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155-596: Costumbrismo (in Catalan: costumisme ; sometimes anglicized as costumbrism , with the adjectival form costumbrist ) is the literary or pictorial interpretation of local everyday life, mannerisms, and customs, primarily in the Hispanic scene, and particularly in the 19th century. Costumbrismo is related both to artistic realism and to Romanticism , sharing the Romantic interest in expression as against simple representation and

310-401: A 0.8 km (0.31 sq mi) periurban park as well as municipal garden centres and compost plants. Madrid has a cold semi-arid climate ( Köppen BSk ), transitioning to a Mediterranean climate (Csa) in the western half. The city has continental influences. Winters are cool due to its altitude, which is approximately 667 m (2,188 ft) above sea level and distance from

465-435: A broad audience: stories and illustrations often made their first or most important appearance in cheap periodicals for the general public. It is not easy to draw lines around the genre: Evaristo Correa Calderón spoke of its "extraordinary elasticity and variety". Some of it is almost reportorial and documentary, some simply folkloric; what it has in common is the effort to capture a particular place (whether rural or urban) at

620-780: A broad brush, while the School of Seville painted more delicately. The Madrid paintings have a certain urgency, while the Seville paintings are typically serene, even misty. The Madrid painters focus more on unique individuals, the Sevillianos on individuals as representatives of a type. Romantic Andalusian costumbrismo ( costumbrismo andaluz ) follows in the footsteps of two painters of the School of Cádiz, Juan Rodríguez y Jiménez , "el Panadero" ("the Baker", 1765–1830) and Joaquín Manuel Fernández Cruzado (1781–1856), both associated with Romanticism. The trend

775-551: A collection Cosas que fueron , bringing together 16 costumbrista articles. Andrés Soria sees José María de Pereda (1833–1906) as the most successful fusion of costumbrista scenes into proper novels, especially his portrayals of La Montaña , the mountainous regions of Cantabria . His Escenas montañesas (1864) is particularly in the costumbrista mode, with its mixture of urban, rural and seafaring scenes, and sections offering sketches of various milieus. Poet and novelist Antonio de Trueba (1819 or 1821–89) wrote squarely within

930-510: A declaration of war calling all the Spaniards to fight against the French invaders. The city was invaded on 24 May 1823 by a French army—the so-called Hundred Thousand Sons of Saint Louis —called to intervene to restore the absolutism of Ferdinand that the latter had been deprived from during the 1820–1823 trienio liberal . Unlike other European capitals, during the first half of the 19th century

1085-550: A different direction. Born in the Basque country and moving often between Spain and France, his 1860 book Museo de las familias. París, Londres y Madrid ("Museum of families. Paris, London, Madrid") created a sort of cosmopolitan costumbrismo . Many of the great Spanish realist writers of the 19th century worked at times in the costumbrista mode, especially at the start of their careers. Fernán Caballero (pen name of Cecilia Francisca Josefa Böhl de Faber) (1796–1877), for example, in

1240-487: A distinguished line of Costa Rican writers: Manuel de Jesús Jiménez (1854–1916), Manuel González Zeledón (1864–1936), the verse writer Aquileo Echeverría (1866–1909), and, in the 20th century, Joaquín García Monge (1881–1958). Costumbrismo enters Chilean literature in some of the writing of José Zapiola (1804–85), Vicente Pérez Rosales (1807–86), Román Fritis (1829–74), Pedro Ruiz Aldea (ca. 1833–70) and especially José Joaquín Vallejo (1811–58), who under

1395-431: A few experts like Agustín Durán , Antonio Machado Álvarez , Francisco Rodríguez Marín , Eusebio Vasco and many others. In the literature, this interest in the popular literature is spilled across the so-called Neopopularism of the 19th and 20th centuries. In the 19th it was even written serious literature in dialects like Extremaduran language ( José María Gabriel y Galán , Luis chamizo ), Asturian language or even

1550-462: A fritter seller in an urban night scene is in the collections of the Mexican government. Another less well known Mexican artist is es:Felipe Santiago Gutiérrez (1824-1904), who was also a writer, teacher, art critic, intellectual, and cultural diplomat." Some of Argentina 's most distinguished writers worked in the costumbrista genre in at least some of their writing, though few worked narrowly within

1705-488: A kind of a closer religiosity, are taken as models by painters like Caravaggio . We can see popular types in paintings of Diego Velázquez and Bartolomé Esteban Murillo , and Costumbrism becomes one of the elements that make up satiric literary genres like the picaresque novel and comic literary genres like the entremés . Generally, it is considered that Juan de Zabaleta , Francisco Santos  [ es ] , Antonio Liñán y Verdugo and Bautista Ramiro de Navarra are

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1860-612: A nod of the hat to the earlier work, A revival of collective works of costumbrismo in the time of the First Spanish Republic saw the reissue of Los españoles… (1872), as well as the publication of Los españoles de hogaño ("The Spanish these days", 1872), focused on Madrid, and the vast undertaking Las mujeres españolas, portuguesas y americanas… ("Spanish, Portuguese, and American Women…", published in Madrid, Havana , and Buenos Aires in 1872–1873 and 1876). Also from this time

2015-531: A number of monuments and cultural institutions. The reforms enacted by his Sicilian minister were however opposed in 1766 by the populace in the so-called Esquilache Riots , a revolt demanding to repeal a clothing decree banning the use of traditional hats and long cloaks aiming to curb crime in the city. In the context of the Peninsular War , the situation in French-occupied Madrid after March 1808

2170-786: A painter of children and urchins. One of Cabral Bejarano's sons, Manuel Cabral Bejarano (1827–91) began as a costumbrista , but eventually became more of a realist . Another son, Francisco Cabral Bejarano (1824–90), also painted in the genre. Other painters of the School of Seville were Andrés Cortés (1810–79), Rafael García Hispaleto (1833–54), Francisco Ramos, and Joaquín Díez; history painter José María Rodríguez de Losada (1826–96); and portraitist José María Romero (1815–80). Typical subject matter included majos (lower class dandies ) and their female equivalents, horsemen, bandits and smugglers, street urchins and beggars, Gypsies, traditional architecture, fiestas, and religious processions such as Holy Week in Seville . The School of Madrid

2325-591: A particular time. Sebastián de Miñano y Bedoya (1779–1845) is considered by some a costumbrista , although arguably his writing is too political to properly fit the genre. According to Andrés Soria, the first incontestable costumbristas are the anonymous and pseudonymous contributors to La Minerva (1817), El Correo Literario y Mercantil (1823–33) and El Censor (1820–23). Later come the major figures of literary costumbrismo : Serafín Estébanez Calderón (1799–1867), Ramón de Mesonero Romanos (1803–82), and Mariano José de Larra (1809–37) who sometimes wrote under

2480-592: A precursor to the Generation of '98 , wrote costumbrista scenes of Granada . Elements of costumbrismo , or even entire works in the genre, can be found among major Spanish writers of the 20th century, though to a lesser extent. Miguel de Unamuno (1864–1936) worked in the genre for De mi país ("Of my country", 1903) and some stories such as "Solitaña" in of El espejo de la muerte ("The Mirror of Death", 1913), as did Pío Baroja with Vitrina pintoresca ("Picturesque showcase", 1935) and in passages of his novels set in

2635-579: A radial system of communications and transports for the country through public investments. Philip V built the Royal Palace, the Royal Tapestry Factory and the main Royal Academies. The reign of Charles III , who came to be known as "the best mayor of Madrid", saw an effort to turn the city into a true capital, with the construction of sewers, street lighting, cemeteries outside the city and

2790-469: A severe housing shortage. Slums and squalor grew due to high population growth and the influx of the poor to the city. Construction of affordable housing failed to keep pace and increased political instability discouraged economic investment in housing in the years immediately prior to the Civil War. Anti-clericalism and Catholicism lived side by side in Madrid; the burning of convents initiated after riots in

2945-563: A sort, in 1853 with Ayer, hoy y mañana o la fe, el vapor y la electricidad (cuadros sociales de 1800, 1850 y 1899) ("Yesterday, today and tomorrow or faith, steam and electricity (social pictures of 1800, 1850, and 1899)") going Mesonero's "types lost" and "types found" one better by projecting a vision of the future influenced by the work of Émile Souvestre . His newspaper El Laberinto continued publishing his costumbrista work even posthumously, such as Tipos y costumbres españolas (1877). Eugenio de Ochoa (1815–72) carried costumbrismo in

3100-545: A starting point for Muslim offensives. After the disintegration of the Caliphate of Córdoba in the early 11th century, Madrid was integrated in the Taifa of Toledo . In the context of the wider campaign for the conquest of the taifa of Toledo initiated in 1079, Madrid was seized in 1083 by Alfonso VI of León and Castile , who sought to use the town as an offensive outpost against the city of Toledo, in turn conquered in 1085. Following

3255-750: A transported ancient Egyptian temple. Other urban parks are the Parque de El Capricho , the Parque Juan Carlos I (both in northeast Madrid), Madrid Río , the Enrique Tierno Galván Park  [ es ] , the San Isidro Park  [ es ] as well as gardens such as the Campo del Moro (opened to the public in 1978) and the Sabatini Gardens (opened to the public in 1931) adjacent to

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3410-483: A volume in 1843. A collective and hence, necessarily, uneven anthology of "types", Los españoles… was a mixture of verse and prose, and of writers and artists from various generations. Illustrators included Leonardo Alenza (1807–45), Fernando Miranda y Casellas , Francisco Lameyer (1825–1877), Vicente Urrabieta y Ortiz , and Calixto Ortega . The writers included Mesonero and Estébanez as well as various less costumbrista writers and many not usually associated with

3565-463: Is an art form developed by Spanish painters. In the 19th century, a wave of nationalistic fervour took hold, providing the stimulus for painters to focus on local customs (or costumbres ). As in literary costumbrismo , Madrid and Andalusia (particularly Seville) were Spain's two great centers of costumbrismo in the visual arts. Andalusian costumbrista paintings were mainly romantic and folkloric, largely devoid of social criticism. Much of their market

3720-410: Is distinguished for his novels of Valencian ambientation. Another literary genre, the libro de viajes (literally, books of travelling ), cultivated by national authors and by foreign authors, is also a son of the curiosity that feels the epoch for everything related to the picturesque customs. Costumbrismo invades the 19th century zarzuela and a certain type of the teatro por horas heir of

3875-456: Is far more sympathetic to his white characters, portraying Haitians as fierce beasts. Ecuadorians who wrote at least part of the time in the costumbrista mode include Pedro Fermín Cevallos (1812–93), Juan León Mera (1832–94), José Modesto Espinosa (1833–1915), Carlos R. Tobar (1854–1920), Honorato Vázquez (1855–1933), Víctor M. Rendón (1859–1940), J. Trajano Mera (1862–1919), and Luis A. Martínez (1868–1909). Another Ecuadorian

4030-408: Is frequently no more than a subterfuge. Astonished by the contradictions observed around them, incapable of clearly understanding the tumult of the modern world, these writers sought refuge in the particular, the trivial or the ephemeral." Antecedents to costumbrismo can be found as early as the 17th century (for example in the work of playwright Juan de Zabaleta ) and the current becomes clearer in

4185-809: Is less known among the Spaniards but also as important as Jouy. One of the features of the Spanish art, especially in its literature, is its tendency towards Realism . This tendency was already evident in the first written text of the Spanish narrative literature that is preserved, Cantar de Mio Cid (The Poem of the Cid) , and that is extended through the popular element that impregnates the Libro de Buen Amor (The Book of Good Love) , La Celestina (Tragicomedy of Calisto and Melibea) , Lazarillo de Tormes (The Life of Lazarillo de Tormes and of His Fortunes and Adversities) or Don Quijote (Don Quixote) itself. Costumbrismo , as one of

4340-726: Is located on the hills next to the left bank of the Manzanares River. The city grew to the east, reaching the Fuente Castellana Creek  [ es ] (now the Paseo de la Castellana ), and further east reaching the Abroñigal Creek  [ es ] (now the M-30 ). The city also grew through the annexation of neighbouring urban settlements, including those to the South West on

4495-553: Is rife with social criticism, and often angrily populist. Also in Madrid, but not really part of the School of Madrid, was Valeriano Bécquer (transplanted son of José Domínguez Bécquer). Although also influenced by Goya (and by Diego Velázquez ), his work in Madrid did partake of some of the socially critical aspects of the other painters of that city, but not of the satiric aspects: his portraits of common people emphasize their dignity, seldom their foibles. The dark vision of 20th-century Madrid painter José Gutiérrez Solana (1886–1945)

4650-512: Is the capital and most populous municipality of Spain . It has almost 3.4 million inhabitants and a metropolitan area population of approximately 7 million. It is the second-largest city in the European Union (EU), and its monocentric metropolitan area is the second-largest in the EU. The municipality covers 604.3 km (233.3 sq mi) geographical area. Madrid lies on

4805-520: The 1960s Spanish economic boom , while the south-eastern periphery became a large working-class area, which formed the base for active cultural and political movements. After the fall of the Francoist regime, the new 1978 constitution confirmed Madrid as the capital of Spain. The 1979 municipal election brought Madrid's first democratically elected mayor since the Second Republic to power. Madrid

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4960-507: The Murcian language . In the 20th century stand out Quintero brothers for their Andalusian costumbrist comedies and Carlos Arniches for his pieces from Madrid; the costumbrist element appears as fundamental in the expressionist painter and writer José Gutiérez Solana , one of the few costumbrist writers who doesn’t extol the popular aspects and who shows himself brutally critic in, for example, La España negra (The black Spain) (1920), against

5115-677: The Plaza Mayor , the Royal Palace of Madrid ; the Royal Theatre with its restored 1850 Opera House; the Buen Retiro Park , founded in 1631; the 19th-century National Library building (founded in 1712) containing some of Spain's historical archives; many national museums, and the Golden Triangle of Art , located along the Paseo del Prado and comprising three art museums: Prado Museum ,

5270-587: The Reina Sofía Museum , a museum of modern art , and the Thyssen-Bornemisza Museum , which complements the holdings of the other two museums. The mayor is José Luis Martínez-Almeida from the People's Party . The origin of the name is unknown. There are various theories regarding the origin of the toponym "Madrid" (all of them with problems when it comes to fully explaining the phonetic evolution of

5425-535: The River Manzanares in the central part of the Iberian Peninsula at about 650 meters above mean sea level. The capital city of both Spain and the surrounding autonomous community of Madrid (since 1983), it is also the political, economic, and cultural centre of the country. The climate of Madrid features hot summers and cool winters. The primitive core of Madrid, a walled military outpost, dates back to

5580-687: The Royal Spanish Academy (RAE), the Instituto Cervantes and the Foundation of Urgent Spanish ( Fundéu RAE). Madrid organises fairs such as FITUR, ARCO, SIMO TCI and the Madrid Fashion Week . Madrid is home to two world-famous football clubs, Real Madrid and Atlético Madrid . While Madrid possesses modern infrastructure, it has preserved the look and feel of many of its historic neighbourhoods and streets. Its landmarks include

5735-552: The arts all contribute to its status as one of the world's major global cities . Madrid is considered the major financial centre and the leading economic hub of the Iberian Peninsula and of Southern Europe . The metropolitan area hosts major Spanish companies such as Telefónica , Iberia , BBVA and FCC . It concentrates the bulk of banking operations in the country and it is the Spanish-speaking city generating

5890-410: The entremés . The born science of the folklore , which studies in a scientific way the popular traditions, deals in compiling, classifying and studying traditional lyric , short stories , coplas , music , games , superstitions and beliefs, sayings , handicraft , gastronomy , ceremonies , rites , folklore , parties , legends , songs , dances and vulgar romances , area in which stand out

6045-560: The gentrification and the spike of tourist apartments in the city centre) and the profusion of betting shops in working-class areas, leading to an "epidemic" of gambling among young people. Madrid lies in the centre of the Iberian peninsula on the southern Meseta Central , 60 km south of the Guadarrama mountain range and straddling the Jarama and Manzanares river sub-drainage basins, in

6200-558: The novel of manners , but also in the theater through the chico genre (literally, little genre ), and it appears as a non depreciable element in the novels of the Realism ( Fernán Caballero , José María de Pereda , Benito Pérez Galdós , Emilia Pardo Bazán and Juan Valera .) In the Naturalism Vicente Blasco Ibáñez , who finds an interrelationship in the attractive and dazzling valencian paintings of Joaquín Sorolla ,

6355-527: The revolt of the Comuneros , led by Juan Lopez de Padilla , Madrid joined the revolt against Charles, Holy Roman Emperor , but after defeat at the Battle of Villalar , Madrid was besieged and occupied by the imperial troops. The city was however granted the titles of Coronada (Crowned) and Imperial . The number of urban inhabitants grew from 4,060 in the year 1530 to 37,500 in the year 1594. The poor population of

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6510-623: The 10 m (108 sq ft) per inhabitant recommended by the World Health Organization. A great bulk of the most important parks in Madrid are related to areas originally belonging to the royal assets (including El Pardo, Soto de Viñuelas, Casa de Campo, El Buen Retiro, la Florida and the Príncipe Pío hill , and the Queen's Casino). The other main source for the "green" areas are the bienes de propios  [ es ] owned by

6665-428: The 18th century ( Diego de Torres Villarroel , José Clavijo y Fajardo , José Cadalso , Ramón de la Cruz , Juan Ignacio González del Castillo ). All of these writers have, in at least some of their work, an attention to specific, local detail, an exaltation of the "typical" that would feed into both costumbrismo and Romanticism. In the 19th century costumbrismo bursts out as a clear genre in its own right, addressing

6820-591: The 19th century "custom picture" Transido de queja of Mariano Jose de Larras , the most calmed part of Ramon Mesonero Romanos and the Serafín Estébanez Calderón 's lyric part. Then, some big collective compilations were written based on these pieces that described types and popular professions, like Los Españoles por sí mismos (The Spaniards by themselves (1843–1844), a collection that contains ninety eight articles of fifty-one authors. Its success gave birth to similar collections: Some studies consider

6975-882: The 19th century. Among his many examples of the 20th century continuation of costumbrismo are Santiago Rusiñol (1861–1931), writing in Catalan about Catalonia and Mallorca ; numerous chroniclers of the Basque Country: José María Salaverría (1873–1940), Ricardo Baroja (1871–1953), Dionisio de Azkue ("Dunixi"), José María Iribarren (1906–1971), and, as mentioned above, Pío Baroja; Vicente Blasco Ibáñez (1867–1928) writing about Valencia; and Vicente Medina Tomás (1866–1937), writing about Murcia. A strong current of costumbrismo continued in 20th-century Madrid, including in poetry ( Antonio Casero , 1874–1936) and theatre ( José López Silva , 1860–1925; Carlos Arniches Barreda , 1866–1943). Other writers who continued

7130-730: The 20th century, we find examples like La casa de la Troya or Currito de la Cruz (The house of Troy) of Alejandro Pérez Lugín and the works of Pedro de Répide , among others. The comedy of manners appeared in Spain in the 19th century in hand of Romantic authors like Manuel Eduardo de Gorostiza ( Contigo, pan y cebolla ) (With you, bread and onion) and Manuel Bretón de los Herreros with important works such as A la vejez, viruelas (To an old age, smallpoxes ) (1824), A Madrid me vuelvo ( Going back to Madrid) (1828), El pelo de la dehesa (Pasture's hair) (1837) or Muérete ¡y verás! ( Go Ahead and Die, You'll See! ) (1840). The formula prospered and at

7285-557: The Basque Country. Azorín (José Augusto Trinidad Martínez Ruíz, 1873–1967) often wrote in this genre; one could comb the works of Ramón Gómez de la Serna (1888–1963) and Camilo José Cela (1916–2002) and find many passages that could come straight from a work of costumbrismo . Although taken as a whole these writers are clearly not costumbristas , they use the costumbrista style to evoke surviving remnants of Spain's past. The tradition of costumbrismo in Spain by no means ended at

7440-559: The Bourbon army on 4 August 1706. The Habsburg army led by the Archduke Charles entered the city for a second time  [ es ] in September 1710, leaving the city less than three months after. Philip V entered the capital on 3 December 1710. Seeking to take advantage of the Madrid's location at the geographic centre of Spain, the 18th century saw a sustained effort to create

7595-528: The Béquer family, with their popular Sevillanas (from Seville) scenes, arrive at create quite a school of painting consecrated to the Andalucian customs, and formed by José Domínguez Bécquer (1805–1841), father of the famous poet Gustavo Adolfo Bécquer (1836–1870) and of the painter Valeriano Bécquer (1833–1870), whose cousin, Joaquín Domínguez Bécquer (1817–1879), was also a costumbrist painter. Furthermore, in

7750-574: The Castilian (from Castile in Spain) and Andalusian scenery ( Los pueblos, Alma española, Madrid. Guía sentimental ...) (The villages, Spanish Souls, Madrid. Sentimental Guide). Hereinafter, only authors like Camilo José Cela , seems to have counted with the costumbrista element, who is the creator of a new type of Sketch of manners , the esbozo carpetovetónico , near to the esperpento , and authors like Francisco Candel , Ramón Ayerra or Francisco Umbral ,

7905-660: The City Council. They were the main infrastructure for the supply of water until the arrival of the Canal de Isabel II in the mid-19th century. Madrid derives almost 73.5 percent of its water supply from dams and reservoirs built on the Lozoya River , such as the El Atazar Dam . This water supply is managed by the Canal de Isabel II, a public entity created in 1851. It is responsible for

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8060-529: The Enlightenment —he was not particularly enamored of the Spanish society that he nonetheless observed minutely. Costumbrismo was by no means without foreign influences. The work of Joseph Addison and Richard Steele nearly a century earlier in The Spectator had influenced French writers, who in turn influenced the costumbristas . Furthermore, Addison and Steele's own work was translated into Spanish in

8215-509: The Madrid population temporarily plummeted accordingly). Being the capital was decisive for the evolution of the city and influenced its fate and during the rest of the reign of Philip II, the population boomed, going up from about 18,000 in 1561 to 80,000 in 1598. During the early 17th century, although Madrid recovered from the loss of the capital status, with the return of diplomats, lords and affluent people, as well as an entourage of noted writers and artists together with them, extreme poverty

8370-665: The Manzanares. Other large forested areas include the Soto de Viñuelas , the Dehesa de Valdelatas  [ es ] and the Dehesa de la Villa  [ es ] . As of 2015, the most recent big park in the municipality is the Valdebebas Park. Covering a total area of 4.7 km (1.8 sq mi), it is sub-divided in a 3.4 km (1.3 sq mi) forest park (the Parque forestal de Valdebebas-Felipe VI  [ es ] ),

8525-564: The Royal Palace. Further west, across the Manzanares, lies the Casa de Campo , a large forested area with more than 1700 hectares (6.6 sq mi) where the Madrid Zoo , and the Parque de Atracciones de Madrid amusement park are located. It was ceded to the municipality following the proclamation of the Second Spanish Republic in 1931. The Monte de El Pardo is the largest forested area in

8680-427: The aegis of a wider coordinated urban planning. Madrid grew through the annexation of neighboring municipalities, achieving the present extent of 607 km (234.36 sq mi). The south of Madrid became heavily industrialized, and there was significant immigration from rural areas of Spain. Madrid's newly built north-western districts became the home of a newly enriched middle class that appeared as result of

8835-647: The agricultural and less repopulated town of Madrid. After the decline of Sepúlveda , another concejo north of the mountain range, Segovia had become a major actor south of the Guadarrama mountains, expanding across the Lozoya and Manzanares rivers to the north of Madrid and along the Guadarrama river course to its west. In 1309, the Courts of Castile convened at Madrid for the first time under Ferdinand IV , and later in 1329, 1339, 1391, 1393, 1419 and twice in 1435. During

8990-508: The approach of the picturesque, occasionally container of a satire and social criticism with intention of reform, and other times almost photographic reproductions of the reality (sometimes with very raw scenes and rough, even rude, vocabulary.) The American costumbrist work usually abounded in local details, in its desire to reflect reality as faithfully as possible. Madrid Madrid ( / m ə ˈ d r ɪ d / mə- DRID ; Spanish: [maˈðɾið] )

9145-403: The aristocracy, of prominent businessmen, of the high clergy, or of the army, and except for the "popular" classes, the writing is a bit circumspect and cautious. Still, the material is strong on ethnological, folkloric, and linguistic detail. In an epilogue to Los españoles… , "Contrastes. Tipos perdidos, 1825, Tipos hallados, 1845" ("Contrasts. Types lost, 1825, types found, 1845"), Mesonero on

9300-406: The articles of customs) was a short sketch-like composition in which the customs, habits, landscapes, amusements and even animals representative of a particular society are relayed, sometimes with the purpose of entertaining (pleasant pictures) and sometimes clearly intended to criticize the society and call for moral reformation. The precedent of Juan de Zabaleta 's poetry in the 17th century, led to

9455-442: The beginning of the 20th century it became popular in the work of the brothers Serafín and Joaquín Álvarez Quintero and in the sainetes of Carlos Arniches ( Del Madrid Castizo ) (From pure's Madrid). In England, Richard Steele (1672–1729), who published his costumbrist magazine The Tatler , and Joseph Addison (1672–1719), the co-founder of The Spectator magazine, were costumbrist writers and both of them have been considered

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9610-500: The book merged the hitherto more essayistic costumbrista form with aspects of the novel (although not a particularly tightly plotted novel). Somewhat more novelistic was his Fe, Esperanza y Caridad ("Faith Hope and Charity"), published serially in La Nación in 1850–1851 and also much reprinted. Flores had been Eugène Sue 's translator into Spanish, and Sue's influence is strong in this work. Flores turned to again to custumbrismo , of

9765-440: The called Generation of ‘98 has more value and shaded dyes, and looks in its trips the real Spain opposite the official Spain: Miguel de Unamuno writes De mi país (From my country) (1903), Pio Baroja his Vitrina pintoresca (Odd display cabinet (1935), receiving in his Basque (from the Basque Country in Spain) trilogies, customs of that region, as in his etchings and literature his brother Ricardo Baroja ; Azorín appears to

9920-428: The city by 1956). A transitional planning intended to temporarily replace the shanty towns were the poblados de absorción , introduced since the mid-1950s in locations such as Canillas , San Fermín , Caño Roto, Villaverde , Pan Bendito  [ es ] , Zofío and Fuencarral , aiming to work as a sort of "high-end" shacks (with the destinataries participating in the construction of their own housing) but under

10075-648: The city in May 1931 worsened the political environment. However, the 1934 insurrection largely failed in the city. Madrid was one of the most heavily affected cities in the Spanish Civil War (1936–1939). It was a stronghold of the Republican faction from July 1936 and became an international symbol of anti-fascist struggle during the conflict. The city suffered aerial bombing, and in November 1936, its western suburbs were

10230-469: The city proliferated. The following administrations, also conservative, led by Alberto Ruiz-Gallardón and Ana Botella launched three unsuccessful bids for the 2012, 2016 and 2020 Summer Olympics. By 2005, Madrid was the leading European destination for migrants from developing countries , as well as the largest employer of non-European workforce in Spain. Madrid was a centre of the anti-austerity protests that erupted in Spain in 2011. As consequence of

10385-441: The city's history as the capital of formerly imperial Spain. The intense demographic growth experienced by the city via mass immigration from the rural areas of the country led to the construction of abundant housing in the peripheral areas of the city to absorb the new population (reinforcing the processes of social polarization of the city), initially comprising substandard housing (with as many as 50,000 shacks scattered around

10540-430: The city. Precipitation is typically concentrated in the autumn, winter, and spring. It is particularly sparse during the summer, taking the form of about two showers and/or thunderstorms during the season. Madrid is the european capital with the least amount of annual precipitation. At the metropolitan scale, Madrid features both substantial daytime urban cool island and nighttime urban heat island effects during

10695-521: The co-founder of The Spectator magazine, were costumbrist writers and both of them have been considered the inventors of what they themselves called Essay or Sketch of manners . While costumbrist pieces are meant as popular entertainment, there can often be an undercurrent of criticism or satire beneath the surface. In the 20th century, the Quintero brothers are noted for their Andalusian costumbrist comedies and Carlos Arniches for his pieces from Madrid. The costumbrist element appears as fundamental in

10850-449: The colectiv or volksgeist (national or popular character) identity be renewed through the Nationalism and the Regionalism , being expressed on purpose in genres like the article or the custom picture , and cultivated in the press and then gathered in individual or collective collections by authors like Sebastián Miñano y Bedoya , Mariano José de Larra , Ramón de Mesonero Romanos and Serafín Estébanez Calderón , among many others, and

11005-468: The collection of that library after the War of the Pacific . He referred to his works in this mode as tradiciones , rather than costumbrismo . Other Peruvian costumbristas are satirist and verse writer Pedro Paz Soldán y Unanue (1839–1895), Abelardo M. Gamarra (1850–1924), and the nostalgic José Gálvez (1885–1957). Literary costumbrismo In England, Richard Steele (1672–1729), who published The Tatler , and Joseph Addison (1672–1719),

11160-522: The conquest, Christians occupied the center of the city, while Muslims and Jews were displaced to the suburbs. Madrid, located near Alcalá (under Muslim control until 1118), remained a borderland for a while, suffering a number of razzias during the Almoravid period, and its walls were destroyed in 1110. The city was confirmed as villa de realengo  [ es ] (linked to the Crown) in 1123, during

11315-451: The contributors to Los españoles... followed up in 1846 with Doce españoles de brocha gorda, que no pudiéndose pintar a sí mismos, me han encargado a mí, Antonio Flores, sus retratos ("Twelve Spaniards with a broad brush, who not being able to portray themselves have put me, Antonio Flores, in charge of their portraits"), subtitled a "novel of popular customs" ( "novela de costumbres populares" ). Published in 1846 and reissued several times,

11470-581: The convent"). Bolivian costumbristas include Julio Lucas Jaimes (1845–1914), Lindaura Anzoátegui de Campero (1846–98), Jaime Mendoza (1874–1938), Alcides Arguedas (1879–1946), and Armando Chirveches (1881–1926). Guatemalan novelist and historian José Milla (1822–82) wrote several costumbrista works and created the character of Juan Chapín , the emblematic Guatemalan. Other Central American costumbristas are José María Peralta Lagos (1875–1944, El Salvador ), Ramón Rosa (1848–93, Honduras ), Carlos Alberto Uclés (1854–1942, Honduras), and

11625-455: The costumbrista tradition, including Claudio Linati and Edouard Pingret . The most significant Mexican costumbrista painter is José Agustín Arrieta , whose paintings of a market scene ( "La Sorpresa" ), a kitchen scene ( "La Cocina Poblana" ), and a tavern scene ( Tertulia de pulquería ) are well known. One less famous than Arrieta is Manuel Serrano (ca. 1830-ca. 1870s), about whom little is known. His painting Vendador de buñuelos , depicting

11780-469: The court was composed of ex-soldiers, foreigners, rogues and Ruanes, dissatisfied with the lack of food and high prices. In June 1561 Phillip II set his court in Madrid, installing it in the old alcázar . Thanks to this, the city of Madrid became the political centre of the monarchy, being the capital of Spain except for a short period between 1601 and 1606, in which the Court was relocated to Valladolid (and

11935-579: The cultural environments Casticismo (literally purity ), a tendency to fix a natural, popular and national pattern for the literary style based on the native tradition, was set against the Cosmopolitanism and the frenchification of the Enlightenment . In the 19th century, that element acquires independence through the subjective element that the Romanticism covers, what makes that the interest in

12090-614: The difference between the School of Madrid and that of Seville. For him the "official" Romanticism was a topic to satirize, as in his series of paintings Suicidios románticos ("Romantic suicides"). Probably foremost in the School of Madrid was Eugenio Lucas Velázquez (1817–70). An artistic successor to Goya (though a more erratic painter than the master), Lucas Velázquez's work ranged from bullfighting scenes to Orientalism to scenes of witchcraft . His son Eugenio Lucas Villamil (1858–1918) and his students Paulino de la Linde (1837-?) and José Martínez Victoria followed in his tracks; he

12245-536: The earliest antecedents to the costumbrismo in El Carnero (written 1636–38, but not published until 1859) by Juan Rodríguez Freile (1566–1638 or 1640). Rodríguez's work begins as a chronicle of the conquest of New Granada , but as it approaches his own time it becomes more and more detailed and quotidian, and its second half is a series of narratives that, according to Stephen M. Hart, give "lip service" to conventional morality while taking "a keen delight in recounting

12400-598: The early 19th century, and Mesonero Romanos, at least, had read it in French. Still, an even stronger influence came by way of Victor-Joseph Étienne de Jouy (whose work appeared in translation in La Minerva and El Censor ), Louis-Sébastien Mercier (especially for Le Tableau de Paris , 1781–88), Charles Joseph Colnet Du Ravel , and Georges Touchard-Lafosse . In addition, there were the travelogues such as Richard Ford 's A Handbook for Travellers in Spain , written by various foreigners who had visited Spain and, in painting,

12555-498: The economic necessity of promote the Tourism , especially in the cinema, where this type of products became known as españoladas . Nevertheless, some prewar and postwar authors headed by Ramón Gómez de la Serna ( Elucidario de Madrid, El Rastro ) (Explanation of Madrid, The Track) are saved because they follow the 19th century tradition of the Sketch of manners . This group revolves around

12710-535: The elements that constitute this complicated feature, began to develop in Spain especially in the 17th century because of the popularizing guidelines that come since the Council of Trent and the Counter-Reformation and because of the cultural borderlines closing ordered by the king Philip II of Spain . Thus, popular people and environments that are not presumptuous, and that enable people to identify themselves with

12865-557: The environmental value. During the reign of Ferdinand VII the regime of hunting prohibition for the Monte de El Pardo became one of full property and the expropriation of all possessions within its bounds was enforced, with dire consequences for the madrilenians at the time. It is designated as Special Protection Area for bird-life and it is also part of the Regional Park of the High Basin of

13020-524: The existence of an established settlement in Madrid dates from the Muslim age. In the second half of the 9th century, Umayyad Emir Muhammad I built a fortress on a headland near the river Manzanares as one of the many fortresses he ordered to be built on the border between Al-Andalus and the kingdoms of León and Castile , with the objective of protecting Toledo from the Christian reconquests and also as

13175-485: The expressionist painter and writer José Gutiérez Solana , one of the few costumbrist writers who doesn't extol the popular aspects but who shows himself brutally critical in, for example, La España negra (The Black Spain,1920) Categorized as a minor genre in the Spanish literature and the English literature of the 19th century , there are several precedents −3 along the history of the literature- that can be regarded in

13330-588: The first costumbrist baroque writers who specialized in this kind of topics. In the 18th century, the entremés is transformed into a sainete with such important authors as Ramón de la Cruz , who specialized in a kind of Madrileñismo (from Madrid), and Juan Ignacio González del Castillo , who reproduces types and customs from Cadiz. In the 1700s some painters begin to pay attention to the popular customs and types through fads like Majismo (Kindness). Francisco Goya in his Cartones para tapices , (Cardboards for tapestries) or in his prints about bullfighting, and

13485-467: The following novels to be examples of Spanish Costumbrismo during the 19th century: Sotileza (Subtlety), Peñas arriba (Cheer up people) of Jose Maria de Pereda , La gaviota (Seagull) of Fernán Caballero , Pepita Jiménez (Pepita Jiménez) of Juan Valera , La hermana San Sulpicio (Sister San Sulpicio) of Armando Palacio Valdés , and certain passages in Benito Perez Galdós 's work. Yet in

13640-530: The foreign artists (especially, David Roberts ) who had settled for a time especially in Seville and Granada and drew or painted local subjects. While Estébanez Calderón, Mesonero Romanos, and (insofar as he fits the genre) Larra were the major costumbrista writers, many other Spanish writers of the 19th century devoted all or part of their careers to costumbrismo . Antonio María Segovia (1808–74), who mainly wrote pseudonymously as "El Estudiante" and who founded

13795-479: The frequent heat waves. Due to Madrid's altitude and dry climate, humidity is low and diurnal ranges are often significant, particularly on sunny winter days when the temperature rises in the afternoon before rapidly plummeting after nightfall. Madrid is among the sunniest capital cities in Europe. The highest recorded temperature was on 14 August 2021, with 40.7 °C (105.3 °F) and the lowest recorded temperature

13950-501: The genre with Madrid por fuera and De flor en flor . Gustavo Adolfo Bécquer (1836–1870) portrayed Madrid, Seville, and Toledo . José María Gabriel y Galán (1870–1905), best known as a poet, also wrote costumbrista pieces about Salamanca . Armando Palacio Valdés (1853–1938) also essayed the genre in newspaper articles, collected in Aguas fuertes ("Strong waters", 1884). The writer and diplomat Ángel Ganivet (1865–98), seen by some as

14105-459: The genre, such as Gabriel García Tassara (1817–75) or the conservative politician Francisco Navarro Villoslada (1818–95). Andrés Soria remarks that, except for the Andalusian "types", everything was from the point of view of Madrid. Unlike later costumbrismo , the focus remained firmly on the present day. In some ways, the omissions are as interesting as the inclusions: no direct representation of

14260-658: The genre. Esteban Echeverría (1805–51) was a politically passionate Romantic writer whose work has strong costumbrista aspects; his El Matadero ("The Slaughterhouse") is still widely read. Juan Bautista Alberdi (1810–84) and Domingo Faustino Sarmiento (1811–1888) both wrote at times in the genre, as did José Antonio Wilde (1813–83), in Buenos Aires desde setenta años atrás ("Buenos Aires from seventy years ago"); Vicente G. Quesada (1830–1913), in Recuerdos de un viejo ("Memories of an old man"); Lucio V. López (1848–94), in

14415-453: The homes of the influx of workers, while Ensanche became a middle-class neighbourhood of Madrid. The Spanish Constitution of 1931 was the first to legislate the location of the country's capital, setting it explicitly in Madrid. During the 1930s, Madrid enjoyed "great vitality"; it was demographically young, becoming urbanized and the centre of new political movements. During this time, major construction projects were undertaken, including

14570-547: The huge literary movement the perfection of the arts was bringing with it: such productions had had neither opportunity nor truth, nor not relying on the aid of the rapidity of the publication. The newspapers were, though, those who made an agreement with the writers of these light pictures of custom, whose success is deserved thanks to the style. Larra establishes the origin of the modern literature of customs in England since Addison ’s The Spectator . The custom picture (also called

14725-530: The inventors of what they themselves called Essay or Sketch of manners . The abbé Étienne de Jouy (1764–1846), whose work that notably influenced in the Spanish costumbrist Mariano José de Larra appeared in the Gazette de France between 1811 and 1817, is a representative of the costumbrist genre in the French literature, after the translations of Pierre de Marivaux (1688–1763) and the essays of Louis Sébastien Mercier (1740–1814). Paul-Louis Courier (1772–1825)

14880-804: The largest number of webpages. Madrid houses the headquarters of the UN 's World Tourism Organization (UNWTO), the Ibero-American General Secretariat (SEGIB), the Organization of Ibero-American States (OEI), and the Public Interest Oversight Board (PIOB). It also hosts major international regulators and promoters of the Spanish language: the Standing Committee of the Association of Spanish Language Academies, headquarters of

15035-531: The last one is the author of a type of anti-burgues Costumbrismo with a radiant style. The costumbrist novel had a special repercussion in some countries. In Mexico or in Colombia for example, Costumbrismo influenced non-costumbrist novels. An example is the sentimental novel María , by Jorge Isaacs . Due to him, the article of customs, very popular and with wide dissemination, recreated sketches of manners of pure localism in his types and language, emphasis on

15190-526: The late 1830s. In the Dominican Republic , Francisco Gregorio Billini (1844–94) stands out for his novel Baní o Engracia y Antoñita (1892). Still, in some ways, his vision was narrow. J. Alcántara Almánzar remarks that "black people are practically absent as important characters, and this absence is very significant in a country whose majority is 'mulatto'." Blacks are more present in the costumbrista works of Cesar Nicolas Penson (1855–1901), but he

15345-512: The late 18th and 19th century, costumbrismo expanded to the Americas and set roots in the Spanish-speaking portions of the Americas, incorporating indigenous elements. Juan López Morillas summed up the appeal of costumbrismo for writing about Latin American society as follows: the costumbristas' "preoccupation with minute detail, local color, the picturesque, and their concern with matters of style

15500-750: The late 9th century, under the Emirate of Córdoba . Conquered by Christians in 1083 or 1085, it consolidated in the Late Middle Ages as a sizeable town of the Crown of Castile . The development of Madrid as administrative centre fostered after 1561, as it became the permanent seat of the court of the Hispanic Monarchy . The Madrid urban agglomeration has the fourth-largest GDP in the European Union and its influence in politics , education , entertainment , environment , media , fashion , science , culture , and

15655-563: The latter's confluence with the Fuente Castellana thalweg in the south of the city. The Monte de El Pardo (a protected forested area covering over a quarter of the municipality) reaches its top altitude (843 m (2,766 ft)) on its perimeter, in the slopes surrounding El Pardo reservoir  [ es ] located at the north-western end of the municipality, in the Fuencarral-El Pardo district. The oldest urban core

15810-744: The mode at times. Costumbrismo figures particularly heavily in stage comedies: El patio de los Tribunales ("The courtyard of the tribunals [of justice]", by Valentín Murillo (1841–1896); Don Lucas Gómez , by Mateo Martínez Quevedo (1848–1923); Chincol en sartén ("A sparrow in the pan") and En la puerta del horno ("In the gate of horn "), by Antonio Espiñeira (1855–1907); La canción rota ("The broken song"), by Antonio Acevedo Hernández (1886–1962); Pueblecito ("Little town") by Armando Moock (1894–1942). In prose, costumbrismo mixes eventually into realism, with Manuel J. Ortiz (1870–1945) and Joaquín Díaz García (1877–1921) as important realists with costumbrista aspects. Colombia can claim one of

15965-528: The moderating effect of the sea. While mostly sunny, rain, sporadic snowfalls and frequent frosts can occur between December and February with cooler temperatures particularly during the night and mornings as cold winds blow into the city from surrounding mountains. Summers are hot and sunny, in the warmest month, July, average temperatures during the day range from 32 to 34 °C (90 to 93 °F) depending on location, with maxima commonly climbing over 35 °C (95 °F) and occasionally up to 40 °C during

16120-557: The municipality (including the Dehesa de la Villa, the Dehesa de Arganzuela or Viveros). El Retiro is the most visited location of the city. Having an area bigger than 1.4 km (0.5 sq mi) (350 acres), it is the largest park within the Almendra Central , the inner part of the city enclosed by the M-30. Created during the reign of Philip IV (17th century), it was handed over to

16275-628: The municipality in 1868, after the Glorious Revolution. It lies next to the Royal Botanical Garden of Madrid . Located northwest of the city centre, the Parque del Oeste ("Park of the West") comprises part of the area of the former royal possession of the "Real Florida", and it features a slope as the height decreases down to the Manzanares. Its southern extension includes the Temple of Debod ,

16430-508: The municipality. A holm oak forest covering a surface over 16,000 hectares, it is considered the best preserved mediterranean forest in the Community of Madrid and one of the best preserved in Europe. Already mentioned in the Alfonso XI 's Libro de la montería  [ es ] from the mid-14th century, its condition as hunting location linked to the Spanish monarchy help to preserve

16585-572: The name "Jotabeche" was the supreme Chilean costumbrista . Strong aspects of costumbrismo can be seen in the novels and other works of Alberto Blest Gana (1830–1920). There are many costumbrista passages in the works of Benjamín Vicuña Mackenna (1831–86) and Daniel Barros Grez (1833–1904); Román Vial (1833–1896) entitled one of his books Costumbres chilenas ; Zorobabel Rodríguez (1839–1901), Moisés Vargas (1843–98), Arturo Givovich (1855–1905), Daniel Riquelme (1854–1912), Senén Palacios (1858–1927), Egidio Poblete (1868–1940) all wrote in

16740-464: The northern extension of the Paseo de la Castellana , one of Madrid's major thoroughfares. The tertiary sector, including banking, insurance and telephone services, grew greatly. Illiteracy rates were down to below 20%, and the city's cultural life grew notably during the so-called Silver Age of Spanish Culture; the sales of newspapers also increased. Conversely, the proclamation of the Republic created

16895-732: The novela La gran aldea ("The big village"); Martín Coronado (1850–1919), playwright; Martiniano Leguizamón (1858–1935), in the novel Montaraz ; José S. Alvarez (1858–1903, "Fray Mocho"), in the story "Viaje al país de los matreros" ("A trip to bandit country"); Emma de la Barra (1861–1947), who wrote under the pseudonym César Duayen , in Stella ; Joaquín V. González (1863–1923), in Mis montañas ("My Mountains"); Julio Sánchez Gardel (1879–1937), in numerous comedies; and Manuel Gálvez (1882–1962), in such novels as La maestra normal ("The normal school teacher") and La sombra del convento ("The sleep of

17050-511: The obliging paintings by Julio Romero de Torres (however, expressionists in essence) or more balanced by Ignacio Zuloaga ; nevertheless, since the Civil War , this Costumbrismo involutes as it is identified with the superficial and uncritical picturesqueness of the European travellers to Spain from the 19th century and with an Andalusian (from Andalusia) impoverishing reductionism that was good to

17205-743: The one hand showed that the genre, in its original terms, was played out, and on the other laid the ground for future costumbrismo : new "types" would always arise, and many places remained to be written about in this fashion. The book had many descendants, and a major reissue in 1871. A particularly strong current came out of Barcelona : for example, José M. de Freixas 's Enciclopedia de tipos vulgares y costumbres de Barcelona ("Encyclopedia of vulgar types and customs of Barcelona", 1844) illustrated by Servat, and El libro Verde de Barcelona ("The Green Book of Barcelona", 1848) by "José y Juan" ( José de Majarrés and Juan Cortada y Sala . The very title of Los valencianos pintados por sí mismos ( Valencia 1859) gave

17360-678: The only noticeable bourgeois elements in Madrid (that experienced a delay in its industrial development up to that point) were merchants. The University of Alcalá de Henares was relocated to Madrid in 1836, becoming the Central University . The economy of the city further modernized during the second half of the 19th century, consolidating its status as a service and financial centre. New industries were mostly focused in book publishing, construction and low-tech sectors. The introduction of railway transport greatly helped Madrid's economic prowess, and led to changes in consumption patterns (such as

17515-507: The prologue for Cárdenas's 1847 collection of costumbrista articles. José Victoriano Betancourt (1813–75) was patron to many intellectuals in 1860s Havana ; he later went into exile in Mexico. He is best remembered today as a costumbrista writer, as is another Betancourt, José Ramón Betancourt (1823–90), author of Una feria de caridad en 183… (ellipses in original title), set in Camagüey in

17670-527: The prose portions of her Cuentos y poesías populares andaluzas ("Popular Andalusian stories and poems", collected in 1859 from prior publication in magazines), writes within the genre, particularly in "Una paz hecha sin preliminares, sin conferencias y sin notas diplomáticas" ("A peace made without preliminaries, without conferences, and without diplomatic notes"), with its very specific setting in Chiclana de la Frontera . Pedro Antonio de Alarcón (1833–1891) issued

17825-407: The pseudonym Fermín de Pimentel y Vargas ), and Tomás Carrasquilla (1858–1940). Cuba 's leading costumbristas were Gaspar Betancourt Cisneros (1803–66, known as "El Lugareño"), Cirilo Villaverde (1812–94), and José María de Cárdenas y Rodríguez (1812–82). The patrician Betancourt published a series of Escenas cotidianas que abren camino al costumbrismo en Cuba ("Everyday scenes that pave

17980-547: The pseudonym "Fígaro". Estébanez Calderón (who originally wrote for the abovementioned Correo Literario y Mercantil ) looked for a "genuine" and picturesque Spain in the recent past of particular regions; Mesonero Romanos was a careful observer of the Madrid of his time, especially of the middle classes; Larra, according to José Ramón Lomba Pedraja , arguably transcended his genre, using the form of costumbrismo for political and psychological ideas. An afrancesado —a liberal child of

18135-633: The region's identity. The magazine España , founded 1915, wrote about some new "types": the indolent golfo ; the lower class señorito chulo with his airs and exaggerated fashions; the albañil or construction worker, but with far less sympathy than costumbristas in the previous century had portrayed their predecessors. Other "types" were those who were a caricature of times past: el erudito , with his vast but pointless book-learning, or El poeta de juegos florales ("the poet of floral games"). Andrés Soria describes 20th century regional costumbrismo as more serious, less picturesque, and more poetic than in

18290-498: The reign of Alfonso VII . The 1123 Charter of Otorgamiento established the first explicit limits between Madrid and Segovia, namely the Puerto de El Berrueco and the Puerto de Lozoya. Beginning in 1188, Madrid had the right to be a city with representation in the courts of Castile. In 1202, Alfonso VIII gave Madrid its first charter to regulate the municipal council, which was expanded in 1222 by Ferdinand III . The government system of

18445-437: The rest of the country, a heroin crisis took a toll in the poor neighborhoods of Madrid in the 1980s. Benefiting from increasing prosperity in the 1980s and 1990s, the capital city of Spain consolidated its position as an important economic, cultural, industrial, educational, and technological centre on the European continent. During the mandate as Mayor of José María Álvarez del Manzano construction of traffic tunnels below

18600-419: The right bank of the Manzanares. Madrid has the second highest number of aligned trees in the world, with 248,000 units, only exceeded by Tokyo. Madrid's citizens have access to a green area within a 15-minute walk. Since 1997, green areas have increased by 16%. At present, 8.2% of Madrid's grounds are green areas, meaning that there are 16 m (172 sq ft) of green area per inhabitant, far exceeding

18755-424: The romantic and realist focus on precise representation of particular times and places, rather than of humanity in the abstract. It is often satiric and even moralizing, but unlike mainstream realism does not usually offer or even imply any particular analysis of the society it depicts. When not satiric, its approach to quaint folkloric detail often has a romanticizing aspect. Costumbrismo can be found in any of

18910-553: The rural; Vicente de la Fuente (1817–89), portraying the lives of bookish students (in between writing serious histories); José Giménez Serrano , portraying a romantic Andalusia ; Enrique Gil y Carrasco , a Carlist from Villafranca del Bierzo , friend of Alexander von Humboldt , and contributor to the Semanario Pintoresco Español ; and many other regionalists around Spain. Much as literary costumbrismo had been influenced by English models, often by way of France,

19065-582: The same occurred with the equivalent in the visual arts, but with far more recent models. In a period when physiognomy was in vogue, Heads of the People or Portraits of the English was serialized in London starting in 1838 and was published in its entirety in 1840–41. It combined essays by such "distinguished writers" (the volume's own choice of words) as William Makepeace Thackeray and Leigh Hunt with pictures of individuals emblematic of different English "types". This

19220-400: The satiric-literary magazine El Cócora ; his collaborator Santos López Pelegrín (1801–46), "Abenámar"; many early contributors to Madrid's Semanario Pintoresco Español (1836-57), Spain's first illustrated magazine; and such lesser lights as Antonio Neira de Mosquera (1818–53), "El Doctor Malatesta" ( Las ferias de Madrid , 1845); Clemente Díaz , with whom costumbrismo took a turn toward

19375-591: The scene of an all-out battle. The city fell to the Francoists in March 1939. A staple of post-war Madrid ( Madrid de la posguerra ) was the widespread use of ration coupons . Meat and fish consumption was scarce, resulting in high mortality due to malnutrition. Due to Madrid's history as a left-wing stronghold, the right-wing victors considered moving the capital elsewhere (most notably to Seville ), but such plans were never implemented. The Franco regime instead emphasized

19530-583: The so-called Madrileñismo (from Madrid), like Eusebio Blasco (1844–1903), Pedro de Répide (1882–1947), Emiliano Ramírez Ángel (1883–1928), Luis Bello or, in the postwar, Federico Carlos Sainz de Robles . As for the Andalucism o (meaning in English Andalusian literary expression ), the deep 19th century vein is renewed by writers like José Nogales (1860–1908), Salvador Rueda (1857–1933), Arturo Reyes (1864–1913) and others. The Costumbrismo of

19685-492: The spillover of the 2008 financial and mortgage crisis , Madrid has been affected by the increasing number of second-hand homes held by banks and house evictions . The mandate of left-wing Mayor Manuela Carmena (2015–2019) delivered the renaturalization of the course of the Manzanares across the city. Since the late 2010s, the challenges the city faces include the increasingly unaffordable rental prices (often in parallel with

19840-423: The substitution of salted fish for fresh fish from the Spanish coasts) as well as further strengthening the city's role as a logistics node in the country's distribution network. Electric lighting in the streets was introduced in the 1890s. During the first third of the 20th century the population nearly doubled, reaching more than 850,000 inhabitants. New suburbs such as Las Ventas, Tetuán and El Carmen became

19995-556: The summer season in relation to its surroundings, which feature thinly vegetated dry land. In the 17th century, the viajes de agua (a kind of water channel or qanat ) were used to provide water to the city. Some of the most important ones were the Viaje de Amaniel  [ es ] (1610–1621, sponsored by the Crown), the Viaje de Fuente Castellana  [ es ] (1613–1620) and Abroñigal Alto  [ es ] / Abroñigal Bajo  [ es ] (1617–1630), sponsored by

20150-414: The supply, depurating waste water and the conservation of all the natural water resources of the Madrid region. The population of Madrid has overall increased since the city became the capital of Spain in the mid-sixteenth century, and has stabilised at approximately 3,000,000 since the 1970s. From 1970 until the mid-1990s, the population dropped. This phenomenon, which also affected other European cities,

20305-570: The toponym), namely: Nicknames for Madrid include the plural Los Madriles and La Villa y Corte ( lit.   ' the town and court ' ). The site of modern-day Madrid has been occupied since prehistoric times, and there are archaeological remains of the Celtic Carpetani settlement, Roman villas , a Visigoth basilica near the church of Santa María de la Almudena and three Visigoth necropolises near Casa de Campo, Tetuán and Vicálvaro. The first historical document about

20460-535: The town was changed to a regimiento of 12 regidores by Alfonso XI on 6 January 1346. Starting in the mid-13th century and up to the late 14th century, the concejo of Madrid vied for the control of the Real de Manzanares territory against the concejo of Segovia , a powerful town north of the Sierra de Guadarrama mountain range, characterised by its repopulating prowess and its husbandry-based economy, contrasted with

20615-451: The tradition were Eusebio Blasco (1844–1903), Pedro de Répide (1882–1947), Emiliano Ramírez Ángel (1883–1928), Luis Bello (1872–1935), and Federico Carlos Sainz de Robles (1899–1983). Similarly, 20th century Andalusia saw work by José Nogales (1860?–1908), Salvador Rueda (1857–1933), Arturo Reyes (1864–1913), José Mas y Laglera (1885–1940), Ángel Cruz Rueda (1888–1961), and Antonio Alcalá Venceslada (1883–1955). Costumbrismo

20770-609: The turn of the century, but it simply did not play as important a role in 20th-century Spanish literature as it did in the century before. As noted above , several of the most important 20th-century Spanish writers at least dabbled in, or were influenced by, the genre. When we go beyond the first string of writers, we see more of a continuation of costumbrismo . In the course of the century, more and more Spanish regions asserted their particularity, allowing this now established technique of writing to be given new scope. In other regions—Madrid, Andalusia— costumbrismo itself had become part of

20925-593: The upper classes in Madrid during the Restoration , as in his Sueños y realidades ("Dreams and realities , 1878). Enrique Sepúlveda wrote about both Madrid and Barcelona, Narcís Oller (1846–1930) about Barcelona, and Sabino de Goicoechea (1826–1901), known as "Argos", about the Basque Country. Galicia was represented by the collective work El álbum de Galicia. Tipos, costumbres y leyendas ("The album of Galicia. Types, customs and legends", 1897). Poet, journalist and pamphleteer Antonio Flores Algovia (1821–65), one of

21080-610: The use of traditional topics. Its relevance in the context of the 19th century had aimed to be excused as a reaction of the middle class , after the romantic revolution (or even during that time), predicting the possible loss of the traditions and folklore “smashed by the Industrial Revolution ". Nevertheless, it was the progress achieved by this revolution the one which would catapult the costumbrismo , as one of his most known representative authors clearly states: The genre would have never managed to turn enthroned, but helped by

21235-552: The various skullduggeries of witches, rogues, murderers, whores, outlaws, priests and judges." Colombia can also claim a particularly rich tradition of costumbrismo in the 19th century and into the 20th: José Manuel Groot (1800–78); novelists Eugenio Díaz (1803–65), José Manuel Marroquín (1827–1908), and José María Vergara y Vergara (1831–72), all of whom collaborated on the magazine El Mosaico, la revista bogotana del costumbrismo (1858–71); Luis Segundo Silvestre (1838–87); and Jorge Isaacs (1837–95), whose sole novel María

21390-481: The visual or literary arts; by extension, the term can also be applied to certain approaches to collecting folkloric objects, as well. Originally found in short essays and later in novels, costumbrismo is often found in the zarzuelas of the 19th century, especially in the género chico . Costumbrista museums deal with folklore and local art and costumbrista festivals celebrate local customs and artisans and their work. Although initially associated with Spain in

21545-577: The way for costumbrismo in Cuba, 1838–40). His work focused often on what he found vulgar or ridiculous about Cuban life, but was written with a fatherly affection. Villaverde, probably Cuba's greatest costumbrista , wrote romantic novels, most notably Cecilia Valdés (the first part of which was published in 1839, although the definitive version was not published until 1882). This costumbrista anti-slavery novel can be seen as an early realist work, and continues to be read in recent times. Villaverde also wrote

21700-429: The wider Tagus River catchment area. With an average altitude of 650 m (2,130 ft), Madrid is the second highest capital of Europe (after Andorra la Vella ). The difference in altitude within the city proper ranges from the 700 m (2,297 ft) around Plaza de Castilla in the north of city to the 570 m (1,870 ft) around La China wastewater treatment plant on the Manzanares' riverbanks, near

21855-1242: Was Alfredo Baquerizo Moreno (1859–1951), a novelist and later president of the country. Mexican costumbrismo can claim one of the longest lineages to be found in the Americas. In the same era in which the genre was gaining an identity in Spain, José Joaquín Fernández de Lizardi (1776–1827) Mexico's first novelist (and perhaps Latin America's first novelist) wrote works that had many similar aspects, including Periquillo Sarniento (1816), recently translated into English as The Mangy Parrot . Other Mexican costumbristas are Guillermo Prieto (1818–97) and José Tomás de Cuéllar (1830–94). In addition, José López Portillo y Rojas (1850–1923), Rafael Delgado (1853–1914), Ángel del Campo (1868–1908) and Emilio Rabasa (1856–1930) can be seen as costumbristas , but their work can also be considered realist. Paraguayan costumbristas include Teresa Lamas de Rodríguez Alcalá (1887–1976) and Carlos Zubizarreta (1904–72). Peruvian costumbrismo begins with José Joaquín de Larriva y Ruiz (1780–1832), poeta and journalist and his younger, irreverent, Madrid-educated collaborator Felipe Pardo y Aliaga (1806–68). A more festive and comic note

22010-491: Was also a strong influence on Antonio Pérez Rubio (1822–88) and Ángel Lizcano Monedero (1846–1929). José Elbo (1804–44) was at least strongly akin to the School of Madrid. Although born in Úbeda in the Andalusian province of Jaén , Elbo studied painting in Madrid under José Aparicio (1773–1838), and was influenced by Goya; he was also influenced by the Central European equivalents of costumbrismo . His painting

22165-592: Was becoming more and more tense. On 2 May, a crowd began to gather near the Royal Palace protesting against the French attempt to evict the remaining members of the Bourbon royal family to Bayonne , prompting up an uprising against the French Imperial troops that lasted hours and spread throughout the city, including a famous last stand at the Monteleón barracks. Subsequent repression was brutal, with many insurgent Spaniards being summarily executed . The uprising led to

22320-479: Was continued by the School of Seville, in a city much more on the path of a foreign clientele. The founding figure was José Domínguez Bécquer (1805–41), father of the poet Gustavo Adolfo Bécquer (see above ) and painter Valeriano Bécquer (1833–70), who moved to Madrid. Domínguez Bécquer's influence came as an art teacher, as well as an artist. His student and cousin Joaquín Domínguez Bécquer (1817–79)

22475-532: Was followed in France by a work first serialized as Les Français, Moeurs Contemporaines ("The French, Contemporary Manners", beginning in 1839) and published in a volume in 1842 as Les Français peints par eux-mêmes. Encyclopédie Morale du dixneuviéme siécle ("The French, drawn by themselves. Moral Encyclopedia of the 19th Century"). The Spanish soon followed with Los españoles pintados por sí mismos ("The Spanish Drawn By Themselves") serialized from 1842 and published in

22630-509: Was however rampant. The century also was a time of heyday for theatre, represented in the so-called corrales de comedias . The city changed hands several times during the War of the Spanish Succession : from the Bourbon control it passed to the allied "Austracist" army with Portuguese and English presence that entered the city in late June 1706  [ es ] , only to be retaken by

22785-529: Was influenced by costumbrismo and also directly by the Black Paintings of Goya that had so influenced the costumbristas . In nineteenth-century Mexico, colonial-era casta paintings , a type of secular genre painting depicting racial categories and hierarchy disappeared at independence when casta categories were abolished, but costumbrismo paintings resonated with the stereotypes of the earlier genre. A number of foreign visitors to Mexico produced images in

22940-501: Was known for his acute observation of light and atmosphere. Another of José Domínguez Bécquer's students, the bold and forceful Manuel Rodríguez de Guzmán (1818–67), may have been the genre's strongest painter. Other important early figures were Antonio Cabral Bejarano (1788–1861), best known for paintings of individuals theatrically posed against rural backgrounds, and an atmosphere reminiscent of Murillo , and José Roldán (1808–71), also very influenced by Murillo, known especially as

23095-542: Was on 16 January 1945 with −10.1 °C (13.8 °F) in Madrid. While at the airport, in the eastern side of the city, the highest recorded temperature was on 24 July 1995, at 42.2 °C (108.0 °F), and the lowest recorded temperature was on 16 January 1945 at −15.3 °C (4.5 °F). From 7 to 9 January 2021 , Madrid received the most snow in its recorded history since 1904; Spain's meteorological agency AEMET reported between 50 and 60 cm (20 and 24 in) of accumulated snow in its weather stations within

23250-470: Was praised by Alfonso M. Escudero as the greatest Spanish-language romantic novel. Other Colombian costumbristas are José Caycedo Rojas (1816–1897), Juan de Dios Restrepo (1823–94), Gregorio Gutiérrez González (1826–72), Ricardo Carrasquilla (1827–86), Camilo A. Echeverri (1827–87), Manuel Pombo (1827–98), José David Guarín (1830–90), Ricardo Silva (1836–87), José María Cordovez Moure (1835–1918), Rafael María Camargo (1858–1926; wrote under

23405-506: Was struck by Manuel Ascensio Segura (1805–71). Manuel Atanasio Fuentes (1820–29) wrote verse under the name El Murciélago ("the Bat"), a name which he also gave to a magazine he founded. Ricardo Palma (1833–1919), best known for the multi-volume Tradiciones peruanas , was a man of letters, a former liberal politician and later the director of the National Library of Peru , who rebuilt

23560-418: Was the satiric Madrid por dentro y por fuera ("Madrid from inside and outside, 1873) by Manuel del Palacio (1831–1906). Carlos Frontaura carried on costumbrismo in Madrid with Las tiendas ("Shops", 1886) and "Tipos madrileños" ("Madrid types", 1888). Ramón de Navarrete (1822–1897) writing variously as or "Asmodeo" (after Asmodeus , king of the demons), broke with the history of the genre by writing of

23715-430: Was the scene of some of the most important events of the time, such as the mass demonstrations of support for democracy after the failed coup, 23-F , on 23 February 1981. The first democratic mayors belonged to the centre-left PSOE ( Enrique Tierno Galván , Juan Barranco Gallardo ). Since the late 1970s and through the 1980s Madrid became the center of the cultural movement known as la Movida . Conversely, just like in

23870-454: Was to foreigners for whom Andalusia epitomized their vision of a Spain distinct from the rest of Europe. The costumbrista artists of Madrid were more acerbic, sometimes even vulgar, in portraying the life of lower class Madrid. More of their market was domestic, including to the often snobbish (and often Europeanizing and liberal) elite of the capital. Among other things, the School of Madrid often used large masses of solid color and painted with

24025-482: Was united less by a common visual style than by an attitude, and by the influence of Goya rather than Murillo. Notable in this school were Alenza and Lameyer , both contributors to Los españoles pintados por sí mismos . Alenza, in particular, showed a strong influence from the Flemish painters as well as from Goya. A fine portraitist who tended to take his subjects from among the common people, in some ways he epitomizes

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