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37-755: Deering Library houses the Northwestern University Archives on the first floor, the Music Library on the second floor, and both the Art Collection and the Special Collections Department on the third floor. The library is named for Charles Deering , a Northwestern benefactor and chairman of International Harvester , who provided the initial financing for the building. Deering Library succeeded Lunt Library (now Lunt Hall) as Northwestern's principal library. Built in 1894, Lunt Library

74-585: A cappella rendition of the well-known song, " Amazing Grace ". The strong audience response led Schwartz and other performers to close subsequent sets the same way, and soon the whole audience was singing what had now become the club's nightly finale. The song christened both the coffeehouse and the collective. In the Fall of 1972 the University re-appropriated the Scott Hall basement for office space. Amazingrace moved to

111-650: A collective called the Amazingrace Family, it was known for its welcoming atmosphere, eclectic menu, excellent sound system, and respectful audiences. Amazingrace was the top music club in the Chicago Reader poll 1973-1975, plus Number 3 in the 1975 wrap-up of "Who's Who in Chicago's Alternative Culture". Performers from a wide variety of genres (including blues, bluegrass, folk, funk, rock, jazz, comedy, spoken word, and theater) played at Amazingrace from its beginning on

148-786: A house, he called Amazingrace and asked if they could quickly book him in. The four resulting sold-out shows became known as the "Let's Buy Steve a House" gig. Shortly afterwards, when the washing machine at Crain Street broke down, Goodman had his road manager Steve Cohen buy the collective a new one. "That," says Cohen, "was the Steve Goodman Memorial Washing Machine." Continuing the coffeehouse tradition established at Scott and Shanley Halls, Amazingrace at The Main also presented film, lecture, theater, comedy and poetry. Steve Martin played his first Chicago-area comedy shows at Amazingrace. Henny Youngman and Proctor and Bergman of

185-503: A small 4-unit apartment building on Crain Street in Evanston, thereby adhering to the city's occupancy regulations. They partnered with Evanston architect Ed Noonan to create the next incarnation of Amazingrace at The Main, Noonan’s new mixed-use development at 845 Chicago Avenue in Evanston. Amazingrace was now located much closer to Chicago, and was right across the street from a Chicago Transit Authority "El" train station. The new venue

222-636: The Daily Northwestern , the school newspaper, and the Syllabus, the student yearbook. The University Archives holds a considerable body of biographical materials relating to Northwestern faculty, staff, alumni, and others associated with the university. The department also holds a considerable volume of material relating to campus culture including photographs documenting all manner of school activities. Student diaries, scrapbooks, and curricular materials are well represented. The University Archives also holds

259-538: The 1200+-seat Cahn Auditorium and the 8000-seat McGaw Hall (now Welsh-Ryan Arena ). Here it presented shows by Taj Mahal , Leo Kottke , John Fahey , John Prine , Commander Cody and His Lost Planet Airmen , John McLaughlin and the Mahavishnu Orchestra , Steve Goodman , and The Grateful Dead . The Grateful Dead concert at McGaw is well remembered for two reasons. First, the band took an unusually long set break of close to an hour. The second notable element

296-541: The Campus Strike ran a spontaneous food service to student protesters from Scott Hall, in addition to holding organizing meetings and providing music. The Strike protested the killing of four college students at Kent State and two students at Jackson State on May 4, 1970. The idea for a permanent student coffeehouse coalesced when, post-Strike, university officials finally closed the Scott Hall Grill. Students formed

333-614: The City of Evanston, Amazingrace severed ties with Northwestern, moved out of Colfax Street, and fragmented as a group. Several members went off to new ventures outside of the music business. Five members headed west to Eugene, Oregon , where they lived and worked for the next two years as Amazingrace "West," producing and promoting shows by Mimi Fariña , Bryan Bowers , John Prine , Sam Leopold , and Turkey Run. They also worked with Eugene's W.O.W. Hall , supplying sound equipment and bookings assistance. Six members stayed in Evanston. They took over

370-633: The Evanston chapter of the American Civil Liberties Union (ACLU) to challenge the ordinance. However, both parties agreed to drop the effort in April 1974, when the Supreme Court of the United States upheld the constitutionality of this type of ordinance in the similar case of Village of Belle Terre v. Boraas . In late 1974, after years of disagreement and conflict with both Northwestern and

407-705: The Firesign Theatre played to sold-out shows. Charles Bukowski , Anne Waldman , and US Poet Laureate Mark Strand appeared as part of the No Mountains Poetry Project readings and broadsides series. Allen Ginsberg read in a benefit performance for Rangjung Rigpe Dorje , the 16th Gyalwa Karmapa . In 1976 the Piven Theatre Workshop chose Amazingrace as the rehearsal and performance space for its unique combination of story-telling and improvisational theatre . This allowed Amazingrace to host

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444-568: The Scott Hall Grill Committee, which then successfully requested permission from the Associated Student Government to run a food service, gathering, and entertainment space in the basement of 601 University Place. At the same time, these students formed a communal living situation in an empty University housing apartment on Sherman Avenue. The coffeehouse in the basement was a hit, often selling out of lunch and packing

481-482: The Varsity Theater and Pick-Staiger Concert Hall through the early 1980s. Although the last venue owned by Amazingrace closed in 1978, its legacy and influence survive. FitzGerald’s Nightclub , The Morse Theater Project, and Evanston S.P.A.C.E. all cite Amazingrace as their model and inspiration. Amazingrace Reunions are held semi-regularly. The first was in 1988 at Shanley Hall in Evanston. The 2004 reunion

518-819: The booking roster expanded to include more jazz. Established masters Sonny Rollins , Charles Mingus , Eddie Harris and McCoy Tyner played repeat engagements. Rollins came out of retirement to play the venue; the jazz great Bill Evans played there as well. Amazingrace also became the go-to venue for the next generation of upcoming jazz artists, including pianist Keith Jarrett , the Paul Winter Consort , Anthony Braxton , Jack DeJohnette , Simon & Bard , Miroslav Vitouš , Oregon , vibraphonist Gary Burton , bassist Steve Swallow , drummer Bob Moses and guitarist Pat Metheny . Avant-garde jazz artists such as Fred Anderson , Sun Ra , Douglas Ewart and Billy Brimfield performed there frequently. In addition to jazz,

555-456: The building was provided by the family of Charles Deering, who donated $ 1 million for the building. Before his death, Deering had endowed a professorship in botany , and his father, William Deering, had donated Fisk Hall, another building on the Evanston campus. In 2013, the library underwent a $ 2.5 million renovation that began with restoring the West Entry where the main doors were located,

592-642: The campus of Northwestern University until its final incarnation at The Main on Chicago Avenue in Evanston. Amazingrace's beginning tracks with the Moratorium to End the War in Vietnam movement, and was closely associated with the cultural and political ferment of the 1960s and 1970s. Even before there was a coffeehouse, independent students were protesting the inadequacy of the gathering and food space available in Scott Hall at Northwestern University. In May 1970, participants in

629-445: The carpeted floor. The sound system featured Electro-Voice Sentry III studio monitor speakers, Dynaco Stereo 400 amplifiers, an Allen & Heath soundboard, and Amazingrace’s own house-brand Earworks 24-band graphic equalizer. A Colortran lightboard and theatrical-quality lighting instruments complemented the sound system and heightened the performance experience. Reviewers noted that performers got "a warm reception...enhanced by

666-495: The delays, the consensus of reviewers was that the sound and set list were amazing. Despite these larger productions, Amazingrace maintained its coffeehouse tradition of broad cultural programming and community participation. It developed its own ticketing system, designed and printed its own posters, and cooked lunch and dinner for its patrons and performers. Amazingrace hosted poetry readings, anti-war rallies, films, and photography shows. It also continued to invite guest cooks into

703-460: The ever-increasing common maintenance charges and heating bills that Heil, Heil, Smart & Golee (The Main’s management firm) imposed. In 1978 Amazingrace was late on a rent payment, but was able to negotiate a settlement with Heil, Heil, Smart & Golee. Despite meeting the terms of the settlement, the management firm subsequently ordered Amazingrace to leave The Main. Citing high costs and unresponsive management, several other stores left during

740-627: The first performances of those who would become the next great generation of Chicago actors. Performers at that time included Jeremy Piven , John Cusack , Roseanne Arquette , Aidan Quinn , Lili Taylor , and Joan Cusack . Once again, however, Amazingrace's popularity, artistic success, and commitment to low prices for the community came at a cost. Finances were a challenge. The collective members needed day jobs to help cover their own living expenses. Lack of liquor and food sale income made it hard to have sufficient cash flow to pay rent, electricity, advertising, and performers. Additional pressure came from

777-499: The glass windows picture shields of other universities. The wood and stone carvings were made by the sculptor Rene Paul Chambellan . The Bulletin of the American Library Association said of the wood carvings: "Captivating pelicans, pompous owls, and mischievous monkeys peer at one from decorous perches, refreshingly reminding one that the environment of scholarship need not necessarily be solemn." The initial funding for

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814-441: The group's new communal living situation at Colfax Street in Evanston. A dozen people resided at Colfax Street, in addition to the frequent touring musicians, poets, and yippies who could always find a meal and a bed in the basement. This style of occupancy put the house in violation of the Evanston exclusionary zoning ordinance that disallowed more than three unrelated people living together. In response, Amazingrace partnered with

851-781: The history of its host institution, Northwestern University . The University Archives serves as the repository for both non-current official Northwestern University records and a wide variety of other material including the papers of individual faculty members, the records of student organizations, holdings which pertain to individual students and alumni, photographs, and artifacts. The University Archives' holdings are open for research and reference use and are non-circulating. The collection includes well over 1,000 separate University-generated serial publications including newsletters of student organizations, official departmental reports, and catalogs and bulletins from each of Northwestern's schools and colleges. Of particular interest are complete runs of

888-591: The kitchen. The kitchen served as an informal green room for the musicians, with the exception of the preeminent American folk musician Odetta . For Odetta, the women's bathroom was commandeered as a true dressing room, and the men's toilet became unisex for the duration of each of her engagements. "The ambiance was very special there," recalled Bob Gibson , who recorded live at Amazingrace. "We knew it would be really high energy performing." Success brought Amazingrace increased visibility, and with that increased visibility came two significant problems. The first problem

925-679: The larger Shanley Hall, which doubled the coffeehouse’s seating capacity to 200. Shanley Hall, a Quonset hut , was built after World War II to make classrooms for increased students due to the G.I. Bill . Amazingrace began to book touring national acts such as Phil Ochs , David Bromberg , Mimi Fariña , Jaime Brockett , John Hartford , Norman Blake , Ry Cooder , Mike Seeger , and Vassar Clements . These touring acts were then complemented by local opening acts and headliners such as Luther Allison , Claudia Schmidt , Tom Dundee , Bonnie Koloc and Redwood Landing . In addition to Shanley Hall, Amazingrace also had access to larger campus venues such as

962-566: The lobby, and the outside place, as well as adding accessible-entry routes. The library renovation received an award for "Devine Detail" from the Chicago chapter of the American Institute of Architects in 2013 and a Palladio Award for "Restoration and Renovation" in 2016. Northwestern University Archives The Northwestern University Archives , established in 1935, holds thousands of cubic feet of material pertaining to every aspect of

999-573: The new Library to the old. The site chosen for Deering Library had previously been occupied by Heck Hall, a dormitory which burned down in 1914. The library was designed by the architect James Gamble Rogers in Collegiate Gothic style. Building began in 1931, the cornerstone was laid in 1932, and the building opened in 1933. The structure is composed of Lannon stone and was modeled after King's College Chapel at Cambridge University . It contains 68 stained glass windows by G. Owen Bonawit ; many of

1036-426: The open, relaxed atmosphere of the two-tiered club and the clean, open amplification." Live and recorded concert broadcasts on radio stations continued to be a staple, as they had at Shanley Hall. The Midnight Special , a popular folk program on Chicago's fine arts station WFMT-FM , frequently featured Amazingrace shows, as did rock station WXRT-FM and Northwestern University station WNUR-FM . During this period

1073-410: The place being busted". Then, on November 6, 1973, the City of Evanston added additional pressure when it warned the University that by allowing Amazingrace to carry on, Northwestern was in violation of a zoning regulation that prohibited commercial business operations on University-owned land. Amazingrace's second big problem during this time was also with the city of Evanston, but this issue involved

1110-458: The records, including the poster collection, of Amazingrace Coffeehouse . The University Archives maintains thousands of motion picture films, videotapes, and audio recordings of Northwestern events. Amazingrace Coffeehouse Amazingrace Coffeehouse (later known as Amazingrace ) was an influential counterculture music and performance venue in Evanston, Illinois , during the 1970s. Run by

1147-810: The room for evening music. Student volunteers made daily runs to Chicago's South Water Market for fresh produce. Patrons sat on the floor at cable spool tables to eat granola, chicken soup and soy loaf. Anyone with a good recipe that could cheaply serve 400 was invited to take a turn at cooking. Performers such as Bill Quateman and Fred Anderson came in to play, and patrons passed the hat to pay them. The as-yet unnamed venue also presented outdoor concerts, sponsored art shows, and hosted an alternative free school , whose offerings included " Street Medicine ", " Alternative Structures : From Plastic Bag to Geodesic Dome ", " Meher Baba ", and "Computer Programming for Freaks". The venue received its name when folk duo Norman Schwartz and Carla Reiter started ending their set with an

Deering Library - Misplaced Pages Continue

1184-461: The same time. Amazingrace at The Main put on its last show on July 31, 1978, in a raucous 4-day weekend featuring Jim Post, Corky Siegel, Tom Dundee , and Steve Goodman, with fans, musicians, and former collective members attending from all over the country. The final song, sung from the stage with audience participation, was “Amazing Grace.” The Evanston members continued on as Amazingrace and produced several shows in other local venues such as

1221-524: The total range of presentations also grew. Amazingrace hosted national acts from the folk, country, blues, funk, soul, rock, swing, and bluegrass traditions. Randy Newman , The Persuasions , Jimmy Buffett , New Grass Revival , Tom Rush , Emmylou Harris , Jerry Jeff Walker , Fairport Convention with Sandy Denny , Doc Watson and Merle Watson , Mary Travers , Terry Callier and John Hiatt played there. Relationships with performers were personal. For example, when Steve Goodman needed money to purchase

1258-416: Was 3297 square feet. It had neither kitchen facilities for food service nor a liquor license, but its good location, reasonable prices ($ 2.50-$ 3.50 admission for one of the two nightly sets), "non-nightclub" atmosphere, and "all-ages welcome" policy grew the audience. With 16-foot high acoustical ceilings and a wrap-around balcony, Amazingrace at The Main could accommodate almost 400 patrons, most of whom sat on

1295-528: Was Amazingrace’s status as a University organization. By 1974 most member of the Amazingrace collective were no longer students. They had either graduated or dropped out due to the demands of running the club. The University was uncomfortable with their continuing use of its grounds and facilities. In addition, Amazingrace's loose policies regarding "bring your own" beer and marijuana led University President Robert Strotz to worry about "a situation that would lead to

1332-659: Was the startling visual of numerous silk parachutes strung across the vast ceiling. The silks were part of a plan that the band and Amazingrace created to "improve" the acoustics and visuals of the hall, which is built like an airplane hangar. While the famous Dead " wall of sound " did not formally debut until March 1974 at the Cow Palace in San Francisco, many of its elements were already being used at this concert, including McIntosh 2300 and 3500 amplifiers, noise-canceling vocal mics, and plentiful JBL drivers. Despite complaints about

1369-538: Was the university's first library, but it became severely overcrowded by the 1920s. Deering Library, which was planned by Theodore Wesley Koch , the University Librarian from 1919 to 1941, served as Northwestern's main library until the completion of University Library in 1970. After the opening of the University Library, the only way to enter Deering Library was through a basement corridor that connected

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