies , Stone Temple Pilots , Matthew Sweet , Mötley Crüe , Green Day , Vonray and Blink-182 . At
280-665: The Universal Recording Corporation studio in Chicago. A pioneer of modern recording technique, Putnam became known for his UREI recording equipment and custom-made Universal Audio mixing consoles, which were bought by major recording studios. After relocating to Hollywood in 1957, and with the backing of Bing Crosby and Frank Sinatra , Putnam first established the United Recording Corp. studio complex at 6050 Sunset Boulevard in Hollywood . By 1958, Studio B
315-772: The 5th Dimension , the Righteous Brothers , Barbra Streisand , Petula Clark , Ella Fitzgerald , Whitney Houston , Dean Martin , Sammy Davis Jr. , the Rolling Stones , Elton John , Tom Petty , R.E.M. , k.d. lang , Madonna , Rod Stewart , Glen Campbell , Eric Clapton , Bonnie Raitt and Walter Wanderley . Many film and television theme songs have been recorded in the studios at 6000 Sunset. The theme songs for Hawaii Five-O , The Partridge Family , The Beverly Hillbillies , and Green Acres were all recorded at Western Recorders. EastWest Studios EastWest Studios (formerly known as Western Studio ,
350-807: The LP Modern Sounds in Country and Western Music at United B. As well as the classic Pet Sounds , Western 3 was the venue for the recording of many other chart-topping pop hits, including the Mamas & the Papas ' " California Dreamin' " and " Monday, Monday ", the Grass Roots ' " Let's Live for Today " and " Midnight Confessions " and "Hair" by the Cowsills . As well as those mentioned above, other artists who have recorded there include Blondie , Elvis Presley , Bobby Vee ,
385-439: The artist lounges, kitchen, and reception areas, which had previously suffered water damage. Careful to preserve the integrity of the original recording facilities, Starck and Rogers implemented a brand-new design to create "a place where artists can meet, mingle, and be inspired". The studio complex became Starck's first and only recording studio design. In March 2009, the renovated studios, renamed EastWest Studios, opened to
SECTION 10
#1732876950754420-435: The artist lounges, kitchen, and reception areas, which had previously suffered water damage. Careful to preserve the integrity of the original recording facilities, Starck and Rogers implemented a brand-new design to create "a place where artists can meet, mingle, and be inspired". The studio complex became Starck's first and only recording studio design. In March 2009, the renovated studios, renamed EastWest Studios, opened to
455-495: The beginning of 2006, Cello Studios (originally Western) was purchased by EastWest producer Doug Rogers and renamed EastWest Studios . Rogers extensively remodeled the non-technical areas of the studio complex with designer Philippe Starck, but the studios themselves, with their untouched acoustics, remain as originally built by Putnam in the 1960s and continue to operate to this day. Since 2012 EastWest Studios has racked up 130 Grammy nominations, more than any other recording studio in
490-613: The biggest hits of the 1960s were recorded at United Western. According to the book Temples of Sound , "No other studio has won more technical excellence awards, and no studio has garnered as many Best Engineered Grammys". Western's Studio 3 is considered iconic for its use by Brian Wilson for the Beach Boys ' albums Pet Sounds (1966) and Smile (unreleased). The complex's two buildings, United Recording and Western Studio, operated more or less independently despite being located only one block apart. United consisted of two large rooms;
525-501: The buildings Ocean Way Recording , as they would both be known until 1999. In 1999, Sides sold the Western half of the complex to computer magnate Rick Adams , who renamed it Cello Studios . Cello Studios operated at the 6000 Sunset complex from 1999 to 2005. During that period, the studios hosted high-profile rock artists such as Blink-182 , Rage Against the Machine , Tool , System of
560-414: The company's many endeavors was their Hollywood Orchestra virtual instrument, recorded at Studio 1 with some of Hollywood's film score orchestral session players and sound engineer Shawn Murphy. The Hollywood Orchestral series is, according to EastWest's webpage, one of the most detailed orchestral virtual instruments in the world. Another of the company's most successful products is their Symphonic Orchestra,
595-414: The company's many endeavors was their Hollywood Orchestra virtual instrument, recorded at Studio 1 with some of Hollywood's film score orchestral session players and sound engineer Shawn Murphy. The Hollywood Orchestral series is, according to EastWest's webpage, one of the most detailed orchestral virtual instruments in the world. Another of the company's most successful products is their Symphonic Orchestra,
630-400: The early sixties, Putnam had amassed a stockpile of more than two-and-a-half years' worth of stereo recordings by scores of major acts. The value of this stockpile can be estimated from Sides' statement that United Western was at this time bringing in around US$ 200,000 per month in studio billings—equivalent to perhaps US$ 1 million per month today. The major labels approached Putnam hoping to buy
665-445: The era, including Frank Sinatra , the Beach Boys , and Elvis Presley . Putnam assembled a talented staff, some of whom became major names in their own right, such as Bones Howe , John Haeny, Lee Hershberg, Chuck Britz , and Wally Heider , one of the pioneers of mobile recording and later of Wally Heider Studios . United was initially favored by older artists such as Crosby, Sinatra, Nat King Cole , and Ray Charles , as well as
700-403: The first-ever Billboard Hot 100 #1 song in 1958 along albums such a Rick Is 21 from 1961 which includes songs like Hello Mary Lou and Travelin' Man . In 1961, Putnam purchased the neighboring Western Studio at 6000 Sunset, remodeling and incorporating the building into the complex. The buildings were then renamed United Western Recorders, and catered to some of the biggest artists of
735-496: The larger United 'A' was approximately 45 × 65 × 22 feet, with United 'B' being slightly smaller. Western copied the layout of United, with the very large Western 1 and the somewhat smaller Western 2. Both buildings also had a third, smaller recording room, as well as several dubbing and mastering suites. The small rooms provided a sumptuous sound, with Western Studio 3, measuring just 34' × 15', being Brian Wilson 's preference. Prior to his move to California, Bill Putnam had founded
SECTION 20
#1732876950754770-448: The late 1950s, the cost-conscious major labels were initially uninterested, feeling that the market for the new format was limited, and that stereo mixdowns were a waste of time and money. Putnam however foresaw the coming importance of stereo and, at his own expense, he began making simultaneous mono and stereo mixdowns, storing away the stereo versions of these recordings, which at the time were released only in mono. When stereo took off in
805-462: The library have been released: Silver, Gold, Platinum and Platinum Plus. Complementary to their symphonic virtual instruments, they released various, orchestral solo instruments (such as solo violin, solo cello and solo harp) and two choir virtual instruments "Symphonic Choirs" and the 2019 NAMM TEC Award winner "Hollywood Choirs". Apart from their symphonic virtual instruments, they also released over sixty other collections, each of them specialized in
840-461: The library have been released: Silver, Gold, Platinum and Platinum Plus. Complementary to their symphonic virtual instruments, they released various, orchestral solo instruments (such as solo violin, solo cello and solo harp) and two choir virtual instruments "Symphonic Choirs" and the 2019 NAMM TEC Award winner "Hollywood Choirs". Apart from their symphonic virtual instruments, they also released over sixty other collections, each of them specialized in
875-483: The public. Since then, its clients have received over 120 Grammy nominations from recordings made in EastWest Studios, more than any other studio in the world. EastWest Studios consists of three main studios. Studio 1 features a live room which is 58' × 42', an isolation booth measuring 20' × 23' , 9' Bechstein piano, concert lighting system and one of a limited number of classic Neve 8078 consoles remaining in
910-421: The public. Since then, its clients have received over 120 Grammy nominations from recordings made in EastWest Studios, more than any other studio in the world. EastWest Studios consists of three main studios. Studio 1 features a live room which is 58' × 42', an isolation booth measuring 20' × 23' , 9' Bechstein piano, concert lighting system and one of a limited number of classic Neve 8078 consoles remaining in
945-827: The stereo tape stockpile, but he struck a far more lucrative deal, in which the labels repaid him for the (far more expensive) studio time he had used in making the stereo mixes. In 1970, Jack Herschorn purchased the Universal Audio mixing console and other pro audio equipment from that studio, including Universal Audio LA-76A and LA-76B limiting amplifiers, Universal Audio vacuum tube power amplifiers (which were actually Dynakit Stereo 70 and 50-watt mono amplifier kits assembled into rack-mount chassis), Fairchild Conax sibilance controllers, Langevin graphic equalizers and Cinema Engineering filters, all originally installed in United Studio A in 1957. Herschorn had this equipment installed under
980-519: The supervision of Charlie Richmond at Herschorn's Aragon Studios in Vancouver , Canada . The studio would later become Mushroom Studios . In 1982, Eddie Van Halen purchased the UA console from Western Studio 2 and installed it in his personal 5150 Studio. The Van Halen albums 1984 , 5150 , and OU812 were recorded using the console. In 1984, Putnam sold the studio complex to Allen Sides, who renamed
1015-445: The world today. Studio 2's live room measures 35' × 24' , with a 10' × 14' isolation booth and 8' × 6' vocal booth and a classic RCA custom Neve 8028 console. The smallest of the rooms, Studio 3, is 31' × 15' with a Steinway piano and a classic Trident A Range console. All three rooms are fitted with flying fader automation and ATC main monitors. EastWest Sounds virtual instruments are recorded in EastWest Studios. One of
1050-440: The world today. Studio 2's live room measures 35' × 24' , with a 10' × 14' isolation booth and 8' × 6' vocal booth and a classic RCA custom Neve 8028 console. The smallest of the rooms, Studio 3, is 31' × 15' with a Steinway piano and a classic Trident A Range console. All three rooms are fitted with flying fader automation and ATC main monitors. EastWest Sounds virtual instruments are recorded in EastWest Studios. One of
1085-549: The world. In 2013, Ocean Way Recording was sold to Hudson Pacific Properties , and in 2015 it was renamed back to United Recording Studios. Frank Sinatra made his Reprise recordings—including hits like " It Was a Very Good Year ", " That's Life "—in United A, and " Strangers in the Night "—in Western 1, and his Reprise records offices were located upstairs. Ray Charles cut his country-soul crossover hit " I Can't Stop Loving You " and
EastWest Studios - Misplaced Pages Continue
1120-420: The young Fleetwoods, while Western soon became a favored recording venue for the new generation of pop-rock musicians and producers, such as Sam Cooke , the Beach Boys, Phil Spector and the Mamas & the Papas . In the early sixties, Putnam scored a significant coup when major US record labels began to release stereophonic recordings in large numbers. According to Allen Sides, when stereo first appeared in
1155-566: Was a two-building recording studio complex in Hollywood that was one of the most successful independent recording studios of the 1960s. The complex merged neighboring studios United Recording Corp. on 6050 Sunset Boulevard and Western Studio on 6000 Sunset Boulevard. In 1984, United Western Recorders was renamed and succeeded by Ocean Way Recording . Starting in 1999, the complex was divided into two establishments: Ocean Way Recording (now United Recording Studios) at 6050 Sunset and Cello Studios (now EastWest Studios ) at 6000 Sunset. Some of
1190-445: Was completed, including two reverb chambers. The facility grew to three recording studios, three mastering rooms, a mixdown room and a small-scale record manufacturing plant. The new studios were booked around the clock, busy with TV and movie voiceovers and soundtrack recordings as well as with popular artist's recordings. Hanna-Barbera used the studios to record voices for The Flintstones ; Ricky Nelson recorded Poor Little Fool ,
1225-417: Was sold and renamed to Ocean Way Recording . In 1998, the former Western Studio half at 6000 Sunset was divided from Ocean Way Recording, sold, and renamed to Cello Studios. In 2005, Cello Studios ceased operation. On January 17, 2006, Doug Rogers acquired ownership of 6000 Sunset. Rogers commissioned designer Philippe Starck (SLS Hotel Los Angeles, St. Martins Lane hotel, London) to refurbish and redesign
#753246