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107-784: Come On Pilgrim is the debut mini-album by the American alternative rock band Pixies , released on September 28, 1987, on 4AD . Produced by Gary Smith , the release consists of eight tracks from a seventeen-song recording session that the band had recorded at Fort Apache Studios in March 1987. Signing the band based on the quality of the recordings, 4AD founder Ivo Watts-Russell whittled its track-listing down to eight songs, remixing them to become Come On Pilgrim . The remaining nine songs were subsequently released in 2002 as Pixies . In March 1987, Pixies entered Boston's Fort Apache Studios with Fort Apache owner/record producer Gary Smith to record
214-487: A Rickenbacker 4001, owned by Easter's girlfriend. Recording was completed on February 23, 1983. In a rare instance of R.E.M. co-writing, Stipe asked friend Neil Bogan to contribute lyrics to "West of the Fields". The front cover features an image of a large quantity of the noxious weed kudzu , which grows so rapidly that it overtakes the landscape and kills other plants by completely shading them. The trestle featured on
321-497: A My Soul". This, along with the rest of the nine "missing" Purple Tape tracks, were released as Pixies in 2002. The title of the album is derived from "Watch What You're Doing", a song by Christian rock singer Larry Norman , that includes the line, "C'mon pilgrim, you know he loves you", which the Pixies quote in the song "Levitate Me". Of Norman, Francis said, "when I was 14 I really dug him. I dressed like him, I looked like him, he
428-484: A confessional tone. Rites of Spring has been described as the first "emo" band. Former Minor Threat singer Ian MacKaye founded Dischord Records which became the center for the city's emo scene. Gothic rock developed out of late-1970s British post-punk . With a reputation as the "darkest and gloomiest form of underground rock", gothic rock uses a synthesizer-and-guitar based sound drawn from post-punk to construct "foreboding, sorrowful, often epic soundscapes", and
535-523: A cynical response to an "authentic" rock movement. Bush , Candlebox and Collective Soul were labelled almost pejoratively as post-grunge which, according to Tim Grierson of About.com , is "suggesting that rather than being a musical movement in their own right, they were just a calculated, cynical response to a legitimate stylistic shift in rock music." Post-grunge morphed during the late 1990s and 2000s as newer bands such as Foo Fighters , Matchbox Twenty , Creed and Nickelback emerged, becoming among
642-521: A decade in the underground, ska punk , a mixture of earlier British ska and punk acts, became popular in the United States. Rancid was the first of the "third-wave ska revival" acts to break. From the mid-1990s to early 2000s, the Mighty Mighty Bosstones , No Doubt , Sublime , Goldfinger , Reel Big Fish , Less Than Jake and Save Ferris charted or received radio exposure. During
749-412: A deliberate slur, lost in a muddy mix, and/or drowned out by the instrumental work, resulting in an impressive sense of meaning even as the meaning itself is not understood. It was Rolling Stone' s Best Album of 1983, beating Michael Jackson 's Thriller , The Police 's Synchronicity and U2 's War . Buck noted in 2002 that I.R.S. was "mind-boggled" by the album's positive reviews, especially in
856-530: A demo tape. The resulting 17-song cassette, later dubbed " The Purple Tape ", eventually found its way to Ivo Watts-Russell , president and co-founder of the influential British record label 4AD . Pixies' manager Ken Goes was also the manager of Throwing Muses , who had become the first American band to sign to 4AD a year earlier. Goes passed Pixies' demo tape on to Watts-Russell, who walked the streets of New York listening to it on his Walkman and "absolutely adored it from day one". Despite initial hesitance to sign
963-528: A depth and cohesiveness to R.E.M. that the EP could only suggest." He concluded, "R.E.M. is clearly the important Athens band." Jonathan Gregg of Record described Murmur as "a splendid little film noir of an album, austere but rich in implication." He particularly praised the band's distinctive "twitchy, restless dance beat" and the incomprehensibility of the album's meaning, noting that Stipe's already enigmatic lyrics are often hard to make out due to being sung with
1070-636: A late night new wave show entitled "Rock and Roll Alternative". " College rock " was used in the United States to describe the music during the 1980s due to its links to the college radio circuit and the tastes of college students. In the United Kingdom, dozens of small do it yourself record labels emerged as a result of the punk subculture . According to the founder of one of these labels, Cherry Red , NME and Sounds magazines published charts based on small record stores called "Alternative Charts". The first national chart based on distribution called
1177-420: A majority of groups that were signed to indie labels drew from a variety of rock and particularly 1960s rock influences. This represented a sharp break from the futuristic, hyper-rational post-punk years. "Alternative music is music that hasn't yet achieved a mainstream audience, Alternative isn't new wave any more, it's a disposition of mind. Alternative music is any kind of music that has the potential to reach
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#17330859397321284-425: A timeless feel. Berry specifically was resistant to "odd" musical suggestions, insisting that his drums be recorded in a drummer's booth , a practice that was antiquated at the time. Dixon and Easter took a hands-off approach to much of the recording process. The pair would only fix up a vocal track or ask lead singer Michael Stipe to re-record a vocal if it was very substandard. "Being both musicians, our approach
1391-414: A wider audience. It also has real strength, real quality, real excitement, and it has to be socially significant, as opposed to Whitney Houston, which is pablum." Throughout the 1980s, alternative rock remained mainly an underground phenomenon. While on occasion a song would become a commercial hit, or albums would receive critical praise in mainstream publications like Rolling Stone , alternative rock in
1498-444: Is about a brain-damaged girl known to Francis who rode a bicycle with a transistor radio strapped to its handlebars, so she could play music. The original 1987 UK release of Come On Pilgrim entered the UK indie album chart on October 24, 1987 ( 1987-10-24 ) , spending 29 weeks on the chart and peaking at number 5. The album received far more attention from the music press in
1605-431: Is an alteration of the island's nickname, Isla del Encanto , meaning "isle of enchantment".) Two songs explicitly mention incest : "Nimrod's Son" and "The Holiday Song". "I've Been Tired" refers metaphorically to sex and rock & roll culture, and there are four songs with overt religious references or language ("Caribou", "Nimrod's Son", "The Holiday Song" and "Levitate Me"). "Caribou" is about reincarnation. "Ed Is Dead"
1712-474: Is as comatose as alternative rock right now". Despite these changes in style however, alternative rock remained commercially viable into the start of the 21st century. During the latter half of the 1990s, grunge was supplanted by post-grunge . Many post-grunge bands lacked the underground roots of grunge and were largely influenced by what grunge had become, namely "a wildly popular form of inward-looking, serious-minded hard rock."; many post-grunge bands emulated
1819-474: Is heavily influenced by British post-punk , albeit omitting the funk influence associated with the style. R.E.M. started preparing for their debut album in December 1982. I.R.S. paired R.E.M. with producer Stephen Hague , who had a higher profile than the band's previous producer Mitch Easter . Hague's emphasis on technical perfection did not suit the band; the producer made the group perform multiple takes of
1926-505: Is often difficult because of two conflicting applications of the word. Alternative can describe music that challenges the status quo and that is "fiercely iconoclastic, anticommercial, and antimainstream", and the term is also used in the music industry to denote "the choices available to consumers via record stores, radio, cable television, and the Internet." However alternative music has paradoxically become just as commercial and marketable as
2033-554: Is the debut studio album by American alternative rock band R.E.M. , released on April 12, 1983, by I.R.S. Records . The album was recorded at Reflection Studios in Charlotte , North Carolina, with musicians Don Dixon and Mitch Easter serving as producers. Murmur drew critical acclaim upon its release for its unusual sound, defined by lead singer Michael Stipe 's cryptic lyrics, guitarist Peter Buck 's jangly guitar style , and bass guitarist Mike Mills 's melodic basslines. In 2003,
2140-644: The Billboard 200 album chart. Soundgarden 's album Badmotorfinger , Alice in Chains ' Dirt and Stone Temple Pilots ' Core along with the Temple of the Dog album collaboration featuring members of Pearl Jam and Soundgarden, were also among the 100 top-selling albums of 1992. The popular breakthrough of these grunge bands prompted Rolling Stone to nickname Seattle "the new Liverpool ". Major record labels signed most of
2247-559: The Billboard charts. Pearl Jam also continued to perform well commercially with its second album, Vs. (1993), which topped the Billboard charts by selling a record 950,378 copies in its first week of release. In 1993, the Smashing Pumpkins released their major breakthrough album, Siamese Dream —which debuted at number 10 on the Billboard 200 and sold over 4 million copies by 1996, receiving multi-platinum certification by
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#17330859397322354-520: The Indie Chart was published in January 1980; it immediately succeeded in its aim to help these labels. At the time, the term indie was used literally to describe independently distributed records. By 1985, indie had come to mean a particular genre, or group of subgenres, rather than simply distribution status. The use of the term alternative to describe rock music originated around the mid-1980s; at
2461-517: The RIAA . The strong influence of heavy metal and progressive rock on the album helped to legitimize alternative rock to mainstream radio programmers and close the gap between alternative rock and the type of rock played on American 1970s Album Oriented Rock radio. In 1995, the band released their double album, Mellon Collie & the Infinite Sadness — which went on to sell 10 million copies in
2568-495: The hair metal that had dominated rock music at that time fell out of favor in the face of music that was authentic and culturally relevant. The breakthrough success of Nirvana led to the widespread popularization of alternative rock in the 1990s. It heralded a "new openness to alternative rock" among commercial radio stations, opening doors for heavier alternative bands in particular. In the wake of Nevermind , alternative rock "found itself dragged-kicking and screaming ... into
2675-502: The music industry . The emergence of Generation X as a cultural force in the 1990s also contributed greatly to the rise of alternative rock. "Alternative" refers to the genre's distinction from mainstream or commercial rock or pop. The term's original meaning was broader, referring to musicians influenced by the musical style or independent, DIY ethos of late-1970s punk rock . Traditionally, alternative rock varied in terms of its sound, social context, and regional roots. Throughout
2782-551: The "grunging of America" to the mass-marketing of punk rock, disco , and hip hop in previous years. As a result of the genre's popularity, a backlash against grunge developed in Seattle. Nirvana's follow-up album In Utero (1993) was an intentionally abrasive album that Nirvana bassist Krist Novoselic described as a "wild aggressive sound, a true alternative record." Nevertheless, upon its release in September 1993 In Utero topped
2889-538: The 17 songs for release. "I felt that those eight songs were a bang in the face, left you wanting more, and I thought that the recorded versions of the other songs that were on the Purple Tape were not that great." Original session producer Gary Smith differed, thinking the songs "should all be served up at once because that's how you would get a sense of how colossally important this band was." Watts-Russell intentionally chose not to include " Here Comes Your Man ", feeling it
2996-553: The 1970s, which served as a progressive alternative to top 40 radio formats by featuring longer songs and giving DJs more freedom in song selection. According to one former DJ and promoter, "Somehow this term 'alternative' got rediscovered and heisted by college radio people during the 80s who applied it to new post-punk, indie, or underground-whatever music." At first the term referred to intentionally non-mainstream rock acts that were not influenced by "heavy metal ballads, rarefied new wave" and "high-energy dance anthems". Usage of
3103-450: The 1970s. Alternative rock acts achieved mainstream success in the 1990s with the likes of the grunge subgenre in the United States, and the Britpop and shoegaze subgenres in the United Kingdom and Ireland. During this period, many record labels were looking for "alternatives", as many corporate rock , hard rock , and glam metal acts from the 1980s were beginning to grow stale throughout
3210-479: The 1980s was primarily featured on independent record labels, fanzines and college radio stations. Alternative bands built underground followings by touring constantly and by regularly releasing low-budget albums. In the United States, new bands would form in the wake of previous bands, which created an extensive underground circuit filled with different scenes in various parts of the country. College radio formed an essential part of breaking new alternative music. In
3317-463: The 1980s, alternative bands generally played in small clubs, recorded for indie labels, and spread their popularity through word of mouth . As such, there is no set musical style for alternative rock as a whole, although in 1989 The New York Times asserted that the genre is "guitar music first of all, with guitars that blast out power chords, pick out chiming riffs, buzz with fuzztone and squeal in feedback." More often than in other rock styles since
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3424-402: The 1980s, magazines and zines , college radio airplay , and word of mouth had increased the prominence and highlighted the diversity of alternative rock's distinct styles (and music scenes), such as noise pop , indie rock , grunge , and shoegaze . In September 1988, Billboard introduced "alternative" into their charting system to reflect the rise of the format across radio stations in
3531-498: The 1990s. One of the main indie rock movements of the 1990s was lo-fi . The movement, which focused on the recording and distribution of music on low-quality cassette tapes , initially emerged in the 1980s. By 1992, Pavement, Guided by Voices and Sebadoh became popular lo-fi cult acts in the United States, while subsequently artists like Beck and Liz Phair brought the aesthetic to mainstream audiences. The period also saw alternative confessional female singer-songwriters. Besides
3638-736: The 2000s with multi-platinum acts such as Fall Out Boy , My Chemical Romance , Paramore and Panic! at the Disco . Bands such as the White Stripes and the Strokes found commercial success in the early 2000s, influencing an influx of new alternative rock bands that drew inspiration from garage rock , post-punk and new wave , establishing a revival of the genres. In the past, popular music tastes were largely dictated by music executives within large entertainment corporations. Record companies signed contracts with those entertainers who were thought to become
3745-604: The Athens-Clarke County Commission suggested that a trail tax could fund its existence. The Murmur Trestle was approved for demolition in 2019, and work began in 2020 to destroy it. The replacement bridge, part of the Firefly Trail, is composed of three sections: a replica of the original wooden trestle design and two sections of new weathered steel arches. The bridge was opened to the public in April 2023. Copies of
3852-555: The British indie scene through the end of the decade, as various bands drew from singer Morrissey 's English-centered lyrical topics and guitarist Johnny Marr 's jangly guitar-playing style. The C86 cassette, a 1986 NME premium featuring Primal Scream , the Wedding Present and others, was a major influence on the development of indie pop and the British indie scene as a whole. Other forms of alternative rock developed in
3959-700: The British music press at the end of the decade along with the Madchester scene. Performing for the most part in the Haçienda , a nightclub in Manchester owned by New Order and Factory Records , Madchester bands such as Happy Mondays and the Stone Roses mixed acid house dance rhythms with melodic guitar pop. The Amerindie of the early '80s became known as alternative or alt-rock, ascendant from Nirvana until 1996 or so but currently very unfashionable, never mind that
4066-593: The British press, since R.E.M. had not yet toured that country. A 2023 listing of the best debut albums by Paste included Murmur at sixth place, stating that "the way Buck’s guitar and Mike Mills’ bass busily bounced around otherwise simple choruses created something entirely new". Music journalist Andrew Earles highlighted the tracks "Laughing" and "Sitting Still" in his book Gimme Indie Rock , calling them "required listening for absolutely any fan of American underground rock". Since its release, Murmur has featured heavily in various "must have" lists compiled by
4173-532: The Britpop phenomenon culminated in a rivalry between its two chief groups, Oasis and Blur, symbolized by their release of competing singles " Roll With It " and " Country House " on the same day on 14 August 1995. Blur won " The Battle of Britpop ", but they were soon eclipsed in popularity by Oasis whose second album, (What's the Story) Morning Glory? (1995), went on to become the third best-selling album in
4280-425: The Fields" by Berry, Buck, Mills, Stipe and Neil Bogan. Side one Side two R.E.M. Production and additional musicians Singles Murmur was bundled together with Chronic Town and Reckoning in the United Kingdom as The Originals in 1993. On November 25, 2008, I.R.S. Records, A&M , and Universal Music released a 25th anniversary edition two-disc reissue of Murmur . Disc one features
4387-561: The Killers , and Yeah Yeah Yeahs , found commercial success in the early and mid 2000s. Owing to the success of these bands, Entertainment Weekly declared in 2004, "After almost a decade of domination by rap-rock and nu-metal bands, mainstream alt-rock is finally good again." Arctic Monkeys were a prominent act to owe their initial commercial success to the use of Internet social networking , with two UK No. 1 singles and Whatever People Say I Am, That's What I'm Not (2006), which became
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4494-613: The Replacements upended a number of underground scene conventions; Azerrad noted that "along with R.E.M., they were one of the few underground bands that mainstream people liked." By the late 1980s, the American alternative scene was dominated by styles ranging from quirky alternative pop ( They Might Be Giants and Camper Van Beethoven ), to noise rock ( Sonic Youth , Big Black , the Jesus Lizard ) and industrial rock ( Ministry , Nine Inch Nails). These sounds were in turn followed by
4601-580: The Top 40 and spawned a number of jangle pop followers. One of the many jangle pop scenes of the early 1980s, Los Angeles' Paisley Underground revived the sounds of the 1960s, incorporating psychedelia, rich vocal harmonies and the guitar interplay of folk rock as well as punk and underground influences such as the Velvet Underground . American indie record labels SST Records , Twin/Tone Records , Touch and Go Records , and Dischord Records presided over
4708-504: The UK during the 1980s. the Jesus and Mary Chain 's sound combined the Velvet Underground's "melancholy noise" with Beach Boys pop melodies and Phil Spector 's " Wall of Sound " production, while New Order emerged from the demise of post-punk band Joy Division and experimented with disco and dance music . The Mary Chain, along with Dinosaur Jr. , C86 and the dream pop of Cocteau Twins , were
4815-566: The UK than in the United States, and was reviewed in Q Magazine , Sounds and NME . The album failed to secure distribution in the United States when it was first released and was first issued in the U.S. in August 1988, when Rough Trade included it on their CD release of the band's first full-length album, Surfer Rosa . At the same time, the two releases were issued on separate vinyl records by Rough Trade. That same month, 4AD also released Surfer Rosa and Come On Pilgrim on CD together in
4922-424: The UK's history. Long synonymous with alternative rock as a whole in the U.S., indie rock became a distinct form following the popular breakthrough of Nirvana. Indie rock was formulated as a rejection of alternative rock's absorption into the mainstream by artists who could not or refused to cross over, and a wariness of its "macho" aesthetic. While indie rock artists share the punk rock distrust of commercialism,
5029-407: The UK. This has been the standard UK CD release ever since, only being out of print for about six months in 1998. Subsequent U.S. CD releases have split them in two. In 1992, Elektra Records issued Come On Pilgrim and Surfer Rosa on separate CDs in the U.S. After 4AD re-acquired the band's US distribution rights in 2004, they were again released on CD separately; this version of Come On Pilgrim
5136-526: The US alone, certifying it as a Diamond record. With the decline of the Madchester scene and the unglamorousness of shoegazing, the tide of grunge from America dominated the British alternative scene and music press in the early 1990s. As a reaction, a flurry of British bands emerged that wished to "get rid of grunge" and "declare war on America", taking the public and native music press by storm. Dubbed " Britpop " by
5243-577: The US by a more pop-oriented focus (marked by an equal emphasis on albums and singles, as well as greater openness to incorporating elements of dance and club culture) and a lyrical emphasis on specifically British concerns. As a result, few British alternative bands have achieved commercial success in the US. Since the 1980s, alternative rock has been played extensively on the radio in the UK, particularly by disc jockeys such as John Peel (who championed alternative music on BBC Radio 1 ), Richard Skinner , and Annie Nightingale . Artists with cult followings in
5350-610: The US received greater exposure through British national radio and the weekly music press, and many alternative bands had chart success there. Early American alternative bands such as the Dream Syndicate , the Bongos , 10,000 Maniacs , R.E.M. , the Feelies and Violent Femmes combined punk influences with folk music and mainstream music influences. R.E.M. was the most immediately successful; their debut album, Murmur (1983), entered
5457-562: The United States by stations like KROQ-FM in Los Angeles and WDRE-FM in New York, which were playing music from more underground , independent, and non-commercial rock artists. Initially, several alternative styles achieved minor mainstream notice and a few bands, such as R.E.M. and Jane's Addiction , were signed to major labels . Most alternative bands at the time, like the Smiths , one of
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#17330859397325564-473: The Velvet Underground , which influenced many alternative rock bands that would come after it. Eccentric and quirky figures of the 1960s, such as Syd Barrett have influence on alternative rock in general. The Dead Kennedys formed the independent record label Alternative Tentacles in 1979, releasing influential underground music such as the 1983 self-titled EP from the Butthole Surfers . By 1984,
5671-553: The advent of Boston 's Pixies and Los Angeles' Jane's Addiction. Around the same time, the grunge subgenre emerged in Seattle , Washington, initially referred to as "The Seattle Sound" until its rise to popularity in the early 1990s. Grunge featured a sludgy, murky guitar sound that syncretized heavy metal and punk rock. Promoted largely by Seattle indie label Sub Pop , grunge bands were noted for their thrift store fashion which favored flannel shirts and combat boots suited to
5778-526: The aforementioned Liz Phair, PJ Harvey fit into this sub group. In the mid-1990s, Sunny Day Real Estate defined the emo genre. Weezer 's album Pinkerton (1996) was also influential. Post-rock was established by Talk Talk 's Laughing Stock and Slint 's Spiderland albums, both released in 1991. Post-rock draws influence from a number of genres, including Krautrock , progressive rock , and jazz . The genre subverts or rejects rock conventions, and often incorporates electronic music. While
5885-534: The album was ranked number 197 in Rolling Stone magazine's list of the " 500 Greatest Albums of All Time ". It retained the position in the 2012 list and was raised to number 165 in the 2020 revision. On Murmur , guitarist Peter Buck took stylistic cues from the Byrds , Television , and the Feelies . Vocalist Michael Stipe has been said to have "elevated mumbled vocals to an art form." The album's rhythm section
5992-576: The alternative rock community" including Henry Rollins , Butthole Surfers , Ice-T , Nine Inch Nails , Siouxsie and the Banshees (as second headliners) and Jane's Addiction (as the headlining act). Covering for MTV the opening date of Lollapalooza in Phoenix in July 1991, Dave Kendall introduced the report saying the festival presented the "most diverse lineups of alternative rock". That summer, Farrell had coined
6099-437: The alternative/independent scene and dryly tore it apart." David Lowery , then frontman of Camper Van Beethoven, later recalled: "I remember first seeing that word applied to us... The nearest I could figure is that we seemed like a punk band, but we were playing pop music, so they made up this word alternative for those of us who do that." DJs and promoters during the 1980s claim the term originates from American FM radio of
6206-621: The back cover of the original vinyl LP release, originally part of the Georgia Railroad line into downtown Athens, has become something of a local landmark. Plans to demolish the trestle, now commonly referred to as the " Murmur Trestle", met with public outcry. On October 2, 2000, the Athens-Clarke County Mayor and Commission voted to save the trestle. In 2012, the local government said it cannot afford to keep it and declared in 2016 that it would likely come down. Later that year,
6313-410: The band, seeing as how 4AD had already signed an American band from the same manager, he was convinced to do so by his girlfriend, Deborah Edgeley, a secretary for 4AD. According to frontman Black Francis , the Purple Tape was recorded "with the intention of releasing it as a record." However, Watts-Russell felt that "there was too much that was just not that good" and insisted on choosing only eight of
6420-459: The decisions were business people dealing with music as a product, and those bands who were not making the expected sales figures were then excluded from this system. Before the term alternative rock came into common usage around 1990, the sorts of music to which it refers were known by a variety of terms. In 1979, Terry Tolkin used the term Alternative Music to describe the groups he was writing about. In 1979 Dallas radio station KZEW had
6527-520: The disbanding of both the Cranberries and Stone Temple Pilots in 2003. Britpop also began fading after Oasis ' third album, Be Here Now (1997), was met with lackluster reviews. A signifier of alternative rock's changes was the hiatus of the Lollapalooza festival after an unsuccessful attempt to find a headliner in 1998. In light of the festival's troubles that year, Spin said, "Lollapalooza
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#17330859397326634-453: The early 2000s, when indie rock became the most common term in the US to describe modern pop and rock, the terms "indie rock" and "alternative rock" were often used interchangeably; while there are aspects which both genres have in common, "indie rock" was regarded as a British-based term, unlike the more American "alternative rock". The name "alternative rock" essentially serves as an umbrella term for underground music that has emerged in
6741-451: The early 21st century, many alternative rock bands that experienced mainstream success struggled following the suicide of Nirvana 's Kurt Cobain in April 1994, Pearl Jam 's failed lawsuit against concert venue promoter Ticketmaster , Soundgarden 's break-up in 1997, the Smashing Pumpkins losing its original members in 2000, L7 's hiatus in 2001, the death of Layne Staley and the subsequent disbanding of Alice in Chains in 2002, and
6848-512: The fastest-selling debut album in British chart history. By 2000 and on into the new decade, emo was one of the most popular rock music genres. Popular acts included the sales success of Bleed American by Jimmy Eat World (2001) and Dashboard Confessional 's The Places You Have Come to Fear the Most (2003). The new emo had a much more mainstream sound than in the 1990s and a far greater appeal among adolescents than its earlier incarnations. At
6955-429: The formative influences for the shoegazing movement of the late 1980s. Named for the band members' tendency to stare at their feet and guitar effects pedals onstage rather than interact with the audience, shoegazing acts like My Bloody Valentine and Slowdive created an overwhelmingly loud "wash of sound" that obscured vocals and melodies with long, droning riffs, distortion, and feedback. Shoegazing bands dominated
7062-430: The foundation for its large cult following. The key British alternative rock band to emerge during the 1980s was Manchester 's the Smiths . Music journalist Simon Reynolds singled out the Smiths and their American contemporaries R.E.M. as "the two most important alt-rock bands of the day", commenting that they "were eighties bands only in the sense of being against the eighties". The Smiths exerted an influence over
7169-418: The genre does not entirely define itself against that, as "the general assumption is that it's virtually impossible to make indie rock's varying musical approaches compatible with mainstream tastes in the first place". Labels such as Matador Records , Merge Records , and Dischord , and indie rockers like Pavement , Superchunk , Fugazi , and Sleater-Kinney dominated the American indie scene for most of
7276-421: The initial tape edition—catalogue number CS 70604—list The Velvet Underground cover " There She Goes Again " as the final track, but it is not present. This mistake was fixed with subsequent printings. The track was rumored to be intended for Murmur , but removed so that all the tracks would be original and the group would not have to take a royalty cut. The band later distanced itself from this rumor. The cover
7383-457: The instigation of the grunge music phenomenon". Helped by constant airplay of the song's music video on MTV, their album Nevermind was selling 400,000 copies a week by Christmas 1991. Its success surprised the music industry. Nevermind not only popularized grunge, but also established "the cultural and commercial viability of alternative rock in general." Michael Azerrad asserted that Nevermind symbolized "a sea-change in rock music" in which
7490-422: The key British alternative rock bands during the 1980s, remained signed to independent labels and received relatively little attention from mainstream radio, television, or newspapers. With the breakthrough of Nirvana and the popularity of the grunge and Britpop movements in the 1990s, alternative rock entered the musical mainstream, and many alternative bands became successful. Emo found mainstream success in
7597-506: The late 1990s and early 2000s, several alternative rock bands emerged, including the Strokes , Franz Ferdinand , Interpol , and the Rapture that drew primary inspiration from post-punk and new wave, establishing the post-punk revival movement. Preceded by the success of bands such as the Strokes and the White Stripes earlier in the decade, an influx of new alternative rock bands, including several post-punk revival artists and others such as
7704-420: The local weather. Early grunge bands Soundgarden and Mudhoney found critical acclaim in the U.S. and UK, respectively. By the end of the decade, a number of alternative bands began to sign to major labels. While early major label signings Hüsker Dü and the Replacements had little success, acts who signed with majors in their wake such as R.E.M. and Jane's Addiction achieved gold and platinum records, setting
7811-489: The mainstream rock, with record companies using the term "alternative" to market music to an audience that mainstream rock does not reach. Using a broad definition of the genre, Dave Thompson in his book Alternative Rock cites the formation of the Sex Pistols as well as the release of the albums Horses by Patti Smith and Metal Machine Music by Lou Reed as three key events that gave birth to alternative rock. Until
7918-559: The mainstream" and record companies, confused by the genre's success yet eager to capitalize on it, scrambled to sign bands. The New York Times declared in 1993, "Alternative rock doesn't seem so alternative anymore. Every major label has a handful of guitar-driven bands in shapeless shirts and threadbare jeans, bands with bad posture and good riffs who cultivate the oblique and the evasive, who conceal catchy tunes with noise and hide craftsmanship behind nonchalance." However, many alternative rock artists rejected success, for it conflicted with
8025-494: The mainstreaming of rock music, alternative rock lyrics tend to address topics of social concern, such as drug use, depression, suicide, and environmentalism . This approach to lyrics developed as a reflection of the social and economic strains in the United States and United Kingdom of the 1980s and early 1990s. Precursors to alternative rock existed in the 1960s with proto-punk . The origins of alternative rock can be traced back to The Velvet Underground & Nico (1967) by
8132-490: The media, and represented by Pulp , Blur , Suede , and Oasis , this movement was the British equivalent of the grunge explosion, in that the artists propelled alternative rock to the top of the charts in their home country. Britpop bands were influenced by and displayed reverence for British guitar music of the past, particularly movements and genres such as the British Invasion , glam rock , and punk rock . In 1995,
8239-502: The mid-1980s, college station KCPR in San Luis Obispo, California , described in a DJ handbook the tension between popular and "cutting edge" songs as played on "alternative radio". Although American alternative artists of the 1980s never generated spectacular album sales, they exerted a considerable influence on later alternative musicians and laid the groundwork for their success. On September 10, 1988, an Alternative Songs chart
8346-408: The mid-1990s. In comparison to post-rock, math rock relies on more complex time signatures and intertwining phrases. By the end of the decade a backlash had emerged against post-rock due to its "dispassionate intellectuality" and its perceived increasing predictability, but a new wave of post-rock bands such as Godspeed You! Black Emperor and Sigur Rós emerged who further expanded the genre. In
8453-460: The more melodic, diverse music of college rock that emerged. Azerrad wrote, "Hüsker Dü played a huge role in convincing the underground that melody and punk rock weren't antithetical." The band also set an example by being the first group from the American indie scene to sign to a major record label, which helped establish college rock as "a viable commercial enterprise". By focusing on heartfelt songwriting and wordplay instead of political concerns,
8560-468: The most popular rock bands in the United States. At the same time Britpop began to decline, Radiohead achieved critical acclaim with its third album OK Computer (1997), and its follow-ups Kid A (2000) and Amnesiac (2001), which were in marked contrast with the traditionalism of Britpop. Radiohead, along with post-Britpop groups like Travis , Stereophonics and Coldplay , were major forces in British rock in subsequent years. After almost
8667-448: The most popular, and therefore who could generate the most sales. These bands were able to record their songs in expensive studios, and their works were then offered for sale through record store chains that were owned by the entertainment corporations, along with eventually selling the merchandise into big box retailers . Record companies worked with radio and television companies to get the most exposure for their artists. The people making
8774-720: The most successful tour in North America in July and August 1991. For Dave Grohl of Nirvana who attended the festival at an open-air amphitheater in Southern California , "it felt like something was happening, that was the beginning of it all". The tour helped change the mentalities in the music industry: "by that fall, radio and MTV and music had changed. I really think that if it weren't for Perry [Farrell], if it weren't for Lollapalooza , you and I wouldn't be having this conversation right now". The release of Nirvana's single " Smells Like Teen Spirit " in September 1991 "marked
8881-409: The music is still there. By the start of the 1990s, the music industry was enticed by alternative rock's commercial possibilities and major labels had already signed Jane's Addiction, Red Hot Chili Peppers and Dinosaur Jr. In early 1991, R.E.M. went mainstream worldwide with Out of Time while becoming a blueprint for many alternative bands. The first edition of the Lollapalooza festival became
8988-525: The music media. In 1989, it was rated number eight on Rolling Stone magazine's list of the 100 greatest albums of the 1980s. In 2003, the TV network VH1 named Murmur the 92nd greatest album of all time. Some of the more prominent of these lists to feature Murmur are shown below. The album was also included in the book 1001 Albums You Must Hear Before You Die . All songs written by Bill Berry , Peter Buck , Mike Mills and Michael Stipe , except "West of
9095-591: The name of the genre was coined by music journalist Simon Reynolds in 1994 referring to Hex by the London group Bark Psychosis , the style of the genre was solidified by the release of Millions Now Living Will Never Die (1996) by the Chicago group Tortoise . Post-rock was the dominant form of experimental rock music in the 1990s and bands from the genre signed to such labels as Thrill Jockey , Kranky , Drag City , and Too Pure . A related genre, math rock , peaked in
9202-418: The prominent grunge bands in Seattle, while a second influx of bands moved to the city in hopes of success. At the same time, critics asserted that advertising was co-opting elements of grunge and turning it into a fad. Entertainment Weekly commented in a 1993 article, "There hasn't been this kind of exploitation of a subculture since the media discovered hippies in the '60s." The New York Times compared
9309-427: The rebellious, DIY ethic the genre had espoused before mainstream exposure and their ideas of artistic authenticity. Other grunge bands subsequently replicated Nirvana's success. Pearl Jam had released its debut album Ten a month before Nevermind in 1991, but album sales only picked up a year later. By the second half of 1992 Ten became a breakthrough success, being certified gold and reaching number two on
9416-415: The same time, the use of the term "emo" expanded beyond the musical genre, becoming associated with fashion, a hairstyle and any music that expressed emotion. Emo's mainstream success continued with bands emerging in the 2000s, including multi-platinum acts such as Fall Out Boy and My Chemical Romance and mainstream groups such as Paramore and Panic! at the Disco . Murmur (album) Murmur
9523-421: The shift from the hardcore punk that then dominated the American underground scene to the more diverse styles of alternative rock that were emerging. Minneapolis bands Hüsker Dü and the Replacements were indicative of this shift. Both started out as punk rock bands, but soon diversified their sounds and became more melodic. Michael Azerrad asserted that Hüsker Dü was the key link between hardcore punk and
9630-530: The song "Catapult", which demoralized drummer Bill Berry . Also, Hague took the completed track to Syncro Sound studios in Boston and added keyboard parts to the track without the band's permission and to their dismay. Unsatisfied, the band members asked the label to let them record with Easter. I.R.S. agreed to a "tryout" session, allowing the band to travel to North Carolina and record the song "Pilgrimage" with Easter and producing partner Don Dixon . After hearing
9737-747: The song "Vamos" would appear on Pixies' next two releases: re-recorded with Steve Albini for their first full-length album, Surfer Rosa , and as a live B-side on their first single, " Gigantic ". Reflecting on Come On Pilgrim in 2022, Black Francis noted: "I was listening to Murmur by R.E.M. a lot just before Come on Pilgrim and that was hugely influential on me as a songwriter. I’m going to be cocky and say: we were even better than Murmur ." Come On Pilgrim includes two songs partly sung in Spanish ("Vamos" and "Isla de Encanta"), which drew upon some of Francis's experiences in Puerto Rico . (Isla de Encanta
9844-478: The sound and style of grunge, "but not necessarily the individual idiosyncracies of its original artists." Post-grunge was a more commercially viable genre that tempered the distorted guitars of grunge with polished, radio-ready production. Originally, post-grunge was a label used almost pejoratively on bands that emerged when grunge was mainstream and emulated the grunge sound. The label suggested that bands labelled as post-grunge were simply musically derivative, or
9951-514: The stage for alternative's later breakthrough. Some bands such as Pixies had massive success overseas while they were ignored domestically. In the middle of the decade, Hüsker Dü's album Zen Arcade influenced other hardcore acts by tackling personal issues. Out of Washington, D.C.'s hardcore scene what was called "emocore" or, later, " emo " emerged and was noted for its lyrics which delved into emotional, very personal subject matter (vocalists sometimes cried) and added free association poetry and
10058-556: The standard 12-track album, digitally remastered, and disc two contains a previously unreleased live concert the band played at Larry's Hideaway , Toronto , Canada , on July 9, 1983. This set was recorded by Blair Packham, who'd later find fame as lead singer of The Jitters . In addition to Murmur songs, the set includes tunes from the Chronic Town EP, a Velvet Underground cover, and early versions of songs from Reckoning and Lifes Rich Pageant . The release also includes
10165-513: The subgenre's lyrics often address literary romanticism, morbidity, religious symbolism, and supernatural mysticism. Bands of this subgenre took inspiration from two British post-punk groups, Siouxsie and the Banshees , and Joy Division . Bauhaus ' debut single " Bela Lugosi's Dead ", released in 1979, is considered to be the proper beginning of the gothic rock subgenre. The Cure 's "oppressively dispirited" albums including Pornography (1982) cemented that group's stature in that style and laid
10272-644: The term Alternative Nation . In December 1991, Spin magazine noted: "this year, for the first time, it became resoundingly clear that what has formerly been considered alternative rock —a college-centered marketing group with fairly lucrative, if limited, potential—has in fact moved into the mainstream." In the late 1990s, the definition again became more specific. In 1997, Neil Strauss of The New York Times defined alternative rock as "hard-edged rock distinguished by brittle, '70s-inspired guitar riffing and singers agonizing over their problems until they take on epic proportions." Defining music as alternative
10379-514: The term would broaden to include new wave , pop, punk rock , post-punk , and occasionally " college "/" indie " rock, all found on the American "commercial alternative" radio stations of the time such as Los Angeles' KROQ-FM . Journalist Jim Gerr wrote that Alternative also encompassed variants such as "rap, trash, metal and industrial". The bill of the first Lollapalooza , an itinerant festival in North America conceived by Jane's Addiction frontman Perry Farrell , reunited "disparate elements of
10486-522: The time, the common music industry terms for cutting-edge music were new music and postmodern , respectively indicating freshness and a tendency to recontextualize sounds of the past. A similar term, alternative pop , emerged around 1985. In 1987, Spin magazine categorized college rock band Camper Van Beethoven as "alternative/indie", saying that their 1985 song "Where the Hell Is Bill" (from Telephone Free Landslide Victory ) "called out
10593-511: The track, I.R.S. permitted the group to record the album with Dixon and Easter. On January 6, 1983, R.E.M. entered Reflection Studios in Charlotte, North Carolina , to begin recording sessions with Easter and Dixon. Much of the band's material for the album had been tested on preceding tours. Because of its bad experience with Hague, the band recorded the album via a process of negation, refusing to incorporate rock music clichés such as guitar solos or then-popular synthesizers , to give its music
10700-405: The wake of punk rock since the mid-1980s. Throughout much of its history, alternative rock has been largely defined by its rejection of the commercialism of mainstream culture, although this could be contested since some of the major alternative artists have eventually achieved mainstream success or co-opted with the major labels from the 1990s onward (especially into the 2000s, and beyond). In
10807-405: Was "too obviously commercial". Expressing regret that some other previous 4AD debuts had failed to live up to the power of their demo versions, Watts-Russell decided to slightly remix the eight Purple Tape songs for release, rather than have the band re-record the songs. Pixies re-recorded eight of the nine remaining Purple Tape tracks for later albums and EP releases, the sole exception being "Rock
10914-564: Was below expectations. Murmur was eventually certified gold (500,000 units shipped) by the Recording Industry Association of America in 1991. The album drew substantial critical acclaim. Rolling Stone gave the album four out of five stars. Reviewer Steve Pond felt the album fulfilled the promise the band showed on Chronic Town . He wrote, " Murmur is the record on which [R.E.M.] trade that potential for results: an intelligent, enigmatic, deeply involving album, it reveals
11021-520: Was created by Billboard , listing the 40 most-played songs on alternative and modern rock radio stations in the US: the first number one was " Peek-a-Boo " by Siouxsie and the Banshees . By 1989, the genre had become popular enough that a package tour featuring New Order , Public Image Limited and the Sugarcubes toured the US arena circuit. Early on, British alternative rock was distinguished from that of
11128-459: Was included as a b-side to the I.R.S. issue of " Radio Free Europe " instead. Murmur was released in April 1983. The record reached number 36 on the Billboard album chart. A re-recorded version of " Radio Free Europe " was the album's lead single and reached number 78 on the Billboard singles chart that year. Despite the acclaim awarded the album, by the end of 1983 Murmur had only sold about 200,000 copies, which I.R.S.'s Jay Boberg felt
11235-632: Was my total idol." The artwork was conceived by Vaughan Oliver , with photography from Simon Larbalestier . The man in the "hair shirt" on the cover was a friend of Larbalestier's and the photograph was from a series of work Larbalestier was making based on The Temptation of Saint Anthony by Gustave Flaubert . Come On Pilgrim showcased much of Pixies' variety and set up the beginnings of many trends in their music. It displayed Joey Santiago 's innovative guitar leads, Kim Deal 's sunny vocal harmonies, and Black Francis 's vocal range, which varied from screaming to traditionally-sung melodies. A version of
11342-424: Was the first CD release to carry the 4AD catalogue number (MAD 709). All tracks are written by Black Francis , except where noted. Pixies Technical Shipments figures based on certification alone. Alternative rock Alternative rock (also known as alternative music , alt-rock or simply alternative ) is a category of rock music that evolved from the independent music underground of
11449-449: Was to leave as little imprint as possible," Dixon said in 1994, referring to himself and Easter. "We felt like our job was to, as cheaply as possible, reproduce what appeared to be just them playing live." Due to Peter Buck's Fender Twin Reverb being "dead", every song except 'Pilgrimage' featured Easter's Ampeg Gemini II. Mike Mills's Dan Armstrong bass guitar was set aside in favor of
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