In film, television, and radio, British comedy has produced some of the most renowned characters in the world. In it, satire is one of the features of British comedy. Radio comedy in Britain has been almost exclusively hosted on BBC .
39-438: Bell-Bottom George is a 1943 black and white British comedy musical film, directed by Marcel Varnel , starring George Formby and Anne Firth. A wartime morale booster, it features the songs, "Swim Little Fish", "It Serves You Right", "If I Had A Girl Like You" and "Bell Bottom George." Future Carry On star Charles Hawtrey appears in a small role. The film title derives from the bell-bottom trousers which form part of
78-475: A Lock-in at a pub. George is spotted by military police who think he is AWOL and escort him back to Naval barracks. He impresses the sailors there with his song "It Serves You Right - You Shouldn't Have Joined" whilst playing ukulele , and is chosen to play at the "Spick and Span" troop radio concert in London. He meets Pat, a Wren, here, and they start to fall in love. He takes her to a dance and sings "If I Had
117-582: A "pretty" puppet play being performed in Covent Garden, London . The various episodes of Punch and Judy are dominated by the anarchic clowning of Mr. Punch. Satire has been a major feature of comedy in the British Isles for centuries. The pictorial satire of William Hogarth was a precursor to the development of political cartoons in 18th-century England. The medium developed under the direction of James Gillray from London, who has been referred to as
156-510: A Clue (1972–), and The News Quiz (1977–), which often broadcast a dozen of so episodes a year. Following the success of Hancock's Half Hour and Steptoe and Son , sitcoms became a part of some television schedules. The BBC has generally been dominant in television comedy , but the commercial stations have also had some successes. Other formats have also been popular, such as with sketch shows , stand-up comedy , impressionists , and puppet shows . Notable satirical comedies are
195-450: A Girl Like You" to her. In the same period, he stumbles on the aforementioned pair of Nazi spies using a taxidermists shop as a front, and foils their plot to blow up a British submarine , "The Firefly". He also impresses and wins the heart of Pat (Anne Firth), the Wren he has fallen for. When the real Bennett fully recovers in hospital ne panics that he is absent without leave and runs into
234-544: A form of sketch comedy without dialogue in the 1890s, and Chaplin and Laurel were among the young comedians who worked for him as part of "Fred Karno's Army". Radio comedy in Britain has been almost exclusively the preserve of the BBC . In the 1940s and 1950s, variety dominated the schedules, and popular series included It's That Man Again and Much Binding in the Marsh . In the 1950s,
273-454: A great potential to political communication capable of enhancing political comprehension and reconceptualization of events, through specific frames of understanding. Mateus' analysis "seems to indicate that the double standard thesis can be actually applied to trans-national contexts. This means that the framing of politics and business may not be limited to one country but may reflect a political world-view occurring in contemporary societies. From
312-853: A large piece of cardboard, or cartone in Italian. Punch humorously appropriated the term to refer to its political cartoons, and the popularity of the Punch cartoons led to the term's widespread use. Artists who published in Punch during the 1840s and 50s included John Leech , Richard Doyle , John Tenniel and Charles Keene . This group became known as "The Punch Brotherhood", which also included Charles Dickens who joined Bradbury and Evans after leaving Chapman and Hall in 1843. Punch authors and artists also contributed to another Bradbury and Evans literary magazine called Once A Week (est.1859), created in response to Dickens' departure from Household Words . The most prolific and influential cartoonist of
351-495: A marionette to a hand puppet, and he became, really, a spirit of Britain - a subversive maverick who defies authority, a kind of puppet equivalent to our political cartoons." — Punch and Judy showman Glyn Edwards British comedy history is measured in centuries. Shakespeare incorporated many chase scenes and beatings into his comedies, such as in his play The Comedy of Errors . Punch and Judy made their first recorded appearance in Britain in 1662, when Samuel Pepys noted
390-540: A personification of England named John Bull who was developed from about 1790 in conjunction with other British satirical artists such as Gillray and Rowlandson. The art of the editorial cartoon was further developed with the publication of the British periodical Punch in 1841, founded by Henry Mayhew and engraver Ebenezer Landells (an earlier magazine that published cartoons was Monthly Sheet of Caricatures , printed from 1830 and an important influence on Punch ). It
429-467: A pretentious buffoon, while the bulk of his work was dedicated to ridiculing the ambitions of Revolutionary France and Napoleon . The times in which Gillray lived were peculiarly favourable to the growth of a great school of caricature. Party warfare was carried on with great vigour and not a little bitterness; and personalities were freely indulged in on both sides. Gillray's incomparable wit and humour, knowledge of life, fertility of resource, keen sense of
SECTION 10
#1732880113919468-546: A useful purpose. Such a cartoon also reflects real life and politics, where a deal is often done on unrelated proposals beyond public scrutiny. A pocket cartoon is a form of cartoon which generally consists of a topical political gag/joke and appears as a single-panel single-column drawing. It was introduced by Osbert Lancaster in 1939 at the Daily Express . A 2005 obituary by The Guardian of its pocket cartoonist David Austin said "Newspaper readers instinctively look to
507-457: Is a cartoon graphic with caricatures of public figures, expressing the artist's opinion. An artist who writes and draws such images is known as an editorial cartoonist . They typically combine artistic skill, hyperbole and satire in order to either question authority or draw attention to corruption , political violence and other social ills . Developed in England in the latter part of
546-850: The Center for the Study of Political Graphics in the United States, and the British Cartoon Archive in the United Kingdom. Editorial cartoons and editorial cartoonists are recognised by a number of awards, for example the Pulitzer Prize for Editorial Cartooning (for US cartoonists, since 1922) and the British Press Awards ' "Cartoonist of the Year". Political cartoons can usually be found on
585-658: The Indian Rebellion and the public outrage that followed, Punch published vengeful illustrations such as Tenniel's Justice and The British Lion's Vengeance on the Bengal Tiger . By the mid-19th century, major political newspapers in many countries featured cartoons designed to express the publisher's opinion on the politics of the day. One of the most successful was Thomas Nast in New York City, who imported realistic German drawing techniques to major political issues in
624-487: The Navy . George retires to his room in the club where he chats to his goldfish Egbert. During an air raid George is out with Jim and for various reasons is wearing his uniform. Jim gets knocked out and is trying to "revive" him by hitting him on the other side. The military police spot him and think he is both attacking Jim and that he is absent without leave. From then he is mistaken for the absent Jim. He has borrowed his to go to
663-451: The Royal Navy uniform. Anti-British agents plan an attack on a Royal Navy ship. Jim Bennett is a sailor who has overstayed his shore leave. He explains he was a boxer and if hit in one side he sleeps for 24 hours but if hit on the other he wakes. Meanwhile, George Blake (Formby) serves drinks to officers in a gentlemen's club. They chastise him for his poor service and say he should join
702-545: The editorial page of many newspapers, although a few (such as Garry Trudeau 's Doonesbury ) are sometimes placed on the regular comic strip page. Most cartoonists use visual metaphors and caricatures to address complicated political situations, and thus sum up a current event with a humorous or emotional picture. Yaakov Kirschen, creator of the Israeli comic strip Dry Bones , says his cartoons are designed to make people laugh, which makes them drop their guard and see things
741-584: The 1750s. The medium began to develop in England in the latter part of the 18th century—especially around the time of the French Revolution —under the direction of its great exponents, James Gillray and Thomas Rowlandson , both from London. Gillray explored the use of the medium for lampooning and caricature , and has been referred to as the father of the political cartoon. Calling the king, prime ministers and generals to account, many of Gillray's satires were directed against George III , depicting him as
780-435: The 1850s and 60s was John Tenniel , chief cartoon artist for Punch , who perfected the art of physical caricature and representation to a point that has changed little up to the present day. For over five decades he was a steadfast social witness to the sweeping national changes that occurred during this period alongside his fellow cartoonist John Leech . The magazine loyally captured the general public mood; in 1857, following
819-402: The 18th century, the political cartoon was pioneered by James Gillray , although his and others in the flourishing English industry were sold as individual prints in print shops. Founded in 1841, the British periodical Punch appropriated the term cartoon to refer to its political cartoons, which led to the term's widespread use. The pictorial satire has been credited as the precursor to
SECTION 20
#1732880113919858-461: The 1960s series That Was The Week That Was , the 1980s series Not the Nine O'Clock News , and ITV 's puppet show Spitting Image . The show of the 1980s and early 1990s, Spitting Image , was a satire of politics, entertainment, sport, and British culture of the era, and at its peak, it was watched by 15 million people. British satire has also gone over into quiz shows ; popular examples include
897-530: The BBC was running Hancock's Half Hour starring Tony Hancock . Hancock's Half Hour was later transferred to television. One of the notable radio shows was the double entendre -laden Round the Horne (1965–1968), a sequel to the earlier series Beyond Our Ken , which ran from 1959 to 1964. Later radio shows made use of the panel game format, including the long-running Just a Minute (1967–), I'm Sorry I Haven't
936-482: The British box office in 1944. Halliwell's Film Guide called it a "formula star comedy, too long and too familiar". TV Guide commented: "an overlong launching for an unseaworthy production"; while in the opinion of The Spinning Image "there are a few laughs to be had." British comedy "[Pulcinella] went down particularly well with Restoration British audiences, fun-starved after years of Puritanism . We soon changed Punch's name, transformed him from
975-633: The double standard standpoint, there are no fundamental differences in the way Canadian political cartoonists and Portuguese political cartoons assess politics and business life". The paper does not tell that all political cartoons are based on this kind of double standard, but suggests that the double standard thesis in Political Cartoons may be a frequent frame among possible others. A political cartoon commonly draws on two unrelated events and brings them together incongruously for humorous effect. The humour can reduce people's political anger and so serves
1014-518: The era of the Civil War and Reconstruction. Nast was most famous for his 160 editorial cartoons attacking the criminal characteristics of Boss Tweed 's political machine in New York City. American art historian Albert Boime argues that: As a political cartoonist, Thomas Nast wielded more influence than any other artist of the 19th century. He not only enthralled a vast audience with boldness and wit, but swayed it time and again to his personal position on
1053-549: The father of the political cartoon. In early 19th-century England, pantomime acquired its present form, which includes slapstick comedy and featured the first mainstream clown, Joseph Grimaldi , while comedy routines also featured heavily in British music hall theatre which became popular in the 1850s. British comedians who honed their skills at pantomime and music hall sketches include Charlie Chaplin , Stan Laurel , George Formby , and Dan Leno . The English music hall comedian and theatre impresario Fred Karno developed
1092-506: The ludicrous, and beauty of execution, at once gave him the first place among caricaturists. George Cruikshank became the leading cartoonist in the period following Gillray (1820s–40s). His early career was renowned for his social caricatures of English life for popular publications. He gained notoriety with his political prints that attacked the royal family and leading politicians and was bribed in 1820 "not to caricature His Majesty" ( George IV ) "in any immoral situation". His work included
1131-669: The need for unity in the American colonies; The Thinkers Club (1819), a response to the surveillance and censorship of universities in Germany under the Carlsbad Decrees ; and E. H. Shepard 's The Goose-Step (1936), on the rearmament of Germany under Adolf Hitler . The Goose-Step is one of a number of notable cartoons first published in the British Punch magazine. Institutions which archive and document editorial cartoons include
1170-472: The news quiz Have I Got News for You , 8 out of 10 cats , and Shooting Stars . In the 1980s, alternative comedy was spearheaded by Ben Elton and The Comic Strip group, which included Alexei Sayle , Rik Mayall , and French and Saunders . The 1990s and 2000s also have those that have used editing , surreal humour , and cultural references to great effect. Political cartoons A political cartoon , also known as an editorial cartoon ,
1209-514: The pocket cartoon to reassure them that the disasters and afflictions besetting them each morning are not final. By taking a sideways look at the news and bringing out the absurd in it, the pocket cartoonist provides, if not exactly a silver lining, then at least a ray of hope." Editorial cartoons sometimes cause controversies. Examples include the Jyllands-Posten Muhammad cartoons controversy and Charlie Hebdo shooting (stemming from
Bell-Bottom George - Misplaced Pages Continue
1248-600: The political cartoons in England: John J. Richetti, in The Cambridge history of English literature, 1660–1780 , states that "English graphic satire really begins with Hogarth's Emblematical Print on the South Sea Scheme ". William Hogarth 's pictures combined social criticism with sequential artistic scenes. A frequent target of his satire was the corruption of early 18th century British politics. An early satirical work
1287-530: The publication of cartoons related to Islam ) and the 2007 Bangladesh cartoon controversy . Libel lawsuits have been rare. In Britain, the first successful lawsuit against a cartoonist in over a century came in 1921 when J.H. Thomas , the leader of the National Union of Railwaymen (NUR), initiated libel proceedings against the magazine of the British Communist Party . Thomas claimed defamation in
1326-466: The son of a rich merchant, who spends all of his money on luxurious living, services from sex workers, and gambling—the character's life ultimately ends in Bethlem Royal Hospital . However, his work was only tangentially politicized and was primarily regarded on its artistic merits. George Townshend, 1st Marquess Townshend produced some of the first overtly political cartoons and caricatures in
1365-536: The strength of his visual imagination. Both Lincoln and Grant acknowledged his effectiveness in their behalf, and as a crusading civil reformer he helped destroy the corrupt Tweed Ring that swindled New York City of millions of dollars. Indeed, his impact on American public life was formidable enough to profoundly affect the outcome of every presidential election during the period 1864 to 1884. Notable editorial cartoons include Benjamin Franklin 's Join, or Die (1754), on
1404-399: The two military police who have been harassing the false Bennett. George passes and they give chase. He meets Pat in a car and they think they have escaped, but the group chasing them flag down a police car. They drive to harbour and steal a small launch but the others also steal a boat and the chase continues until George's boat is wrecked. According to trade papers, the film was a success at
1443-607: The way he does. In an interview, he defined his objective as a cartoonist as an attempt to "seduce rather than to offend." Modern political cartooning can be built around traditional visual metaphors and symbols such as Uncle Sam , the Democratic donkey and the Republican elephant . One alternative approach is to emphasize the text or the story line, as seen in Doonesbury which tells a linear story in comic strip format. Cartoons have
1482-488: Was an Emblematical Print on the South Sea Scheme ( c. 1721 ), about the disastrous stock market crash of 1720 known as the South Sea Bubble , in which many English people lost a great deal of money. His art often had a strong moralizing element to it, such as in his masterpiece of 1732–33, A Rake's Progress , engraved in 1734. It consisted of eight pictures that depicted the reckless life of Tom Rakewell,
1521-480: Was bought by Bradbury and Evans in 1842, who capitalised on newly evolving mass printing technologies to turn the magazine into a preeminent national institution. The term " cartoon " to refer to comic drawings was coined by the magazine in 1843; the Houses of Parliament were to be decorated with murals, and "carttons" for the mural were displayed for the public; the term "cartoon" then meant a finished preliminary sketch on
#918081