The Chinese diaspora in France consists of people of Chinese origin who were born in or immigrated to France . Chinese form the second largest Asian group in France, with a population of roughly 600,000 as of 2017.
111-688: The first record of a Chinese man in France is Shen Fo-tsung in 1684, and soon after Arcade Huang , also known as Huang Jialüe (1679-1716). He was brought back by Jesuit missionaries to the Versailles court of Louis XIV, the Sun King in the late 17th century, and oversaw a collection of manuscripts sent as a gift from the Kangxi Emperor of Qing China . The opening of the Chinese port at Wenzhou in 1876 soon saw
222-544: A | and single-storey | ɑ | forms both representing the Latin letter ⟨ A ⟩ . Variants also emerge for aesthetic reasons, to make handwriting easier, or to correct what the writer perceives to be errors in a character's form. Individual components may be replaced with visually, phonetically, or semantically similar alternatives. The boundary between character structure and style—and thus whether forms represent different characters, or are merely variants of
333-522: A French colony with a significant Chinese population. In 1902, Li Shizeng and Zhang Jingjiang arrived in Paris as "embassy students" accompanying Ambassador to France Sun Baoqi . Li soon left this official position to study biology at Ecole Pratique d'Agriculture du Chesnoy [ de ] in Montargis , a town 120 kilometres south of Paris. He founded the first factory which manufactured beancurd for
444-437: A brush onto silk, bamboo, or paper, and being printed using woodblocks and moveable type . Technologies invented since the 19th century allowing for wider use of characters include telegraph codes and typewriters , as well as input methods and text encodings on computers. Chinese characters are accepted as representing one of four independent inventions of writing in human history. In each instance, writing evolved from
555-416: A character's meaning. Examples of phono-semantic compounds include 河 ( hé ; 'river'), 湖 ( hú ; 'lake'), 流 ( liú ; 'stream'), 沖 ( chōng ; 'surge'), and 滑 ( huá ; 'slippery'). Each of these characters have three short strokes on their left-hand side: 氵 , a simplified combining form of ⽔ 'WATER' . This component serves
666-428: A few characters in length at their shortest, to several dozen at their longest. The Shang king would communicate with his ancestors by means of scapulimancy , inquiring about subjects such as the royal family, military success, and the weather. Inscriptions were made in the divination material itself before and after it had been cracked by exposure to heat; they generally include a record of the questions posed, as well as
777-513: A few years. Although the Wenzhounese form the oldest Chinese group in France, they are the least assimilated, largely staying within their communities and interacting with the French populace chiefly through business and among the younger generation, education. Due to their origins from China, as well as language barriers, Dongbei migrants have favored associating with the Wenzhounese community rather than
888-690: A given position in the compound. Components within a character may serve a specific function: phonetic components provide a hint for the character's pronunciation, and semantic components indicate some element of the character's meaning. Components that serve neither function may be classified as pure signs with no particular meaning, other than their presence distinguishing one character from another. A straightforward structural classification scheme may consist of three pure classes of semantographs , phonographs and signs —having only semantic, phonetic, and form components respectively, as well as classes corresponding to each combination of component types. Of
999-558: A language. Specifically, characters represent the smallest units of meaning in a language, which are referred to as morphemes . Morphemes in Chinese—and therefore the characters used to write them—are nearly always a single syllable in length. In some special cases, characters may denote non-morphemic syllables as well; due to this, written Chinese is often characterized as morphosyllabic . Logographs may be contrasted with letters in an alphabet , which generally represent phonemes ,
1110-406: A line, and later evolved into their present forms with less potential for graphical ambiguity in context. More complex indicatives include 凸 ('convex'), 凹 ('concave'), and 平 ('flat and level'). Compound ideographs ( 会意 ; 會意 ; huìyì )—also called logical aggregates , associative idea characters , or syssemantographs —combine other characters to convey
1221-542: A mature form, also called 八分 ( bāfēn ). Bamboo slips discovered during the late 20th century point to this maturation being completed during the reign of Emperor Wu of Han ( r. 141–87 BCE ). This process, called libian ( 隶变 ; 隸變 ), involved character forms being mutated and simplified, with many components being consolidated, substituted, or omitted. In turn, the components themselves were regularized to use fewer, straighter, and more well-defined strokes. The resulting clerical forms largely lacked any of
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#17328767070841332-419: A model first popularized in the 2nd-century Shuowen Jiezi dictionary. More recent models have analysed the methods used to create characters, how characters are structured, and how they function in a given writing system. Most characters can be analysed structurally as compounds made of smaller components ( 部件 ; bùjiàn ), which are often independent characters in their own right, adjusted to occupy
1443-685: A new, synthetic meaning. A canonical example is 明 ('bright'), interpreted as the juxtaposition of the two brightest objects in the sky: ⽇ 'SUN' and ⽉ 'MOON' , together expressing their shared quality of brightness. Other examples include 休 ('rest'), composed of pictographs ⼈ 'MAN' and ⽊ 'TREE' , and 好 ('good'), composed of ⼥ 'WOMAN' and ⼦ 'CHILD' . Many traditional examples of compound ideographs are now believed to have actually originated as phono-semantic compounds, made obscure by subsequent changes in pronunciation. For example,
1554-755: A number of institutions of Sino-French friendship such as the Diligent Work-Frugal Study Movement . Also arriving in Paris at this time was the art-dealer C.T. Loo , who married a French woman and maintained a business there until the 1950s. Between 1915 and 1916, with the World War I conflict at its height between the allies and the Central Powers of Germany and Austro-Hungary, the British recruited more than 100,000 Chinese ( Chinese Labour Corps ) and their French allies some 40,000, and shipped them to
1665-500: A pittance of three to five francs a day. At the time they were seen just as cheap labour, not even allowed out of camp to fraternise locally, dismissed as mere coolies. When the war ended some were used for mine clearance, or to recover the bodies of soldiers and fill in miles of trenches. After the Armistice , the Chinese, each identified only by an impersonal reference number, were shipped home. Only about 2,000 to 3,000 stayed on, forming
1776-719: A semantic component. Pictographs have often been extended from their original meanings to take on additional layers of metaphor and synecdoche , which sometimes displace the character's original sense. When this process results in excessive ambiguity between distinct senses written with the same character, it is usually resolved by new compounds being derived to represent particular senses. Indicatives ( 指事 ; zhǐshì ), also called simple ideographs or self-explanatory characters , are visual representations of abstract concepts that lack any tangible form. Examples include 上 ('up') and 下 ('down')—these characters were originally written as dots placed above and below
1887-563: A semantic function in each example, indicating the character has some meaning related to water. The remainder of each character is its phonetic component: 湖 ( hú ) is pronounced identically to 胡 ( hú ) in Standard Chinese, 河 ( hé ) is pronounced similarly to 可 ( kě ), and 沖 ( chōng ) is pronounced similarly to 中 ( zhōng ). The phonetic components of most compounds may only provide an approximate pronunciation, even before subsequent sound shifts in
1998-449: A small number of merchants from the region arriving in Paris, being the first wave of Chinese settlement in France. The 1911 census counted 283 Chinese in France. This tiny Chinese population during the Belle Époque period mainly consisted of students, journalists, intellectuals, as well as merchants. Many students of Chinese ethnicity in France were not from China but rather Vietnam , which was
2109-429: A stylus in clay moulds used to cast ritual bronzes . Characters have also been incised into stone, or written in ink onto slips of silk, wood, and bamboo. The invention of paper for use as a writing medium occurred during the 1st century CE, and is traditionally credited to Cai Lun ( d. 121 CE ). There are numerous styles, or scripts ( 书 ; 書 ; shū ) in which characters can be written, including
2220-540: A system using two distinct types of ideographs . Ideographs could either be pictographs visually depicting objects or concepts, or fixed signs representing concepts only by shared convention. These systems are classified as proto-writing , because the techniques they used were insufficient to carry the meaning of spoken language by themselves. Various innovations were required for Chinese characters to emerge from proto-writing. Firstly, pictographs became distinct from simple pictures in use and appearance: for example,
2331-540: A time and without indicating any greater context. Qiu concludes, "We simply possess no basis for saying that they were already being used to record language." A historical connection with the symbols used by the late Neolithic Dawenkou culture ( c. 4300 – c. 2600 BCE ) in Shandong has been deemed possible by palaeographers, with Qiu concluding that they "cannot be definitively treated as primitive writing, nevertheless they are symbols which resemble most
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#17328767070842442-811: A transitional form between clerical and regular script which remained in use through the Three Kingdoms period (220–280 CE) and beyond. Cursive script ( 草书 ; 草書 ; cǎoshū ) was in use as early as 24 BCE, synthesizing elements of the vulgar writing that had originated in Qin with flowing cursive brushwork. By the Jin dynasty (266–420), the Han cursive style became known as 章草 ( zhāngcǎo ; 'orderly cursive'), sometimes known in English as 'clerical cursive', 'ancient cursive', or 'draft cursive'. Some attribute this name to
2553-510: A village near Anyang in Henan —discovered to be the site of Yin , the final Shang capital—which was excavated by a team led by Li Ji (1896–1979) from the Academia Sinica between 1928 and 1937. To date, over 150 000 oracle bone fragments have been found. Oracle bone inscriptions recorded divinations undertaken to communicate with the spirits of royal ancestors. The inscriptions range from
2664-481: A well-developed writing system, which suggests an initial emergence predating the late 2nd millennium BCE. Although written Chinese is first attested in official divinations, it is widely believed that writing was also used for other purposes during the Shang, but that the media used in other contexts—likely bamboo and wooden slips —were less durable than bronzes or oracle bones, and have not been preserved. As early as
2775-697: A whole. While the Dongbei community has recently participated with Wenzhou community groups and many members have settled in Wenzhou Chinese areas, Chinese from Indochina still rarely interact with their peer groups from mainland China . This division of the Chinese community in France is rooted in history, the level of assimilation among groups, and to a lesser extent, politics. While Chinese from Indochina arrived in France largely as Vietnam War refugees , Wenzhounese and Dongbei migrants came for economic purposes, with some having an initial intent to return to China after
2886-414: A word is used to indicate a different word with a similar pronunciation, depending on context. This allowed for words that lacked a plausible pictographic representation to be written down for the first time. This technique preempted more sophisticated methods of character creation that would further expand the lexicon. The process whereby writing emerged from proto-writing took place over a long period; when
2997-474: Is given by Xu as 轉注 ( zhuǎnzhù ; 'reversed and refocused'); however, its definition is unclear, and it is generally disregarded by modern scholars. Modern scholars agree that the theory presented in the Shuowen Jiezi is problematic, failing to fully capture the nature of Chinese writing, both in the present, as well as at the time Xu was writing. Traditional Chinese lexicography as embodied in
3108-399: Is not required, and character forms may be accentuated to evoke a variety of aesthetic effects. Traditional ideals of calligraphic beauty often tie into broader philosophical concepts native to East Asia. For example, aesthetics can be conceptualized using the framework of yin and yang , where the extremes of any number of mutually reinforcing dualities are balanced by the calligrapher—such as
3219-402: Is now written with five strokes instead of eight, and a system of five basic stroke types is commonly employed in analysis—with certain compound strokes treated as sequences of basic strokes made in a single motion. Characters are constructed according to predictable visual patterns. Some components have distinct combining forms when occupying specific positions within a character—for example,
3330-457: Is regularly done with corporate brand names: for example, Coca-Cola 's Chinese name is 可口可乐 ; 可口可樂 ( Kěkǒu Kělè ; 'delicious enjoyable'). Some characters and components are pure signs , whose meaning merely derives from their having a fixed and distinct form. Basic examples of pure signs are found with the numerals beyond four, e.g. 五 ('five') and 八 ('eight'), whose forms do not give visual hints to
3441-446: The I ;Ching . According to one tradition, Chinese characters were invented during the 3rd millennium BCE by Cangjie , a scribe of the legendary Yellow Emperor . Cangjie is said to have invented symbols called 字 ( zì ) due to his frustration with the limitations of knotting, taking inspiration from his study of the tracks of animals, landscapes, and the stars in the sky. On
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3552-548: The ⼑ 'KNIFE' component appears as 刂 on the right side of characters, but as ⺈ at the top of characters. The order in which components are drawn within a character is fixed. The order in which the strokes of a component are drawn is also largely fixed, but may vary according to several different standards. This is summed up in practice with a few rules of thumb, including that characters are generally assembled from left to right, then from top to bottom, with "enclosing" components started before, then closed after,
3663-646: The 3500 characters that are frequently used in Standard Chinese, pure semantographs are estimated to be the rarest, accounting for about 5% of the lexicon, followed by pure signs with 18%, and semantic–form and phonetic–form compounds together accounting for 19%. The remaining 58% are phono-semantic compounds. The Chinese palaeographer Qiu Xigui ( b. 1935 ) presents three principles of character function adapted from earlier proposals by Tang Lan [ zh ] (1901–1979) and Chen Mengjia (1911–1966), with semantographs describing all characters whose forms are wholly related to their meaning, regardless of
3774-515: The 3rd arrondissement . Since 1919, the number of Chinese in France was slightly bolstered by an influx of students from both French Indochina and China, (including Zhou Enlai , who would later become the Premier of the People's Republic of China and Deng Xiaoping , later de facto leader of China), who would play a crucial leadership role in organising community institutions for the Chinese there. In
3885-460: The Fall of Saigon in 1975, ethnic Chinese from Vietnam were heavily persecuted by the new communist government and faced expulsion from the newly reunified country. This led to a wave of emigration to France, as Vietnamese Chinese joined other ethnic Vietnamese refugees from South Vietnam and largely resettled in Paris and the surrounding Île-de-France region. Ethnic Chinese from Laos and Cambodia ,
3996-504: The Maison royale de Saint-Louis , where they set up a display of Chinese silk portraits. After his visit in France, Shen Fu-Tsung also went to Oxford where he met with Thomas Hyde in 1685, and he taught him some Chinese. Shen Fu-Tsung apparently communicated in Latin . Shen Fu-Tsung also met with King James II . It is the first recorded instance of a Chinese man visiting Britain. The king
4107-753: The Ming (1368–1644) and Qing dynasties (1644–1912) led to considerable standardization in character forms, which prefigured later script reforms during the 20th century. This print orthography , exemplified by the 1716 Kangxi Dictionary , was later dubbed the jiu zixing ('old character shapes'). Printed Chinese characters may use different typefaces , of which there are four broad classes in use: Before computers became ubiquitous, earlier electro-mechanical communications devices like telegraphs and typewriters were originally designed for use with alphabets, often by means of alphabetic text encodings like Morse code and ASCII . Adapting these technologies for use with
4218-467: The Shuowen Jiezi describes 信 ('trust') as an ideographic compound of ⼈ 'MAN' and ⾔ 'SPEECH' , but modern analyses instead identify it as a phono-semantic compound—though with disagreement as to which component is phonetic. Peter A. Boodberg and William G. Boltz go so far as to deny that any compound ideographs were devised in antiquity, maintaining that secondary readings that are now lost are responsible for
4329-462: The Shuowen Jiezi has suggested implausible etymologies for some characters. Moreover, several categories are considered to be ill-defined: for example, it is unclear whether characters like 大 ('large') should be classified as pictographs or indicatives. However, awareness of the 'six writings' model has remained a common component of character literacy, and often serves as a tool for students memorizing characters. The broadest trend in
4440-576: The Shuowen Jiezi . For nearly two millennia, this scheme was the primary framework for character analysis used throughout the Sinosphere. Xu based most of his analysis on examples of Qin seal script that were written down several centuries before his time—these were usually the oldest specimens available to him, though he stated he was aware of the existence of even older forms. The first five categories are pictographs, indicatives, compound ideographs, phono-semantic compounds, and loangraphs. The sixth category
4551-507: The Sinosphere . In Japanese , Korean , and Vietnamese , Chinese characters are known as kanji , hanja , and chữ Hán respectively. Writing traditions also emerged for some of the other languages of China , like the sawndip script used to write the Zhuang languages of Guangxi . Each of these written vernaculars used existing characters to write the language's native vocabulary, as well as
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4662-521: The Society of Jesus . He died in September 1691 of a shipboard fever as he was returning to China, somewhere near Portuguese Mozambique . Chinese character Chinese characters are logographs used to write the Chinese languages and others from regions historically influenced by Chinese culture . Chinese characters have a documented history spanning over three millennia, representing one of
4773-557: The Sui dynasty (581–618) required test takers to write in Literary Chinese using regular script, which contributed to the prevalence of both throughout later Chinese history. Each character of a text is written within a uniform square allotted for it. As part of the evolution from seal script into clerical script, character components became regularized as discrete series of strokes ( 笔画 ; 筆畫 ; bǐhuà ). Strokes can be considered both
4884-599: The Vietnamese , Laotian or Cambodian populations in France (depending on their country of origin) instead. Regarding politics, Chinese from Indochina are staunchly anti-communist , reflecting the community's mostly refugee origins. While they are critical of the communist parties in their origin countries, criticism is sometimes targeted at the Chinese Communist Party (CCP). Meanwhile, although many Wenzhounese and Dongbei emigrated from China for political purposes,
4995-532: The Wenzhounese and Dongbei have led the Chinese community from Indochina regarding the groups as "backward, country-folk", with refusal of cooperation with their community leaders. For example, a string of robberies on Chinese businesses and assaults on individuals belonging to the former two groups and a consequent march against the crimes in the Belleville neighborhood of Paris drew feelings of indifference among
5106-426: The ethnic Vietnamese population, Chinese refugees from Vietnam who migrated to France and French-speaking regions of Canada on average had a higher level of affluence and are better integrated into the host nation than their peers who migrated to North America or Australia. Since the 1980s, immigration has increased steadily, with the main source countries being mainland China , notably from Wenzhou , in addition to
5217-470: The loanwords it borrowed from Chinese . In addition, each invented characters for local use. In written Korean and Vietnamese, Chinese characters have largely been replaced with alphabets, leaving Japanese as the only major non-Chinese language still written using them. At the most basic level, characters are composed of strokes that are written in a fixed order. Methods of writing characters have historically included being carved into stone, being inked with
5328-626: The Île-de-France region, especially in Boulogne-Billancourt . The presence of the larger and more established Vietnamese community in France had an effect in helping the Chinese settle down and jointly form the first significant Asian presence in France. The first rooted Chinese community in Paris was based first around the Gare de Lyon in the east of the capital, then near the Arts et Métiers metro station in
5439-594: The 1930s and 1940s, Chinese from Wenzhou settled in Paris (as well as in many other European cities such as Madrid, Frankfurt, Florence, Milan). They worked as leatherworkers near the Jewish neighborhood in the 3rd arrondissement and setting up sundries and mini-markets. Taking over the wholesale trade lost by the Jews during the German occupation of France during World War II , the Chinese community continues to exist today. After
5550-500: The Buddhist terminology introduced to China in antiquity, as well as contemporary non-Chinese words and names. For example, each character in the name 加拿大 ( Jiānádà ; 'Canada') is often used as a loangraph for its respective syllable. However, the barrier between a character's pronunciation and meaning is never total: when transcribing into Chinese, loangraphs are often chosen deliberately as to create certain connotations. This
5661-466: The Chinese Festival of Qingming , attended by representatives of the French veterans' associations, the Chinese ambassador to France and members of Chinese associations in France. A 2004 documentary film, "Journey With no Return," (Voyage sans retour), was shown on French television. Of the 2,000 to 3,000 Chinese who remained in France after World War I, most became factory workers and settled around
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#17328767070845772-431: The Dongbei vary from secondary level to having degrees in higher education, a rate higher than Wenzhounese immigrants and a little under par with those of Chinese from Indochina. The community has only recently started to become established, with some members opening establishments and becoming economically independent. Nevertheless, the overwhelming majority of ethnic Chinese prostitutes in France have origins in Dongbei, and
5883-495: The French market. Zhang established a Paris gallery which sold Chinese art. Together with their friend Wu Zhihui , they formed the French branch of the Chinese anarchist movement which drew inspiration from French anarchists. In 1909, the three arranged for 140 students to come from China to work in the beancurd factory in order to support their study of French language and culture. Over the next two decades, Li, Zhang, and Wu established
5994-559: The French western front as desperately needed labour to relieve an acute manpower shortage. They cleared mines, repaired roads and unloaded ships, with their contribution going unrecognized for decades. Mainly aged between 20 and 35 and hailing from the northern Chinese provinces of Hebei , Jiangsu and particularly Shandong , as well as Wenzhou, they served as labour in the rear echelons or helped build munitions depots, repair railways and roads, and unloaded ships at Allied ports. Some worked in armaments factories, others in naval shipyards, for
6105-523: The Indochinese one. In contrast, the generation of immigrants among Chinese from former French Indochina integrated quickly, establishing itself into French society within a short period of time. Chinese from Indochina often share negative French views of mainland Chinese groups, being critical of their rather closed communities and poor French abilities among established immigrants. In fact, a vast majority of community members usually associate themselves with
6216-457: The Qin small seal script was standardized for use throughout the entire country under the direction of Chancellor Li Si ( c. 280 – 208 BCE). It was traditionally believed that Qin scribes only used small seal script, and the later clerical script was a sudden invention during the early Han. However, more than one script was used by Qin scribes: a rectilinear vulgar style had also been in use in Qin for centuries prior to
6327-410: The Shang royal house. Contemporaneous inscriptions in a related but distinct style were also made on ritual bronze vessels. This oracle bone script ( 甲骨文 ; jiǎgǔwén ) was first documented in 1899, after specimens were discovered being sold as "dragon bones" for medicinal purposes, with the symbols carved into them identified as early character forms. By 1928, the source of the bones had been traced to
6438-586: The Shang, the oracle bone script existed as a simplified form alongside another that was used in bamboo books, in addition to elaborate pictorial forms often used in clan emblems. These other forms have been preserved in what is called bronze script ( 金文 ; jīnwén ), where inscriptions were made using a stylus in a clay mould, which was then used to cast ritual bronzes . These differences in technique generally resulted in character forms that were less angular in appearance than their oracle bone script counterparts. Study of these bronze inscriptions has revealed that
6549-620: The Sinosphere during the 20th century as a result of Western influence. Many publications outside mainland China continue to use the traditional vertical writing direction. Western influence also resulted in the generalized use of punctuation being widely adopted in print during the 19th and 20th centuries. Prior to this, the context of a passage was considered adequate to guide readers; this was enabled by characters being easier than alphabets to read when written scriptio continua , due to their more discretized shapes. The earliest attested Chinese characters were carved into bone, or marked using
6660-598: The Wenzhou area, with a small number remaining in France after the conflict ended. During the 1970s and 1980s, a large wave of Chinese from Wenzhou arrived in France, with a number brought over by family members already present in France. Following the end of the Vietnam War in 1975, a large number of ethnic Chinese from the former French colonies in Southeast Asia ( Vietnam , Laos , and Cambodia ) emigrated to France to escape
6771-659: The ancient pictographic script discovered thus far in China... They undoubtedly can be viewed as the forerunners of primitive writing." The oldest attested Chinese writing comprises a body of inscriptions produced during the Late Shang period ( c. 1250 – 1050 BCE), with the very earliest examples from the reign of Wu Ding dated between 1250 and 1200 BCE. Many of these inscriptions were made on oracle bones —usually either ox scapulae or turtle plastrons—and recorded official divinations carried out by
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#17328767070846882-436: The answers as interpreted in the cracks. A minority of bones feature characters that were inked with a brush before their strokes were incised; the evidence of this also shows that the conventional stroke orders used by later calligraphers had already been established for many characters by this point. Oracle bone script is the direct ancestor of later forms of written Chinese. The oldest known inscriptions already represent
6993-419: The apparent absence of phonetic indicators, but their arguments have been rejected by other scholars. Phono-semantic compounds ( 形声 ; 形聲 ; xíngshēng ) are composed of at least one semantic component and one phonetic component. They may be formed by one of several methods, often by adding a phonetic component to disambiguate a loangraph, or by adding a semantic component to represent a specific extension of
7104-541: The basic unit of handwriting, as well as the writing system's basic unit of graphemic organization. In clerical and regular script, individual strokes traditionally belong to one of eight categories according to their technique and graphemic function. In what is known as the Eight Principles of Yong , calligraphers practice their technique using the character 永 ( yǒng ; 'eternity'), which can be written with one stroke of each type. In ordinary writing, 永
7215-492: The calligrapher Zhong Yao ( c. 151 – 230), who was living in the state of Cao Wei (220–266); he is often called the "father of regular script". The earliest surviving writing in regular script comprises copies of Zhong Yao's work, including at least one copy by Wang Xizhi. Characteristics of regular script include the 'pause' ( 頓 ; dùn ) technique used to end horizontal strokes, as well as heavy tails on diagonal strokes made going down and to
7326-639: The character as 明 . However, the increased usage of 朙 was followed by the proliferation of a third variant: 眀 , with ⽬ 'EYE' on the left—likely derived as a contraction of 朙 . Ultimately, 明 became the character's standard form. From the earliest inscriptions until the 20th century, texts were generally laid out vertically—with characters written from top to bottom in columns, arranged from right to left. Word boundaries are generally not indicated with spaces . A horizontal writing direction—with characters written from left to right in rows, arranged from top to bottom—only became predominant in
7437-456: The character's meaning. The first attested characters are oracle bone inscriptions made during the 13th century BCE in what is now Anyang , Henan, as part of divinations conducted by the Shang dynasty royal house. Character forms were originally highly pictographic in style, but evolved over time as writing spread across China. Numerous attempts have been made to reform the script, including
7548-465: The city where Couplet was born, Mechelen . They then left for Rome , where Couplet tried to obtain a Papal authorization to celebrate mass in Chinese . Shen was presented to King Louis XIV on September 15, 1684, and he demonstrated how to use chopsticks and how to write Chinese characters . He is described as participating in a royal dinner with Couplet, wearing green silk with deep blue brocade, decorated with Chinese dragons. They also visited
7659-525: The communist takeover of their countries and persecution by the new governments. The population of this community was about 150,000 as of 2010. Their origins from former French colonies resulted in a strong background of French language and culture upon their arrival and their level of assimilation into French society has been largely quick and successful, being the most integrated Chinese community in France. As in their former countries, ethnic Chinese from Indochina are heavily involved in commerce, especially among
7770-403: The components they enclose. For example, 永 is drawn in the following order: Over a character's history, variant character forms ( 异体字 ; 異體字 ; yìtǐzì ) emerge via several processes. Variant forms have distinct structures, but represent the same morpheme; as such, they can be considered instances of the same underlying character. This is comparable to visually distinct double-storey |
7881-624: The countries of former French Indochina . More recently, Chinese immigration to France has shifted to migrants from the northeast of the mainland. In Paris, settlement is spread across both urban and suburban districts, notably the 13th arrondissement, and the Templetowns of Lognes , Torcy , Noisy-le-Grand . Lyon and Marseille also have significant Chinese communities. The Chinese community in France can be categorized into three different groups based on migrant history and varieties of Chinese spoken. Ethnic Chinese with origins from Wenzhou and
7992-610: The day that these first characters were created, grain rained down from the sky; that night, the people heard the wailing of ghosts and demons, lamenting that humans could no longer be cheated. Collections of graphs and pictures have been discovered at the sites of several Neolithic settlements throughout the Yellow River valley, including Jiahu ( c. 6500 BCE ), Dadiwan and Damaidi (6th millennium BCE), and Banpo (5th millennium BCE). Symbols at each site were inscribed or drawn onto artefacts, appearing one at
8103-417: The distinct process of semantic extension, where a word acquires additional senses, which often remain written with the same character. As both processes often result in a single character form being used to write several distinct meanings, loangraphs are often misidentified as being the result of semantic extension, and vice versa. Loangraphs are also used to write words borrowed from other languages, such as
8214-519: The distinct units of sound used by speakers of a language. Despite their origins in picture-writing, Chinese characters are no longer ideographs capable of representing ideas directly; their comprehension relies on the reader's knowledge of the particular language being written. The areas where Chinese characters were historically used—sometimes collectively termed the Sinosphere —have a long tradition of lexicography attempting to explain and refine their use; for most of history, analysis revolved around
8325-439: The duality between strokes made quickly or slowly, between applying ink heavily or lightly, between characters written with symmetrical or asymmetrical forms, and between characters representing concrete or abstract concepts. Woodblock printing was invented in China between the 6th and 9th centuries, followed by the invention of moveable type by Bi Sheng (972–1051) during the 11th century. The increasing use of print during
8436-504: The evolution of Chinese characters over their history has been simplification, both in graphical shape ( 字形 ; zìxíng ), the "external appearances of individual graphs", and in graphical form ( 字体 ; 字體 ; zìtǐ ), "overall changes in the distinguishing features of graphic[al] shape and calligraphic style, [...] in most cases refer[ring] to rather obvious and rather substantial changes". The traditional notion of an orderly procession of script styles, each suddenly appearing and displacing
8547-406: The extent that the original objects represented are no longer obvious. This proto-writing system was limited to representing a relatively narrow range of ideas with a comparatively small library of symbols. This compelled innovations that allowed for symbols to directly encode spoken language. In each historical case, this was accomplished by some form of the rebus technique, where the symbol for
8658-554: The fact that the style was considered more orderly than a later form referred to as 今草 ( jīncǎo ; 'modern cursive'), which had first emerged during the Jin and was influenced by semi-cursive and regular script. This later form was exemplified by the work of figures like Wang Xizhi (303–361), who is often regarded as the most important calligrapher in Chinese history. An early form of semi-cursive script ( 行书 ; 行書 ; xíngshū ; 'running script') can be identified during
8769-524: The former South Vietnam, while Lao and Khmer are conversant among the smaller number of refugees originating from Laos and Cambodia respectively. Over the last decade, newer Chinese immigrants to France have largely originated from Northeast China ( Dongbei ). Their population as of 2010 was about 15,000. Women largely outnumber men among this Chinese community and often leave China for France in hopes of establishing new lives, largely due to dissatisfaction with life in their homeland. Education levels among
8880-460: The forms of pictographs have been simplified in order to make them easier to write. As a result, modern readers generally cannot deduce what many pictographs were originally meant to resemble; without knowing the context of their origin in picture-writing, they may be interpreted instead as pure signs. However, if a pictograph's use in compounds still reflects its original meaning, as with 日 in 晴 ('clear sky'), it can still be analysed as
8991-607: The four independent inventions of writing accepted by scholars; of these, they comprise the only writing system continuously used since its invention. Over time, the function, style, and means of writing characters have evolved greatly. Unlike letters in alphabets that reflect the sounds of speech, Chinese characters generally represent morphemes , the units of meaning in a language. Writing a language's entire vocabulary requires thousands of different characters. Characters are created according to several different principles, where aspects of both shape and pronunciation may be used to indicate
9102-495: The generation of immigrants, and average income levels are above the national median. Teochew is the most frequently spoken Chinese variety among this community, with Cantonese also prevalent and used as a common commercial and community language due to its status as a historical lingua franca among Chinese in Indochina. Additionally, knowledge of Vietnamese is common among the generation of refugees, who largely originated from
9213-422: The group is still looked down upon by their other ethnic Chinese peers in France. Mandarin is the Chinese variety most commonly spoken among members of this community. Despite being of the same ethnic group, the Chinese community in France is divided between the linguistic and migrant groups mentioned above. Community organizations serve their target migrant group specifically rather than the Chinese population as
9324-634: The groups mostly remain indifferent to the CCP. A handful of members of the latter two groups are supportive of the CCP, usually government-sponsored students or businesspeople. A larger political disagreement between the two groups regards illegal immigration . The majority of illegal Asian immigrants to France are from mainland China, specifically the Wenzhou region, with a smaller number from northern China. While Wenzhounese and Dongbei community groups favor granting residency to illegal Chinese immigrants already in France, Chinese from Indochina are strongly opposed to
9435-649: The historical forms like seal script and clerical script. Most styles used throughout the Sinosphere originated within China, though they may display regional variation. Styles that have been created outside of China tend to remain localized in their use: these include the Japanese edomoji and Vietnamese lệnh thư scripts. Calligraphy was traditionally one of the four arts to be mastered by Chinese scholars, considered to be an artful means of expressing thoughts and teachings. Chinese calligraphy typically makes use of an ink brush to write characters. Strict regularity
9546-519: The idea and support the French government's deportation of illegal immigrants. Indochinese community leaders and French politicians have accused illegal mainland Chinese of money laundering . Legal migrants have also been accused of tax evasion and supporting illegal Chinese migrants. A number of illegal Wenzhounese have fled France to neighboring countries such as Italy through the passport-free Schengen Agreement . The generally poor integration level of immigrants and cases of illegal immigration among
9657-401: The initial development of Chinese writing, and has remained common throughout its subsequent history. Some loangraphs ( 假借 ; jiǎjiè ; 'borrowing') are introduced to represent words previously lacking another written form—this is often the case with abstract grammatical particles such as 之 and 其 . The process of characters being borrowed as loangraphs should not be conflated with
9768-557: The largest at Noyelles-sur-Mer on the Somme , where some of the fiercest battles occurred. The cemetery contains 842 gravestones each engraved with Chinese characters , guarded by two stone lions, gifts from China. After decades of neglect, the Chinese World War I labourers were ceremoniously recognized for their effort. An annual ceremony of tribute has taken place since 2002 at the cemetery at Noyelles-sur-Mer each April to coincide with
9879-488: The late Han, with its development stemming from a cursive form of neo-clerical script. Liu Desheng ( 劉德升 ; c. 147 – 188 CE) is traditionally recognized as the inventor of the semi-cursive style, though accreditations of this kind often indicate a given style's early masters, rather than its earliest practitioners. Later analysis has suggested popular origins for semi-cursive, as opposed to it being an invention of Liu. It can be characterized partly as
9990-416: The latter Chinese community. Shen Fo-tsung Michael Alphonsus Shen Fu-Tsung , SJ , also known as Michel Sin , Michel Chin-fo-tsoung , Shen Fo-tsung , or Shen Fuzong ( Chinese : 沈福宗 ; pinyin : Shěn Fúzōng ; Wade–Giles : Shen Fu-tsung , c. 1658 – 1691), was a Chinese mandarin and Jesuit from Nanjing . He was a convert to Catholicism who
10101-499: The mainstream script underwent slow, gradual evolution during the late Shang, which continued during the Zhou dynasty ( c. 1046 – 256 BCE) until assuming the form now known as small seal script ( 小篆 ; xiǎozhuàn ) within the Zhou state of Qin . Other scripts in use during the late Zhou include the bird-worm seal script ( 鸟虫书 ; 鳥蟲書 ; niǎochóngshū ), as well as
10212-548: The method by which the meaning was originally depicted, phonographs that include a phonetic component, and loangraphs encompassing existing characters that have been borrowed to write other words. Qiu also acknowledges the existence of character classes that fall outside of these principles, such as pure signs. Most of the oldest characters are pictographs ( 象形 ; xiàngxíng ), representational pictures of physical objects. Examples include 日 ('Sun'), 月 ('Moon'), and 木 ('tree'). Over time,
10323-453: The nucleus of the later Chinese community in Paris. Most who survived returned to China in 1918. However, some were trapped in France by the 30 June 1920 collapse of the Banque industrielle de Chine . An estimated ten thousand died in the war effort, victims of either shelling, landmines, poor treatment or the worldwide Spanish flu epidemic of 1918 . Their remains still lie in 30 French graveyards,
10434-458: The one previous, has been disproven by later scholarship and archaeological work. Instead, scripts evolved gradually, with several coexisting in a given area. Several of the Chinese classics indicate that knotted cords were used to keep records prior to the invention of writing. Works that reference the practice include chapter 80 of the Tao Te Ching and the " Xici II" commentary to
10545-482: The other two former French Indochina colonies, also arrived in France after this period of conflict for similar reasons. During the period, the high-rise neighbourhood in the southeast of Paris' 13th arrondissement , where the city's Quartier Asiatique (Asian Quarter) is located, saw significant population growth. The area contains many Chinese inhabitants predominantly living in high-rise apartments, in addition to large Vietnamese and Laotian communities. Similar to
10656-405: The phonetic series of characters using 余 ( yú ; jyu4 ), a literary first-person pronoun. The Old Chinese pronunciations of these characters were similar, but the phonetic component no longer serves as a useful hint for their pronunciation due to subsequent sound shifts. The phenomenon of existing characters being adapted to write other words with similar pronunciations was necessary in
10767-428: The pictograph 大 , meaning 'large', was originally a picture of a large man, but one would need to be aware of its specific meaning in order to interpret the sequence 大鹿 as signifying 'large deer', rather than being a picture of a large man and a deer next to one another. Due to this process of abstraction, as well as to make characters easier to write, pictographs gradually became more simplified and regularized—often to
10878-489: The pictorial qualities that remained in seal script. Around the midpoint of the Eastern Han (25–220 CE), a simplified and easier form of clerical script appeared, which Qiu terms 'neo-clerical' ( 新隶体 ; 新隸體 ; xīnlìtǐ ). By the end of the Han, this had become the dominant script used by scribes, though clerical script remained in use for formal works, such as engraved stelae . Qiu describes neo-clerical as
10989-527: The primary style used for characters since. Informed by a long tradition of lexicography , states using Chinese characters have standardized their forms: broadly, simplified characters are used to write Chinese in mainland China , Singapore , and Malaysia , while traditional characters are used in Taiwan , Hong Kong , and Macau . After being introduced in order to write Literary Chinese , characters were often adapted to write local languages spoken throughout
11100-457: The promotion of small seal script by the Qin dynasty (221–206 BCE). Clerical script , which had matured by the early Han dynasty (202 BCE – 220 CE), abstracted the forms of characters—obscuring their pictographic origins in favour of making them easier to write. Following the Han, regular script emerged as the result of cursive influence on clerical script, and has been
11211-529: The purely pictorial use of symbols disappeared, leaving only those representing spoken words, the process was complete. Chinese characters have been used in several different writing systems throughout history. The concept of a writing system includes both the written symbols themselves, called graphemes —which may include characters, numerals, or punctuation—as well as the rules by which they are used to record language. Chinese characters are logographs , which are graphemes that represent units of meaning in
11322-525: The quantities they represent. The Shuowen Jiezi is a character dictionary authored c. 100 CE by the scholar Xu Shen ( c. 58 – c. 148 CE ). In its postface, Xu analyses what he sees as all the methods by which characters are created. Later authors iterated upon Xu's analysis, developing a categorization scheme known as the 'six writings' ( 六书 ; 六書 ; liùshū ), which identifies every character with one of six categories that had previously been mentioned in
11433-423: The regional forms used in non-Qin states. Examples of these styles were preserved as variants in the Shuowen Jiezi . Historically, Zhou forms were collectively referred to as large seal script ( 大篆 ; dàzhuàn ), a term which has fallen out of favour due to its lack of precision. Following Qin's conquest of the other Chinese states that culminated in the founding of the imperial Qin dynasty in 221 BCE,
11544-472: The result of clerical forms being written more quickly, without formal rules of technique or composition: what would be discrete strokes in clerical script frequently flow together instead. The semi-cursive style is commonly adopted in contemporary handwriting. Regular script ( 楷书 ; 楷書 ; kǎishū ), based on clerical and semi-cursive forms, is the predominant form in which characters are written and printed. Its innovations have traditionally been credited to
11655-534: The right. It developed further during the Eastern Jin (317–420) in the hands of Wang Xizhi and his son Wang Xianzhi (344–386). However, most Jin-era writers continued to use neo-clerical and semi-cursive styles in their daily writing. It was not until the Northern and Southern period (420–589) that regular script became the predominant form. The system of imperial examinations for the civil service established during
11766-426: The same character—is often non-trivial or unclear. For example, prior to the Qin dynasty the character meaning 'bright' was written as either 明 or 朙 —with either ⽇ 'SUN' or 囧 'WINDOW' on the left, and ⽉ 'MOON' on the right. As part of the Qin programme to standardize small seal script across China, the 朙 form was promoted. Some scribes ignored this, and continued to write
11877-414: The spoken language. Some characters may only have the same initial or final sound of a syllable in common with phonetic components. A phonetic series comprises all the characters created using the same phonetic component, which may have diverged significantly in their pronunciations over time. For example, 茶 ( chá ; caa4 ; 'tea') and 途 ( tú ; tou4 ; 'route') are part of
11988-417: The surrounding southern Zhejiang province form the largest and most established Chinese community in France, with a population of about 350,000 as of 2010. The earliest Chinese migrants to France arrived in the late 19th century and consisted of Wenzhounese merchants who produced Chinese ceramics . During World War I, the vast majority of the 100,000 Chinese laborers recruited to work in France originated from
12099-579: The wars of unification. The popularity of this form grew as writing became more widespread. By the Warring States period ( c. 475 – 221 BCE), an immature form of clerical script ( 隶书 ; 隸書 ; lìshū ) had emerged based on the vulgar form developed within Qin, often called "early clerical" or "proto-clerical". The proto-clerical script evolved gradually; by the Han dynasty (202 BCE – 220 CE), it had arrived at
12210-678: Was brought to Europe by the Flemish Jesuit priest Philippe Couplet , Procurator of the China Jesuit Missions in Rome. They left Macau in 1681 and visited together Flanders, Italy, France, and England. He later became a Jesuit in Portugal and died near Mozambique while returning home. Michael Shen Fu-Tsung arrived with Philippe Couplet by boat from Portuguese Macau in October 1682. They visited
12321-518: Was so delighted by this visit that he had his portrait made, and had it hung in his bedroom. Shen Fu-Tsung was able to catalogue the Chinese books that were present in the Bodleian Library , and to describe their content, something which nobody had been able to do until then. He also showed the librarian the correct way to hold a Chinese book, starting with which way was up. Shen Fu-Tsung left England in 1688 and went to Lisbon , where he entered
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