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130-400: Roscrea Castle is a 13th-century motte-and-bailey castle in the town of Roscrea , Ireland . The castle consists of a walled courtyard, gate block, and angled towers. Along with 18th century Damer House and gardens, the castle forms part of Roscrea Heritage Centre. The south-eastern tower is sometimes known as King John's Castle as its erection is attributed to John, King of England . While

260-555: A keep ); and at least one bailey (a fortified enclosure built next to the motte). The constructive elements themselves are ancient, but the term motte-and-bailey is a relatively modern one and is not medieval in origin. The word motte is the French version of the Latin mota , and in France, the word motte , generally used for a clump of turf , came to refer to a turf bank, and by the 12th century

390-482: A rusticated basement or ground floor, containing the service and minor rooms; above this, the piano nobile (noble level), accessed through a portico reached by a flight of external steps, containing the principal reception and bedrooms; and lastly a low mezzanine floor with secondary bedrooms and accommodation. The proportions of each room (for example, height and width) within the villa were calculated on simple mathematical ratios like 3:4 and 4:5. The arrangement of

520-482: A bridge, which, rising from the outer side of the moat and supported on posts as it ascends, reaches to the top of the mound". At Durham Castle , contemporaries described how the motte-and-bailey superstructure arose from the "tumulus of rising earth" with a keep rising "into thin air, strong within and without" with a "stalwart house ... glittering with beauty in every part". Mottes were made out of earth and flattened on top, and it can be very hard to determine whether

650-591: A consequence of the centralising of royal authority in the 12th century. David I encouraged Norman and French nobles to settle in Scotland, introducing a feudal mode of landholding and the use of castles as a way of controlling the contested lowlands. The quasi-independent polity of Galloway , which had resisted the rule of David and his predecessors, was a particular focus for this colonisation. The size of these Scottish castles, primarily wooden motte and bailey constructions, varied considerably, from larger designs such as

780-578: A continuing influence of Palladio's ideas on architects of the 20th century. In the 21st century Palladio's name regularly appears among the world's most influential architects. In England, Raymond Erith (1904–1973) drew on Palladian inspirations, and was followed in this by his pupil, subsequently partner, Quinlan Terry . Their work, and that of others, led the architectural historian John Martin Robinson to suggest that "the Quattro Libri continues as

910-453: A double loggia. Loggias were sometimes given significance in a façade by being surmounted by a pediment . Villa Godi 's focal point is a loggia rather than a portico, with loggias terminating each end of the main building. Palladio would often model his villa elevations on Roman temple façades. The temple influence, often in a cruciform design, later became a trademark of his work. Palladian villas are usually built with three floors:

1040-608: A façade, as at New Wardour Castle , or once at each end, as on the inner façade of Burlington House (true Palladian windows). Palladio's elaboration of this, normally used in a series, places a larger or giant order in between each window, and doubles the small columns supporting the side lintels, placing the second column behind rather than beside the first. This was introduced in the Biblioteca Marciana in Venice by Jacopo Sansovino (1537), and heavily adopted by Palladio in

1170-460: A keep, the main residence is a three-storey rectangular gate building to the north, complemented by two three-quarter round towers , one to the southwest and one to the southeast. The south-western tower, known as the Ormond Tower, contains a first floor room with a fireplace on the north wall and a 17th-century plasterwork coat of arms . The south-eastern tower, referred to as King John's Castle,

1300-646: A mere symbol, often closed, or merely hinted at in the design by pilasters, and sometimes in very late examples of English Palladianism adapted to become a porte-cochère ; in America, the Palladian portico regained its full glory. The White House in Washington, D.C., was inspired by Irish Palladianism. Its architect James Hoban , who built the executive mansion between 1792 and 1800, was born in Callan , County Kilkenny , in 1762,

1430-410: A more gentle incline. Where available, layers of different sorts of earth, such as clay, gravel and chalk , would be used alternatively to build in strength to the design. Layers of turf could also be added to stabilise the motte as it was built up, or a core of stones placed as the heart of the structure to provide strength. Similar issues applied to the defensive ditches, where designers found that

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1560-645: A mound is artificial or natural without excavation. Some were also built over older artificial structures, such as Bronze Age barrows . The size of mottes varied considerably, with these mounds being 3 metres to 30 metres in height (10–100 feet), and from 30 to 90 metres (100 to 300 ft) in diameter. This minimum height of 3 metres (10 feet) for mottes is usually intended to exclude smaller mounds which often had non-military purposes. In England and Wales, only 7% of mottes were taller than 10 metres (33 feet) high; 24% were between 10 and 5 metres (33 and 16 ft), and 69% were less than 5 metres (16 feet) tall. A motte

1690-405: A natural hill could be used, scarping could produce a motte without the need to create an artificial mound, but more commonly much of the motte would have to be constructed by hand. Four methods existed for building a mound and a tower: the mound could either be built first, and a tower placed on top of it; the tower could alternatively be built on the original ground surface and then buried within

1820-570: A range of different castle types as motta , however, and there may not have been as many genuine motte-and-bailey castles in southern Italy as was once thought on the basis of the documentary evidence alone. In addition, there is evidence of the Norman crusaders building a motte and bailey using sand and wood in Egypt in 1221 during the Fifth Crusade . Motte-and-bailey castles became a less popular design in

1950-475: A reaction against the Baroque in the early 18th century, fuelled by the publication of a number of architectural books, including Palladio's own I quattro libri dell'architettura ( The Four Books of Architecture ) and Colen Campbell 's Vitruvius Britannicus . Campbell's book included illustrations of Wanstead House , a building he designed on the outskirts of London and one of the largest and most influential of

2080-630: A similar transition occurred in the 13th and 14th centuries. One factor was the introduction of stone into castle buildings. The earliest stone castles had emerged in the 10th century, with stone keeps being built on mottes along the Catalonia frontier and several, including Château de Langeais , in Angers. Although wood was a more powerful defensive material than was once thought, stone became increasingly popular for military and symbolic reasons. Some existing motte-and-bailey castles were converted to stone, with

2210-664: A statesman, his passion was architecture, and he developed an intense appreciation of Palladio's architectural concepts; his designs for the James Barbour Barboursville estate, the Virginia State Capitol , and the University of Virginia campus were all based on illustrations from Palladio's book. Realising the political significance of ancient Roman architecture to the fledgling American Republic, Jefferson designed his civic buildings, such as The Rotunda , in

2340-532: A stronghold and bailey construction surrounded by water, and widely built in the late medieval period. In England, motte-and-bailey earthworks were put to various uses over later years; in some cases, mottes were turned into garden features in the 18th century, or reused as military defences during the Second World War . Today, almost no mottes of motte-and-bailey castles remain in regular use in Europe, with one of

2470-450: A trademark of Palladio's early career. There are two different versions of the motif : the simpler one is called a Venetian window , and the more elaborate a Palladian window or "Palladian motif", although this distinction is not always observed. The Venetian window has three parts: a central high round-arched opening, and two smaller rectangular openings to the sides. The side windows are topped by lintels and supported by columns. This

2600-475: Is a European architectural style derived from the work of the Venetian architect Andrea Palladio (1508–1580). What is today recognised as Palladian architecture evolved from his concepts of symmetry , perspective and the principles of formal classical architecture from ancient Greek and Roman traditions. In the 17th and 18th centuries, Palladio's interpretation of this classical architecture developed into

2730-641: Is a particularly western and northern European phenomenon, most numerous in France and Britain, but also seen in Denmark, Germany, Southern Italy and occasionally beyond. European castles first emerged between the Loire river and the Rhine in the 9th and 10th centuries, after the fall of the Carolingian Empire resulted in its territory being divided among individual lords and princes and local territories became threatened by

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2860-460: Is derived from the ancient Roman triumphal arch , and was first used outside Venice by Donato Bramante and later mentioned by Sebastiano Serlio (1475–1554) in his seven-volume architectural book Tutte l'opere d'architettura et prospetiva ( All the Works of Architecture and Perspective ) expounding the ideals of Vitruvius and Roman architecture. It can be used in series, but is often only used once in

2990-555: Is listed on the National Inventory of Architectural Heritage as being of special social, historical, archaeological, artistic and architectural interest. In 2012, artists Patricia Hurl and Therry Rudin established the Damer House Gallery. Motte-and-bailey castle A motte-and-bailey castle was made up of two structures: a motte (a type of mound – often artificial – topped with a wooden or stone structure known as

3120-661: Is often misused in modern discourse and tends to be used to describe buildings with any classical pretensions. There was a revival of a more serious Palladian approach in the 20th century when Colin Rowe , an influential architectural theorist, published his essay, The Mathematics of the Ideal Villa , (1947), in which he drew links between the compositional "rules" in Palladio's villas and Le Corbusier's villas at Poissy and Garches. Suzanne Walters' article The Two Faces of Modernism suggests

3250-442: Is small, has only three bays, while the temple-like portico is merely suggested, and is closed. Two great flanking wings containing a vast suite of state rooms replace the walls or colonnades which should have connected to the farm buildings; the farm buildings terminating the structure are elevated in height to match the central block and given Palladian windows , to ensure they are seen as of Palladian design. This development of

3380-402: Is taller, with 3 storeys. The original gate building is dated to around 1280 but the current stone structure was built by the 4th Earl of Ormond in the 15th century. The gate building is approximately 27 metres high and originally included a bascule bridge and portcullis . The entrance has a barrel vault ceiling. Below the gate tower is a basement prison which was accessible by trapdoor. In

3510-718: Is the Villa Pisani, and that for the first Monticello, the Villa Cornaro at Piombino Dese . Both are taken from Book II, Chapter XIV of I quattro libri dell'architettura . Jefferson later made substantial alterations to Monticello, known as the second Monticello (1802–1809), making the Hammond-Harwood House the only remaining house in North America modelled directly on a Palladian design. Jefferson referred to I quattro libri dell'architettura as his bible . Although

3640-510: Is the former Irish Houses of Parliament in Dublin. Christine Casey, in her 2005 volume Dublin , in the Pevsner Buildings of Ireland series, considers the building, "arguably the most accomplished public set-piece of the Palladian style in [Britain]". Pearce was a prolific architect who went on to design the southern façade of Drumcondra House in 1725 and Summerhill House in 1731, which

3770-552: The Angevins , it is argued, began to build them to protect against the Viking raids, and the design spread to deal with the attacks along the Slav and Hungarian frontiers. Another argument is that, given the links between this style of castle and the Norman style, who were of Viking descent, it was in fact originally a Viking design, transported to Normandy and Anjou . The motte-and-bailey castle

3900-513: The Basilica Palladiana in Vicenza, where it is used on both storeys; this feature was less often copied. The openings in this elaboration are not strictly windows, as they enclose a loggia. Pilasters might replace columns, as in other contexts. Sir John Summerson suggests that the omission of the doubled columns may be allowed, but the term "Palladian motif" should be confined to cases where

4030-602: The Bass of Inverurie to smaller castles like Balmaclellan . Motte-and-bailey castles were introduced to Ireland following the Norman invasion of Ireland that began between 1166 and 1171 under first Richard de Clare and then Henry II of England , with the occupation of southern and eastern Ireland by a number of Anglo-Norman barons. The rapid Norman success depended on key economic and military advantages; their cavalry enabled Norman successes in battles, and castles enabled them to control

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4160-588: The Buildings of Ireland series, suggests that, at Coole, Wyatt designed a building, "more massy, more masculine and more totally liberated from Palladian practice than anything he had done before." Because of its later development, Palladian architecture in Canada is rarer. In her 1984 study, Palladian Style in Canadian Architecture , Nathalie Clerk notes its particular impact on public architecture, as opposed to

4290-454: The Earl of Portarlington . It was used as a barracks from 1798, housing 350 soldiers, and later served as a school, library, and tuberculosis sanatorium . The castle fell into disrepair in the 19th century, with a roof collapse which necessitated extensive repairs in the 1850s. It was named a national monument in 1892 and is registered as National Monument number 211. The original wooden castle

4420-515: The Holy Roman Empire , which then spanned central Europe. They now typically took the form of an enclosure on a hilltop, or, on lower ground, a tall, free-standing tower (German Bergfried ). The largest castles had well-defined inner and outer courts, but no mottes. The motte-and-bailey design began to spread into Alsace and the northern Alps from France during the first half of the 11th century, spreading further into Bohemia and Austria in

4550-579: The Low Countries encouraged castle building in a number of regions from the late 12th century to the 14th century. In Flanders , the first motte and bailey castles began relatively early at the end of the 11th century. The rural motte-and-bailey castles followed the traditional design, but the urban castles often lacked the traditional baileys, using parts of the town to fulfil this role instead. Motte-and-bailey castles in Flanders were particularly numerous in

4680-461: The Whig Oligarchy who ruled Britain unchallenged for some fifty years after the death of Queen Anne . Summerson thought Kent's Horse Guards on Whitehall epitomised "the establishment of Palladianism as the official style of Great Britain". As the style peaked, thoughts of mathematical proportion were swept away. Rather than square houses with supporting wings, these buildings had the length of

4810-618: The castle in Norwich and 27 for the castle in Cambridge . The second and third waves of castle building in the late-11th century were led by the major magnates and then the more junior knights on their new estates. Some regional patterns in castle building can be seen – relatively few castles were built in East Anglia compared to the west of England or the Marches , for example; this was probably due to

4940-481: The keep and the gatehouse usually the first parts to be upgraded. Shell keeps were built on many mottes, circular stone shells running around the top of the motte, sometimes protected by a further chemise , or low protective wall, around the base. By the 14th century, a number of motte and bailey castles had been converted into powerful stone fortresses. Newer castle designs placed less emphasis on mottes. Square Norman keeps built in stone became popular following

5070-461: The original and the present Irish parliaments in Dublin occupy Palladian buildings. The Irish architect Sir Edward Lovett Pearce (1699–1733) became a leading advocate. He was a cousin of Sir John Vanbrugh, and originally one of his pupils. He rejected the Baroque style, and spent three years studying architecture in France and Italy before returning to Ireland. His most important Palladian work

5200-591: The terpen gave way to hege wieren , non-residential defensive towers, often on motte-like mounds, owned by the increasingly powerful nobles and landowners. On Zeeland the local lords had a high degree of independence during the 12th and 13th centuries, owing to the wider conflict for power between neighbouring Flanders and Friesland. The Zeeland lords had also built terpen mounds, but these gave way to larger werven constructions–effectively mottes–which were later termed bergen . Sometimes both terpen and werven are called vliedburg , or " refuge castles ". During

5330-452: The 12th and 13th centuries a number of terpen mounds were turned into werven mottes, and some new werven mottes were built from scratch. Around 323 known or probable motte and bailey castles of this design are believed to have been built within the borders of the modern Netherlands . In neighbouring Denmark, motte-and-bailey castles appeared somewhat later in the 12th and 13th centuries and in more limited numbers than elsewhere, due to

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5460-485: The 14th century to a castrum-curia model, where the castle was built with a fortified bailey and a fortified mound, somewhat smaller than the typical motte. By the 12th century, the castles in Western Germany began to thin in number, due to changes in land ownership, and various mottes were abandoned. In Germany and Denmark, motte-and-bailey castles also provided the model for the later wasserburg , or "water castle",

5590-424: The 17th century, a second floor living area was added to the building including a pointed groined vault, three bays, lancet windows , a garderobe , a chimney stack, a large hooded dog-tooth capital fireplace on the southern wall, and crow-stepped gables . The drawbridge was operated from this floor. A spiral staircase in the eastern corner of the building gives access to the upper floors. The slate roof dates from

5720-628: The 18th century. The building was further renovated in the 19th century. The courtyard includes buildings from the 18th century and some modern structures. The southern castle wall is no longer intact. Some examples of plaster decorations from the 1640s survive. In 1728, John Damer built a large Georgian house on the grounds of the castle. Designed in Queen Anne style , the three-storey-over-basement house features 9 bay windows and one of only 2 Queen Anne style staircases in Ireland. Although recognised as one of

5850-573: The Conqueror , as the Duke of Normandy , is believed to have adopted the motte-and-bailey design from neighbouring Anjou. Duke William went on to prohibit the building of castles without his consent through the Consuetudines et Justicie , with his legal definition of castles centring on the classic motte-and-bailey features of ditching, banking and palisading. By the 11th century, castles were built throughout

5980-756: The Houses of Parliament, and it appears in his executed designs for the north front of Holkham Hall . Another example is Claydon House , in Buckinghamshire ; the remaining fragment is one wing of what was intended to be one of two flanking wings to a vast Palladian house. The scheme was never completed and parts of what was built have since been demolished. During the 17th century, many architects studying in Italy learned of Palladio's work, and on returning home adopted his style, leading to its widespread use across Europe and North America. Isolated forms of Palladianism throughout

6110-551: The Magyars and the Norse. Against this background, various explanations have been put forward to explain the origins and spread of the motte-and-bailey design across western and northern Europe; there is often a tension among the academic community between explanations that stress military and social reasons for the rise of this design. One suggestion is that these castles were built particularly in order to protect against external attack –

6240-654: The Newport Brick Market, conceived a decade later, is also Palladian. Two colonial period houses that can be definitively attributed to designs from I quattro libri dell'architettura are the Hammond-Harwood House (1774) in Annapolis, Maryland , and Thomas Jefferson 's first Monticello (1770). Hammond-Harwood was designed by the architect William Buckland in 1773–1774 for the wealthy farmer Matthias Hammond of Anne Arundel County , Maryland. The design source

6370-680: The Palladian Rotunda Hospital in Dublin and Florence Court in County Fermanagh . Irish Palladian country houses often feature robust Rococo plasterwork – an Irish specialty which was frequently executed by the Lafranchini brothers and far more flamboyant than the interiors of their contemporaries in England. In the 20th century, during and following the Irish War of Independence and

6500-530: The Palladian revival ended by the close of the 18th century. In the 19th century, proponents of the Gothic Revival such as Augustus Pugin , remembering the origins of Palladianism in ancient temples, considered it pagan, and unsuited to Anglican and Anglo-Catholic worship. In North America, Palladianism lingered a little longer; Thomas Jefferson's floor plans and elevations owe a great deal to Palladio's I quattro libri dell'architettura. The term Palladian

6630-600: The Palladian style, echoing in his buildings for the new republic examples from the old . In Virginia and the Carolinas , the Palladian style is found in numerous plantation houses , such as Stratford Hall , Westover Plantation and Drayton Hall . Westover's north and south entrances, made of imported English Portland stone , were patterned after a plate in William Salmon's Palladio Londinensis (1734). The distinctive feature of Drayton Hall, its two-storey portico,

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6760-447: The South façade which closely resembles Wyatt's 1790 design for Castle Coole, suggests that Coole is perhaps the more direct progenitor . The architectural historian Gervase Jackson-Stops describes Castle Coole as "a culmination of the Palladian traditions, yet strictly neoclassical in its chaste ornament and noble austerity", while Alistair Rowan, in his 1979 volume, North West Ulster , of

6890-659: The adoption in his own country of the architectural style Burlington had introduced in England. By 1741, Georg Wenzeslaus von Knobelsdorff had already begun construction of the Berlin Opera House on the Unter den Linden , based on Campbell's Wanstead House . Palladianism was particularly adopted in areas under British colonial rule . Examples can be seen in the Indian subcontinent ; the Raj Bhavan, Kolkata (formerly Government House)

7020-562: The best-known castle design, they were not always the most numerous in any given area. A popular alternative was the ringwork castle, involving a palisade being built on top of a raised earth rampart , protected by a ditch. The choice of motte and bailey or ringwork was partially driven by terrain, as mottes were typically built on low ground, and on deeper clay and alluvial soils. Another factor may have been speed, as ringworks were faster to build than mottes. Some ringwork castles were later converted into motte-and-bailey designs, by filling in

7150-467: The building of motte-and-bailey castles in Normandy accelerated as well, resulting in a broad swath of these castles across the Norman territories, around 741 motte-and-bailey castles in England and Wales alone. Having become well established in Normandy, Germany and Britain, motte-and-bailey castles began to be adopted elsewhere, mainly in northern Europe, during the 12th and 13th centuries. Conflict through

7280-642: The castle was granted to the Butlers of Ormond who held it until the 18th century. In 1646, the castle and town were stormed by Owen Roe O'Neill during the Cromwellian conquest of Ireland . The castle fell to Cromwell in 1650 and was used for a short period by Cromwell's son-in-law Henry Ireton . In 1703, the castle was sold to the Royal Hospital Kilmainham by the Duke of Ormonde . It was purchased by local merchant John Damer in 1722 and later passed down to

7410-522: The centre of the ringwork to produce a flat-topped motte. The reasons for why this decision was taken are unclear; motte-and-bailey castles may have been felt to be more prestigious, or easier to defend; another theory is that like the terpen in the Netherlands, or Vorburg and Hauptburg in Lower Rhineland, raising the height of the castle was done to create a drier site. The motte-and-bailey castle

7540-516: The construction of a smaller design than that later seen on the sites concerned. Taking into account estimates of the likely available manpower during the period, historians estimate that the larger mottes might have taken between four and nine months to build. This contrasted favourably with stone keeps of the period, which typically took up to ten years to build. Very little skilled labour was required to build motte and bailey castles, which made them very attractive propositions if forced peasant labour

7670-565: The court of Charles I to survive the turmoil of the English Civil War . Following the Stuart restoration , Jones's Palladianism was eclipsed by the Baroque designs of such architects as William Talman , Sir John Vanbrugh , Nicholas Hawksmoor , and Jones's pupil John Webb . The Baroque style proved highly popular in continental Europe, but was often viewed with suspicion in England, where it

7800-502: The creation of local fiefdoms and feudal landowners, and areas without this method of governance rarely built these castles. Yet another theory suggests that the design emerged as a result of the pressures of space on ringworks and that the earliest motte-and-baileys were converted ringworks. Finally, there may be a link between the local geography and the building of motte-and-bailey castles, which are usually built on low-lying areas, in many cases subject to regular flooding. Regardless of

7930-530: The current stone castle was built after his death, there is evidence that John ordered a "motam et bretagium" (motte and tower) to be built on the site in 1213. At the time of construction the land was owned by the Bishop of Killaloe . Construction was overseen by the Justiciar , Henry of London , and formed part of John's efforts to solidify his conquest of Ireland, particularly the midlands and southern counties. In 1315,

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8060-432: The date for the first motte and bailey castle, at Vincy , back to 979. The castles were built by the more powerful lords of Anjou in the late 10th and 11th centuries, in particular Fulk III and his son, Geoffrey II , who built a great number of them between 987 and 1060. Many of these earliest castles would have appeared quite crude and rustic by later standards, belying the power and prestige of their builders. William

8190-496: The design of many modern buildings, while its inspirer is regularly cited as having been among the world's most influential architects. Andrea Palladio was born in Padua in 1508, the son of a stonemason . He was inspired by Roman buildings , the writings of Vitruvius (80 BC), and his immediate predecessors Donato Bramante and Raphael . Palladio aspired to an architectural style that used symmetry and proportion to emulate

8320-412: The different rooms within the house, and the external façades, were similarly determined. Earlier architects had used these formulas for balancing a single symmetrical façade; however, Palladio's designs related to the entire structure. Palladio set out his views in I quattro libri dell'architettura : "beauty will result from the form and correspondence of the whole, with respect to the several parts, of

8450-430: The early neo-Palladian houses. The movement's resurgence was championed by Richard Boyle, 3rd Earl of Burlington , whose buildings for himself, such as Chiswick House and Burlington House , became celebrated. Burlington sponsored the career of the artist, architect and landscaper William Kent , and their joint creation, Holkham Hall in Norfolk , has been described as "the most splendid Palladian house in England". By

8580-407: The engravings of buildings by Jones and Webb, "as an exemplar of what new architecture should be". On the strength of the book, Campbell was chosen as the architect for Henry Hoare I 's Stourhead house. Hoare's brother-in-law, William Benson , had designed Wilbury House , the earliest 18th-century Palladian house in Wiltshire, which Campbell had also illustrated in Vitruvius Britannicus . At

8710-465: The façade as their major consideration: long houses often only one room deep were deliberately deceitful in giving a false impression of size. During the Palladian revival period in Ireland, even modest mansions were cast in a neo-Palladian mould. Irish Palladian architecture subtly differs from the England style. While adhering as in other countries to the basic ideals of Palladio, it is often truer to them. In Ireland, Palladianism became political; both

8840-424: The few examples of pre- Palladian architecture in Ireland, Damer House was due to be demolished in the 1960s, with suggestions that it be replaced by a swimming pool or a bacon factory. It was eventually saved after a campaign by Desmond Guinness and the Irish Georgian Society , which took out a lease on the house in 1973. The house was restored initially by the Irish Georgian Society from 1980 to 1983 and opened to

8970-403: The few exceptions being that at Windsor Castle, converted for the storage of royal documents . Another example is Durham Castle in northern England, where the round tower is used for student accommodation . The landscape of northern Europe remains scattered with mottes and their earthworks, and many form popular tourist attractions. Palladian architecture Palladian architecture

9100-408: The first documentary evidence of a native Welsh castle being at Cymmer in 1116. These timber castles, including Tomen y Rhodywdd, Tomen y Faerdre , Gaer Penrhôs , were of equivalent quality to the equivalent Norman fortifications in the area, and it can prove difficult to distinguish the builders of some sites from the archaeological evidence alone. Motte-and-bailey castles in Scotland emerged as

9230-406: The first such construction in Langeais in 994. Several were built in England and Wales after the conquest; by 1216 there were around 100 in the country. These massive keeps could be either erected on top of settled, well-established mottes or could have mottes built around them – so-called "buried" keeps. The ability of mottes, especially newly built mottes, to support the heavier stone structures,

9360-436: The forefront of the new school of design was the "architect earl", Richard Boyle, 3rd Earl of Burlington , according to Dan Cruikshank the "man responsible for this curious elevation of Palladianism to the rank of a quasi-religion". In 1729 he and Kent designed Chiswick House . This house was a reinterpretation of Palladio's Villa Capra, but purified of 16th century elements and ornament. This severe lack of ornamentation

9490-583: The grandeur of classical buildings. His surviving buildings are in Venice , the Veneto region, and Vicenza , and include villas and churches such as the Basilica del Redentore in Venice. Palladio's architectural treatises follow the approach defined by Vitruvius and his 15th-century disciple Leon Battista Alberti , who adhered to principles of classical Roman architecture based on mathematical proportions rather than

9620-426: The higher peaks where mottes were unnecessary. In Flanders, a decline came in the 13th century as feudal society changed. In the Netherlands, cheap brick started to be used in castles from the 13th century onwards in place of earthworks, and many mottes were levelled, to help develop the surrounding, low-lying fields; these "levelled mottes" are a particularly Dutch phenomenon. In Denmark, motte and baileys gave way in

9750-455: The identification of these earthwork remains can be contentious. A small number of motte-and-bailey castles were built outside of northern Europe. In the late-12th century, the Normans invaded southern Italy and Sicily ; although they had the technology to build more modern designs, in many cases wooden motte-and-bailey castles were built instead for reasons of speed. The Italians came to refer to

9880-503: The larger order is present. Palladio used these elements extensively, for example in very simple form in his entrance to Villa Forni Cerato . It is perhaps this extensive use of the motif in the Veneto that has given the window its alternative name of the Venetian window. Whatever the name or the origin, this form of window has become one of the most enduring features of Palladio's work seen in

10010-525: The late 1720s, and added a Palladian doorcase derived from Kent's Designs of Inigo Jones (1727), which he may have brought with him from London. Palladio's work was included in the library of a thousand volumes amassed for Yale College . Peter Harrison 's 1749 designs for the Redwood Library in Newport , Rhode Island , borrow directly from Palladio's I quattro libri dell'architettura , while his plan for

10140-461: The late 18th century, particularly in the suburbs around London. Sir William Chambers built many examples, such as Parkstead House . But the grander English Palladian houses were no longer the small but exquisite weekend retreats that their Italian counterparts were intended as. They had become "power houses", in Sir John Summerson's words, the symbolic centres of the triumph and dominance of

10270-555: The later architectural styles evolved from Palladianism. According to James Lees-Milne , its first appearance in Britain was in the remodelled wings of Burlington House, London, where the immediate source was in the English court architect Inigo Jones 's designs for Whitehall Palace rather than drawn from Palladio himself. Lees-Milne describes the Burlington window as "the earliest example of

10400-543: The later periods. Larger mottes took disproportionately more effort to build than their smaller equivalents, because of the volumes of earth involved. The largest mottes in England, such as that of Thetford Castle , are estimated to have required up to 24,000 man-days of work; smaller ones required perhaps as little as 1,000. Contemporary accounts talk of some mottes being built in a matter of days, although these low figures have led to suggestions by historians that either these figures were an underestimate, or that they refer to

10530-428: The later works contained drawings and plans by Campbell and other 18th-century architects. These four books greatly contributed to Palladian architecture becoming established in 18th-century Britain. Campbell and Kent became the most fashionable and sought-after architects of the era. Campbell had placed his 1715 designs for the colossal Wanstead House near to the front of Vitruvius Britannicus , immediately following

10660-791: The less feudal society. Except for a handful of mote and bailey castles in Norway, built in the first half of the 11th century and including the royal residence in Oslo , the design did not play a role further north in Scandinavia. The Norman expansion into Wales slowed in the 12th century but remained an ongoing threat to the remaining native rulers. In response, the Welsh princes and lords began to build their own castles, frequently motte-and-bailey designs, usually in wood. There are indications that this may have begun from 1111 onwards under Prince Cadwgan ap Bleddyn , with

10790-498: The merits of the style, while Knobelsdorff 's opera house in Berlin on the Unter den Linden , begun in 1741, was based on Campbell's Wanstead House. Later in the century, when the style was losing favour in Europe, Palladianism had a surge in popularity throughout the British colonies in North America . Thomas Jefferson sought out Palladian examples, which themselves drew on buildings from

10920-576: The mid-medieval period. In France, they were not built after the start of the 12th century, and mottes ceased to be built in most of England after around 1170, although they continued to be erected in Wales and along the Marches. Many motte-and-bailey castles were occupied relatively briefly; in England, many had been abandoned or allowed to lapse into disrepair by the 12th century. In the Low Countries and Germany,

11050-496: The middle of that century, both were challenged and then superseded by the Gothic Revival in the English-speaking world, whose champions such as Augustus Pugin , remembering the origins of Palladianism in ancient temples, deemed the style too pagan for true Christian worship . In the 20th and 21st centuries, Palladianism has continued to evolve as an architectural style; its pediments , symmetry and proportions are evident in

11180-459: The middle of the century Palladianism had become almost the national architectural style, epitomised by Kent's Horse Guards at the centre of the nation's capital. The Palladian style was also widely used throughout Europe, often in response to English influences. In Prussia the critic and courtier Francesco Algarotti corresponded with Burlington about his efforts to persuade Frederick the Great of

11310-416: The more prestigious Höhenburgen built on high ground, but this is usually regarded as unlikely. In many cases, bergfrieds were converted into motte and bailey designs by burying existing castle towers within the mounds. In England, William invaded from Normandy in 1066, resulting in three phases of castle building in England, around 80% of which were in the motte-and-bailey pattern. The first of these

11440-442: The motte. Typically the ditch of the motte and the bailey joined, forming a figure of eight around the castle. Wherever possible, nearby streams and rivers would be dammed or diverted, creating water-filled moats, artificial lakes and other forms of water defences. In practice, there was a wide number of variations to this common design. A castle could have more than one bailey: at Warkworth Castle an inner and an outer bailey

11570-417: The mound; the tower could potentially be built on the original ground surface and then partially buried within the mound, the buried part forming a cellar beneath; or the tower could be built first, and the mound added later. Regardless of the sequencing, artificial mottes had to be built by piling up earth; this work was undertaken by hand, using wooden shovels and hand-barrows, possibly with picks as well in

11700-412: The movement's most able proponent; in his writings, Palladio's visual inheritance became increasingly codified and moved towards neoclassicism . The most influential follower of Palladio was Inigo Jones, who travelled throughout Italy with the art collector Earl of Arundel in 1613–1614, annotating his copy of Palladio's treatise. The "Palladianism" of Jones and his contemporaries and later followers

11830-407: The newly conquered territories. The new lords rapidly built castles to protect their possessions; most of these were motte-and-bailey constructions, many of them strongly defended. Unlike Wales, the indigenous Irish lords do not appear to have constructed their own castles in any significant number during the period. Between 350 and 450 motte-and-bailey castles are believed to remain today, although

11960-407: The nobles would build "a mound of earth as high as they can and dig a ditch about it as wide and deep as possible. The space on top of the mound is enclosed by a palisade of very strong hewn logs, strengthened at intervals by as many towers as their means can provide. Inside the enclosure is a citadel, or keep, which commands the whole circuit of the defences. The entrance to the fortress is by means of

12090-531: The ornamental style of the Renaissance . Palladio recorded and publicised his work in the 1570 four-volume illustrated study, I quattro libri dell'architettura (The Four Books of Architecture). Palladio's villas are designed to fit with their setting. If on a hill, such as Villa Almerico Capra Valmarana (Villa Capra, or La Rotonda), façades were of equal value so that occupants could enjoy views in all directions. Porticos were built on all sides to enable

12220-573: The parts with regard to each other, and of these again to the whole; that the structure may appear an entire and complete body, wherein each member agrees with the other, and all necessary to compose what you intend to form." Palladio considered the dual purpose of his villas as the centres of farming estates and weekend retreats. These symmetrical temple-like houses often have equally symmetrical, but low, wings, or barchessas , sweeping away from them to accommodate horses, farm animals, and agricultural stores. The wings, sometimes detached and connected to

12350-619: The private houses in the United States. One example of historical note is the Nova Scotia Legislature building , completed in 1819. Another example is Government House in St. John's, Newfoundland . The rise of neo-Palladianism in England contributed to its adoption in Prussia . Count Francesco Algarotti wrote to Lord Burlington to inform him that he was recommending to Frederick the Great

12480-589: The public. The lease was then transferred to the Roscrea Heritage Society. Restoration was completed in the 1990s by the national heritage service Dúchas with additional funding from Bord Fáilte and £100,000 from the Government Policy for Architecture. More than £1.3 million was spent on the project, allowing many original period features to be maintained. The house, which is owned by Tipperary County Council and managed with Roscrea Heritage Society,

12610-419: The reasons behind the initial popularity of the motte-and-bailey design, however, there is widespread agreement that the castles were first widely adopted in Normandy and Angevin territory in the 10th and 11th centuries. The earliest purely documentary evidence for motte-and-bailey castles in Normandy and Angers comes from between 1020 and 1040, but a combination of documentary and archaeological evidence pushes

12740-430: The relatively settled and prosperous nature of the east of England and reflected a shortage of unfree labour for constructing mottes. In Wales, the first wave of the Norman castles was again predominantly made of wood in a mixture of motte-and-bailey and ringwork designs. The Norman invaders spread up the valleys, using this form of castle to occupy their new territories. After the Norman conquest of England and Wales,

12870-486: The requirements of each individual client. When in 1746 the Duke of Bedford decided to rebuild Woburn Abbey , he chose the fashionable Palladian style, and selected the architect Henry Flitcroft , a protégé of Burlington. Flitcroft's designs, while Palladian in nature, had to comply with the Duke's determination that the plan and footprint of the earlier house, originally a Cistercian monastery, be retained. The central block

13000-410: The residents to appreciate the countryside while remaining protected from the sun. Palladio sometimes used a loggia as an alternative to the portico. This is most simply described as a recessed portico, or an internal single storey room with pierced walls that are open to the elements. Occasionally a loggia would be placed at second floor level over the top of another loggia, creating what was known as

13130-615: The revived Venetian window in England". A variant, in which the motif is enclosed within a relieving blind arch that unifies the motif, is not Palladian, though Richard Boyle seems to have assumed it was so, in using a drawing in his possession showing three such features in a plain wall. Modern scholarship attributes the drawing to Vincenzo Scamozzi . Burlington employed the motif in 1721 for an elevation of Tottenham Park in Savernake Forest for his brother-in-law Lord Bruce (since remodelled). William Kent used it in his designs for

13260-486: The son of tenant farmers on the estate of Desart Court , a Palladian House designed by Pearce. He studied architecture in Dublin, where Leinster House (built c.  1747 ) was one of the finest Palladian buildings of the time. Both Cassel's Leinster House and James Wyatt 's Castle Coole have been cited as Hoban's inspirations for the White House but the more neoclassical design of that building, particularly of

13390-508: The south along the Lower Rhine , a fiercely contested border. Further along the coast in Friesland , the relatively decentralised, egalitarian society initially discouraged the building of motte and bailey castles, although terpen , raised "dwelling mounds" which lacked towers and were usually lower in height than a typical motte, were created instead. By the end of the medieval period, however,

13520-493: The style known as Palladianism. Palladianism emerged in England in the early 17th century, led by Inigo Jones , whose Queen's House at Greenwich has been described as the first English Palladian building. Its development faltered at the onset of the English Civil War . After the Stuart Restoration , the architectural landscape was dominated by the more flamboyant English Baroque . Palladianism returned to fashion after

13650-564: The style was to be repeated in many houses and town halls in Britain over one hundred years. Often the terminating blocks would have blind porticos and pilasters themselves, competing for attention with, or complementing the central block. This was all very far removed from the designs of Palladio two hundred years earlier. Falling from favour during the Victorian era , the approach was revived by Sir Aston Webb for his refacing of Buckingham Palace in 1913. The villa tradition continued throughout

13780-481: The subsequent civil war , large numbers of Irish country houses , including some fine Palladian examples such as Woodstock House , were abandoned to ruin or destroyed. Palladio's influence in North America is evident almost from its first architect-designed buildings. The Irish philosopher George Berkeley , who may be America's first recorded Palladian, bought a large farmhouse in Middletown , Rhode Island , in

13910-472: The subsequent years. This form of castle was closely associated with the colonisation of newly cultivated areas within the Empire, as new lords were granted lands by the emperor and built castles close to the local gród , or town. motte-and-bailey castle building substantially enhanced the prestige of local nobles, and it has been suggested that their early adoption was because they were a cheaper way of imitating

14040-737: The time of the Roman Republic , to develop a new architectural style for the American Republic . Examples include the Hammond–Harwood House in Maryland and Jefferson's own house, Monticello , in Virginia . The Palladian style was also adopted in other British colonies, including those in the Indian subcontinent . In the 19th century, Palladianism was overtaken in popularity by Neoclassical architecture in both Europe and in North America. By

14170-433: The upper storey of the house were garret rooms ... In this storey also the watchmen and the servants appointed to keep the house took their sleep". Wooden structures on mottes could be protected by skins and hides to prevent their being easily set alight during a siege. The bailey was an enclosed courtyard overlooked by the high motte and surrounded by a wooden fence called a palisade and another ditch. The bailey

14300-420: The villa by colonnades , were designed not only to be functional but also to complement and accentuate the villa. Palladio did not intend them to be part of the main house, but the development of the wings to become integral parts of the main building – undertaken by Palladio's followers in the 18th century – became one of the defining characteristics of Palladianism. Palladian, Serlian, or Venetian windows are

14430-522: The wider the ditch was dug, the deeper and steeper the sides of the scarp could be, making it more defensive. Although militarily a motte was, as Norman Pounds describes it, "almost indestructible", they required frequent maintenance. Soil wash was a problem, particularly with steeper mounds, and mottes could be clad with wood or stone slabs to protect them. Over time, some mottes suffered from subsidence or damage from flooding, requiring repairs and stabilisation work. Although motte-and-bailey castles are

14560-416: The wings to almost the same importance as the house itself. It was the development of the flanking wings that was to cause English Palladianism to evolve from being a pastiche of Palladio's original work. Wings were frequently adorned with porticos and pediments, often resembling, as at the much later Kedleston Hall , small country houses in their own right. Architectural styles evolve and change to suit

14690-422: The wooden keep on top of the motte at the castle of Ardres , where the "first storey was on the surface of the ground, where were cellars and granaries, and great boxes, tuns, casks, and other domestic utensils. In the storey above were the dwelling and common living rooms of the residents in which were the larders, the rooms of the bakers and butlers, and the great chamber in which the lord and his wife slept ... In

14820-431: The world were brought about in this way, although the style did not reach the zenith of its popularity until the 18th century. An early reaction to the excesses of Baroque architecture in Venice manifested itself as a return to Palladian principles. The earliest neo-Palladians there were the exact contemporaries Domenico Rossi (1657–1737) and Andrea Tirali (1657–1737). Their biographer, Tommaso Temanza , proved to be

14950-646: Was a style largely of façades, with the mathematical formulae dictating layout not strictly applied. A handful of country houses in England built between 1640 and 1680 are in this style. These follow the success of Jones's Palladian designs for the Queen's House at Greenwich , the first English Palladian house, and the Banqueting House at Whitehall , the uncompleted royal palace in London of Charles I . Palladian designs advocated by Jones were too closely associated with

15080-412: Was available, as was the case after the Norman invasion of England. Where the local workforce had to be paid – such as at Clones in Ireland, built in 1211 using imported labourers – the costs would rise quickly, in this case reaching £20. The type of soil would make a difference to the design of the motte, as clay soils could support a steeper motte, whilst sandier soils meant that a motte would need

15210-434: Was called a garillum . Smaller mottes could support only simple towers with room for a few soldiers, whilst larger mottes could be equipped with a much grander building. Many wooden keeps were designed with bretèches , or brattices, small balconies that projected from the upper floors of the building, allowing defenders to cover the base of the fortification wall. The early 12th-century chronicler Lambert of Ardres described

15340-402: Was certainly effective against assault, although as historian André Debord suggests, the historical and archaeological record of the military operation of motte-and-bailey castles remains relatively limited. An alternative approach focuses on the links between this form of castle and what can be termed a feudal mode of society. The spread of motte-and-bailey castles was usually closely tied to

15470-633: Was completed after his death by Richard Cassels . Pearce also oversaw the building of Castletown House near Dublin, designed by the Italian architect Alessandro Galilei (1691–1737). It is perhaps the only Palladian house in Ireland built with Palladio's mathematical ratios, and one of a number of Irish mansions which inspired the design of the White House in Washington, D.C. Other examples include Russborough , designed by Richard Cassels, who also designed

15600-478: Was considered "theatrical, exuberant and Catholic." It was superseded in Britain in the first quarter of the 18th century when four books highlighted the simplicity and purity of classical architecture. These were: The most favoured among patrons was the four-volume Vitruvius Britannicus by Campbell, The series contains architectural prints of British buildings inspired by the great architects from Vitruvius to Palladio; at first mainly those of Inigo Jones, but

15730-472: Was constructed, or alternatively, several baileys could flank the motte, as at Windsor Castle . Some baileys had two mottes, such as those at Lincoln . Some mottes could be square instead of round, such as at Cabal Tump (Herefordshire). Instead of single ditches, occasionally double-ditch defences were built, as seen at Berkhamsted . Local geography and the intent of the builder produced many unique designs. Various methods were used to build mottes. Where

15860-467: Was derived from Palladio, as was Mount Airy , in Richmond County, Virginia , built in 1758–1762. A particular feature of American Palladianism was the re-emergence of the great portico which, as in Italy, fulfilled the need of protection from the sun; the portico in various forms and size became a dominant feature of American colonial architecture. In the north European countries the portico had become

15990-427: Was destroyed in the late 13th century and replaced with the current stone structure. More than £875 was spent on works from 1274 to 1295, overseen by John de Lydyard. The current structure consists of a 40-metre-wide courtyard enclosed by curtain walls and a ditch. The walls are up to 2.5 metres thick in parts. The castle was originally surrounded by a river to the east and a moat on the other sides. While it does not have

16120-402: Was limited, and many needed to be built on fresh ground. Concentric castles , relying on several lines of baileys and defensive walls, made increasingly little use of keeps or mottes at all. Across Europe, motte-and-bailey construction came to an end. At the end of the 12th century, the Welsh rulers began to build castles in stone, primarily in the principality of North Wales and usually along

16250-624: Was modelled on Kedleston Hall , while the architectural historian Pilar Maria Guerrieri identifies its influences in Lutyens' Delhi . In South Africa, Federico Freschi notes the " Tuscan colonnades and Palladian windows" of Herbert Baker 's Union Buildings . By the 1770s, British architects such as Robert Adam and William Chambers were in high demand, but were now drawing on a wide variety of classical sources, including from ancient Greece , so much so that their forms of architecture became defined as neoclassical rather than Palladian. In Europe,

16380-409: Was often kidney-shaped to fit against a circular motte but could be made in other shapes according to the terrain. The bailey would contain a wide number of buildings, including a hall, kitchens, a chapel, barracks, stores, stables, forges or workshops, and was the centre of the castle's economic activity. The bailey was connected to the motte by a bridge, or, as often seen in England, by steps cut into

16510-462: Was protected by a ditch around it, which would typically have also been a source of the earth and soil for constructing the mound itself. A keep and a protective wall would usually be built on top of the motte. Some walls would be large enough to have a wall-walk around them, and the outer walls of the motte and the wall-walk could be strengthened by filling in the gap between the wooden walls with earth and stones, allowing it to carry more weight; this

16640-484: Was the establishment by the new king of royal castles in key strategic locations, including many towns. These urban castles could make use of the existing town's walls and fortification, but typically required the demolition of local houses to make space for them. This could cause extensive damage: records suggest that in Lincoln 166 houses were destroyed in the construction of Lincoln Castle , and that 113 were destroyed for

16770-463: Was to be a feature of English Palladianism. In 1734 Kent and Burlington designed Holkham Hall in Norfolk . James Stevens Curl considers it "the most splendid Palladian house in England". The main block of the house followed Palladio's dictates, but his low, often detached, wings of farm buildings were elevated in significance. Kent attached them to the design, banished the farm animals, and elevated

16900-525: Was used to refer to the castle design itself. The word "bailey" comes from the Norman-French baille , or basse-cour , referring to a low yard. In medieval sources, the Latin term castellum was used to describe the bailey complex within these castles. One contemporary account of these structures comes from Jean de Colmieu around 1130, describing the Calais region in northern France. De Colmieu described how

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