34-519: Bruce Price Cottage is one of four "cottages" constructed by Bruce Price on Pepperidge Road in Tuxedo Park, New York . Price was the founding architect of the Tuxedo Park estate, where he designed and built a number of the large mansions. Bruce Price Cottage and other constructions in Tuxedo Park were highly influential on the style of Frank Lloyd Wright and other, younger architects. He constructed
68-474: A Brentano's bookstore, which moved elsewhere in 1901. The bank hired Bruce Price to design a 16-story building on the slim L-shaped lot. The land for the bank was adjacent to the Decker Building, directly to the north at 33 Union Square West, which had unsuccessfully attempted to sell the 32.5-foot-wide (9.9 m) corner lot that the new bank building was to occupy. The bank started ordering stone for
102-472: A "flourishing outgrowth of the movement of business" further uptown. The bank moved twice during the 19th century: to 17 Union Square West in 1877, and to 29 Union Square West in 1888. During the first decades of the bank's existence, The New York Times described three criminal incidents involving the bank. In 1879, a nighttime guard went to a saloon to drink, leaving the bank without any protection, though no burglaries were reported during that time. A man
136-631: A more aesthetic than functional purpose. The north and west facades consist of plain brick. The eastern facade on Union Square West contains three vertical architectural bays. A curved, slightly projecting portico supported by two Ionic columns takes up the two base stories, and a carved plaque reading "Bank of the Metropolis" is located at the top of the portico. On either side of the portico are several rows of beveled masonry blocks. The southern facade on 16th Street contains 18 bays, split up into sections of 3, 3, 9, and 3 bays from west to east. At
170-624: A partner. Following a brief study trip to Europe, he opened an office in Wilkes-Barre, Pennsylvania , where he practiced from 1873 to 1876. He settled in New York City in 1877, where he worked on a series of domestic projects. These culminated in the design and layout of the exclusive 7,000-acre planned community of Tuxedo Park (1885–86), created by Pierre Lorillard IV . The striking buildings Price designed there, with their severe geometry, compact massing and axial plans, were highly influential in
204-684: Is most identified with), as well as the first Banff Springs Hotel in Alberta, and many other hotels and stations. He was a Fellow of the American Institute of Architects (1890) and belonged to the Architectural League of New York . In 1900, he entered into a partnership with French architect Jules Henri de Sibour , who had earlier worked in his office. The firm continued to use the name "Bruce Price & de Sibour" until 1908, five years after Price's death. In 1871, Price married Josephine Lee,
238-812: Is new, incredibly new." Among the Manhattan office buildings he designed were the American Surety Building , the St. James Building, the Bank of the Metropolis and the International Bank. He also collaborated with sculptor Daniel Chester French on the Richard Morris Hunt Memorial (1898) in Central Park . He designed a lecture hall and a dormitory at Yale University . His grandest residential commission
272-771: The Canadian Pacific Railway , including Windsor Station in Montreal and Château Frontenac in Quebec City. Price was born in Cumberland, Maryland , the son of William and Marian Bruce Price. He studied for a short time at Princeton University . After four years of internship in the office of the Baltimore architects Niernsee & Neilson (1864–68), he began his professional work in Baltimore with Ephraim Francis Baldwin as
306-539: The derricks broke. When the building was completed in 1903, it had cost $ 500,000 in total. Pitman's Journal of Commercial Education, one of the building's first tenants, praised the amenities and its proximity to the New York City Subway 's 14th Street–Union Square station , which at the time was under construction. The bank building was occupied by several office tenants, including architecture firm Jackson, Rosencrans & Caufield; architect Charles B. Meyers;
340-446: The "tower" section of the bank building, and are relatively flat, except for spandrels between each floor, which are embellished with lions. The 13th floor contains scrolled corbels between each set of windows, a string course along the bottom, and belt courses along the top. There are vertical panels between each window on the 14th and 15th floors, and palmettes and lions' heads at the top of each panel. A copper cornice runs atop
374-436: The 16th floor. Along both facades, there are various recessions in the facade where limestone balconies jut out. The most prominent is on the 9-bay section of the southern facade, which contains a balcony projecting from the 10th floor. At the time of the building's opening in 1903, it included a steam heating system, electrically powered lights, mail chutes, telephone lines, and elevators. The ground floor space, formerly
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#1733092972782408-749: The Bruce Price Cottages include Edwin and Emily Post , Guy and Lory Spier , Robert Norden, and Sutton Foster . Bruce Price Bruce Price (December 12, 1845 – May 29, 1903) was an American architect and an innovator in the Shingle Style . The stark geometry and compact massing of his cottages in Tuxedo Park, New York , influenced Modernist architects, including Frank Lloyd Wright and Robert Venturi . He also designed Richardsonian Romanesque institutional buildings, Beaux-Arts mansions, and Manhattan skyscrapers. In Canada, he designed Châteauesque railroad stations and grand hotels for
442-556: The Employing Lithographers' Association; engineering firm W. L. Fleischer & Co.; and Jewish organizations. The Bank of the Metropolis was merged into the Bank of Manhattan in 1918, though the Union Square West building continued to be used as a banking location. Two years later, the building was sold to Dora Kuch for $ 2 million. The building remained relatively unchanged until 1975, when developer David Teitelbaum
476-486: The Metropolis building is a Renaissance Revival structure with a facade made of limestone . Price was particularly attached to designing skyscrapers in three parts, mirroring the structure of classical columns , and the building reflects this base-shaft-capital concept. The tripartite design and the use of neoclassical elements are also present in Price's earlier buildings, including the American Surety Building (1896) and
510-509: The Metropolis was established on June 1, 1871, to serve the merchants around Union Square. The businessman William Steinway , of Steinway & Sons , was among the bank's founding board of directors. The Bank of the Metropolis was initially located at 31 Union Square West, at the site of the present bank building. At the time, most businesses were located in Lower Manhattan . The 1893 King's Handbook to New York City described it as
544-444: The architect's idea was to fit buildings with the surrounding woods, and the gate-lodge and keep were built of graystone with as much moss and lichen as possible. The shingled cottages were stained with the color of the woods—russets and grays and dull reds—ugly to the taste of a quarter century later, though this treatment did much to neutralize the newness of the buildings—Old World and tradition-haunted as it looks, it
578-553: The architectural profession. Eight of Price's houses – including five from Tuxedo Park – were among the one hundred buildings selected for George William Sheldon 's landmark survey of American domestic architecture: Artistic Country-Seats (1886–87). The most famous of these, the Pierre Lorillard V cottage ("Cottage G"), though demolished and now known only through photographs, remains an icon of American architecture. Price's daughter wrote in 1911: "In beginning Tuxedo,
612-415: The banking hall, was converted into a restaurant space, and is designed in the neoclassical style. The eastern one-fourth of the restaurant space is narrower than the rest. The north side wall is made of white marble on the bottom half and plaster on the top half. Architraves run across the coffered ceiling. A mezzanine is located above the westernmost portion of the restaurant space. The western part of
646-473: The cottage for his wife, Josephine Lee, in 1897. He also constructed Emily Post cottage for their daughter who spent her childhood there. Regular visitors to the house at the time included Pierre Lorillard and William Astor . Bruce Price Cottage is built in Dutch Colonial Revival style . All four cottages were inherited by Emily . In 1920 she divided the property. Notable people who have lived in
680-708: The daughter of a Wilkes-Barre coal baron. They had two children: Emily Price Post , who became a novelist and the American authority on etiquette , and William, who died in infancy. Price is buried, along with his wife and son, in Hollenback Cemetery in Wilkes-Barre, Pennsylvania. Bank of the Metropolis The Bank of the Metropolis was a bank in New York City that operated between 1871 and 1918. The bank
714-402: The demolished International Bank and Trust Company Building (1899). The Bank of the Metropolis building is located on a slim L-shaped plot. It has 32.5 feet (9.9 m) of frontage on Union Square West, to the east, and 175 feet (53 m) on 16th Street, to the south. At the western end of the 16th Street facade, the bank contains a 92-foot (28 m) deep wing. This wing runs adjacent to
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#1733092972782748-545: The former banking room at the ground floor became a club called Zippers, under the direction of Lynn Barclay. The space then became a restaurant named Metropolis in the mid-late 1980's. It was upscale but casual and attracted a young, hip crowd. Soon after the restaurant opened, the owners opened a small dance club in the basement. The restaurant changed hands in 1996 and was re-opened as the Blue Water Grill. The restaurant closed in 2019 due to rising rents. The Bank of
782-502: The four buildings at 33-39 Union Square West, and connects back to the Hartford Building at Broadway and 17th Street. The 32.5-foot-wide section on Union Square West exists because the owner of the Decker Building could not sell the corner lot along 16th Street. The L-shaped form was also present in the International Bank and Trust Company Building. The main entrance is on the narrow Union Square West facade, since Union Square
816-419: The ground floor is separated from the restaurant by a partition. A marble-lined staircase close to the main entrance leads to a basement. To the north of the restaurant, on the eastern end is the office building lobby. A curving staircase leading upstairs is located at the west end of the lobby. Elevators are located within two arches of a three-arched arcade on the northern wall, while the lobby's southern wall
850-407: The ground level of the 16th Street facade, there are several wide, arched windows, which replaced the original square-framed windows there. These arched windows were installed after the ground level was converted into a restaurant. On both the south and east facades, the third story contains square-framed windows and projecting courses at the top and bottom. The fourth through 12th stories make up
884-548: The ground level was later used as a restaurant. The Bank of the Metropolis building was designated a city landmark by the New York City Landmarks Preservation Commission in 1988, and was added to the National Register of Historic Places in 2003. Starting in the 1870s, the area surrounding Union Square Park became populated with hotels, theaters, and commercial enterprises. The Bank of
918-579: The new building in November 1901, and Price submitted his plans to the New York City Department of Buildings the next month. The structure was built by the George A. Fuller Company. During construction, the foundation of the Decker Building had to be underpinned because the foundation of that building was not located in solid rock. In August 1902, four construction workers were injured when one of
952-446: The northern side of the park. By the beginning of the 20th century, the bank's board of directors included Louis Comfort Tiffany and businessman Charles Scribner II . The National City Bank acquired a major stake in the Bank of the Metropolis in 1900. The Bank of the Metropolis bought the plot at the corner of 16th Street and Union Square West. The plot had previously been occupied by
986-763: Was Georgian Court , the neo- Georgian estate of George Jay Gould I in Lakewood, New Jersey . Price invented, patented, and built the parlor bay-window cars for the Pennsylvania Railroad and the Boston and Albany Railroad . This work prompted the Canadian Pacific Railways to consider his portfolio. He designed the Château Frontenac in Quebec City for the Canadian Pacific (arguably the structure Price
1020-430: Was a coveted address at the time of the building's construction. The main entrance was designed to be symmetrical and emphasize the banking space on the ground floor, with a window to the left of the centrally-positioned banking entrance, and a door to the upper floors to the right. A journal article in 1916 said of prominent corner-lot bank locations that "the advantage [...] is generally appreciated", an observation that
1054-560: Was caught depositing forged bonds at the bank during the early 1880s, and a thief was arrested in 1889 after robbing a client who had just made a withdrawal. By the mid-1890s, the Bank of the Metropolis had $ 6 million in deposits. At the time, Union Square was being developed with such buildings as the Decker Building at 33 Union Square West, near the corner with 16th Street, and the Century Building at 33 East 17th Street , on
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1088-469: Was granted a zoning variance to turn the upper-floor offices into 145 residences. These plans temporarily stalled in 1976 because several banks did not want to finance the $ 3.3 million conversion project. By 1979, the residential conversion had been completed: most of the building was used as artists' lofts , while four floors were being used as dormitory space for the Parsons School of Design . In 1980
1122-550: Was made in the Landmarks Preservation Commission's report about the building. The Bank of the Metropolis's facade is designed so that the building appears as a slab rising from the street. On the south and east facades, the 16-story building is broken up into three horizontal layers of articulation —a 2-story base with rusticated blocks, a 9-story tower, and a 3-story top section—with one "transition" story between each layer. The tripartite articulation serves
1156-563: Was originally located at several addresses around Union Square in Manhattan before finally moving to 31 Union Square West , a 16-story Renaissance Revival building designed by Bruce Price and built between 1902 and 1903. The bank building uses a tripartite facade design and neoclassical elements. After the Bank of the Metropolis merged into the Bank of Manhattan in 1918, the building continued to be used as an office tower. The upper stories were converted for residential use in 1976, while
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