Bert Coules is an English writer, mainly for the BBC , who has produced a number of dramatisations and original works. He works mainly in radio drama but also writes for TV and the stage.
96-573: Bert Coules worked in radio drama for ten years, gaining experience as a recording engineer, sound-effects technician, script reader and producer-director before becoming a full-time writer in 1989. Coules began writing without any previous training, saying that he only heard a bad radio drama and felt he could do better. He wrote his first script in 1977 and had it accepted, a 45-minute docu-drama called "Wagner in Hell". Coules specializes in mystery and science fiction audio and radio drama, and has written
192-436: A Molière adaptation), either as in-studio productions or by remote broadcast from local theaters and opera houses. An early British drama broadcast was of Shakespeare 's A Midsummer Night's Dream on 2LO on 25 July 1923. Serious study of American radio drama of the 1920s and early 1930s is, at best, very limited. Unsung pioneers of the art include: WLW's Fred Smith; Freeman Gosden and Charles Correll (who popularized
288-565: A "scripted podcast" or "audio drama") is similar to a radio drama , but in podcast form. They deliver a fictional story, usually told over multiple episodes and seasons, using multiple voice actors, dialogue, sound effects , and music to enrich the story. Fiction podcasts have attracted a number of well-known actors as voice talents, including Demi Moore and Matthew McConaughey as well as from content producers like Netflix , Spotify , Marvel Comics , and DC Comics . Unlike other genres, downloads of fiction podcasts increased by 19% early in
384-558: A PC or MP3 player. The service was available for about a year until i2Go's demise in 2001. In October 2000, the concept of attaching sound and video files in RSS feeds was proposed in a draft by Tristan Louis . The idea was implemented by Dave Winer , a software developer and an author of the RSS format. In August 2004, Adam Curry launched his show Daily Source Code , focused on chronicling his everyday life, delivering news, and discussions about
480-474: A broadcast. Translated and broadcast in Germany and England by 1925, the play was originally scheduled by Radio-Paris to air on October 23, 1924, but was instead banned from French radio until 1937 because the government feared that the dramatic SOS messages would be mistaken for genuine distress signals. In 1951, American writer and producer Arch Oboler suggested that Wyllis Cooper 's Lights Out (1934–47)
576-574: A central list of the files on a server as a web feed that one can access through the Internet . The listener or viewer uses special client application software on a computer or media player, known as a podcast client , which accesses this web feed, checks it for updates, and downloads any new files in the series. This process can be automated to download new files automatically, so it may seem to listeners as though podcasters broadcast or " push " new episodes to them. Podcast files can be stored locally on
672-433: A community forum dedicated to discussing the show's content. The cost to the consumer is low, and many podcasts are free to download. Some podcasts are underwritten by corporations or sponsored, with the inclusion of commercial advertisements . In other cases, a podcast could be a business venture supported by some combination of a paid subscription model , advertising or product delivered after sale. Because podcast content
768-461: A discussion about a particular topic or current event. Discussion and content within a podcast can range from carefully scripted to completely improvised. Podcasts combine elaborate and artistic sound production with thematic concerns ranging from scientific research to slice-of-life journalism . Many podcast series provide an associated website with links and show notes, guest biographies, transcripts, additional resources, commentary, and occasionally
864-464: A dramatist in 1955, with his adaptation of his own novel Like Men Betrayed for the BBC Light Programme . However, he made his debut as an original playwright with The Dock Brief , starring Michael Hordern as a hapless barrister, first broadcast in 1957 on BBC Third Programme, later televised with the same cast and subsequently presented in a double bill with What Shall We Tell Caroline? at
960-455: A duplicitous character's internal monologue and his spoken words. The question of who was the first to write stream-of-consciousness drama for radio is a difficult one to answer. By 1930, Tyrone Guthrie had written plays for the BBC like Matrimonial News (which consists entirely of the thoughts of a shopgirl awaiting a blind date) and The Flowers Are Not for You to Pick (which takes place inside
1056-528: A fair share of drama, both single plays (generally, as the name of the station indicated, of a lighter nature) and serials. In contrast, the BBC Third Programme, destined to become one of the leading cultural and intellectual forces in post-war Britain, specialized in heavier drama (as well as the serious music, talks, and other features which made up its content): long-form productions of both classical and modern/experimental dramatic works sometimes occupied
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#17328695233561152-546: A fertile training ground and a steady source of employment for many actors, and this was particularly important because at this time the Australian theatre scene was in its infancy and opportunities were very limited. Many who trained in this medium (such as Peter Finch ) subsequently became prominent both in Australia and overseas. Podcasting A podcast is a program made available in digital format for download over
1248-552: A forerunner of radio drama because "his plays were performed by readers as sound plays, not by actors as stage plays... In this respect Seneca had no significant successors until 20th-century technology made possible the widespread dissemination of sound plays." Radio drama traces its roots back to the 1880s: "In 1881 French engineer Clement Ader had filed a patent for 'improvements of Telephone Equipment in Theatres ' " ( Théâtrophone ). English-language radio drama seems to have started in
1344-428: A free podcast version of their book as a form of promotion. On occasion such novelists have secured publishing contracts to have their novels printed. Podcast novelists have commented that podcasting their novels lets them build audiences even if they cannot get a publisher to buy their books. These audiences then make it easier to secure a printing deal with a publisher at a later date. These podcast novelists also claim
1440-527: A good training ground for beginning drama writers as the words written form a much greater part of the finished product; bad lines cannot be obscured with stagecraft. The BBC's sole surviving radio soap is The Archers on BBC Radio 4 : it is, with over 18,700 episodes to date, the world's longest-running such programme. Other radio soaps ("ongoing serials") produced by the BBC but no longer on air include: In September, 2010 Radio New Zealand began airing its first ongoing soap opera, You Me Now , which won
1536-617: A live audience. Ticket sales allow the podcasters an additional way of monetizing. Some podcasts create specific live shows to tour which are not necessarily included on the podcast feed. Events including the London Podcast Festival, SF Sketchfest and others regularly give a platform for podcasters to perform live to audiences. Podcast episodes are widely stored and encoded in the mp3 digital audio format and then hosted on dedicated or shared webserver space. Syndication of podcasts' episodes across various websites and platforms
1632-418: A long list of others who were credited at the time with any number of innovations but who are largely forgotten or undiscussed today. Elizabeth McLeod 's 2005 book on Gosden and Correll's early work is a major exception, as is Richard J. Hand's 2006 study of horror radio, which examines some programs from the late 1920s and early 1930s. Another notable early radio drama, one of the first specially written for
1728-419: A new generation of dramatists also emerged at this time, notably Yuri Rasovsky , Thomas Lopez of ZBS and the dramatic sketches heard on humorist Garrison Keillor 's A Prairie Home Companion . Brian Daley 's 1981 adaptation of the blockbuster space opera film Star Wars for NPR Playhouse was a notable success. Production costs on this serial were mitigated by the support of Lucasfilm , which sold
1824-503: A number of dramatisations, most notably as the head writer of the Sherlock Holmes radio series (1989–1998) starring Clive Merrison as Holmes and Michael Williams as Watson (the first time the entire canon had been adapted with the same two lead actors throughout). He also wrote original Sherlock Holmes scripts for the following BBC radio series The Further Adventures of Sherlock Holmes , each based on an unexplained reference from
1920-506: A number of short radio plays in the 1950s and 1960s, and later for television; his radio play Embers was first broadcast on the BBC Third Programme on 24 June 1959 and won the RAI prize at the Prix Italia awards later that year. Robert Bolt's writing career began with scripts for Children's Hour . A Man for All Seasons was subsequently produced on television in 1957. Then in 1960, there
2016-607: A one-man one-act play, Watson: The Final Problem , which Marriott performed in Eastbourne, Brighton, and Edinburgh and continues to tour with great success around various venues in the UK and abroad. Original pieces include: Dramatisations include: In 2008 Coules appeared in a television documentary titled Decoding Cadfael which detailed the process of producing the series. Radio drama Radio drama (or audio drama , audio play , radio play , radio theatre , or audio theatre )
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#17328695233562112-532: A pitching process to be made and distributed (as these aspects of production can be learned by the creator) and which have no restrictions regarding programme length or content. In Australia, as in most other developed countries, from the early years of the medium almost every radio network and station featured drama, serials, and soap operas as staples of their programming; during the so-called "Golden Years" of radio these were hugely popular. Many Australian serials and "soapies" were copies of American originals (e.g.,
2208-487: A podcast in the last month. 12.5% of the UK population had listened to a podcast in the last week and 22% of the United States population listens to at least one podcast weekly. The form is also acclaimed for its low overhead for a creator to start and maintain their show, merely requiring a microphone, a computer or mobile device, and associated software to edit and upload the final product. Some form of acoustic quieting
2304-623: A radio playwright and, starting in 1962 with The Ants , she wrote nine productions with BBC radio drama up until 1973, when her stage work began to be recognised at the Royal Court Theatre . Joe Orton 's dramatic debut in 1963 was the radio play The Ruffian on the Stair , which was broadcast on 31 August 1964. Tom Stoppard 's "first professional production was in the 15-minute Just Before Midnight programme on BBC Radio , which showcased new dramatists". John Mortimer made his radio debut as
2400-1171: A regular troupe of actors, The WGY Players. Aware of this series, the director of Cincinnati 's WLW began regularly broadcasting one-acts (as well as excerpts from longer works) in November. The success of these projects led to imitators at other stations. By early 1923, original dramatic pieces written specially for radio were airing on stations in Cincinnati ( When Love Wakens by WLW's Fred Smith), Philadelphia ( The Secret Wave by Clyde A. Criswell) and Los Angeles ( At Home over KHJ ). That same year, WLW (in May) and WGY (in September) sponsored scripting contests, inviting listeners to create original plays to be performed by those stations' dramatic troupes. Listings in The New York Times and other sources for May 1923 reveal at least 20 dramatic offerings were scheduled (including one-acts, excerpts from longer dramas, complete three- and four-act plays, operettas and
2496-568: A revival, with a growing number of independent producers who are able to build an audience through Internet distribution. While there are few academic programs in the United States that offer training in radio drama production, organizations such as the National Audio Theatre Festival teach the craft to new producers. The digital age has also resulted in recording styles that differ from the studio recordings of radio drama's Golden Age. Not from Space (2003) on XM Satellite Radio
2592-502: A variation of the technique (so that the listener can hear the final thoughts and relived memories of a man falling to his death from the title building). There were probably earlier examples of stream-of-consciousness drama on the radio. For example, in December 1924, actor Paul Robeson , then appearing in a revival of Eugene O'Neill 's The Emperor Jones , performed a scene from the play over New York's WGBS to critical acclaim. Some of
2688-464: A variety of radio plays from the BBC's vast archives and a few extended versions of Radio 4 programmes. The British commercial station Oneword , though broadcasting mostly book readings, also transmitted a number of radio plays in instalments before it closed in 2008. In the United States, contemporary radio drama can be found on broadcasters including ACB radio, produced by the American Council of
2784-443: A website, blog, or other syndication method. Episodes can be released on a regular schedule, e.g., once a week, or irregularly as each episode is completed. In the same manner as audiobooks, some podcast novels are elaborately narrated with sound effects and separate voice actors for each character, similar to a radio play or scripted podcast, but many have a single narrator and few or no sound effects. Some podcast novelists give away
2880-464: A year by the mid-1940s. Producers of radio drama soon became aware that adapting stage plays for radio did not always work, and that there was a need for plays specifically written for radio, which recognized its potential as a distinct and different medium from the theatre. George Bernard Shaw 's plays, for example, were seen as readily adaptable. However, in a lead article in the BBC literary journal The Listener , of 14 August 1929, which discussed
2976-447: Is a dramatized , purely acoustic performance . With no visual component, radio drama depends on dialogue, music and sound effects to help the listener imagine the characters and story: "It is auditory in the physical dimension but equally powerful as a visual force in the psychological dimension." Radio drama includes plays specifically written for radio, docudrama , dramatized works of fiction , as well as plays originally written for
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3072-481: Is a portmanteau of " iPod " and " broadcast ". The earliest use of "podcasting" was traced to The Guardian columnist and BBC journalist Ben Hammersley , who coined it in early February 2004 while writing an article for The Guardian newspaper. The term was first used in the audioblogging community in September 2004, when Danny Gregoire introduced it in a message to the iPodder-dev mailing list, from where it
3168-472: Is also often utilised. Between February March 10 and 25, 2005, Shae Spencer Management, LLC of Fairport, New York filed a trademark application to register the term "podcast" for an "online pre-recorded radio program over the internet". On September 9, 2005, the United States Patent and Trademark Office (USPTO) rejected the application, citing Misplaced Pages 's podcast entry as describing the history of
3264-451: Is based on RSS feeds, an XML -formatted file citing information about the episode and the podcast itself. The most basic equipment for a podcast is a computer and a microphone . It is helpful to have a sound-proof room and headphones . The computer should have a recording or streaming application installed. Typical microphones for podcasting are connected using USB . If the podcast involves two or more people, each person requires
3360-417: Is likely to change as new types of content, new technology to consume podcasts, and new use cases emerge. An enhanced podcast, also known as a slidecast , is a type of podcast that combines audio with a slide show presentation. It is similar to a video podcast in that it combines dynamically generated imagery with audio synchronization, but it is different in that it uses presentation software to create
3456-688: Is often free, podcasting is often classified as a disruptive medium , adverse to the maintenance of traditional revenue models . Podcasting is the preparation and distribution of audio or video files using RSS feeds to the devices of subscribed users. A podcaster normally buys this service from a podcast hosting company such as SoundCloud or Libsyn . Hosting companies then distribute these media files to podcast directories and streaming services, such as Apple and Spotify , which users can listen to on their smartphones or digital music and multimedia players. As of June 2024 , there are at least 3,369,942 podcasts and 199,483,500 episodes. "Podcast"
3552-618: The HowStuffWorks podcast. In October 2013, the EFF filed a petition with the US Trademark Office to invalidate the Personal Audio patent. On August 18, 2014, the EFF announced that Adam Carolla had settled with Personal Audio. Finally, on April 10, 2015, the U.S. Patent and Trademark Office invalidated five provisions of Personal Audio's podcasting patent. A podcast generator maintains
3648-622: The BBC produces and broadcasts hundreds of new radio plays each year on Radio 3 , Radio 4 , and Radio 4 Extra . Like the US, Australia's network the ABC has abandoned broadcasting drama but in New Zealand on RNZ , continues to promote and broadcast a variety of drama over its airwaves. Thanks to advances in digital recording and Internet distribution, radio drama experienced a revival around 2010. Podcasting offered
3744-593: The BBC Home Service (itself the result of the fusion in September 1939 of the pre-war National and Regional Programmes ). These were the BBC Light Programme (dating from 29 July 1945 and a direct successor to the wartime General Forces Programme ) and the BBC Third Programme (launched on 29 September 1946). The BBC Light Programme, while principally devoted to light entertainment and music, carried
3840-443: The Internet . Typically, a podcast is an episodic series of digital audio files that users can download to a personal device to listen to at a time of their choosing. Podcasts are primarily an audio medium, but some distribute in video, either as their primary content or as a supplement to audio; popularised in recent years by video platform YouTube . A podcast series usually features one or more recurring hosts engaged in
3936-799: The Lyric Hammersmith in April 1958, before transferring to the Garrick Theatre . Mortimer is most famous for Rumpole of the Bailey , a British television series which starred Leo McKern as Horace Rumpole, an aging London barrister who defends any and all clients. It has been spun off into a series of short stories, novels, and radio programmes. Giles Cooper was a pioneer in writing for radio, becoming prolific in both radio and television drama. His early successes included radio dramatisations of Charles Dickens 's Oliver Twist , William Golding 's Lord of
Bert Coules - Misplaced Pages Continue
4032-551: The driveway moment for over 300,000 people listeners each week during readings of contemporary and classic short stories by well-known professional actors. The lack of visuals also enable fantastical settings and effects to be used in radio plays where the cost would be prohibitive for movies or television. The Hitchhiker's Guide to the Galaxy was first produced as radio drama, and was not adapted for television until much later, when its popularity would ensure an appropriate return for
4128-491: The 1960s, Dick Orkin created the popular syndicated comic adventure series Chicken Man . ABC Radio aired a daily dramatic anthology program, Theater Five , in 1964–65. Inspired by The Goon Show , "the four or five crazy guys" of the Firesign Theatre built a large following with their satirical plays on recordings exploring the dramatic possibilities inherent in stereo. A brief resurgence of production beginning in
4224-524: The Arts and Humanities , public radio continued to air a smattering of audio drama until the mid-1980s. From 1986 to 2002, NPR's most consistent producer of radio drama was the idiosyncratic Joe Frank , working out of KCRW in Santa Monica. The Sci Fi Channel presented an audio drama series, Seeing Ear Theatre , on its website from 1997 to 2001. Also, the dramatic serial It's Your World aired twice daily on
4320-640: The BBC Third Programme, and novelist Wyndham Lewis 's The Human Age (1955). Among contemporary novels that were dramatised were the 1964 radio adaptation of Stan Barstow 's A Kind of Loving (1960); there had also been a 1962 film adaption. After the advent of television, radio drama never recovered its popularity in the United States. Most remaining CBS and NBC radio dramas were cancelled in 1960. The last network radio dramas to originate during American radio's " Golden Age ", Suspense and Yours Truly, Johnny Dollar , ended on September 30, 1962. There have been some efforts at radio drama since then. In
4416-530: The Best New Drama Award in the 2011 New Zealand Radio Awards . On KDVS radio in Davis, California there are two radio theater shows, Evening Shadows , a horror/fantasy show paying tribute to classic old-time radio horror, and KDVS Radio Theater which commonly features dramas about social and political themes. The audio drama format exists side by side with books presented on radio , read by actors or by
4512-567: The Blind ; on the Sirius XM Book Radio channel from Sirius XM Satellite Radio (previously Sonic Theater on XM); and occasionally in syndication, as with Jim French 's production Imagination Theater . Several community radio stations carry weekly radio drama programs including KBOO , KFAI , WMPG , WLPP and WFHB . A growing number of religious radio stations air daily or weekly programs usually geared to younger audiences, such as Focus on
4608-483: The Blitz. After the war in 1946 it was moved to the BBC Light Programme . The BBC continued producing various kinds of drama, including docu-drama, throughout World War II ; amongst the writers they employed were the novelist James Hanley and poet Louis MacNeice , who in 1941 became an employee of the BBC's. MacNeice's work for the BBC initially involved writing and producing radio programmes intended to build support for
4704-642: The COVID-19 pandemic , the number of unique listeners in the US decreased by 15% in the last three weeks of March 2020. Podcasting has been considered a converged medium (a medium that brings together audio, the web and portable media players ), as well as a disruptive technology that has caused some individuals in radio broadcasting to reconsider established practices and preconceptions about audiences, consumption, production and distribution. Podcasts can be produced at little to no cost and are usually disseminated free-of-charge, which sets this medium apart from
4800-409: The COVID-19 pandemic. A podcast novel (also known as a "serialized audiobook" or "podcast audiobook") is a literary form that combines the concepts of a podcast and an audiobook . Like a traditional novel , a podcast novel is a work of literary fiction; however, it is recorded into episodes that are delivered online over a period of time. The episodes may be delivered automatically via RSS or through
4896-730: The Family 's Adventures in Odyssey (1,700+ syndicated stations), or Pacific Garden Mission 's Unshackled! (1,800 syndicated stations – a long-running radio drama), which is geared to adults. The networks sometime sell transcripts of their shows on cassette tapes or CDs or make the shows available for listening or downloading over the Internet. Transcription recordings of many pre-television shows have been preserved. They are collected, re-recorded onto audio CDs and/or MP3 files and traded by hobbyists today as old-time radio programs. Meanwhile, veterans such as
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#17328695233564992-569: The Flies , and John Wyndham 's classic science fiction novel Day of the Triffids . He was also successful in the theatre. The first of his radio plays to make his reputation was Mathry Beacon (1956), about a small detachment of men and women still guarding a Top Secret "missile deflector" somewhere in Wales, years after the war has ended. Bill Naughton 's radio play Alfie Elkins and his Little Life (1962)
5088-481: The US, and later Russia, through cultural programmes emphasising links between the countries rather than outright propaganda. By the end of the war MacNeice had written well over 60 scripts for the BBC, including Christopher Columbus (1942), which starred Laurence Olivier , The Dark Tower (1946), and a six-part radio adaptation of Goethe 's Faust (1949). Following World War II the BBC reorganized its radio provision, introducing two new channels to supplement
5184-504: The United States (and also in other parts of the world). There were dozens of programs in many different genres, from mysteries and thrillers, to soap operas and comedies. Among American playwrights, screenwriters and novelists who got their start in radio drama are Rod Serling and Irwin Shaw . In Britain, however, during the 1930s BBC programming, tended to be more high brow, including the works of Shakespeare, Classical Greek drama, as well as
5280-430: The United States. A Rural Line on Education , a brief sketch specifically written for radio, aired on Pittsburgh 's KDKA in 1921, according to historian Bill Jaker. Newspaper accounts of the era report on a number of other drama experiments by America's commercial radio stations: KYW broadcast a season of complete operas from Chicago starting in November 1921. In February 1922, entire Broadway musical comedies with
5376-543: The audio archives of collectors, libraries and museums, as well as several online sites such as the Internet Archive . By the 21st century, radio drama had a minimal presence on terrestrial radio in the United States, with much American radio drama being restricted to rebroadcasts of programmes from previous decades. However, other nations still have thriving traditions of radio drama. In the United Kingdom, for example,
5472-450: The author. In Britain and other countries there is also quite a bit of radio comedy (both stand-up and sitcom). Together, these programs provide entertainment where television is either not wanted or would be distracting (such as while driving or operating machinery). Selected Shorts , a long-running NPR program broadcast in front of a live audience at Symphony Space in New York, originated
5568-409: The broadcasting of 12 great plays, it was suggested that while the theatrical literature of the past should not be neglected the future lay mainly with plays written specifically for the microphone. In 1939–40, the BBC founded its own Drama Repertory Company which made a stock of actors readily available. After the war, the number was around 50. They performed in the great number of plays broadcast in
5664-528: The development of podcasting. Curry promoted new and emerging internet audio shows in an attempt to gain traction in the development of what would come to be known as podcasting. Daily Source Code was initially directed at podcast developers. As its audience became interested in the format, these developers were inspired to create and produce their own projects and a community of pioneer podcasters quickly developed. iPodderX, released in September 2004 by August Trometer and based on earlier work by Ray Slakinski,
5760-517: The dramatic serial ); The Eveready Hour creative team (which began with one-act plays but was soon experimenting with hour-long combinations of drama and music on its weekly variety program); the various acting troupes at stations like WLW, WGY, KGO and a number of others, frequently run by women like Helen Schuster Martin and Wilda Wilson Church; early network continuity writers like Henry Fisk Carlton, William Ford Manley and Don Clark; producers and directors like Clarence Menser and Gerald Stopp; and
5856-503: The early 1970s yielded Rod Serling 's The Zero Hour for Mutual , National Public Radio 's Earplay , and veteran Himan Brown 's CBS Radio Mystery Theater and General Mills Radio Adventure Theater . These productions were later followed by the Sears/Mutual Radio Theater , The National Radio Theater of Chicago , NPR Playhouse , and a newly produced episode of the former 1950s series X Minus One . Works by
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#17328695233565952-632: The early 1970s. Henry Reed was especially successful with the Hilda Tablet plays. Irish playwright Brendan Behan, author of The Quare Fellow (1954), was commissioned by the BBC to write a radio play The Big House (1956); prior to this he had written two plays for Irish radio: Moving Out and A Garden Party . Among the most famous works created for radio, are Dylan Thomas 's Under Milk Wood (1954), Samuel Beckett 's All That Fall (1957), Harold Pinter 's A Slight Ache (1959), and Robert Bolt 's A Man for All Seasons (1954). Beckett wrote
6048-494: The exposure that releasing a free podcast gains them makes up for the fact that they are giving away their work for free. A video podcast is a podcast that features video content. Web television series are often distributed as video podcasts. Dead End Days, a serialized dark comedy about zombies released from October 31, 2003, through 2004, is commonly believed to be the first video podcast. A number of podcasts are recorded either in total or for specific episodes in front of
6144-588: The generic term 'podcast' to accurately refer to podcasting services" and that "Apple does not license the term". However, no statement was made as to whether or not Apple believed they held rights to it. Personal Audio , a company referred to as a " patent troll " by the Electronic Frontier Foundation (EFF), filed a patent on podcasting in 2009 for a claimed invention in 1996. In February 2013, Personal Audio started suing high-profile podcasters for royalties, including The Adam Carolla Show and
6240-461: The heyday of BBC radio drama of the 40s–60s. Initially the BBC resisted American-style 'soap opera', but eventually highly popular serials, like Dick Barton, Special Agent (1946–51), Mrs Dale's Diary (1948–69) and The Archers (1950–), were produced. The Archers is still running (as of July 2024 ) and is the world's longest-running soap opera with a total of over 18,400 episodes. There had been some earlier serialized drama including,
6336-567: The high cost of the futuristic setting. On occasion television series can be revived as radio series. For example, a long-running but no longer popular television series can be continued as a radio series because the reduced production costs make it cost-effective with a much smaller audience. When an organization owns both television and radio channels, such as the BBC, the fact that no royalties have to be paid makes this even more attractive. Radio revivals can also use actors reprising their television roles even after decades as they still sound roughly
6432-660: The imagery and the sequence of display separately from the time of the original audio podcast recording. The Free Dictionary , YourDictionary , and PC Magazine define an enhanced podcast as "an electronic slide show delivered as a podcast". Enhanced podcasts are podcasts that incorporate graphics and chapters. iTunes developed an enhanced podcast feature called "Audio Hyperlinking" that they patented in 2012. Enhanced podcasts can be used by businesses or in education. Enhanced podcasts can be created using QuickTime AAC or Windows Media files. Enhanced podcasts were first used in 2006. A fiction podcast (also referred to as
6528-847: The late Yuri Rasovsky ( The National Radio Theater of Chicago ) and Thomas Lopez ( ZBS Foundation ) have gained new listeners on cassettes, CDs and downloads. In the mid-1980s, the nonprofit L.A. Theatre Works launched its radio series recorded before live audiences. Productions have been broadcast via public radio, while also being marketed on compact discs and via download. Carl Amari 's nationally syndicated radio series Hollywood 360 features four old-time radio shows during his four-hour weekly broadcasts. Amari also broadcasts old-time radio shows on The WGN Radio Theatre heard every Saturday night beginning at 10 pm on 720-WGN in Chicago. In addition to traditional radio broadcasters, modern radio drama (also known as audio theater, or audio drama), has experienced
6624-475: The major part of its output on any given evening. The Home Service, meanwhile, continued to broadcast more "middle-brow" drama (one-off plays and serializations) daily. The high-water mark for BBC radio drama was the 1950s and 1960s, and during this period many major British playwrights either effectively began their careers with the BBC, or had works adapted for radio. Most of playwright Caryl Churchill 's early experiences with professional drama production were as
6720-461: The many storytellers and monologists on early 1920s American radio might be able to claim even earlier dates. Perhaps America's most famous radio drama broadcast is Orson Welles ' The War of the Worlds (a 1938 version of H. G. Wells ' novel ), which inspired stories of a mass panic that, though greatly exaggerated, signaled the power of the form. By the late 1930s, radio drama was widely popular in
6816-491: The means of inexpensively creating new radio dramas, in addition to the distribution of vintage programs. The terms audio drama or audio theatre are sometimes used synonymously with radio drama ; however, audio drama or audio theatre may not necessarily be intended specifically for broadcast on radio. Audio drama can also be found on CDs , cassette tapes , podcasts, webcasts , or other digital downloads as well as broadcast radio. The Roman playwright Seneca has claim as
6912-435: The medium in the UK, was A Comedy of Danger by Richard Hughes , broadcast by the BBC on January 15, 1924, about a group of people trapped in a Welsh coal mine. One of the earliest and most influential French radio plays was the prize-winning Marémoto ('Seaquake'), by Gabriel Germinet and Pierre Cusy, which presents a realistic account of a sinking ship before revealing that the characters are actually actors rehearsing for
7008-679: The mind of a drowning man). After they were published in 1931, Guthrie's plays aired on the American networks. Around the same time, Guthrie himself also worked for the Canadian National Railway radio network , producing plays written by Merrill Denison that used similar techniques. A 1940 article in Variety credited a 1932 NBC play, Drink Deep by Don Johnson, as the first stream-of-consciousness play written for American radio. The climax of Lawrence Holcomb's 1931 NBC play Skyscraper also uses
7104-474: The nationally syndicated Tom Joyner Morning Show from 1994 to 2008, continuing online through 2010. Radio drama remains popular in much of the world, though most material is now available through Internet download rather than heard over terrestrial or satellite radio. Stations producing radio drama often commission a large number of scripts. The relatively low cost of producing a radio play enables them to take chances with works by unknown writers. Radio can be
7200-415: The original casts aired from WJZ 's Newark studios. Actors Grace George and Herbert Hayes performed an entire play from a San Francisco station in the summer of 1922. An important turning point in radio drama came when Schenectady, New York 's WGY , after a successful tryout on August 3, 1922, began weekly studio broadcasts of full-length stage plays in September 1922, using music, sound effects and
7296-504: The original stories. These were first broadcast between 2002 and 2010, and starred Andrew Sachs as Watson, following Michael Williams' death in 2001. He has also written dramatisations of several of Ellis Peters ' Brother Cadfael novels, starring Philip Madoc as Cadfael, and of works by Ian Rankin , Val McDermid , Isaac Asimov and other best-selling genre authors. He is an avowed Arthur Conan Doyle and Doctor Who fan. In 2019, Coules wrote (with actor Tim Marriott ) and directed
7392-571: The podcasting industry still generated little overall revenue, although the number of persons who listen to podcasts continues to grow steadily. Edison Research, which issues the Podcast Consumer quarterly tracking report estimated that 90 million persons in the U.S. had listened to a podcast in January 2019. As of 2020, 58% of the population of South Korea and 40% of the Spanish population had listened to
7488-414: The popular soap Portia Faces Life or the adventure series Superman , which featured future Australian TV star Leonard Teale in the title role), although these were typically locally produced and performed live to air, since the technology of the time did not permit high-quality pre-recording or duplication of programs for import or export. In this period radio drama, serials and soap operas provided
7584-409: The postwar decades, from which many actors and directors proceeded to international careers, but abolished its radio drama department in the 1970s and finally ceased production of radio dramas in 2012. BBC Radio 4 in today noted for its radio drama, broadcasting hundreds of new, one-off plays each year in such strands as The Afternoon Play , as well as serials and soap operas. Radio 4 Extra broadcasts
7680-572: The rights to NPR for a nominal $ 1 fee, and by the participation of the BBC in an international co-production deal. Star Wars was credited with generating a 40% rise in NPR's ratings and quadrupling the network's youth audience overnight. Radio adaptations of the sequels followed with The Empire Strikes Back in 1983 and Return of the Jedi in 1996. Thanks in large part to the National Endowments for
7776-428: The same. Series that have had this treatment include Doctor Who , Dad's Army , Thunderbirds and The Tomorrow People . In 2013 BBC Radio 4 released a radio adaptation of Neverwhere by Neil Gaiman , featuring a cast of well known television and film actors. Neil Gaiman has said he was excited about the radio drama adaptation as it allowed the work to be presented with a greater deal of special effects than
7872-554: The six episode The Shadow of the Swastika (1939), Dorothy L. Sayers 's The Man Born To Be King , in twelve episodes (1941), and Front Line Family (1941–48), which was broadcast to America as part of the effort to encourage the US to enter the war. The show's storylines depicted the trials and tribulations of a British family, the Robinsons, living through the war. This featured plots about rationing, family members missing in action and
7968-428: The term "iPod" or "Pod" in their products' names. By 2007, audio podcasts were doing what was historically accomplished via radio broadcasts, which had been the source of radio talk shows and news programs since the 1930s. This shift occurred as a result of the evolution of internet capabilities along with increased consumer access to cheaper hardware and software for audio recording and editing. As of early 2019,
8064-500: The term "pod" has been used by the public to refer to Apple's music player so extensively that it falls under Apple's trademark cover. Such activity was speculated to be part of a bigger campaign for Apple to expand the scope of its existing iPod trademark, which included trademarking "IPOD", "IPODCAST", and "POD". On November 16, 2006, the Apple Trademark Department stated that "Apple does not object to third-party usage of
8160-627: The term. The company amended their application in March 2006, but the USPTO rejected the amended application as not sufficiently differentiated from the original. In November 2006, the application was marked as abandoned. On September 26, 2004, it was reported that Apple Inc. had started to crack down on businesses using the string "POD", in product and company names. Apple sent a cease and desist letter that week to Podcast Ready, Inc., which markets an application known as "myPodder". Lawyers for Apple contended that
8256-415: The theatre, including musical theatre , and opera . Radio drama achieved widespread popularity within a decade of its initial development in the 1920s. By the 1940s, it was a leading international popular entertainment. With the advent of television in the 1950s, radio drama began losing its audience. However, it remains popular in much of the world. Recordings of OTR ( old-time radio ) survive today in
8352-865: The traditional 20th-century model of "gate-kept" media and their production tools. Podcasters can, however, still monetize their podcasts by allowing companies to purchase ad time. They can also garner support from listeners through crowdfunding websites like Patreon , which provide special extras and content to listeners for a fee. Podcasts vary in style, format, and topical content. Podcasts are partially patterned on previous media genres but depart from them systematically in certain computationally observable stylistic respects. The conventions and constraints which govern that variation are emerging and vary over time and markets; podcast listeners have various preferences of styles but conventions to address them and communicate about them are still unformed. Some current examples of types of podcasts are given below. This list
8448-434: The user's device, or streamed directly. There are several different mobile applications that allow people to follow and listen to podcasts. Many of these applications allow users to download podcasts or stream them on demand. Most podcast players or applications allow listeners to skip around the podcast and to control the playback speed. Much podcast listening occurs during commuting ; because of restrictions on travel during
8544-501: The works of major modern playwrights, such as Chekhov , Ibsen , Strindberg , and so forth. Novels and short stories were also frequently dramatised. In addition the plays of contemporary writers and original plays were produced, with, for example, a broadcast of T. S. Eliot 's famous verse play Murder in the Cathedral in 1936. By 1930, the BBC was producing "twice as many plays as London's West End " and were producing over 400 plays
8640-544: Was a highly successful stage production in London's West End and on New York's Broadway from late 1961. In addition there have been two film versions: in 1966 starring Paul Scofield and 1988 for television, starring Charlton Heston . While Alan Ayckbourn did not write for radio many of his stage plays were subsequently adapted for radio. Other significant adaptations included, dramatised readings of poet David Jones 's In Parenthesis in 1946 and The Anathemata in 1953, for
8736-424: Was adopted by podcaster Adam Curry . Despite the etymology, the content can be accessed using any computer or similar device that can play media files. The term "podcast" predates Apple's addition of podcasting features to the iPod and the iTunes software. In September 2000, early MP3 player manufacturer i2Go offered a service called MyAudio2Go.com which allowed users to download news stories for listening on
8832-667: Was first broadcast on the BBC Third Programme on 7 January 1962. In it Alfie, "[w]ith sublime amorality... swaggers and philosophises his way through" life. The action spans about two decades, from the beginning of World War II to the late 1950s. In 1964, Bill Naughton turned it into a stage play which was put on at London's Mermaid Theatre . Later, he wrote the screenplay for a film version, Alfie (1966), starring Michael Caine . Other notable radio dramatists included Henry Reed , Brendan Behan , Rhys Adrian , Alan Plater ; Anthony Minghella , Alan Bleasdale , and novelist Angela Carter . Novelist Susan Hill also wrote for BBC Radio, from
8928-603: Was possible on television. In the United States, an adaptation of The Twilight Zone aired to modest success in the 2000s (decade) as a syndicated program. Regular broadcasts of radio drama in English can be heard on the BBC's Radio 3 , Radio 4 and Radio 4 Extra (formerly Radio 7), on RTÉ Radio 1 in Ireland, and RNZ National in New Zealand. The Canadian Broadcasting Corporation produced notable radio plays in Calgary and Toronto in
9024-514: Was the first GUI application for podcasts. In June 2005, Apple released iTunes 4.9, which added formal support for podcasts, thus negating the need to use a separate program in order to download and transfer them to a mobile device. Although this made access to podcasts more convenient and widespread, it also effectively ended advancement of podcatchers by independent developers. Additionally, Apple issued cease and desist orders to many podcast application developers and service providers for using
9120-423: Was the first national radio play recorded exclusively through the Internet in which the voice actors were all in separate locations. Other producers use portable recording equipment to record actors on location rather than in studios. Podcasts are a growing distribution format for independent radio drama producers. Podcasts provides an alternative to mainstream television and radio which does not necessarily require
9216-652: Was the first true radio drama to make use of the unique qualities of radio: Radio drama (as distinguished from theatre plays boiled down to kilocycle size) began at midnight, in the middle thirties, on one of the upper floors of Chicago's Merchandise Mart. The pappy was a rotund writer by the name of Wyllis Cooper. Though the series is often remembered solely for its gruesome stories and sound effects, Cooper's scripts for Lights Out were later recognized as well written and offered innovations seldom heard in early radio dramas, including multiple first-person narrators, stream of consciousness monologues and scripts that contrasted
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