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The Chicago Swordplay Guild is a modern school of swordsmanship and Western martial arts , and non-profit organization based in Chicago, Illinois, United States. It provides organized instruction in the study and practice of historical European swordplay , with a principal focus on the Italian school of swordsmanship and other martial arts of the 14th–17th centuries. Co-founded in 1999 by Gregory Mele and Mark Rector, the Chicago Swordplay Guild seeks to be consistent with the methodology of the ancient European fencing schools by combining scholarship and research into the teachings of the historical Masters, with the practical knowledge gained through solo and partnered drilling and fencing. Since techniques are taught in reference to how effective they would be in a real encounter, the Guild practices with an absolute emphasis on safety, control, competence, and skill at arms.

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70-561: Beginning with a small group of people interested in swordplay the Chicago Swordplay Guild today has more than 50 active members, with dues-paying individuals ranging in age from their late teens to their mid-fifties, and of which 30% are women. A cross-section of the membership includes people in fields such as law, nursing, acting, civil engineering, ichthyology, computer programming, fitness training, paleontology, library science, Renaissance clothing design, publishing, education and

140-430: A rondelle was placed just below the head. They also appear to have borne one or two rings along the pole's length as places to prevent hands from slipping. Also of note is that the butt end of the staff, opposite the weapon's head, bore a spike or shoe. On quick glance, the poleaxe is often confused with the similar-looking halberd . However, the axe blade on a poleaxe seems to have been consistently smaller than that of

210-542: A 12-page booklet entitled Swordsmanship . After returning from India in 1865, Hutton focused on the study and revival of older fencing systems and schools. He began tutoring groups of students in the art of 'ancient swordplay' at a club attached to the London Rifle Brigade School of Arms in the 1880s. In 1889, Hutton published his most influential work Cold Steel: A Practical Treatise on the Sabre , which presented

280-540: A complete martial art of a richness and complexity to stand beside any other in the world. The primary sources for the Guild's Bolognese Swordsmanship training come from five works from the 16th Century: an Anonymous text of c.1550, Antonio Manciolino ( Opera Nova , 1531), Achille Marozzo ( Opera Nova , 1536), Angelo Viggiani ( Lo Schermo , written c. 1550 and published posthumously in 1575) and Giovanni Dall'Agocchie ( Dell'arte di Scrimia , 1575). All of these texts share

350-843: A consistency of terminology and curriculum that is traced to the most famed teacher of the tradition, Guido Antonio de Luca, from whose school came masters Antonio Manciolino and Achille Marozzo , and the famed condottiero , Giovanni de Medici . The Chicago Swordplay Guild's rapier curriculum is drawn from the great Italian masters of the turn of the 17th century, particularly the work of Grand Master Salvator Fabris (1544–1618) from Padua, Italy . The roster of Fabris' notable students included Prince-Archbishop John Frederick of Bremen and Christian IV, King of Denmark , under whose patronage he published his exceptional rapier-fencing manual Lo Schermo, overo Scienza d'Arme ("on fencing, or martial knowledge"). After completing two introductory classes in their weapon of choice, candidates are invited to join

420-698: A detailed, structured curriculum that focuses on the Italian school of swordsmanship of the 14th–17th centuries. This curriculum is divided into three courses of study; medieval swordsmanship , or armizare , Bolognese fencing , and late Renaissance rapier fencing . The medieval martial arts curriculum is primarily based upon the surviving records of the tradition founded by the Friuli master at arms, Fiore dei Liberi (1350?-1410?). Maestro dei Liberi gave no formal name to his school or his martial art, simply calling it l'arte dell'armi or armizare ("the art of arms"). His art

490-432: A form of eskrima using a curved single-edge sword. Soldiers in ancient Indian subcontinent are recorded as carrying a shield and spear in their hands while a sword, dagger, and battle-axe were held at the waist. These included both straight swords and slightly curved sabres. The stout, straight sword appears to have been common and can be seen in early sculptural depictions of the epics . The hero Arjuna , for instance,

560-444: A halberd. A smaller head concentrates the kinetic energy of the blow on a smaller area, enabling the impact to defeat armour, while broader halberd heads are better against opponents with less mail or plate armour. Furthermore, many halberds had their heads forged as a single piece, while the poleaxe was typically modular in design. The poleaxe was usually used by knights and other men-at-arms while fighting on foot. The poleaxe has

630-511: A high level of skill. Actor Errol Flynn became known for his sword-fighting scenes, such as in The Adventures of Robin Hood (1938). Other examples include The Princess Bride (1987), Rob Roy (1995), and Die Another Day (2002). The sword in ancient Egypt was known by several names, but most are variations of the words sfet , seft or nakhtui . The earliest bronze swords in

700-483: A nonlethal manner led fencing and swordsmanship to include a sport aspect from its beginnings, from before the medieval tournament right up to the modern age. The shift towards fencing as a sport rather than as military training happened from the mid-18th century, and was led by Domenico Angelo , who established a fencing academy, Angelo's School of Arms, in Carlisle House , Soho , London in 1763. There, he taught

770-480: A number of books and essays on European swordplay. The Chicago Swordplay Guild maintains close fraternal ties to many different Western martial arts organizations. The following organizations are those with whom the Guild collaborates to share resources and research and to cross-pollinate curriculum and methodology. Swordplay Swordsmanship or sword fighting refers to the skills and techniques used in combat and training with any type of sword . The term

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840-648: A pair did occur. While earlier tachi were primarily intended to be used from horseback and were thus worn with the edge facing down, the later katana was worn with the edge facing upwards; this simple alteration allowed the wielder to transition immediately from a draw directly into an attack without needing to first re-orient their weapon or body, proving to be a more efficient and practical optimization tailored toward melee combat scenarios (which were becoming more common than mounted combat at that time). Entire systems have been based on this technique and are known as iaido , iaijutsu , battodo , or battojutsu . Because of

910-563: A rectangular shield called the kalasag . During the Battle of Mactan , Lapu-Lapu 's tribe used native swords and spears to defeat Ferdinand Magellan's troops who were armed with guns and cannons. The arrival of European colonists brought the influence of western swords, which is likely the origin of the pinuti 's hand-guard and sabre-like blade. When the Philippines was colonized by the Spaniards,

980-512: A shield as a parrying tool or a second sword. Dual-wielding is thus a common and valued skill in the Indian subcontinent. Sparring is done through an exercise called gatka , in which the practitioners fight with wooden sticks to simulate swords. Swords in the Middle East evolved from daggers and sickles. They were originally made of copper, followed by bronze and finally iron. Among communities such as

1050-408: A shield or buckler but could also be wielded on their own. Sword fencing and sword dances are still practiced in much of the Middle East. In countries like Oman the weapon is typically paired with a shield or sometimes a dagger, of which many varieties exist. The spread of Islam was a unifying force in the Middle East, easing trade routes across the region. Armouries flourished and Damascus became

1120-619: A shorter gladius than the military. The spatha was a longer double-edged sword initially used only by Celtic soldiers, later incorporated as auxilia into Roman Cavalry units; however by the 2nd century A.D. the spatha was used throughout much of the Roman Empire . The Empire's legionary soldiers were heavily trained and prided themselves on their disciplinary skills. This probably carried over to their training with weaponry, but we have no Roman manuals of swordsmanship. One translation of Juvenal's poetry by Barten Holyday in 1661 makes note that

1190-419: A sophisticated fighting technique, which is based on quarterstaff fighting. The blade of the poleaxe can be used, not only for simply hacking down the opponent, but also for tripping him, disarming him and blocking his blows. Both the head spike and butt spike can be used for thrusting attacks. The shaft itself is also a central part of the weapon, able to block the enemy's blows (the langets helping to reinforce

1260-413: A sport." As fencing progressed, the combat aspect slowly faded until only the rules of the sport remained. While fencing taught in the late 19th and early 20th centuries was intended to serve both for competition and the duel (while understanding the differences between the two situations), the type of fencing taught in a modern sport fencing salle is intended only to train the student to compete in

1330-404: A sporting encounter but would leave them defenseless against a counterthrust , even from a mortally wounded opponent, in a duel with lethal weapons. The development of the first touch rule itself was, in turn, driven by the increasing tendency of duels to be fought to draw first blood, rather than the death, with the result that training for a first touch could result in victory in a duel as well as

1400-569: A sporting encounter, even without killing or disabling the opponent. As early as 1880, attempts were made to recreate the older German, Italian, and Spanish schools of swordsmanship. The movement was led in England by the soldier, writer, antiquarian, and swordsman, Alfred Hutton . In 1862, he organized in his regiment stationed in India the Cameron Fencing Club, for which he prepared his first work,

1470-488: A standardized military discipline. Along with other martial systems, forms of swordsmanship were formalised in the military manual Muyejebo (1610) based on Qi Jiguang 's Ji Xiao Xin Shu , and in the revisions, Muyesinbo (1759) and Muyedobotongji (1790). The Muyedobotongji also describes standard lengths and weights of the swords used; while not exclusive to swordsmanship, 8 of the 23 chapters are devoted to it, reflecting

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1540-428: A wooden haft some 1.5–2 m (4.9–6.6 ft) long, mounted with a steel head. It seems most schools of combat suggested a haft length comparable to the height of the wielder, but in some cases hafts appear to have been created up to 2.5 m (8.2 ft) in length. The design of the head varied greatly with a variety of interchangeable parts and rivets. Generally, the head bore an axe head or hammer head upon

1610-480: Is currently being reconstructed. At present, sword training includes the single sword, two swords, and the sword with a shield. Among the Assyrians and Hittites , the sword or namsaru was long with a slender blade. In the ancient Middle East, swords were always a secondary weapon. Assyrians made extensive use of the sword and dagger in hand-to-hand combat; the primary weapons were the bow, spear, and sling. Prior to

1680-567: Is known about early medieval fencing techniques save for what may be concluded from archaeological evidence and artistic depiction (see Viking Age arms and armour ). What little has been found, however, shows the use of the sword was limited during the Viking age, especially among the Vikings themselves and other northern Germanic tribes. Here, the spear, axe, and shield were prominent weapons, with only wealthy individuals owning swords. These weapons, based on

1750-466: Is made to wield a one-handed sword with a bevelled point, a small handguard, and a large round pommel. Two-handed swords naturally had longer handles and were broad at the hilt. Curved swords are also known to have been in common use since at least the Buddhist era, including large kukri -like falchions. The most common type of curved sword is the katti , which still occurs under various names everywhere from

1820-548: Is modern, and as such was mainly used to refer to smallsword fencing , but by extension it can also be applied to any martial art involving the use of a sword. The formation of the English word "swordsman" is parallel to the Latin word gladiator , a term for the professional fighters who fought against each other and a variety of other foes for the entertainment of spectators in the Roman Empire . The word gladiator itself comes from

1890-509: Is possible that the Italian fencing treatise Flos Duellatorum , written by the Italian swordmaster Fiore dei Liberi around 1410, has ties to the German school. During this period of time, the longsword grew out of the arming sword, eventually resulting in a blade comfortably wielded in both hands at once. Armour technology also evolved, leading to the advent of plate armour , and thus swordsmanship

1960-516: Is preserved in the manuscripts he left behind, all entitled il Fior di Battaglia (the Flower of Battle). The style of Dei Liberi outlived the founder due to the surviving manuscript of another master-at-arms, separated from dei Liberi by two to three generations of time. This later master, Filippo Vadi , is known through the treatise he penned c. 1482 entitled De Arte Gladiatoria Dimicandi (also "the art of arms"). Between these two men, we have today

2030-473: Is the Agni Purana , which gives 32 positions to be taken with the sword and shield. Indian swordplay is highly athletic, taking advantage of the weapon's lightweight. Techniques make extensive use of circular movements, often circling the weapon around the swordsman's head. Systems exist which focus on drawing the sword out of the opponent's body. The attacking weapon is rarely used for blocking, relying either on

2100-476: Is the last major account of the German school, and its context is now almost entirely sportive. The use of the longsword continued to decline throughout the Renaissance period, marked by the increased effectiveness of the arquebus and the use of pike squares as a powerful implement of battle. During this time, civilian swords evolved to side-swords , also known as "cut and thrust" swords, and progressed towards

2170-591: The Chinese system , the others being the staff and spear . The order in which these weapons is taught may vary between schools and styles, but the jian is generally taught last among the four. The sword has long held a significance in Japanese culture from the reverence and care that the samurai placed in their weapons. The earliest swords in Japan were straight, based on early Chinese jian . Curved blades became more common at

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2240-595: The Persians and Hebrews , the sword was short and equivalent to the Roman gladius . There did however exist longswords, slightly curved swords, and sickle-like swords similar to the Egyptian khopesh . Some blades were of such varying sizes that it is difficult to classify them as either daggers or swords, and they are thus referred to by archaeologists as dagger-swords.In modern Iran , traditional Persian armed combat called razmafzar

2310-489: The aristocracy the fashionable art of swordsmanship which they had previously had to go the continent to learn, and also set up a riding school in the former rear garden of the house. He was fencing instructor to the Royal Family . With the help of artist Gwyn Delin, he had an instruction book published in England in 1763, which had 25 engraved plates demonstrating classic positions from the old schools of fencing. His school

2380-464: The rapier and civilian dueling , took the forefront. The compendium compiled by Paulus Hector Mair in the 1540s looks back to the preceding century of work and attempts to reconstruct and preserve a failing art. The treatise by Joachim Meyer , dating to the 1570s and notable for its scientific and complete approach to the style (it is suggested that Meyer's students came to him with less military knowledge and therefore required more basic instruction),

2450-463: The 16th century with the advent of firearms . The last prominent battlefield sword to be used was the backsword . Although it was not a new invention, it managed to outlast other forms of war swords, being used by cavalry units and officers. The power, accuracy, and reliability of firearms continued to improve, however, and soon swords had little place on the battlefield aside from ceremonial purposes. The preferred civilian dueling weapon shifted from

2520-480: The 1890s, both in order to benefit various military charities and to encourage patronage of the contemporary methods of competitive fencing. Exhibitions were held at the Bath Club and a fund-raising event was arranged at Guy's Hospital . Despite this revival, the practice died out soon after the death of Hutton in 1910. Interest in the physical application of historical fencing techniques remained largely dormant during

2590-432: The 30 cm (12 in) shortsword and the standard sword with a blade measuring 76–90 cm (30–35 in) had a cylindrical pommel. The latter weapon was wielded with both hands like a quarterstaff. Chinese speakers make a clear distinction between a "sword" (double-edged) and a "knife" (single-edged). In Chinese culture the double-edged sword or jian is considered a master's weapon or gentlemen's weapon, both from

2660-430: The Chicago Swordplay Guild. In addition to intermediate to advanced techniques in the Italian medieval longsword and Italian Renaissance rapier , Chicago Swordplay Guild members move into the study of historical Italian combat techniques such as medieval grappling (close quarters combat), dagger combat , arming sword , spear and pollaxe . Members of the medieval arts also train in armored combat. Two female members of

2730-733: The Guild currently study the art of medieval mounted combat as taught by the 15th century master at arms, Fiore dei Liberi . The Chicago Swordplay Guild offers 12-week class sessions in swordsmanship , including Introduction to the medieval Longsword and Introduction to the Renaissance Rapier , year-round through the Chicago Park District , the College Of DuPage and other locations in the Chicago metropolitan area . The Guild and its founders have been active in growing and educating

2800-618: The Latin word gladius , which is a type of sword. The Roman legionaries and other forces of the Roman military , until the 2nd century A.D., used the gladius as a short thrusting sword effectively with the scutum , a type of shield , in battle. According to Vegetius , the Romans mainly used underhanded stabs and thrusts, because one thrust into the gut would kill an enemy faster than slashes or cutting. However, some depictions of Roman soldiers show them using slashing and cuts. Gladiators used

2870-547: The Medieval Age. Some time after this evolution, the earliest known treatises ( Fechtbücher ) were written, dealing primarily with arming sword and buckler combat. Among these examples is the I.33 , the earliest known Fechtbuch . The German school of swordsmanship can trace itself most closely to Johannes Liechtenauer and his students, who later became the German masters of the 15th century, including Sigmund Ringeck , Hans Talhoffer , Peter von Danzig and Paulus Kal . It

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2940-491: The Roman trainees learned to fight with the wooden wasters before moving on to the use of sharpened steel. In fact, it is also found that Roman gladiators trained with a wooden sword, which was weighted with lead, against a straw man or a wooden pole known as a palus (an early relative of the later wooden pell ). This training would have provided the Roman soldier with a good foundation of skill, to be improved upon from practical experience or further advanced training. Little

3010-494: The capital for trade in swords from Syria , Persia and Spain . The 9th-century Muslim scholar Al-Kindi studied the craft of forging swords and found 25 sword-making techniques particular to their countries of origin, including Yemen, Iran, France, and Russia. The curved scimitar blade which has now come to typify Middle Eastern swords came about after the Turkish Seljuk migration from Central Asia to Anatolia, popularizing

3080-502: The case of pharaohs. The blade may be edged on one or both sides, and was made from copper alloy, bronze, iron, or blue steel. The double-edge grip-tongue sword is believed to have been introduced by the Sherden and became widely dispersed throughout the Near East . These swords are of various lengths, and were paired with shields. They had a leaf-shaped blade, and a handle which hollows away at

3150-458: The centre and thickens at each end. Middle Eastern swords became dominant throughout North Africa after the introduction of Islam, after which point swordsmanship in the region becomes that of Arabian or Middle Eastern fencing. Among some communities, swords were restricted to royalty or tribal leaders. Forms vary from one area to another, such as the billao of Somalia, boomerang-sword in Niger or

3220-449: The considerable skill required to fight with this weapon and from the fact that commanders of armies favored the jian in order to move easily amongst the troops. It is described in Chinese as the "delicate lady" of weapons, and is traditionally considered the weapon most suitable for women. A single edged sword is referred to as a dao . The jian and dao are among the four main weapons taught in

3290-493: The country date back 4000 years. Four types of sword are known to have been used: the ma or boomerang-sword based on the hunting stick, the kat or knife-sword, the khopesh or falchion based on the sickle, and a fourth form of straight longsword. The khopesh was used region-wide and is depicted as early as the Sixth Dynasty (3000 BC). It was thick-backed and weighted with bronze, sometimes even with gold hilts in

3360-407: The damaging 'face', with a spike, hammer, or fluke on the reverse. In addition, there was a spike or spear head projecting from the end of the haft which was often square in cross section. The head was attached to the squared-off wooden pole by long flat strips of metal, called langets , which were riveted in place on either two or four of its sides to reinforce the pole. A round hilt-like disc called

3430-442: The danger in training with real swords, practitioners since the 18th century have trained with wooden swords ( bokken or bokutō ) or bamboo swords ( shinai ) while wearing body armour. After the carrying of swords in public became illegal, this resulted in the modern sport of kendo . Some ancient schools still exist along with some more modern schools. Many schools also focus almost exclusively on swordsmanship which grew from

3500-461: The deep south to the far northeast. The handle, in particular, has changed over time, eventually incorporating a crossguard. The 16th-century Mughal conquests spread the talwar and similar weapons throughout the north, northwest and central regions. The talwar is still the most common form of sword in the martial arts of these areas, but the older katti is still used in some advanced forms. The earliest extant manual on ancient Indian swordsmanship

3570-482: The early Germanic spatha , were made very well. The technique of pattern welding of composite metals, invented in the Roman Empire around the end of the 2nd century A.D., provided some of these northern weapons superior properties in strength and resilience to the iron gladius of early Rome. As time passed, the spatha evolved into the arming sword , a weapon with a notable cruciform hilt common among knights in

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3640-459: The end of the 8th century, with the importation of the curved forging techniques of that time. The shape was more efficient when fighting from horseback. Japanese swordsmanship is primarily two-handed wherein the front hand pushes down and the back hand pulls up while delivering a basic vertical cut. The samurai often carried two swords, the longer katana and the shorter wakizashi , and these were normally wielded individually, though use of both as

3710-649: The fine arts. The principal training venue is Forteza Fitness and Martial Arts located in the Ravenswood neighborhood on Chicago's near northside, Forteza is an almost 5,000 sq ft (460 m) facility that was designed and built specifically for the study of western martial arts. The Chicago Swordplay Guild also has sister schools operating in Milwaukee, Wisconsin (Chicago Swordplay Guild North) and Denver, Colorado (Rocky Mountain Swordplay Guild). The Guild has

3780-594: The first half of the 20th century, and only revived near the end of the 20th century. Practitioners of modern fencing, who were unsatisfied with the exclusive sports emphasis that modern fencing had, took steps to preserve the principles of dueling and fencing as practiced in the 19th and early 20th centuries. Classical fencing uses the foil, épée, and sabre according to these older practices. Fencing and sword fighting have been incorporated into films as part of cinematic action sequences. Usually choreographed, these scenes are designed for entertainment but often demonstrate

3850-543: The founding of Islam, swords were imported from Ubulla , a town along the Tigris river in Iraq . Arabian swords retained their straight double-edge shape during the time of Muhammed . With the exception of their curved handles, they were nearly identical to medieval European arming swords in both function and design. They typically had a cruciform hilt and favoured cut and thrust techniques. Swords of this type were often paired with

3920-466: The health and sporting benefits of fencing more than its use as a killing art, particularly in his influential book 'L'École des armes ( The School of Fencing ), published in 1763. According to the Encyclopædia Britannica , "Angelo was the first to emphasize fencing as a means of developing health, poise, and grace. As a result of his insight and influence, fencing changed from an art of war to

3990-439: The historical method of military sabre use on foot, combining the 18th century English backsword with modern Italian duelling sabre . Hutton's pioneering advocacy and practice of historical fencing included reconstructions of the fencing systems of several historical masters including George Silver and Achille Marozzo . He delivered numerous practical demonstrations with his colleague Egerton Castle of these systems during

4060-639: The international western martial arts community. Beginning in fall 1999, the Guild has hosted the biannual Western Martial Arts Workshop), an ever-growing weekend symposium of researchers, instructors and students from the United States, Canada, Europe, Australia and New Zealand. The Chicago Swordplay Guild has also been in the forefront of new publications in the Historical European Swordsmanship movement. Co-founders Gregory Mele and Mark Rector have been prolific researchers and have published

4130-414: The most effective manner within the rules of the sport. As this evolution has continued, the training and techniques have become increasingly further removed from their martial roots . One driving force behind this evolution is sport fencing's award of a point to the fencer who scores the first touch with right of way; this encourages the competitors to use scoring techniques that result in a first touch in

4200-466: The needs of the era when guns had not yet matured enough for short-range combat. Swords in the Philippines come in a variety of forms but are traditionally consistent with the straight or lightly curved cutting type used by the tribes of neighbouring Borneo and Taiwan. This is preserved in the design of the kampilan and the dahong palay , though other forms also existed. They were typically paired with

4270-404: The noble families' patronage of certain teachers. The earliest Korean swords were straight double-edge blades derived from the Chinese jian . As Korean warfare favoured mounted combat, the curved single-edge sword was found to be more effective from horseback. Joseon 's centralized government and the need to fend off frequent foreign invasions were conducive to the development of swordsmanship as

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4340-472: The pre-existing Byzantine sabre designs for cavalry use, which influenced the entire region. The curved blade was well-suited to the equestrian culture of the Turks. The scimitar gave primacy to hacking and slashing techniques rather than thrusting. Western swordsmanship Asian swordsmanship Poleaxe The poleaxe (also pollaxe , pole-axe , pole axe , poleax , polax ) is a European polearm that

4410-450: The rapier to the faster but shorter smallsword , and eventually shifted totally away from swords to the pistol , following developments in firearm technology. The civilian affair of dueling was banned in most areas, but persisted to some degree regardless of law, until well into the 20th century. The German school of swordsmanship, in general, faced a decline during the Renaissance as the Italian and Spanish schools, which tilted more toward

4480-430: The shaft), hit and push with the shaft held in both hands, or trip the opponent. Many treatises on poleaxe fighting survive from the 15th and 16th centuries. Poleaxe fighting techniques have been rediscovered with the increasing interest in historical European martial arts . Today the poleaxe is a weapon of choice of many medieval re-enactors. Rubber poleaxe heads designed for safe combat are available commercially. As

4550-543: The single-edge swords of the Gold Coast . The Abyssinian shotel took the form of a large sickle, like the Egyptian khopesh, with a small 10 cm (3.9 in) wooden handle. The edge was on the inside of the blade, which has a mid-rib running along its entire length. Double-edge swords similar to those of Europe and ancient Arabia occurred in some areas such as the takoba and kaskara . Two types of sword existed in Zanzibar :

4620-480: The thicker, tapering sword that eventually became the 17th century rapier . This new weapon was popular for both protection on the street and as a tool in the duel , but found little success on the battlefield. The Italian, French, and Spanish schools embraced this change in civilian armament and developed systems of rapier fencing. The German school, however, provides little on this weapon and ceases its prevalence thereafter. The need to train swordsmen for combat in

4690-629: The use of traditional swords and weapons was immediately banned. Because of this, the Filipinos were forced to use their own farm tools to fight in rebellions. And in the following insurgencies against other foreign colonists like America and Japan, they were again forced to use these improvised weapons. During the Japanese occupation, because of scarce ammunition to fight the Japanese, the Filipinos used guerrilla attacks with their melee weapons and swords in raiding Japanese camps. Filipino swordplay relies heavily on speed, and even today Filipino marines train in

4760-414: Was used by medieval infantry . Most etymological authorities consider the poll - prefix historically unrelated to "pole", instead meaning "head". However, some etymologists, including Eric Partridge , believe that the word is derived from "pole". The poleaxe design arose from the need to breach the plate armour of men at arms during the 14th and 15th centuries. Generally, the form consisted of

4830-445: Was further pressed to meet the demands of killing a very well protected enemy. For much of the early medieval period, the sword continued to remain a symbol of status. During later years, production techniques became more efficient, and so, while the sword remained a privilege, it was not so heavily confined to only the richest individuals, but rather to the richest classes. The military importance of swordsmanship rapidly diminished in

4900-419: Was run by three generations of his family and dominated the art of European fencing for almost a century. He established the essential rules of posture and footwork that still govern modern sport fencing , although his attacking and parrying methods were still much different from current practice. Although he intended to prepare his students for real combat, he was the first fencing master yet to emphasize

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