29-526: (Redirected from Dark Eyes ) Dark Eye ( s ) or The Dark Eye may refer to: Film, television, theater, and audio drama [ edit ] Dark Eyes (1935 film) , a 1935 French drama film Dark Eyes (play) , a 1943 play by Elena Miramova in collaboration with Eugenie Leontovich Dark Eyes (1951 film) ( Schwarze Augen ), a German film starring Cornell Borchers Dark Eyes (1987 film) , an Italian and Russian-language film Dark Eyes (TV series) ,
58-448: A 1988 compilation album by Danielle Dax See also [ edit ] Eye color Dark (disambiguation) All pages with titles containing Dark Eye All pages with titles containing Dark Eyes Black Eyes (disambiguation) Topics referred to by the same term [REDACTED] This disambiguation page lists articles associated with the title Dark Eye . If an internal link led you here, you may wish to change
87-456: A 1995 series pilot featuring Roy Dupuis Dark Eyes (audio drama) , a 2012 Doctor Who audio drama starring Paul McGann Games [ edit ] The Dark Eye (role-playing game) , a 1984 German role-playing system The Dark Eye (video game) , a 1995 horror computer game Dark Eyes (video game) , a 1999 Japanese multiplayer online role-playing game for Windows developed by Sega and Nextech The Dark Eye: Demonicon ,
116-538: A 2013 spinoff of the 1984 German fantasy-themed role-playing video game Literature [ edit ] Dark Eye: The Films of David Fincher (born 1962), 2003 book about David Fincher Dark Eye , a 2005 novel by William Bernhardt Music [ edit ] "Dark Eyes" (Russian song) , an 1843 song often performed in concerts of gypsy music "Dark Eyes" (Bob Dylan song) , from Empire Burlesque Dark Eyes (Tomasz Stańko album) , 2009 Dark Eyes (Half Moon Run album) , 2012 Dark Adapted Eye ,
145-462: A better understanding of the film. According to the taxonomy, combining the type with the genre does not create a separate genre. For instance, the "Horror Drama" is simply a dramatic horror film (as opposed to a comedic horror film). "Horror Drama" is not a genre separate from the horror genre or the drama type. Crime dramas explore themes of truth, justice, and freedom, and contain the fundamental dichotomy of "criminal vs. lawman". Crime films make
174-423: A broader range of moods . To these ends, a primary element in a drama is the occurrence of conflict —emotional, social, or otherwise—and its resolution in the course of the storyline. All forms of cinema or television that involve fictional stories are forms of drama in the broader sense if their storytelling is achieved by means of actors who represent ( mimesis ) characters . In this broader sense, drama
203-580: A live performance, it has also been used to describe the more high-brow and serious end of the dramatic output of radio . The Screenwriters Taxonomy contends that film genres are fundamentally based upon a film's atmosphere, character and story, and therefore the labels "drama" and "comedy" are too broad to be considered a genre. Instead, the taxonomy contends that film dramas are a "Type" of film; listing at least ten different sub-types of film and television drama. Docudramas are dramatized adaptations of real-life events. While not always completely accurate,
232-685: A more central component of the story, along with serious content. Examples include Three Colours: White (1994), The Truman Show (1998), The Man Without a Past (2002), The Best Exotic Marigold Hotel (2011), and Silver Linings Playbook (2012). Coined by film professor Ken Dancyger , these stories exaggerate characters and situations to the point of becoming fable, legend or fairy tale. Examples: Fantastic Mr. Fox (2009) and Maleficent (2014). Light dramas are light-hearted stories that are, nevertheless, serious in nature. Examples: The Help (2011) and The Terminal (2004). Psychological dramas are dramas that focus on
261-633: A person's life and raises their level of importance. The "small things in life" feel as important to the protagonist (and the audience) as the climactic battle in an action film, or the final shootout in a western. Often, the protagonists deal with multiple, overlapping issues in the course of the film – just as we do in life. Films of this type/genre combination include: The Wrestler (2008), Fruitvale Station (2013), and Locke (2013). Romantic dramas are films with central themes that reinforce our beliefs about love (e.g.: themes such as "love at first sight", "love conquers all", or "there
290-457: A specific approach to drama but, rather, consider drama as a lack of comedic techniques. Examples: Ghost World (2001) and Wuthering Heights (2011). According to the Screenwriters' Taxonomy, all film descriptions should contain their type (comedy or drama) combined with one (or more) of the eleven super-genres. This combination does not create a separate genre, but rather, provides
319-412: Is a mode distinct from novels, short stories , and narrative poetry or songs . In the modern era, before the birth of cinema or television, "drama" within theatre was a type of play that was neither a comedy nor a tragedy . It is this narrower sense that the film and television industries, along with film studies , adopted. " Radio drama " has been used in both senses—originally transmitted in
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#1733085921634348-516: Is a 1935 French drama film directed by Viktor Tourjansky and starring Harry Baur , Simone Simon and Jean-Pierre Aumont . The film's sets were designed by the art director Eugène Lourié . This article related to a French film of the 1930s is a stub . You can help Misplaced Pages by expanding it . Drama film In film and television , drama is a category or genre of narrative fiction (or semi-fiction ) intended to be more serious than humorous in tone. The drama of this kind
377-526: Is a final fight to the death; the idea of the protagonists facing death is a central expectation in a war drama film. In a war film even though the enemy may out-number, or out-power, the hero, we assume that the enemy can be defeated if only the hero can figure out how. Examples include: Apocalypse Now (1979), Come and See (1985), Braveheart (1995), Life Is Beautiful (1997), Black Book (2006), The Hurt Locker (2008), 1944 (2015), Wildeye (2015), and 1917 (2019). Films in
406-421: Is someone out there for everyone"); the story typically revolves around characters falling into (and out of, and back into) love. Annie Hall (1977), The Notebook (2004), Carol (2015), Her (2013) , and La La Land (2016) are examples of romance dramas. The science fiction drama film is often the story of a protagonist (and their allies) facing something "unknown" that has the potential to change
435-422: Is usually qualified with additional terms that specify its particular super-genre, macro-genre, or micro-genre, such as soap opera , police crime drama , political drama , legal drama , historical drama , domestic drama , teen drama , and comedy-drama (dramedy). These terms tend to indicate a particular setting or subject matter, or they combine a drama's otherwise serious tone with elements that encourage
464-755: The western super-genre often take place in the American Southwest or Mexico, with a large number of scenes occurring outdoors so we can soak in scenic landscapes. Visceral expectations for the audience include fistfights, gunplay, and chase scenes. There is also the expectation of spectacular panoramic images of the countryside including sunsets, wide open landscapes, and endless deserts and sky. Examples of western dramas include: True Grit (1969) and its 2010 remake , Mad Max (1979), Unforgiven (1992), No Country for Old Men (2007), Django Unchained (2012), Hell or High Water (2016), and Logan (2017). Some film categories that use
493-489: The Apes (1968), A Clockwork Orange (1971), Blade Runner (1982) and its sequel Blade Runner 2049 (2017), Children of Men (2006), Interstellar (2014), and Arrival (2016). In the sports super-genre, characters will be playing sports. Thematically, the story is often one of "Our Team" versus "Their Team"; their team will always try to win, and our team will show the world that they deserve recognition or redemption;
522-407: The audience jump through a series of mental "hoops"; it is not uncommon for the crime drama to use verbal gymnastics to keep the audience and the protagonist on their toes. Examples of crime dramas include: The Godfather (1972), Chinatown (1974), Goodfellas (1990), The Usual Suspects (1995), The Big Short (2015), and Udta Punjab (2016). According to Eric R. Williams ,
551-533: The characters' inner life and psychological problems. Examples: Requiem for a Dream (2000), Oldboy (2003), Babel (2006), Whiplash (2014), and Anomalisa (2015) Satire can involve humor, but the result is typically sharp social commentary that is anything but funny. Satire often uses irony or exaggeration to expose faults in society or individuals that influence social ideology. Examples: Thank You for Smoking (2005) and Idiocracy (2006). Straight drama applies to those that do not attempt
580-473: The course of the film. Thematically, horror films often serve as morality tales, with the killer serving up violent penance for the victims' past sins. Metaphorically, these become battles of Good vs. Evil or Purity vs. Sin. Psycho (1960), Halloween (1978), The Shining (1980), The Conjuring (2013), It (2017), mother! (2017), and Hereditary (2018) are examples of horror drama films. Day-in-the-life films takes small events in
609-481: The family as a whole reacts to a central challenge. There are four micro-genres for the family drama: Family Bond , Family Feud , Family Loss , and Family Rift . A sub-type of drama films that uses plots that appeal to the heightened emotions of the audience. Melodramatic plots often deal with "crises of human emotion, failed romance or friendship, strained familial situations, tragedy, illness, neuroses, or emotional and physical hardship". Film critics sometimes use
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#1733085921634638-416: The future of humanity; this unknown may be represented by a villain with incomprehensible powers, a creature we do not understand, or a scientific scenario that threatens to change the world; the science fiction story forces the audience to consider the nature of human beings, the confines of time or space or the concepts of human existence in general. Examples include: Metropolis (1927), Planet of
667-717: The general facts are more-or-less true. The difference between a docudrama and a documentary is that in a documentary it uses real people to describe history or current events; in a docudrama it uses professionally trained actors to play the roles in the current event, that is "dramatized" a bit. Examples: Black Mass (2015) and Zodiac (2007). Unlike docudramas, docu-fictional films combine documentary and fiction, where actual footage or real events are intermingled with recreated scenes. Examples: Interior. Leather Bar (2013) and Your Name Here (2015). Many otherwise serious productions have humorous scenes and characters intended to provide comic relief . A comedy drama has humor as
696-416: The hallmark of fantasy drama films is "a sense of wonderment, typically played out in a visually intense world inhabited by mythic creatures, magic or superhuman characters. Props and costumes within these films often belie a sense of mythology and folklore – whether ancient, futuristic, or other-worldly. The costumes, as well as the exotic world, reflect the personal, inner struggles that the hero faces in
725-414: The link to point directly to the intended article. Retrieved from " https://en.wikipedia.org/w/index.php?title=Dark_Eye&oldid=1251997224 " Category : Disambiguation pages Hidden categories: Short description is different from Wikidata All article disambiguation pages All disambiguation pages Dark Eyes (1935 film) Dark Eyes (French: Les yeux noirs )
754-530: The story does not always have to involve a team. The story could also be about an individual athlete or the story could focus on an individual playing on a team. Examples of this genre/type include: The Hustler (1961), Hoosiers (1986), Remember the Titans (2000), and Moneyball (2011). War films typically tells the story of a small group of isolated individuals who – one by one – get killed (literally or metaphorically) by an outside force until there
783-514: The story." Examples of fantasy dramas include The Lord of the Rings (2001–2003), Pan's Labyrinth (2006), Where the Wild Things Are (2009), and Life of Pi (2012). Horror dramas often involve the central characters isolated from the rest of society. These characters are often teenagers or people in their early twenties (the genre's central audience) and are eventually killed off during
812-578: The term "pejoratively to connote an unrealistic, pathos-filled, camp tale of romance or domestic situations with stereotypical characters (often including a central female character) that would directly appeal to feminine audiences". Also called "women's movies", "weepies", tearjerkers, or "chick flicks". If they are targeted to a male audience, then they are called "guy cry" films. Often considered "soap-opera" drama. Focuses on religious characters, mystery play, beliefs, and respect. Character development based on themes involving criminals, law enforcement and
841-488: The word "comedy" or "drama" are not recognized by the Screenwriters Taxonomy as either a film genre or a film type. For instance, "Melodrama" and "Screwball Comedy" are considered Pathways, while "romantic comedy" and "family drama" are macro-genres. A macro-genre in the Screenwriters Taxonomy. These films tell a story in which many of the central characters are related. The story revolves around how
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