Bank Gothic is a rectilinear geometric sans-serif typeface designed by Morris Fuller Benton for American Type Founders and released in 1930. The design has become popular from the late twentieth century to suggest a science-fiction, military, corporate, or sports aesthetic.
14-429: Bank Gothic is an exploration of geometric forms, and is contemporary with the rectilinear slab serif typeface City by Georg Trump (Gothic in this context means "sans-serif", at the time a common usage, rather than blackletter ). The typeface also bears comparison with late-nineteenth-century engraving faces such as Copperplate Gothic , which were popular for business card and corporate stationery printing. The design
28-467: A digitization in the 1980s, small caps were added in the lower-case position, and this has become common in digital releases. As American Type Founders ceased operations before issuing a digital version, various digitizations have been released by different companies, including Bitstream , ParaType (the Bitstream digitization, adding Cyrillic), and others. In 2010, FontHaus released an updated revival of
42-508: A highly unified and refined typeface. The lowercase a is composed of a two horizontal rectangles in the interior, the outer skin follows the counter but always contrasting the outer stroke with the organic curves. The face was produced in three weights: light, medium, and bold, each in roman and italic . The graphic designer Jan Tschichold helped to popularize the City typeface by his use of it for his book Typographische Gestaltung published by
56-499: A variety of designs, for instance resembling what would now be considered blackletter. Printers and typefounders such as Nicolas Jenson and Aldus Manutius in Venice and later Robert Estienne in France codified the modern characteristics of Roman type, for instance an 'h' with a nearly straight right leg, serifs on the outside of the capital 'M' and 'N', and 'e' with level cross stroke, by
70-558: Is a slab serif typeface designed by Georg Trump and released around 1930 by the Berthold type foundry in Berlin, Germany. Though classified as a slab serif, City displays a strong modernist influence in its geometric structure of right angles and opposing round corners. The typeface takes inspiration from the machine age, and industry. A consistent application of repeated parts: an outer circle softening interior rectilinear spaces, results in
84-421: Is a stub . You can help Misplaced Pages by expanding it . Roman type In Latin script typography , roman is one of the three main kinds of historical type , alongside blackletter and italic . Sometimes called normal , it is distinct from these two for its upright style (relative to the calligraphy-inspired italic) and its simplicity (relative to blackletter). During the early Renaissance , roman (in
98-669: Is thus under the terms of the Open Font License . It follows DeLuxe Gothic and Morris Sans in containing true lowercase characters, as well as small caps . Squarish Sans offers Greek, Hebrew, and a large number of non-alphabetic (e.g. mathematical) symbols as well. Elsner+Flake designed two typefaces which are based on the Bank Gothic typeface: Bank Sans EF and Bank Sans Caps EF. Both typefaces had 32 styles (Regular, Semi Condensed, Condensed, Compressed, Light, Regular, Medium, Bold) with italics and support Cyrillic. Matt Desmond designed
112-517: The 1930s original, Doret's font contains lowercase characters. The DeLuxe Gothic Family was released in OpenType format in 2010 by Alphabet Soup Type Founders with both regular and condensed styles as well as traditional shortcaps. DeLuxe Gothic was the name originally used by the Intertype Corporation for its version of Morris Fuller Benton's Bank Gothic. Prior to its September 8, 2010 release, it
126-525: The Aldrich typeface, influenced from the Bank Gothic typeface. Banque Gothique was designed by Steve Jackaman and published by Red Rooster Collection. Banque Gothique contains 9 styles and family package options and is based on the earliest ATF/M.F. Benton versions of the Bank Gothic typefaces. Alex Kaczun designed the Axion RX-14 typeface, inspired from the Bank Gothic typeface. City (typeface) City
140-622: The Basel publishing house Benno Schwabe & Co. In 2007–09, Berthold released an OpenType Pro version of City called City Pro, which supports Central European, Latin Extended A characters. OpenType features include ordinals, proportional lining figures, subscripts and superscripts, fractions. The Square Slabserif 711 font from Bitstream is very similar to City and is available in light, medium, and bold weights. The Square Slabserif 711 also support Greek and Cyrillic . This typography -related article
154-428: The form of Antiqua ) and italic type were used separately. Today, roman and italic type are mixed, and most typefaces are composed of both an upright roman style and an associated italic or oblique style. Roman type was modelled from a European scribal manuscript style of the 15th century, based on the pairing of inscriptional capitals used in ancient Rome with Carolingian minuscules . Early roman typefaces show
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#1733092855132168-524: The original Bank Gothic complete with a lowercase and small caps and a new suite of punctuation glyphs. The family consists of light, medium, and bold weights in both a regular and a condensed style. The new lowercase characters did not exist with the original release, and were modeled after many similar Morris Fuller Benton designs released by American Type Founders in the 1930s. In 2003, letterforms artist Michael Doret began work on DeLuxe Gothic—a derivative version of American Type Founder's Bank Gothic. Unlike
182-443: Was initially issued in small print sizes to allow this use. The original metal typeface was capitals-only in light, medium and bold in regular and condensed widths, with larger sizes released as Poster Gothic. According to McGrew, the range of sizes cast allowed smaller sizes to be used as small capitals for larger sizes. It became a standard design, with Monotype, Linotype, Ludlow and Intertype offering versions. When Linotype issued
196-446: Was known as Bank Gothic AS. Designed by Dan Reynolds for Linotype, Morris Sans is an extended Bank Gothic family including both lowercase letters and small capitals. The design has three weights in regular and condensed widths, and modern OpenType features. Squarish Sans is a typeface under development as of September 2014. It was developed specifically to address the need of open-source software having access to this popular design, and
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