The action film is a film genre that predominantly features chase sequences, fights, shootouts, explosions, and stunt work. The specifics of what constitutes an action film has been in scholarly debate since the 1980s. While some scholars such as David Bordwell suggested they were films that favor spectacle to storytelling, others such as Geoff King stated they allow the scenes of spectacle to be attuned to storytelling. Action films are often hybrid with other genres, mixing into various forms such as comedies , science fiction films , and horror films .
144-485: Brick Mansions is a 2014 action film starring Paul Walker , David Belle , RZA , also starring Goûchy Boy, Catalina Denis and Carlo Rota . The film was directed by Camille Delamarre and written by Luc Besson , Robert Mark Kamen and Bibi Naceri. A co-production between France, Canada and the United States, it is a remake of the 2004 French film District 13 , in which Belle had also starred. Brick Mansions
288-411: A "Tomatometer" of 75% or better and at least 80 reviews (40 for limited release movies) from "Tomatometer" critics (including 5 Top Critics). Films earning this status will keep it unless the positive critical percentage drops below 70%. Films with 100% positive ratings that lack the required number of reviews may not receive the "Certified Fresh" seal. When a film or TV show reaches the requirements for
432-505: A Global release status of Chinese-language martial arts films, most notably Zhang Yimou 's Hero (2002) and House of Flying Daggers (2004), Stephen Chow 's Kung Fu Hustle (2004) and Chen Kaige 's The Promise (2005). Most Hong Kong action films in the first quarter of the 21st century, such as those in Cold War (2012), Cold War 2 (2016) and The White Storm film series have their violence toned down, especially compared to
576-488: A bad score, as this only reflects a poor reception among film critics. As one independent film distributor marketing executive noted, "To me, it's a ridiculous argument that Rotten Tomatoes is the problem ... make a good movie!". ComScore 's Paul Dergarabedian had similar comments, saying: "The best way for studios to combat the 'Rotten Tomatoes Effect' is to make better movies, plain and simple". Some studios have suggested embargoing or cancelling early critic screenings in
720-423: A critic on the website, a critic's original reviews must garner a specific number of "likes" from users. Those classified as "Top Critics" generally write for major newspapers. The critics upload their reviews to the movie page on the website, and need to mark their review "fresh" if it is generally favorable or "rotten" otherwise. It is necessary for the critic to do so as some reviews are qualitative and do not grant
864-596: A cutoff date at which new reviews are not counted toward the Golden Tomato awards is initiated each year, usually the first of the new year. Reviews without ratings are not counted toward the results of the Golden Tomato Awards. Each movie features a "user average", which calculates the percentage of registered users who have rated the film positively on a 5-star scale, similar to calculation of recognized critics' reviews. On May 24, 2019, Rotten Tomatoes introduced
1008-469: A dedicated team who monitors our platforms regularly and thoroughly investigates and resolves any suspicious activity." WIRED published an article in February 2024 written by Christopher Null, a former film critic, that argued such methods are standard activities performed by all PR agencies. In particular, Null points out that sponsoring legitimate, honest reviews has a long history in other industries and
1152-436: A fight sequence. In the 1980s, American martial arts films reflected the national move towards conservatism, reflected in films of Chuck Norris and other actors such as Sho Kosugi . The genre would shift from theatrical releases towards the end of the decade with the rise of home video, the lower box-office of American martial arts productions, and a significant portion of direct-to-video action films that first were made in
1296-413: A fresh vs. rotten dichotomy. It has also been criticized for being easy for studios to manipulate by limiting early screenings to critics inclined to be favorable, among other tactics. Rotten Tomatoes was launched on August 12, 1998, as a spare-time project by Senh Duong. His objective in creating Rotten Tomatoes was "to create a site where people can get access to reviews from a variety of critics in
1440-437: A global audience of these films in the United States and Europe, but was cut short on Lee's death in 1973 leading the phases popularity to decline. Following a period of stagnation, Chang Cheh and Lau Kar-leung revitalized the genre with shaolin kung fu films and Chor Yuen 's series of darker swordplay films based on the novels of Gu Long . Kung Fu comedies appeared featuring Jackie Chan as martial arts films flourished into
1584-547: A likable cast on a pointless remake of the far more entertaining District B13 ." On Metacritic , the film has a weighted average score of 40 out of 100, based on 28 critics, indicating "mixed or average reviews". Audiences surveyed by CinemaScore gave the film a grade B+ on scale of A to F. Critic Jennifer Rodman, considered the film a "watered-down American version, similar in many forms...a huge disappointment". Andrew Pulver wrote in The Guardian , "to be honest, Brick Mansions
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#17330931270341728-416: A new "Audience Says" blurbs within it, to give users an at-a-glance summary of the general sentiments of a film as experienced by critics and audiences. Prior to February 2021, only the "Critics Consensus" blurb was posted for each entry, after enough certified critics had submitted reviews. When the "Audience Says" blurbs were added, Rotten Tomatoes initially included them only for newer films and those with
1872-415: A numeric score, making it impossible for the system to be automatic. The website keeps track of all the reviews counted for each film and calculates the percentage of positive reviews. If the positive reviews make up 60% or more, the film is considered "fresh". If the positive reviews are less than 60%, the film is considered "rotten". An average score on a 0 to 10 scale is also calculated. With each review,
2016-543: A propensity for violent action, identified with the films of Chang Cheh . Violent female characters have been part of cinema since its early inception, with characters such as Kate Kelly brandishing a shotgun in The Story of the Kelly Gang (1906). Women traditionally appear in action films as romantic interests, tomboys , or sidekicks to male protagonists. Violent white women would appear in other genres as well such as
2160-452: A ransom. Damien is sent undercover as a prisoner in order to free Lino so that the two can destroy the bomb together. Together, the two manage to escape from a police van. In the beginning they fight each other, both verbally and physically, but they eventually decide to work together - though not before Lino deduces that Damien is actually an undercover cop. Together, the two face off against Tremaine and his gang in order to free Lola and defuse
2304-496: A remake of the 2004 French franchise-starter District B13 , can be enjoyably crazy in its hectic, cartoonish way" but that it is also "brawny, dumb and preposterous." Action film While the term "action film" or "action adventure film" has been used as early as the 1910s, the contemporary definition usually refers to a film that came with the arrival of New Hollywood and the rise of anti-heroes appearing in American films of
2448-517: A response to poor reviews prior to a film's release affecting pre-sales and opening weekend numbers. In July 2017, Sony embargoed critic reviews for The Emoji Movie until mid-day the Thursday before its release. The film ended up with a 9% rating (including 0% after the first 25 reviews), but still opened to $ 24 million, on par with projections. Josh Greenstein, Sony Pictures President of Worldwide Marketing and Distribution, said, " The Emoji Movie
2592-436: A short excerpt of the review is quoted that also serves a hyperlink to the complete review essay for anyone interested to read the critic's full thoughts on the subject. "Top Critics", such as Roger Ebert , Desson Thomson , Stephen Hunter , Owen Gleiberman , Lisa Schwarzbaum , Peter Travers and Michael Phillips are identified in a sub-listing that calculates their reviews separately. Their opinions are also included in
2736-401: A significant audience rating, but suggested that they may later add them for older films as well. Each movie features a brief blurb summary of the critics' reviews, called the "Critical Consensus", used in that entry's Tomatometer aggregate score. These are written by Jeff Giles, a longtime author for the site. In February 2021, Rotten Tomatoes added an "Audience Says" section; similar to
2880-725: A significant portion. These films include Taxi 2 (2000), Kiss of the Dragon (2001), District 13 (2004) and Unleashed (2005). Whan asked about the Americanization of these French films, Christophe Gans , director of Brotherhood of the Wolf (2001) stated that "Hollywood ownership of certain elements [...] must be challenged, in order to show that these elements have also long been present in European culture." The most significant producers of French action films with international ambitions
3024-653: A similar level of popularity to that of the Western in the United States. The most internationally known films of this era were the films Kurosawa with Seven Samurai (1954), The Hidden Fortress (1958), and Yojimbo (1961). By at least the 1950s, Japanese films were looked upon as a model to be emulated by Hong Kong film production, and Hong Kong film companies began actively enlisting professionals from Japan, such as cinematographer Tadashi Nishimoto to contribute to color and widescreen cinematography. New literary sources also developed in martial arts films of this period, with
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#17330931270343168-406: A single genre and that streaming services such as Amazon Prime and Netflix similarly dilutes what is marketed and received as action. In transnational cinema, there are two major trends in action films: Hollywood action films and their style being imitated around the globe and the other being Chinese-language martial arts films. The roots of action films extend into the beginning of film but it
3312-624: A subsection of the website. In February 2016, Rotten Tomatoes and its parent site Flixster were sold to Comcast's Fandango Media. Warner Bros retained a minority stake in the merged entities, including Fandango. In December 2016, Fandango and all its various websites moved to Fox Interactive Media's former headquarters in Beverly Hills, California . In July 2017, the website's editor-in-chief since 2007, Matt Atchity, left to join The Young Turks YouTube channel. On November 1, 2017,
3456-608: A substitute for assessment". Landon Palmer, a film and media historian and an assistant professor in the Department of Journalism and Creative Media director in the College of Communication and Information Sciences at the University of Alabama agreed with White, stating that "[Rotten Tomatoes applies a] problematic algorithm to pretty much all avenues of modern media art and entertainment". Director and producer Brett Ratner has criticized
3600-451: A three-act structure centered on survival, resistance and revenge with narratives where the physical body of the hero is tested, traumatized and ultimately triumphant. The third shift in action cinema, the postclassical, was defined by the predominance of Eastern cinema and its aesthetics, primarily the wire-work of Hong Kong action cinema from the classical era, through the convention of the increasingly computer generated effects. This saw
3744-594: A tough police officer protects society by upholding the law against systematic corruption. This extended into films which O'Brien described as "knee-jerk responses" to perceived threats with rogue cop and vigilante films such as Dirty Harry (1971) and Death Wish (1974) where the restoration of order is only possible by force and antisocial characters prepared to act when society does not. The vigilantism reappears in other films that were exploitative of southern society such as Billy Jack (1971) and White Lightning (1973) and "good ol' boy" comedies like Smokey and
3888-429: A verified rating system that would replace the earlier system where users were merely required to register to submit a rating. So, in addition to creating an account, users will have to verify their ticket purchase through ticketing company Fandango Media, parent company of Rotten Tomatoes. While users can still leave reviews without verifying, those reviews will not account for the average audience score displayed next to
4032-416: A wider historical and cultural field. In their book Action Cinema Since 2000 (2024), Tasker, Lisa Purse, and Chris Holmlund stated that thinking of action as a mode is more helpful than thinking of it as a genre. The three authors suggested that action frames a certain manner of filmmaking and viewing exceed genre without eclipsing it stating that websites such as IMDb and Misplaced Pages rarely label films by
4176-456: Is Luc Besson 's France-based EuropaCorp , who released films like Taxi (1998) and From Paris with Love (2010). EuropaCorp produced Transporter franchise starred British actor Jason Statham and made him an action film star, which led him to feature in The Expendables series by the end of the 2010s. The action film genre has been a staple of Bollywood cinema . In the 1970s,
4320-702: Is a "common tactic employed by indie titles to get visibility." American director Martin Scorsese wrote a column in The Hollywood Reporter criticizing both Rotten Tomatoes and CinemaScore for promoting the idea that films like Mother! had to be "instantly liked" to be successful. Scorsese, in a dedication for the Roger Ebert Center for Film Studies at the University of Illinois later continued his criticism, voicing that Rotten Tomatoes and other review services "devalue cinema on streaming platforms to
4464-569: Is a generic term to refer to several types of films containing martial arts. The wuxia film is the oldest genre in Chinese cinema. Stephen Teo wrote in his book on Wuxia that there is no satisfactory English translation of the term, with it often being identified as "the swordplay film" in critical studies. It is derived from the Chinese words wu denoting militarist or martial qualities and xia denoting chivalry, gallantry, and qualities of knighthood. The term wuxia entered into popular culture in
Brick Mansions - Misplaced Pages Continue
4608-651: Is based on Twin Dragons (1992). Other films such as the martial arts film Bhadrachlam (2001), borrows from American cinema with the Jean-Claude Van Damme film Kickboxer (1989). SS Rajamouli 's RRR (2022) was among the highest budgeted films made in India, and became a rare hit film outside of Indian diaspora, where it broke box office records in Japan and performed exceptionally well in American box office. Japan
4752-402: Is considered wide release. There are also two categories purely for British and Australian films. The "User"-category represents the highest rated film among users, and the "Mouldy"-award represents the worst-reviewed films of the year. A movie must have 40 (originally 20) or more rated reviews to be considered for domestic categories. It must have 500 or more user ratings to be considered for
4896-774: Is intended for use in the US only; permission is required for use elsewhere. As of 2022, API access is restricted to approved developers that must go through an application process. Major Hollywood studios have come to see Rotten Tomatoes as a potential threat to their marketing . In 2017, several blockbuster films like Pirates of the Caribbean: Dead Men Tell No Tales , Baywatch and The Mummy were projected to open with gross receipts of $ 90 million, $ 50 million and $ 45 million, respectively, but ended up debuting with $ 62.6 million, $ 23.1 million and $ 31.6 million. Rotten Tomatoes, which scored
5040-442: Is itself empowering and, if not, whether a hypersexualized female character can still represent strength and autonomy. Hypersexualized female action leads had tight fitting or revealing costumes that Tasker identified as "exaggerated statements of sexuality" and in the tradition of "fetishistic figure of fantasy" derives from comic books and soft pornography . This originated in television with characters like Buffy Summers ( Buffy
5184-508: Is not a great film — it kind of skimps on the parkour, the main reason why anyone went to see District 13." Variety ' s Justin Chang called the film "propulsively entertaining" but was critical of the "aggressive cutting technique" which fails to allow audiences to fully appreciate the stuntwork and movements of the actors. Mick Lasalle of The San Francisco Chronicle wrote, "The movie itself makes that impossible to forget. There are cars all over
5328-469: Is to include other services in the future for users who do not use Fandango. Upon its creation, the "Verified Hot" badge was installed retroactively on over 200 films which achieved a verified audience score of 90% or higher since the launch of Rotten Tomatoes' verified audience ratings in May 2019. In February 2021, a new "What to Know" section was created for each film entry, combining the "Critics Consensus" and
5472-462: Is unlikely to change". Other studios have commissioned a number of studies on the subject, with them finding that 7/10 people said they would be less interested in seeing a film if the Rotten Tomatoes score was below 25%, and that the site has the most influence on people 25 and younger. The scores have reached a level of online ubiquity which film companies have found threatening. For instance,
5616-568: The femme fatales in film noir and horror films of the 1970s. Violent women were common in action films since the 1960s. These films featured working-class women exacting revenge. Films of the 1970s featured black women such as Pam Grier in films like Foxy Brown (1974). In the 1980s, a new symbolically transgressive character emerged in the form of Ellen Ripley in Aliens (1986) and Sarah Connor in Terminator 2: Judgment Day (1991) and
5760-540: The Bollywood action film consolidated with two films starring Amitabh Bachchan : Prakash Mehra 's Zanjeer (1973) and Yash Chopra 's Deewaar (1975). The box office success of these films made Bachchan a star and spawned the "angry young man" film in Bollywood cinema. Throughout the 1980s and 1990s, the action genre film declined considerably with new films predominantly featuring former bodybuilders failing to reach
5904-508: The Hong Kong action cinema , such melodramatic male bonding and marginalized women characters, while the Korean films also have greater elements of tragedy and romance emphasized. Most martial arts films made before the mid-1960s were Cantonese-language productions. In comparison, Mandarin-language films were an integral part of Hong Kong cinema due to the influx of Shanghai film talent in
Brick Mansions - Misplaced Pages Continue
6048-554: The September 11 attacks in 2001, which suggested an end to fantastical elements that defined the action hero and genre. Following the release of Quentin Tarantino 's Kill Bill: Volume 1 (2003) and Kill Bill: Volume 2 (2004) revisited the tropes of 1970s action films leading a renaissance of vengeance narratives in films like The Brave One (2007) and Taken (2008). O'Brien found that Tarantino's films were post-modern takes on
6192-458: The U.S ". As a fan of Jackie Chan , Duong was inspired to create the website after collecting all the reviews of Chan's Hong Kong action movies as they were being released in the United States. The catalyst for the creation of the website was Rush Hour (1998), Chan's first major Hollywood crossover, which was originally planned to release in August 1998. Duong coded the website in two weeks and
6336-501: The xinpai wuxia xiaoshuo (or "new school martial arts fiction") coming into prominence with the success of Liang Yusheng 's Longhu Dou Jinghua (1954) and Jin Yong 's Shujian enchou lu (1956) which showed influence of the Shanghai martial arts films but also circulated from Hong Kong to Taiwan and Chinese communities overseas. This led to a growing demand in both local and regional markets in
6480-505: The "Certified Fresh", it is not automatically granted the seal; "the Tomatometer score must be consistent and unlikely to deviate significantly" before it is thus marked. Once certified, if a film's score drops and remains consistently below 70%, it loses its Certified Fresh designation. In 2000, Rotten Tomatoes announced the RT Awards honoring the best-reviewed films of the year according to
6624-406: The "Critics Consensus", it summarizes the reviews noted by registered users into a concise blurb. The Rotten Tomatoes staff noted that for any given film, if there were any external factors such as controversies or issues affecting the sentiments of a film, they may address it in the "Audience Says" section to give users the most relevant info regarding their viewing choices. Localized versions of
6768-467: The "User"-category. Films are further classified based on film genre . Each movie is eligible in only one genre, aside from non-English-language films, which can be included in both their genre and the respective "Foreign" category. Once a film is considered eligible, its "votes" are counted. Each critic from the website's list gets one vote (as determined by their review), all weighted equally. Because reviews are continually added, manually and otherwise,
6912-428: The 1960s with films like The Born Losers (1967) which was predominantly a drama, interspersed with martial arts scenes. American martial arts films predominantly came into production following the release of Enter the Dragon (1973), with the only higher-budgeted American film to follow in its wake being The Yakuza (1974). Lott noted the two films would lead to the two subsequent styles of martial arts films in
7056-593: The 1970s. James Monaco wrote in 1979 in American Film Now: The People, The Power, The Money, the Movies that "the lines that separate on genre from another have continued to disintegrate." Tasker said that most post-classical action films are hybrids, drawing from genres as varied as war films, science fiction , horror , crime, martial arts , and comedy films . In Chinese-language films, both wuxia and kung fu are genre-specific terms, while martial arts
7200-768: The 1980s. Other films again modernized the form with gangster films of John Woo ( A Better Tomorrow (1986), The Killer (1989)) and the Wong Fei Hung saga returning in Tsui Hark 's Once Upon a Time in China featuring Jet Li which again revitalized the swordplay styled films. By the turn of the century Hollywood action films would look towards Hong Kong cinema and bringing some of their major actors and directors over to apply their style to their films, such as Chan, Woo, Li, Michelle Yeoh and Yuen Woo-Ping . The release of Ang Lee 's Crouching Tiger, Hidden Dragon (2000) led to
7344-702: The 21st century have been comic book adaptations, which commenced with the X-Men and is seen in other series such as Spider-Man , and Iron Man series. Tasker wrote that despite the central characters in superhero cinema being extraordinary, occasionally even God-like, they often followed the traces of the central character becoming powerful of which is fundamental to action films, often dealt with origin stories in superhero films. Action films often interface with other genres. Tasker wrote that films are often labelled action thrillers, action-fantasy and action-adventure films with different nuances. Tasker later discussed that
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#17330931270347488-513: The Bandit (1977). This era also emphasizes the car chase scenes as moments of spectacle in films like Bullitt and The French Connection (1971). O'Brien described these films as emphasizing "the fusion of man and machine" with the drivers and vehicles acting as one, concluding with what he described as "the ultimate in apocalyptic modernity and social erasure" in Mad Max 2 (1981). O'Brien described
7632-746: The Bollywood press who reported on him in the headlines of Bollywood magazines for his public brawls and affairs with leading actresses. In Dabangg (2010), Khan continued with this public persona, which was repeated in several of his later films such as Ready (2011), Bodyguard (2011), Ek Tha Tiger (2012) and Dabangg 2 (2012). From the 1980s, generations of actors in Telugu cinema have invoked Hong Kong action films, such as Srihari who stated he wanted to become an actor after watching his first Bruce Lee film. Several films in Telugu cinema were remakes of Hong Kong films, such as Hello Brother (1994) which
7776-593: The Dragon briefly allowed an influx of Hong Kong films to Japan, but the trend did not last, with 28 Hong Kong films, mostly kung fu films, being released in 1974, and the number decreasing to five in 1975, four in 1977 and only two in 1978. Ryuhei Kitamura , director of Versus (2000), said in 2004 that he grew frustrated with the Japanese film industry as producers felt they couldn't make action films in competition with Hong Kong or American productions. Versus grew to become popular outside of Japan, and Kitamura said he
7920-597: The Hong Kong film industry after the handover in 1997. Anglophone action film scholarship has tended to emphasize bigger budget American action films, with academics tending to find films that fall out of Hollywood productions as not quite fitting definitions of the genre. By 2024, many national and regional industries were known for action films. These include international films such as Hindi, Tamil, Telugu, Malayalam , South Korean, Japanese, Thai , Brazilian , Chinese , South African , French and Italian action titles. At
8064-564: The Projects, turning him in to police at the border wall. However, Lino is shocked when the chief of police free Tremaine and arrest him instead; it turns out that the police have long been in Tremaine's pay. While arrested, Lino kills the police chief officer in revenge. In the meantime, city officials have discovered that Tremaine has gained hold of a nuclear explosive and a small missile, which he plans to launch into downtown Detroit unless he obtains
8208-802: The Red Lotus (1965) and King Hu 's Come Drink with Me (1966). In the 1970s, the Hong Kong martial arts films began to grow under the format of yanggang ("staunch masculinity") mostly through the films of Chang Cheh which were popular. This transition led to the kung fu film sub-genre at beginning of the decade and moved beyond the swordplay films with contemporary settings of late Qing or early Republican periods and had more hand-to-hand combat over supernatural swordplay and special effects. A new studio, Golden Harvest quickly became one of independent filmmakers to grant creative freedom and pay and attracted new directors and actors, including Bruce Lee . The popularity of kung fu films and Bruce Lee led to attract
8352-469: The Tomatometer. On August 21, 2024, Rotten Tomatoes rebranded its audience score as the Popcornmeter and introduced a new "Verified Hot" badge. The designation is only given to films which have reached an audience score of 90 percent or higher among users whom Rotten Tomatoes has verified as having purchased a ticket to the film through Fandango. A representative for Rotten Tomatoes stated that their goal
8496-480: The United States, Europe and Japan had during this period. Yip described Japanese cinema as the most advanced in Asia at the time. This was showcased by the international breakthrough of Akira Kurosawa 's films like Rashomon (1950). The film genre known as the chanbara was at its height in Japan. The style was a sub-genre to the jidai-geki , or period drama with an emphasis on sword fighting and action. It had
8640-406: The United States, with films like Enter the Dragon about people who reveled in combat, often in a tournament setting, and The Yakuza which had several genres attached to it, but featured several martial arts sequences. By the end of the 1970s, the style was an established genre in American cinema, often featuring tough heroic characters who would fight and not think about their actions until after
8784-584: The Vampire Slayer (1997–2003)) and Xena ( Xena: Warrior Princess (1995–2001)). These series popularity demonstrated a growing market for female action film heroes, in films of the 2000s like Lara Croft: Tomb Raider (2001), Charlie's Angels (2000), Ultraviolet (2006), Salt (2010) and series like Underworld and Resident Evil . These series like their television series earlier, had their leads eroticized as active and physically capable while also being scantily-clad, hyper-feminized similar to
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#17330931270348928-553: The action heroine's dual status of an active subject and sexual object was overturning the traditional gender binary because the films "assume that women are powerful" without resorting to justify her physical aggression through narratives involving maternal drive, mental instability or trauma. Purse found that female leads in films like Elektra (2005), Kill Bill , Underworld , Charlie's Angels and Mr. & Mrs. Smith (2005) did showcase women having expensive cars, clothing, travel, homes and often high-paying jobs, but that this
9072-521: The backstreets of Cairo. British author and academic Yvonne Tasker expanded on this topic, stating that action films have no clear and constant iconography or settings. In her book The Hollywood Action and Adventure Film (2015), she found that the most broadly consistent themes tend to be a characters quest from freedom from oppression such as a hero overcoming enemies or obstacles and physical conflicts or challenge, usually battling other humans or alien opponents. By late 2010s studies of genre analysis,
9216-402: The better-known Academy Awards or Golden Globes . When Flixster bought the company, they disbanded the groups. As of February 2011, new community features have been added and others removed. For example, users can no longer sort films by Fresh Ratings from Rotten Ratings, and vice versa. On September 17, 2013, a section devoted to scripted television series, called TV Zone, was created as
9360-411: The bomb. As they are set to defuse the missile, Damien discovers that Tremaine was bluffing and never planned to actually launch it - and that Damien was sent not to defuse the missile but to unknowingly launch it, not into downtown Detroit but into Brick Mansions itself, in order to kill its inhabitants and clear the entire area for upscale development. Damien also finds out from Tremaine that his father
9504-435: The book Australian Genre Film , Amanda Howell suggested that this label was used to help distance Australian cinema from Hollywood films as it would be suggesting commerce over culture and that it would be "quite unacceptable to make Australian movies using conventions established in the U.S.A." Howell stated this to be the case with action films of the 1970s and 1980s with Brian Trenchard-Smith 's Turkey Shoot (1982) being
9648-550: The classical form of action cinema to be the 1980s. The decade continued the trends of formative period with heroes as avengers ( Lethal Weapon (1987)), rogue police officers ( Die Hard (1988)) and mercenary warriors ( Commando (1985)). Following the continuity of the car and man hybrid of the previous decade, the 1980s featured weaponized men with who were either also carrying weapons such as Sudden Impact (1983), trained to be weapons ( American Ninja (1985)) or imbued with technology ( RoboCop (1987)). O'Brien noted that
9792-424: The crime, city officials build a colossal, 40 ft (12 m)-tall containment wall around this area, known as Brick Mansions, "the projects", or the " no-go zone ", to cut it off from the rest of the city. Police monitor all movement in and out of Brick Mansions, and schools and hospitals within it have been shut down. For undercover cop Damien Collier ( Paul Walker ), every day is a battle against corruption after
9936-491: The death of his father. For French-Caribbean ex-convict Lino Duppre ( David Belle ), every day is a fight to live an honest life. Lino is hunted by drug kingpin Tremaine Alexander ( RZA ) for stealing a massive amount of heroin and emptying it down a bathtub. Lino evades capture, and so Tremaine has his men capture Lino's girlfriend, Lola. Lino attempts to free her, and together they manage to escape and capture Tremaine in
10080-459: The decline of overt masculinity in the action film which corresponded with the end of the Cold War in 1991, while the rise of self-referential and parodies of this era grew in films like Last Action Hero (1993). O'Brien described this era as being soft where the hard bodies of the classical era were replaced with computer generated imagery such as that of Terminator 2: Judgment Day (1991). This
10224-586: The difference between Raiders of the Lost Ark (1981) and Die Hard (1988), that while both were mainstream Hollywood blockbusters with hero asserting masculinity and overcoming obstacles to a personal and social solution, John McClane in Die Hard repeatedly firing his automatic pistol while swinging from a high rise was not congruent with the image of Indiana Jones in Raiders swinging his whip to fend off villains in
10368-546: The direct-to-video field, or in similarly low-budget theatrical releases such as Bulletproof Monk (2003). While the American styled-films were predominantly made in the United States, productions were also made in Australia, Canada, Hong Kong and South Africa, and were predominantly shot in the English-language. Heroic Bloodshed is a that originates with English-language Hong Kong action and crime film fan communities in
10512-487: The earlier work of directors like Woo and Johnnie To . Antong Chen, in his study on the Hong Kong action film, wrote that the influence of China and the amount of Chinese co-productions made with Hong Kong created a shift in these films, particularly following the release of Infernal Affairs (2002). Harvey O'Brien wrote in 2012 that the contemporary action film emerged through other genres, primarily Westerns , crime and war films and can be separated into four forms:
10656-432: The early 1960s and saw a surge in production of Hong Kong martial arts films that went beyond the stories about Wong Fei-hung which were declining in popularity. These new martial arts films featured magical swordplay and higher production values and more sophisticated special effects than the previous films with Shaw Brothers a campaign of "new school" ( xinpai ) martial arts swordplay films such as Xu Zenghong's Temple of
10800-512: The early forms of the genre appeared in the wake of Kill Bill and The Expendables films. Scott Higgins wrote in 2008 in Cinema Journal that action films are both one of the most popular and popularly derided of contemporary cinema genres, stating that "in mainstream discourse, the genre is regularly lambasted for favoring spectacle over finely tuned narrative." Bordwell echoed this in his book, The Way Hollywood Tells It , writing that
10944-491: The ease at which large companies are able to manipulate reviewer ratings. The article cited publicity company Bunker 15 as an example of how scores can be boosted by recruiting obscure, often self-published reviewers, using the example of 2018's Ophelia . Rotten Tomatoes responded by delisting several Bunker 15 films, including Ophelia . It told Vulture in a statement, "We take the integrity of our scores seriously and do not tolerate any attempts to manipulate them. We have
11088-484: The end of the 1990s. Films such as Chunhang (2000) and Memento Mori (2000) and action films Shiri (1999) and Nowhere to Hide (1999) received commercial releases in North America, Asia, and Europe. The success of the latter two films was unprecedented, and was followed by other South Korean action films in the early 2000s reaching the top of the local box office. These South Korean films mimic some traits of
11232-527: The female leads in implausible elements, such as in Charlie's Angels , Fantastic Four (2005) and My Super Ex-Girlfriend (2006). The fighting styles of women also tend towards more traditionally feminine fluid movements of martial arts, over using guns or directly punching. Purse wrote that the contemporary female action film lead's sexualized brand had her in close proximity of post-feminism discourse about choice, power and sexuality. Marc O'Day interprets
11376-552: The film, along with paying the cost of the film's world premiere and distribution. The first official trailer was released on February 13, 2014, featuring the DJ Snake and Lil Jon song " Turn Down for What ". The second full trailer was released on March 20, 2014. On Rotten Tomatoes , the film has an approval rating of 25% based on 95 reviews, with an average rating of 4.43/10. The website's critics consensus reads: "Choppily edited and largely bereft of plot, Brick Mansions wastes
11520-433: The films at 30%, 19% and 16%, respectively, was blamed for undermining them. That same summer, films like Wonder Woman and Spider-Man: Homecoming (both 92%) received high scores and opened at or exceeded expectations with their $ 100+ million trackings. As a result of this concern, 20th Century Fox commissioned a 2015 study, titled "Rotten Tomatoes and Box Office", that stated the website combined with social media
11664-538: The first week of its launch; it attracted "600–1,000 daily unique visitors" as a result. Duong teamed up with University of California , Berkeley classmates Patrick Y. Lee and Stephen Wang, his former partners at the Berkeley, California -based web design firm Design Reactor, to pursue Rotten Tomatoes on a full-time basis. They officially launched it on April 1, 2000. In June 2004, IGN Entertainment acquired Rotten Tomatoes for an undisclosed sum. In September 2005, IGN
11808-414: The following films were voted the top ten best action films of all time. In Hong Kong, the "new school" of martial arts films that Shaw Brothers brought in 1965 featured what featured what Yip described as "strong, active female characters as protagonists." These female-centered films were challenged with the rise of a new male heroic prototype marked by a strong sense of youthful energy and defiance and by
11952-448: The formative trends at this point had become "identifiably generic" as film industries began to reproduced these films during the decade producers like Joel Silver and production companies like The Cannon Group, Inc. began to formulate production of these films with both high and low budgets. The action films of this era have roots in classical story telling, specifically rooted from martial arts films and Westerns, and are built around
12096-598: The formative, the classical, the post-classical and neoclassical phases. Yvonne Tasker reiterated this in her book on action and adventure films , saying that action films became a distinct genre during the New Hollywood period of the 1970s. The formative films would be from the 1960s to the early 1980s where the Anti-hero appears in cinema, featuring characters who act and transcend the law and social conventions. This appears initially in films like Bullitt (1968) where
12240-540: The former was one of the highest-grossing movies of the year in Japan. Following LoveDeath , Kitamura's next directing work was in the United States. The action cinema of South Korea mostly existed on the margins of the film industry in South Korea. The genre was initially called the Hwalkuk ("living theatre") was a term that indicated plays and films driven by action scenes, while this term has not been used regularly since
12384-407: The general rating. When there are sufficient reviews, the staff creates and posts a consensus statement to express the general reasons for the collective opinion of the film. This rating is indicated by an equivalent icon at the film listing, to give the reader a one-glance look at the general critical opinion about the work. The "Certified Fresh" seal is reserved for movies that satisfy two criteria:
12528-517: The genre. David Bordwell in The Way Hollywood Tells It wrote that audiences are "told that spectacle overrides narrative" in action cinema while Wheeler Winston Dixon echoed that these films were typified by "excessive spectacle" as a "desperate attempt to mask the lack of content." Geoff King argued that the spectacle can also be a vehicle for narrative, opposed to interfering with it. Soberson stated that Harvey O'Brien had "perhaps
12672-430: The ground. While heroes in kung fu films often display chivalry, they generally hail from different fighting schools, namely wudang and shaolin . American martial arts films feature what author M. Ray Lott described as a more realistic style of violence over the Hong Kong wuxia films with more realism and are often low-budget productions. Martial arts began routinely appearing in fight scenes in American films in
12816-515: The idea of equality and freedom. Principal photography began on April 30, 2013, in Montreal and the film was released in 2014 by EuropaCorp . Relativity Media distributed the film. Following Walker's death, the North American release was scheduled for February and French release for April 23. On February 6, 2014, Relativity and EuropaCorp announced a move to April 25, 2014, as a release date for
12960-520: The late 1920s. These films were popular during the period, which comprised almost 60% of the total Chinese films. Man-Fung Yip stated that these film were "rather tame" by contemporary standards. He wrote that they lacked the kind of dazzling action choreography as expected today and had crude and rudimentary special effects. These films came under increasing attack by both government officials and cultural elites for their allegedly superstitious and anarchistic tendencies, leading them to be banned in 1932. It
13104-400: The late 1960s and 1970s drawing from war films , crime films and Westerns . These genres were followed by what is referred to as the "classical period" in the 1980s. This was followed by the post-classical era where American action films were influenced by Hong Kong action cinema and the growing using of computer generated imagery in film. Following the September 11 attacks , a return to
13248-564: The late 1970s, with "action movie" becoming the more familiar term. The Korean action films came from Japanese cinema, James Bond series , and Hong Kong action cinema. As North Korea borders China, it block access to the continent from a South Korean perspective, the Cold War allowed South Koreans to substitute deferred travel beyond the border through films with locations shot in Hong Kong. While melodrama and comedy were staples in South Korean cinema, most action films were sporadic and tied to
13392-501: The late 1980s and early 1990s. In the Chinese language, the term used for these films is jinghungpin , literally meaning "hero films". Academic Laikwan Pang asserts that these gangster films appeared at a time when Hong Kong citizens felt particularly powerless with the handover of Hong Kong from the United Kingdom to China set for 1997. The key directors of the genre were John Woo and Ringo Lam , and producer Tsui Hark , with
13536-508: The late 1980s and early 1990s. Author Bey Logan stated that the term was coined by Rick Baker, in the British fanzine Eastern Heroes . The term is used broadly. Baker described the style as Hong Kong action films which feature gangsters and gunplay and martial arts that were more violent than kung fu films and academic Kristof Van Den Troost described it a term used to distinguish Hong Kong gun-heavy action films from period martial arts films from
13680-431: The late 1980s in the United States were martial arts films. Towards the end of the 1990s, production of low-budget martial arts films declined as no new stars in the genre developed and older actors such as Cynthia Rothrock and Steven Seagal started showing up in less and less films. Even internationally popular films like Crouching Tiger, Hidden Dragon (2000) had negligible effects in American productions in either
13824-445: The level of content". In 2015, while promoting the film Suffragette (which has a 73% approval rating) actress Meryl Streep accused Rotten Tomatoes of disproportionately representing the opinions of male film critics, resulting in a skewed ratio that adversely affected the commercial performances of female-driven films. "I submit to you that men and women are not the same, they like different things," she said. "Sometimes they like
13968-425: The most convincing understanding of the genre", stating that the action film was "best understood as a fusion of form and content. It represents the idea and ethic of action through a form in which action, agitation and movement are paramount." O'Brien wrote further in his book Action Movies: The Cinema of Striking Back to suggest action films being unique and not just a series of action sequences, stating that that
14112-617: The most notorious. Smith had previously released films like Deathcheaters (1976) and Stunt Rock (1979) when financial incentives were available for overtly commercial projects. She commented that action films did tell identifiably Australian stories such as the Sandy Harbutt 's biker film Stone (1974) and Miller's post-apocalyptic film Mad Max (1979) derived from Australia's social and cultural realities, as well as how George Miller 's later Mad Max: Fury Road (2015) derived from Australia's long-standing cinematic fascination with
14256-481: The movie - car chases, car crashes, crazy driving, a scene of Walker hanging from a speeding car, and even a scene of Walker and another guy going 80 miles an hour when the brakes and the steering give out. Apart from that, there's just the awkwardness of looking at someone on screen and knowing more about him than he knows about himself." Lasalle concluded, "Things start off silly and end up laughable and ridiculous." A. O. Scott of The New York Times wrote, "this movie,
14400-604: The notion that traditional marks of masculinity are not exclusive to men and that musculature was not natural, but something to be achieved. Accusations of these muscular women of the era were levelled at that them by 1993 were that they were "men in drag" and that the films generally have to "explain" why their female leads displayed physical aggression and why they were "driven to do it." As the 1990s went on, Hollywood films began having more conventional looking women in their action films such as The Long Kiss Goodnight (1996). A vibrant debate exists about whether hypersexualization
14544-564: The occasion of the 75th anniversary of the New York Film Critics Circle , its chairman Armond White cited Rotten Tomatoes in particular and film review aggregators in general as examples of how "the Internet takes revenge on individual expression". He said they work by "dumping reviewers onto one website and assigning spurious percentage-enthusiasm points to the discrete reviews". According to White, such websites "offer consensus as
14688-435: The physical effort required to completing a task and the abilities and skills acquired over time. Films from the period reflected on the cultural and social climate from the period, as seen in invoking Japanese or Western imperialist forces as foils. The kung fu film came out of the wuxia films. In comparison to the wuxia , film, the focus on the kung fu film is on the martial arts over chivalry, The martial arts films
14832-567: The popularity Bachan had. These films predominantly earned their revenue through longer runs at B-grade theatres. A cycle of action films came from these films in the 1980s and 1990s called the Avenging Woman film, where female protagonists seek justice for a rape victim, where the protagonist seeks revenge through violence. In 2009, the action genre was re-popularized with the box office success of Wanted (2009) starring Salman Khan . Khan reinvented his screen persona with that of his image in
14976-543: The postwar period. These films were targeted at the more educated and more refined middle-class audiences who saw themselves as above the contemporary martial arts films. Scott Higgins wrote in 2008 in Cinema Journal that Hollywood action films are both one of the most popular and popularly derided of contemporary cinema genres, stating that "in mainstream discourse, the genre is regularly lambasted for favoring spectacle over finely tuned narrative." Bordwell echoed this in his book, The Way Hollywood Tells It , writing that
15120-471: The reception to the genre as being "the emblem of what Hollywood does worst." In the Journal of Film and Video , Lennart Soberson stated that the action film genre has been a subject of scholarly debate since the 1980s. Soberson wrote that repeated traits of the genre include chase sequences, fights, shootouts, explosions, and stunt work while other scholars asserted there were more underlying traits that define
15264-402: The reception to the genre as being "the emblem of what Hollywood does worst." Tasker wrote that when action and adventure films secured awards, it is often in categories such as visual effects and sound editing. Time Out magazine conducted a poll with fifty experts in the field of action cinema, including actors, critics, filmmakers and stuntmen. Out of the 101 films ranked in the poll,
15408-441: The road and cars and a history of cultural anxiety towards a bleak and forbidding outback landscape opposed to the optimism of American action films. France is a major European country for film production and has made co-production commitments with 44 countries around the world. Around beginning of the 21st century, France began producing a series of films explicitly intended for international markets, with action films representing
15552-541: The scores are regularly posted in Google search results for films so reviewed. Furthermore, the scores are prominently featured in Fandango's popular ticket purchasing website, on its mobile app, on popular streaming services like Peacock , and on Flixster, which led to complaints that "rotten" scores damaged films' performances. Others have argued that filmmakers and studios have only themselves to blame if Rotten Tomatoes produces
15696-516: The serialization of Jinaghu qixia zhuan (1922) ( transl. Legend of the Strange Swordsmen ). In wuxia , the emphasis is on chivalry and righteousness and allows for phantasmagoric actions over the kung fu film 's more ground-based combat. The Kung fu film emerged in the 1970s from the swordplay films. Its name is derived from the Cantonese term gong fu which has two meanings:
15840-516: The site announced that user reviews would no longer be accepted until a film is publicly released. The site also announced plans to introduce a system for "verified" reviews, and that the "Want to See" statistic would now be expressed as a number so that it would not be confused with the audience score. Despite arguments on how Rotten Tomatoes scores impact the box office, academic researchers so far have not found evidence that Rotten Tomatoes ratings affect box office performance. In January 2010, on
15984-410: The site available in the United Kingdom, India, and Australia were discontinued following the acquisition of Rotten Tomatoes by Fandango. The Mexican version of the site, Tomatazos [ es ] , remains active. The Rotten Tomatoes API provides limited access to critic and audience ratings and reviews, allowing developers to incorporate Rotten Tomatoes data on other websites. The free service
16128-520: The site launched a new web series on Facebook, See It/Skip It , hosted by Jacqueline Coley and Segun Oduolowu. In March 2018, the site announced its new design, icons and logo for the first time in 19 years at South by Southwest . On May 19, 2020, Rotten Tomatoes won the 2020 Webby People's Voice Award for Entertainment in the Web category. In February 2021, the Rotten Tomatoes staff made an entry on their Product Blog, announcing several design changes to
16272-454: The site went live the same month, but the release of Rush Hour was delayed until September 1998. Besides Jackie Chan films , he began including other films on Rotten Tomatoes, extending it beyond Chan's fandom . The first non-Chan Hollywood movie whose reviews were featured on Rotten Tomatoes was Your Friends & Neighbors (1998). The website was an immediate success, receiving mentions by Netscape , Yahoo! , and USA Today within
16416-524: The site: Each film's 'Score Box' at the top of the page would now also include its release year, genre, and runtimes, with an MPAA rating to be soon added; the number of ratings would be shown in groupings – from 50+ up to 250,000+ ratings, for easier visualization. Links to critics and viewers are included underneath the ratings. By clicking on either the Tomatometer Score or the Audience Score,
16560-479: The starting point of the genre being traced to Woo's A Better Tomorrow (1986) make a record-breaking HK$ 34.7 million at the Hong Kong box office. The style of these films would influence American productions, such as Michael Bay 's Bad Boys II (2003) and the Wachowskis ' The Matrix (1999). Korean media recognized the more fatalistic and pessimistic tone of these films, leading to Korean journalists to label
16704-433: The style as "Hong Kong noir ". The influence of these films was evident in early Korean films such as Im Kwon-taek 's General's Son (1990) and later films such Song Hae-sung 's A Better Tomorrow (2010), Cold Eyes (2013) and New World (2013). Postcolonial Hong Kong cinema has struggled to maintain its international identity as a provider of these types action films because the talents involved had abandoned
16848-434: The term "genre" itself is often replaced or supplemented with the words "mode" and "narrative form" with all three terms often being used interchangeably. Johan Höglund and Agnieszka Soltysik Monnet said that the difference between these concepts are elusive, but stated that genre could be defined as belonging to specific historical and cultural moments while "mode" and "form" can refer to a larger pattern that operates across
16992-450: The term action film genre and adventure are often used in hybrid, and are even used interchangeably. Along with Holmund and Purse, Tasker wrote that the action films expansiveness complicates easy categorization and though the genre is often spoken of as singular genre, it is rarely discussed as singular style. Screenwriter and academic Jule Selbo expanded on this, describing a film as " crime /action" or an "action/crime" or other hybrids
17136-445: The themes that rescinded irony to restore " cinephile re-actualization of the genre's conventions." The genre went into full circle resurrecting films from the classical period with Live Free or Die Hard (2007) and Rambo (2008) finding the characters navigating a contemporary world while also acknowledging their age, culminating into The Expendables (2010) film. The most commercially successful action films and franchise of
17280-525: The title character in China O'Brien (1990) who were physically muscular and or enacted more extreme violence that was usually reserve for male action leads. In her book Contemporary Action Cinema (2011), Lisa Purse described the media response to female leads in action films reveal a discomfort about their presence and are often described with hesitant terms of women moving into territories that are perceived as masculine. Revealing woman in this form deconstructs
17424-533: The turn of the millennium, Australian genre films have gained increasing acceptance in the Australian feature film industry, while the action genre represented a small percentage of its output in the 21st century. Scholars of Australian genre film generally used the term "action-adventure" which allows them to apply it to various forms of narratives such as tongue in cheek heroic posturing stories like Crocodile Dundee (1986), road movies or bush/outback films. In
17568-422: The use of locations such as Hong Kong. These films often featured one-legged or otherwise handicapped action characters similar to those of Japanese films ( Zatoichi ) and Hong Kong films ( The One-Armed Swordsmen ). These included Im Kwon-taek's Returned Left-Handed Man (1968), Aekkunun Bak's One-Eyd Park (1970) and Lee Doo-yong's Returned One-Legged Man (1974). In the 1990s, the country's national cinema
17712-577: The users can access "Score Details" information, such as the number of Fresh and Rotten reviews, average rating, and Top Critics' score. The team also added a new "What to Know" section for each film entry page, which could combine the "Critics Consensus" blurb with a new "Audience Says" blurb, so users can see an at-a-glance summary of the sentiments of both certified critics and verified audience members. Rotten Tomatoes staff first collect online reviews from writers who are certified members of various writing guilds or film critic-associations. To be accepted as
17856-612: The vocal disgust of influential critics such as Roger Ebert, who was prone to derisively condemn such moves, with gestures such as "The Wagging Finger of Shame", on At the Movies . Furthermore, the very nature of withholding reviews can draw early conclusions from the public that the film is of poor quality because of that marketing tactic. On February 26, 2019, in response to issues surrounding coordinated " bombing " of user reviews for several films, most notably Captain Marvel and Star Wars: The Rise of Skywalker , prior to their release,
18000-597: The website for "reducing hundreds of reviews culled from print and online sources into a popularized aggregate score", while expressing respect for traditional film critics. Writer Max Landis , following his film Victor Frankenstein receiving an approval rating of 24% on the site, wrote that the site "breaks down entire reviews into just the word 'yes' or 'no', making criticism binary in a destructive arbitrary way". Vulture ran an article in September 2023 that raised several criticisms of Rotten Tomatoes's system, including
18144-520: The website's rating system. The awards were later renamed the Golden Tomato Awards. The nominees and winners are announced on the website, although there is no actual awards ceremony. The films are divided into wide release and limited release categories. Limited releases are defined as opening in 599 or fewer theaters at initial release. Platform releases, movies initially released under 600 theaters but later receiving wider distribution, fall under this definition. Any film opening in more than 600 theaters
18288-468: The woman of exploitation films of the 1970s such as Caged Heat (1974) and Big Bad Mama (1974). While characters like Frank in The Transporter series are permitted to visibly sweat, strain and be bloodied, Purse found a reluctance for filmmakers to have their female leads have any appearance warping injuries to ensure a perfectly made-up face. Comedy is often used in films of this period to place
18432-448: Was "only a semantic exercise" as both genres are important in the construction phase of the narrative. Mark Bould in A Companion to Film Noir (2013) said that categorization of multiple generic genre labels was common in film reviews who are rarely concerned with succinct descriptions that evoke elements of the film's form, content and make no claims beyond on how these elements combine. Film Studies began to engage generic hybridity in
18576-408: Was a difficult market for Hong Kong action cinema to break into. Prompted by the success of Enter the Dragon and the popularity of Bruce Lee, Toei made their own Bruce Lee-style martial arts films, with The Street Fighter and its two sequels starring Sonny Chiba as well as a spin-off with a female lead similar to Hong Kong's Angela Mao called Sister Street Fighter . The success of Enter
18720-466: Was aiming for the foreign audience, as he was disappointed with the current state of Japanese films. Kitamura's characters have been described as "a careful combination of the maverick independence of 1980s Hollywood action heroes and the calmness and acceptance of Japanese samurai, a consistent criticism of Japanese people today." Kitamura followed up Versus with two manga-inspired big-budget action films, Azumi and Sky High . Both released in 2003,
18864-416: Was bought by News Corp 's Fox Interactive Media . In January 2010, IGN sold the website to Flixster . The combined reach of both companies is 30 million unique visitors a month across all different platforms, according to the companies. In 2011, Warner Bros. acquired Rotten Tomatoes. In early 2009, Current Television launched The Rotten Tomatoes Show , a televised version of the web review site. It
19008-466: Was built for people under 18 ... so we wanted to give the movie its best chance. What other wide release with a score under 8 percent has opened north of $ 20 million? I don't think there is one". Conversely, Warner Bros. also did not do critic pre-screenings for The House , which held a score of 16% until the day of its release, and opened to just $ 8.7 million; the lowest of star Will Ferrell 's career. That marketing tactic can backfire, and drew
19152-417: Was displayed in corresponding with corresponded with millennial angst and apocalypticism showcased in films like Independence Day (1996) and Armageddon (1998). Action films of mass destruction began requiring more overtly super heroic characters with further comic book adaptations being made with increased non-realistic settings with films like The Matrix (1999). The fourth phase arrived following
19296-413: Was going to be an increasingly serious complication for the film business: "The power of Rotten Tomatoes and fast-breaking word of mouth will only get stronger. Many Millennials and even Gen X-ers now vet every purchase through the Internet, whether it's restaurants, video games, make-up, consumer electronics or movies. As they get older and comprise an even larger share of total moviegoers, this behavior
19440-464: Was hosted by Brett Erlich and Ellen Fox and written by Mark Ganek. The show aired Thursdays at 10:30 EST until September 16, 2010. It returned as a much shorter segment of InfoMania , a satirical news show that ended in 2011. By late 2009, the website was designed to enable Rotten Tomatoes users to create and join groups to discuss various aspects of film. One group, "The Golden Oyster Awards", accepted votes of members for various awards, spoofing
19584-464: Was in decline by the mid-1970s in Hong Kong in relation to the stock market crash which went from over 150 films in 1972 to just over 80 in 1975, which led to a downfall in martial arts films produced. When the economy became to rebound, a new trend of martial arts films, the Shaolin kung fu films emerged and sparked a revival of the genre. Unlike the wuxia , the kung fu film primarily focuses on fighting on
19728-509: Was in decline leading to Hong Kong gangster films filled in this void leading to large commercial success at the national box office. Early Korean heirs to Hong Kong action films include Rules of The Game (1994), Beat (1997), and Green Fish (1997) involving men who gain confidence and achieve personal growth as they embark on journeys to protect national state and meet devastating ends. South Korean cinema only received international attention in both art film and blockbuster formats towards
19872-445: Was in turn acquired by Warner Bros. in 2011. In February 2016, Rotten Tomatoes and its parent site Flixster were sold to Comcast 's Fandango ticketing company. Warner Bros. retained a minority stake in the merged entities, including Fandango. The site is influential among moviegoers, a third of whom say they consult it before going to the cinema in the U.S. It has been criticized for oversimplifying reviews by flattening them into
20016-503: Was launched in August 1998 by three undergraduate students at the University of California, Berkeley : Senh Duong, Patrick Y. Lee, and Stephen Wang. Although the name "Rotten Tomatoes" connects to the practice of audiences throwing rotten tomatoes in disapproval of a poor stage performance , the direct inspiration for the name from Duong, Lee, and Wang came from an equivalent scene in the 1992 Canadian film Léolo . Since January 2010, Rotten Tomatoes has been owned by Flixster , which
20160-442: Was not killed by criminals but by his fellow officers, and that the mayor of Detroit was behind both plots. Damien, Lino, and Tremaine confront the mayor at his office and get him to admit his plan - then reveal that they have been secretly recording his statements. The mayor is then arrested. Brick Mansions is welcomed back into the city, with Damien and Lino continuing their friendship. Tremaine runs for Mayor of Detroit , promoting
20304-599: Was not until the base of Chinese commercial filmmaking was relocated from Shanghai to Hong Kong in the late 1940s that martial arts cinema was revived. These films contained much of the characteristics of the previous era. During this period, over 100 films were based on the adventures of real life Cantonese folk hero Wong Fei-hung who first appeared in film in 1949. These films primarily on circuited within Hong Kong and Cantonese-speaking areas with Chinese diaspora . Yip continued that these Hong Kong films were still lagging behind in aesthetic and technical standards that films from
20448-504: Was only in the mid-20th century when action films developed into their own recognizable genre instead of being a collection of other types of films such as Westerns, swashbucklers or adventure films. Films have been described "action films" or "action-adventure film" as early as the 1910s. Only by the 1980s was the term action as its own unique genre used routinely in terms of promotion and reviewing practices. The first Chinese-language martial arts films can be traced to Shanghai cinema of
20592-572: Was only shown as being applicable to white middle-class women. Purse found that these women were empowered at the price of women of other ethnicities. This is seen in Aeon Flux (2005) where Sithandra dies protecting Aeon and Rain's death to make way for Alice in Resident Evil (2002). Rotten Tomatoes This is an accepted version of this page Rotten Tomatoes is an American review-aggregation website for film and television. The company
20736-451: Was released on April 25, 2014, five months after Walker's death on November 30, 2013, and has a dedication to him at the start of the credits. This was Walker's penultimate film, followed by his final film appearance in Furious 7 . In 2018, in a crime-ridden dystopian Detroit , a particularly notorious neighborhood has grown so dangerous that law enforcement is overwhelmed. Unable to control
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