Richard Alan Beirach (born 23 May 1947) is an American jazz pianist and composer.
108-824: Beirach was born in New York City. He initially studied both classical music and jazz. While still attending high school, he took lessons from pianist Lennie Tristano . Beirach later entered the Berklee College of Music . After one year, he left Berklee and began attending the Manhattan School of Music . While there, he studied with Ludmila Ulehla . In 1972, he graduated with a master's degree in Music Theory and Composition. In 1972, Beirach began working with Stan Getz . He also worked with Chet Baker . Beirach has maintained an ongoing musical partnership with David Liebman from
216-503: A biblical framing in July 1918, using an interrogative from Exodus 16 in ancient Hebrew : "One thing is for certain—the doctors are at present flabbergasted; and we suggest that rather than calling the disease influenza they should for the present until they have it in hand, say Man hu —'What is it?'" Outbreaks of influenza-like illness were documented in 1916–17 at British military hospitals in Étaples , France , and just across
324-472: A "technical" pandemic that principally affected those 26 years of age and younger. While some natural explanations, such as the virus remaining in some frozen state for 20 years, have been proposed to explain this unprecedented phenomenon, the nature of influenza itself has been cited in favor of human involvement of some kind, such as an accidental leak from a lab where the old virus had been preserved for research purposes. Following this miniature pandemic,
432-650: A consequence of his mother being affected by the 1918–19 flu pandemic during pregnancy. A bout of measles when aged six may have exacerbated his condition, and by the age of nine or ten he was totally blind as a result of glaucoma . He initially went to standard state schools, but attended the Illinois School for the Blind in Jacksonville for a decade from around 1928. During his school days he played several instruments, including saxophones, trumpet, guitar, and drums. At
540-867: A heart attack at home in Jamaica, New York . In Ind's view, Tristano "was always so gentle, so charming and so quietly spoken that his directness could be unnerving." This directness was noted by others, including bassist Chubby Jackson , who commented that Tristano had almost no tact and would not worry about being rude or making others feel incompetent. Some of his students described Tristano as domineering, but others indicated that this impression came from his demanding discipline in training and attitude to music. Writer Barry Ulanov commented in 1946 that Tristano "was not content merely to feel something, ... he had to explore ideas, to experience them, to think them through carefully, thoroughly, logically until he could fully grasp them and then hold on to them." Tristano criticized
648-777: A late peak between January–April 1920. Mexico experienced a fourth wave between February and March. In South America, Peru experienced "asynchronous recrudescent waves" throughout the year. A severe third wave hit Lima , the capital city, between January and March, resulting in an all-cause excess mortality rate approximately four times greater than that of the 1918–1919 wave. Ica similarly experienced another severe pandemic wave in 1920, between July and October. A fourth wave also occurred in Brazil, in February. Korea and Taiwan , both colonies of Japan at this time, also experienced pronounced outbreaks in late 1919 and early 1920. By mid-1920,
756-788: A major outbreak of the illness spread among people who had attended the parade. From Europe, the second wave swept through Russia in a southwest–northeast diagonal front, as well as being brought to Arkhangelsk by the North Russia intervention , and then spread throughout Asia following the Russian Civil War and the Trans-Siberian railway , reaching Iran (where it spread through the holy city of Mashhad ), and then later India in September, as well as China and Japan in October. The celebrations of
864-624: A major training ground for troops of the American Expeditionary Forces , to other U.S. Army camps and Europe, becoming an epidemic in the Midwest , East Coast , and French ports by April 1918, and reaching the Western Front by the middle of the month. It then quickly spread to the rest of France, Great Britain, Italy, and Spain and in May reached Wrocław and Odessa . After the signing of
972-468: A musician. Some describe his playing as cold and suggest that his innovations had little impact; others state that he was a bridge between bebop and later, freer forms of jazz, and assert that he is less appreciated than he should be because commentators found him hard to categorize and because he chose not to commercialize. Tristano was born in Chicago on March 19, 1919. His mother, Rose Tristano (née Malano),
1080-522: A new one in Hollis, Queens . Some of his core students moved to California after Tristano's base was relocated. This, coupled with a separation from his wife in the same year due to his infidelity, meant that he was physically more isolated from the New York music scene. He gave fewer concerts than earlier, but in 1958 he had the first of what were sometimes lengthy engagements at New York's Half Note Club , after
1188-567: A popular song from a zarzuela . Spanish flu ( gripe española ) is now a common name in Spain, but remains controversial there. Othering derived from geopolitical borders and social boundaries. In Poland it was the ' Bolshevik disease', while the Bolsheviks referred to it as the ' Kirghiz disease'. Some Africans called it a 'white man's sickness', but in South Africa , white men also used
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#17330848642201296-423: A profit in wartime), Otjiherero : 'kaapitohanga' (disease which passes through like a bullet), and Persian : nakhushi-yi bad (disease of the wind). This outbreak was also commonly known as the 'great influenza epidemic', after the 'great war', a common name for World War I before World War II . French military doctors originally called it 'disease 11' ( maladie onze ). German doctors downplayed
1404-455: A public information campaign before the end of the summer, and Britain began preparations in the autumn with the manufacture of vaccine. In Japan, the flu broke out again in December and spread rapidly throughout the country, a fact attributed at the time to the coming of cold weather. Pandemic-related measures were renewed to check the spread of the outbreak, and health authorities recommended
1512-662: A result of the lifting of the ban on public gatherings. Pandemic interventions, such as bans on public gatherings and the closing of schools, were reimposed in many places in an attempt to suppress the spread. There was "a very sudden and very marked rise in general death rate" in most cities in January 1919; nearly all experienced "some degree of recrudescence" of the flu in January and February. Significant outbreaks occurred in cities including Los Angeles , New York City, Memphis , Nashville , San Francisco , and St. Louis . By 21 February, with some local variation, influenza activity
1620-436: A short time earlier, has a deep blues feeling – a style not usually associated with Tristano. For "Line Up" and "East 32nd", Tristano's "use of chromatic harmony ... secures him a position of a pioneer in expanding the harmonic vocabulary of jazz improvisation", in biographer Eunmi Shim's words. By the mid-1950s Tristano focused his energies more on music education. In 1956 he had to leave his Manhattan studio; he established
1728-607: A strict maritime quarantine had shielded the country through the latter part of 1918. It assumed epidemic proportions first in Melbourne , peaking in mid-February. The flu soon appeared in neighboring New South Wales and South Australia and then spread across the country throughout the year. New South Wales experienced its first wave of infection between mid-March and late May, while a second, more severe wave occurred in Victoria between April and June. Land quarantine measures hindered
1836-442: A student's learning were having a concept of (principally diatonic ) scales as music and a basis for harmony. One of the teaching tools often used by Tristano, including for scales, was the metronome . The student set the metronome at or near its slowest setting initially, and gradually increased its speed, allowing a sense of time to develop, along with confidence in placing each note. Tristano encouraged his students to learn
1944-452: A thousand", tied to some of them going on to employ what they learned in their own playing and pedagogy, illustrate his influence. Tristano's teaching also affected the art of painter Robert Ryman , who had music lessons with the pianist: Ryman's "technique not only parallels music in general but shares the principles of kinesthetic and multisensorial attention to detail that characterized the teaching of Lennie Tristano." Shim suggested that
2052-629: Is fundamentally the same condition as the influenza of this present pandemic." This " purulent bronchitis " is not yet linked to the same A/H1N1 virus, but it may be a precursor. In 1918, ' epidemic influenza ' ( Italian : influenza , influence), also known at the time as 'the grip' ( French : la grippe , grasp), appeared in Kansas in the U.S. during late spring, and early reports from Spain began appearing on 21 May. Reports from both places called it 'three-day fever' ( fiebre de los tres días ). Many alternative names are exonyms in
2160-498: Is in town," making 'the Spanish lady' another common name. The outbreak did not originate in Spain (see below ), but reporting did, due to wartime censorship in belligerent nations. Spain was a neutral country unconcerned with appearances of combat readiness , and without a wartime propaganda machine to prop up morale ; so its newspapers freely reported epidemic effects, including King Alfonso XIII 's illness, making Spain
2268-499: Is regarded as one of the first to teach jazz, particularly improvisation, in a structured way. He taught musicians irrespective of their instrument and structured lessons to meet the needs of each individual. Lessons were typically 15–20 minutes in length. He did not teach the reading of music or the characteristics of different styles of jazz, instead challenging students in ways that would allow them to find and express their own musical feelings, or style. Foundational elements for
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#17330848642202376-496: The 1977 Russian flu and the 2009 Swine flu pandemics. This pandemic was known by many different names—some old, some new—depending on place, time, and context. The etymology of alternative names historicises the scourge and its effects on people who would only learn years later that invisible viruses caused influenza . The lack of scientific answers led the Sierra Leone Weekly News ( Freetown ) to suggest
2484-507: The Armistice of 11 November 1918 also caused outbreaks in Lima and Nairobi , but by December the wave was mostly over. The second wave of the 1918 pandemic was much more deadly than the first. The first wave had resembled typical flu epidemics; those most at risk were the sick and elderly, while younger, healthier people recovered easily. October 1918 was the month with the highest fatality rate of
2592-625: The Boston Navy Yard and Camp Devens (later renamed Fort Devens ), about 30 miles west of Boston, other U.S. military sites were soon afflicted, as were troops being transported to Europe. Helped by troop movements, it spread over the next two months to all of North America, and then to Central and South America , also reaching Brazil and the Caribbean on ships. In July 1918, the Ottoman Empire saw its first cases in some soldiers. From Freetown,
2700-540: The English Channel at Aldershot , England . Clinical indications in common with the 1918 pandemic included rapid symptom progression to a "dusky" heliotrope cyanosis of the face. This characteristic blue-violet cyanosis in expiring patients led to the name 'purple death'. The Aldershot physicians later wrote in The Lancet , "the influenza pneumococcal purulent bronchitis we and others described in 1916 and 1917
2808-923: The Great Influenza epidemic or by the common misnomer Spanish flu , was an exceptionally deadly global influenza pandemic caused by the H1N1 subtype of the influenza A virus . The earliest documented case was March 1918 in the state of Kansas in the United States, with further cases recorded in France, Germany and the United Kingdom in April. Two years later, nearly a third of the global population, or an estimated 500 million people, had been infected in four successive waves. Estimates of deaths range from 17 million to 50 million, and possibly as high as 100 million, making it one of
2916-587: The Treaty of Brest-Litovsk (March 1918), Germany started releasing Russian prisoners of war, who then brought the disease to their country. It reached North Africa, India, and Japan in May, and soon after had likely gone around the world as there had been recorded cases in Southeast Asia in April. In June an outbreak was reported in China . After reaching Australia in July, the wave started to recede. The first wave of
3024-567: The ethnophaulism 'kaffersiekte' (lit. negro disease). Japan blamed sumo wrestlers for bringing the disease home from a match in Taiwan by calling it 'sumo flu' ( Sumo Kaze ), even though three top wrestlers died there. World Health Organization 'best practices' first published in 2015 now aim to prevent social stigma by no longer associating culturally significant names with new diseases, listing "Spanish flu" under "examples to be avoided". Many authors now eschew calling this
3132-465: The first of these post-1918 pandemics , in 1957, the virus was totally displaced by the novel H2N2 , the reassortant product of the human H1N1 and an avian influenza virus, which thereafter became the active influenza A virus in humans. In 1977, an influenza virus bearing a very close resemblance to the seasonal H1N1, which had not been seen since the 1950s, appeared in Russia and subsequently initiated
3240-528: The 'Spanish grip'. And wherefore Spanish? …this epidemic was not born in Spain, and this should be recorded as a historic vindication." But before this letter could be published, The Serbian Newspaper ( Corfu ) said, "Various countries have been assigning the origin of this imposing guest to each other for quite some time, and at one point in time they agreed to assign its origin to the kind and neutral Spain…" French press initially used 'American flu', but adopted 'Spanish flu' in lieu of antagonizing an ally. In
3348-466: The 1960s[.] Grove Music commented on some aspects of Tristano's style that were different from most modern jazz: "Rather than the irregular accents of bop, Tristano preferred an even rhythmic background against which to concentrate on line and focus his complex changes of time signature. Typically, his solos consisted of extraordinarily long, angular strings of almost even quavers provided with subtle rhythmic deviations and abrasive polytonal effects. He
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3456-416: The 1970s. Tristano and his wife formally divorced in 1962. Their son, Steve, who was born in 1952, met his father only once after their initial 1956 separation. Tristano married again in the early 1960s. His second wife was Carol Miller, one of his students. They had a son, Bud, and two daughters, Tania and Carol. The couple divorced in 1964, and Tristano later lost a custody battle with his ex-wife over
3564-603: The Famous Door. Tristano's second album for Atlantic was recorded in 1961 and released the following year. The New Tristano , as was stressed on the album cover, consisted entirely of piano solos and no overdubbing or tape-speed manipulation was employed. The tracks contain left-hand bass lines that provide structure to each performance as well as counterpoint for the right-hand playing; block chords, unclear harmonies and contrasting rhythms also appear. Other solo piano recordings that Tristano made in 1961 were not released until
3672-441: The Spanish flu, instead using variations of '1918–19/20 flu/influenza pandemic'. Some language endonyms did not name specific regions or groups of people. Examples specific to this pandemic include: Northern Ndebele : 'Malibuzwe' (let enquiries be made concerning it), Swahili : 'Ugonjo huo kichwa na kukohoa na kiuno' (the disease of head and coughing and spine), Yao : 'chipindupindu' (disease from seeking to make
3780-494: The United States as early as late November 1918, with the Public Health Service issuing its first report of a "recrudescence of the disease" being felt in "widely scattered localities" in early December. This resurgent activity varied across the country, however, possibly on account of differing restrictions. Michigan , for example, experienced a swift resurgence of influenza that reached its peak in December, possibly as
3888-421: The United States subsided as swiftly as it had appeared, reaching a peak in early February. "An epidemic of considerable proportions marked the early months of 1920", the U.S. Mortality Statistics would later note; according to data at this time, the epidemic resulted in one third as many deaths as the 1918–1919 experience. New York City alone reported 6,374 deaths between December 1919 and April 1920, almost twice
3996-467: The age of eleven he had his first gigs, playing clarinet in a brothel. Tristano studied for a bachelor's degree in music in performance at the American Conservatory of Music in Chicago from 1938 until 1941, and stayed for another two years for further studies, although he left before completing his master's degree. One of his aunts assisted Tristano by taking notes for him at university. In
4104-527: The apparent locus of the epidemic. The censorship was so effective that Spain's health officials were unaware its neighboring countries were similarly affected. In an October 1918 "Madrid Letter" to the Journal of the American Medical Association , a Spanish official protested, "we were surprised to learn that the disease was making ravages in other countries, and that people there were calling it
4212-662: The children. In 1964 the pianist reformed his quintet with Konitz and Marsh for a two-month engagement at the Half Note and performances at the Coq D'Or in Toronto. The quartet, missing Konitz, played the Cellar Club in Toronto two years later. Tristano played on occasion at the Half Note Club until the mid-1960s, and toured Europe in 1965. His European tour was mainly as a solo pianist, and
4320-409: The claim that young adults had a high mortality during the pandemic has been contested. Malnourishment, overcrowded medical camps and hospitals, and poor hygiene , exacerbated by the war, promoted bacterial superinfection , killing most of the victims after a typically prolonged death bed. The 1918 Spanish flu was the first of three flu pandemics caused by H1N1 influenza A virus ; the others being
4428-468: The commercialization of jazz and what he perceived to be the requirement to abandon the artistic part of playing in order to earn a living from performing. Later commentators have suggested that these complaints ignored the freedom that he was given by Atlantic and blamed others for what in many cases were the outcomes of his own career decisions. Saxophonists Parker and Lester Young were important influences on Tristano's development. Another major figure
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4536-413: The common under-appreciation of Tristano is attributable in part to his style being unusual and too difficult for jazz commentators to categorize. Ind also believed that Tristano's reputation became less than was deserved – "He stuck with his convictions and would not commercialize. His dedication, plus the lack of general appreciation by many jazz critics, led inevitably to his being sidelined." Tristano
4644-461: The core of Tristano's long-standing quintet/sextet, although the saxophonist did on occasion play with Tristano again. Tristano's 1953 recording "Descent into the Maelstrom" was another innovation. It was a musical portrayal of Edgar Allan Poe 's story of the same title , and was an improvised solo piano piece that used multitracking and had no preconceived harmonic structure, being based instead on
4752-492: The country were soon to follow. Certain pandemic restrictions, such as the closing of schools and theaters and the staggering of business hours to avoid congestion, were reimposed in cities like Chicago, Memphis, and New York City. As they had during the epidemic in fall 1918, schools in New York City remained open, while those in Memphis were shuttered as part of more general restrictions on public gatherings. The fourth wave in
4860-399: The deadliest pandemics in history . The pandemic broke out near the end of World War I , when wartime censors in the belligerent countries suppressed bad news to maintain morale , but newspapers freely reported the outbreak in neutral Spain , creating a false impression of Spain as the epicenter and leading to the "Spanish flu" misnomer. Limited historical epidemiological data make
4968-433: The development of motifs. Its atonality anticipated the much later work of pianists such as Cecil Taylor and Borah Bergman . In the following year Tristano's sextet played at the first Newport Jazz Festival . This may have been his only jazz festival appearance – he considered them to be too commercial. Marsh left the band in the summer of 1955. Tristano recorded his first album for Atlantic Records in 1955; he
5076-474: The disease was regarded as being milder than it had been the year before, albeit more infectious. Despite its rapid peak at the beginning of the year, the outbreak persisted throughout the winter, before subsiding in the spring. In the United States, there were "almost continuously isolated or solitary cases" of flu throughout the spring and summer months of 1919. An increase in scattered cases became apparent as early as September, but Chicago experienced one of
5184-707: The disease was soon misnamed 'Spanish influenza'. In a 2 June 1918 The Times of London dispatch titled, "The Spanish Epidemic," a correspondent in Madrid reported over 100,000 victims of, "The unknown disease…clearly of a gripal character," without referring to "Spanish influenza" directly. Three weeks later The Times reported that, "Everybody thinks of it as the 'Spanish' influenza to-day." Three days after that an advertisement appeared in The Times for Formamint tablets to prevent "Spanish influenza". When it reached Moscow, Pravda announced, " Ispánka (the Spanish lady)
5292-449: The disease, a novel one in 1918, assumed a more familiar nature, coming to represent at least one form of the "seasonal flu". The virus, H1N1, remained endemic, occasionally causing more severe or otherwise notable outbreaks as it gradually evolved over the years. The period since its initial appearance in 1918 has been termed a "pandemic era", in which all flu pandemics since its emergence have been caused by its own descendants. Following
5400-885: The early 1940s Tristano played tenor saxophone and piano for a variety of engagements, including in a rumba band. He began giving private music lessons at around the same time, including to saxophonist Lee Konitz . From 1943 Tristano also taught at the Axel Christensen School of Popular Music. He first received press coverage for his piano playing in early 1944, appearing in Metronome ' s summary of music in Chicago from that year, and then in Down Beat from 1945. He recorded with some musicians from Woody Herman 's band in 1945; Tristano's playing on these tracks "is characterized by his extended harmonies, fast single-line runs, and block chords ." He also recorded solo piano pieces in
5508-420: The early 1940s, and by the mid-1950s was concentrating on teaching in preference to performing. He taught in a structured and disciplined manner, which was unusual in jazz education when he began. His educational role over three decades meant that he exerted an influence on jazz through his students, including saxophonists Lee Konitz and Warne Marsh . Musicians and critics vary in their appraisal of Tristano as
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#17330848642205616-461: The editors of the U.S. Public Health Service 's academic journal Public Health Reports . Within days of the 4 March first case at Camp Funston, 522 men at the camp had reported sick. By 11 March 1918, the virus had reached Queens , New York. Failure to take preventive measures in March/April was later criticized. As the U.S. had entered World War I, the disease quickly spread from Camp Funston,
5724-454: The first free group improvisations. Tristano's innovations continued in 1951, with the first overdubbed , improvised jazz recordings, and two years later, when he recorded an atonal improvised solo piano piece that was based on the development of motifs rather than on harmonies. He developed further via polyrhythms and chromaticism into the 1960s, but was infrequently recorded. Tristano started teaching music, especially improvisation, in
5832-443: The first improvised, overdubbed recordings in jazz. Early reviewers largely failed to realize that overdubbing had been used. Tristano's recording studio remained in use, and was the scene of early sessions for Debut Records , co-founded by Roach and bassist Charles Mingus . In 1952 Tristano's band performed occasionally, including as a quintet in Toronto. In the summer of that year, Konitz joined Stan Kenton 's band, breaking up
5940-455: The first major outbreaks of the flu beginning in the middle of January. The Public Health Service announced it would take steps to "localize the epidemic", but the disease was already causing a simultaneous outbreak in Kansas City and quickly spread outward from the center of the country in no clear direction. A few days after its first announcement, PHS issued another assuring that the disease
6048-534: The first quarter of 1918. However, the first wave caused a significant disruption in the military operations of World War I , with three-quarters of French troops, half the British forces, and over 900,000 German soldiers sick. The second wave began in the second half of August 1918, probably spreading to Boston , Massachusetts and Freetown , Sierra Leone , by ships from Brest , where it had likely arrived with American troops or French recruits for naval training. From
6156-455: The first time just in October 1918, experienced a severe second wave, with mortality peaking in August 1919. Montevideo similarly experienced a second outbreak between July and September. The third wave particularly affected Spain, Serbia , Mexico and Great Britain, resulting in hundreds of thousands of deaths. It was in general less severe than the second wave but still much more deadly than
6264-415: The flu lasted from the first quarter of 1918 and was relatively mild. Mortality rates were not appreciably above normal; in the United States ~75,000 flu-related deaths were reported in the first six months of 1918, compared to ~63,000 deaths during the same time period in 1915. In Madrid, Spain, fewer than 1,000 people died from influenza between May and June 1918. There were no reported quarantines during
6372-542: The form of a true "third wave". Hong Kong experienced another outbreak in June, as did South Africa during its fall and winter months in the Southern Hemisphere . New Zealand also experienced some cases in May. Parts of South America experienced a resurgence of pandemic activity throughout 1919. A third wave hit Brazil between January and June. Between July 1919 and February 1920, Chile , which had been affected for
6480-421: The free group improvisations based on spontaneous group interactions and the contrapuntal principle. In the 1950s Tristano employed an advanced concept in jazz improvisation called side-slipping, or outside playing , which creates a form of temporary bitonality when chromatic harmony is superimposed over the standard harmonic progressions. Tristano intensified his use of counterpoint, polyrhythm, and chromaticism in
6588-462: The free jazz that began in the 1960s for its lack of musical logic as well as its expression of negative emotions. "If you feel angry with somebody you hit him on the nose – not try to play angry music", he commented; "Express all that is positive. Beauty is a positive thing." He expanded on this by distinguishing emotion from feeling, and suggested that playing a particular emotion was egotistical and lacking in feeling. Tristano also complained about
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#17330848642206696-472: The freedom that they had initially felt. With occasional personnel changes, the sextet continued performing into 1951. In the same year, the location for Tristano's lessons shifted from his home in Flushing, Queens to a Manhattan loft property, part of which he had converted into a recording studio. This also served as the location for frequent jam sessions with various invited musicians. The address became
6804-451: The group. Tristano's band had two recording sessions in 1949 that proved to be significant. The sextet recorded original compositions, including his "Wow" and "Crosscurrent", that were based on familiar harmonies; reviewers commented on the linearity of the playing and its departure from bebop. Without a drummer, the other musicians also recorded the first free improvisations by a group – " Intuition " and "Digression". For these tracks,
6912-513: The initial first wave. In the Northern Hemisphere, fears of a "recurrence" of the flu grew as fall approached. Experts cited the history of past flu epidemics, such as that of 1889–1890, to predict that such a recurrence a year later was not unlikely, though not all agreed. In September 1919, U.S. Surgeon General Rupert Blue said a return of the flu later in the year would "probably, but by no means certainly," occur. France had readied
7020-476: The last quarter of 1918 alone. Pandemic activity persisted, in general, into 1919 in many places. This persistence in activity is possibly attributable to climate, specifically in the Northern Hemisphere , where it was winter and thus the usual time for influenza activity. The pandemic nonetheless continued into 1919 largely independent of region and climate. Cases began to rise again in some parts of
7128-784: The late-1960s to the present in the groups Lookout Farm and Quest . In addition, Liebman and Beirach have frequently performed and recorded as a duo. Several of Beirach's compositions – "Leaving" and "Elm", for instance – have found their way into the jazz standard repertoire. Beirach's style is influenced by Art Tatum , Bill Evans , McCoy Tyner , Chick Corea , and his earlier classical training. Quest With George Adams With John Abercrombie With John Scofield With Chet Baker With Frank Tusa With Dave Liebman With Jeremy Steig With Steve Davis With Laurie Antonioli With Ron McClure Trio With George Mraz Lennie Tristano Leonard Joseph Tristano (March 19, 1919 – November 18, 1978)
7236-427: The melodies of jazz standards by singing them, then playing them, before working on playing them in all keys. He also often had his students learn to sing and play the improvised solos of some of the best-known names in jazz, including Parker and Young. Some students first sang solos from a recording slowed to half the normal speed; eventually they learned to sing and play them at normal speed. Tristano stressed that
7344-621: The modern jazz idiom." In Ind's opinion, Tristano's legacy "is what he added technically to the jazz vocabulary and his vision of jazz as a serious musical craft". Grove Music ' s summary is that "Tristano's influence is felt most strongly in the work of his best pupils ... and in his example of high-mindedness and perfectionism, characteristics which presupposed for jazz the highest standards of music as art." Shim too identified his teaching as part of his legacy: parts of his approach to teaching jazz have become standard practice; and "the sheer number of students he taught, which may easily exceed
7452-478: The music. Elements of Tristano's early playing – counterpoint, reharmonizing, and strict time – influenced Miles Davis ' Birth of the Cool , and the playing of saxophonist Gerry Mulligan and pianist Dave Brubeck . Tristano's early, more feelings-based performances also influenced the style of pianist Bill Evans , who also used overdubbing and multitracking in his own recordings after Tristano had experimented with
7560-425: The number of the first wave in spring 1918. Other U.S. cities including Detroit, Milwaukee, Kansas City, Minneapolis, and St. Louis were hit particularly hard, with death rates higher than all of 1918. The Territory of Hawaii experienced its peak of the pandemic in early 1920, recording 1,489 deaths from flu-related causes, compared with 615 in 1918 and 796 in 1919. Poland experienced a devastating outbreak during
7668-473: The owners persuaded him to perform, in part by replacing their club's Steinway piano with a new Bechstein of Tristano's choosing. They later reported that, in the late 1950s and early 1960s, the musicians who were the most popular at their club were John Coltrane , Zoot Sims , and Tristano: "Coltrane brought in the masses, Zoot brought in the musicians and Lennie brought in the intellectuals." In 1959 Tristano's quintet again performed in Toronto, this time at
7776-876: The pandemic continued to spread through West Africa along the coast, rivers, and the colonial railways, and from railheads to more remote communities, while South Africa received it in September on ships bringing back members of the South African Native Labour Corps returning from France. From there it spread around southern Africa and beyond the Zambezi , reaching Ethiopia in November. On 15 September, New York City saw its first fatality from influenza. The Philadelphia Liberty Loans Parade , held in Philadelphia , Pennsylvania , on 28 September 1918 to promote government bonds for World War I, resulted in 12,000 deaths after
7884-406: The pandemic was largely considered to be "over" by the public as well as governments. Though parts of Chile experienced a third, milder wave between November 1920 and March 1921, the flu seemed to be mostly absent through the winter of 1920–1921. In the United States, for example, deaths from pneumonia and influenza were "very much lower than for many years". Seasonal Influenza after the end of
7992-484: The pandemic's geographic origin indeterminate, with competing hypotheses on the initial spread. Most influenza outbreaks disproportionately kill the young and old, with a higher survival rate in-between, but this pandemic had unusually high mortality for young adults. Scientists offer several explanations for the high mortality, including a six-year climate anomaly affecting migration of disease vectors with increased likelihood of spread through bodies of water. However,
8100-495: The pandemic, began to be reported again from many places in 1921. Influenza continued to be felt in Chile, where a post pandemic fourth wave affected seven of its 24 provinces between June and December 1921. The winter of 1921–1922 was the first major reappearance of seasonal influenza in the Northern Hemisphere after the pandemic ended, in many parts its most significant occurrence since the main pandemic in late 1918. Northwestern Europe
8208-411: The pianist had limited influence outside his own group of affiliated musicians; Robert Palmer , who pointed out that only one of Tristano's albums was in print at the time of his death, suggested that he was pivotal in the change from 1940s modern jazz to the freer styles of subsequent decades; and Thomas Albright similarly believed that his improvising prepared and developed new ground in the history of
8316-509: The playing was in the style of his The New Tristano recordings. He performed with Ind and others in concerts in the UK in 1968; they were well received, and Tristano returned the following year. His last public performance in the US was in 1968. Tristano declined offers to perform in the 1970s; he explained that he did not like to travel, and that the requirement for a career-minded musician to play concerts
8424-583: The practice of making new infectious diseases seem foreign. This pattern was observed even before the 1889–1890 pandemic , also known as the 'Russian flu', when the Russians already called epidemic influenza the 'Chinese catarrh', the Germans called it the 'Russian pest', while the Italians in turn called it the 'German disease'. These epithets were re-used in the 1918 pandemic, along with new ones. Outside Spain,
8532-516: The reemerged H1N1 became endemic once again but did not displace the other active influenza A virus, H3N2 (which itself had displaced H2N2 through a pandemic in 1968 ). For the first time, two influenza A viruses were observed in cocirculation. This state of affairs has persisted even after 2009, when a novel H1N1 virus emerged, sparked a pandemic , and thereafter took the place of the seasonal H1N1 to circulate alongside H3N2. Despite its name, historical and epidemiological data cannot identify
8640-504: The same year. Tristano also married in 1945; his wife was Judy Moore, a musician who sang to his piano accompaniment in Chicago in the mid-1940s. Tristano's interest in jazz inspired a move to New York City in 1946. As a preliminary step to moving there, he stayed in Freeport, Long Island , where he played in a restaurant with Arnold Fishkind (bass) and Billy Bauer (guitar). This trio, with an assortment of bassists replacing Fishkind,
8748-541: The sequence in which the musicians would join in the ensemble playing, and the approximate timing of those entrances, were planned, but nothing else – harmony, key, time signature, tempo, melody or rhythm – was prepared or set. Instead, the five musicians were held together by contrapuntal interaction. Both tracks were praised by critics, although their release was delayed – "Intuition" was released late in 1950, and "Digression" not until 1954. Parker and composer Aaron Copland were also impressed. Numerous other musicians of
8856-457: The severity by calling it 'pseudo influenza' (Latin: pseudo , false), while in Africa, doctors tried to get patients to take it more seriously by calling it 'influenza vera' (Latin: vera , true). A children's song from the 1889–90 flu pandemic was shortened and adapted into a skipping-rope rhyme popular in 1918. It is a metaphor for the transmissibility of 'Influenza', where that name
8964-431: The spread of the disease, resulting in varied experiences of exposures and outbreaks among the various states. Queensland was not infected until late April; Western Australia avoided the disease until early June, and Tasmania remained free from it until mid-August. Out of the six states, Victoria and New South Wales experienced generally more extensive epidemics. Each experienced another significant wave of illness over
9072-525: The spring of 1918, British soldiers called it 'Flanders flu', while German soldiers used ' Flandern-Fieber ' (Flemish fever), both after a famous battlefield in Belgium where many soldiers on both sides fell ill. In Senegal it was named 'Brazilian flu', and in Brazil , 'German flu'. In Spain it was also known as the 'French flu' ( gripe francesa ), or the 'Naples Soldier' ( Soldado de Nápoles ), after
9180-418: The student was not learning to imitate the artist, but should use the experience to gain insight into the musical feeling conveyed. Such activities stressed the value of ear training , and the idea of feeling being fundamental to musical expression. All of this preceded having the opportunity to improvise during lessons. Critics disagree on Tristano's importance in jazz history. Max Harrison indicated that
9288-727: The techniques. Avant-garde musician Anthony Braxton has often mentioned Tristano and some of his students as influences. Pianist Mose Allison commented that Tristano and Powell "were the founders of modern piano playing, since nearly everyone was influenced by one or the other of them." Albright cited Tristano as an influence on the pianists Paul Bley , Andrew Hill , Mal Waldron , and Taylor. After Tristano's death, jazz piano increasingly adopted aspects of his early playing, in Ted Gioia 's view: "younger players were coming to these same end points not because they had listened to Tristano ... but because these developments were logical extensions of
9396-505: The time, however, thought Tristano's music too progressive and emotionally cold, and predicted that it would not be popular with the public. The sextet struggled to find enough work, but did play at Birdland 's opening night "A Journey Through Jazz", a subsequent five-week engagement at that club, and at various other venues in the north-east of the US late in 1949. They performed free pieces in these concerts, as well as Bach fugues, but found it difficult over time to continue to play with
9504-474: The title of one of his compositions – "317 East 32nd Street". At around the same time, Tristano started a record label named Jazz Records. It released "Ju-ju" and "Pastime" on a 45 record in 1952, before Tristano abandoned the project because of time demands and distribution problems. The two tracks were from a trio session with bassist Peter Ind and drummer Roy Haynes , and contained overdubbed second piano parts added later by Tristano. Ind described them as
9612-540: The use of harmonies that were unusual for that period. His playing has been labeled " cool jazz ", but this fails to capture the range of his playing. Eunmi Shim summarized the changes in Tristano's playing during his career: The trio recordings of 1946 show a novel approach in the linear interaction between piano and guitar, resulting in counterpoint, polyrhythm, and superimposed harmonies. The sextet recordings of 1949 are notable for coherent ensemble playing and soloing, and
9720-418: The use of masks. The epidemic intensified in the latter part of December before swiftly peaking in January. Between October 1919 and 23 January 1920, 780,000 cases were reported across the country, with at least 20,000 deaths recorded by that date. This apparently reflected "a condition of severity three times greater than for the corresponding period of" 1918–1919, during Japan's first epidemic. Nonetheless,
9828-469: The whole pandemic. In the United States, ~292,000 deaths were reported between September–December 1918, compared to ~26,000 during the same time period in 1915. The Netherlands reported over 40,000 deaths from influenza and acute respiratory disease. Bombay reported ~15,000 deaths in a population of 1.1 million. The 1918 flu pandemic in India was especially deadly, with an estimated 12.5–20 million deaths in
9936-563: The winter months, with its capital Warsaw reaching a peak of 158 deaths in a single week, compared to the peak of 92 reached in December 1918; however, the 1920 epidemic passed in a matter of weeks, while the 1918–1919 wave had developed over the entire second half of 1918. By contrast, the outbreak in western Europe was considered "benign", with the age distribution of deaths beginning to take on that of seasonal flu . Five countries in Europe (Spain, Denmark, Finland, Germany and Switzerland) recorded
10044-500: The winter. The second epidemic in New South Wales was more severe than the first, while Victoria saw a third wave that was somewhat less extensive than its second, more akin to its first. The disease also reached other parts of the world for the first time in 1919, such as Madagascar , which saw its first cases in April; the outbreak had spread to practically all sections of the island by June. In other parts, influenza recurred in
10152-543: Was Metronome ' s musician of the year in 1947. He was elected to Down Beat ' s Hall of Fame in 1979. In 2013 Tristano was inducted into the Grammy Hall of Fame for Crosscurrents , an album of recordings from 1949. He was added to the Ertegun Hall of Fame in 2015. Only albums are listed. Main sources: Bibliography 1918%E2%80%9319 flu pandemic The 1918–1920 flu pandemic , also known as
10260-571: Was clipped to the apheresis 'Enza': I had a little bird, its name was Enza. I opened the window, and in-flu-enza. The pandemic is conventionally marked as having begun on 4 March 1918 with the recording of the case of Albert Gitchell, an army cook at Camp Funston in Kansas , United States, despite there having been cases before him. The disease had already been observed 200 miles (320 km) away in Haskell County as early as January 1918, prompting local doctor Loring Miner to warn
10368-415: Was affected by "a substantial recrudescent wave" of influenza between January and April 1919. Portugal experienced a resurgence in pandemic activity that lasted from March to September 1919, with the greatest impact being felt on the west coast and in the north of the country; all districts were affected between April and May specifically. Influenza entered Australia for the first time in January 1919 after
10476-414: Was allowed control over the recording process and what to release. The eponymous album included solo and trio tracks that contained further experiments with multitracking ("Requiem" and "Turkish Mambo") and altered tape-speed ("Line Up" and "East 32nd"). The use of overdubbing and tape manipulation was controversial with some critics and musicians at the time. "Requiem", a tribute to Parker, who had died
10584-468: Was also born in Chicago. His father, Michael Joseph Tristano, was born in Italy and moved to the United States as a child. Lennie was the second of four brothers. Lennie started on the family's player piano at the age of two or three. He had classical piano lessons when he was eight, but indicated later that they had hindered, rather than helped, his development. He was born with weak eyesight, possibly as
10692-444: Was an American jazz pianist, composer, arranger, and teacher of jazz improvisation. Tristano studied for bachelor's and master's degrees in music in Chicago before moving to New York City in 1946. He played with leading bebop musicians and formed his own small bands, which soon displayed some of his early interests – contrapuntal interaction of instruments, harmonic flexibility, and rhythmic complexity. His quintet in 1949 recorded
10800-452: Was different from what Parker was accustomed to and did not copy the saxophonist's style. In 1948 Tristano played less often in clubs, and added Konitz and a drummer to his regular band, making it into a quintet. This band recorded the first sides for the New Jazz label, which later became Prestige Records . Later that year Warne Marsh , another saxophonist student of Tristano's, was added to
10908-406: Was not something that he wanted to follow. He continued teaching, and helped to organize concerts for some of his students. Another album, Descent into the Maelstrom , was released in the 1970s; it consisted of recordings made between 1951 and 1966. Tristano had a series of illnesses in the 1970s, including eye pain and emphysema (he smoked for most of his life). On November 18, 1978, he died of
11016-619: Was not until later in the winter and into the spring that a clearer resurgence appeared in Europe. A significant third wave had developed in England and Wales by mid-February, peaking in early March, though it did not fully subside until May. France also experienced a significant wave that peaked in February, alongside the Netherlands. Norway , Finland , and Switzerland saw recrudescences of pandemic activity in March, and Sweden in April. Much of Spain
11124-455: Was particularly adept in his use of different levels of double time and was a master of the block-chord style". Fellow piano player Ethan Iverson asserted that, "As a pianist, Tristano was in the top tier of technical accomplishment. He was born a prodigy and worked tirelessly to get better." Tristano "had seemingly small but extremely flexible hands, which could expand to a phenomenal degree", allowing him to reach large intervals. Tristano
11232-521: Was particularly affected. All-cause mortality in the Netherlands approximately doubled in January 1922 alone. In Helsinki , a major epidemic (the fifth since 1918) prevailed between November and December 1921. The flu was also widespread in the United States, its prevalence in California reportedly greater in early March 1922 than at any point since the pandemic ended in 1920. In the years after 1920,
11340-461: Was pianist Art Tatum : Tristano practiced solo Tatum pieces early in his career, before gradually moving away from this influence in search of his own style. Bebopper Bud Powell also affected Tristano's playing and teaching, as he admired the younger pianist's articulation and expression. Tristano's advanced grasp of harmony pushed his music beyond the complexities of the contemporary bebop movement: from his early recordings, he sought to develop
11448-550: Was recorded in 1946–47. Reviewers at the time commented on the originality of the piano–guitar counterpoint and the trio's approach to harmony. Gunther Schuller later described one of their recordings as "too far ahead of its time" in its harmonic freedom and rhythmic complexity. Tristano met saxophonist Charlie Parker in 1947. They played together in bands that included bebop musicians Dizzy Gillespie and Max Roach later that year for radio broadcasts. The pianist reported that Parker enjoyed his playing, in part because it
11556-414: Was reported to have been declining since mid-January in all parts of the country. Following this "first great epidemic period" that had commenced in October 1918, deaths from pneumonia and influenza were "somewhat below average" in the large cities of the United States between May 1919 and January 1920. Nonetheless, nearly 160,000 deaths were attributed to these causes in the first six months of 1919. It
11664-498: Was under the control of state health authorities and that an outbreak of epidemic proportions was not expected. It became apparent within days of the start of Chicago's explosive growth in cases that the flu was spreading in the city at an even faster rate than in winter 1919, though fewer were dying. Within a week, new cases in the city had surpassed its peak during the 1919 wave. Around the same time, New York City began to see its own sudden increase in cases, and other cities around
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