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37-434: Desperate Living is a 1977 American black comedy film directed, produced, and written by John Waters . The film stars Liz Renay , Mink Stole , Susan Lowe , Edith Massey , Mary Vivian Pearce , and Jean Hill . It is the third installment of what Waters has labeled the "Trash Trilogy", which also includes Pink Flamingos (1972) and Female Trouble (1974), and the only one to not feature Divine . The film generated

74-449: A cult following around Renay, who appeared in at least two dozen other films. Following the murder of her husband, a suburban housewife and her maid agree to be exiled to Mortville, a shantytown ruled by a tyrannical queen regnant . Neurotic and delusional suburban housewife Peggy Gravel and her overweight maid, Grizelda Brown, go on the lam after Grizelda smothers Peggy's husband Bosley to death. A cross-dressing policeman arrests

111-405: A comic manner. Comedians like Lenny Bruce , who since the late 1950s have been labeled as using " sick comedy " by mainstream journalists, have also been labeled with "black comedy". Sigmund Freud , in his 1927 essay Humour ( Der Humor ), although not mentioning 'black humour' specifically, cites a literal instance of gallows humour before going on to write: "The ego refuses to be distressed by

148-450: A far ridere su un argomento talmente drammatico di cui si ride perché non c'è altra soluzione possibile, si ha quella che nei cabaret di Berlino degli Anni '20 veniva chiamata la "risata verde". È opportuno distinguere una satira ironica, che lavora per sottrazione, da una satira grottesca, che lavora per addizione. Questo secondo tipo di satira genera più spesso la risata verde. Ne erano maestri Kraus e Valentin. David Lochary Lochary

185-582: A garbage collector named Herbert, whom Queen Carlotta's guards later shoot to death. Coo-Coo hides in Peggy and Grizelda's house with her dead lover. When Peggy betrays Coo-Coo to the Queen's guards, Grizelda fights them and dies when the house collapses on her. Peggy, however, joins the queen in terrorizing her subjects, even infecting them (and Princess Coo-Coo) with rabies . Eventually, Mortville's denizens, led by Mole, overthrow Queen Carlotta and execute Peggy by shooting

222-424: A genre in which dark humor is a core component. Cartoonist Charles Addams was famous for such humor, e.g. depicting a boy decorating his bedroom with stolen warning signs including "NO DIVING – POOL EMPTY", "STOP – BRIDGE OUT" and "SPRING CONDEMNED." Black comedy differs from both blue comedy —which focuses more on crude topics such as nudity , sex , and body fluids —and from straightforward obscenity . Whereas

259-526: A gun up her anus. To celebrate their freedom, the townsfolk roast Carlotta on a spit and serve her, pig-like, on a platter with an apple in her mouth. Art director Vincent Peranio built the exterior sets for Mortville on a 26-acre farm in Hampstead, Maryland , owned by Waters' friend, Peter Koper . The exterior sets were largely constructed of plywood and rubbish Peranio and Waters had collected from around Baltimore. Production manager Robert Maier recalled

296-484: A lottery ticket from Peggy, Mole wins the Maryland Lottery and uses the money to obtain gender reassignment surgery at Johns Hopkins Hospital . However, Muffy is repulsed by Mole's phalloplasty and insists he cut it off, so Mole gives himself a penectomy . Most of Mortville's social outcasts—criminals, nudists , and sexual deviants—conspire to overthrow Queen Carlotta, who banishes Coo-Coo after she elopes with

333-616: A man who grasped things by reason and never by feeling, and who enclosed himself in skepticism; [...] Swift can rightfully be considered the inventor of "savage" or "gallows" humor. Des termes parents du Galgenhumor sont: : comédie noire, plaisanterie macabre, rire jaune. (J'en offre un autre: gibêtises). humour macabre, humeur de désespéré, (action de) rire jaune Galgenhumor propos guilleret etwas freie, gewagte Äußerung Walter Redfern, discussing puns about death, remarks: 'Related terms to gallows humour are: black comedy, sick humour, rire jaune. In all, pain and pleasure are mixed, perhaps

370-1304: A spese di chi è più ricco e potente di te. Io sono specialista nella risata verde, quella dei cabaret di Berlino degli anni Venti e Trenta. Nasce dalla disperazione. Esempio: l'Italia è un paese dove la commissione di vigilanza parlamentare Rai si comporta come la commissione stragi e viceversa. Oppure: il mistero di Ustica è irrisolto? Sono contento: il sistema funziona. racconto di satira grottesca [...] L'obiettivo del grottesco è far percepire l'orrore di una vicenda. Non è la satira cui siamo abituati in Italia: la si ritrova nel cabaret degli anni '20 e '30, poi è stata cancellata dal carico di sofferenze della guerra. Aggiungo che io avevo spiegato in apertura di serata che ci sarebbero stati momenti di satira molto diversi. Satira ironica, che fa ridere, e satira grottesca, che può far male. Perché porta alla risata della disperazione, dell'impotenza. La risata verde. Era forte, perché coinvolgeva in un colpo solo tutti i cardini satirici: politica, religione, sesso e morte. Quello che ho fatto è stato accentuare l'interazione tra gli elementi. Non era di buon gusto? Rabelais e Swift, che hanno esplorato questi lati oscuri della nostra personalità, non si sono mai posti il problema del buon gusto. Quando la satira poi riesce

407-401: Is a style of comedy that makes light of subject matter that is generally considered taboo , particularly subjects that are normally considered serious or painful to discuss. Writers and comedians often use it as a tool for exploring vulgar issues by provoking discomfort, serious thought, and amusement for their audience. Thus, in fiction , for example, the term black comedy can also refer to

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444-620: Is an acknowledged coping mechanism. It has been encouraged within these professions to make note of the context in which these jokes are told, as outsiders may not react the way that those with mutual knowledge do. A 2017 study published in the journal Cognitive Processing concludes that people who appreciate dark humor "may have higher IQs, show lower aggression, and resist negative feelings more effectively than people who turn up their noses at it." Examples of black comedy in film include: Examples of black comedy in television include: Examples of gallows speeches include: Military life

481-429: Is full of gallows humor, as those in the services continuously live in the danger of being killed, especially in wartime. For example: Workers in the emergency services are also known for using black comedy: There are several titles such as It Only Hurts When I Laugh and Only When I Laugh , which allude to the punch line of a joke which exists in numerous versions since at least the 19th century. A typical setup

518-439: Is that someone badly hurt is asked "Does it hurt?" – "I am fine; it only hurts when I laugh." The term was part of the language before Freud wrote an essay on it—'gallows humor.' This is middle European humor, a response to hopeless situations. It's what a man says faced with a perfectly hopeless situation and he still manages to say something funny. Freud gives examples: A man being led out to be hanged at dawn says, 'Well,

555-594: The French humour noir ) was coined by the Surrealist theorist André Breton in 1935 while interpreting the writings of Jonathan Swift . Breton's preference was to identify some of Swift's writings as a subgenre of comedy and satire in which laughter arises from cynicism and skepticism , often relying on topics such as death. Breton coined the term for his 1940 book Anthology of Black Humor ( Anthologie de l'humour noir ), in which he credited Jonathan Swift as

592-501: The challenges of shooting without adequate facilities, how the cast and crew overwhelmed the farm's septic system, how heavy rains nearly washed away the set, and how "charmed" Waters seemed through it all. The Mortville interiors were filmed in a 5000-sq-ft, second-story loft in a rented warehouse located in Fells Point, Baltimore . The space was unheated, noisy, and poorly suited for film production according to Maier. Desperate Living

629-445: The comedy is used to mock the victim. In the last cases, the victim's suffering is trivialized, which leads to sympathizing with the victimizer, as analogously found in the social commentary and social criticism of the writings of (for instance) Sade . Among the first American writers who employed black comedy in their works were Nathanael West and Vladimir Nabokov . The concept of black humor first came to nationwide attention after

666-499: The day is certainly starting well.' It's generally called Jewish humor in this country. Actually it's humor from the peasants' revolt, the forty years' war, and from the Napoleonic wars. It's small people being pushed this way and that way, enormous armies and plagues and so forth, and still hanging on in the face of hopelessness. Jewish jokes are middle European jokes and the black humorists are gallows humorists, as they try to be funny in

703-890: The definitive recipe for all punning' (Puns, p. 127). En français on dit « rire jaune », en flamand « groen lachen » Les termes jaune, vert, bleu évoquent en français un certain nombre d'idées qui sont différentes de celles que suscitent les mots holandais correspondants geel, groen, blauw. Nous disons : rire jaune, le Hollandais dit : rire vert ( groen lachen ); ce que le Néerlandais appelle un vert (een groentje), c'est ce qu'en français on désigne du nom de bleu (un jeune soldat inexpéribenté)... On voit que des confrontations de ce genre permettent de concevoir une étude de la psychologie des peuples fondée sur les associations d'idées que révèlent les variations de sens (sémantique), les expressions figurées, les proverbes et les dictions. Q: Critiche feroci, interrogazioni parlamentari: momenti duri per la satira. A: Satira è far ridere

740-399: The face of situations which they see as just horrible. At least, Swift's text is preserved, and so is a prefatory note by the French writer André Breton, which emphasizes Swift's importance as the originator of black humor, of laughter that arises from cynicism and scepticism. When it comes to black humor, everything designates him as the true initiator. In fact, it is impossible to coordinate

777-550: The film after 10 minutes. Otherwise, Playboy enjoyed the film, stating it had to be "seen to be believed". David Chute of The Boston Phoenix said of the film: "In Desperate Living , Waters comes close to creating a work of true trash art." On the review aggregator website Rotten Tomatoes , the film holds an approval rating of 70% based on 10 reviews, with an average rating of 5.9/10. Black comedy Black comedy , also known as black humor , bleak comedy , dark comedy , dark humor , gallows humor or morbid humor ,

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814-540: The fugitive traces of this kind of humor before him, not even in Heraclitus and the Cynics or in the works of Elizabethan dramatic poets. [...] historically justify his being presented as the first black humorist. Contrary to what Voltaire might have said, Swift was in no sense a "perfected Rabelais." He shared to the smallest possible degree Rabelais's taste for innocent, heavy-handed jokes and his constant drunken good humor. [...]

851-509: The influence of the drug. Waters had received a copy of Liz Renay's autobiography My Face for the World to See and wanted to offer her a role in the film. He went to see Renay in a burlesque show in Boston, then traveled to Los Angeles to offer her the role of Muffy St. Jacques. He offered her only a brief outline of the story, withholding some of the more graphic details for fear that she might refuse

888-439: The joke: whether the joke is being told by the threatened person themselves or by someone else. Black comedy has the social effect of strengthening the morale of the oppressed and undermines the morale of the oppressors. According to Wylie Sypher , "to be able to laugh at evil and error means we have surmounted them." Black comedy is a natural human instinct and examples of it can be found in stories from antiquity. Its use

925-450: The originator of black humor and gallows humor (particularly in his pieces Directions to Servants (1731), A Modest Proposal (1729), Meditation Upon a Broomstick (1710), and in a few aphorisms ). In his book, Breton also included excerpts from 45 other writers, including both examples in which the wit arises from a victim with which the audience empathizes, as is more typical in the tradition of gallows humor, and examples in which

962-409: The pair and gives them an ultimatum: go to jail or be exiled to Mortville, a filthy shantytown ruled by the evil Queen Carlotta and her treasonous daughter, Princess Coo-Coo. Peggy and Grizelda choose Mortville, and engage in lesbian prison sex . They become associates of self-hating lesbian wrestler Mole McHenry, who wants a sex change to please her lover, Muffy St. Jacques. After confiscating

999-691: The particular type of laughter that it arouses ( risata verde or groen lachen ), and said that grotesque satire , as opposed to ironic satire, is the one that most often arouses this kind of laughter. In the Weimar era Kabaretts , this genre was particularly common, and according to Luttazzi, Karl Valentin and Karl Kraus were the major masters of it. Black comedy is common in professions and environments where workers routinely have to deal with dark subject matter. This includes police officers , firefighters , ambulance crews, military personnel, journalists, lawyers, and funeral directors , where it

1036-399: The provocations of reality, to let itself be compelled to suffer. It insists that it cannot be affected by the traumas of the external world; it shows, in fact, that such traumas are no more than occasions for it to gain pleasure." Some other sociologists elaborated this concept further. At the same time, Paul Lewis warns that this "relieving" aspect of gallows jokes depends on the context of

1073-476: The publication of a 1965 mass-market paperback titled Black Humor , edited by Bruce Jay Friedman . The paperback was one of the first American anthologies devoted to the concept of black humor as a literary genre. With the paperback, Friedman labeled as "black humorists" a variety of authors, such as J. P. Donleavy , Edward Albee , Joseph Heller , Thomas Pynchon , John Barth , Vladimir Nabokov, Bruce Jay Friedman himself, and Louis-Ferdinand Céline . Among

1110-504: The recent writers suggested as black humorists by journalists and literary critics are Roald Dahl , Kurt Vonnegut , Warren Zevon , Christopher Durang , Philip Roth , and Veikko Huovinen . Evelyn Waugh has been called "the first contemporary writer to produce the sustained black comic novel." The motive for applying the label black humorist to the writers cited above is that they have written novels, poems, stories, plays, and songs in which profound or horrific events were portrayed in

1147-451: The role. Renay accepted the offer and flew to Baltimore for three weeks of shooting (which was, reportedly, all that the production could afford to pay Renay for her services). As with Waters' previous films, the premiere was held in the auditorium of the University of Baltimore . A brief controversy arose when lesbian groups attacked the film for its depiction of lesbianism, and for taking

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1184-454: The term black comedy is a relatively broad term covering humour relating to many serious subjects, gallows humor tends to be used more specifically in relation to death, or situations that are reminiscent of dying. Black humour can occasionally be related to the grotesque genre. Literary critics have associated black comedy and black humour with authors as early as the ancient Greeks with Aristophanes . The term black humour (from

1221-511: The title of a defunct prolesbian magazine. New Line Cinema blew the film up from 16 to 35 mm and opened it at midnight in Manhattan , though the original poster (featuring a cooked rat on a plate) was rejected by The New York Times to run, forcing a new poster to be created three days before the opening. The new poster featured Liz Renay in a screaming pose, fashioned from a production still. Critics from Good Housekeeping walked out of

1258-472: Was chosen to take over for the role of Mole McHenry. This was also Waters' first film without David Lochary , because of Lochary's addiction to drugs. Waters said, "The reason that David wasn't in Desperate Living is because of PCP . That's all that's to it. I know that's why he wasn't in the film, and he knows it, too." Lochary died a few weeks after the film's release, when he injured himself while under

1295-628: Was edited for 10 weeks in the basement of editor Charles Roggero's home. It was Waters' first film with original music, by Chris Lobingier and Allen Yanus, to provide a "cheesy Doctor Zhivago -type score". Desperate Living is the only feature film Waters made without Divine prior to the actor's death in 1988. Divine had to reluctantly back away from the film because he was committed to appearing in Women Behind Bars . Susan Lowe , who had appeared in small or supporting roles in Waters' previous films,

1332-516: Was the son of Dean and Mary Eileen (nee McMahan) Lochary; his mother Mary was featured in two of Waters' films: Multiple Maniacs and Female Trouble . Donald Lochary, David's elder brother, died in July 2019; he also played a small, uncredited role in Female Trouble . Lochary was gay; in the '70s, he dated singer John Condon. According to Robert Maier, Lochary moved from Baltimore to New York in

1369-648: Was widespread in middle Europe , from where it was imported to the United States. It is rendered with the German expression Galgenhumor (cynical last words before getting hanged ). The concept of gallows humor is comparable to the French expression rire jaune (lit. yellow laughing ), which also has a Germanic equivalent in the Belgian Dutch expression groen lachen (lit. green laughing ). Italian comedian Daniele Luttazzi discussed gallows humour focusing on

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