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87-492: Christ Church Library is a Georgian building that forms the south side of Peckwater Quadrangle in Christ Church, Oxford , England . To the east is Canterbury Quadrangle . The library houses the college's modern lending library and early printed books on two floors. The first library at Christ Church was established in 1562 in what had been the refectory of St Frideswide's Priory . The books, of which around 140 remain in

174-399: A balustrade or the top of a pediment . Columns or pilasters , often topped by a pediment, were popular for ornament inside and out, and other ornament was generally geometrical or plant-based, rather than using the human figure. Inside ornament was far more generous, and could sometimes be overwhelming. The chimneypiece continued to be the usual main focus of rooms, and was now given

261-420: A suburban compromise between the terraced houses of the city and the detached "villas" further out, where land was cheaper. There had been occasional examples in town centres going back to medieval times. Most early suburban examples are large, and in what are now the outer fringes of Central London, but were then in areas being built up for the first time. Blackheath , Chalk Farm and St John's Wood are among

348-459: A 1964 exhibition at the Museum of Modern Art, New York , designed by architect Bernard Rudofsky , with a subsequent book. Both were called Architecture Without Architects . Featuring dramatic black-and-white photography of vernacular buildings around the world, the exhibition was extremely popular. Rudofsky brought the concept into the eye of the public and of mainstream architecture, and also kept

435-647: A building; such arrangements were only typical in England when housing groups of batchelors, as in Oxbridge colleges, the lawyers in the Inns of Court or the Albany after it was converted in 1802. In the period in question, only in Edinburgh were working-class purpose-built tenements common, though lodgers were common in other cities. A curving crescent , often looking out at gardens or

522-513: A canon of the cathedral; William Wake , Archbishop of Canterbury ; and Charles Boyle, 4th Earl of Orrery . Christ Church Library contains one of the largest collections of early printed books in Oxford outside the Bodleian Library . The library was described in 1946 as 'a heterogeneous collection of about 100,000 works' and this is the figure which has generally been quoted since. For comparison,

609-442: A classical treatment, and increasingly topped by a painting or a mirror. Plasterwork ceilings, carved wood, and bold schemes of wallpaint formed a backdrop to increasingly rich collections of furniture, paintings, porcelain , mirrors, and objets d'art of all kinds. Wood-panelling, very common since about 1500, fell from favour around the mid-century, and wallpaper included very expensive imports from China. Smaller houses in

696-487: A distance. The height was usually highest in the centre, and the Baroque emphasis on corner pavilions often found on the continent generally avoided. In grand houses, an entrance hall led to steps up to a piano nobile or mezzanine floor where the main reception rooms were. Typically the basement area or "rustic", with kitchens, offices and service areas, as well as male guests with muddy boots, came some way above ground, and

783-475: A lengthy discussion of the relevant terms, in Traditional Buildings: A Global Survey of Structural Forms and Cultural Functions. Noble concluded that "folk architecture" is built by "persons not professionally trained in building arts." "Vernacular architecture" is "of the common people", but may be built by trained professionals, using local, traditional designs and materials. "Traditional architecture"

870-503: A number of different forms of shelter appropriate to different seasons and geographical locations, including the igloo (for winter) and the tupiq (for summer). The Sami of Northern Europe, who live in climates similar to those experienced by the Inuit, have developed different shelters appropriate to their culture including the lavvu and goahti . The development of different solutions in similar circumstances because of cultural influences

957-409: A park, was popular for terraces where space allowed. In early and central schemes of development, plots were sold and built on individually, though there was often an attempt to enforce some uniformity, but as development reached further out schemes were increasingly built as a uniform scheme and then sold. The late Georgian period saw the birth of the semi-detached house, planned systematically, as

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1044-544: A proponent of the Gothic Revival movement in England, Scott used the term as a pejorative to refer to the "prevailing architecture" in England of the time, all of it, as opposed to the Gothic he wanted to introduce. In this "vernacular" category Scott included St Paul's Cathedral , Greenwich Hospital, London , and Castle Howard , although admitting their relative nobility. The term was popularized with positive connotations in

1131-556: A relatively flimsy, lightweight structure is also less likely to cause serious injury than a heavy structure. Over time, dwellings' architecture may come to reflect a very specific geographical locale. The local environment and the construction materials it can provide, govern many aspects of vernacular architecture. Areas rich in trees will develop a wooden vernacular, while areas without much wood may use mud or stone. In early California redwood water towers supporting redwood tanks and enclosed by redwood siding ( tankhouses ) were part of

1218-606: A self-contained wind-powered domestic water system. In the Far East it is common to use bamboo, as it is both plentiful and versatile. Vernacular, almost by definition, is sustainable, and will not exhaust the local resources. If it is not sustainable, it is not suitable for its local context, and cannot be vernacular. Construction elements and materials frequently found in vernacular buildings include: As many jurisdictions introduce tougher building codes and zoning regulations, "folk architects" sometimes find themselves in conflict with

1305-652: A sign of their fealty to Britain, and the Georgian style was dominant in the country for most of the first half of the 19th century. The Grange , for example, is a Georgian manor built in Toronto in 1817. In Montreal , English-born architect John Ostell worked on a significant number of remarkable constructions in the Georgian style such as the Old Montreal Custom House and the Grand séminaire de Montréal . In Australia ,

1392-399: Is also normally in the classical tradition, but typically restrained, and sometimes almost completely absent on the exterior. The period brought the vocabulary of classical architecture to smaller and more modest buildings than had been the case before, replacing English vernacular architecture (or becoming the new vernacular style) for almost all new middle-class homes and public buildings by

1479-521: Is architecture passed down from person to person, generation to generation, particularly orally, but at any level of society, not just by common people. "Primitive architecture" is a term Noble discourages the use of. The term popular architecture is used more in Eastern Europe and is synonymous with folk or vernacular architecture. Architecture designed by professional architects is usually not considered to be vernacular. Indeed, it can be argued that

1566-513: Is borrowed from linguistics , where vernacular refers to language use particular to a time, place, or group. The phrase dates to at least 1857, when it was used by Sir George Gilbert Scott , as the focus of the first chapter of his book "Remarks on Secular & Domestic Architecture, Present & Future", and in a paper read to an architectural society in Leicester in October of that year. As

1653-567: Is generally used to describe all buildings from the period, regardless of style; in Britain it is generally restricted to buildings that are "architectural in intention", and have stylistic characteristics that are typical of the period, though that covers a wide range. The Georgian style is highly variable, but marked by symmetry and proportion based on the classical architecture of Greece and Rome , as revived in Renaissance architecture . Ornament

1740-426: Is informed largely by vernacular architecture. Vernacular architecture is influenced by a great range of different aspects of human behaviour and environment, leading to differing building forms for almost every different context; even neighbouring villages may have subtly different approaches to the construction and use of their dwellings, even if they at first appear the same. Despite these variations, every building

1827-450: Is no clearly defined and specialized discipline for the study of dwellings or the larger compass of vernacular architecture. If such a discipline were to emerge it would probably be one that combines some of the elements of both architecture and anthropology with aspects of history and geography. Architects have developed a renewed interest in vernacular architecture as a model for sustainable design. Contemporary complementary architecture

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1914-584: Is not a stylistic description, much less one specific style, so it cannot be summarized in terms of easy-to-understand patterns, characteristics, materials, or elements. Because of the usage of traditional building methods and local builders, vernacular buildings are considered cultural expressions—aboriginal, indigenous, ancestral, rural, ethnic, or regional—as much as architectural artifacts. The term vernacular means 'domestic, native, indigenous', from verna 'native slave' or 'home-born slave'. The word probably derives from an older Etruscan word. The term

2001-634: Is subject to the same laws of physics, and hence will demonstrate significant similarities in structural forms . One of the most significant influences on vernacular architecture is the macro climate of the area in which the building is constructed. Buildings in cold climates invariably have high thermal mass or significant amounts of insulation . They are usually sealed in order to prevent heat loss, and openings such as windows tend to be small or even absent altogether. Buildings in warm climates, by contrast, tend to be constructed of lighter materials and to allow significant cross ventilation through openings in

2088-541: Is typical of vernacular architecture. Many nomadic people use materials common in the local environment to construct temporary dwellings, such as the Punan of Sarawak who use palm fronds, or the Ituri Pygmies who use saplings and mongongo leaves to construct domed huts. Other cultures reuse materials, transporting them with them as they move. Examples of this are the tribes of Mongolia, who carry their gers (yurts) with them, or

2175-564: The Encyclopedia of Vernacular Architecture of the World edited in 1997 by Paul Oliver of the Oxford Institute for Sustainable Development . Oliver argued that vernacular architecture, given the insights it gives into issues of environmental adaptation, will be necessary in the future to "ensure sustainability in both cultural and economic terms beyond the short term." The encyclopedia defined

2262-610: The Old Colonial Georgian residential and non-residential styles were developed in the period from c.  1810  – c.  1840 . After about 1840, Georgian conventions were slowly abandoned as a number of revival styles, including Gothic Revival , that had originated in the Georgian period, developed and contested in Victorian architecture , and in the case of Gothic became better researched, and closer to their originals. Neoclassical architecture remained popular, and

2349-555: The Venetian Giacomo Leoni , who spent most of his career in England. Other prominent architects of the early Georgian period include James Paine , Robert Taylor , and John Wood, the Elder . The European Grand Tour became very common for wealthy patrons in the period, and Italian influence remained dominant, though at the start of the period Hanover Square, Westminster (1713 on), developed and occupied by Whig supporters of

2436-579: The Villa Pisani at Montagnana , Italy as depicted in Andrea Palladio 's I quattro libri dell'architettura ("The Four Books of Architecture"). After independence, in the former American colonies , Federal-style architecture represented the equivalent of Regency architecture, with which it had much in common. In Canada , the United Empire Loyalists embraced Georgian architecture as

2523-465: The suburbs , is known in the UK as mock-Georgian . Vernacular architecture Vernacular architecture (also folk architecture ) is building done outside any academic tradition, and without professional guidance. It is not a particular architectural movement or style, but rather a broad category, encompassing a wide range and variety of building types, with differing methods of construction, from around

2610-616: The Americas. Unlike the Baroque style that it replaced, which was mostly used for palaces and churches, and had little representation in the British colonies, simpler Georgian styles were widely used by the upper and middle classes. Perhaps the best remaining house is the pristine Hammond-Harwood House (1774) in Annapolis , Maryland , designed by the colonial architect William Buckland and modelled on

2697-582: The British Isles were Edinburgh , Bath , pre-independence Dublin , and London , and to a lesser extent York and Bristol . The style was revived in the late 19th century in the United States as Colonial Revival architecture and in the early 20th century in Great Britain as Neo-Georgian architecture ; in both it is also called Georgian Revival architecture . In the United States, the term Georgian

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2784-517: The Georgian period were very often constructed of wood with clapboards; even columns were made of timber, framed up, and turned on an oversized lathe. At the start of the period the difficulties of obtaining and transporting brick or stone made them a common alternative only in the larger cities, or where they were obtainable locally. Dartmouth College , Harvard University and the College of William and Mary offer leading examples of Georgian architecture in

2871-579: The Vastu-Shilpa Foundation in Ahmedabad to research the vernacular architecture of the region; and Sheila Sri Prakash who has used rural Indian architecture as an inspiration for innovations in environmental and socio-economically sustainable design and planning. The Dutch architect Aldo van Eyck was also a proponent of vernacular architecture, as were Samuel Mockbee , Christopher Alexander , and Paolo Soleri . Oliver claims that: As yet there

2958-487: The apprenticeship system. But most buildings were still designed by builders and landlords together, and the wide spread of Georgian architecture, and the Georgian styles of design more generally, came from dissemination through pattern books and inexpensive suites of engravings . Authors such as the prolific William Halfpenny (active 1723–1755) had editions in America as well as Britain. A similar phenomenon can be seen in

3045-519: The areas contesting being the original home of the semi. Sir John Summerson gave primacy to the Eyre Estate of St John's Wood. A plan for this exists dated 1794, where "the whole development consists of pairs of semi-detached houses , So far as I know, this is the first recorded scheme of the kind". In fact the French Wars put an end to this scheme, but when the development was finally built it retained

3132-500: The black desert tents of the Qashgai in Iran . Notable in each case is the significant impact of the availability of materials and the availability of pack animals or other forms of transport on the ultimate form of the shelters. All the shelters are adapted to suit the local climate. The Mongolian gers (yurts), for example, are versatile enough to be cool in hot continental summers and warm in

3219-571: The building into separate rooms. Culture also has a great influence on the appearance of vernacular buildings, as occupants often decorate buildings in accordance with local customs and beliefs. There are many cultures around the world which include some aspect of nomadic life, and they have all developed vernacular solutions for the need for shelter. These all include appropriate responses to climate and customs of their inhabitants, including practicalities of simple construction such as huts , and if necessary, transport such as tents . The Inuit have

3306-464: The capital and labour required to construct them is a one-time cost. Permanent dwellings often offer a greater degree of protection and shelter from the elements. In some cases, however, where dwellings are subjected to severe weather conditions such as frequent flooding or high winds, buildings may be deliberately "designed" to fail and be replaced, rather than requiring the uneconomical or even impossible structures needed to withstand them. The collapse of

3393-479: The classical vocabulary. Where funds permitted, a classical temple portico with columns and a pediment might be used at the west front. Interior decoration was generally chaste; however, walls often became lined with plaques and monuments to the more prosperous members of the congregation. In the colonies new churches were certainly required, and generally repeated similar formulae. British Non-conformist churches were often more classical in mood, and tended not to feel

3480-480: The classically inspired. Public buildings generally varied between the extremes of plain boxes with grid windows and Italian Late Renaissance palaces, depending on budget. Somerset House in London, designed by Sir William Chambers in 1776 for government offices, was as magnificent as any country house, though never quite finished, as funds ran out. Barracks and other less prestigious buildings could be as functional as

3567-537: The climate it is used in, does not need to provide the same degree of protection from the elements. The type of structure and materials used for a dwelling vary depending on how permanent it is. Frequently moved nomadic structures will be lightweight and simple, more permanent ones will be less so. When people settle somewhere permanently, the architecture of their dwellings will change to reflect that. Materials used will become heavier, more solid and more durable. They may also become more complicated and more expensive, as

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3654-474: The commonality of housing designs in Canada and the United States (though of a wider variety of styles) from the 19th century through the 1950s, using pattern books drawn up by professional architects that were distributed by lumber companies and hardware stores to contractors and homebuilders. From the mid-18th century, Georgian styles were assimilated into an architectural vernacular that became part and parcel of

3741-409: The core of cities such as London , Edinburgh , Dublin , Newcastle upon Tyne and Bristol . The period saw the growth of a distinct and trained architectural profession; before the mid-century "the high-sounding title, 'architect' was adopted by anyone who could get away with it". This contrasted with earlier styles, which were primarily disseminated among craftsmen through the direct experience of

3828-471: The country, such as vicarages, were simple regular blocks with visible raked roofs, and a central doorway, often the only ornamented area. Similar houses, often referred to as "villas" became common around the fringes of the larger cities, especially London, and detached houses in towns remained common, though only the very rich could afford them in central London. In towns even most better-off people lived in terraced houses, which typically opened straight onto

3915-566: The definitions loose: he wrote that the exhibition "attempts to break down our narrow concepts of the art of building by introducing the unfamiliar world of nonpedigree architecture. It is so little known that we don't even have a name for it. For want of a generic label we shall call it vernacular, anonymous, spontaneous, indigenous, rural, as the case may be." The book was a reminder of the legitimacy and "hard-won knowledge" inherent in vernacular buildings, from Polish salt-caves to gigantic Syrian water wheels to Moroccan desert fortresses and

4002-538: The design skills and tradition of local builders, who were rarely given any attribution for the work. More recently, vernacular architecture has been examined by designers and the building industry in an effort to be more energy conscious with contemporary design and construction—part of a broader interest in sustainable design . As of 1986, even among scholars publishing in the field, the exact boundaries of "vernacular" have not been clear. Vernacular architecture tends to be overlooked in traditional histories of design. It

4089-462: The end of the period. Georgian architecture is characterized by its proportion and balance; simple mathematical ratios were used to determine the height of a window in relation to its width or the shape of a room as a double cube. Regularity, as with ashlar (uniformly cut) stonework, was strongly approved, imbuing symmetry and adherence to classical rules: the lack of symmetry, where Georgian additions were added to earlier structures remaining visible,

4176-404: The extremely similar St. George's Church, Dublin . The 1818 Act allocated some public money for new churches required to reflect changes in population, and a commission to allocate it. Building of Commissioners' churches gathered pace in the 1820s, and continued until the 1850s. The early churches, falling into the Georgian period, show a high proportion of Gothic Revival buildings, along with

4263-678: The fabric of the building. Buildings for a continental climate must be able to cope with significant variations in temperature and may even be altered by their occupants according to the seasons. In hot arid and semi-arid regions, vernacular structures typically include a number of distinctive elements to provide for ventilation and temperature control. Across the middle east, these elements included such design features as courtyard gardens with water features, screen walls, reflected light, mashrabiya (the distinctive oriel window with timber latticework) and bad girs ( wind-catchers ). Buildings take different forms depending on precipitation levels in

4350-478: The family. In polygamous communities there may be separate dwellings for different wives, and more again for sons who are too old to share space with the women of the family. Social interaction within the family is governed by, and privacy is provided by, the separation between the structures in which family members live. By contrast, in Western Europe, such separation is accomplished inside one dwelling, by dividing

4437-441: The field of vernacular architecture as: comprising the dwellings and all other buildings of the people. Related to their environmental contexts and available resources they are customarily owner- or community-built, utilizing traditional technologies. All forms of vernacular architecture are built to meet specific needs, accommodating the values, economies and ways of life of the cultures that produce them. In 2007 Allen Noble wrote

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4524-511: The floor above. Often, when a new street or set of streets was developed, the road and pavements were raised up, and the gardens or yards behind the houses remained at a lower level, usually representing the original one. Town terraced houses for all social classes remained resolutely tall and narrow, each dwelling occupying the whole height of the building. This contrasted with well-off continental dwellings, which had already begun to be formed of wide apartments occupying only one or two floors of

4611-573: The highly self-conscious academic attempts at the beautiful throughout Europe". Since at least the Arts and Crafts Movement , many modern architects have studied vernacular buildings and claimed to draw inspiration from them, including aspects of the vernacular in their designs. In 1946, the Egyptian architect Hassan Fathy was appointed to design the town of New Gourna near Luxor . Having studied traditional Nubian settlements and technologies, he incorporated

4698-405: The individual will have been guided by a series of conventions built up in his locality, paying little attention to what may be fashionable. The function of the building would be the dominant factor, aesthetic considerations, though present to some small degree, being quite minimal. Local materials would be used as a matter of course, other materials being chosen and imported quite exceptionally. In

4785-538: The landscape to minimise potential storm damage. Climatic influences on vernacular architecture are substantial and can be extremely complex. Mediterranean vernacular, and that of much of the Middle East, often includes a courtyard with a fountain or pond; air cooled by water mist and evaporation is drawn through the building by the natural ventilation set up by the building form. Similarly, Northern African vernacular often has very high thermal mass and small windows to keep

4872-586: The late 1950s, Bradshaw Gass & Hope 's Police Headquarters in Salford of 1958 being a good example. Architects such as Raymond Erith , and Donald McMorran were among the few architects who continued the neo-Georgian style into the 1960s. Both in the United States and Britain, the Georgian style is still employed by architects like Quinlan Terry , Julian Bicknell , Ben Pentreath , Robert Adam Architects , and Fairfax and Sammons for private residences. A debased form in commercial housing developments, especially in

4959-463: The library, were originally chained to wooden lecterns. A new library was designed in the eighteenth century, with the intention of attracting aristocratic students to the college by equalling the great classical library buildings of Trinity College, Cambridge and Trinity College, Dublin . The most likely candidate for the architect is Dr George Clarke of All Souls ; the master mason was William Townsend/Townesend. Building work started in 1717 and

5046-512: The local authorities. A case that made news in Russia was that of an Arkhangelsk entrepreneur Nikolay P. Sutyagin, who built what was reportedly the world's tallest single-family wooden house for himself and his family, only to see it condemned as a fire hazard. The 13-storey, 44 m (144 ft) tall structure, known locally as "Sutyagin's skyscraper" ( Небоскрёб Сутягина ), was found to be in violation of Arkhangelsk building codes, and in 2008

5133-408: The main nave was generally wider and shorter than in medieval plans, and often there were no side-aisles. Galleries were common in new churches. Especially in country parishes, the external appearance generally retained the familiar signifiers of a Gothic church, with a tower or spire, a large west front with one or more doors, and very large windows along the nave, but all with any ornament drawn from

5220-473: The mid-1760s a range of Neoclassical modes were fashionable, associated with the British architects Robert Adam , James Gibbs, Sir William Chambers , James Wyatt , George Dance the Younger , Henry Holland and Sir John Soane . John Nash was one of the most prolific architects of the late Georgian era known as Regency style , he was responsible for designing large areas of London. Greek Revival architecture

5307-530: The mills and factories that were growing increasingly large by the end of the period. But as the period came to an end many commercial projects were becoming sufficiently large, and well-funded, to become "architectural in intention", rather than having their design left to the lesser class of "surveyors". Georgian architecture was widely disseminated in the English colonies during the Georgian era . American buildings of

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5394-522: The modern collection holds around 72,000 books as of 2006. The library also hosts exhibitions; these have ranged from the art and photography of Lewis Carroll (curated by Edward Wakeling, Allan Chapman, Janet McMullin and Cristina Neagu) to a commemoration of Johann Joachim Winckelmann (curated by Amy Smith , Katherine Harloe and Cristina Neagu). 51°45′04″N 1°15′18″W  /  51.7510°N 1.2549°W  / 51.7510; -1.2549 Georgian architecture The Georgian cities of

5481-555: The need for a tower or steeple. The archetypal Georgian church is St Martin-in-the-Fields in London (1720), by Gibbs, who boldly added to the classical temple façade at the west end a large steeple on top of a tower, set back slightly from the main frontage. This formula shocked purists and foreigners, but became accepted and was very widely emulated, at home and in the colonies, for example at St Andrew's Church, Chennai in India. And in Dublin,

5568-473: The new dynasty, seems to have deliberately adopted German stylistic elements in their honour, especially vertical bands connecting the windows. The styles that resulted fall within several categories. In the mainstream of Georgian style were both Palladian architecture —and its whimsical alternatives, Gothic and Chinoiserie , which were the English-speaking world 's equivalent of European Rococo . From

5655-430: The occupants cool, and in many cases also includes chimneys, not for fires but to draw air through the internal spaces. Such specializations are not designed but learned by trial and error over generations of building construction, often existing long before the scientific theories which explain why they work. Vernacular architecture is also used for the purposes of local citizens. The way of life of building occupants, and

5742-577: The other materials was more favourable. Raked roofs were mostly covered in earthenware tiles until Richard Pennant, 1st Baron Penrhyn led the development of the slate industry in Wales from the 1760s, which by the end of the century had become the usual material. Versions of revived Palladian architecture dominated English country house architecture. Houses were increasingly placed in grand landscaped settings, and large houses were generally made wide and relatively shallow, largely to look more impressive from

5829-409: The people, and by the people, but not for the people." Frank Lloyd Wright described vernacular architecture as "Folk building growing in response to actual needs, fitted into environment by people who knew no better than to fit them with native feeling". suggesting that it is a primitive form of design, lacking intelligent thought, but he also stated that it was "for us better worth study than all

5916-544: The period in Great Britain. Some windows were subsequently bricked-in. Their height increasingly varied between the floors, and they increasingly began below waist-height in the main rooms, making a small balcony desirable. Before this the internal plan and function of the rooms can generally not be deduced from the outside. To open these large windows the sash window , already developed by the 1670s, became very widespread. Corridor plans became universal inside larger houses. Internal courtyards became more rare, except beside

6003-597: The period, landowners turned into property developers , and rows of identical terraced houses became the norm. Even the wealthy were persuaded to live in these in town, especially if provided with a square of garden in front of the house. There was an enormous amount of building in the period, all over the English-speaking world, and the standards of construction were generally high. Where they have not been demolished, large numbers of Georgian buildings have survived two centuries or more, and they still form large parts of

6090-695: The region – leading to dwellings on stilts in many regions with frequent flooding or rainy monsoon seasons. For example, the Queenslander is an elevated weatherboard house with a sloped, tin roof that evolved in the early 19th-century as a solution to the annual flooding caused by monsoonal rain in Australia's northern states. Flat roofs are rare in areas with high levels of precipitation. Similarly, areas with high winds will lead to specialised buildings able to cope with them, and buildings tend to present minimal surface area to prevailing winds and are often situated low on

6177-512: The same period is usually referred to as Neo-Georgian ; the work of Edwin Lutyens and Vincent Harris includes some examples. The British town of Welwyn Garden City , established in the 1920s, is an example of pastiche or Neo-Georgian development of the early 20th century in Britain. Versions of the Neo-Georgian style were commonly used in Britain for certain types of urban architecture until

6264-536: The semi-detached form, "a revolution of striking significance and far-reaching effect". Until the Church Building Act 1818 , the period saw relatively few churches built in Britain, which was already well-supplied, although in the later years of the period the demand for Non-conformist and Roman Catholic places of worship greatly increased. Anglican churches that were built were designed internally to allow maximum audibility, and visibility, for preaching , so

6351-429: The stables, and the functional parts of the building were placed at the sides, or in separate buildings nearby hidden by trees. The views to and from the front and rear of the main block were concentrated on, with the side approaches usually much less important. The roof was typically invisible from the ground, though domes were sometimes visible in grander buildings. The roofline was generally clear of ornament except for

6438-402: The street, often with a few steps up to the door. There was often an open space, protected by iron railings, dropping down to the basement level, with a discreet entrance down steps off the street for servants and deliveries; this is known as the "area" . This meant that the ground floor front was now removed and protected from the street and encouraged the main reception rooms to move there from

6525-406: The sub-zero temperatures of Mongolian winters and include a close-able ventilation hole at the centre and a chimney for a stove. A ger is typically not often relocated, and is therefore sturdy and secure, including wooden front door and several layers of coverings. A traditional Berber tent, by contrast, might be relocated daily, and is much lighter and quicker to erect and dismantle – and because of

6612-634: The traditional mud brick vaults of the Nubian settlements in his designs. The experiment failed, due to a variety of social and economic reasons. Sri Lankan architect Geoffrey Bawa is considered the pioneer of regional modernism in South Asia . Along with him, modern proponents of the use of the vernacular in architectural design include Charles Correa , a well known Indian architect; Muzharul Islam and Bashirul Haq , internationally known Bangladeshi architects ; Balkrishna Doshi , another Indian, who established

6699-461: The training of every architect , designer , builder , carpenter , mason and plasterer , from Edinburgh to Maryland . Georgian succeeded the English Baroque of Sir Christopher Wren , Sir John Vanbrugh , Thomas Archer , William Talman , and Nicholas Hawksmoor ; this in fact continued into at least the 1720s, overlapping with a more restrained Georgian style. The architect James Gibbs

6786-401: The very process of consciously designing a building makes it not vernacular. Paul Oliver , in his book Dwellings , states: "it is contended that 'popular architecture' designed by professional architects or commercial builders for popular use, does not come within the compass of the vernacular". Oliver also offers the following simple definition of vernacular architecture: "the architecture of

6873-478: The way they use their shelters, is of great influence on building forms. The size of family units, who shares which spaces, how food is prepared and eaten, how people interact, and many other cultural considerations will affect the layout and size of dwellings. For example, the family units of several East African ethnic communities live in family compounds, surrounded by marked boundaries, in which separate single-roomed dwellings are built to house different members of

6960-590: The world, both historical and extant and classical and modern. Vernacular architecture constitutes 95% of the world's built environment, as estimated in 1995 by Amos Rapoport , as measured against the small percentage of new buildings every year designed by architects and built by engineers. Vernacular architecture usually serves immediate, local needs, is constrained by the materials available in its particular region and reflects local traditions and cultural practices. The study of vernacular architecture does not examine formally schooled architects , but instead that of

7047-480: Was a transitional figure, his earlier buildings are Baroque, reflecting the time he spent in Rome in the early 18th century, but he adjusted his style after 1720. Major architects to promote the change in direction from Baroque were Colen Campbell , author of the influential book Vitruvius Britannicus (1715–1725); Richard Boyle, 3rd Earl of Burlington and his protégé William Kent ; Isaac Ware ; Henry Flitcroft and

7134-572: Was added to the repertory, beginning around 1750, but increasing in popularity after 1800. Leading exponents were William Wilkins and Robert Smirke . In Britain, brick or stone are almost invariably used; brick is often disguised with stucco . The Georgian terraces of Dublin are noted for their almost uniform use of red brick, for example, whereas equivalent terraces in Edinburgh are constructed from stone. In America and other colonies wood remained very common, as its availability and cost-ratio with

7221-535: Was considered iconoclastic at the time. The term "commercial vernacular" was popularized in the late 1960s by the publication of Learning from Las Vegas by Robert Venturi and Denise Scott Brown , referring to 20th-century American suburban tract and commercial architecture. Although vernacular architecture might be designed by people who do have some training in design, in 1971 Ronald Brunskill nonetheless defined vernacular architecture as: ...a building designed by an amateur without any training in design;

7308-502: Was deeply felt as a flaw, at least before John Nash began to introduce it in a variety of styles. Regularity of housefronts along a street was a desirable feature of Georgian town planning. Until the start of the Gothic Revival in the early 19th century, Georgian designs usually lay within the Classical orders of architecture and employed a decorative vocabulary derived from ancient Rome or Greece. In towns, which expanded greatly during

7395-417: Was lit by windows that were high on the inside, but just above ground level outside. A single block was typical, with perhaps a small court for carriages at the front marked off by railings and a gate, but rarely a stone gatehouse , or side wings around the court. Windows in all types of buildings were large and regularly placed on a grid; this was partly to minimize window tax , which was in force throughout

7482-567: Was only completed in 1772. The books were housed on the first floor to avoid damp and flooding, while the ground floor was designed as an open loggia . However, a bequest of paintings from General John Guise during the protracted construction of the library led to the enclosure of the ground floor to display them. The Christ Church Picture Gallery has since moved to a separate, modernist, building. The collections incorporate substantial bequests of books from, amongst others, Robert Burton ; Henry Aldrich , Dean of Christ Church; William Stratford,

7569-694: Was the opponent of Gothic in the Battle of the Styles of the early Victorian period. In the United States the Federalist Style contained many elements of Georgian style, but incorporated revolutionary symbols. In the early decades of the twentieth century when there was a growing nostalgia for its sense of order, the style was revived and adapted and in the United States came to be known as the Colonial Revival . The revived Georgian style that emerged in Britain during

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