Misplaced Pages

#305694

70-592: The Dalsa Origin was the first camera designed and built by Dalsa Corporation to be used specifically for digital cinematography . The Dalsa Origin is the first commercially available digital cinema camera to capture at 4K resolution, the emerging quality standard for feature film content. The camera was originally shown at the NAB Show 2003 in Las Vegas , where Dalsa received four industry awards for innovation. The camera initially became available for testing in 2006, and

140-444: A directed acyclic graph for still images, is used to keep track of edits. Each time the edited audio, video, or image is rendered, played back, or accessed, it is reconstructed from the original source and the specified editing steps. Although this process is more computationally intensive than directly modifying the original content, changing the edits themselves can be almost instantaneous, and it prevents further generation loss as

210-433: A multimedia computer for non-linear editing of video may have a video capture card to capture analog video or a FireWire connection to capture digital video from a DV camera, with its video editing software. Various editing tasks could then be performed on the imported video before export to another medium , or MPEG encoded for transfer to a DVD . Modern web-based editing systems can take video directly from

280-415: A camera phone over a mobile connection, and editing can take place through a web browser interface, so, strictly speaking, a computer for video editing does not require any installed hardware or software beyond a web browser and an internet connection. Nowadays there is a huge amount of home editing which takes place both on desktop and tablets or smartphones. The social media revolution has brought about

350-406: A console with two monitors built in. The right monitor, which played the preview video, was used by the editor to make cuts and edit decisions using a light pen . The editor selected from options superimposed as text over the preview video. The left monitor was used to display the edited video. A DEC PDP-11 computer served as a controller for the whole system. Because the video edited on the 600

420-406: A desktop editor based on its proprietary compression algorithms and off-the-shelf parts. Their aim was to democratize the desktop and take some of Avid's market. In August 1993, Media 100 entered the market, providing would-be editors with a low-cost, high-quality platform. Around the same period, other competitors provided non-linear systems that required special hardware—typically cards added to

490-453: A digital video clip , without having to play or scrub/shuttle through adjacent footage to reach it, as is necessary with video tape linear editing systems. When ingesting audio or video feeds, metadata is attached to the clip. That metadata can be attached automatically ( timecode , localization, take number, name of the clip) or manually (players names, characters, in sports). It is then possible to access any frame by entering directly

560-577: A few manufacturing companies to receive this honour. In 2010, Yole Développement named Teledyne DALSA’s wafer foundry as "the leading independent pure‐play MEMS foundry worldwide". Non-linear editing system Non-linear editing is a form of offline editing for audio , video , and image editing . In offline editing, the original content is not modified in the course of editing. In non-linear editing, edits are specified and modified by specialized software. A pointer-based playlist, effectively an edit decision list (EDL), for video and audio, or

630-572: A music video for the band Crowded House shot by Damian Acevedo; a promo for ABC 7 Eyewitness News, shot by Mark Zavad; "Reach for Me" a feature film directed by LeVar Burton and shot by Kris Kosskove; and most recently a British short, "Drop", directed by Gavin Toomey and shot by Tom Debenham, starring Russell Tovey . Also, the James Bond film, Quantum of Solace , featured a complex visual effects shot captured with eight DALSA 4K Origin cameras, though

700-410: A number of other cloud-based editors have become available including systems from Avid , WeVideo and Grabyo . Despite their reliance on a network connection, the need to ingest material before editing can take place, and the use of lower-resolution video proxies , their adoption has grown. Their popularity has been driven largely by efficiencies arising from opportunities for greater collaboration and

770-476: A number of projects including "Postcards from the Future", directed by Alan Chan and shot by Eric Adkins; a Snickers commercial, directed by Jesse Dylan and shot by Rolf Kestermann; a beer commercial by Curtis Clark, ASC; a Greenpeace commercial, shot by Florian Stadler; a Motorola commercial, shot by Byron Werner; a short entitled "The Trident", directed by Anurag Mehta and shot by David Stump, ASC; "She Called Up",

SECTION 10

#1732873489306

840-578: A particular one, and still keep his data secure. The Optima software editing system was closely tied to Acorn hardware, so when Acorn stopped manufacturing the Risc PC in the late 1990s, Eidos discontinued the Optima system. In the early 1990s, a small American company called Data Translation took what it knew about coding and decoding pictures for the US military and large corporate clients and spent $ 12 million developing

910-406: A serious competitor to entry-level Avid systems. Another leap came in the late 1990s with the launch of DV-based video formats for consumer and professional use. With DV came IEEE 1394 (FireWire/iLink), a simple and inexpensive way of getting video into and out of computers. Users no longer had to convert video from analog to digital—it was recorded as digital to start with—and FireWire offered

980-542: A short 3D test production called "Banana Jam" was created by the Lab's Director Richard Grunberg. While any professional off-line NLE can be used with the Origin II proxy images, in the relatively short life of the camera system Final Cut Pro had been the most popular. Just like performing a digital intermediate with 35mm film , any on-line editing system that can access DPX , TIFF or Cineon file types can be used to on-line

1050-414: A significant change in access to powerful editing tools or apps, at everyone's disposal. When videotapes were first developed in the 1950s, the only way to edit was to physically cut the tape with a razor blade and splice segments together. While the footage excised in this process was not technically destroyed, continuity was lost and the footage was generally discarded. In 1963, with the introduction of

1120-659: A simplified touch screen interface. The camera has a resolution of 4K (4096×2048) at a relatively high-bit depth. The camera outputs an uncompressed, RAW Bayer pattern 16-bit image, which was considerably higher than other cameras which are limited to 8, 10 or 12 bits. This results in a linear exposure latitude equivalent to more than 13 stops. The final configuration of the camera can run 1–30 frames per second. The Origin II camera features an optical reflex viewing system with rotating mirror similar to 35 mm film cameras and uses standard PL mount 35 mm film gate lenses. The camera

1190-541: A standard computer running a software-only editing system. Avid is an industry standard used for major feature films, television programs, and commercials. Final Cut Pro received a Technology & Engineering Emmy Award in 2002. Since 2000, many personal computers include basic non-linear video editing software free of charge. This is the case of Apple iMovie for the Macintosh platform, various open-source programs like Kdenlive , Cinelerra-GG Infinity and PiTiVi for

1260-436: A straightforward way to transfer video data without additional hardware. With this innovation, editing became a more realistic proposition for software running on standard computers. It enabled desktop editing, producing high-quality results at a fraction of the cost of earlier systems. In early 2000, the introduction of highly compressed HD formats such as HDV has continued this trend, making it possible to edit HD material on

1330-434: Is a destructive process because the original film must be physically cut to perform an edit. A non-linear editing approach may be used when all assets are available as files on video servers , or on local solid-state drives or hard disks , rather than recordings on reels or tapes. While linear editing is tied to the need to sequentially view film or hear tape, non-linear editing enables direct access to any video frame in

1400-452: Is approximately the same size and weight as an average 35 mm film cameras with a 400' magazine. The camera outputs raw data to an off board storage unit at a rate of approximately 400 megabytes per second. The Origin II connects to the storage unit by a rugged, thin, and flexible mil-spec fiber optic cable. This fiber cable can be run for over a mile without any signal degradation or repeating. The storage unit that has been used most often

1470-420: Is eliminated. It can also be viewed as the audio/video equivalent of word processing , which is why it is called desktop video editing in the consumer space. In broadcasting applications, video and audio data are first captured to hard disk-based systems or other digital storage devices. The data are then imported into servers employing any necessary transcoding , digitizing or transfer . Once imported,

SECTION 20

#1732873489306

1540-644: Is one of the few manufacturers offering both CCD and CMOS sensors. In 2003, Teledyne DALSA released their first camera, the Dasla Origin. In 2005, Teledyne DALSA acquired Canadian frame grabber and camera manufacturer Coreco (based in Montreal). In doing so, Teledyne DALSA added software, acquisition and further gigabit Ethernet technology to its portfolio. Teledyne DALSA developed a digital cinema camera (the Origin camera system), but despite remarkable imaging performance

1610-481: Is still the most-used NLE on prime-time TV productions, being employed on up to 90 percent of evening broadcast shows." Since then the rise in semi-professional and domestic users of editing software has seen a large rise in other titles becoming very popular in these areas. Other significant software used by many editors is Adobe Premiere Pro (part of Adobe Creative Cloud ), Apple Final Cut Pro X , DaVinci Resolve and Lightworks . The take-up of these software titles

1680-477: Is to an extent dictated by cost and subscription licence arrangements, as well as the rise in mobile apps and free software. As of January 2019 , Davinci Resolve has risen in popularity within professional users and others alike - it had a user base of more than 2 million using the free version alone. This is a comparable user base to Apple's Final Cut Pro X , which also had 2 million users as of April 2017 . Some notable NLEs are: Early consumer applications using

1750-507: The Ampex Editec, videotape could be edited electronically with a process known as linear video editing by selectively copying the original footage to another tape called a master . The original recordings are not destroyed or altered in this process. However, since the final product is a copy of the original, there is a generation loss of quality. The first truly non-linear editor, the CMX 600 ,

1820-597: The 4K images captured with the Origin II. The Dalsa Origin II is no longer available. Dalsa discontinued the Digital Cinema division in 2008. The Origin II was available via a rental-only model similar to Panavision . Dalsa The company was founded in Waterloo, Ontario , Canada in 1980 by imaging pioneer Savvas Chamberlain , a former professor in electrical engineering at the University of Waterloo . The company

1890-681: The American Dream , which won a National Primetime Emmy Award for Editing in 1993. The NewTek Video Toaster Flyer for the Amiga included non-linear editing capabilities in addition to processing live video signals. The Flyer used hard drives to store video clips and audio, and supported complex scripted playback. The Flyer provided simultaneous dual-channel playback, which let the Toaster's video switcher perform transitions and other effects on video clips without additional rendering . The Flyer portion of

1960-472: The Avid Media Composer was most often used for editing commercials or other small-content and high-value projects. This was primarily because the purchase cost of the system was very high, especially in comparison to the offline tape-based systems that were then in general use. Hard disk storage was also expensive enough to be a limiting factor on the quality of footage that most editors could work with or

2030-561: The Avid/1 (and later Media Composer systems from the late 1980s) was somewhat low (about VHS quality), due to the use of a very early version of a Motion JPEG (M-JPEG) codec. It was sufficient, however, to provide a versatile system for offline editing. Lost in Yonkers (1993) was the first film edited with Avid Media Composer, and the first long-form documentary so edited was the HBO program Earth and

2100-630: The Beaver ". By 1985 it was used on over 80% of filmed network programs and Cinedco was awarded the Technical Emmy for "Design and Implementation of Non-Linear Editing for Filmed Programs." In 1984, Montage Picture Processor was demonstrated at NAB. Montage used 17 identical copies of a set of film rushes on modified consumer Betamax VCRs. A custom circuit board was added to each deck that enabled frame-accurate switching and playback using vertical interval timecode. Intelligent positioning and sequencing of

2170-613: The Betamax system. All of these original systems were slow, cumbersome, and had problems with the limited computer horsepower of the time, but the mid-to-late-1980s saw a trend towards non-linear editing, moving away from film editing on Moviolas and the linear videotape method using U-matic VCRs. Computer processing advanced sufficiently by the end of the 1980s to enable true digital imagery and has progressed today to provide this capability in personal desktop computers. An example of computing power progressing to make non-linear editing possible

Dalsa Origin - Misplaced Pages Continue

2240-618: The EDL (without having to have the actual film data duplicated). Generation loss is also controlled, due to not having to repeatedly re-encode the data when different effects are applied. Generation loss can still occur in digital video or audio when using lossy video or audio compression algorithms as these introduce artifacts into the source material with each encoding or re-encoding. codecs such as Apple ProRes , Advanced Video Coding and mp3 are very widely used as they allow for dramatic reductions on file size while often being indistinguishable from

2310-449: The EDLs, the editor can work on low-resolution copies of the video. This makes it possible to edit both standard-definition broadcast quality and high definition broadcast quality very quickly on desktop computers that may not have the power to process huge full-quality high-resolution data in real-time. The costs of editing systems have dropped such that non-linear editing tools are now within

2380-606: The EMC2 editor, a PC-based non-linear off-line editing system that utilized magneto-optical disks for storage and playback of video, using half-screen-resolution video at 15 frames per second. A couple of weeks later that same year, Avid introduced the Avid/1, the first in the line of their Media Composer systems. It was based on the Apple Macintosh computer platform ( Macintosh II systems were used) with special hardware and software developed and installed by Avid. The video quality of

2450-447: The Eidos system had no requirement for JPEG hardware and was cheap to produce. The software could decode multiple video and audio streams at once for real-time effects at no extra cost. But most significantly, for the first time, it supported unlimited cheap removable storage. The Eidos Edit 1, Edit 2, and later Optima systems let the editor use any Eidos system, rather than being tied down to

2520-587: The Linux platform, and Windows Movie Maker for the Windows platform. This phenomenon has brought low-cost non-linear editing to consumers. The demands of video editing in terms of the volumes of data involved means the proximity of the stored footage being edited to the NLE system doing the editing is governed partly by the capacity of the data connection between the two. The increasing availability of broadband internet combined with

2590-592: The M-JPEG data rate was too high for systems like Avid/1 on the Apple Macintosh and Lightworks on PC to store the video on removable storage. The content needed to be stored on fixed hard disks instead. The secure tape paradigm of keeping your content with you was not possible with these fixed disks. Editing machines were often rented from facilities houses on a per-hour basis, and some productions chose to delete their material after each edit session, and then ingest it again

2660-559: The Video Toaster/Flyer combination was a complete computer of its own, having its own microprocessor and embedded software . Its hardware included three embedded SCSI controllers. Two of these SCSI buses were used to store video data, and the third to store audio. The Flyer used a proprietary wavelet compression algorithm known as VTASC, which was well regarded at the time for offering better visual quality than comparable non-linear editing systems using motion JPEG . Until 1993,

2730-532: The amount of material that could be held digitized at any one time. Up until 1992, the Apple Macintosh computers could access only 50 gigabytes of storage at once. This limitation was overcome by a digital video R&D team at the Disney Channel led by Rick Eye . By February 1993, this team had integrated a long-form system that let the Avid Media Composer running on the Apple Macintosh access over seven terabytes of digital video data. With instant access to

2800-614: The audio, video, or image is edited. A non-linear editing system ( NLE ) is a video editing (NLVE) program or application, or an audio editing (NLAE) digital audio workstation (DAW) system. These perform non-destructive editing on source material. The name is in contrast to 20th-century methods of linear video editing and film editing . In linear video editing, the product is assembled from beginning to end, in that order. One can replace or overwrite sections of material but never cut something out or insert extra material. Non-linear editing removes this restriction. Conventional film editing

2870-661: The company has expanded operations into Billerica , Massachusetts ; Santa Clara , California ; Bromont and Montreal , Quebec ; Eindhoven and Enschede , Netherlands , in addition to sales offices in Germany , Japan , and China . DALSA was acquired by Teledyne in 2010. Teledyne DALSA designs and manufactures digital imaging products for industrial, scientific, and medical applications, including semiconductor wafer inspection, printed circuit inspection, general machine vision , digital radiography , medium format photography , aerial photogrammetry , and astronomy. Notably, many of

Dalsa Origin - Misplaced Pages Continue

2940-464: The computer system. Fast Video Machine was a PC-based system that first came out as an offline system, and later became more online editing capable. The Imix video cube was also a contender for media production companies. The Imix Video Cube had a control surface with faders to allow mixing and shuttle control. Data Translation's Media 100 came with three different JPEG codecs for different types of graphics and many resolutions. DOS -based D/Vision Pro

3010-610: The development of the DALSA Origin camera it was tested by members of the filmmaking world including Daryn Okada , ASC, Allen Daviau , ASC and various members of the commercial and VFX industries. In 2007 the Origin camera was upgraded to the production version of the camera, and re-branded Origin II also known as the Evolution . The Origin II upgrade features improved image quality from DALSA's latest generation frame transfer CCD sensor, and

3080-543: The image sensors employed in NASA’s Spirit , Opportunity , and Curiosity Mars Rovers were manufactured by Teledyne DALSA. Teledyne DALSA is one of few industrial digital camera producers that has a vertically integrated supply chain. In 2002, Dalsa bought the Bromont semiconductor wafer foundry from Zarlink Semiconductor Inc.. Teledyne DALSA owns the wafer forge where many of its imaging sensors are manufactured and

3150-643: The next day to guarantee the security of their content. In addition, each NLE system had storage limited by its fixed disk capacity. These issues were addressed by a small UK company, Eidos Interactive . Eidos chose the new ARM -based computers from the UK and implemented an editing system, launched in Europe in 1990 at the International Broadcasting Convention . Because it implemented its own compression software designed specifically for non-linear editing,

3220-675: The potential for cost savings derived from using a shared platform, hiring rather than buying infrastructure, and the use of conventional IT equipment over hardware specifically designed for video editing. As of 2014 , 4K Video in NLE was fairly new, but it was being used in the creation of many movies throughout the world, due to the increased use of advanced 4K cameras such as the Red Camera . Examples of software for this task include Avid Media Composer , Apple's Final Cut Pro X , Sony Vegas , Adobe Premiere , DaVinci Resolve , Edius , and Cinelerra-GG Infinity for Linux. As of 2019 8K video

3290-428: The reach of home users. Some editing software can now be accessed free as web applications ; some, like Cinelerra (focused on the professional market) and Blender , can be downloaded as free software ; and some, like Microsoft 's Windows Movie Maker or Apple Inc. 's iMovie , come included with the appropriate operating system. The non-linear editing retrieves video media for editing. Because these media exist on

3360-457: The shot footage of an entire movie , long-form non-linear editing was now possible. The system made its debut at the NAB conference in 1993 in the booths of the three primary sub-system manufacturers, Avid, Silicon Graphics and Sony . Within a year, thousands of these systems had replaced 35mm film editing equipment in major motion picture studios and TV stations worldwide. Although M-JPEG became

3430-512: The source decks provided a simulation of random-access playback of a lengthy edited sequence without any re-recording. The theory was that with so many copies of the rushes, there could always be one machine cued up to replay the next shot in real time. Changing the EDL could be done easily, and the results seen immediately. The first feature edited on the Montage was Sidney Lumet's Power . Notably, Francis Coppola edited The Godfather Part III on

3500-427: The source material can be edited on a computer using any of a wide range of video editing software . The end product of the offline non-linear editing process is a frame-accurate edit decision list (EDL) which can be taken, together with the source tapes, to an online quality tape or film editing suite. The EDL is then read into an edit controller and used to create a replica of the offline edit by playing portions of

3570-424: The source tapes back at full quality and recording them to a master as per the exact edit points of the EDL. Editing software records the editor's decisions in an EDL that is exportable to other editing tools. Many generations and variations of the EDL can exist without storing many different copies, allowing for very flexible editing. It also makes it easy to change cuts and undo previous decisions simply by editing

SECTION 50

#1732873489306

3640-418: The standard codec for NLE during the early 1990s, it had drawbacks. Its high computational requirements ruled out software implementations imposing extra cost and complexity of hardware compression/playback cards. More importantly, the traditional tape workflow had involved editing from videotape, often in a rented facility. When the editor left the edit suite, they could securely take their tapes with them. But

3710-670: The system was not a commercial success and the project was wound down in 2009. In 2007, it was redesigned to provide a better image output and was renamed the Dasla Origin II, later that same year the Evolution camera was also released. In 2023, Teledyne DALSA announced the production of a new camera, the Linea2 4k Multispectral 5GigE. In 2007, Teledyne DALSA was named one of Canada's Top 100 Employers , as published in Maclean's magazine, one of

3780-452: The system, and Stanley Kubrick used it for Full Metal Jacket . It was used on several episodic TV shows ( Knots Landing , for one) and on hundreds of commercials and music videos. The original Montage system won an Academy Award for Technical Achievement in 1988. Montage was reincarnated as Montage II in 1987, and Montage III appeared at NAB in 1991, using digital disk technology, which should prove to be considerably less cumbersome than

3850-474: The team to take their non-linear editor to the NAB Show . After various companies made offers, Keygrip was purchased by Apple as Steve Jobs wanted a product to compete with Adobe Premiere in the desktop video market. At around the same time, Avid—now with Windows versions of its editing software—was considering abandoning the Macintosh platform. Apple released Final Cut Pro in 1999, and despite not being taken seriously at first by professionals, it has evolved into

3920-498: The timecode or the descriptive metadata. An editor can, for example, at the end of the day in the Olympic Games , easily retrieve all the clips related to the players who received a gold medal. The non-linear editing method is similar in concept to the cut and paste techniques used in IT . However, with the use of non-linear editing systems, the destructive act of cutting of film negatives

3990-400: The uncompressed or losslessly compressed original. Compared to the linear method of tape-to-tape editing, non-linear editing offers the flexibility of film editing, with random access and easy project organization. In non-linear editing, the original source files are not lost or modified during editing. This is one of the biggest advantages of non-linear editing compared to linear editing. With

4060-464: The use of lower-resolution copies of original material provides an opportunity to not just review and edit material remotely but also open up access to far more people to the same content at the same time. In 2004 the first cloud-based video editor , known as Blackbird and based on technology invented by Stephen Streater , was demonstrated at IBC and recognized by the RTS the following year. Since that time

4130-465: The video server or other mass storage that stores the video feeds in a given codec, the editing system can use several methods to access the material: The leading professional non-linear editing software for many years has been Avid Media Composer . This software is likely to be present in almost all post-production houses globally, and it is used for feature films, television programs, advertising and corporate editing. In 2011, reports indicated, "Avid

4200-557: Was available for rental for $ 3000 per day, including storage, from the company's camera rental facility in Woodland Hills, which was established in mid-2005 by Bobby DaSilva as President of Dalsa Digital Cinema. The camera is suited for visual effects photography employing digital compositing and travelling matte photography on larger budget productions. The system was developed by a collective group, including cinematographer , and founder of Cinema Products Ed DiGiulio . During

4270-612: Was capitalised in November 1984 and was publicly listed on the Toronto Stock Exchange in May 1996. The company originally concentrated in developing and generating charge-coupled device (CCD) image sensor technology. It has since grown into an industry leader in semiconductor technology, employing approximately 1000 individuals worldwide and earning revenues of more than $ 200 million. Headquarters remain in Waterloo, Ontario , Canada, but

SECTION 60

#1732873489306

4340-487: Was demonstrated in the first all-digital non-linear editing system, the "Harry" effects compositing system manufactured by Quantel in 1985. Although it was more of a video effects system, it had some non-linear editing capabilities. Most importantly, it could record (and apply effects to) 80 seconds (due to hard disk space limitations) of broadcast-quality uncompressed digital video encoded in 8-bit CCIR 601 format on its built-in hard disk array. The term nonlinear editing

4410-439: Was formalized in 1991 with the publication of Michael Rubin's Nonlinear: A Guide to Digital Film and Video Editing —which popularized this terminology over other terminology common at the time, including real-time editing, random-access or RA editing, virtual editing, electronic film editing, and so on. Non-linear editing with computers as it is known today was first introduced by Editing Machines Corp. in 1989 with

4480-430: Was in low-resolution black and white, the 600 was suitable only for offline editing. Non-linear editing systems were built in the 1980s using computers coordinating multiple LaserDiscs or banks of VCRs. One example of these tape and disc-based systems was Lucasfilm's EditDroid , which used several LaserDiscs of the same raw footage to simulate random-access editing. EditDroid was demonstrated at NAB in 1984. EditDroid

4550-416: Was introduced in 1971 by CMX Systems , a joint venture between CBS and Memorex . It recorded and played back black-and-white analog video recorded in " skip-field " mode on modified disk pack drives the size of washing machines that could store a half-hour worth of video & audio for editing. These disk packs were commonly used to store data digitally on mainframe computers of the time. The 600 had

4620-681: Was largely shot on conventional 35mm negative. The company revealed that the technically ambitious visual effects shot featured Daniel Craig and actress Olga Kurylenko , and involved simultaneously shooting with eight shutter-synchronized DALSA Origin 4K cameras. Two remaining Dalsa Origin Cameras currently reside in Ryerson University's Digital Cinema Research Lab (a collaborator with Dalsa's research in Toronto, Canada) where they were used in production of research material demonstrating 4K resolution, and

4690-480: Was relatively new. 8K video editing requires advanced hardware and software capable of handling the standard. For imaging software, early works such as HSC Software 's Live Picture brought non-destructive editing to the professional market and current efforts such as GEGL provide an implementation being used in open-source image editing software. An early concern with non-linear editing had been picture and sound quality available to editors. Storage limitations at

4760-643: Was released by TouchVision Systems, Inc. in the mid-1990s and worked with the Action Media II board. These other companies caused tremendous downward market pressure on Avid. Avid was forced to continually offer lower-priced systems to compete with the Media 100 and other systems. Inspired by the success of Media 100, members of the Premiere development team left Adobe to start a project called "Keygrip" for Macromedia. Difficulty raising support and money for development led

4830-506: Was the Codex Digital recorder, which could hold about two hours of uncompressed 4K camera RAW footage. In January 2008 S.Two began shipping the DFR4K recorder, which can also capture images from the Origin II camera and similar 2K and 4K models. S.Two also manufactured a system of 4K workflow products that are compatible with the Origin II camera's 4K images. The camera was successfully used in

4900-468: Was the first system to introduce modern concepts in non-linear editing such as timeline editing and clip bins. The LA-based post house Laser Edit also had an in-house system using recordable random-access LaserDiscs. The most popular non-linear system in the 1980s was Ediflex , which used a bank of U-matic and VHS VCRs for offline editing. Ediflex was introduced in 1983 on the Universal series " Still

#305694