139-558: Cornell Gunter (November 14, 1936 – February 26, 1990) was an American rhythm and blues singer, most active in the 1950s and 1960s. He was born in Coffeyville, Kansas , and died in Las Vegas, Nevada , after being shot in his automobile. He was inducted into the Rock and Roll Hall of Fame in 1987 as a member of The Coasters . Gunter was an original member of The Platters . He had recorded with
278-523: A cover version of Sam Cooke 's " You Send Me " on Dot Records in 1957. In 1987, he was inducted into the Rock And Roll Hall Of Fame along with the rest of The Coasters. Cornell's sister, Shirley Gunter , also recorded with The Flairs and released with the Queens and in solo in the late 1950s and early 1960s. Ace Records released a compilation album in 2006 of Shirley's recordings from
417-417: A distorted electric guitar solo with warm overtones created by his small valve amplifier . However, the use of distortion was predated by electric blues guitarists such as Joe Hill Louis , Guitar Slim , Willie Johnson of Howlin' Wolf 's band, and Pat Hare ; the latter two also made use of distorted power chords in the early 1950s. Also in 1955, Bo Diddley introduced the " Bo Diddley beat " and
556-457: A doo-wop group, had the number four hit of the year with " Crying in the Chapel ". Fats Domino made the top 30 of the pop charts in 1952 and 1953, then the top 10 with " Ain't That a Shame ". Ray Charles came to national prominence in 1955 with " I Got a Woman ". Big Bill Broonzy said of Charles's music: "He's mixing the blues with the spirituals ... I know that's wrong." In 1954
695-531: A double bass (string bass). After the mid-1950s, electric bass guitars ("Fender bass") and drum kits became popular in classic rock. Rock and roll had a profound influence on contemporary American lifestyles, fashion, attitudes, and language, and is often portrayed in movies, fan magazines, and on television. Some people believe that the music had a positive influence on the civil rights movement , because of its widespread appeal to both Black American and White American teenagers. The term "rock and roll"
834-807: A "rawer" or "grittier" sound than the more popular " beat groups ". During the 1960s, Geno Washington , the Foundations , and the Equals gained pop hits. Many British black musicians helped form the British R&;B scene. These included Geno Washington , an American singer stationed in England with the Air Force. He was invited to join what became Geno Washington & the Ram Jam Band by guitarist Pete Gage in 1965 and enjoyed top 40 hit singles and two top 10 albums before
973-534: A Dream ". Faye Adams 's " Shake a Hand " made it to number two in 1952. In 1953, the R&;B record-buying public made Willie Mae Thornton 's original recording of Leiber and Stoller 's " Hound Dog " the year's number three hit. Ruth Brown was very prominent among female R&B stars; her popularity most likely came from "her deeply rooted vocal delivery in African American tradition". That same year The Orioles ,
1112-528: A United States embargo that still remains in effect today, the island nation had been forgotten as a source of music. By the time people began to talk about rock and roll as having a history, Cuban music had vanished from North American consciousness." At first, only African Americans were buying R&B discs. According to Jerry Wexler of Atlantic Records, sales were localized in African-American markets; there were no white sales or white radio play. During
1251-458: A blues number), " Baby Let's Play House ", " Lawdy Miss Clawdy ", and " Hound Dog ". The racial lines, however, are rather more clouded by the fact that some of these R&B songs originally recorded by black artists had been written by white songwriters, such as the team of Jerry Leiber and Mike Stoller . Songwriting credits were often unreliable; many publishers, record executives, and even managers (both white and black) would insert their name as
1390-475: A blues progression. Ike Turner recorded "Cubano Jump" (1954) an electric guitar instrumental, which is built around several 2–3 clave figures, adopted from the mambo. The Hawketts , in " Mardi Gras Mambo " (1955) (featuring the vocals of a young Art Neville), make a clear reference to Perez Prado in their use of his trademark "Unhh!" in the break after the introduction. Ned Sublette states: "The electric blues cats were very well aware of Latin music, and there
1529-615: A boogie-woogie with a tresillo bass line, and lyrics proudly declaring the adoption of Cuban rhythm: Harlem's got a new rhythm, man it's burning up the dance floors because it's so hot! They took a little rhumba rhythm and added boogie-woogie and now look what they got! Rhumboogie, it's Harlem's new creation with the Cuban syncopation, it's the killer! Just plant your both feet on each side. Let both your hips and shoulder glide. Then throw your body back and ride. There's nothing like rhumbaoogie, rhumboogie, boogie-woogie. In Harlem or Havana, you can kiss
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#17328943825421668-409: A composer in order to collect royalty checks. Covers were customary in the music industry at the time; it was made particularly easy by the compulsory license provision of United States copyright law (still in effect). One of the first relevant successful covers was Wynonie Harris 's transformation of Roy Brown 's 1947 original jump blues hit " Good Rocking Tonight " into a more showy rocker and
1807-496: A defiant teen dates a rock and roll-loving boy but drops him for one who likes traditional adult music—to her parents' relief. In Britain, where postwar prosperity was more limited, rock and roll culture became attached to the pre-existing Teddy Boy movement, largely working class in origin, and eventually to the rockers . "On the white side of the deeply segregated music market", rock and roll became marketed for teenagers, as in Dion and
1946-404: A mainstay in rock and roll. At the urging of Leonard Chess at Chess Records, Chuck Berry reworked a country fiddle tune with a long history, entitled " Ida Red ". The resulting " Maybellene " was not only a number three hit on the R&B charts in 1955, but also reached into the top 30 on the pop charts. Alan Freed , who had moved to the much larger market of New York City in 1954, helped
2085-507: A major influence on British Invasion acts and particularly on the song writing of the Beatles and through them on the nature of later rock music. Many of the earliest white rock and roll hits were covers or partial re-writes of earlier black rhythm and blues or blues songs. Through the late 1940s and early 1950s, R&B music had been gaining a stronger beat and a wilder style, with artists such as Fats Domino and Johnny Otis speeding up
2224-529: A non-African American artist into a music category known for being created by blacks. Nat King Cole , also a jazz pianist who had two hits on the pop charts in the early 1950s (" Mona Lisa " at number two in 1950 and " Too Young " at number one in 1951), had a record in the top five in the R&B charts in 1958, " Looking Back "/"Do I Like It". In 1959, two black-owned record labels, one of which would become hugely successful, made their debut: Sam Cooke 's Sar and Berry Gordy 's Motown Records . Brook Benton
2363-445: A number of shifts in meaning. In the early 1950s, it was frequently applied to blues records. Starting in the mid-1950s, after this style of music had contributed to the development of rock and roll , the term "R&B" became used in a wider context. It referred to music styles that developed from and incorporated electric blues , as well as gospel and soul music . By the 1970s, the term "rhythm and blues" had changed once again and
2502-575: A perkier vocal more appropriate for an audience unfamiliar with the song to which James's song was an answer , Hank Ballard 's "Work With Me, Annie". Presley's rock and roll version of "Hound Dog", taken mainly from a version recorded by the pop band Freddie Bell and the Bellboys , was very different from the blues shouter that Big Mama Thornton had recorded four years earlier. Other white artists who recorded cover versions of rhythm and blues songs included Gale Storm (Smiley Lewis' "I Hear You Knockin ' "),
2641-655: A preacher (October 1957), the departure of Presley for service in the United States Army (March 1958), the scandal surrounding Jerry Lee Lewis ' marriage to his thirteen-year-old cousin (May 1958), riots caused by Bill Haley 's ill-fated tour of Europe (October 1958), the deaths of Buddy Holly , The Big Bopper and Ritchie Valens in a plane crash (February 1959), the breaking of the Payola scandal implicating major figures, including Alan Freed , in bribery and corruption in promoting individual acts or songs (November 1959),
2780-497: A primarily African-American clientele. Freed began referring to the rhythm and blues music he played as "rock and roll". In 1951 Little Richard Penniman began recording for RCA Records in the jump blues style of late 1940s stars Roy Brown and Billy Wright . However, it was not until he recorded a demo in 1954 that caught the attention of Specialty Records that the world would start to hear his new uptempo funky rhythm and blues that would catapult him to fame in 1955 and help define
2919-489: A quintet consisting of a vocal quartet with accompanying guitarist, sang a distinctive-sounding combination of blues and gospel. They had the number five hit of the year with " Don't You Know I Love You " on Atlantic. Also in July 1951, Cleveland, Ohio DJ Alan Freed started a late-night radio show called "The Moondog Rock Roll House Party" on WJW (850 AM). Freed's show was sponsored by Fred Mintz, whose R&B record store had
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#17328943825423058-415: A result heard each other's music and even began to emulate each other's fashions. Radio stations that made white and black forms of music available to both groups, the development and spread of the gramophone record , and African-American musical styles such as jazz and swing which were taken up by white musicians, aided this process of "cultural collision". The immediate roots of rock and roll lay in
3197-600: A rock and roll standard. As interest in rock and roll was beginning to subside in America in the late 1950s and early 1960s, it was taken up by groups in British cities like Liverpool , Manchester , Birmingham , and London . About the same time, a British blues scene developed, initially led by purist blues followers such as Alexis Korner and Cyril Davies who were inspired by American musicians such as Robert Johnson , Muddy Waters and Howlin' Wolf . Many groups moved towards
3336-415: A saxophone-section riff) on his own 1949 disc "Country Boy" and subsequently helped make it the most over-used rhythmic pattern in 1950s rock 'n' roll. On numerous recordings by Fats Domino , Little Richard and others, Bartholomew assigned this repeating three-note pattern not just to the string bass, but also to electric guitars and even baritone sax, making for a very heavy bottom. He recalls first hearing
3475-680: A sold-out performance with 8,000 seats. Roads were clogged for seven hours. Filmmakers took advantage of the popularity of "rhythm and blues" musicians as "rock n roll" musicians beginning in 1956. Little Richard, Chuck Berry, Fats Domino, Big Joe Turner, the Treniers , the Platters , and the Flamingos all made it onto the big screen. Two Elvis Presley records made the R&B top five in 1957: " Jailhouse Rock "/" Treat Me Nice " at number one, and " All Shook Up " at number five, an unprecedented acceptance of
3614-407: A strong sexual connotation in jump blues and R&B, but when DJ Alan Freed referred to rock and roll on mainstream radio in the mid-1950s, "the sexual component had been dialed down enough that it simply became an acceptable term for dancing". The great migration of Black Americans to the urban industrial centers of Chicago, Detroit, New York City, Los Angeles, Washington, D.C. and elsewhere in
3753-476: A time of considerable technological change, soon after the development of the electric guitar, amplifier , 45 rpm record and modern condenser microphones . There were also changes in the record industry, with the rise of independent labels like Atlantic , Sun and Chess servicing niche audiences and a similar rise of radio stations that played their music. It was the realization that relatively affluent white teenagers were listening to this music that led to
3892-473: A triplet or shuffle feel to even or straight eighth notes. Concerning the various funk motifs, Stewart states that this model "... is different from a time line (such as clave and tresillo) in that it is not an exact pattern, but more of a loose organizing principle." Johnny Otis released the R&B mambo "Mambo Boogie" in January 1951, featuring congas, maracas, claves, and mambo saxophone guajeos in
4031-496: A unique electric guitar style, influenced by African and Afro-Cuban music and in turn influencing many later artists. Rock and roll was strongly influenced by R&B, according to many sources, including an article in The Wall Street Journal in 1985, titled, "Rock! It's Still Rhythm and Blues". In fact, the author stated that the "two terms were used interchangeably", until about 1957. The other sources quoted in
4170-478: A version of " Stagger Lee " at number one and " Personality " at number five in 1959. The white bandleader of the Bill Black Combo, Bill Black , who had helped start Elvis Presley's career and was Elvis's bassist in the 1950s, was popular with black listeners. Ninety percent of his record sales were from black people, and his " Smokie, Part 2 " (1959) rose to the number one position on black music charts. He
4309-432: A white market, or a new hybrid of black and white forms. In the 1930s, jazz , and particularly swing , both in urban-based dance bands and blues-influenced country swing ( Jimmie Rodgers , Moon Mullican and other similar singers), were among the first music to present African-American sounds for a predominantly white audience. One particularly noteworthy example of a jazz song with recognizably rock and roll elements
Cornell Gunter - Misplaced Pages Continue
4448-509: A wider scale than any other single performer and by 1956, he had emerged as the singing sensation of the nation. Bill Flagg who is a Connecticut resident, began referring to his mix of hillbilly and rock 'n' roll music as rockabilly around 1953. In July 1954, Presley recorded the regional hit " That's All Right " at Sam Phillips' Sun Studio in Memphis. Three months earlier, on April 12, 1954, Bill Haley & His Comets recorded "Rock Around
4587-519: Is Big Joe Turner with pianist Pete Johnson 's 1938 single " Roll 'Em Pete ", which is regarded as an important precursor of rock and roll. The 1940s saw the increased use of blaring horns (including saxophones), shouted lyrics and boogie-woogie beats in jazz-based music. During and immediately after World War II , with shortages of fuel and limitations on audiences and available personnel, large jazz bands were less economical and tended to be replaced by smaller combos, using guitars, bass and drums. In
4726-575: Is 'Longhair's Blues Rhumba,' where he overlays a straightforward blues with a clave rhythm." Longhair's particular style was known locally as rumba-boogie . In his "Mardi Gras in New Orleans", the pianist employs the 2–3 clave onbeat/offbeat motif in a rumba boogie " guajeo ". The syncopated, but straight subdivision feel of Cuban music (as opposed to swung subdivisions) took root in New Orleans R&;B during this time. Alexander Stewart states that
4865-467: Is a genre of popular music that originated within the African-American community in the 1940s. The term was originally used by record companies to describe recordings marketed predominantly to African Americans, at a time when "rocking, jazz based music ... [with a] heavy, insistent beat" was becoming more popular. In the commercial rhythm and blues music typical of the 1950s through the 1970s,
5004-455: Is an attempt to blend African American and Afro-Cuban music. The word mambo , larger than any of the other text, is placed prominently on the record label. In his composition "Misery", New Orleans pianist Professor Longhair plays a habanera-like figure in his left hand. The deft use of triplets is a characteristic of Longhair's style. Gerhard Kubik notes that with the exception of New Orleans, early blues lacked complex polyrhythms, and there
5143-472: Is defined by Greg Kot in Encyclopædia Britannica as the music that originated in the mid-1950s and later developed "into the more encompassing international style known as rock music ". The term is sometimes also used as synonymous with "rock music" and is defined as such in some dictionaries. The phrase "rocking and rolling" originally described the movement of a ship on the ocean, but by
5282-677: Is general agreement that it arose in the Southern United States – a region that would produce most of the major early rock and roll acts – through the meeting of various influences that embodied a merging of the African musical tradition with European instrumentation. The migration of many former slaves and their descendants to major urban centers such as St. Louis , Memphis , New York City , Detroit , Chicago , Cleveland , and Buffalo meant that black and white residents were living in close proximity in larger numbers than ever before, and as
5421-585: Is often cited as a precursor to rock and roll or as one of the first records in that genre. In a later interview, however, Ike Turner offered this comment: "I don't think that 'Rocket 88' is rock 'n' roll. I think that 'Rocket 88' is R&B, but I think 'Rocket 88' is the cause of rock and roll existing". Ruth Brown , performing on the Atlantic label, placed hits in the top five every year from 1951 through 1954: " Teardrops from My Eyes ", "Five, Ten, Fifteen Hours", " (Mama) He Treats Your Daughter Mean " and " What
5560-466: Is often identified with the emergence of teen culture among the first baby boomer generation, who had greater relative affluence and leisure time and adopted rock and roll as part of a distinct subculture. This involved not just music, absorbed via radio, record buying, jukeboxes and TV programs like American Bandstand , but also extended to film, clothes, hair, cars and motorcycles, and distinctive language. The youth culture exemplified by rock and roll
5699-708: Is rock 'n' roll. I think that 'Rocket 88' is R&B, but I think 'Rocket 88' is the cause of rock and roll existing". In terms of its wide cultural impact across society in the US and elsewhere, Bill Haley 's " Rock Around the Clock ", recorded in April 1954 but not a commercial success until the following year, is generally recognized as an important milestone, but it was preceded by many recordings from earlier decades in which elements of rock and roll can be clearly discerned. Journalist Alexis Petridis argued that neither Haley's "Rock Around
Cornell Gunter - Misplaced Pages Continue
5838-477: The British Invasion would become the superseding forms of rock music during the mid-1960s, a few American artists were nonetheless able to achieve chart successes with rock and roll recordings during this time. The most notable of these was Johnny Rivers , who with hits such as "Memphis" (1964), popularized a " Go-go " style of club-oriented, danceable rock and roll that enjoyed significant success in spite of
5977-513: The U.S. Supreme Court ruling that abolished the policy of " separate but equal " in 1954, but leaving a policy which would be extremely difficult to enforce in parts of the United States. The coming together of white youth audiences and black music in rock and roll inevitably provoked strong white racist reactions within the US, with many whites condemning its breaking down of barriers based on color. Many observers saw rock and roll as heralding
6116-654: The US pop charts – topped the British charts later that year and again in 1956 and helped identify rock and roll with teenage delinquency. The initial response of the British music industry was to attempt to produce copies of American records, recorded with session musicians and often fronted by teen idols. More grass roots British rock and rollers soon began to appear, including Wee Willie Harris and Tommy Steele . During this period American Rock and Roll remained dominant but in 1958 Britain produced its first "authentic" rock and roll song and star, when Cliff Richard reached number 2 in
6255-590: The beat music of rock and roll and rhythm and blues from skiffle, like the Quarrymen who became the Beatles , producing a form of rock and roll revivalism that carried them and many other groups to national success from about 1963 and to international success from 1964, known in America as the British Invasion. Groups that followed the Beatles included the beat-influenced Freddie and the Dreamers , Wayne Fontana and
6394-611: The boogie-woogie rhythms that had come to prominence during the 1940s. Jordan's band, the Tympany Five (formed in 1938), consisted of him on saxophone and vocals, along with musicians on trumpet, tenor saxophone, piano, bass and drums. Lawrence Cohn described the music as "grittier than his boogie-era jazz-tinged blues". Robert Palmer described it as "urbane, rocking, jazz-based music ... [with a] heavy, insistent beat". Jordan's music, along with that of Big Joe Turner , Roy Brown , Billy Wright , and Wynonie Harris , before 1949,
6533-408: The conga drum , bongos , maracas and claves . According to John Storm Roberts , R&B became the vehicle for the return of Cuban elements into mass popular music. Ahmet Ertegun , producer for Atlantic Records , is reported to have said that "Afro-Cuban rhythms added color and excitement to the basic drive of R&B." As Ned Sublette points out though: "By the 1960s, with Cuba the object of
6672-428: The rhythm and blues , then called " race music ", in combination with either boogie-woogie and shouting gospel or with country music of the 1940s and 1950s. Particularly significant influences were jazz, blues , gospel , country, and folk . Commentators differ in their views of which of these forms were most important and the degree to which the new music was a re-branding of African-American rhythm and blues for
6811-415: The tempos and increasing the backbeat to great popularity on the juke joint circuit. Before the efforts of Freed and others, black music was taboo on many white-owned radio outlets, but artists and producers quickly recognized the potential of rock and roll. Some of Presley's early recordings were covers of black rhythm and blues or blues songs, such as " That's All Right " (a countrified arrangement of
6950-443: The 1800s with the popularity of the Cuban contradanza (known outside of Cuba as the habanera ). The habanera rhythm can be thought of as a combination of tresillo and the backbeat . For the more than a quarter-century in which the cakewalk , ragtime and proto-jazz were forming and developing, the Cuban genre habanera exerted a constant presence in African American popular music. Jazz pioneer Jelly Roll Morton considered
7089-843: The 1800s; the recording can be heard on the Vaughan Williams Memorial Library website. Various gospel, blues and swing recordings used the phrase before it became widely popular. " Bosom of Abraham ", an African-American spiritual that was documented no later than 1867 (just after the Civil War ), uses the phrase "rock my soul" frequently in a religious sense; this song was later recorded by musicians from various genres, including various gospel musicians and groups (including The Jordanaires ), Louis Armstrong (jazz/swing), Lonnie Donegan ( skiffle ), and Elvis Presley (rock and roll/pop/country). Blues singer Trixie Smith recorded "My [Man] Rocks Me with One Steady Roll" in 1922. It
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#17328943825427228-545: The 1920s and 1930s created a new market for jazz, blues, and related genres of music. These genres of music were often performed by full-time musicians, either working alone or in small groups. The precursors of rhythm and blues came from jazz and blues, which overlapped in the late-1920s and 30s through the work of musicians such as the Harlem Hamfats , with their 1936 hit "Oh Red", as well as Lonnie Johnson , Leroy Carr , Cab Calloway , Count Basie , and T-Bone Walker . There
7367-500: The 1950s entitled Oop Shoop: The Flair and Modern Recordings 1953–1957 . Another sister, Gloria Gunter, recorded the singles "Move On Out" and "Your Love Reminds Me" (Arch #1610) in 1959. "Move On Out" was an answer to The Coasters' hit " Yakety Yak ", on which Cornell sang. Both sides of the record were made available on CD in 2006. "Move On Out" appears on Rock 'n' Roll Mamas (Popcorn #6004), and "Your Love Reminds Me" appears on Rare Female Doo Wops (Popcorn #6005). Gunter (who
7506-474: The 1950s, by leading white and black kids to listen to the same music, put the radio personality 'at the vanguard' and made him 'a really important figure ' ". After Freed was honored with a star on the Hollywood Walk of Fame , the organization's Web site offered this comment: "He became internationally known for promoting African-American rhythm and blues music on the radio in the United States and Europe under
7645-552: The Belmonts ' " A Teenager in Love " (1959). From its early 1950s beginnings through the early 1960s, rock and roll spawned new dance crazes including the twist . Teenagers found the syncopated backbeat rhythm especially suited to reviving Big Band-era jitterbug dancing. Sock hops , school and church gym dances, and home basement dance parties became the rage, and American teens watched Dick Clark 's American Bandstand to keep up on
7784-496: The Blues , writes that "rhythm and blues" was an umbrella term invented for industry convenience. According to him, the term embraced all black music except classical music and religious music , unless a gospel song sold enough to break into the charts. Well into the 21st century, the term R&B continues in use (in some contexts) to categorize music made by black musicians, as distinct from styles of music made by other musicians. In
7923-655: The CEO of LaFace Records , was responsible for some of R&B's greatest successes in the 1990s in the form of Usher , TLC and Toni Braxton . Later, Reid successfully marketed Boyz II Men . In 2004, 80% of the songs that topped the R&B charts were also at the top of the Hot 100. That period was the all-time peak for R&B and hip hop on the Billboard Hot 100 and on Top 40 Radio. From about 2005 to 2013, R&B sales declined. However, since 2010, hip-hop has started to take cues from
8062-542: The Chords ' " Sh-Boom " became the first hit to cross over from the R&B chart to hit the top 10 early in the year. Late in the year, and into 1955, " Hearts of Stone " by the Charms made the top 20. At Chess Records in the spring of 1955, Bo Diddley 's debut record " Bo Diddley "/" I'm a Man " climbed to number two on the R&B charts and popularized Bo Diddley's own original rhythm and blues clave-based vamp that would become
8201-585: The Cleftones , and the Spaniels with Illinois Jacquet 's Big Rockin' Rhythm Band. Cities visited by the tour included Columbia, South Carolina; Annapolis, Maryland; Pittsburgh, Pennsylvania; Syracuse, Rochester and Buffalo, New York; and other cities. In Columbia, the concert ended with a near riot as Perkins began his first song as the closing act. Perkins is quoted as saying, "It was dangerous. Lot of kids got hurt". In Annapolis, 50,000 to 70,000 people tried to attend
8340-547: The Clock" nor Presley's version of "That's Alright Mama" heralded a new genre: "They were simply the first white artists' interpretations of a sound already well-established by black musicians almost a decade before. It was a raucous, driving, unnamed variant of rhythm and blues that came complete with lyrics that talked about rocking". Other artists with early rock and roll hits included Chuck Berry , Bo Diddley , Little Richard , Jerry Lee Lewis , and Gene Vincent . Chuck Berry's 1955 classic " Maybellene " in particular features
8479-462: The Clock". Although only a minor hit when first released, when used in the opening sequence of the movie Blackboard Jungle a year later, it set the rock and roll boom in motion. The song became one of the biggest hits in history, and frenzied teens flocked to see Haley and the Comets perform it, causing riots in some cities. "Rock Around the Clock" was a breakthrough success for the group; traditionally,
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#17328943825428618-458: The Coasters, he toured with Dinah Washington . in 1961, he was part of a group called "D's Gentleman" which featured future members of The Dells Charles Barksdale and Johnny Carter as well as Richard Harris and William Herndon. In 1963, he formed his own Coasters group; they were usually billed as "The Fabulous Coasters". Gunter made several solo singles in the late 1950s and early 1960s, including
8757-697: The Diamonds (The Gladiolas' "Little Darlin ' " and Frankie Lymon & the Teenagers' "Why Do Fools Fall in Love?"), the Crew Cuts (the Chords' "Sh-Boom" and Nappy Brown's "Don't Be Angry"), the Fountain Sisters (The Jewels' "Hearts of Stone") and the Maguire Sisters (The Moonglows' "Sincerely"). Some commentators have suggested a decline of rock and roll starting in 1958. The retirement of Little Richard to become
8896-517: The Jewish writer, music publishing executive, and songwriter Arnold Shaw , during the 1940s in the US, there was generally little opportunity for Jews in the WASP -controlled realm of mass communications , but the music business was "wide open for Jews as it was for blacks". Jews played a key role in developing and popularizing African American music, including rhythm and blues, and the independent record business
9035-495: The Joint " (1949) (later covered by Bill Haley & His Comets in 1952), " Rocket 88 " by Jackie Brenston and his Delta Cats ( Ike Turner and his band The Kings of Rhythm and sung by Brenston), was recorded by Sam Phillips in March 1951. This is often cited as the first rock n' roll record. In an interview however, Ike Turner offered this comment: "I don't think that 'Rocket 88'
9174-473: The Louis Prima rocker "Oh Babe" in 1950, as well as Amos Milburn 's cover of what may have been the first white rock and roll record, Hardrock Gunter 's "Birmingham Bounce" in 1949. The most notable trend, however, was white pop covers of black R&B numbers. The more familiar sound of these covers may have been more palatable to white audiences, there may have been an element of prejudice, but labels aimed at
9313-686: The Mindbenders , Herman's Hermits and the Dave Clark Five . Early British rhythm and blues groups with more blues influences include the Animals , the Rolling Stones , and the Yardbirds . Rock and roll influenced lifestyles, fashion, attitudes, and language. In addition, rock and roll may have contributed to the civil rights movement because both African-American and European-American teens enjoyed
9452-461: The New Orleans sound. Robert Palmer reports that, in the 1940s, Professor Longhair listened to and played with musicians from the islands and "fell under the spell of Perez Prado's mambo records." He was especially enamored with Afro-Cuban music. Michael Campbell states: "Professor Longhair's influence was ... far-reaching. In several of his early recordings, Professor Longhair blended Afro-Cuban rhythms with rhythm and blues. The most explicit
9591-474: The R&B sound, choosing to adopt a softer, smoother sound that incorporates traditional R&B with rappers such as Drake , who has opened an entire new door for the genre. This sound has gained in popularity and created great controversy for both hip-hop and R&B as to how to identify it. In 2010, the National Rhythm & Blues Hall of Fame was founded by LaMont "ShowBoat" Robinson . According to
9730-420: The United States during the late 1940s and early 1950s. It originated from African American music such as jazz , rhythm and blues , boogie-woogie , electric blues , gospel , and jump blues , as well as country music . While rock and roll's formative elements can be heard in blues records from the 1920s and in country records of the 1930s, the genre did not acquire its name until 1954. According to
9869-583: The United States in 1948, the term had been used in Billboard as early as 1943. However, the company's first list of songs popular among African Americans was named Harlem Hit Parade ; created in 1942, it listed the "most popular records in Harlem ," and is the predecessor to the Billboard RnB chart. “Rhythm and Blues” replaced the common term " race music ", a term coined by Okeh producer Ralph Peer based on
10008-439: The arrest of Chuck Berry (December 1959), and the death of Eddie Cochran in a car crash (April 1960) gave a sense that the initial phase of rock and roll had come to an end. During the late 1950s and early 1960s, the rawer sounds of Presley, Gene Vincent , Jerry Lee Lewis and Buddy Holly were commercially superseded by a more polished, commercial style of rock and roll influenced pop music. Marketing frequently emphasized
10147-510: The article said that rock and roll combined R&B with pop and country music. Fats Domino was one of the biggest stars of rock and roll in the early 1950s and he was not convinced that this was a new genre. In 1957, he said: "What they call rock 'n' roll now is rhythm and blues. I've been playing it for 15 years in New Orleans". According to Rolling Stone , "this is a valid statement ... all Fifties rockers, black and white, country born and city-bred, were fundamentally influenced by R&B,
10286-439: The article said that rock and roll combined R&B with pop and country music. Fats Domino was not convinced that there was any new genre. In 1957, he said, "What they call rock 'n' roll now is rhythm and blues. I've been playing it for 15 years in New Orleans". According to Rolling Stone , "this is a valid statement ... all Fifties rockers, black and white, country born and city bred, were fundamentally influenced by R&B,
10425-401: The backbeat (two-side). The " Bo Diddley beat " (1955) is perhaps the first true fusion of 3–2 clave and R&B/rock 'n' roll. Bo Diddley has given different accounts of the riff's origins. Sublette asserts: "In the context of the time, and especially those maracas [heard on the record], 'Bo Diddley' has to be understood as a Latin-tinged record. A rejected cut recorded at the same session
10564-526: The band split up in 1969. Another American GI , Jimmy James , born in Jamaica, moved to London after two local number one hits in 1960 with The Vagabonds, who built a strong reputation as a live act. They released a live album and their studio debut, The New Religion, in 1966 and achieved moderate success with a few singles before the original Vagabonds broke up in 1970. White blues rock musician Alexis Korner formed new jazz rock band CCS in 1970. Interest in
10703-421: The bands usually consisted of a piano, one or two guitars, bass, drums, one or more saxophones, and sometimes background vocalists. R&B lyrical themes often encapsulate the African-American history and experience of pain and the quest for freedom and joy, as well as triumphs and failures in terms of societal racism, oppression, relationships, economics, and aspirations. The term "rhythm and blues" has undergone
10842-411: The black popular music of the late Forties and early Fifties". In 1956, an R&B "Top Stars of '56" tour took place, with headliners Al Hibbler , Frankie Lymon and the Teenagers, and Carl Perkins , whose " Blue Suede Shoes " was very popular with R&B music buyers. Some of the performers completing the bill were Chuck Berry, Cathy Carr , Shirley & Lee , Della Reese , Sam "T-Bird" Jensen,
10981-532: The black popular music of the late Forties and early Fifties". Further, Little Richard built his ground-breaking sound of the same era with an uptempo blend of boogie-woogie, New Orleans rhythm and blues, and the soul and fervor of gospel music vocalization. Less frequently cited as an influencer, LaVern Baker was inducted into the Rock and Roll Hall of Fame in 1991. The Hall remarked that her "fiery fusion of blues, jazz and R&B showcased her alluring vocals and set
11120-430: The blues would influence major British rock musicians, including Eric Clapton , Mick Taylor , Peter Green , and John Mayall , the groups Free and Cream adopted an interest in a wider range of rhythm and blues styles. Rock and roll Rock and roll (often written as rock & roll , rock-n-roll , rock 'n' roll , rock n' roll , Rock n' Roll or proto-rock ) is a genre of popular music that evolved in
11259-553: The charts with " Move It ". At the same time, TV shows such as Six-Five Special and Oh Boy! promoted the careers of British rock and rollers like Marty Wilde and Adam Faith . Cliff Richard and his backing band, the Shadows , were the most successful home grown rock and roll based acts of the era. Other leading acts included Billy Fury , Joe Brown , and Johnny Kidd & the Pirates , whose 1960 hit song " Shakin' All Over " became
11398-495: The commercial rhythm and blues music typical of the 1950s through the 1970s, the bands usually consisted of piano, one or two guitars, bass, drums, and saxophone. Arrangements were rehearsed to the point of effortlessness and were sometimes accompanied by background vocalists. Simple repetitive parts mesh, creating momentum and rhythmic interplay producing mellow, lilting, and often hypnotic textures while calling attention to no individual sound. While singers are emotionally engaged with
11537-417: The common self description by the African American press as “people of race.” The term "rhythm and blues" was then used by Billboard in its chart listings from June 1949 until August 1969, when its "Hot Rhythm & Blues Singles" chart was renamed as "Best Selling Soul Singles". Before the "Rhythm and Blues" name was instated, various record companies had already begun replacing the term "race music" with
11676-623: The concept of rock and roll had been defined, Billboard magazine columnist Maurie Orodenker started to use the term to describe upbeat recordings such as "Rock Me" by Sister Rosetta Tharpe ; her style on that recording was described as "rock-and-roll spiritual singing". By 1943, the "Rock and Roll Inn" in South Merchantville, New Jersey , was established as a music venue. In 1951, Cleveland , Ohio, disc jockey Alan Freed began playing this music style, and referring to it as "rock and roll" on his mainstream radio program, which popularized
11815-415: The crossover of African-American "race music" to a growing white youth audience, the popularization of rock and roll involved both black performers reaching a white audience and white musicians performing African-American music. Rock and roll appeared at a time when racial tensions in the United States were entering a new phase, with the beginnings of the civil rights movement for desegregation , leading to
11954-588: The development of what was to be defined as rock and roll as a distinct genre. Because the development of rock and roll was an evolutionary process, no single record can be identified as unambiguously "the first" rock and roll record. Contenders for the title of " first rock and roll record " include Sister Rosetta Tharpe 's " Strange Things Happening Every Day " (1944), " That's All Right " by Arthur Crudup (1946), " Move It On Over " by Hank Williams (1947), " The Fat Man " by Fats Domino (1949), Goree Carter 's " Rock Awhile " (1949), and Jimmy Preston 's " Rock
12093-435: The earliest rock and roll styles, either the piano or saxophone was typically the lead instrument. These instruments were generally replaced or supplemented by the electric guitar in the mid-to-late 1950s. The beat is essentially a dance rhythm with an accentuated backbeat , almost always provided by a snare drum . Classic rock and roll is usually played with one or more electric guitars (one lead , one rhythm ) and
12232-751: The early 1950s, more white teenagers started to become aware of R&B and began purchasing the music. For example, 40% of 1952 sales at Dolphin's of Hollywood record shop, located in an African-American area of Los Angeles, were to whites. Eventually, white teens across the country turned their musical taste toward rhythm and blues. Johnny Otis , who had signed with the Newark, New Jersey–based Savoy Records, produced many R&B hits in 1951, including " Double Crossing Blues ", "Mistrustin' Blues" and " Cupid's Boogie ", all of which hit number one that year. Otis scored ten top ten hits that year. Other hits include " Gee Baby ", "Mambo Boogie" and "All Nite Long". The Clovers ,
12371-416: The early 20th century was used both to describe the spiritual fervor of black church rituals and as a sexual analogy. A retired Welsh seaman named William Fender can be heard singing the phrase "rock and roll" when describing a sexual encounter in his performance of the traditional song " The Baffled Knight " to the folklorist James Madison Carpenter in the early 1930s, which he would have learned at sea in
12510-427: The electric guitar as its centerpiece, adapting his rock band instrumentation from the basic blues band instrumentation of a lead guitar, second chord instrument, bass and drums. In 2017, Robert Christgau declared that "Chuck Berry did in fact invent rock 'n' roll", explaining that this artist "came the closest of any single figure to being the one who put all the essential pieces together". Rock and roll arrived at
12649-511: The electric guitar, creating what is instantly recognizable as rock guitar. This proposal by Richards neglects the black guitarists who did the same thing before Berry, such as Goree Carter , Gatemouth Brown , and the originator of the style, T-Bone Walker . Country boogie and Chicago electric blues supplied many of the elements that would be seen as characteristic of rock and roll. Inspired by electric blues , Chuck Berry introduced an aggressive guitar sound to rock and roll, and established
12788-451: The electronic treatment of sound by such innovators as Joe Meek , and the " Wall of Sound " productions of Phil Spector , continued desegregation of the charts, the rise of surf music , garage rock and the Twist dance craze. Surf rock in particular, noted for the use of reverb-drenched guitars, became one of the most popular forms of American rock of the early 1960s. While the sounds of
12927-408: The figure – as a bass pattern on a Cuban disc. In a 1988 interview with Palmer, Bartholomew (who had the first R&B studio band), revealed how he initially superimposed tresillo over swing rhythm: I heard the bass playing that part on a 'rumba' record. On 'Country Boy' I had my bass and drums playing a straight swing rhythm and wrote out that 'rumba' bass part for the saxes to play on top of
13066-561: The foundation for R&B in the 1940s, cutting one swinging rhythm & blues masterpiece after another". Other artists who were "cornerstones of R&B and its transformation into rock & roll" include Etta James, Fats Domino , Roy Brown, Little Richard and Ruth Brown. The "doo wop" groups were also noteworthy, including the Orioles , the Ravens and the Dominoes . The term "rock and roll" had
13205-463: The greatest Black musicians like BB King, Arthur Crudup and Fats Domino. His style of music combined with black influences created controversy during a turbulent time in history. Many other popular rock and roll singers of the time, such as Fats Domino and Little Richard , came out of the black rhythm and blues tradition, making the music attractive to white audiences, and are not usually classed as "rockabilly". Presley popularized rock and roll on
13344-409: The journalist Greg Kot , "rock and roll" refers to a style of popular music originating in the United States in the 1950s. By the mid-1960s, rock and roll had developed into "the more encompassing international style known as rock music , though the latter also continued to be known in many circles as rock and roll." For the purpose of differentiation, this article deals with the first definition. In
13483-766: The late 1980s and early 1990s, hip-hop started to capture the imagination of America's youth. R&B started to become homogenized, with a group of high-profile producers responsible for most R&B hits. It was hard for R&B artists of the era to sell their music or even have their music heard because of the rise of hip-hop, but some adopted a "hip-hop" image, were marketed as such, and often featured rappers on their songs. In 1990, Billboard reintroduced R&B to categorize all of Black popular music other than hip-hop. Newer artists such as Usher , R. Kelly , Janet Jackson , TLC , Aaliyah , Brandy , Destiny's Child , Tevin Campbell and Mary J. Blige enjoyed success. L.A. Reid ,
13622-399: The levees and plantations, took in folk songs, and features blues and rhythm". In discussing Alan Freed's contribution to the genre, two significant sources emphasized the importance of African-American rhythm and blues. Greg Harris, then the executive director of the Rock n Roll Hall of Fame, offered this comment to CNN : "Freed's role in breaking down racial barriers in U.S. pop culture in
13761-424: The lyrics, often intensely so, they remain cool, relaxed, and in control. The bands dressed in suits, and even uniforms, a practice associated with the modern popular music that rhythm and blues performers aspired to dominate. Lyrics often seemed fatalistic, and the music typically followed predictable patterns of chords and structure. R&B lyrical themes often encapsulate the African-American experience of pain and
13900-576: The music. Many early rock and roll songs dealt with issues of cars, school, dating, and clothing. The lyrics of rock and roll songs described events and conflicts to which most listeners could relate through personal experience. Topics such as sex that had generally been considered taboo began to appear in rock and roll lyrics. This new music tried to break boundaries and express emotions that people were actually feeling but had not discussed openly. An awakening began to take place in American youth culture. In
14039-659: The name of rock and roll". Not often acknowledged in the history of rock and roll, Todd Storz , the owner of radio station KOWH in Omaha , Nebraska, was the first to adopt the Top 40 format (in 1953), playing only the most popular records in rotation. His station, and the numerous others which adopted the concept, helped to promote the genre: by the mid 50s, the playlist included artists such as " Presley , Lewis , Haley , Berry and Domino ". The origins of rock and roll have been fiercely debated by commentators and historians of music. There
14178-665: The old Savannah. It's a killer! Although originating in the metropolis at the mouth of the Mississippi River, New Orleans blues, with its Afro-Caribbean rhythmic traits, is distinct from the sound of the Mississippi Delta blues. In the late 1940s, New Orleans musicians were especially receptive to Cuban influences precisely at the time when R&B was first forming. The first use of tresillo in R&B occurred in New Orleans. Robert Palmer recalls: New Orleans producer-bandleader Dave Bartholomew first employed this figure (as
14317-471: The ongoing British Invasion. Another example was Bobby Fuller and his group The Bobby Fuller Four , who were especially inspired by Buddy Holly and stuck with a rock and roll style, scoring their most notable hit with "I Fought the Law" (1965). In the 1950s, Britain was well placed to receive American rock and roll music and culture. It shared a common language , had been exposed to American culture through
14456-505: The pattern is only half a clave ). Tresillo is the most basic duple-pulse rhythmic cell in Sub-Saharan African music traditions , and its use in African American music is one of the clearest examples of African rhythmic retention in the United States. The use of tresillo was continuously reinforced by the consecutive waves of Cuban music, which were adopted into North American popular culture. In 1940 Bob Zurke released "Rhumboogie",
14595-418: The phrase. Several sources suggest that Freed found the term, used as a synonym for sexual intercourse, on the record " Sixty Minute Man " by Billy Ward and his Dominoes . The lyrics include the line, "I rock 'em, roll 'em all night long". Freed did not acknowledge the suggestion about that source in interviews, and explained the term as follows: "Rock 'n roll is really swing with a modern name. It began on
14734-506: The physical looks of the artist rather than the music, contributing to the successful careers of Ricky Nelson , Tommy Sands , Bobby Vee , Jimmy Clanton , and the Philadelphia trio of Bobby Rydell , Frankie Avalon , and Fabian , who all became "teen idols". Some music historians have also pointed to important and innovative developments that built on rock and roll in this period, including multitrack recording , developed by Les Paul ,
14873-420: The popular feel was passed along from "New Orleans—through James Brown's music, to the popular music of the 1970s," adding: "The singular style of rhythm & blues that emerged from New Orleans in the years after World War II played an important role in the development of funk. In a related development, the underlying rhythms of American popular music underwent a basic, yet generally unacknowledged transition from
15012-488: The quest for freedom and joy, as well as triumphs and failures in terms of relationships, economics, and aspirations. One publication of the Smithsonian Institution provided this summary of the origins of the genre in 2016. "A distinctly African American music drawing from the deep tributaries of African American expressive culture, it is an amalgam of jump blues, big band swing, gospel, boogie, and blues that
15151-514: The rawer Memphis soul sound for which Stax became known. In Jamaica, R&B influenced the development of ska . In 1969, black culture and rhythm and blues reached another great achievement when the Grammys added the Rhythm and Blues category, giving academic recognition to the category. By the 1970s, the term "rhythm and blues" was being used as a blanket term for soul , funk , and disco . In
15290-431: The record become popular with white teenagers. Freed had been given part of the writing credit by Chess in return for his promotional activities, a common practice at the time. R&B was also a strong influence on rock and roll . A 1985 article in The Wall Street Journal , titled, "Rock! It's Still Rhythm and Blues" reported that the "two terms were used interchangeably" until about 1957. The other sources quoted in
15429-517: The same period, particularly on the West Coast and in the Midwest , the development of jump blues , with its guitar riffs, prominent beats and shouted lyrics, prefigured many later developments. In the documentary film Hail! Hail! Rock 'n' Roll , Keith Richards proposes that Chuck Berry developed his brand of rock and roll by transposing the familiar two-note lead line of jump blues piano directly to
15568-570: The song has been seen as the major breakthrough for the rock and roll genre, as its immense popularity introduced the music to a global audience. In 1956, the arrival of rockabilly was underlined by the success of songs like " Folsom Prison Blues " by Johnny Cash , " Blue Suede Shoes " by Perkins, and the No. 1 hit " Heartbreak Hotel " by Presley. For a few years it became the most commercially successful form of rock and roll. Later rockabilly acts, particularly performing songwriters like Buddy Holly , would be
15707-408: The sound of rock 'n' roll. A rapid succession of rhythm and blues hits followed, beginning with " Tutti Frutti " and " Long Tall Sally ", which would influence performers such as James Brown , Elvis Presley , and Otis Redding . Also in 1951, the song Rocket 88 was recorded by Ike Turner and his Kings of Rhythm at a studio owned by Sam Phillips with the vocal by Jackie Brenston . This song
15846-489: The stage for the rock and roll surge of the Fifties". "Rockabilly" usually (but not exclusively) refers to the type of rock and roll music which was played and recorded in the mid-1950s primarily by white singers such as Elvis Presley , Carl Perkins , Johnny Cash , and Jerry Lee Lewis , who drew mainly on the country roots of the music. Presley was greatly influenced by and incorporated his style of music with that of some of
15985-612: The stationing of troops in the country, and shared many social developments, including the emergence of distinct youth sub-cultures, which in Britain included the Teddy Boys and the rockers . Trad jazz became popular in the UK, and many of its musicians were influenced by related American styles, including boogie woogie and the blues . The skiffle craze, led by Lonnie Donegan , used amateurish versions of American folk songs and encouraged many of
16124-510: The subsequent generation of rock and roll, folk, R&B and beat musicians to start performing. At the same time British audiences were beginning to encounter American rock and roll, initially through films including Blackboard Jungle (1955) and Rock Around the Clock (1956). Both movies featured the Bill Haley & His Comets hit " Rock Around the Clock ", which first entered the British charts in early 1955 – four months before it reached
16263-461: The swing rhythm. Later, especially after rock 'n' roll came along, I made the 'rumba' bass part heavier and heavier. I'd have the string bass, an electric guitar and a baritone all in unison. Bartholomew referred to the Cuban son by the misnomer rumba , a common practice of that time. Fats Domino's " Blue Monday ", produced by Bartholomew, is another example of this now classic use of tresillo in R&B. Bartholomew's 1949 tresillo-based "Oh Cubanas"
16402-544: The term "sepia series". "Rhythm and blues" is often abbreviated as "R&B" or "R'n'B". In the early 1950s, the term "rhythm & blues" was frequently applied to blues records. Writer and producer Robert Palmer defined rhythm & blues as "a catchall term referring to any music that was made by and for black Americans". He has also used the term "R&B" as a synonym for jump blues . However, AllMusic separates it from jump blues because of R&B's stronger gospel influences. Lawrence Cohn , author of Nothing but
16541-471: The tresillo/habanera rhythm (which he called the Spanish tinge ) to be an essential ingredient of jazz. There are examples of tresillo-like rhythms in some African American folk music such as the hand-clapping and foot-stomping patterns in ring shout , post-Civil War drum and fife music, and New Orleans second line music. Wynton Marsalis considers tresillo to be the New Orleans "clave" (although technically,
16680-484: The two-celled timeline structure was brought into the blues. New Orleans musicians such as Bartholomew and Longhair incorporated Cuban instruments, as well as the clave pattern and related two-celled figures in songs such as "Carnival Day", (Bartholomew 1949) and "Mardi Gras In New Orleans" (Longhair 1949). While some of these early experiments were awkward fusions, the Afro-Cuban elements were eventually integrated fully into
16819-451: The way for desegregation, in creating a new form of music that encouraged racial cooperation and shared experience. Many authors have argued that early rock and roll was instrumental in the way both white and black teenagers identified themselves. Several rock historians have claimed that rock and roll was one of the first music genres to define an age group . It gave teenagers a sense of belonging, even when they were alone. Rock and roll
16958-747: The white market also had much better distribution networks and were generally much more profitable. Famously, Pat Boone recorded sanitized versions of songs recorded by the likes of Fats Domino, Little Richard, the Flamingos and Ivory Joe Hunter. Later, as those songs became popular, the original artists' recordings received radio play as well. The cover versions were not necessarily straightforward imitations. For example, Bill Haley's incompletely bowdlerized cover of " Shake, Rattle and Roll " transformed Big Joe Turner's humorous and racy tale of adult love into an energetic teen dance number, while Georgia Gibbs replaced Etta James ' tough, sarcastic vocal in "Roll With Me, Henry" (covered as "Dance With Me, Henry") with
17097-418: The yet-unnamed Platters, singing back-up on Big Jay McNeely 's recording "Nervous Man Nervous" on Federal Records in 1953. Gunter also was a member of The Flairs and The Coasters . The title song from the 1957 Susan Oliver film, The Green Eyed Blonde , was sung by Gunter. Will "Dub" Jones and Gunter joined The Coasters as replacements for Bobby Nunn and Leon Hughes in early 1958. After Gunter left
17236-427: Was a "very specific absence of asymmetric time-line patterns ( key patterns ) in virtually all early-twentieth-century African American music ... only in some New Orleans genres does a hint of simple time line patterns occasionally appear in the form of transient so-called 'stomp' patterns or stop-time chorus. These do not function in the same way as African timelines." In the late 1940s, this changed somewhat when
17375-401: Was a recurring source of concern for older generations, who worried about juvenile delinquency and social rebellion, particularly because, to a large extent, rock and roll culture was shared by different racial and social groups. In America, that concern was conveyed even in youth cultural artifacts such as comic books . In "There's No Romance in Rock and Roll" from True Life Romance (1956),
17514-624: Was a very nasty dance". Also in 1949, a new version of a 1920s blues song, " Ain't Nobody's Business " was a number four hit for Jimmy Witherspoon , and Louis Jordan and the Tympany Five once again made the top five with " Saturday Night Fish Fry ". Many of these hit records were issued on new independent record labels, such as Savoy (founded 1942), King (founded 1943), Imperial (founded 1945), Specialty (founded 1946), Chess (founded 1947), and Atlantic (founded 1948). African American music began incorporating Afro-Cuban rhythmic motifs in
17653-463: Was also increasing emphasis on the electric guitar as a lead instrument, as well as the piano and saxophone . R&B originated in African-American communities in the 1940s. In 1948, RCA Victor was marketing black music under the name "Blues and Rhythm". In that year, Louis Jordan dominated the top five listings of the R&;B charts with three songs, and two of the top five songs were based on
17792-400: Was at the top of the R&B charts in 1959 and 1960 with one number one and two number two hits. Benton had a certain warmth in his voice that attracted a wide variety of listeners, and his ballads led to comparisons with performers such as Nat King Cole , Frank Sinatra and Tony Bennett . Lloyd Price , who in 1952 had a number one hit with " Lawdy Miss Clawdy ", regained predominance with
17931-453: Was being called soul music , and similar music by white artists was labeled blue-eyed soul . Motown Records had its first million-selling single in 1960 with the Miracles ' " Shop Around ", and in 1961, Stax Records had its first hit with Carla Thomas 's " Gee Whiz (Look at His Eyes) ". Stax's next major hit, The Mar-Keys ' instrumental " Last Night " (also released in 1961), introduced
18070-422: Was definitely such a thing as rhumba blues ; you can hear Muddy Waters and Howlin' Wolf playing it." He also cites Otis Rush , Ike Turner and Ray Charles , as R&B artists who employed this feel. The use of clave in R&B coincided with the growing dominance of the backbeat , and the rising popularity of Cuban music in the U.S. In a sense, clave can be distilled down to tresillo (three-side) answered by
18209-482: Was dominated by young Jewish men who promoted the sounds of black music. British rhythm and blues and blues rock developed in the early 1960s, largely as a response to the recordings of American artists, often brought over by African American servicemen stationed in Britain or seamen visiting ports such as London, Liverpool, Newcastle and Belfast. Many bands, particularly in the developing London club scene, tried to emulate black rhythm and blues performers, resulting in
18348-429: Was gay and in later years preferred to spell his name Cornell Gunther) was in the process of making a new comeback, when an unknown assassin shot him in his car in Las Vegas , Nevada on February 26, 1990 (some files say February 27). The survivors of his group continue to tour as "The Original Cornell Gunter's Coasters Inc." Rhythm and blues Rhythm and blues , frequently abbreviated as R&B or R'n'B ,
18487-419: Was initially developed during a thirty-year period that bridges the era of legally sanctioned racial segregation, international conflicts, and the struggle for civil rights". The Rock & Roll Hall of Fame defines some of the originators of R&B, including Joe Turner 's big band, Louis Jordan's Tympany Five, James Brown and LaVern Baker. In fact, this source states that "Louis Jordan joined Turner in laying
18626-519: Was once told that "a lot of those stations still think you're a black group because the sound feels funky and black." Hi Records did not feature pictures of the Combo on early records. Sam Cooke 's number five hit " Chain Gang " is indicative of R&B in 1960, as is pop rocker Chubby Checker 's number five hit " The Twist ". By the early 1960s, the music industry category previously known as rhythm and blues
18765-580: Was referred to as jump blues . Then, Paul Gayten , Roy Brown, and others had had hits in the style now referred to as rhythm and blues. In 1948, Wynonie Harris's remake of Brown's 1947 recording " Good Rockin' Tonight " reached number two on the charts, following band leader Sonny Thompson 's "Long Gone" at number one. In 1949, the term "Rhythm and Blues" (R&B) replaced the Billboard category Harlem Hit Parade . Also in that year, " The Huckle-Buck ", recorded by band leader and saxophonist Paul Williams ,
18904-523: Was the number one R&B tune, remaining on top of the charts for nearly the entire year. Written by musician and arranger Andy Gibson , the song was described as a "dirty boogie" because it was risque and raunchy. Paul Williams and His Hucklebuckers' concerts were sweaty riotous affairs that got shut down on more than one occasion. Their lyrics, by Roy Alfred (who later co-wrote the 1955 hit " (The) Rock and Roll Waltz "), were mildly sexually suggestive, and one teenager from Philadelphia said "That Hucklebuck
19043-459: Was titled only 'Rhumba' on the track sheets." Johnny Otis 's "Willie and the Hand Jive" (1958) is another example of this successful blend of 3–2 claves and R&B. Otis used the Cuban instruments claves and maracas on the song. Afro-Cuban music was the conduit by which African American music was "re-Africanized", through the adoption of two-celled figures like clave and Afro-Cuban instruments like
19182-411: Was used as a blanket term for soul and funk . In the late 1980s, a newer style of R&B developed, becoming known as " contemporary R&B ". This contemporary form combines rhythm and blues with various elements of pop , soul, funk, disco , hip hop , and electronic music . Although Jerry Wexler of Billboard magazine is credited with coining the term "rhythm and blues" as a musical term in
19321-466: Was used in 1940s recordings and reviews of what became known as " rhythm and blues " music aimed at a black audience. Huey "Piano" Smith credits Cha Cha Hogan , a jump-blues shouter and comic in New Orleans, with popularizing the term in his 1950 song "My Walking Baby". In 1934, the song "Rock and Roll" by the Boswell Sisters appeared in the film Transatlantic Merry-Go-Round . In 1942, before
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