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56-564: EMI Records (formerly EMI Records Ltd. ) is a British multinational record label owned by Universal Music Group . It was originally founded as a British flagship label by the music company EMI in 1972, and launched in January 1973 as the successor to its Columbia and Parlophone record labels. The label was later launched worldwide. It has a branch in India called EMI Records India, run by director Mohit Suri . In 2014, Universal Music Japan revived

112-538: A "record group" which is, in turn, controlled by a music group. The constituent companies in a music group or record group are sometimes marketed as being "divisions" of the group. From 1929 to 1998, there were six major record labels, known as the Big Six: PolyGram was merged into Universal Music Group (UMG) in 1999, leaving the remaining record labels to be known as the Big Five. In 2004, Sony and BMG agreed to

168-405: A 50% profit-share agreement, aka 50–50 deal, not uncommon. In addition, independent labels are often artist-owned (although not always), with a stated intent often being to control the quality of the artist's output. Independent labels usually do not enjoy the resources available to the "big three" and as such will often lag behind them in market shares. However, frequently independent artists manage

224-558: A US Senate committee, that the Byrds never received any of the royalties they had been promised for their biggest hits, " Mr. Tambourine Man " and " Turn! Turn!, Turn! ". A contract either provides for the artist to deliver completed recordings to the label, or for the label to undertake the recording with the artist. For artists without a recording history, the label is often involved in selecting producers, recording studios , additional musicians, and songs to be recorded, and may supervise

280-470: A bigger company. If this is the case it can sometimes give the artist greater freedom than if they were signed directly to the big label. There are many examples of this kind of label, such as Nothing Records , owned by Trent Reznor of Nine Inch Nails ; and Morning Records, owned by the Cooper Temple Clause , who were releasing EPs for years before the company was bought by RCA . If an artist and

336-408: A conventional cash advance to sign the artist, who would receive a royalty for sales after expenses were recouped. With the release of the artist's first album, however, the label has an option to pay an additional $ 200,000 in exchange for 30 percent of the net income from all touring, merchandise, endorsements, and fan-club fees. Atlantic would also have the right to approve the act's tour schedule, and

392-475: A deal with a proper label. In 2002, ArtistShare was founded as the Internet's first record label where the releases were directly funded by the artist's fans. Regal Zonophone Records Originally Regal Zonophone handled American releases from Okeh Records , Victor Records and Columbia Records , as well as offering home-grown recordings by artists such as Gracie Fields and George Formby . The label

448-609: A joint venture and merged their recorded music division to create the Sony BMG label (which would be renamed Sony Music Entertainment after a 2008 merger); BMG kept its music publishing division separate from Sony BMG and later sold BMG Music Publishing to UMG. In 2007, the remaining record labels—then known as the Big Four—controlled about 70% of the world music market , and about 80% of the United States music market. In 2012,

504-591: A label reorganization, with more than half of the former EMI Records Japan artists being transferred to Nayutawave Records. Later that year, the two sublabels were combined and rebranded as EMI Records. Since 2018, Takeshi Okada has been the managing director of Universal Japan's EMI Records label. In 2020, the label launched an official YouTube channel, six years after the label was formed. On 16 June 2020, Universal rebranded Virgin EMI Records as EMI Records and named Rebecca Allen (former president of UMG's Decca label) as

560-471: A label want to work together, whether an artist has contacted a label directly, usually by sending their team a demo, or the Artists & Repertoire team of the label has scouted the artist and reached out directly, they will usually enter in to a contractual relationship. A label typically enters into an exclusive recording contract with an artist to market the artist's recordings in return for royalties on

616-462: A large international media group , or somewhere in between. The Association of Independent Music (AIM) defines a 'major' as "a multinational company which (together with the companies in its group) has more than 5% of the world market(s) for the sale of records or music videos." As of 2012 , there are only three labels that can be referred to as "major labels": Universal Music Group , Sony Music , and Warner Music Group . In 2014, AIM estimated that

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672-605: A return by recording for a much smaller production cost of a typical big label release. Sometimes they are able to recoup their initial advance even with much lower sales numbers. On occasion, established artists, once their record contract has finished, move to an independent label. This often gives the combined advantage of name recognition and more control over one's music along with a larger portion of royalty profits. Artists such as Dolly Parton , Aimee Mann , Prince , Public Enemy , among others, have done this. Historically, companies started in this manner have been re-absorbed into

728-796: A serious rival to EMI, in the UK. In July 1965, the standalone EMI Record labels were extracted from E.M.I. Records Ltd. and folded into The Gramophone Company Ltd. On 1 July 1973, The Gramophone Co. Ltd. was renamed EMI Records Ltd. At the same time, E.M.I. Records Ltd. was wound down and its activities were absorbed into EMI Records Ltd. Earlier, on 1 January 1973, all of The Gramophone Company Ltd. pop labels (Columbia, Parlophone, Harvest, Sovereign and Regal) had been rebranded as EMI. EMI Records then signed new music artists that became worldwide successes: Kraftwerk , Renaissance , Queen , Olivia Newton-John , Iron Maiden , Kate Bush , Sheena Easton , and Pink Floyd (though some of these acts were on different labels in

784-452: A stand-alone British distributor. The distributors of the vast majority of EMI Records' UK catalogue are Rhino Entertainment in the US and WEA International for the world outside the US. In April 2013, EMI Music Japan became defunct following Universal's acquisition of EMI. The company's successor was EMI Records Japan , a sublabel of Universal Music Japan . In February 2014, Universal Japan did

840-427: A successor to the former EMI Philippines label, now known as PolyEast Records . EMI United Kingdom is a brand of EMI Records that, despite the name, appeared worldwide between roughly 1993 and 1998, used mainly for artists such as Iron Maiden , Kraftwerk and Pink Floyd , as a sister imprint to Parlophone , EMI Premiere, hEMIsphere, Eminence, EMI Gold and the home video division Picture Music International . During

896-455: Is also known for its releases of Salvation Army (particularly brass band) music. In the 1950s the Australian division of Regal Zonophone played an important role in the emerging Australian country music genre, signing several emerging country stars including Slim Dusty , Smoky Dawson , Reg Lindsay and Chad Morgan . Slim Dusty's 1957 Regal Zonophone hit " A Pub with No Beer " became

952-568: Is now part of Warner Music Group . EMI Christian Music Group was renamed Capitol Christian Music Group . EMI Classics was sold to Warner Music Group in February 2013. After EU regulatory approval, EMI Classics was absorbed into Warner Classics in July 2013. The reissues of pre-1997 releases from EMI America and EMI Records USA are handled by UMG's Capitol Music Group , Virgin Records' American distributor and

1008-454: Is often marketed as a "unit" or "division" of the parent label, though in most cases, they operate as pseudonym for it and do not exist as a distinct business operation or separate business structure (although trademarks are sometimes registered). A record label may give a musical act an imprint as part of their branding, while other imprints serve to house other activities, such as side ventures of that label. Music collectors often use

1064-684: Is owned by Sony Group Corporation ). Record labels and music publishers that are not under the control of the big three are generally considered to be independent ( indie ), even if they are large corporations with complex structures. The term indie label is sometimes used to refer to only those independent labels that adhere to independent criteria of corporate structure and size, and some consider an indie label to be almost any label that releases non-mainstream music, regardless of its corporate structure. Independent labels are often considered more artist-friendly. Though they may have less sales power, indie labels typically offer larger artist royalty with

1120-459: The free software and open source movements and the success of Linux . In the mid-2000s, some music publishing companies began undertaking the work traditionally done by labels. The publisher Sony/ATV Music, for example, leveraged its connections within the Sony family to produce, record, distribute, and promote Elliott Yamin 's debut album under a dormant Sony-owned imprint , rather than waiting for

1176-505: The "parent" of any sublabels. Vanity labels are labels that bear an imprint that gives the impression of an artist's ownership or control, but in fact represent a standard artist/label relationship. In such an arrangement, the artist will control nothing more than the usage of the name on the label, but may enjoy a greater say in the packaging of their work. An example of such a label is the Neutron label owned by ABC while at Phonogram Inc. in

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1232-539: The 1990s, it reissued albums that originally bore the Harvest Records , Columbia Graphophone Company , RAK Records , Regal Zonophone , HMV , Music for Pleasure and Starline labels. As of 2013, EMI UK's catalogue is owned by Warner Music Group after the acquisition of the Parlophone Label Group's assets. By contrast, UMG owns the catalogue of reissues from Deep Purple 's albums between 1972 and 1975 on

1288-632: The Columbia Graphophone Co. for Regal Zonophone Records in 1946 and remained with EMI until his death in 2003, selling over seven million records for the label in Australia by 2007. Virgin EMI Records retained use of the EMI branding after Universal Music Group's acquisition of EMI in September 2012, but it is otherwise unrelated to the old label which was defunct and renamed Parlophone Records in 2013 and

1344-456: The UK. At one point artist Lizzie Tear (under contract with ABC themselves) appeared on the imprint, but it was devoted almost entirely to ABC's offerings and is still used for their re-releases (though Phonogram owns the masters of all the work issued on the label). However, not all labels dedicated to particular artists are completely superficial in origin. Many artists, early in their careers, create their own labels which are later bought out by

1400-471: The UK. It oversaw EMI's various labels, including The Gramophone Co. Ltd. , Columbia Graphophone Company , and Parlophone Co. Ltd. The global success that EMI enjoyed in the 1960s exposed the fact that the company had the rights to only some of its trademarks in some parts of the world, most notably His Master's Voice and Columbia, with RCA Victor and the American Columbia Records owning

1456-707: The US, not EMI's Capitol Records ). In 1978, EMI launched EMI America Records as its second label in the United States after Capitol, and in 1988, EMI America later merged with sister label Manhattan Records , founded in 1984, becoming EMI Manhattan Records and eventually EMI Records USA when Capitol absorbed it in 1989. In June 1997, the EMI Records USA division was folded into Virgin Records and Capitol. In October 1979, EMI Ltd. merged with Thorn Electrical Industries to become Thorn EMI, whose shareholders voted on 16 August 1996 in favour of demerging Thorn from EMI again. The recorded music division became EMI Group plc, and

1512-546: The United States would typically bear a 4th & B'way logo and would state in the fine print, "4th & B'way™, an Island Records, Inc. company". Collectors discussing labels as brands would say that 4th & B'way is a sublabel or imprint of just "Island" or "Island Records". Similarly, collectors who choose to treat corporations and trademarks as equivalent might say 4th & B'way is an imprint and/or sublabel of both Island Records, Ltd. and that company's sublabel, Island Records, Inc. However, such definitions are complicated by

1568-407: The album will sell better if the artist complies with the label's desired requests or changes. At times, the record label's decisions are prudent ones from a commercial perspective, but these decisions may frustrate artists who feel that their art is being diminished or misrepresented by such actions. In other instances, record labels have shelved artists' albums with no intention of any promotion for

1624-411: The artist from their contract, leaving the artist in a state of limbo. Artists who have had disputes with their labels over ownership and control of their music have included Taylor Swift , Tinashe , Megan Thee Stallion , Kelly Clarkson , Thirty Seconds to Mars , Clipse , Ciara , JoJo , Michelle Branch , Kesha , Kanye West , Lupe Fiasco , Paul McCartney , and Johnny Cash . In

1680-415: The artist in question. Reasons for shelving can include the label deciding to focus its resources on other artists on its roster, or the label undergoing a restructure where the person that signed the artist and supports the artist's vision is no longer present to advocate for the artist. In extreme cases, record labels can prevent the release of an artist's music for years, while also declining to release

1736-425: The artist is established and has a loyal fan base. For that reason, labels now have to be more relaxed with the development of artists because longevity is the key to these types of pact. Several artists such as Paramore , Maino , and even Madonna have signed such types of deals. A look at an actual 360 deal offered by Atlantic Records to an artist shows a variation of the structure. Atlantic's document offers

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1792-484: The artists may be downloaded free of charge or for a fee that is paid via PayPal or other online payment system. Some of these labels also offer hard copy CDs in addition to direct download. Digital Labels are the latest version of a 'net' label. Whereas 'net' labels were started as a free site, digital labels represent more competition for the major record labels. The new century brought the phenomenon of open-source or open-content record labels. These are inspired by

1848-518: The band's vanity label Purple , in addition to their last albums for EMI in Europe, Abandon and Bananas . Record label [REDACTED] [REDACTED] [REDACTED] "Big Three" music labels A record label or record company is a brand or trademark of music recordings and music videos , or the company that owns it. Sometimes, a record label is also a publishing company that manages such brands and trademarks, coordinates

1904-561: The biggest-selling Australian recording ever released up to that time. EMI revived the Regal Zonophone imprint in 1967 to handle the Essex Music/Straight Ahead producing account that had moved from Deram (after one Procol Harum single and two singles by The Move ) and continued well into the early 1970s, with successful producers Denny Cordell and Tony Visconti both having production companies releasing records through

1960-403: The company. Some independent labels become successful enough that major record companies negotiate contracts to either distribute music for the label or in some cases, purchase the label completely, to the point where it functions as an imprint or sublabel. A label used as a trademark or brand and not a company is called an imprint , a term used for a similar concept in publishing . An imprint

2016-400: The corporate mergers that occurred in 1989 (when Island was sold to PolyGram) and 1998 (when PolyGram merged with Universal). PolyGram held sublabels including Mercury, Island and Motown. Island remained registered as corporations in both the United States and UK , but control of its brands changed hands multiple times as new companies were formed, diminishing the corporation's distinction as

2072-416: The early days of the recording industry, recording labels were absolutely necessary for the success of any artist. The first goal of any new artist or band was to get signed to a contract as soon as possible. In the 1940s, 1950s, and 1960s, many artists were so desperate to sign a contract with a record company that they sometimes ended up signing agreements in which they sold the rights to their recordings to

2128-464: The electronics and rentals divisions were divested as Thorn plc. In 2010, EMI Records opened a country music division, EMI Records Nashville, which includes on its roster Troy Olsen , Alan Jackson , Kelleigh Bannen , and Eric Church . EMI Records Nashville is a sister label to the Capitol Nashville unit of Universal Music Group . Australia's most prolific artist, Slim Dusty , signed with

2184-512: The end of their contract with EMI when their album In Rainbows was released as a " pay what you want " sales model as an online download, but they also returned to a label for a conventional release. Research shows that record labels still control most access to distribution. Computers and internet technology led to an increase in file sharing and direct-to-fan digital distribution, causing music sales to plummet in recent years. Labels and organizations have had to change their strategies and

2240-587: The imprint as a major pop label. Many of the label's artists moved to Fly Records or to the EMI imprint. Regal Zonophone was revived by EMI in 1985-86 for Frank Sidebottom , and again at the end of the 1990s as a reissue label curated by the UK band Saint Etienne . This incarnation of the label is no longer active, as EMI relaunched Regal and Zonophone as separate imprints of Parlophone . In 2013, both Regal and Zonophone were taken over by Warner Music Group after Universal Music Group spun off Parlophone from EMI, at

2296-483: The label in Japan as the successor to EMI Records Japan . In June 2020, Universal revived the label as the successor to Virgin EMI , with Virgin Records now operating as an imprint of EMI Records. In February 2024, UMG Philippines relaunched EMI as a successor to the former EMI Philippines label after 22 years. An EMI Records Ltd. legal entity was created in 1956 as the record manufacturing and distribution arm of EMI in

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2352-501: The label's president. In September 2020, Universal launched Motown UK, under EMI Records. In January 2023, EMI launched EMI North, based in Leeds , becoming the "first major to open a physical space outside of London". In July 2023, Universal Japan announced a new imprint label, Holo-n, which will operate under their EMI Records division in partnership with Hololive Production . In February 2024, UMG Philippines relaunched EMI Records as

2408-434: The label. During this period the label had both album and single success with artists such as The Move, Procol Harum, Joe Cocker , and Tyrannosaurus Rex . During the mid-1970s, many of these production deals ended and, despite a few sporadic releases by Blue Mink , Geordie , Dave Edmunds , and Grunt Futtock (a one-off project featuring Roy Wood , Steve Marriott , Peter Frampton and Andy Bown ), EMI stopped using

2464-678: The major divisions of EMI were sold off separately by owner Citigroup : most of EMI's recorded music division was absorbed into UMG; EMI Music Publishing was absorbed into Sony/ATV Music Publishing; finally, EMI's Parlophone and Virgin Classics labels were absorbed into Warner Music Group (WMG) in July 2013. This left the so-called Big Three labels. In 2020 and 2021, both WMG and UMG had their IPO with WMG starting trading at Nasdaq and UMG starting trading at Euronext Amsterdam and leaving only Sony Music as wholly-owned subsidiary of an international conglomerate ( Sony Entertainment which in turn

2520-433: The major labels (two examples are American singer Frank Sinatra 's Reprise Records , which has been owned by Warner Music Group for some time now, and musician Herb Alpert 's A&M Records , now owned by Universal Music Group). Similarly, Madonna 's Maverick Records (started by Madonna with her manager and another partner) was to come under control of Warner Music when Madonna divested herself of controlling shares in

2576-537: The majors had a collective global market share of some 65–70%. Record labels are often under the control of a corporate umbrella organization called a "music group ". A music group is usually affiliated to an international conglomerate " holding company ", which often has non-music divisions as well. A music group controls and consists of music-publishing companies, record (sound recording) manufacturers, record distributors, and record labels. Record companies (manufacturers, distributors, and labels) may also constitute

2632-570: The manufacturer's name, along with other information. Within the mainstream music industry , recording artists have traditionally been reliant upon record labels to broaden their consumer base, market their albums, and promote their singles on streaming services, radio, and television. Record labels also provide publicists , who assist performers in gaining positive media coverage, and arrange for their merchandise to be available via stores and other media outlets. Record labels may be small, localized and " independent " ("indie"), or they may be part of

2688-507: The output of recording sessions. For established artists, a label is usually less involved in the recording process. The relationship between record labels and artists can be a difficult one. Many artists have had conflicts with their labels over the type of sound or songs they want to make, which can result in the artist's artwork or titles being changed before release. Other artists have had their music prevented from release, or shelved. Record labels generally do this because they believe that

2744-415: The production, manufacture , distribution , marketing, promotion, and enforcement of copyright for sound recordings and music videos, while also conducting talent scouting and development of new artists , artist financing and maintaining contracts with recording artists and their managers. The term "record label" derives from the circular label in the center of a vinyl record which prominently displays

2800-543: The record label in perpetuity. Entertainment lawyers are usually employed by artists to discuss contract terms. Due to advancing technology such as the Internet , the role of labels is rapidly changing, as artists are able to freely distribute their own material through online radio , peer-to-peer file sharing such as BitTorrent , and other services, at little to no cost, but with correspondingly low financial returns. Established artists, such as Nine Inch Nails , whose career

2856-472: The rights to these trademarks in North America. Complicating matters was Columbia's formation of its own operations in the UK by purchasing Oriole Records and changing its name to that of its then-parent company CBS (the legal trademark designation bearing the full name of the parent company, "Trade Mark of Columbia Broadcasting System, Inc."), and as CBS Records International becoming highly successful,

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2912-418: The salaries of certain tour and merchandise sales employees hired by the artist. In addition, the label also offers the artist a 30 percent cut of the label's album profits—if any—which represents an improvement from the typical industry royalty of 15 percent. With the Internet now being the dominant source for obtaining music, netlabels have emerged. Depending on the ideals of the net label, music files from

2968-419: The selling price of the recordings. Contracts may extend over short or long durations, and may or may not refer to specific recordings. Established, successful artists tend to be able to renegotiate their contracts to get terms more favorable to them, but Prince 's much-publicized 1994–1996 feud with Warner Bros. Records provides a strong counterexample, as does Roger McGuinn 's claim, made in July 2000 before

3024-400: The term sublabel to refer to either an imprint or a subordinate label company (such as those within a group). For example, in the 1980s and 1990s, 4th & B'way Records (pronounced as "Broadway") was a trademarked brand owned by Island Records Ltd. in the UK and by a subordinate branch, Island Records, Inc., in the United States. The center label on a 4th & Broadway record marketed in

3080-433: The way they work with artists. New types of deals called "multiple rights" or "360" deals are being made with artists, where labels are given rights and percentages to artist's touring, merchandising, and endorsements . In exchange for these rights, labels usually give higher advance payments to artists, have more patience with artist development, and pay higher percentages of CD sales. These 360 deals are most effective when

3136-455: Was developed with major label backing, announced an end to their major label contracts, citing that the uncooperative nature of the recording industry with these new trends is hurting musicians, fans and the industry as a whole. However, Nine Inch Nails later returned to working with a major label, admitting that they needed the international marketing and promotional reach that a major label can provide. Radiohead also cited similar motives with

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