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Beyond the Fringe

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Comedy is a genre that consists of discourses or works intended to be humorous or amusing by inducing laughter , especially in theatre , film , stand-up comedy , television , radio , books , or any other entertainment medium. The term originated in ancient Greece : In Athenian democracy , the public opinion of voters was influenced by political satire performed by comic poets in theaters . The theatrical genre of Greek comedy can be described as a dramatic performance pitting two groups, ages, genders, or societies against each other in an amusing agon or conflict. Northrop Frye depicted these two opposing sides as a "Society of Youth" and a "Society of the Old". A revised view characterizes the essential agon of comedy as a struggle between a relatively powerless youth and the societal conventions posing obstacles to his hopes. In this struggle, the youth then becomes constrained by his lack of social authority, and is left with little choice but to resort to ruses which engender dramatic irony , which provokes laughter.

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84-546: Beyond the Fringe was a British comedy stage revue written and performed by Alan Bennett , Peter Cook , Jonathan Miller , and Dudley Moore . It debuted at the 1960 Edinburgh Festival and went on to play in London's West End and then in America, both on tour and on New York 's Broadway in the early 1960s. Hugely successful, it is widely regarded as seminal to the " satire boom ",

168-510: A Joint Select Committee on Stage Plays (Censorship) was established and recommended that the Lord Chamberlain should continue to act as censor but that it could be lawful to perform plays without a licence from the Lord Chamberlain. However, King Edward VII refused to accept these recommendations. The outbreak of both World Wars put an end to any parliamentary initiatives to change the laws regarding theatre censorship for many years. In 1948,

252-465: A commanding authority on London's theatre companies under the Royal Prerogative for many decades already. But by the 1730s the theatre was not controlled by royal patronage anymore. Instead it had become more of a commercial business. Therefore, the fact the Lord Chamberlain still retained censorship authority for the next 200 years gave him uniquely repressive authority during a period where Britain

336-424: A few years earlier. Bassett also chose Jonathan Miller , who had been a Footlights star in 1957. Miller recommended Cook. Bennett and Miller were already pursuing careers in academia and medicine respectively, but Cook had an agent, having written a West End revue for Kenneth Williams . Cook's agent negotiated a higher weekly fee for him, but by the time the agent's fee was deducted Cook actually earned less than

420-511: A greater emphasis on public relations started. In 1986, he produced a 1,393-page report recommending 188 changes for smoother operations of the Royal Household. The Lord Chamberlain's Office is a department of the Royal Household and its day-to-day work is headed by the Comptroller. It is responsible for organizing ceremonial activities including state visits, investitures, garden parties,

504-498: A late-night revue "to beat The Fringe at its own game." By 1960, the Festival was so firmly established that "it required for its health some good-humoured self-mockery." Ponsonby's assistant, John "Johnny" Bassett , recommended Dudley Moore , who had played with Bassett in a jazz band while at university in Oxford . Moore in turn recommended Alan Bennett , who had had a hit at the Fringe

588-490: A marionette to a hand puppet, and he became, really, a spirit of Britain — a subversive maverick who defies authority, a kind of puppet equivalent to our political cartoons ." In early 19th century England, pantomime acquired its present form which includes slapstick comedy and featured the first mainstream clown Joseph Grimaldi , while comedy routines also featured heavily in British music hall theatre which became popular in

672-650: A number of musical items in the show, using Dudley Moore's music, most famously an arrangement of the Colonel Bogey March which resists Moore's repeated attempts to bring it to an end. The show prefigured the Satire Boom of the 1960s. Without it, there might not have been either That Was the Week That Was or Private Eye , the satirical magazine which originated at the same time, that partially survived due to financial support from Peter Cook, and that served as

756-465: A play of any kind. The first London performance of the musical Hair was actually delayed until the Act was passed after a licence had been refused. The battle regarding the abolition of censorship was largely a political one, fought on principle. Those who opposed the termination of this particular duty of the Lord Chamberlain were mostly concerned about how to protect the reputation of the royal family and

840-473: A result, much of their art was intentionally amusing. A famous example is Marcel Duchamp 's Fountain (1917), an inverted urinal signed "R. Mutt". This became one of the most famous and influential pieces of art in history, and one of the earliest examples of the found object movement. It is also a joke, relying on the inversion of the item's function as expressed by its title as well as its incongruous presence in an art exhibition. The advent of cinema in

924-504: A sketch he found distasteful, before apparently sitting down again and enjoying the remainder of the show, while another, at the first performance in Edinburgh, allegedly stood up and declared that the 'young bounders don't know the first thing about it!' and promptly left the auditorium. In response to these negative audience reactions, the Beyond the Fringe team said that they were not ridiculing

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1008-535: A subversion of audience's expectations, so that amusement is founded on unpredictability , separate from a logical analysis of the situation. The humour derived gets its appeal from the ridiculousness and unlikeliness of the situation. The genre has roots in Surrealism in the arts. Surreal humour is the effect of illogic and absurdity being used for humorous effect. Under such premises, people can identify precursors and early examples of surreal humour at least since

1092-464: A sympathetic character. Aristotle divides comedy into three categories or subgenres: farce , romantic comedy , and satire . On the other hand, Plato taught that comedy is a destruction to the self. He believed that it produces an emotion that overrides rational self-control and learning. In The Republic , he says that the guardians of the state should avoid laughter, "for ordinarily when one abandons himself to violent laughter, his condition provokes

1176-615: A version starring Kevin Bishop as Moore, Tom Goodman-Hill as Cook, Fergus Craig as Alan Bennett and Colin Hoult as Jonathan Miller. It subsequently embarked on a nationwide tour. The creation, performance and aftermath of the show is covered in the 2004 film Not Only But Always . Good Evening , Roy Smiles' play about the Beyond The Fringe team was broadcast on Radio 4 in 2008, with Benedict Cumberbatch as Dudley Moore. In 2017, Beyond

1260-460: A violent reaction." Plato says comedy should be tightly controlled if one wants to achieve the ideal state. Also in Poetics , Aristotle defined comedy as one of the original four genres of literature . The other three genres are tragedy , epic poetry , and lyric poetry . Literature, in general, is defined by Aristotle as a mimesis , or imitation of life. Comedy is the third form of literature, being

1344-454: Is characterized by a form of humor that includes darker aspects of human behavior or human nature. Similarly scatological humor , sexual humor, and race humor create comedy by violating social conventions or taboos in comic ways, which can often be taken as offensive by the subjects of the joke. A comedy of manners typically takes as its subject a particular part of society (usually upper-class society) and uses humor to parody or satirize

1428-789: Is not only a genius, he is the man who originated slapstick comedy. We in Hollywood owe much to him." American vaudeville emerged in the 1880s and remained popular until the 1930s, and featured comedians such as W. C. Fields , Buster Keaton and the Marx Brothers . Surreal humour (also known as 'absurdist humour'), or 'surreal comedy', is a form of humour predicated on deliberate violations of causal reasoning, producing events and behaviours that are obviously illogical . Constructions of surreal humour tend to involve bizarre juxtapositions, incongruity, non-sequiturs , irrational or absurd situations and expressions of nonsense . The humour arises from

1512-425: Is otherwise a serious commentary on the state of foreign relations serves to frame the segment comically, creating a serious tone underlying the comedic agenda presented by Stewart. Comedy may be divided into multiple genres based on the source of humor, the method of delivery, and the context in which it is delivered. The different forms of comedy often overlap, and most comedy can fit into multiple genres. Some of

1596-601: Is usually a peer and before 1782 the post was of Cabinet rank . The position was a political one until 1924. The office dates from the Middle Ages when the King's Chamberlain often acted as the King's spokesman in Council and Parliament . The current Lord Chamberlain is The Lord Benyon , who has been in office since 4 November 2024. During the early modern period, the Lord Chamberlain

1680-671: The Australian comedian Paul Hogan , famous for Crocodile Dundee . Other centres of creative comic activity have been the cinema of Hong Kong , Bollywood , and French farce . American television has also been an influential force in world comedy: with American series like M*A*S*H , Seinfeld and The Simpsons achieving large followings around the world. British television comedy also remains influential, with quintessential works including Fawlty Towers , Monty Python , Dad's Army , Blackadder , and The Office . Australian satirist Barry Humphries , whose comic creations include

1764-566: The British Library also includes correspondence and administrative documents related to the censorship process. The Lord Chamberlain is the most senior official of the Royal Household and oversees its business, including liaising with the other senior officers of the Household, chairing Heads of Department meetings, and advising in the appointment of senior Household officials. The Lord Chamberlain also undertakes ceremonial duties and serves as

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1848-644: The Fortune Theatre in London, opening in early May 1961, in a revised production by Donald Albery and William Donaldson and directed by Eleanor Fazan , it became a true sensation. This was helped in large part by a favourable review by Kenneth Tynan . In 1962, the show transferred to the John Golden Theatre in New York, with its original cast. President John F. Kennedy attended a performance on 10 February 1963. The show continued in New York, with most of

1932-804: The Groom of the Stool/Stole ). His department not only furnished the servants and other personnel (such as physicians and bodyguards, the Yeomen of the Guard and Gentlemen Pensioners ) in intimate attendance on the Sovereign but arranged and staffed ceremonies and entertainments for the court. He also had (secular) authority over the Chapel Royal . In 1782, under the terms of the Civil List and Secret Service Money Act (22 Geo. III c.82),

2016-488: The Middle Ages , the term expanded to include narrative poems with happy endings. It is in this sense that Dante used the term in the title of his poem, La Commedia . As time progressed, the word came more and more to be associated with any sort of performance intended to cause laughter. During the Middle Ages, the term "comedy" became synonymous with satire , and later with humour in general. Aristotle's Poetics

2100-564: The State Opening of Parliament . They also oversee the Royal Mews and Royal Travel, as well as the ceremony around the awarding of honours. From 1737 to 1968, the Lord Chamberlain had the power to decide which plays would be granted a licence for performance; this meant that he had the capacity to censor theatre at his pleasure. The Lord Chamberlain is always sworn of the Privy Council ,

2184-571: The Three Stooges , Abbott and Costello , Dean Martin and Jerry Lewis , Bob Hope and Phyllis Diller during the mid-20th century, to performers like George Carlin , Bill Cosby , Joan Rivers , Robin Williams , and Eddie Murphy toward the end of the century. Hollywood attracted many international talents like the British comics Peter Sellers , Dudley Moore and Sacha Baron Cohen , Canadian comics Dan Aykroyd , Jim Carrey , and Mike Myers , and

2268-550: The West End . In the case of John Osborne's play A Patriot for Me , the Lord Chamberlain at the time, Lord Cobbold , was irritated that the play was so widely publicized even though he had banned it and therefore pursued legal action. In the end, the play was allowed to continue as it was. At this point, several widely regarded authors had all been censored by the Lord Chamberlain at one time or another, including playwrights Henrik Ibsen and George Bernard Shaw . Sometimes censorship

2352-457: The "art of reprehension", and made no reference to light and cheerful events, or to the troubling beginnings and happy endings associated with classical Greek comedy. After the Latin translations of the 12th century , the term "comedy" gained a more general meaning in medieval literature . In the late 20th century, many scholars preferred to use the term laughter to refer to the whole gamut of

2436-568: The 1850s. British comedians who honed their skills in music hall sketches include Charlie Chaplin , Stan Laurel and Dan Leno . English music hall comedian and theatre impresario Fred Karno developed a form of sketch comedy without dialogue in the 1890s, and Chaplin and Laurel were among the comedians who worked for his company. Karno was a pioneer of slapstick , and in his biography, Laurel stated, "Fred Karno didn't teach Charlie [Chaplin] and me all we know about comedy. He just taught us most of it". Film producer Hal Roach stated: "Fred Karno

2520-511: The 19th century, such as Lewis Carroll 's Alice's Adventures in Wonderland and Through the Looking-Glass , which both use illogic and absurdity ( hookah -smoking caterpillars , croquet matches using live flamingos as mallets, etc.) for humorous effect. Many of Edward Lear 's children stories and poems contain nonsense and are basically surreal in approach. For example, The Story of

2604-516: The BBC were predisposed to frown upon it. Macmillan—according to Cook—was not particularly fond of the slurred caricature and charade of senile forgetfulness (marked by a failure to pronounce 'Conservative Party' coherently) handed down on him in Cook's impersonation. Since Beyond the Fringe was not owned by the BBC, however, the quartet enjoyed relative carte blanche. The only protocol they were obliged to adhere to

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2688-553: The Four Little Children Who Went Round the World (1871) is filled with contradictory statements and odd images intended to provoke amusement, such as the following: After a time they saw some land at a distance; and when they came to it, they found it was an island made of water quite surrounded by earth. Besides that, it was bordered by evanescent isthmuses with a great Gulf-stream running about all over it, so that it

2772-731: The Fringe was recreated for an episode of the Netflix TV series The Crown in which Prime Minister Macmillan is in attendance and singled out for abuse by Peter Cook (performed by Patrick Warner.) Comedy Satire and political satire use comedy to portray people or social institutions as ridiculous or corrupt, thus alienating their audience from the object of their humor. Parody subverts popular genres and forms, critiquing those forms without necessarily condemning them. Other forms of comedy include screwball comedy , which derives its humor largely from bizarre, surprising (and improbable) situations or characters, and black comedy , which

2856-615: The Household is the most senior officer of the Royal Household of the United Kingdom , supervising the departments which support and provide advice to the Sovereign of the United Kingdom while also acting as the main channel of communication between the Sovereign and the House of Lords . The office organises all ceremonial activity such as garden parties , state visits , royal weddings , and

2940-510: The Lord Chamberlain took on direct responsibility for items kept and maintained by the Great Wardrobe and the Jewel House (whereby these formerly semi-independent sub-departments were abolished). As other responsibilities of government were devolved to ministers, the ordering of the Royal Household was largely left to the personal taste of the Sovereign. To ensure that the chamber reflected

3024-477: The National Touring Company took it on a nationwide tour for six months as Beyond the Fringe '65 under the auspices of Alexander H. Cohen, with the cast consisting of Bob Cessna , Donald Cullen, Joel Fabiani , and James Valentine . Slight changes were made to adapt the show for American audiences, for instance the opening number (discussing America) was retitled "Home Thoughts from Abroad". The show

3108-659: The Neapolitan stock character of Pulcinella . The figure who later became Mr. Punch made his first recorded appearance in England in 1662. Punch and Judy are performed in the spirit of outrageous comedy — often provoking shocked laughter — and are dominated by the anarchic clowning of Mr. Punch. Appearing at a significant period in British history, professor Glyn Edwards states: "[Pulcinella] went down particularly well with Restoration British audiences, fun-starved after years of Puritanism . We soon changed Punch's name, transformed him from

3192-476: The State Opening of Parliament, weddings and funerals. On State and ceremonial occasions, the Lord Chamberlain carries specific symbols that represent his office: a white staff and a key (which is worn at the hip pocket). These insignia are returned to the monarch when the Lord Chamberlain retires from office; but if the monarch dies, the white staff is symbolically broken by the Lord Chamberlain and placed on

3276-472: The absolute powers of censorship enjoyed by the Lord Chamberlain but still slightly restricted his powers so that he could only prohibit the performance of plays where he was of the opinion that "it is fitting for the preservation of good manners, decorum or of the public peace so to do". The Act, however, did abolish the monopoly that the patent houses had in London, providing a minor win for playwrights and theatre managers wishing to produce new work. In 1909,

3360-417: The aims. "Comedy", in its Elizabethan usage, had a very different meaning from modern comedy. A Shakespearean comedy is one that has a happy ending, usually involving marriages between the unmarried characters, and a tone and style that is more light-hearted than Shakespeare's other plays. The Punch and Judy show has roots in the 16th-century Italian commedia dell'arte . The figure of Punch derives from

3444-563: The behavior and mannerisms of its members. Romantic comedy is a popular genre that depicts burgeoning romance in humorous terms and focuses on the foibles of those who are falling in love. Dean Rubin says the word "comedy" is derived from the Classical Greek κωμῳδία kōmōidía , which is a compound of κῶμος kômos (revel) and ᾠδή ōidḗ (singing; ode). The adjective "comic" (Greek κωμικός kōmikós), which strictly means that which relates to comedy is, in modern usage, generally confined to

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3528-513: The channel of communication between the Sovereign and the House of Lords . Under Lord Airlie, the Lord Chamberlain’s ceremonial and non-executive role was altered to that of chief executive. Airlie initiated changes in the early 1990s under the auspices of "The Way Ahead Group". Under these plans the Queen agreed to pay tax, greater transparency for the public subsidy of the monarchy began and

3612-462: The charitable attitude towards people that is required for purposes of persuasion and co-operation, but at the same time maintains our shrewdness concerning the simplicities of 'cashing in. ' " The purpose of the comic frame is to satirize a given circumstance and promote change by doing so. The comic frame makes fun of situations and people, while simultaneously provoking thought. The comic frame does not aim to vilify in its analysis, but rather, rebuke

3696-827: The circus clown also continued, with such as Bozo the Clown in the United States and Oleg Popov in Russia. Radio provided new possibilities — with Britain producing the influential surreal humour of the Goon Show after the Second World War. The Goons' influence spread to the American radio and recording troupe the Firesign Theatre . American cinema has produced a great number of globally renowned comedy artists, from Laurel and Hardy ,

3780-483: The civilization of a country ... I take to be the flourishing of the Comic idea and Comedy, and the test of true Comedy is that it shall awaken thoughtful laughter." Laughter is said to be the cure for being sick. Studies show that people who laugh more often get sick less. American literary theorist Kenneth Burke writes that the "comic frame" in rhetoric is "neither wholly euphemistic, nor wholly debunking—hence it provides

3864-733: The coffin of the deceased Sovereign at the end of the State Funeral service. This was last done by the Lord Parker of Minsmere , who broke his staff over the coffin of Queen Elizabeth II in 2022. The Lord Chamberlain is ex-officio the Chancellor of the Royal Victorian Order , having possession of a Badge corresponding to that office. As such, they are often appointed to the said Order either upon appointment as Lord Chamberlain, or later in their career. The Lord Chamberlain also regulates

3948-486: The comic, in order to avoid the use of ambiguous and problematically defined genres such as the grotesque , irony , and satire . Starting from 425 BCE, Aristophanes , a comic play and satirical author of the Ancient Greek Theater , wrote 40 comedies, 11 of which survive. Aristophanes developed his type of comedy from the earlier satyr plays , which were often highly obscene . The only surviving examples of

4032-539: The current evidency to incorporate all instances of the comic in the analysis, while the classification in genres and fields such as grotesque, humour and even irony or satire always poses problems. The terms humour and laughter are therefore pragmatically used in recent historiography to cover the entire spectrum. That Comedy sprang up and took shape in connection with Dionysiac or Phallic ritual has never been doubted. Lord Chamberlain The Lord Chamberlain of

4116-612: The day and, with Shakespeare, the past. It effectively represented the views and disappointments of the first generation of British people to grow up after World War II , and gave voice to a sense of the loss of national purpose with the end of the British Empire . Although all of the cast contributed material, the most often quoted pieces were those by Cook, many of which had appeared before in his Cambridge Footlights revues. The show broke new ground with Peter Cook's impression of then Prime Minister Harold Macmillan ; on one occasion, this

4200-714: The early years of BBC 2 , took its title from this production. It consisted of performances of material that was popular in theatrical revue before the advent of Beyond the Fringe . The show's success was not limited to the UK. In 1962, it also opened in South Africa. Next it arrived in the US. First the Broadway Company opened on 27 October 1962, then it was performed by the National Company in 1963. Subsequently, opening on 8 October 1964,

4284-412: The efforts of those involved in the war, but were challenging the subsequent media portrayal of them. Beyond the Fringe was a forerunner to British television programmes That Was the Week That Was , At Last the 1948 Show , and Monty Python's Flying Circus . As with the established comedy revue, it was a series of satirical sketches and musical pieces using a minimal set, looking at events of

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4368-435: The first British Theatre Conference recommended the termination of theatre censorship with the plan to pursue parliamentary action to ratify this. In the 1960s the debate to abolish theatre censorship rose again as a new generation of young playwrights came on the scene. They gained popularity with their new plays in local establishments, but since many were refused a licence by the Lord Chamberlain, they could not transfer to

4452-514: The government instead of controlling obscenity and blasphemy on stage. However, this concern has largely been unfounded. Since the termination of censorship, British drama has flourished and produced several prominent playwrights and new works since. The abolition of censorship opened a floodgate of theatrical creativity. The long standing role of the Lord Chamberlain as theatrical censor resulted in an extensive archive of both licensed and unlicensed play scripts being preserved. The collection held at

4536-418: The housewife and "gigastar" Dame Edna Everage , for his delivery of Dadaist and absurdist humour to millions, was described by biographer Anne Pender in 2010 as not only "the most significant theatrical figure of our time ... [but] the most significant comedian to emerge since Charlie Chaplin ". By 200 BC, in ancient Sanskrit drama , Bharata Muni 's Natya Shastra defined humour ( hāsyam ) as one of

4620-453: The issue and present a solution. This time the argument largely centered around this issue on the portrayal of living and recently dead individuals, particularly in reference to the monarchy as well as politicians. After much debate, the Theatres Act 1968 was finally passed; it officially abolished the censorship of the stage and repealed the Lord Chamberlain's power to refuse a licence to

4704-400: The lack of copyright protection for their work and more importantly that only two patent theatres in London could legitimately perform new plays. After more pressure from playwrights and theatre managers, the findings of the committee were finally presented to Parliament. It was the proposals of this committee that Parliament implemented in the Theatres Act of 1843 . The Act still confirmed

4788-413: The late 19th century, and later radio and television in the 20th century broadened the access of comedians to the general public. Charlie Chaplin , through silent film, became one of the best-known faces on Earth. The silent tradition lived on well into the late 20th century through mime artists like Marcel Marceau , and the slapstick comedy of artists like Rowan Atkinson (as Mr. Bean ). The tradition of

4872-406: The model for the later American Spy magazine. Cook and Moore formed a comedy duo and appeared in the popular television show Not Only... But Also , and the 1967 film Bedazzled . Cook also launched his club, The Establishment , around this time. Many of the members of Monty Python recall being inspired by Beyond the Fringe . The retrospective show Before the Fringe , broadcast during

4956-400: The most divorced from a true mimesis. Tragedy is the truest mimesis, followed by epic poetry, comedy, and lyric poetry. The genre of comedy is defined by a certain pattern according to Aristotle's definition. Comedies begin with low or base characters seeking insignificant aims and end with some accomplishment of the aims which either lightens the initial baseness or reveals the insignificance of

5040-441: The nine nava rasas , or principle rasas (emotional responses), which can be inspired in the audience by bhavas , the imitations of emotions that the actors perform. Each rasa was associated with a specific bhavas portrayed on stage. In the case of humour, it was associated with mirth ( hasya ). The phenomena connected with laughter and that which provokes it have been carefully investigated by psychologists. They agree

5124-625: The original cast, until 1964, when Paxton Whitehead replaced Miller, while the London version continued with a different cast until 1966. The revue was widely considered to be ahead of its time, both in its unapologetic willingness to debunk figures of authority, and by virtue of its inherently surrealistic comedic vein. Humiliation of authority was something only previously delved into in The Goon Show and, arguably, Hancock's Half Hour , with such parliamentarians as Sir Winston Churchill and Harold Macmillan coming under special scrutiny—although

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5208-418: The origins of comedy are obscure because it was not treated seriously from its inception. However, comedy had its own Muse : Thalia . Aristotle taught that comedy was generally positive for society, since it brings forth happiness, which for Aristotle was the ideal state, the final goal in any activity. For Aristotle, a comedy did not need to involve sexual humor. A comedy is about the fortunate rise of

5292-514: The others from the initial run. The majority of the sketches were by Cook and were largely based on material written for other revues. Among the entirely new material were "The End of the World", "TVPM" and "The Great Train Robbery". Cook and Moore revived some of the sketches on their later television and stage shows, most famously the two-hander " One Leg Too Few ". Miller told the press in March 1960 that

5376-497: The predominant characteristics are incongruity or contrast in the object and shock or emotional seizure on the part of the subject. It has also been held that the feeling of superiority is an essential factor: thus Thomas Hobbes speaks of laughter as a "sudden glory". Modern investigators have paid much attention to the origin both of laughter and of smiling, as well as the development of the "play instinct" and its emotional expression. George Meredith said that "One excellent test of

5460-600: The rise of satirical comedy in 1960s Britain. The idea for Beyond the Fringe came from Robert Ponsonby , who was the director of the Edinburgh International Festival from 1956 to 1960. Ponsonby's idea was to bring together the best parts of the revues staged by the Cambridge Footlights and The Oxford Revue at the Edinburgh Fringe in previous years. He said that the Festival should put on

5544-497: The royal tastes, the Lord Chamberlain received commands directly from the sovereign to be transmitted to the heads of subordinate departments. In 1594, the Lord Chamberlain, Henry Carey, 1st Baron Hunsdon , founded the Lord Chamberlain's Men , for which William Shakespeare was a part (and later a shareholder in the company) and for whom he wrote most of his plays during his career. Carey served under Elizabeth I of England at

5628-428: The same role. Self-deprecation is a technique of comedy used by many comedians who focus on their misfortunes and foibles in order to entertain. Stand-up comedy is a mode of comic performance in which the performer addresses the audience directly, usually speaking in their own person rather than as a dramatic character . The deliberate use by Menard of the term 'le rire' rather than 'l'humour' reflects accurately

5712-441: The satyr plays are by Euripides , which are much later examples and not representative of the genre. In ancient Greece, comedy originated in bawdy and ribald songs or recitations apropos of phallic processions and fertility festivals or gatherings. Around 335 BCE, Aristotle , in his work Poetics , stated that comedy originated in phallic processions and the light treatment of the otherwise base and ugly. He also adds that

5796-449: The sense of "laughter-provoking". Of this, the word came into modern usage through the Latin comoedia and Italian commedia and has, over time, passed through various shades of meaning. The Greeks and Romans confined their use of the word "comedy" to descriptions of stage-plays with happy endings. Aristotle defined comedy as an imitation of men worse than the average (where tragedy

5880-577: The show would "be anti-establishment, anti-capital punishment, anti-colour bar and anti-1960. But it will be all very serious stuff, sharp, bitter and to the point." The show's run in Edinburgh was immensely successful. Before beginning its run in the West End, the show had great success at the Cambridge Arts Theatre, but a brief run in Brighton garnered a lukewarm response. When the revue transferred to

5964-609: The stupidity and foolery of those involved in the circumstances. For example, on The Daily Show , Jon Stewart uses the "comic frame" to intervene in political arguments, often offering crude humor in sudden contrast to serious news. In a segment on President Obama 's trip to China, Stewart remarks on America's debt to the Chinese government while also having a weak relationship with the country. After depicting this dismal situation, Stewart shifts to speak directly to President Obama, calling upon him to "shine that turd up." For Stewart and his audience, introducing coarse language into what

6048-524: The subgenres of comedy are farce , comedy of manners , burlesque , and satire . Some comedy apes certain cultural forms: for instance, parody and satire often imitate the conventions of the genre they are parodying or satirizing. For example, in the United States, parodies of newspapers and television news include The Onion , and The Colbert Report ; in Australia, shows such as Kath & Kim , Utopia , and Shaun Micallef's Mad As Hell perform

6132-464: The theatre licensing system in England needed an upgrade. Playwrights, instead of representatives of minor theatres, actually initiated the final push for reform as they felt that their livelihoods were being negatively affected by the monopoly the larger theatres had on the industry, backed by the laws in the 1737 Act. A Select Committee was formed in 1832 with the purpose of examining the laws that affected dramatic literature. Their main complaints were

6216-428: The theatrical censor. The Licensing Act 1737 gave the Lord Chamberlain the statutory authority to veto the performance of any new plays: he could prevent any new play, or any modification to an existing play, from being performed for any reason, and theatre owners could be prosecuted for staging a play (or part of a play) that had not received prior approval. Historically though, the Lord Chamberlain had been exercising

6300-635: The time and was in charge of all court entertainment, a duty traditionally given to the Master of the Revels , a deputy of the Lord Chamberlain. Later, in 1603, James I of England , elevated the Chamberlain's Men to royal patronage and changed the name to the King's Men . In 1737, Sir Robert Walpole officially introduced statutory censorship with the Licensing Act of 1737 by appointing the Lord Chamberlain to act as

6384-455: Was an imitation of men better than the average). However, the characters portrayed in comedies were not worse than average in every way, only insofar as they are Ridiculous, which is a species of the Ugly. The Ridiculous may be defined as a mistake or deformity not productive of pain or harm to others; the mask, for instance, that excites laughter is something ugly and distorted without causing pain. In

6468-464: Was experiencing "growing political enfranchisement and liberalization". Even further confusion rested in the fact that Members of Parliament could not present changes to the censorship laws because although the Lord Chamberlain exercised his authority under statute law, he was still an official whose authority was derived from the Royal Prerogative. By the 1830s, it started to become clear that

6552-520: Was one of the three principal officers of the Royal Household, the others being the Lord Steward and the Master of the Horse . The Lord Chamberlain was responsible for the "chamber" or the household "above stairs": that is, the series of rooms used by the Sovereign to receive increasingly select visitors, terminating in the royal bedchamber (although the bedchamber itself came to operate semi-autonomously under

6636-441: Was perfectly beautiful, and contained only a single tree, 503 feet high. In the early 20th century, several avant-garde movements, including the dadaists , surrealists , and futurists , began to argue for an art that was random, jarring and illogical. The goals of these movements were in some sense serious, and they were committed to undermining the solemnity and self-satisfaction of the contemporary artistic establishment . As

6720-465: Was performed with Macmillan in the audience, and Cook added an ad lib ridiculing Macmillan for turning up to watch. The show is credited with giving many other performers the courage to be satirical and more improvisational in their manner, and broke the conventions of not lampooning the Royal Family or the government of the day. Shakespearean drama was another target of their comedy. There were also

6804-502: Was revived in slightly altered form in Los Angeles in 2000 and 2001 by Joseph Dunn's ReEstablishment Theater to critical acclaim. The four original members of Beyond the Fringe feature prominently as characters in the play Pete and Dud: Come Again , by Chris Bartlett and Nick Awde . Appropriately, that comedy-drama had a sellout run at the 2005 Edinburgh Festival Fringe before transferring to London's West End at The Venue, in 2006, in

6888-524: Was self-serving. A comedy written for the Edinburgh Fringe Festival in the early 1960s had, as its plot, a jocular scheme to steal the Crown jewels. The Lord Chamberlain issued a one-line letter requiring the excision of that plot element. As Michael Palin , one of its authors and performers notes, that meant banning the entire production. Another Joint Select Committee was founded to further debate on

6972-460: Was that, by law, their scripts had to be sent to the Lord Chamberlain for approval prior to performance, a requirement abolished in 1968. Most specifically, its lampooning of the British war effort in a sketch titled "The Aftermyth of War" was scorned by some war veterans for its supposed insensitivity. One British visitor to the Broadway performance was said to have stood up and shouted 'rotters!' at

7056-409: Was translated into Arabic in the medieval Islamic world , where it was elaborated upon by Arabic writers and Islamic philosophers , such as Abu Bishr , and his pupils Al-Farabi , Avicenna , and Averroes . They disassociated comedy from Greek dramatic representation and instead identified it with Arabic poetic themes and forms, such as hija (satirical poetry). They viewed comedy as simply

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