Giovanni della Casa (28 June 1503 – 14 November 1556) was an Italian poet, diplomat, clergyman and inquisitor, and writer on etiquette and society. He is celebrated for his famous treatise on polite behavior, Il Galateo overo de’ costumi (1558). From the time of its publication, this courtesy book has enjoyed enormous success and influence. In the eighteenth century, influential critic Giuseppe Baretti wrote in The Italian Library (1757), "The little treatise is looked upon by many Italians as the most elegant thing, as to stile, that we have in our language."
44-405: Della Casa is a surname. Notable people with the surname include: Giovanni della Casa (1503–1556), Italian poet Lisa Della Casa (1919–2012), Swiss soprano Roberto Della Casa (born 1942), Italian actor Della Casa Appa (1889–1963), one of the first significant Zuni women jewelers [REDACTED] Surname list This page lists people with
88-492: A Carminum Liber , Vettori also included Life of Caspar Contarini , De officiis , and translations from Thucydides , Plato and Aristotle . A complete edition of his works was published at Florence in 1707, to which is prefixed a life by Casotti . In his role as papal legate to Venice, he "was also the inquisitor who had Baldo Lupetino arrested, and who also eventually wiped out the large Lutheran community in Venice". He
132-518: A fictitious relationship between a knight and his high-born lady". Initially imitating the lyrics of the French troubadours and trouvères, minnesang soon established a distinctive tradition. There was also a large body of medieval Galician-Portuguese lyric . Hebrew singer-poets of the Middle Ages included Yehuda Halevi , Solomon ibn Gabirol , and Abraham ibn Ezra . In Italy, Petrarch developed
176-517: A long for release, peace, and even death. The combination of this troubled content and the sublime style made Della Casa’s fewer than eighty lyrics the best of the sixteenth century." (Wayne Rebhorn). In his retirement, he also wrote Carminum Liber , a collection of various odes and epistles in the style of Horace which makes artful use of classical models, including Horace , Catullus , Virgil , Euripides , and Propertius . His skills in rhetoric and diplomacy were instrumental in securing Della Casa
220-404: A poem written so that it could be set to music—whether or not it actually was. A poem's particular structure, function, or theme might all vary. The lyric poetry of Europe in this period was created by the pioneers of courtly poetry and courtly love largely without reference to the classical past. The troubadors , travelling composers and performers of songs, began to flourish towards the end of
264-406: A precise technical meaning: Verse that was accompanied by a lyre , cithara , or barbitos . Because such works were typically sung, it was also known as melic poetry. The lyric or melic poet was distinguished from the writer of plays (although Athenian drama included choral odes, in lyric form), the writer of trochaic and iambic verses (which were recited), the writer of elegies (accompanied by
308-587: A rise of lyric poetry during the 18th and early 19th centuries. The Swedish "Phosphorists" were influenced by the Romantic movement and their chief poet Per Daniel Amadeus Atterbom produced many lyric poems. Italian lyric poets of the period include Ugo Foscolo , Giacomo Leopardi , Giovanni Pascoli , and Gabriele D'Annunzio . Spanish lyric poets include Gustavo Adolfo Bécquer , Rosalía de Castro , and José de Espronceda . Japanese lyric poets include Taneda Santoka , Masaoka Shiki , and Ishikawa Takuboku . In
352-883: A series of posts at the Vatican, positions of high esteem at the time. His Latin writing style was on display in letters and political documents, as well as in two orations directed to the Republic of Venice and Carlo V. During his stay in Venice, he wrote the treatise Quaestio lepidissima: an uxor sit ducenda , in which he questioned the value of marriage. He wrote a biography of Bembo, admiring his friend’s ability to write equally well in Latin and Italian, in prose and verse, rare talents he likewise possessed. His Latina Monumenta were edited by Piero Vettori and published by Bernardo di Giunta (fl. 1518–1550) in Florence (1564). Vettori gave pride of place to
396-461: Is also credited as the first person to use the phrase ragion di Stato , or " national interest ," in his Oration to Carlo V in 1549. The Abbey of Nervesa near Treviso, where it is thought Della Casa wrote Galateo , was bombed and today is in ruins. The villa of Monsignor Della Casa is today a luxury resort. Lyric poetry Modern lyric poetry is a formal type of poetry which expresses personal emotions or feelings, typically spoken in
440-598: Is different from Wikidata All set index articles Giovanni della Casa Della Casa was born into a wealthy Florentine family near Borgo San Lorenzo in Mugello at Villa La Casa which can be visited. His early education took place in Bologna , his native Florence , and Padua , under the guidance of such distinguished men of letters as Ubaldino Bandinelli and Ludovico Beccadelli. An important year in Della Casa's life
484-447: Is in many ways both the culmination of medieval courtly love poetry and the beginning of Renaissance love lyric. A bhajan or kirtan is a Hindu devotional song . Bhajans are often simple songs in lyrical language expressing emotions of love for the Divine . Notable authors include Kabir , Surdas , and Tulsidas . Chinese Sanqu poetry was a Chinese poetic genre popular from
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#1733085522211528-596: Is love. Notable authors include Hafiz , Amir Khusro , Auhadi of Maragheh , Alisher Navoi , Obeid e zakani , Khaqani Shirvani , Anvari , Farid al-Din Attar , Omar Khayyam , and Rudaki . The ghazal was introduced to European poetry in the early 19th century by the Germans Schlegel , Von Hammer-Purgstall , and Goethe , who called Hafiz his "twin". Lyric in European literature of the medieval or Renaissance period means
572-418: Is required for song lyrics in order to match lyrics with interchangeable tunes that followed a standard pattern of rhythm. Although much modern lyric poetry is no longer song lyrics, the rhythmic forms have persisted without the music. The most common meters are as follows: Some forms have a combination of meters, often using a different meter for the refrain . For the ancient Greeks , lyric poetry had
616-461: Is unlikely, Della Casa notes, one should not take such risks. Instead, one must constantly attend to appearance, speech, and conduct so as to give no offense but also to convey a graceful reserve and intelligence. Many of the restrictions in Galateo continue to be useful today. Casa is chiefly remarkable as the leader of a reaction in lyric poetry against the universal imitation of Petrarch , and as
660-524: The Black Mountain movement with Robert Creeley , Organic Verse represented by Denise Levertov , Projective verse or "open field" composition as represented by Charles Olson , and also Language Poetry which aimed for extreme minimalism along with numerous other experimental verse movements throughout the remainder of the 20th century, up into today where these questions of what constitutes poetry, lyrical or otherwise, are still being discussed but now in
704-456: The sonnet form pioneered by Giacomo da Lentini and Dante 's Vita Nuova . In 1327, according to the poet, the sight of a woman called Laura in the church of Sainte-Claire d'Avignon awoke in him a lasting passion, celebrated in the Rime sparse ("Scattered rhymes"). Later, Renaissance poets who copied Petrarch's style named this collection of 366 poems Il Canzoniere ("The Song Book"). Laura
748-489: The sonnet . In France, La Pléiade , a group including Pierre de Ronsard , Joachim du Bellay , and Jean-Antoine de Baïf , aimed to break with earlier traditions of French poetry, particularly Marot and the grands rhétoriqueurs , and began imitating classical Greek and Roman forms such as the ode . Favorite poets of the school were Pindar , Anacreon , Alcaeus , Horace , and Ovid . They also produced Petrarchan sonnet cycles . Spanish devotional poetry adapted
792-416: The surname Della Casa . If an internal link intending to refer to a specific person led you to this page, you may wish to change that link by adding the person's given name (s) to the link. Retrieved from " https://en.wikipedia.org/w/index.php?title=Della_Casa&oldid=911481663 " Category : Surnames Hidden categories: Articles with short description Short description
836-427: The 11th century and were often imitated in successive centuries. Trouvères were poet-composers who were roughly contemporary with and influenced by the troubadours but who composed their works in the northern dialects of France . The first known trouvère was Chrétien de Troyes ( fl. 1160s–80s). The dominant form of German lyric poetry in the period was the minnesang , "a love lyric based essentially on
880-471: The 12th-century Jin Dynasty through to the early Ming . Early 14th century playwrights like Ma Zhiyuan and Guan Hanqing were well-established writers of Sanqu. Against the usual tradition of using Classical Chinese , this poetry was composed in the vernacular. In 16th-century Britain, Thomas Campion wrote lute songs and Sir Philip Sidney , Edmund Spenser , and William Shakespeare popularized
924-551: The 19th century and came to be seen as synonymous with poetry. Romantic lyric poetry consisted of first-person accounts of the thoughts and feelings of a specific moment; the feelings were extreme but personal. The traditional sonnet was revived in Britain, with William Wordsworth writing more sonnets than any other British poet. Other important Romantic lyric writers of the period include Samuel Taylor Coleridge , John Keats , Percy Bysshe Shelley , and Lord Byron . Later in
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#1733085522211968-614: The Abbey of Nervesa near Treviso. He died a year later, probably in the Farnese palace in Rome, and is buried in the Church of Sant'Andrea della Valle , Rome. His most famous work, and the most celebrated etiquette book in European history, Galateo proposes a series of rules and restrictions that consent one to live a life of simple dignity and harmony. In a style that is colloquial and lively, Della Casa (in
1012-519: The American New Criticism returned to the lyric, advocating a poetry that made conventional use of rhyme, meter, and stanzas, and was modestly personal in the lyric tradition. Lyric poetry dealing with relationships, sex, and domestic life constituted the new mainstream of American poetry in the middle of the 20th century, following such movements as the confessional poets of the 1950s and 1960s, who included Sylvia Plath and Anne Sexton .
1056-569: The German Romantic revival of the folk-song tradition initiated by Goethe , Herder , and Arnim and Brentano 's Des Knaben Wunderhorn . France also saw a revival of the lyric voice during the 19th century. The lyric became the dominant mode of French poetry during this period. For Walter Benjamin , Charles Baudelaire was the last example of lyric poetry "successful on a mass scale" in Europe. In Russia , Aleksandr Pushkin exemplified
1100-537: The century, the Victorian lyric was more linguistically self-conscious and defensive than the Romantic forms had been. Such Victorian lyric poets include Alfred Lord Tennyson and Christina Rossetti . Lyric poetry was popular with the German reading public between 1830 and 1890, as shown in the number of poetry anthologies published in the period. According to Georg Lukács , the verse of Joseph von Eichendorff exemplified
1144-559: The earlier years of the 20th century rhymed lyric poetry, usually expressing the feelings of the poet, was the dominant poetic form in the United States, Europe, and the British colonies . The English Georgian poets and their contemporaries such as A. E. Housman , Walter de la Mare , and Edmund Blunden used the lyric form. The Bengali poet Rabindranath Tagore was praised by William Butler Yeats for his lyric poetry; Yeats compared him to
1188-401: The end of his life, he followed the model of Petrarch, composing some of the most intense lyrics of the sixteenth century. In his Rime, he chose love as his a main theme, along with sadness, disillusionment, and regret. His gravity and solemn style He wrote two sonnets of particular beauty, in which he looks at the vanity of life and to disappearing into nothingness after death. After the death of
1232-499: The first person. The term for both modern lyric poetry and modern song lyrics derives from a form of Ancient Greek literature , the Greek lyric , which was defined by its musical accompaniment, usually on a stringed instrument known as a kithara , a seven-stringed lyre (hence "lyric"). It is not equivalent to song lyrics, though song lyrics are often in the lyric mode, and it is also not equivalent to Ancient Greek lyric poetry, which
1276-403: The flute, rather than the lyre) and the writer of epic. The scholars of Hellenistic Alexandria created a canon of nine lyric poets deemed especially worthy of critical study. These archaic and classical musician-poets included Sappho , Alcaeus , Anacreon and Pindar . Archaic lyric was characterized by strophic composition and live musical performance. Some poets, like Pindar extended
1320-601: The forms, the lyric meters of the Greeks adapted to Latin. Catullus was influenced by both archaic and Hellenistic Greek verse and belonged to a group of Roman poets called the Neoteroi ("New Poets") who spurned epic poetry following the lead of Callimachus . Instead, they composed brief, highly polished poems in various thematic and metrical genres. The Roman love elegies of Tibullus , Propertius , and Ovid ( Amores , Heroides ), with their personal phrasing and feeling, may be
1364-563: The lyric for religious purposes. Notable examples were Teresa of Ávila , John of the Cross , Sor Juana Inés de la Cruz , Garcilaso de la Vega , Francisco de Medrano and Lope de Vega . Although better known for his epic Os Lusíadas , Luís de Camões is also considered the greatest Portuguese lyric poet of the period. In Japan, the naga-uta ("long song") was a lyric poem popular in this era. It alternated five and seven-syllable lines and ended with an extra seven-syllable line. Lyrical poetry
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1408-410: The metrical forms in odes to a triad, including strophe , antistrophe (metrically identical to the strophe) and epode (whose form does not match that of the strophe). Among the major surviving Roman poets of the classical period, only Catullus ( Carmina 11 , 17 , 30 , 34 , 51 , 61 ) and Horace ( Odes ) wrote lyric poetry, which was instead read or recited. What remained were
1452-509: The originator of a style, which, if less soft and elegant, was more nervous and majestic than that which it replaced. Della Casa began his literary career as a poet, writing licentious verse in the style of Berni. It was believed that his openly licentious poem, Capitoli del forno , his estrangement from the Medici regime in Florence, and the fact that the French court seemed to desire his elevation, prevented him from being selected cardinal. Toward
1496-425: The period include Johann Wolfgang von Goethe , Novalis , Friedrich Schiller , and Johann Heinrich Voß . Kobayashi Issa was a Japanese lyric poet during this period. In Diderot's Encyclopédie , Louis chevalier de Jaucourt described lyric poetry of the time as "a type of poetry totally devoted to sentiment; that's its substance, its essential object". In Europe, the lyric emerged as the principal poetic form of
1540-612: The period is Martin Opitz ; in Japan, this was the era of the noted haiku -writer Matsuo Bashō . In the 18th century, lyric poetry declined in England and France. The atmosphere of literary discussion in the English coffeehouses and French salons was not congenial to lyric poetry. Exceptions include the lyrics of Robert Burns , William Cowper , Thomas Gray , and Oliver Goldsmith . German lyric poets of
1584-471: The poet in 1558, his Rime would have a great success in literary circles of the time. His use of enjambement, a technique by which the eleven syllable line continues through to the next line, gave his verse a new musicality and power. Two sonnets of particular intensity are O dolce selva solitaria, amica and Questa vita mortal, che ‘n o ‘n due . "All of Della Casa’s poems express a fundamental anxiety and an inquietude about love or ambition, often coupled with
1628-507: The thematic ancestor of much medieval, Renaissance, Romantic, and modern lyric poetry, but these works were composed in elegiac couplets and so were not lyric poetry in the ancient sense. During China 's Warring States period , the Songs of Chu collected by Qu Yuan and Song Yu defined a new form of poetry that came from the exotic Yangtze Valley , far from the Wei and Yellow River homeland of
1672-467: The traditional four-character verses collected in the Book of Songs . The varying forms of the new Chu Ci provided more rhythm and greater latitude of expression. Originating in 10th century Persian , a ghazal is a poetic form consisting of couplets that share a rhyme and a refrain . Formally, it consists of a short lyric composed in a single meter with a single rhyme throughout. The subject
1716-422: The troubadour poets when the two met in 1912. The relevance and acceptability of the lyric in the modern age was, though, called into question by modernist poets such as Ezra Pound , T. S. Eliot , H.D. , and William Carlos Williams , who rejected the English lyric form of the 19th century, feeling that it relied too heavily on melodious language, rather than complexity of thought. After World War II,
1760-589: The voice of an old uncle) instructs his nephew on what to do, and what to avoid doing, in order to be considered appealing, sophisticated, and polite. He deals with a wide range of topics from fashion to conversation. The successful man must combine an exterior grace with a necessary social conformity. Anything that could give offense or reveal vulgar or crude thoughts should be avoided. For this reason, Della Casa advises caution, tact, and discretion at all times. Never should one sniff someone else's wine, for instance, as something might fall out of one's nose; even though this
1804-467: Was principally limited to song lyrics, or chanted verse. The term owes its importance in literary theory to the division developed by Aristotle among three broad categories of poetry: lyrical, dramatic , and epic . Lyric poetry is one of the earliest forms of literature. Much lyric poetry depends on regular meter based either on number of syllables or on stress – with two short syllables typically being exchangeable for one long syllable – which
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1848-471: Was 1526, which he spent at the villa of his family in Tuscany, reading and translating the Latin classics and, especially, the works of Cicero . Counseled by Alessandro Farnese , Della Casa eventually followed his friend Pietro Bembo in pursuing a prestigious career in the Church. He rose to become Archbishop of Benevento in 1544, and in the same year, Pope Paul III nominated him Papal nuncio to Venice. It
1892-474: Was in a palace on the Grand Canal that he encountered the poets, artists, and nobility of Venice. With the death of his protector Farnese and the election of Pope Giulio III , Della Casa left Rome and, disappointed at not having been elevated to Cardinal, retired to a reflective life of writing and reading. It is during this period – sometime between 1551 and 1555 – that he conceived and drafted his Galateo , in
1936-427: Was the dominant form of 17th century English poetry from John Donne to Andrew Marvell . The poems of this period were short. Rarely narrative, they tended towards intense expression. Other notable poets of the era include Ben Jonson , Robert Herrick , George Herbert , Aphra Behn , Thomas Carew , John Suckling , Richard Lovelace , John Milton , Richard Crashaw , and Henry Vaughan . A German lyric poet of
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