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Jen Cloher

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51-571: Jen Cloher (born 9 October 1973) is an Australian singer, songwriter, and record producer , currently based in Melbourne, Victoria. Cloher's 2017 self-titled fourth studio album peaked at number 5 on the Australian ARIA Charts. From 2006 to 2010, Cloher recorded and toured with her band Jen Cloher and the Endless Sea and since 2013 has released with Mia Dyson and Liz Stringer music under

102-481: A Grammy nomination, the Recording Academy defines a producer: The person who has overall creative and technical control of the entire recording project, and the individual recording sessions that are part of that project. He or she is present in the recording studio or at the location recording and works directly with the artist and engineer. The producer makes creative and aesthetic decisions that realize both

153-423: A broad project, the creation of a popular music recording may be split across three specialists: the executive producer , who oversees business partnerships and financing; the vocal producer or vocal arranger, who aids vocal performance via expert critique and coaching of vocal technique, and the record producer or music producer, who, often called simply the producer, directs the overall creative process of recording

204-543: A broad recognition of Australia's diverse live industry, celebrating the success of the Australian live scene. The awards commenced in 2016. Record producer A record producer or music producer is a music creating project's overall supervisor whose responsibilities can involve a range of creative and technical leadership roles. Typically the job involves hands-on oversight of recording sessions; ensuring artists deliver acceptable and quality performances, supervising

255-471: A cylinder. By the 1930s, a gramophone etched it laterally across a disc. Constrained in tonal range, whether bass or treble, and in dynamic range , records made a grand, concert piano sound like a small, upright piano, and maximal duration was four and a half minutes. Selections and performance were often altered accordingly, and playing this disc—the wax master—destroyed it. The finality often caused anxiety that restrained performance to prevent error. In

306-407: A leading A&R man of the 1950s. During the decade, A&R executives increasingly directed songs' sonic signatures, although many still simply teamed singers with musicians, while yet others exercised virtually no creative influence. The term record producer in its current meaning—the creative director of song production—appearing in a 1953 issue of Billboard magazine, became widespread in

357-516: A musical element while playing a previously recorded record, Les Paul developed a recording technique called "sound on sound". By this, the final recording could be built piece by piece and tailored, effecting an editing process. In one case, Paul produced a song via 500 recorded discs. But, besides the tedium of this process, it serially degraded the sound quality of previously recorded elements, rerecorded as ambient sound. Yet in 1948, Paul adopted tape recording, enabling true multitrack recording by

408-542: A new technique, " overdubbing ". To enable overdubbing, Paul revised the tape recorder itself by adding a second playback head, and terming it the preview head . Joining the preexisting recording head, erase head, and playback head, the preview head allows the artist to hear the extant recording over headphones playing it in synchrony, "in sync", with the present performance being recorded alone on an isolated track. This isolation of multiple tracks enables countless mixing possibilities. Producers began recording initially only

459-426: A relationship with Courtney Barnett from 2012 to 2018. Cloher's relationship with Barnett informed much of her 2017 self-titled album. They have sung several songs together, including "Numbers", a song about their relationship and their age difference—Cloher is 14 years older. Current members Former members The Australian Independent Record Awards is an annual awards night to recognise, promote and celebrate

510-650: A self-titled album in eight days at The Loft in Chicago in April 2019, which was released in October 2019 and toured nationally. In March 2023, Cloher released her fifth studio album, I Am the River, the River Is Me . Cloher is of Ngāpuhi and Ngāti Kahu descent through her mother. Cloher uses she/her and they/them pronouns and identifies as Takatāpui and non-binary. Cloher was in

561-525: A set of recordings in Los Angeles. Later, folklorist Archie Green called this perhaps the earliest printed use of A&R man . Actually, it says neither "A&R man" nor even "A&R", an initialism perhaps coined by Billboard magazine in 1946, and entering wide use in the late 1940s. In the 1920s and 1930s, A&R executives, like Ben Selvin at Columbia Records , Nathaniel Shilkret at Victor Records, and Bob Haring at Brunswick Records became

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612-448: A woman the reins of an immense, creative project like making a record." Ultimately, the reasons are multiple and not fully clear, although prominently proposed factors include types of sexism and scarcity of female role models in the profession. Women producers known for producing records not their own include Sonia Pottinger, Sylvia Robinson and Carla Olson. In January 2018, a research team led by Stacy L. Smith, founder and director of

663-562: Is a quest to find a theme song to inspire action on climate and conservation. It commenced in 2022. The J Awards are an annual series of Australian music awards that were established by the Australian Broadcasting Corporation 's youth-focused radio station Triple J . They commenced in 2005. The Music Victoria Awards is an annual awards ceremony celebrating Victorian music. Cloher has won one award form five nominations. The National Live Music Awards (NLMAs) are

714-555: Is an annual award of $ 30,000 given to an Australian band or solo artist in recognition of the merit of an album released during the year of award. The commenced in 2005. The Australian Women in Music Awards is an annual event that celebrates outstanding women in the Australian Music Industry who have made significant and lasting contributions in their chosen field. They commenced in 2018. The Environmental Music Prize

765-660: Is more forgiving of overmodulation , whereby dynamic peaks exceed the maximal recordable signal level: tape's limitation, a physical property, is magnetic capacity, which tapers off, smoothing the overmodulated waveform even at a signal nearly 15 decibels too "hot", whereas a digital recording is ruined by harsh distortion of " clipping " at any overshoot. In digital recording, however, a recent advancement, 32-bit float , enables DAWs to undo clipping. Still, some criticize digital instruments and workflows for excess automation, allegedly impairing creative or sonic control. In any case, as production technology has drastically changed, so have

816-430: Is often likened to that of a film director though there are important differences. It is distinct from the role of an executive producer , who is mostly involved in the recording project on an administrative level, and from the audio engineer who operates the recording technology. Varying by project, the producer may or may not choose all of the artists. If employing only synthesized or sampled instrumentation,

867-684: Is the first step in a broader effort to improve those numbers and increase diversity and inclusion for all in the music industry." Jen Cloher (album) Jen Cloher is the fourth studio album by Australian musician Jen Cloher . It was released in August 2017 under Milk! Records and peaked at number 5 on the ARIA Charts. Junkee said the album was, "the magnum opus of one of our finest Australian poets. The 11 songs contained within know exactly what they want to say, and exactly how they’re going to say it, no more so than "Regional Echo". A lament about

918-464: The ARIA Music Awards of 2006 . In 2009, Cloher's mother was diagnosed with Alzheimer's and Cloher found songwriting a way of expressing herself. This led to the writing and creation of Cloher's second album, Hidden Hands . The album included the single "Eden with My Eve". Calia and Sumner were replaced by Laura Jean and Biddy Connor, respectively; Tiny Ruins guitarist Tom Healy was also added to

969-787: The Annenberg Inclusion Initiative, based in the USC Annenberg School for Communication and Journalism , issued a report, estimating that in the prior several years, about 2% of popular songs' producers were female. Also that month, Billboard magazine queried, "Where are all the female music producers?" Upon the Annenberg Inclusion Initiative's second annual report, released in February 2019, its department at USC reported, "2018 saw an outcry from artists, executives and other music industry professionals over

1020-564: The Edinburgh Festival . Upon returning to Australia, Cloher continued to pursue her music career. In the late 1990s, Cloher collaborated with Sydney collective Bonepeople on the track "Looking for More". In 2001, Cloher relocated to Melbourne. Later that year, she released her debut EP titled, Movement Involves Danger , on Regency Records. Cloher then released the EP Permanent Marker via Shiny Records in 2005. The single, "Rain",

1071-707: The "bed tracks"—the rhythm section , including the bassline , drums, and rhythm guitar—whereas vocals and instrument solos could be added later. A horn section , for example, could record a week later, and a string section another week later. A singer could perform her own backup vocals, or a guitarist could play 15 layers. Across the 1960s, popular music increasingly switched from acoustic instruments, like piano, upright bass , acoustic guitar , and brass instruments , to electronic instruments, like electric guitars , keyboards , and synthesizers , employing instrument amplifiers and speakers. These could mimic acoustic instruments or create utterly new sounds. Soon, by combining

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1122-457: The 1940s, during World War II, the Germans refined audio recording onto magnetic tape—uncapping recording duration and allowing immediate playback, rerecording, and editing—a technology that premised emergence of record producers in their current roles. Early in the recording industry, a record was attained by simply having all of the artists perform together live in one take. In 1945, by recording

1173-574: The 1950s, on simply improving the record's sonic match to the artists' own live performance. Advances in recording technology, especially the 1940s advent of tape recording —which Les Paul promptly innovated further to develop multitrack recording —and the 1950s rise of electronic instruments, turned record production into a specialty. In popular music, then, producers like George Martin , Phil Spector and Brian Eno led its evolution into its present use of elaborate techniques and unrealistic sounds, creating songs impossible to originate live. After

1224-513: The 1960s. Still, a formal distinction was elusive for some time more. A&R managers might still be creative directors, like William "Mickey" Stevenson , hired by Berry Gordy , at the Motown record label. In 1947, the American market gained audio recording onto magnetic tape. At the record industry's 1880s dawn, rather, recording was done by phonograph , etching the sonic waveform vertically into

1275-501: The 1980s, production's move from analog to digital further expanded possibilities. By now, DAWs, or digital audio workstations , like Logic Pro , Pro Tools and Studio One , turn an ordinary computer into a production console, whereby a solitary novice can become a skilled producer in a thrifty home studio. In the 2010s, efforts began to increase the prevalence of producers and engineers who are women, heavily outnumbered by men and prominently accoladed only in classical music. As

1326-772: The ARIA charts. The album received five star reviews from The Herald Sun , The Guardian and The Independent and was voted Double J 's Album of the Year for 2017. The album was shortlisted for the Australian Music Prize . In December 2017, it was announced that Cloher would be one of the guest judges for Happy Mag's 'Needle in the Hay' vinyl competition. In 2018, Cloher toured the United States , Europe and Australia . In 2019, Cloher reunited with Dyson and Stringer. The trio recorded

1377-637: The Kinks produced some of their own songs, although many such songs are officially credited to specialist producers. Yet especially influential was the Beach Boys, whose band leader Brian Wilson took over from his father Murry within a couple of years after the band's commercial breakthrough. By 1964, Wilson had taken Spector's techniques to unseen sophistication. Wilson alone produced all Beach Boys recordings between 1963 and 1967. Using multiple studios and multiple attempts of instrumental and vocal tracks, Wilson selected

1428-409: The artist's and label's goals in the creation of musical content. Other duties include, but are not limited to: keeping budgets and schedules; adhering to deadlines; hiring musicians, singers, studios, and engineers; overseeing other staffing needs; and editing (Classical projects). The producer often selects and collaborates with a mixing engineer, who focuses on the especially technological aspects of

1479-469: The best combinations of performance and audio quality, and used tape editing to assemble a composite performance. The 1980s advent of digital processes and formats rapidly replaced analog processes and formats, namely, tape and vinyl. Although recording onto quality tape, at least half an inch wide and traveling 15 inches per second, had limited "tape hiss" to silent sections, digital's higher signal-to-noise ratio , SNR, abolished it. Digital also imparted to

1530-505: The capabilities of tape, multitrack recording, and electronic instruments, producers like Phil Spector , George Martin , and Joe Meek rendered sounds unattainable live. Similarly, in jazz fusion , Teo Macero , producing Miles Davis 's 1970 album Bitches Brew , spliced sections of extensive improvisation sessions. In the 1960s, rock acts like the Beatles , the Rolling Stones , and

1581-460: The industry are Logic Pro and Pro Tools. Physical devices involved include the main mixer, MIDI controllers to communicate among equipment, the recording device itself, and perhaps effects gear that is outboard. Yet literal recording is sometimes still analog, onto tape, whereupon the raw recording is converted to a digital signal for processing and editing, as some producers still find audio advantages to recording onto tape. Conventionally, tape

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1632-669: The knowledge demands, although DAWs enables novices, even teenagers at home, to learn production independently. Some have attained professional competence before ever working with an artist. Among female record producers, Sylvia Moy was the first at Motown , Gail Davies the first on Nashville's Music Row , and Ethel Gabriel , with RCA , the first at a major record label . Lillian McMurry , owning Trumpet Records , produced influential blues records. Meanwhile, Wilma Cozart Fine produced hundreds of records for Mercury Records ' classical division. For classical production, three women have won Grammy awards, and Judith Sherman 's 2015 win

1683-507: The lack of women in music" and "the plight of women in music", where women were allegedly being "stereotyped, sexualized, and shut out". Also in February 2019, the Recording Academy 's Task Force on Diversity and Inclusion announced an initiative whereby over 200 artists and producers—ranging from Cardi B and Taylor Swift to Maroon 5 and Quincy Jones —agreed to consider at least two women for each producer or engineer position. The academy's website, Grammy.com , announced, "This initiative

1734-657: The lead single from her then-yet-to-be-titled third studio album. It was released as a limited-edition split seven-inch, with the flipside containing Courtney Barnett's song "History Eraser". To support the album's release, Cloher began a crowdfunding campaign with a target of $ 15,000, which she exceeded. In Blood Memory was released in May 2013 and was shortlisted for the Australian Music Prize . In August 2013 Cloher collaborated with Mia Dyson and Liz Stringer and formed Dyson Stringer Cloher. The trio released an EP which featured an individual track from each musician. They then took on

1785-640: The line-up. Following a solo tour with Jordie Lane, Cloher took an extended hiatus from music. In 2012, Cloher re-emerged and signed with Milk! Records , a label created by Cloher's partner Courtney Barnett the same year. Cloher released a duet with former Kid Sam frontman Kieran Ryan, titled "Call If You Need Me". It was included on the EP Baby We Were Born to Die . Cloher recorded an album at Melbourne's Headgap Studios. Her backing band included lead guitarist Barnett, bassist Bones Sloane and drummer Sholakis. In October 2012, Cloher released "Mount Beauty",

1836-571: The manufacturing of record discs. After World War II , pioneering A&R managers who transitioned influentially to record production as now understood, while sometimes owning independent labels, include J. Mayo Williams and John Hammond . Upon moving from Columbia Records to Mercury Records , Hammond appointed Mitch Miller to lead Mercury's popular recordings in New York. Miller then produced country-pop crossover hits by Patti Page and by Frankie Laine , moved from Mercury to Columbia, and became

1887-770: The music a perceived "pristine" sound quality, if also a loss of analog recordings' perceived "warm" quality and better-rounded bass. Yet whereas editing tape media requires physically locating the target audio on the ribbon, cutting there, and splicing pieces, editing digital media offers inarguable advantages in ease, efficiency, and possibilities. In the 1990s, digital production reached affordable home computers via production software. By now, recording and mixing are often centralized in DAWs, digital audio workstations —for example, Pro Tools , Logic Pro , Ableton , Cubase , Reason , and FL Studio —for which plugins , by third parties, effect virtual studio technology . DAWs fairly standard in

1938-562: The name Dyson Stringer Cloher . Originally from Adelaide , Cloher moved to Sydney and studied at the National Institute of Dramatic Art (NIDA). Whilst studying, Cloher lived in a share house with several musicians, which is when she bought her first second-hand guitar, and started to write songs. In 1994, Cloher graduated NIDA at the age of 21. After NIDA, Cloher performed in Andrew Bovell 's After Dinner and performed in it at

1989-438: The precursors of record producers, supervising recording and often leading session orchestras. During the 1940s, major record labels increasingly opened official A&R departments, whose roles included supervision of recording. Meanwhile, independent recording studios opened, helping originate record producer as a specialty. But despite a tradition of some A&R men writing music, record production still referred to just

2040-438: The producer may be the sole artist. Conversely, some artists do their own production. Some producers are their own engineers, operating the technology across the project: preproduction, recording, mixing , and mastering . Record producers' precursors were "A&R men", who likewise could blend entrepreneurial, creative, and technical roles, but often exercised scant creative influence, as record production still focused, into

2091-463: The recording process, namely, operating the electronic equipment and blending the raw, recorded tracks of the chosen performances, whether vocal or instrumental, into a mix , either stereo or surround sound. Then a mastering engineer further adjusts this recording for distribution on the chosen media. A producer may work on only one or two songs or on an artist's entire album, helping develop the album's overall vision. The record producers may also take on

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2142-637: The road, playing over 40 shows around the country. In January 2014, Cloher won a Victorian Music Management Award. In June 2014, Cloher released "Stone Age Brain" featuring Tim Rogers . The B-side of the CD single was a cover of The Loved Ones ' "Sad Dark Eyes". In September 2015, Cloher contributed two tracks for the Milk! Records compilation titled Good for You , released in February 2016. The album featured songs from Cloher, Courtney Barnett, The Finks, Ouch My Face, East Brunswick All Girls Choir and Fraser A. Gorman. The EP

2193-438: The role of executive producer, managing the budget, schedules, contracts, and negotiations. (Artists and Repertoires) In the 1880s, the record industry began by simply having the artist perform at a phonograph . In 1924, the trade journal Talking Machine World , covering the phonography and record industry, reported that Eddie King, Victor Records ' manager of the "New York artist and repertoire department", had planned

2244-431: The song in its final mix. The producer's roles can include gathering ideas, composing music, choosing session musicians , proposing changes to song arrangements, coaching the performers, controlling sessions, supervising the audio mixing , and, in some cases, supervising the audio mastering . A producer may give creative control to the artists themselves, taking a supervisory or advisory role instead. As to qualifying for

2295-567: The success of Australia's Independent Music sector. The APRA Awards are presented annually from 1982 by the Australasian Performing Right Association (APRA), "honouring composers and songwriters". The ARIA Music Awards is an annual awards ceremony that recognises excellence, innovation, and achievement across all genres of Australian music . Cloher has been nominated for two awards. The Australian Music Prize (the AMP)

2346-419: The technical engineering of the recording, and coordinating the production team and process. The producer's involvement in a musical project can vary in depth and scope. Sometimes in popular genres the producer may create the recording's entire sound and structure. However, in classical music recording, for example, the producer serves as more of a liaison between the conductor and the engineering team. The role

2397-481: The vast majority have been men. Early in the 2010s, asked for insights that she herself had gleaned as a woman who has specialized successfully in the industry, Wendy Page remarked, "The difficulties are usually very short-lived. Once people realize that you can do your job, sexism tends to lower its ugly head." Still, when tasked to explain her profession's sex disparity, Page partly reasoned that record labels, dominated by men, have been, she said, "mistrustful of giving

2448-653: Was an early female record producer, having produced both of her Ivor Novello award-winning songs. Across the decades, many female artists have produced their own music. For instance, artists Kate Bush , Madonna , Mariah Carey , Janet Jackson , Beyoncé (even that of Destiny's Child and the Carters ), Lana Del Rey , Taylor Swift , and Lorde have produced or coproduced and Ariana Grande who produces and arranges her vocals as well as being an audio engineer. Still among specialists, despite some prominent women, including Missy Elliott in hip hop and Sylvia Massy in rock,

2499-404: Was her fifth. Yet in nonclassical, no woman has won Producer of the Year , awarded since 1975 and only one even nominated for a record not her own, Linda Perry. After Lauren Christy 's 2004 nomination, Linda Perry 's 2019 nomination was the next for a woman. On why no woman had ever won it, Perry commented, "I just don't think there are that many women interested." In the U.K., Lynsey de Paul

2550-399: Was played on Triple J . In 2006, Cloher's debut album Dead Wood Falls was released. It was credited to Jen Cloher and the Endless Sea, a collective of musicians. Its lineup originally included drummer Jen Sholakis, bassist "Lord" Geoffrey Dunbar, guitarist Michael Hubbard, pianist Ross Calia and violinist Andrea Summer. Cloher herself was nominated for ARIA Award for Best Female Artist at

2601-466: Was supported with a national tour featuring all six artists. Later that year, Dead Wood Falls was released on vinyl for the very first time in celebration of its 10-year anniversary. The release was supported by a reunion show of the original line-up of Jen Cloher and The Endless Sea in October 2016. In August 2017, Cloher released her self-titled album . The album was preceded by the singles "Forgot Myself" and "Regional Echo" and debuted at number 5 on

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