Misplaced Pages

#505494

142-502: Dig Me Out is the third studio album by the American rock band Sleater-Kinney , released on April 8, 1997, by Kill Rock Stars . The album was produced by John Goodmanson and recorded from December 1996 to January 1997 at John and Stu's Place in Seattle, Washington . Dig Me Out marked the debut of Janet Weiss , who would become the band's longest-serving drummer. The music on the record

284-417: A "cool medium" with simple diction and repeated refrains, and asserts that rock's primary "function" "pertains to music, or, more generally, noise ." The predominance of white, male, and often middle class musicians in rock music has often been noted, and rock has been seen as an appropriation of Black musical forms for a young, white and largely male audience. As a result, it has also been seen to articulate

426-418: A certain degree doesn't care if it's popular. The sound of rock is traditionally centered on the amplified electric guitar, which emerged in its modern form in the 1950s with the popularity of rock and roll. It was also greatly influenced by the sounds of electric blues guitarists. The sound of an electric guitar in rock music is typically supported by an electric bass guitar, which pioneered jazz music in

568-514: A fondness for a good beat, a meaningful lyric with some wit, and the theme of youth, which holds an "eternal attraction" so objective "that all youth music partakes of sociology and the field report ." Writing in Christgau's Record Guide: The '80s (1990), he said this sensibility is evident in the music of folk singer-songwriter Michelle Shocked , rapper LL Cool J , and synth-pop duo Pet Shop Boys —"all kids working out their identities"—as much as it

710-477: A foundation of simple syncopated rhythms in a 4 meter , with a repetitive snare drum back beat on beats two and four. Melodies often originate from older musical modes such as the Dorian and Mixolydian , as well as major and minor modes. Harmonies range from the common triad to parallel perfect fourths and fifths and dissonant harmonic progressions. Since the late 1950s, and particularly from

852-508: A fourth member and thus a fourth portrait lining the top. Sleater-Kinney substituted their own portraits and their own guitars, with Tucker's Danelectro DC-3 in the central image. As a fan of the Kinks, Weiss explained that the cover suggested that Sleater-Kinney could be an example of a "revered" rock band. When Dig Me Out was released, the band went on a tour to promote the album; a performance of "Words and Guitar" at El Rey Theatre , Los Angeles

994-561: A frequent addition to the established rock format of guitars, bass, and drums in subsequent progressive rock. Instrumentals were common, while songs with lyrics were sometimes conceptual, abstract, or based in fantasy and science fiction. The Pretty Things ' SF Sorrow (1968), the Kinks' Arthur (Or the Decline and Fall of the British Empire) (1969), and the Who 's Tommy (1969) introduced

1136-612: A key feature of psychedelia. Psychedelic rock reached its apogee in the last years of the decade. 1967 saw the Beatles release their definitive psychedelic statement in Sgt. Pepper's Lonely Hearts Club Band , including the controversial track " Lucy in the Sky with Diamonds ", the Rolling Stones responded later that year with Their Satanic Majesties Request , and Pink Floyd debuted with The Piper at

1278-568: A loud amplified sound, often centered on the electric guitar, based on the Chicago blues , particularly after the tour of Britain by Muddy Waters in 1958, which prompted Cyril Davies and guitarist Alexis Korner to form the band Blues Incorporated . The band involved and inspired many of the figures of the subsequent British blues boom, including members of the Rolling Stones and Cream , combining blues standards and forms with rock instrumentation and emphasis. The other key focus for British blues

1420-572: A mainstream audience with hits including " Blowin' in the Wind " (1963) and " Masters of War " (1963), which brought " protest songs " to a wider public, but, although beginning to influence each other, rock and folk music had remained largely separate genres, often with mutually exclusive audiences. Early attempts to combine elements of folk and rock included the Animals' " House of the Rising Sun " (1964), which

1562-485: A major element of progressive rock. From about 1967 bands like Cream and the Jimi Hendrix Experience had moved away from purely blues-based music into psychedelia . By the 1970s, blues rock had become heavier and more riff-based, exemplified by the work of Led Zeppelin and Deep Purple , and the lines between blues rock and hard rock "were barely visible", as bands began recording rock-style albums. The genre

SECTION 10

#1732924009506

1704-429: A major influence on subsequent electronic rock . With the advent of punk rock and technological changes in the late 1970s, progressive rock was increasingly dismissed as pretentious and overblown. Many bands broke up, but some, including Genesis, ELP, Yes, and Pink Floyd, regularly scored top ten albums with successful accompanying worldwide tours. Some bands which emerged in the aftermath of punk, such as Siouxsie and

1846-410: A more basic form of rock and roll that incorporated its original influences, particularly blues, country and folk music, leading to the creation of country rock and Southern rock. In 1966 Bob Dylan went to Nashville to record the album Blonde on Blonde . This, and subsequent more clearly country-influenced albums, such as Nashville Skyline , have been seen as creating the genre of country folk ,

1988-481: A multibillion-dollar industry and doubling its market while, as Christgau noted, suffering a significant "loss of cultural prestige". "Maybe the Bee Gees became more popular than the Beatles, but they were never more popular than Jesus ", he said. "Insofar as the music retained any mythic power, the myth was self-referential – there were lots of songs about the rock and roll life but very few about how rock could change

2130-508: A musical insurgency. And they never compromised on their ideas of what music could and should be." Dig Me Out is frequently included on several publications' best album lists. In 1999, Spin editors ranked it at No. 21 on their list of The 90 Greatest Albums of the '90s. In 2001, the magazine placed it at No. 19 on its list of 50 Most Essential Punk Records. In 2005, the album was ranked No. 24 in Spin ' s 100 Greatest Albums, 1985–2005. In 2008,

2272-570: A national phenomenon. It is often argued that the surf music craze and the careers of almost all surf acts was effectively ended by the arrival of the British Invasion from 1964, because most surf music hits were recorded and released between 1960 and 1965. By the end of 1962, what would become the British rock scene had started with beat groups like the Beatles , Gerry & the Pacemakers and

2414-456: A preacher, prosecutions of Jerry Lee Lewis and Chuck Berry and the breaking of the payola scandal (which implicated major figures, including Alan Freed, in bribery and corruption in promoting individual acts or songs), gave a sense that the rock and roll era established at that point had come to an end. Rock quickly spread out from its origins in the US, associated with the rapid Americanization that

2556-444: A prog rock influence and while ranking among the most commercially successful acts of the 1970s, heralding the era of pomp or arena rock , which would last until the costs of complex shows (often with theatrical staging and special effects), would be replaced by more economical rock festivals as major live venues in the 1990s. The instrumental strand of the genre resulted in albums like Mike Oldfield 's Tubular Bells (1973),

2698-446: A rigidly delineated musical definition." In the opinion of music journalist Robert Christgau , "the best rock jolts folk-art virtues—directness, utility, natural audience—into the present with shots of modern technology and modernist dissociation ". Rock and roll was conceived as an outlet for adolescent yearnings ... To make rock and roll is also an ideal way to explore intersections of sex, love, violence, and fun, to broadcast

2840-625: A rock-informed album era in the music industry for the next several decades. By the late 1960s " classic rock " period, a few distinct rock music subgenres had emerged, including hybrids like blues rock , folk rock , country rock , Southern rock , raga rock , and jazz rock , which contributed to the development of psychedelic rock , influenced by the countercultural psychedelic and hippie scene . New genres that emerged included progressive rock , which extended artistic elements, heavy metal , which emphasized an aggressive thick sound, and glam rock , which highlighted showmanship and visual style. In

2982-695: A route pursued by a number of largely acoustic folk musicians. Other acts that followed the back-to-basics trend were the Canadian group the Band and the California-based Creedence Clearwater Revival , both of which mixed basic rock and roll with folk, country and blues, to be among the most successful and influential bands of the late 1960s. The same movement saw the beginning of the recording careers of Californian solo artists like Ry Cooder , Bonnie Raitt and Lowell George , and influenced

SECTION 20

#1732924009506

3124-500: A single. Upon release, Dig Me Out received substantial acclaim from music critics . Randall Roberts, writing for CMJ New Music Monthly , described the album as a "hum of life wholly transcending gender and genre, filled with the kind of excitement and singular voice that made punk rock glorious in its infancy [...] Dig Me Out is a monster". Sara Scribner of Los Angeles Times praised Tucker's emotional vocal delivery, writing that "she's obsessed with finding honest emotions within

3266-442: A single. The album was acclaimed by music critics , who praised the album's energy and feminist lyrics. Retrospectively, Dig Me Out is considered the band's breakthrough record and is frequently included on several publications' best album lists. In 2020, Rolling Stone ranked it No. 189 on its list of The 500 Greatest Albums of All Time . Dig Me Out is the follow-up to Sleater-Kinney 's highly acclaimed second album Call

3408-478: A slogan one only began to hear in 1972 or so, mobilized all those eager to believe that idealism had become passe, and once they were mobilized, it had. In popular music, embracing the '70s meant both an elitist withdrawal from the messy concert and counterculture scene and a profiteering pursuit of the lowest common denominator in FM radio and album rock . Rock saw greater commodification during this decade, turning into

3550-460: A variety of directions, including Dylan and the Byrds, who began to develop country rock . However, the hybridization of folk and rock has been seen as having a major influence on the development of rock music, bringing in elements of psychedelia, and helping to develop the ideas of the singer-songwriter, the protest song, and concepts of "authenticity". Psychedelic music's LSD -inspired vibe began in

3692-661: Is a broad genre of popular music that originated as " rock and roll " in the United States in the late 1940s and early 1950s, developing into a range of different styles from the mid-1960s, particularly in the United States and the United Kingdom. It has its roots in rock and roll, a style that drew directly from the genres of blues , rhythm and blues , and country music . Rock also drew strongly from genres such as electric blues and folk , and incorporated influences from jazz and other musical styles. For instrumentation, rock

3834-545: Is a protest against the traditional maternity role, while the title song "Dig Me Out" exposes a woman in a dominant role. The album's title was inspired by the fact that the band had to literally dig out the recording studio after a heavy snowstorm that took place in Winter 1996 in Seattle. Musically, the song "Words and Guitar" was said to "[leap] and [skit] with the just-released repression of early Talking Heads ", while "Dance Song '97"

3976-423: Is centered on the electric guitar , usually as part of a rock group with electric bass guitar , drums , and one or more singers. Usually, rock is song-based music with a 4 time signature using a verse–chorus form , but the genre has become extremely diverse. Like pop music , lyrics often stress romantic love but also address a wide variety of other themes that are frequently social or political. Rock

4118-536: Is credited with first using the phrase "rock and roll" to describe the music. Four years later, Bill Haley 's " Rock Around the Clock " (1954) became the first rock and roll song to top Billboard magazine's main sales and airplay charts, and opened the door worldwide for this new wave of popular culture. Other artists with early rock and roll hits included Chuck Berry , Bo Diddley , Fats Domino , Little Richard , Jerry Lee Lewis , and Gene Vincent . Soon rock and roll

4260-475: Is featured in the documentary film Songs for Cassavetes by Justin Mitchell. As of July 1999, the album had sold 64,000 copies in the U.S. according to Nielsen SoundScan . As of February 2015, Dig Me Out had sold 130,000 copies. Two songs from the album, "One More Hour" and "Little Babies", were released as singles by Matador Records on June 1, 1998, and September 7, 1998, respectively. The first single features

4402-464: Is generally agreed that garage rock peaked both commercially and artistically around 1966. By 1968 the style largely disappeared from the national charts and at the local level as amateur musicians faced college, work or the draft . New styles had evolved to replace garage rock. Although the first impact of the British Invasion on American popular music was through beat and R&B based acts,

Dig Me Out - Misplaced Pages Continue

4544-544: Is in the music of Chuck Berry , the Ramones , and the Replacements . The foundations of rock music are in rock and roll, which originated in the United States during the late 1940s and early 1950s, and quickly spread to much of the rest of the world. Its immediate origins lay in a melding of various black musical genres of the time, including rhythm and blues and gospel music , with country and western . Debate surrounds

4686-411: Is often distanced by an emphasis on musicianship, live performance, and a focus on serious and progressive themes as part of an ideology of authenticity that is frequently combined with an awareness of the genre's history and development. According to Simon Frith , rock was "something more than pop, something more than rock and roll" and "[r]ock musicians combined an emphasis on skill and technique with

4828-689: Is on display at the Rock Hall of Fame in Cleveland, and his Guild Starfire at the National Museum of African American History and Culture in Washington, DC, both on loan from the Joe Kessler collection. Hopkins's style was born from spending many hours playing informally without a backing band. His distinctive fingerstyle technique often included playing, in effect, bass , rhythm , lead , and percussion at

4970-399: Is termed as a rock band or a rock group. Furthermore, it typically consists of between three (the power trio ) and five members. Classically, a rock band takes the form of a quartet whose members cover one or more roles, including vocalist, lead guitarist, rhythm guitarist, bass guitarist, drummer, and often keyboard player or another instrumentalist. Rock music is traditionally built on

5112-545: Is the Band." In 1968, Gram Parsons recorded Safe at Home with the International Submarine Band , arguably the first true country rock album. Later that year he joined the Byrds for Sweetheart of the Rodeo (1968), generally considered one of the most influential recordings in the genre. The Byrds continued in the same vein, but Parsons left to be joined by another ex-Byrds member Chris Hillman in forming

5254-528: The Billboard Hot 100 . The British Invasion greatly influenced garage bands, providing them with a national audience, leading many (often surf or hot rod groups) to adopt a British influence, and encouraging many more groups to form. Thousands of garage bands were extant in the United States and Canada during the era and hundreds produced regional hits. Despite scores of bands being signed to major or large regional labels, most were commercial failures. It

5396-519: The American folk music revival had grown to a major movement, using traditional music and new compositions in a traditional style, usually on acoustic instruments. In America the genre was pioneered by figures such as Woody Guthrie and Pete Seeger and often identified with progressive or labor politics . In the early sixties figures such as Joan Baez and Bob Dylan had come to the fore in this movement as singer-songwriters. Dylan had begun to reach

5538-582: The Eagles (made up of members of the Burritos, Poco, and Stone Canyon Band), who emerged as one of the most successful rock acts of all time, producing albums that included Hotel California (1976). The founders of Southern rock are usually thought to be the Allman Brothers Band, who developed a distinctive sound, largely derived from blues rock , but incorporating elements of boogie , soul, and country in

5680-507: The Spice Girls prattle on about ' girl power ', Sleater-Kinney remain the real socket for that energy". AllMusic reviewer Jason Ankeny credited the band for expanding their musical boundaries with a more confident and mature sound. Wook Kim of Entertainment Weekly praised Tucker and Brownstein's "interlocking" vocals and called the record a "fine example of state-of-the-art punk". In The Village Voice , critic Robert Christgau praised

5822-510: The folk revival . McCormack presented Hopkins to integrated audiences first in Houston and then in California . He made his debut at Carnegie Hall on October 14, 1960, alongside Joan Baez and Pete Seeger , performing the spiritual " Mary Don't You Weep ". In 1960, he signed with Tradition Records . The recordings which followed included his song " Mojo Hand " in 1960. In 1968, Hopkins recorded

Dig Me Out - Misplaced Pages Continue

5964-422: The garage rock / post-punk revival in the 2000s. Since the 2010s, rock has lost its position as the pre-eminent popular music genre in world culture, but remains commercially successful. The increased influence of hip-hop and electronic dance music can be seen in rock music, notably in the techno-pop scene of the early 2010s and the pop-punk-hip-hop revival of the 2020s. Rock has also embodied and served as

6106-409: The hit records "T-Model Blues" and "Tim Moore's Farm" at SugarHill Recording Studios in Houston. By the mid- to late 1950s, his prodigious output of high-quality recordings had gained him a following among African Americans and blues aficionados. In 1959, the blues researcher Robert "Mack" McCormick contacted Hopkins, hoping to bring him to the attention of a broader musical audience engaged in

6248-417: The protest song , rock music has been associated with political activism , as well as changes in social attitudes to race, sex, and drug use, and is often seen as an expression of youth revolt against adult consumerism and conformity . At the same time, it has been commercially highly successful, leading to accusations of selling out . A good definition of rock, in fact, is that it's popular music that to

6390-454: The 1950s saw the growth in popularity of the electric guitar, and the development of a specifically rock and roll style of playing through such exponents as Chuck Berry, Link Wray , and Scotty Moore . The use of distortion , pioneered by Western swing guitarists such as Junior Barnard and Eldon Shamblin was popularized by Chuck Berry in the mid-1950s. The use of power chords , pioneered by Francisco Tárrega and Heitor Villa-Lobos in

6532-461: The 19th century and later on by Willie Johnson and Pat Hare in the early 1950s, was popularized by Link Wray in the late 1950s. Commentators have traditionally perceived a decline of rock and roll in the late 1950s and early 1960s. By 1959, the death of Buddy Holly, the Big Bopper and Ritchie Valens in a plane crash, the departure of Elvis for the army, the retirement of Little Richard to become

6674-472: The Banshees , Ultravox , and Simple Minds , showed the influence of progressive rock, as well as their more usually recognized punk influences. In the late 1960s, jazz-rock emerged as a distinct subgenre out of the blues-rock, psychedelic, and progressive rock scenes, mixing the power of rock with the musical complexity and improvisational elements of jazz. AllMusic states that the term jazz-rock "may refer to

6816-609: The Beatles, demonstrating "to the rock generation in general that an album could be a major standalone statement without hit singles", such as on The Freewheelin' Bob Dylan (1963). Folk rock particularly took off in California, where it led acts like the Mamas & the Papas and Crosby, Stills, and Nash to move to electric instrumentation, and in New York, where it spawned performers including

6958-596: The Byrds ' shift from folk to folk rock from 1965. The psychedelic lifestyle, which revolved around hallucinogenic drugs, had already developed in San Francisco and particularly prominent products of the scene were Big Brother and the Holding Company , the Grateful Dead and Jefferson Airplane . The Jimi Hendrix Experience 's lead guitarist, Jimi Hendrix did extended distorted, feedback-filled jams which became

7100-431: The Byrds adopted rock instrumentation, including drums and 12-string Rickenbacker guitars, which became a major element in the sound of the genre. Later that year Dylan adopted electric instruments, much to the outrage of many folk purists, with his " Like a Rolling Stone " becoming a US hit single. According to Ritchie Unterberger , Dylan (even before his adoption of electric instruments) influenced rock musicians like

7242-511: The Doctor , released in 1996 by the queercore independent record label Chainsaw Records . Call the Doctor confirmed the band's reputation as one of the major musical acts from the Pacific Northwest , rebelling against gender roles , consumerism , and indie rock 's male-dominated hierarchy. After the release of Call the Doctor , drummer Janet Weiss of Quasi joined the band. Previously,

SECTION 50

#1732924009506

7384-578: The Dominos , followed by an extensive solo career that helped bring blues rock into the mainstream. Green, along with the Bluesbreaker's rhythm section Mick Fleetwood and John McVie , formed Peter Green's Fleetwood Mac , who enjoyed some of the greatest commercial success in the genre. In the late 1960s Jeff Beck , also an alumnus of the Yardbirds, moved blues rock in the direction of heavy rock with his band,

7526-657: The Everly Brothers; one-time teen idol Rick Nelson who became the frontman for the Stone Canyon Band; former Monkee Mike Nesmith who formed the First National Band ; and Neil Young . The Dillards were, unusually, a country act, who moved towards rock music. The greatest commercial success for country rock came in the 1970s, with artists including the Doobie Brothers , Emmylou Harris , Linda Ronstadt and

7668-642: The Flying Burrito Brothers who helped establish the respectability and parameters of the genre, before Parsons departed to pursue a solo career. Bands in California that adopted country rock included Hearts and Flowers, Poco , New Riders of the Purple Sage , the Beau Brummels , and the Nitty Gritty Dirt Band . Some performers also enjoyed a renaissance by adopting country sounds, including:

7810-499: The Gates of Dawn . Key recordings included Jefferson Airplane's Surrealistic Pillow and the Doors ' self-titled debut album . These trends peaked in the 1969 Woodstock festival , which saw performances by most of the major psychedelic acts. Sgt. Pepper was later regarded as the greatest album of all time and a starting point for the album era , during which rock music transitioned from

7952-464: The Jeff Beck Group . The last Yardbirds guitarist was Jimmy Page , who went on to form The New Yardbirds which rapidly became Led Zeppelin . Many of the songs on their first three albums, and occasionally later in their careers, were expansions on traditional blues songs. In America, blues rock had been pioneered in the early 1960s by guitarist Lonnie Mack , but the genre began to take off in

8094-498: The Joint " (1949), also covered by Bill Haley & His Comets in 1952; and " Rocket 88 " by Jackie Brenston and his Delta Cats (in fact, Ike Turner and his band the Kings of Rhythm ), recorded by Sam Phillips for Chess Records in 1951. In 1951, Cleveland, Ohio disc jockey Alan Freed began playing rhythm and blues music (then termed " race music ") for a multi-racial audience, and

8236-499: The Lovin' Spoonful and Simon and Garfunkel , with the latter's acoustic " The Sounds of Silence " (1965) being remixed with rock instruments to be the first of many hits. These acts directly influenced British performers like Donovan and Fairport Convention . In 1969 Fairport Convention abandoned their mixture of American covers and Dylan-influenced songs to play traditional English folk music on electric instruments. This British folk-rock

8378-485: The Pacific Northwest to international acclaim". Writing for Nooga.com, Joshua Pickard stated that the album "was a revelation for both its clever use of punk principles and for its breakdown of social assumptions." With the album, Pickard felt that Sleater-Kinney "succeeded in reshaping what was considered possible for punk rock", and that the album transformed the band into "an institution of rebellion and proponents of

8520-506: The Past 25 Years, stating that " Dig Me Out captures the noise of a soul-filled body shaking itself awake, and that's an experience that bridges any gender divide." The album was ranked No. 47 on Pitchfork's 150 Best Albums of the 1990s. The album was also included in the book 1001 Albums You Must Hear Before You Die . All music is composed by Sleater-Kinney Credits are adapted from the album's liner notes . Rock music Rock

8662-476: The Rolling Stones and the Yardbirds , were much more directly influenced by rhythm and blues and later blues music. Soon these groups were composing their own material, combining US forms of music and infusing it with a high energy beat. Beat bands tended towards "bouncy, irresistible melodies", while early British blues acts tended towards less sexually innocent, more aggressive songs, often adopting an anti-establishment stance. There was, however, particularly in

SECTION 60

#1732924009506

8804-573: The Searchers from Liverpool and Freddie and the Dreamers , Herman's Hermits and the Hollies from Manchester. They drew on a wide range of American influences including 1950s rock and roll, soul, rhythm and blues, and surf music, initially reinterpreting standard American tunes and playing for dancers. Bands like the Animals from Newcastle and Them from Belfast , and particularly those from London like

8946-650: The Seeds ) to near-studio musician quality (including the Knickerbockers , the Remains , and the Fifth Estate ). There were also regional variations in many parts of the country with flourishing scenes particularly in California and Texas. The Pacific Northwest states of Washington and Oregon had perhaps the most defined regional sound. The style had been evolving from regional scenes as early as 1958. "Tall Cool One" (1959) by

9088-676: The US was becoming dominated by lightweight pop and ballads, British rock groups at clubs and local dances were developing a style more strongly influenced by blues-rock pioneers, and were starting to play with an intensity and drive seldom found in white American acts; this influence would go on to shape the future of rock music through the British Invasion . The first four years of the 1960s has traditionally been seen as an era of hiatus for rock and roll. More recently some authors have emphasised important innovations and trends in this period without which future developments would not have been possible. While early rock and roll, particularly through

9230-604: The USSR and South Africa from 1955 to 1957, influencing the globalisation of rock. Johnny O'Keefe 's 1958 record " Wild One " was one of the earliest Australian rock and roll hits. By the late 1950s, as well as in the American-influenced Western world, rock was popular in communist states such as Yugoslavia, and the USSR, as well as in regions such as South America. In the late 1950s and early 1960s, American blues music and blues rock artists, who had been surpassed by

9372-722: The Wailers and " Louie Louie " by the Kingsmen (1963) are mainstream examples of the genre in its formative stages. By 1963, garage band singles were creeping into the national charts in greater numbers, including Paul Revere and the Raiders (Boise), the Trashmen (Minneapolis) and the Rivieras (South Bend, Indiana). Other influential garage bands, such as the Sonics (Tacoma, Washington), never reached

9514-527: The advent of rockabilly, saw the greatest commercial success for male and white performers, in this era, the genre was dominated by black and female artists. Rock and roll had not disappeared entirely from music at the end of the 1950s and some of its energy can be seen in the various dance crazes of the early 1960s, started by Chubby Checker 's record " The Twist " (1960). Some music historians have also pointed to important and innovative technical developments that built on rock and roll in this period, including

9656-426: The album Free Form Patterns , backed by the rhythm section of the psychedelic rock band 13th Floor Elevators . Through the 1960s and into the 1970s, he released one or sometimes two albums a year and toured, playing at major folk music festivals and at folk clubs and on college campuses in the U.S. and internationally. He toured extensively in the United States and played a six-city tour of Japan in 1978. Hopkins

9798-448: The album as one of his "favorite albums of the year, easy", alongside those by Pavement , Yo La Tengo , and Arto Lindsay . Similarly, Spin journalists placed the album at No. 3 in their list of Top 20 Albums of the Year. Retrospectively, Dig Me Out is considered Sleater-Kinney's breakthrough album. According to About.com 's Anthony Carew, the record took the band "from the cult corner of

9940-516: The band had had a number of temporary drummers, including Misty Farrell, Lora Macfarlane , and Toni Gogin. Weiss would eventually become Sleater-Kinney's longest serving drummer. For its third album, Sleater-Kinney worked again with producer John Goodmanson . The band left Chainsaw Records and decided to release the album through Kill Rock Stars , another independent record label which singer and guitarist Corin Tucker thought had better resources to ensure

10082-426: The band's distribution. Goodmanson also remarked that Kill Rock Stars afforded the band a generous amount of studio time for an independent label, stating that Call the Doctor only took four days to record while Dig Me Out was recorded over the period of eight days. Dig Me Out was written in nearly two months and recorded from December 1996 to January 1997 at John and Stu's Place in Seattle, Washington . During

10224-575: The biggest selling rock band of all time and they were followed into the US charts by numerous British bands. During the next two years British acts dominated their own and the US charts with Peter and Gordon , the Animals, Manfred Mann , Petula Clark , Freddie and the Dreamers, Wayne Fontana and the Mindbenders , Herman's Hermits, the Rolling Stones, the Troggs , and Donovan all having one or more number one singles. Other major acts that were part of

10366-453: The bottom end and the solidness that we've really wanted for our songwriting". In addition to playing drums, Weiss provides hand claps and tambourine in "Turn It On". Dig Me Out also contains more guitar and vocal interplay by Tucker and Brownstein than Call the Doctor . As Brownstein explains, "If you were to separate our guitar parts I don't necessarily think they would fully stand on their own. Our songs [...] aren't really complete until

10508-405: The chart. Their first appearance on The Ed Sullivan Show on 9 February 1964, drawing an estimated 73 million viewers (at the time a record for an American television program) is considered a milestone in American pop culture. During the week of 4 April 1964, the Beatles held 12 positions on the Billboard Hot 100 singles chart, including the entire top five. The Beatles went on to become

10650-423: The cold machinery of the human heart." Ann Powers stated similar pros and highlighted Brownstein's energetic guitar playing, noting that the band "now [delivers] the punch their words describe." She also gave high marks to the album's feminist lyrics, commenting "If [Sleater-Kinney] wanna be our Simone de Beauvoir , Dig Me Out proves they're up to it." Similarly, Matt Diehl of Rolling Stone said that, "while

10792-409: The concerns of this group in both style and lyrics. Christgau, writing in 1972, said in spite of some exceptions, "rock and roll usually implies an identification of male sexuality and aggression". Since the term "rock" started being used in preference to "rock and roll" from the late-1960s, it has usually been contrasted with pop music, with which it has shared many characteristics, but from which it

10934-555: The delights and limitations of the regional , and to deal with the depredations and benefits of mass culture itself. Unlike many earlier styles of popular music, rock lyrics have dealt with a wide range of themes, including romantic love, sex, rebellion against " The Establishment ", social concerns, and life styles. These themes were inherited from a variety of sources such as the Tin Pan Alley pop tradition, folk music , and rhythm and blues . Christgau characterizes rock lyrics as

11076-451: The early 1970s among existing blues-rock and psychedelic bands, as well as newly formed acts. The vibrant Canterbury scene saw acts following Soft Machine from psychedelia, through jazz influences, toward more expansive hard rock, including Caravan , Hatfield and the North , Gong , and National Health . The French group Magma around drummer Christian Vander almost single-handedly created

11218-455: The early 1970s, Robert Christgau wrote in Christgau's Record Guide: Rock Albums of the Seventies (1981): The decade is, of course, an arbitrary schema itself—time doesn't just execute a neat turn toward the future every ten years. But like a lot of artificial concepts—money, say—the category does take on a reality of its own once people figure out how to put it to work. "The '60s are over,"

11360-497: The early 1970s. The most successful act to follow them were Lynyrd Skynyrd, who helped establish the "Good ol' boy" image of the subgenre and the general shape of 1970s' guitar rock. Their successors included the fusion/progressive instrumentalists Dixie Dregs , the more country-influenced Outlaws , funk/R&B-leaning Wet Willie and (incorporating elements of R&B and gospel) the Ozark Mountain Daredevils . After

11502-457: The early stages, considerable musical crossover between the two tendencies. By 1963, led by the Beatles, beat groups had begun to achieve national success in Britain, soon to be followed into the charts by the more rhythm and blues focused acts. " I Want to Hold Your Hand " was the Beatles' first number one hit on the Billboard Hot 100 , spending seven weeks at the top and a total of 15 weeks on

11644-510: The electronic treatment of sound by such innovators as Joe Meek , and the elaborate production methods of the Wall of Sound pursued by Phil Spector . The instrumental rock and roll of performers such as Duane Eddy , Link Wray and the Ventures was further developed by Dick Dale , who added distinctive "wet" reverb , rapid alternate picking, and Middle Eastern and Mexican influences. He produced

11786-568: The example set by the Beatles ' 1965 LP Rubber Soul in particular, other British rock acts released rock albums intended as artistic statements in 1966, including the Rolling Stones ' Aftermath , the Beatles' own Revolver , and the Who 's A Quick One , as well as American acts in the Beach Boys ( Pet Sounds ) and Bob Dylan ( Blonde on Blonde ). Garage rock was a raw form of rock music, particularly prevalent in North America in

11928-427: The fact that the band features no bass player was an advantage for the album's production. He explained: "The awesome thing about having no bass player is you can make the guitars sound as big as you want. Usually you have to clear all that room out for the bass, so you can hear the bass line. With no bass there, you can just go for giant guitar sounds that you wouldn't normally be able to go for". Musically, Dig Me Out

12070-491: The first record, and worldwide hit, for the Virgin Records label, which became a mainstay of the genre. Instrumental rock was particularly significant in continental Europe, allowing bands like Kraftwerk , Tangerine Dream , Can , Focus (band) and Faust to circumvent the language barrier. Their synthesiser-heavy " krautrock ", along with the work of Brian Eno (for a time the keyboard player with Roxy Music ), would be

12212-451: The folk scene. The first group to advertise themselves as psychedelic rock were the 13th Floor Elevators from Texas. The Beatles introduced many of the major elements of the psychedelic sound to audiences in this period, such as guitar feedback , the Indian sitar and backmasking sound effects . Psychedelic rock particularly took off in California's emerging music scene as groups followed

12354-503: The format of rock operas and opened the door to concept albums , often telling an epic story or tackling a grand overarching theme. King Crimson 's 1969 début album, In the Court of the Crimson King , which mixed powerful guitar riffs and mellotron , with jazz and symphonic music , is often taken as the key recording in progressive rock, helping the widespread adoption of the genre in

12496-453: The impetus was soon taken up by a second wave of bands that drew their inspiration more directly from American blues , including the Rolling Stones and the Yardbirds . British blues musicians of the late 1950s and early 1960s had been inspired by the acoustic playing of figures such as Lead Belly , who was a major influence on the Skiffle craze, and Robert Johnson . Increasingly they adopted

12638-460: The invasion included the Kinks and the Dave Clark Five . The British Invasion helped internationalize the production of rock and roll, opening the door for subsequent British (and Irish) performers to achieve international success. In America it arguably spelled the end of instrumental surf music, vocal girl groups and (for a time) the teen idols , that had dominated the American charts in

12780-511: The label were R&B oriented white rock bands that made use of jazzy horn sections, like Electric Flag , Blood, Sweat & Tears and Chicago , to become some of the most commercially successful acts of the later 1960s and the early 1970s. British acts to emerge in the same period from the blues scene, to make use of the tonal and improvisational aspects of jazz, included Nucleus and the Graham Bond and John Mayall spin-off Colosseum . From

12922-505: The late 1940s and 1950s he rarely performed outside Texas, only occasionally traveling to the Midwest and the East for recording sessions and concert appearances. It has been estimated that he recorded between eight hundred and a thousand songs in his career. He performed regularly at nightclubs in and around Houston, particularly on Dowling Street, where he had been discovered by Aladdin. He recorded

13064-446: The late 1950s and 1960s. It dented the careers of established R&B acts like Fats Domino and Chubby Checker and even temporarily derailed the chart success of surviving rock and roll acts, including Elvis. The British Invasion also played a major part in the rise of a distinct genre of rock music, and cemented the primacy of the rock group, based on guitars and drums and producing their own material as singer-songwriters. Following

13206-519: The loss of original members of the Allmans and Lynyrd Skynyrd, the genre began to fade in popularity in the late 1970s, but was sustained the 1980s with acts like .38 Special , Molly Hatchet and the Marshall Tucker Band . Lightnin%27 Hopkins The musicologist Robert "Mack" McCormick opined that Hopkins is "the embodiment of the jazz-and-poetry spirit, representing its ancient form in

13348-410: The loudest, wildest, most electrified fusion bands from the jazz camp, but most often it describes performers coming from the rock side of the equation." Jazz-rock "...generally grew out of the most artistically ambitious rock subgenres of the late '60s and early '70s", including the singer-songwriter movement. Many early US rock and roll musicians had begun in jazz and carried some of these elements into

13490-476: The many recordings which have been suggested as "the first rock and roll record ". Contenders include " Strange Things Happening Every Day " by Sister Rosetta Tharpe (1944); " That's All Right " by Arthur Crudup (1946), which was later covered by Elvis Presley in 1954; " The House of Blue Lights " by Ella Mae Morse and Freddie Slack (1946); Wynonie Harris ' " Good Rocking Tonight " (1948); Goree Carter 's "Rock Awhile" (1949); Jimmy Preston 's " Rock

13632-490: The mid-1930s, Hopkins was sent to Houston County Prison Farm, but why he was imprisoned is unknown. In the late 1930s, he moved to Houston with Alexander in an unsuccessful attempt to break into the music scene there. By the early 1940s, he was back in Centerville, working as a farm hand. Hopkins took a second shot at Houston in 1946. While singing on Dowling Street in Houston's Third Ward , which would become his home base, he

13774-669: The mid-1950s by white singers such as Carl Perkins , Jerry Lee Lewis, Buddy Holly and with the greatest commercial success, Elvis Presley . Hispanic and Latino American movements in rock and roll, which would eventually lead to the success of Latin rock and Chicano rock within the US, began to rise in the Southwest ; with rock and roll standard musician Ritchie Valens and even those within other heritage genres, such as Al Hurricane along with his brothers Tiny Morrie and Baby Gaby as they began combining rock and roll with country- western within traditional New Mexico music . In addition,

13916-603: The mid-1960s the Left Banke , the Beatles, the Rolling Stones and the Beach Boys, had pioneered the inclusion of harpsichords , wind , and string sections on their recordings to produce a form of Baroque rock and can be heard in singles like Procol Harum 's " A Whiter Shade of Pale " (1967), with its Bach -inspired introduction. The Moody Blues used a full orchestra on their album Days of Future Passed (1967) and subsequently created orchestral sounds with synthesizers. Classical orchestration, keyboards, and synthesizers were

14058-479: The mid-1960s and so called because of the perception that it was rehearsed in the suburban family garage. Garage rock songs often revolved around the traumas of high school life, with songs about "lying girls" and unfair social circumstances being particularly common. The lyrics and delivery tended to be more aggressive than was common at the time, often with growled or shouted vocals that dissolved into incoherent screaming. They ranged from crude one-chord music (like

14200-435: The mid-1960s as acts developed a sound similar to British blues musicians. Key acts included Paul Butterfield (whose band acted like Mayall's Bluesbreakers in Britain as a starting point for many successful musicians), Canned Heat , the early Jefferson Airplane , Janis Joplin , Johnny Winter , the J. Geils Band and Jimi Hendrix with his power trios , the Jimi Hendrix Experience (which included two British members, and

14342-401: The mid-1960s onwards, rock music often used the verse–chorus structure derived from blues and folk music, but there has been considerable variation from this model. Critics have stressed the eclecticism and stylistic diversity of rock. Because of its complex history and its tendency to borrow from other musical and cultural forms, it has been argued that "it is impossible to bind rock music to

14484-632: The music at the age of eight, when he met Blind Lemon Jefferson at a church picnic in Buffalo, Texas . He went on to learn from his distant older cousin, the country blues singer Alger "Texas" Alexander ; Hopkins had another cousin, the Texas electric blues guitarist Frankie Lee Sims , with whom he later recorded. Hopkins began accompanying Jefferson on guitar at informal church gatherings. Jefferson reputedly never let anyone play with him except Hopkins, and Hopkins learned much from Jefferson at these gatherings. In

14626-461: The new music genre zeuhl with their first albums in the early 1970s. Greater commercial success was enjoyed by Pink Floyd, who also moved away from psychedelia after the departure of Syd Barrett in 1968, with The Dark Side of the Moon (1973), seen as a masterpiece of the genre, becoming one of the best-selling albums of all time. There was an emphasis on instrumental virtuosity, with Yes showcasing

14768-591: The new music. In Britain the subgenre of blues rock, and many of its leading figures, like Ginger Baker and Jack Bruce of the Eric Clapton -fronted band Cream , had emerged from the British jazz scene. Often highlighted as the first true jazz-rock recording is the only album by the relatively obscure New York–based the Free Spirits with Out of Sight and Sound (1966). The first group of bands to self-consciously use

14910-425: The other person has put their part over it, and their vocals". The lyrical themes on Dig Me Out deal with issues of heartbreak and survival. The song "One More Hour" is about the breakup of Tucker and Brownstein's romantic relationship. Before the release of the album, Spin published a controversial article discussing Tucker and Brownstein's personal relationship without their permission. Brownstein felt that "it

15052-465: The psychedelic rock and the Canterbury scenes came Soft Machine, who, it has been suggested, produced one of the artistically successfully fusions of the two genres. Perhaps the most critically acclaimed fusion came from the jazz side of the equation, with Miles Davis , particularly influenced by the work of Hendrix, incorporating rock instrumentation into his sound for the album Bitches Brew (1970). It

15194-474: The recording sessions, recording the vocal interplay between Tucker and co-vocalist and guitarist Carrie Brownstein involved some difficulties. However, the producer took care and prevented favoring one voice over the other. As Goodmanson recalls: "We always used different mikes for the lead vocal and for the second vocal, or different kinds of processing to make those things really distinct. To make it so you can hear both things at once". Goodmanson also noted that

15336-628: The regional hit " Let's Go Trippin ' " in 1961 and launched the surf music craze, following up with songs like " Misirlou " (1962). Like Dale and his Del-Tones , most early surf bands were formed in Southern California, including the Bel-Airs , the Challengers , and Eddie & the Showmen . The Chantays scored a top ten national hit with " Pipeline " in 1963 and probably the best-known surf tune

15478-445: The rise of rock and roll in the US, found new popularity in the UK, visiting with successful tours. Lonnie Donegan 's 1955 hit " Rock Island Line " was a major influence and helped to develop the trend of skiffle music groups throughout the country, many of which, including John Lennon 's Quarrymen (later the Beatles ), moved on to play rock and roll. While former rock and roll market in

15620-475: The romantic concept of art as artistic expression, original and sincere". In the new millennium, the term rock has occasionally been used as a blanket term including forms like pop music, reggae music , soul music , and even hip hop , which it has been influenced with but often contrasted through much of its history. Christgau has used the term broadly to refer to popular and semipopular music that caters to his sensibility as "a rock-and-roller", including

15762-517: The same era, and by percussion produced from a drum kit that combines drums and cymbals. This trio of instruments has often been complemented by the inclusion of other instruments, particularly keyboards such as the piano, the Hammond organ , and the synthesizer. The basic rock instrumentation was derived from the basic blues band instrumentation (prominent lead guitar, second chordal instrument, bass, and drums). A group of musicians performing rock music

15904-399: The same time. He played both "alternating" and "monotonic" bass styles incorporating imaginative, often chromatic turnarounds and single-note lead lines. Tapping or slapping the body of his guitar added rhythmic accompaniment. Much of Hopkins's music follows the standard 12-bar blues template, but his phrasing was free and loose. Many of his songs were in the talking blues style, but he

16046-555: The second half of the 1970s, punk rock reacted by producing stripped-down, energetic social and political critiques. Punk was an influence in the 1980s on new wave , post-punk and eventually alternative rock . From the 1990s, alternative rock began to dominate rock music and break into the mainstream in the form of grunge , Britpop , and indie rock . Further fusion subgenres have since emerged, including pop-punk , electronic rock , rap rock , and rap metal . Some movements were conscious attempts to revisit rock's history, including

16188-518: The single creator whose words and music are one act". He influenced Townes Van Zandt , Hank Williams, Jr. , and a generation of blues musicians like Stevie Ray Vaughan , whose Grammy winning song " Rude Mood " was directly inspired by the Texan's song "Hopkins' Sky Hop". Hopkins was born in Centerville, Texas . As a child, he was immersed in the sounds of the blues . He developed a deep appreciation for

16330-543: The singles format to albums and achieved cultural legitimacy in the mainstream. Led by the Beatles in the mid-1960s, rock musicians advanced the LP as the dominant form of recorded music expression and consumption, initiating a rock-informed album era in the music industry for the next several decades. Progressive rock, a term sometimes used interchangeably with art rock , moved beyond established musical formulas by experimenting with different instruments, song types, and forms. From

16472-413: The skills of both guitarist Steve Howe and keyboard player Rick Wakeman , while Emerson, Lake & Palmer were a supergroup who produced some of the genre's most technically demanding work. Jethro Tull and Genesis both pursued very different, but distinctly English, brands of music. Renaissance , formed in 1969 by ex-Yardbirds Jim McCarty and Keith Relf, evolved into a high-concept band featuring

16614-463: The song "Dig Me Out" was ranked No. 44 in Rolling Stone ' s "100 Greatest Guitar Songs of All Time". In 2011, the album was placed at No. 71 by Slant Magazine on its list of The 100 Best Albums of the 1990s. In 2012, the album was ranked No. 272 on Rolling Stone ' s 500 Greatest Albums of All Time , and No. 189 on their 2020 edition. Spin ranked it at No. 74 on their 125 Best Albums of

16756-539: The song "I Wanna Be Your Joey Ramone" from Call the Doctor as the B-side, while the second single features "I'm Not Waiting", also from their previous album. The compact disc version of "One More Hour" includes a third song, "Don't Think You Wanna", which was originally released on the band's debut album Sleater-Kinney . The song "Dig Me Out" peaked at number six on the KEXP Top 90.3 Album Chart in 1997 without being released as

16898-422: The studio as she wails, 'I needed it', while behind her Brownstein offers her attempts at consolation". In her 2015 memoir Hunger Makes Me A Modern Girl , Brownstein also states that almost all the songs on Dig Me Out are about either her or Tucker's future husband, Lance Bangs . Like its predecessor, Dig Me Out also features songs that show frustration with sexism and gender stereotypes . "Little Babies"

17040-610: The three-octave voice of Annie Haslam . Most British bands depended on a relatively small cult following, but a handful, including Pink Floyd, Genesis, and Jethro Tull, managed to produce top ten singles at home and break the American market. The American brand of progressive rock varied from the eclectic and innovative Frank Zappa , Captain Beefheart and Blood, Sweat & Tears , to more pop rock orientated bands like Boston , Foreigner , Kansas , Journey , and Styx . These, beside British bands Supertramp and ELO , all demonstrated

17182-508: The union and teamwork of the band, stating that "they're so confident of their ability to please that they just can't stop. And this confidence is collective: Corin and Carrie chorus-trade like the two-headed girl, dashing and high-stepping around on Janet Weiss's shoulders. What a ride". Dig Me Out appeared at No. 4 in The Village Voice ' s Pazz & Jop critics' poll for 1997. In the poll's accompanying essay, Christgau referred to

17324-409: The vehicle for cultural and social movements, leading to major subcultures including mods and rockers in the U.K., the hippie movement and the wider Western counterculture movement that spread out from San Francisco in the U.S. in the 1960s, the latter of which continues to this day. Similarly, 1970s punk culture spawned the goth , punk, and emo subcultures. Inheriting the folk tradition of

17466-524: The work of the Beach Boys , formed in 1961 in Southern California. Their early albums included both instrumental surf rock (among them covers of music by Dick Dale) and vocal songs, drawing on rock and roll and doo wop and the close harmonies of vocal pop acts like the Four Freshmen . The Beach Boys first chart hit, " Surfin ' " in 1961 reached the Billboard top 100 and helped make the surf music craze

17608-533: The work of established performers such as the Rolling Stones' Beggar's Banquet (1968) and the Beatles' Let It Be (1970). Reflecting on this change of trends in rock music over the past few years, Christgau wrote in his June 1970 "Consumer Guide" column that this "new orthodoxy" and "cultural lag" abandoned improvisatory, studio-ornamented productions in favor of an emphasis on "tight, spare instrumentation" and song composition: "Its referents are '50s rock, country music, and rhythm-and-blues, and its key inspiration

17750-404: The world, except as a new brand of painkiller ... In the '70s the powerful took over, as rock industrialists capitalized on the national mood to reduce potent music to an often reactionary species of entertainment—and to transmute rock's popular base from the audience to market." Roots rock is the term now used to describe a move away from what some saw as the excesses of the psychedelic scene, to

17892-570: Was John Mayall ; his band, the Bluesbreakers , included Eric Clapton (after Clapton's departure from the Yardbirds) and later Peter Green . Particularly significant was the release of Blues Breakers with Eric Clapton (Beano) album (1966), considered one of the seminal British blues recordings and the sound of which was much emulated in both Britain and the United States. Eric Clapton went on to form supergroups Cream, Blind Faith , and Derek and

18034-676: Was 1963's " Wipe Out ", by the Surfaris , which hit number 2 and number 10 on the Billboard charts in 1965. Surf rock was also popular in Europe during this time, with the British group the Shadows scoring hits in the early 1960s with instrumentals such as " Apache " (1960) and " Kon-Tiki " (1961), while Swedish surf group the Spotnicks saw success in both Sweden and Britain. Surf music achieved its greatest commercial success as vocal pop music, particularly

18176-538: Was Houston's poet-in-residence for 35 years. He recorded more albums than any other blues musician. A statue of Hopkins sits in Crockett, Texas . Hopkins died of esophageal cancer in Houston on January 30, 1982, at the age of 69. His obituary in the New York Times described him as "one of the great country blues singers and perhaps the greatest single influence on rock guitar players". His Gibson J-160e "hollowbox"

18318-529: Was a complete invasion of privacy. My parents didn't know Corin and I were going out. They didn't know I had ever dated a woman before. It was horrible. I was pissed at Spin , really mad. Luckily my parents are great people, but God forbid I would have some family that would disown me over something like that. And I would have totally held Spin responsible for that." The song features a lot of vocal interplay by Tucker and Brownstein. Chris Nelson of Addicted to Noise noted that "one can almost hear Tucker crying in

18460-473: Was a major influence on subsequent rock-influenced jazz artists, including Herbie Hancock , Chick Corea and Weather Report . The genre began to fade in the late 1970s, as a mellower form of fusion began to take its audience, but acts like Steely Dan , Frank Zappa and Joni Mitchell recorded significant jazz-influenced albums in this period, and it has continued to be a major influence on rock music. Reflecting on developments that occurred in rock music in

18602-483: Was a powerful and confident singer. Lyrically, his songs expressed the problems of life in the segregated South, bad luck in love and other subjects common in the blues idiom. He dealt with these subjects with humor and good nature. He often referred to himself as "Po' Lightnin'" in his songs when talking about himself or referring to himself as the protagonist of the song. This is also the name of one of his albums. Many of his songs are filled with double entendres , and he

18744-487: Was considered rockier than its predecessor. Weiss' drumming style was influenced by traditional rock and roll bands such as the Rolling Stones , the Beatles , and the Kinks , as well as numerous blues rock musicians such as Lightnin' Hopkins , Muddy Waters , Billy Boy Arnold , and Bessie Smith , among others. Both Tucker and Brownstein remarked that Weiss became an essential part of the band's sound. According to Tucker, "Musically, she's completed our band. She's become

18886-424: Was continued in the 1970s by figures such as George Thorogood and Pat Travers , but, particularly on the British scene (except perhaps for the advent of groups such as Status Quo and Foghat who moved towards a form of high energy and repetitive boogie rock ), bands became focused on heavy metal innovation, and blues rock began to slip out of the mainstream. By the 1960s, the scene that had developed out of

19028-593: Was discovered by Lola Anne Cullum of Aladdin Records , based in Los Angeles . She convinced Hopkins to travel to Los Angeles, where he accompanied the pianist Wilson Smith. The duo recorded twelve tracks in their first sessions in 1946. An Aladdin executive decided the pair needed more dynamism in their names and dubbed Hopkins "Lightnin'" and Wilson "Thunder". Hopkins recorded more sides for Aladdin in 1947. He returned to Houston and began recording for Gold Star Records . In

19170-561: Was founded in Britain), and Band of Gypsys , whose guitar virtuosity and showmanship would be among the most emulated of the decade. Blues rock bands from the southern states, like the Allman Brothers Band , Lynyrd Skynyrd , and ZZ Top , incorporated country elements into their style to produce the distinctive genre Southern rock . Early blues rock bands often emulated jazz, playing long, involved improvisations, which would later be

19312-405: Was influenced by traditional rock and roll bands, while the lyrics deal with issues of heartbreak and survival. The album cover is an homage to the Kinks ' 1965 album The Kink Kontroversy . Two singles were released in support of the album: "One More Hour" and "Little Babies". The title track "Dig Me Out" peaked at number six on the KEXP Top 90.3 Album Chart in 1997 without being released as

19454-464: Was said to "sport Devo -esque keyboards of a distinctly '80s vintage". Jenn Pelly of Pitchfork described "Heart Factory" as a song that "roars over synthetic emotions of the Prozac Nation ." Dig Me Out was released on April 8, 1997, by Kill Rock Stars. The album cover is an homage to the Kinks' 1965 album The Kink Kontroversy . The layouts are identical, with the exception that the Kinks had

19596-515: Was taken up by bands including Pentangle , Steeleye Span and the Albion Band , which in turn prompted Irish groups like Horslips and Scottish acts like the JSD Band , Spencer's Feat and later Five Hand Reel , to use their traditional music to create a brand of Celtic rock in the early 1970s. Folk-rock reached its peak of commercial popularity in the period 1967–68, before many acts moved off in

19738-606: Was taking place globally in the aftermath of the Second World War . Cliff Richard is credited with one of the first rock and roll hits outside of North America with " Move It " (1959), effectively ushering in the sound of British rock . Several artists, most prominently Tommy Steele from the UK, found success with covers of major American rock and roll hits before the recordings could spread internationally, often translating them into local languages where appropriate. Steele in particular toured Britain, Scandinavia, Australia,

19880-493: Was the first commercially successful folk song to be recorded with rock and roll instrumentation and the Beatles " I'm a Loser " (1964), arguably the first Beatles song to be influenced directly by Dylan. The folk rock movement is usually thought to have taken off with the Byrds ' recording of Dylan's " Mr. Tambourine Man " which topped the charts in 1965. With members who had been part of the café-based folk scene in Los Angeles,

20022-430: Was the major force in American record sales and crooners , such as Eddie Fisher , Perry Como , and Patti Page , who had dominated the previous decade of popular music, found their access to the pop charts significantly curtailed. Rock and roll has been seen as leading to a number of distinct subgenres, including rockabilly, combining rock and roll with "hillbilly" country music, which was usually played and recorded in

20164-450: Was the most popular genre of music in the U.S. and much of the Western world from the 1950s to the 2010s. Rock musicians in the mid-1960s began to advance the album ahead of the single as the dominant form of recorded music expression and consumption, with the Beatles at the forefront of this development. Their contributions lent the genre a cultural legitimacy in the mainstream and initiated

#505494