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Coro Monti Pallidi

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89-493: The Coro Monti Pallidi is an Italian all-men a cappella chorus from Laives (Italy). The choir was founded in Auer, South Tyrol in 1967 by a group of music student, conducted by the maestro Sergio Maccagnan ; the first headquarters of the choir was a church in Bronzolo , but very soon they moved to Laives . In 2005 Paolo Maccagnan , son of Sergio, took over from his father in

178-631: A 3-weekend a cappella festival held each February since 1975, where over a hundred collegiate groups have appeared, as well as International Quartet Champions The Boston Common and the contemporary commercial a cappella group Rockapella . Co-ed groups have produced many up-and-coming and major artists, including John Legend , an alumnus of the Counterparts at the University of Pennsylvania , Sara Bareilles , an alumna of Awaken A Cappella at University of California, Los Angeles , Mindy Kaling , an alumna of

267-665: A book of Masses . It was the first book of Masses by a native composer, since in the Italian states of Palestrina's day, most composers of sacred music were from the Low Countries , France, or Spain. In fact the book was modelled on one by Cristóbal de Morales : the woodcut in the front is almost an exact copy of the one from the book by the Spanish composer. In 1555, Pope Paul IV ordered that all papal choristers should be clerical. As Palestrina married early in life and had four children, he

356-636: A cappella arrangements through the use of a subway beat boxer character. Beat boxer and actor Chesney Snow performed this role for the 2010 Primary Stages production. According to the show's website, it is scheduled to reopen for an open-ended commercial run in the Fall of 2011. In 2011, the production received four Lucille Lortel Award nominations including Outstanding Musical, Outer Critics Circle and Drama League nominations, as well as five Drama Desk nominations including Outstanding Musical and won for Outstanding Ensemble Performance. In December 2016, In Transit became

445-511: A cappella choral development not only in Sweden but around the world, and finally there are a large number of very popular primary and secondary schools ('music schools') with high admission standards based on auditions that combine a rigid academic regimen with high level choral singing on every school day, a system that started with Adolf Fredrik's Music School in Stockholm in 1939 but has spread over

534-401: A cappella ensembles typically include one voice singing the lead melody, one singing a rhythmic bass line, and the remaining voices contributing chordal or polyphonic accompaniment. A cappella can also describe the isolated vocal track(s) from a multitrack recording that originally included instrumentation. These vocal tracks may be remixed or put onto vinyl records for DJs, or released to

623-502: A cappella groups can be found in high schools and colleges. There are amateur Barbershop Harmony Society and professional groups that sing a cappella exclusively. Although a cappella is technically defined as singing without instrumental accompaniment, some groups use their voices to emulate instruments; others are more traditional and focus on harmonizing. A cappella styles range from gospel music to contemporary to barbershop quartets and choruses. The Contemporary A Cappella Society (CASA)

712-629: A cappella includes many vocal groups and bands who add vocal percussion or beatboxing to create a pop/rock/gospel sound, in some cases very similar to bands with instruments. Examples of such professional groups include Straight No Chaser , Pentatonix , The House Jacks , Rockapella , Mosaic , Home Free and M-pact . There also remains a strong a cappella presence within Christian music, as some denominations purposefully do not use instruments during worship. Examples of such groups are Take 6 , Glad and Acappella . Arrangements of popular music for small

801-539: A cappella music began to develop in Europe around the 9th century AD with the practice of organum , reaching its height between the 14th and 16th centuries with compositions by composers in the Franco-Flemish school (such as Guillaume Du Fay , Johannes Ockeghem , and Josquin des Prez ). The early a cappella polyphonies were sometimes doubled with other instruments, which were often wind or string instruments, or organs. By

890-505: A cappella musical to appear Off-Broadway, In Transit , premiered October 5, 2010, and was produced by Primary Stages with book, music, and lyrics by Kristen Anderson-Lopez, James-Allen Ford, Russ Kaplan, and Sara Wordsworth . Set primarily in the New York City subway system its score features an eclectic mix of musical genres (including jazz, hip hop, Latin, rock, and country). In Transit incorporates vocal beat boxing into its contemporary

979-448: A cappella tradition is especially strong in the countries around the Baltic and perhaps most so in Sweden as described by Richard Sparks in his doctoral thesis The Swedish Choral Miracle in 2000. Swedish a cappella choirs have over the last 25 years won around 25% of the annual prestigious European Grand Prix for Choral Singing (EGP) that despite its name is open to choirs from all over

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1068-613: A cappella. In 1983, an a cappella group known as The Flying Pickets had a Christmas 'number one' in the UK with a cover of Yazoo 's (known in the US as Yaz ) " Only You ". A cappella music attained renewed prominence from the late 1980s onward, spurred by the success of Top 40 recordings by artists such as The Manhattan Transfer , Bobby McFerrin , Huey Lewis and the News , All-4-One , The Nylons , Backstreet Boys , Boyz II Men , and *NSYNC . Contemporary

1157-537: A deliberate decision that any intensity of expression was unbecoming in church music, reflects modern expectations about expressive freedom and underestimates the extent to which the mood of Palestrina's settings is adapted to the liturgical occasions for which the texts were set, rather than the line-by-line meaning of the text, and depends on the distinctive characters of the church modes and variations in vocal grouping for expressive effect. Performing editions and recordings of Palestrina have tended to favour his works in

1246-511: A large choral setting. Movements in modern a cappella over the past century include barbershop and doo wop . The Barbershop Harmony Society , Sweet Adelines International , and Harmony Inc. host educational events including Harmony University, Directors University, and the International Educational Symposium, and international contests and conventions, recognizing international champion choruses and quartets . Many

1335-688: A successful out-of-town run at the Stoneham Theatre, in Stoneham, Massachusetts. Perfect Harmony features the hit music of The Jackson 5 , Pat Benatar , Billy Idol , Marvin Gaye , Scandal , Tiffany , The Romantics , The Pretenders , The Temptations , The Contours , The Commodores , Tommy James & the Shondells and The Partridge Family , and has been compared to a cross between Altar Boyz and The 25th Annual Putnam County Spelling Bee . The fourth

1424-618: A time) with instrumental accompaniment, it is not surprising that Protestant reformers who opposed the instruments (such as Calvin and Zwingli) also opposed the polyphony. While Zwingli was destroying organs in Switzerland ;– Luther called him a fanatic – the Church of England was burning books of polyphony. Some Holiness Churches such as the Free Methodist Church opposed the use of musical instruments in church worship until

1513-517: A type of folk music , is an a cappella style of religious singing with shape notes , usually sung at singing conventions. Opponents of musical instruments in the Christian worship believe that such opposition is supported by the Christian scriptures and Church history. The scriptures typically referenced are Matthew 26:30; Acts 16:25; Romans 15:9; 1 Corinthians 14:15; Ephesians 5:19; Colossians 3:16; Hebrews 2:12, 13:15 and James 5:13, which show examples and exhortations for Christians to sing. There

1602-465: Is a membership option for former students, whose funds support hosted competitions and events. A cappella music was popularized between the late 2000s and the early to mid-2010s with media hits such as the 2009–2014 TV show The Sing-Off and the musical comedy film series Pitch Perfect . In July 1943 , as a result of the American Federation of Musicians boycott of US recording studios,

1691-438: Is considered the leading composer of late 16th-century Europe. Primarily known for his masses and motets, which number over 105 and 250 respectively, Palestrina had a long-lasting influence on the development of church and secular music in Europe, especially on the development of counterpoint . According to Grove Music Online , Palestrina's "success in reconciling the functional and aesthetic aims of Catholic church music in

1780-621: Is no reference to instrumental music in early church worship in the New Testament, or in the worship of churches for the first six centuries. Several reasons have been posited throughout church history for the absence of instrumental music in church worship. Christians who believe in a cappella music today believe that in the Israelite worship assembly during Temple worship only the Priests of Levi sang, played, and offered animal sacrifices, whereas in

1869-468: Is often based on the codification by the 18th-century composer and theorist Johann Joseph Fux , published as Gradus ad Parnassum (Steps to Parnassus, 1725). Citing Palestrina as his model, Fux divided counterpoint into five species (hence the term " species counterpoint "), designed as exercises for the student, which deployed progressively more elaborate rhythmic combinations of voices while adhering to strict harmonic and melodic requirements. The method

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1958-478: Is thought to have originated from times as early as 2000 BC, while the earliest that has survived in its entirety is from the first century AD: a piece from Greece called the Seikilos epitaph . A cappella music was originally used in religious music, especially church music as well as anasheed and zemirot . Gregorian chant is an example of a cappella singing, as is the majority of secular vocal music from

2047-413: Is widely used today in the resurrection hymn tune, Victory (The Strife Is O'er). His attitude toward madrigals was somewhat enigmatic: whereas in the preface to his collection of Canticum canticorum (Song of Songs) motets (1584) he renounced the setting of profane texts, only two years later he was back in print with Book II of his secular madrigals (some of these being among the finest compositions in

2136-457: The prima prattica ) by such students of his as Giovanni Maria Nanino , Ruggiero Giovanelli , Arcangelo Crivelli , Teofilo Gargari , Francesco Soriano , and Gregorio Allegri . As late as the 1750s, Palestrina's style was still the reference for composers working in the motet form, as can be seen by Francesco Barsanti 's Sei Antifones 'in the style of Palestrina' (c. 1750; published by [Peter] Welcker, c. 1762). Much research on Palestrina

2225-577: The Barbershop Harmony Society (BHS). Today the BHS has about 22,000 members in approximately 800 chapters across the United States and Canada, and the barbershop style has spread around the world with organizations in many other countries. The Barbershop Harmony Society provides a highly organized competition structure for a cappella quartets and choruses singing in the barbershop style. In 1945,

2314-670: The Coptic Orthodox Church ), many Anabaptist communities (including Old Order Anabaptist groups —such as the Amish , Old German Baptist Brethren , Old Order Mennonites , as well as Conservative Anabaptist groups—such as the Dunkard Brethren Church and Conservative Mennonites ), some Presbyterian churches devoted to the regulative principle of worship , Old Regular Baptists , Primitive Baptists , Plymouth Brethren , Churches of Christ , Church of God (Guthrie, Oklahoma),

2403-585: The Eastern Catholic Churches , the music performed in the liturgies is exclusively sung without instrumental accompaniment. Bishop Kallistos Ware says, "The service is sung, even though there may be no choir... In the Orthodox Church today, as in the early Church, singing is unaccompanied and instrumental music is not found." This a cappella behavior arises from strict interpretation of Psalm 150, which states, Let every thing that hath breath praise

2492-583: The Mass in B minor . Most of Palestrina's masses appeared in thirteen volumes printed between 1554 and 1601, the last seven published after his death. One of his most important works, the Missa Papae Marcelli (Pope Marcellus Mass) has been historically associated with erroneous information involving the Council of Trent. According to this tale (which forms the basis of Hans Pfitzner 's opera Palestrina ), it

2581-647: The Northwestern University School of Music , helped popularize a cappella music in the United States by founding the Northwestern A Cappella Choir in 1906. The A Cappella Choir was "the first permanent organization of its kind in America." An a cappella tradition was begun in 1911 by F. Melius Christiansen , a music faculty member at St. Olaf College in Northfield, Minnesota . The St. Olaf College Choir

2670-657: The Reformed Free Methodists , Doukhobors , and the Byzantine Rite of Eastern Christianity. Certain high church services and other musical events in liturgical churches (such as the Roman Catholic Mass and the Lutheran Divine Service ) may be a cappella, a practice remaining from apostolic times. Many Mennonites also conduct some or all of their services without instruments. Sacred Harp ,

2759-563: The Renaissance . The madrigal , up until its development in the early Baroque into an instrumentally accompanied form, is also usually in a cappella form. The Psalms note that some early songs were accompanied by string instruments, though Jewish and Early Christian music was largely a cappella; the use of instruments has subsequently increased within both of these religions as well as in Islam. The polyphony of Christian (predominantly Catholic)

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2848-776: The University of Maine Maine Steiners (1958), the Columbia University Kingsmen (1949), the Jabberwocks of Brown University (1949), and the University of Rochester YellowJackets (1956). All-women a cappella groups followed shortly, frequently as a parody of the men's groups: the Smiffenpoofs of Smith College (1936), the Night Owls of Vassar College (1942), The Shwiffs of Connecticut College (The She-Whiffenpoofs, 1944), and The Chattertocks of Brown University (1951). A cappella groups exploded in popularity beginning in

2937-651: The syntax of the sentences he was setting to music, something not always observed by earlier composers. Also to be noticed in Palestrina is a great deal of tone painting . Elementary examples of this are descending musical motion with Latin words like descendit (descends) or of a static musical or cadential moment with the words de coelis (from heaven). Palestrina was extremely famous in his day, and if anything, his reputation and influence increased after his death. J.S. Bach studied and hand-copied Palestrina's first book of Masses , and in 1742 wrote his own adaptation of

3026-434: The "pure" style of polyphony achieved by Palestrina followed an invariable set of stylistic and combinational requirements, was justified. Fux's manual was endorsed by his contemporary J.S. Bach , who himself arranged two of Palestrina's masses for performance. According to Fux, Palestrina had established and followed these basic guidelines: Fux omits to mention the manner in which the musical phrasing of Palestrina followed

3115-411: The 1570s was difficult for him personally: he lost his brother, two of his sons, and his wife, Lucrezia Gori, in three separate outbreaks of the plague (1572, 1575, and 1580, respectively). He seems to have considered becoming a priest at this time, but instead he remarried, this time to a wealthy widow, Virginia Dormoli. This finally gave him financial independence (he was not paid well as choirmaster) and

3204-522: The 16th century, a cappella polyphony had further developed, but gradually, the cantata began to take the place of a cappella forms. Sixteenth-century a cappella polyphony, nonetheless, continued to influence church composers throughout this period and to the present day. Recent evidence has shown that some of the early pieces by Palestrina, such as those written for the Sistine Chapel, were intended to be accompanied by an organ "doubling" some or all of

3293-493: The 18th century, and were opposed vigorously in worship by a number of Protestant Reformers , including Martin Luther (1483–1546), Ulrich Zwingli , John Calvin (1509–1564) and John Wesley (1703–1791). Alexander Campbell referred to the use of an instrument in worship as "a cow bell in a concert". In Sir Walter Scott 's The Heart of Midlothian , the heroine, Jeanie Deans , a Scottish Presbyterian, writes to her father about

3382-600: The 1990s, fueled in part by a change in style popularized by the Tufts University Beelzebubs and the Boston University Dear Abbeys. The new style used voices to emulate modern rock instruments, including vocal percussion /" beatboxing ". Some larger universities now have multiple groups. Groups often join one another in on-campus concerts, such as the Georgetown Chimes' Cherry Tree Massacre,

3471-408: The Christian scriptures never counter instrumental language with any negative judgment on instruments, opposition to instruments instead comes from an interpretation of history. There is no written opposition to musical instruments in any setting in the first century and a half of Christian churches (33–180 AD). The use of instruments for Christian worship during this period is also undocumented. Toward

3560-564: The Council of Trent, as an official body, never actually banned any church music and failed to make any ruling or official statement on the subject. These stories originated from the unofficial points-of-view of some Council attendees who discussed their ideas with those not privy to the Council's deliberations. Those opinions and rumors have, over centuries, been transmuted into fictional accounts, put into print, and often incorrectly taught as historical fact. While Palestrina's compositional motivations are not known, he may have been quite conscious of

3649-488: The Jewish chant may be found in the writings of the Jewish philosopher Philo , born 20 BC. Weaving together Jewish and Greek thought, Philo promoted praise without instruments, and taught that "silent singing" (without even vocal chords) was better still. This view parted with the Jewish scriptures, where Israel offered praise with instruments by God's own command The shofar is the only temple instrument still being used today in

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3738-606: The Kinsey Sicks at New York's Studio 54 . That production received a nomination for a Lucille Lortel award as Best Musical and a Drama Desk nomination for Best Lyrics. It was directed by Glenn Casale with original music and lyrics by Ben Schatz. The a cappella musical Perfect Harmony , a comedy about two high school a cappella groups vying to win the national championship, made its Off Broadway debut at Theatre Row 's Acorn Theatre on 42nd Street in New York City in October 2010 after

3827-567: The Kyrie and Gloria of the Missa sine nomine . Felix Mendelssohn placed him in the pantheon of the greatest musicians, writing, "I always get upset when some praise only Beethoven, others only Palestrina and still others only Mozart or Bach. All four of them, I say, or none at all.". Conservative music of the Roman school continued to be written in Palestrina's style (which in the 17th century came to be known as

3916-746: The Lord. Praise ye the Lord. In keeping with this philosophy, early Russian musika which started appearing in the late 17th century, in what was known as khorovïye kontsertï (choral concertos) made a cappella adaptations of Venetian-styled pieces, such as the treatise, Grammatika musikiyskaya (1675), by Nikolai Diletsky . Divine Liturgies and Western Rite Masses composed by famous composers such as Peter Tchaikovsky , Sergei Rachmaninoff , Alexander Arkhangelsky , and Mykola Leontovych are fine examples of this. Present-day Christian religious bodies known for conducting their worship services without musical accompaniment include many Oriental Orthodox Churches (such as

4005-647: The RPI Glee Club), established in 1873 is perhaps the oldest known collegiate a cappella group. The longest continuously singing group is probably The Whiffenpoofs of Yale University , which was formed in 1909 and once included Cole Porter as a member. Collegiate a cappella groups grew throughout the 20th century. Some notable historical groups formed along the way include Colgate University 's The Colgate 13 (1942), Dartmouth College 's Aires (1946), Harvard University 's Krokodiloes (1946), Cornell University 's Cayuga's Waiters (1949) and The Hangovers (1968),

4094-619: The Rockapellas at Dartmouth College , and Mira Sorvino , an alumna of the Harvard-Radcliffe Veritones of Harvard College . Giovanni Pierluigi da Palestrina Giovanni Pierluigi da Palestrina (between 3 February 1525 and 2 February 1526 – 2 February 1594) was an Italian composer of late Renaissance music . The central representative of the Roman School , with Orlande de Lassus and Tomás Luis de Victoria , Palestrina

4183-488: The Sabbath out of concern that players would be tempted to repair (or tune) their instruments, which is forbidden on those days. (This prohibition has been relaxed in many Reform and some Conservative congregations.) Similarly, when Jewish families and larger groups sing traditional Sabbath songs known as zemirot outside the context of formal religious services, they usually do so a cappella, and Bar and Bat Mitzvah celebrations on

4272-490: The Sabbath sometimes feature entertainment by a cappella ensembles. During the Three Weeks musical instruments are prohibited. Many Jews consider a portion of the 49-day period of the counting of the omer between Passover and Shavuot to be a time of semi-mourning and instrumental music is not allowed during that time. This has led to a tradition of a cappella singing sometimes known as sefirah music. The popularization of

4361-565: The Taliban of music as un-Islamic. However, the de facto national anthem of Afghanistan is an a cappella nasheed , as musical instruments are virtually banned as corrupting and un-Islamic. The first a cappella group in Iran is the Damour Vocal Band , which was able to perform on national television despite a ban on women singing. The musical show Strepsils Stereo is credited for introducing

4450-632: The United Kingdom, and the Netherlands. Headquartered in Tulsa, Oklahoma, the organization encompasses more than 1,200 registered quartets and 600 choruses. In 1959, a second women's barbershop organization started as a break off from Sweet Adelines due to ideological differences. Based on democratic principles which continue to this day, Harmony, Inc. is smaller than its counterpart, but has an atmosphere of friendship and competition. With about 2,500 members in

4539-522: The United States and Canada, Harmony, Inc. uses the same rules in contest that the Barbershop Harmony Society uses. Harmony, Inc. is registered in Providence, Rhode Island. The popularity of a cappella among high schools and amateurs was revived by television shows and movies such as Glee and Pitch Perfect . High school groups may have conductors or student leaders who keep the tempo for

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4628-577: The a cappella vocal group The Song Spinners had a best-seller with "Comin' In on a Wing and a Prayer". In the 1950s, several recording groups, notably The Hi-Los and the Four Freshmen , introduced complex jazz harmonies to a cappella performances. The King's Singers are credited with promoting interest in small-group a cappella performances in the 1960s. Frank Zappa loved doo wop and a cappella, so Zappa released The Persuasions ' first album from his label in 1970. Judy Collins recorded " Amazing Grace "

4717-584: The art of a cappella in Pakistan . Composer Dinesh Subasinghe became the first Sri Lankan to write a cappella pieces for SATB choirs. He wrote "The Princes of the Lost Tribe" and "Ancient Queen of Somawathee" for Menaka De Sahabandu and Bridget Helpe's choirs, respectively, based on historical incidents in ancient Sri Lanka. Voice Print is also a professional a cappella music group in Sri Lanka . The European

4806-453: The church era, all Christians are commanded to sing praises to God. They believe that if God wanted instrumental music in New Testament worship, He would have commanded not just singing, but singing and playing like he did in the Hebrew scriptures. Instruments have divided Christendom since their introduction into worship. They were considered a Roman Catholic innovation, not widely practiced until

4895-469: The church situation she has found in England (bold added): Those who do not adhere to the regulative principle of interpreting Christian scripture, believe that limiting praise to the unaccompanied chant of the early church is not commanded in scripture, and that churches in any age are free to offer their songs with or without musical instruments. Those who subscribe to this interpretation believe that since

4984-537: The city. Palestrina came of age as a musician under the influence of the northern European style of polyphony , which owed its dominance in Italy primarily to two influential Netherlandish composers, Guillaume Du Fay and Josquin des Prez , who had spent significant portions of their careers there. Italy itself had yet to produce anyone of comparable fame or skill in polyphony. Orlando di Lasso , who accompanied Palestrina in his early years, also played an important role in

5073-485: The conduction of the choir. The repertoire ranges over from Alpini songs to spirituals , from typical Italian popular/traditional music to sacred music. [REDACTED] Media related to Coro Monti Pallidi at Wikimedia Commons A cappella Music performed a cappella ( / ˌ ɑː k ə ˈ p ɛ l ə / AH kə- PEL -ə , UK also / ˌ æ k ə ˈ p ɛ l ə / AK ə- PEL -ə , Italian: [a kkapˈpɛlla] ; lit.   ' in

5162-433: The country. A cappella has gained attention in the UK in recent years, with many groups forming at British universities by students seeking an alternative singing pursuit to traditional choral and chapel singing. This movement has been bolstered by organisations such as The Voice Festival UK . It is not clear exactly where collegiate a cappella began. The Rensselyrics of Rensselaer Polytechnic Institute (formerly known as

5251-415: The end of the 2nd century, Christians began condemning the instruments themselves. Those who oppose instruments today believe these Church Fathers had a better understanding of God's desire for the church, but there are significant differences between the teachings of these Church Fathers and Christian opposition to instruments today. Since "a cappella" singing brought a new polyphony (more than one note at

5340-404: The fact that vocal parts were often doubled by instrumentalists, led to the term coming to mean unaccompanied vocal music. The term is also used, rarely, as a synonym for alla breve . A cappella could be as old as humanity itself; research suggests that singing and vocables may have been what early humans used to communicate before the invention of language. The earliest piece of sheet music

5429-620: The first a cappella musical on Broadway. Barbershop music is one of several uniquely American art forms. The earliest reports of this style of a cappella music involved African Americans. The earliest documented quartets all began in barber shops. In 1938, the first formal men's barbershop organization was formed, known as the Society for the Preservation and Encouragement of Barber Shop Quartet Singing in America (S.P.E.B.S.Q.S.A), and in 2004 rebranded itself and officially changed its public name to

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5518-534: The first formal women's barbershop organization, Sweet Adelines, was formed. In 1953, Sweet Adelines became an international organization, although it did not change its name to Sweet Adelines International until 1991. The membership of nearly 25,000 women, all singing in English, includes choruses in most of the fifty United States as well as in Australia, Canada, Finland, Germany, Ireland, Japan, New Zealand, Spain, Sweden,

5607-661: The formation of his style as an adviser. From 1544 to 1551, Palestrina was the organist of the Cathedral of St. Agapito , the principal church of his native city. In 1551 Pope Julius III (previously the Bishop of Palestrina ) appointed Palestrina maestro di cappella or musical director of the Cappella Giulia , (Julian Chapel, in the sense of choir), the choir of the chapter of canons at St. Peter's Basilica . Palestrina dedicated to Julius III his first published compositions (1554),

5696-613: The group, or beatboxers/vocal percussionists. Since 2013, summer training programs have appeared, such as A Cappella Academy in Los Angeles, California (founded by Ben Bram, Rob Dietz, and Avi Kaplan ) and Camp A Cappella in Dayton, Ohio (founded by Deke Sharon and Brody McDonald). These programs teach about different aspects of a cappella music, including vocal performance, arranging, and beatboxing/vocal percussion. The Islamic Emirate of Afghanistan has no official anthem because of views by

5785-440: The hallmarks of Palestrina's music is that dissonances are typically relegated to the "weak" beats in a measure. This produced a smoother and more consonant type of polyphony which is now considered to be definitive of late Renaissance music, given Palestrina's position as Europe's leading composer in the wake of Josquin des Prez (d. 1521). The "Palestrina style" taught in college courses covering Renaissance counterpoint

5874-540: The latter three, which dealt with the passion from three different viewpoints, those of Matthew , Luke and John , were all done a cappella style. This was a near requirement for this type of piece, and the parts of the crowd were sung while the solo parts which were the quoted parts from either Christ or the authors were performed in a plainchant . In the Byzantine Rite of the Eastern Orthodox Church and

5963-444: The medium). He published just two collections of madrigals with profane texts, one in 1555 and another in 1586. The other two collections were spiritual madrigals, a genre beloved by the proponents of the Counter-Reformation. Palestrina's masses show how his compositional style developed over time. His Missa sine nomine seems to have been particularly attractive to Johann Sebastian Bach , who studied and performed it while writing

6052-411: The mid-20th century. The Free Methodist Church allowed for local church decision on the use of either an organ or piano in the 1943 Conference before lifting the ban entirely in 1955. The Reformed Free Methodist Church and Evangelical Wesleyan Church were formed as a result of a schism with the Free Methodist Church, with the former retaining a cappella worship and the latter retaining the rule limiting

6141-444: The modern qualities in the compositions of Palestrina such as research of color and sonority, use of sonic grouping in large-scale setting, interest in vertical as well as horizontal organization, studied attention to text setting. These unique characteristics, together with effortless delivery and an indefinable "otherness", constitute to this day the attraction of Palestrina's work. The Cagliari music conservatory in Cagliari , Italy

6230-449: The more familiar modes and standard (SATB) voicings, under-representing the expressive variety of his settings. There are two comprehensive editions of Palestrina's works: a 33-volume edition published by Breitkopf and Härtel, in Leipzig Germany between 1862 and 1894 edited by Franz Xaver Haberl , and a 34-volume edition published in the mid twentieth century, by Fratelli Scalera, in Rome, Italy edited by R. Casimiri and others. One of

6319-571: The name Smooth McGroove rose to prominence with his style of a cappella music. He is best known for his a cappella covers of video game music tracks on YouTube . in 2015, an a cappella version of Jerusalem by multi-instrumentalist Jacob Collier was selected for Beats by Dre "The Game Starts Here" for the England Rugby World Cup campaign. A cappella has been used as the sole orchestration for original works of musical theatre that have had commercial runs Off-Broadway (theatres in New York City with 99 to 500 seats) only four times. The first

6408-465: The need for intelligible text; however, this was not to conform with any doctrine of the Counter-Reformation , because no such doctrine exists. His characteristic style remained consistent from the 1560s until the end of his life. Roche's hypothesis that Palestrina's seemingly dispassionate approach to expressive or emotive texts could have resulted from his having to produce many to order, or from

6497-603: The number of instruments in the church to the piano and organ. While worship in the Temple in Jerusalem included musical instruments, traditional Jewish religious services in the Synagogue, both before and after the last destruction of the Temple, did not include musical instruments given the practice of scriptural cantillation . The use of musical instruments is traditionally forbidden on

6586-523: The post-Tridentine period earned him an enduring reputation as the ideal Catholic composer, as well as giving his style (or, more precisely, later generations' selective view of it) an iconic stature as a model of perfect achievement." Palestrina was born in the town of Palestrina , near Rome , then part of the Papal States , to Neapolitan parents, Santo and Palma Pierluigi, in 1525, possibly on 3 February. His mother died on 16 January 1536, when Palestrina

6675-498: The public so that fans can remix them. One such example is the a cappella release of Jay-Z 's Black Album , which Danger Mouse mixed with the Beatles ' White Album to create The Grey Album . On their 1966 album titled Album , Peter, Paul and Mary included the song "Norman Normal". All the sounds on that song, both vocals and instruments, were created by Paul's voice, with no actual instruments used. In 2013, an artist by

6764-455: The style of the chapel ' ), less commonly spelled a capella in English, is music performed by a singer or a singing group without instrumental accompaniment . The term a cappella was originally intended to differentiate between Renaissance polyphony and Baroque concertato musical styles. In the 19th century, a renewed interest in Renaissance polyphony, coupled with an ignorance of

6853-544: The synagogue, and it is only used from Rosh Chodesh Elul through the end of Yom Kippur . The shofar is used by itself, without any vocal accompaniment, and is limited to a very strictly defined set of sounds and specific places in the synagogue service. However, silver trumpets , as described in Numbers 10:1-18, have been made in recent years and used in prayer services at the Western Wall . Peter Christian Lutkin, dean of

6942-516: The voices. Such is seen in the life of Palestrina becoming a major influence on Bach , most notably in the Mass in B Minor . Other composers that utilized the a cappella style, if only for the occasional piece, were Claudio Monteverdi and his masterpiece, Lagrime d'amante al sepolcro dell'amata (A lover's tears at his beloved's grave), which was composed in 1610, and Andrea Gabrieli when upon his death many choral pieces were discovered, one of which

7031-547: The world (see list of laureates in the Misplaced Pages article on the EGP competition). The reasons for the strong Swedish dominance are as explained by Richard Sparks manifold; suffice to say here that there is a long-standing tradition, an unusually large proportion of the populations (5% is often cited) regularly sing in choirs, the Swedish choral director Eric Ericson had an enormous impact on

7120-425: Was Avenue X which opened on 28 January 1994, and ran for 77 performances. It was produced by Playwrights Horizons with book by John Jiler, music and lyrics by Ray Leslee. The musical style of the show's score was primarily doo-wop as the plot revolved around doo-wop group singers of the 1960s. In 2001, The Kinsey Sicks , produced and starred in the critically acclaimed off-Broadway hit, DRAGAPELLA! Starring

7209-693: Was 10. Documents suggest that he first visited Rome in 1537, when he was listed as a chorister at the Basilica of Santa Maria Maggiore , one of the papal basilicas of the Diocese of Rome , which allowed him to learn literature and music. In 1540, he moved to Rome, where he studied in the school of the Huguenot Claude Goudimel . He also studied with Robin Mallapert and Firmin Lebel . He spent most of his career in

7298-459: Was able to compose prolifically until his death. He died in Rome of pleurisy on 2 February 1594. As was usual, Palestrina was buried on the same day he died, in a plain coffin with a lead plate on which was inscribed Ioannes Petrus Aloysius Praenestinus Musicae Princeps . A five-part Libera me Domine psalm for three choirs was sung at the funeral. Palestrina's funeral was held at St. Peter's, and he

7387-605: Was buried beneath the floor of the basilica. His tomb was later covered by new construction and attempts to locate his grave have been unsuccessful. Italian composers Giovanni Maria Nanino and Gregorio Allegri , both of them disciples of his school, continued his works. Palestrina left hundreds of compositions, including 105 masses , 68 offertories , at least 140 madrigals and more than 300 motets . In addition, there are at least 72 hymns , 35 magnificats , 11 litanies , and four or five sets of lamentations . The Gloria melody from Palestrina's Magnificat Tertii Toni (1591)

7476-469: Was composed in order to persuade the Council of Trent that a draconian ban on the polyphonic treatment of text in sacred music (as opposed, that is, to a more directly intelligible homophonic treatment) was unnecessary. However, more recent scholarship shows that this mass was in fact composed before the cardinals convened to discuss the ban (possibly as much as 10 years before). Historical data indicates that

7565-458: Was done in the 19th century by Giuseppe Baini , who published a monograph in 1828 which made Palestrina famous again and reinforced the already existing legend that he was the "Saviour of Church Music" during the reforms of the Council of Trent . 20th and 21st century scholarship by and large retains the view that Palestrina was a strong and refined composer whose music represents a summit of technical perfection. Contemporary analysis highlighted

7654-808: Was established as an outgrowth of the local St. John's Lutheran Church , where Christiansen was organist and the choir was composed, at least partially, of students from the nearby St. Olaf campus. The success of the ensemble was emulated by other regional conductors, and a tradition of a cappella choral music was born in the region at colleges like Concordia College (Moorhead, Minnesota), Augustana College (Rock Island, Illinois), Waldorf University (Forest City, Iowa), Luther College (Decorah, Iowa), Gustavus Adolphus College (St. Peter, Minnesota), Augustana College (Sioux Falls, South Dakota), and Augsburg University (Minneapolis, Minnesota). The choirs typically range from 40 to 80 singers and are recognized for their efforts to perfect blend, intonation, phrasing and pitch in

7743-525: Was in the unaccompanied style. Learning from the preceding two composers, Heinrich Schütz utilized the a cappella style in numerous pieces, chief among these were the pieces in the oratorio style, which were traditionally performed during the Easter week and dealt with the religious subject matter of that week, such as Christ's suffering and the Passion . Five of Schutz's Historien were Easter pieces, and of these

7832-462: Was unable to continue in the chapel as a layman . During the next decade, Palestrina held positions similar to his Julian Chapel appointment at other chapels and churches in Rome, notably St. John Lateran (1555–1560, a post previously held by Lassus ), and Santa Maria Maggiore (1561–1566). In 1571 he returned to the Julian Chapel and remained at St Peter's for the rest of his life. The decade of

7921-469: Was widely adopted and was the main basis of contrapuntal training in the 19th century, but Fux had introduced a number of simplifications to the Palestrina style, notably the obligatory use of a cantus firmus in semibreves , which were corrected by later authors such as Knud Jeppesen and R. O. Morris . Palestrina's music conforms in many ways to Fux's rules, particularly in the fifth species but does not fit his pedagogical format. The main insight, that

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