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65-437: Rhythm in music is characterized by a repeating sequence of stressed and unstressed beats (often called "strong" and "weak") and divided into bars organized by time signature and tempo indications. Beats are related to and distinguished from pulse, rhythm (grouping), and meter: Meter is the measurement of the number of pulses between more or less regularly recurring accents. Therefore, in order for meter to exist, some of

130-647: A multirest , as shown. The number above shows the number of bars replaced. Whether the music contains a regular meter or mixed meters , the first note in the bar (known as the downbeat) is usually stressed slightly in relation to the other notes in the bar. Igor Stravinsky said of bar lines: The bar line is much, much more than a mere accent, and I don't believe that it can be simulated by an accent, at least not in my music. Bars and bar lines also indicate grouping: rhythmically of beats within and between bars, within and between phrases , and on higher levels such as meter. The first metrically complete bar within

195-423: A quarter note into five equal parts), are irregular divisions and subdivisions. Subdivision begins two levels below the beat level: starting with a quarter note or a dotted quarter note, subdivision begins when the note is divided into sixteenth notes. The downbeat is the first beat of the bar , i.e. number 1. The upbeat is the last beat in the previous bar which immediately precedes, and hence anticipates,

260-450: A "dub plate"), but as demand for them grew eventually sometime in the second half of 1959 (believed by most to be in the last quarter) producers such as Coxsone Dodd and Duke Reid began to issue these recording on 45rpm 7-inch discs. At this point, the style was a direct copy of the American "shuffle blues" style, but within two or three years it had morphed into the more familiar ska style with

325-660: A feature during the summer that the Specials song " Ghost Town " was a hit, although this work was in a slower, reggae beat. Most of the 2 Tone bands had multiracial lineups, such as the Beat (known as the English Beat in North America and Australia), the Specials , and the Selecter . Although only on the 2 tone label for one single, Madness was one of the most effective bands at bringing

390-516: A hard driving back beat, such as the No. 2 hit "Freight Train Boogie" in 1946, as well as in other boogie songs they recorded. Similarly Fred Maddox 's characteristic backbeat, a slapping bass style, helped drive a rhythm that came to be known as rockabilly , one of the early forms of rock and roll . Maddox had used this style as early as 1937. In today's popular music the snare drum is typically used to play

455-408: A periodic time structure from a piece of music. This ability is evident in the way people instinctively move their body in time to a musical beat, made possible by a form of sensorimotor synchronization called 'beat-based timing'. This involves identifying the beat of a piece of music and timing the frequency of movements to match it. Infants across cultures display a rhythmic motor response but it

520-525: A piece of music is called "bar 1" or "m. 1". When the piece begins with an anacrusis (an incomplete bar at the beginning of a piece of music), "bar 1" or "m. 1" is the following bar. Bars contained within first or second endings are numbered consecutively. The earliest bar lines, used in keyboard and vihuela music in the 15th and 16th centuries, didn't reflect a regular meter at all but were only section divisions, or in some cases marked off every beat. Bar lines began to be introduced into ensemble music in

585-427: A piece, or a bar line followed by a thicker bar line, indicating the end of a piece or movement. Note that double bar refers not to a type of bar (i.e., measure), but to a type of bar line . Typically, a double bar is used when followed by a new key signature , whether or not it marks the beginning of a new section. A repeat sign (or, repeat bar line ) looks like the music end, but it has two dots, one above

650-607: A re-emergence of the traditional skinhead subculture . The early 1980s saw a massive surge in ska's popularity in Germany, leading to the founding of many German ska bands like the Busters, record labels and festivals. In Spain, ska became relevant in the 1980s in the Basque Country due to the influence of Basque Radical Rock , with Kortatu and Potato being the most representatives bands. Skalariak and Betagarri followed in

715-524: A simple 4 rhythm these are beats 2 and 4. "A big part of R&B's attraction had to do with the stompin' backbeats that make it so eminently danceable," according to the Encyclopedia of Percussion . An early record with an emphasised back beat throughout was " Good Rockin' Tonight " by Wynonie Harris in 1948. Although drummer Earl Palmer claimed the honor for " The Fat Man " by Fats Domino in 1949, which he played on, saying he adopted it from

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780-418: Is a metric unit in which, generally, each regular measure is one beat (actually hyperbeat ) of a larger meter. Thus a beat is to a measure as a measure/hyperbeat is to a hypermeasure. Hypermeasures must be larger than a notated bar, perceived as a unit, consist of a pattern of strong and weak beats, and along with adjacent hypermeasures, which must be of the same length, create a sense of hypermeter . The term

845-521: Is characterized by a walking bass line accented with rhythms on the off beat . It was developed in Jamaica in the 1960s when Stranger Cole , Prince Buster , Clement "Coxsone" Dodd , and Duke Reid formed sound systems to play American rhythm and blues and then began recording their own songs. In the early 1960s, ska was the dominant music genre of Jamaica and was popular with British mods and with many skinheads . Music historians typically divide

910-410: Is normally indicated by the time signature . Regular bar lines consist of a thin vertical line extending from the top line to the bottom line of the staff, sometimes also extending between staves in the case of a grand staff or a family of instruments in an orchestral score. A double bar line (or double bar ) consists of two single bar lines drawn close together, separating two sections within

975-434: Is not until between the ages of 2 years 6 months and 4 years 6 months that they are able to match their movements to the beat of an auditory stimulus. Bar (music) In musical notation , a bar (or measure ) is a segment of music bounded by vertical lines, known as bar lines (or barlines ), usually indicating one or more recurring beats. The length of the bar, measured by the number of note values it contains,

1040-441: Is that it derives from Johnson's word skavoovie , with which he was known to greet his friends. Jackie Mittoo insisted that the musicians called the rhythm Staya Staya , and that it was Byron Lee who introduced the term "ska". Derrick Morgan said: "Guitar and piano making a ska sound, like 'ska, ska". After World War II , Jamaicans purchased radios in increasing numbers and were able to hear rhythm and blues music from

1105-414: Is the next strongest: these are "on" beats. The second and fourth are weaker—the "off-beats". Subdivisions (like eighth notes) that fall between the pulse beats are even weaker and these, if used frequently in a rhythm, can also make it "off-beat". The effect can be easily simulated by evenly and repeatedly counting to four. As a background against which to compare these various rhythms a bass drum strike on

1170-507: The 1964 New York World's Fair . As music changed in the United States, so did ska. In 1965 and 1966, when American soul music became slower and smoother, ska changed its sound accordingly and evolved into rocksteady . However, rocksteady's heyday was brief, peaking in 1967. By 1968, ska evolved again into reggae. The 2 tone genre, which began in the late 1970s in the Coventry area of UK,

1235-612: The Dance Hall Crashers becoming known on the touring circuit. The mid-1990s saw a considerable rise in ska music's underground popularity, marked by the formation of many ska-based record labels, booking organizations and indie zines . While Moon Ska was still the largest of the United States' ska labels, other notable labels included Jump Up Records of Chicago , which covered the thriving midwest scene, and Steady Beat Recordings of Los Angeles , which covered Southern California's traditional ska revival. Stomp Records of Montreal

1300-496: The Southern United States in cities such as New Orleans by artists such as Fats Domino , Barbie Gaye , Rosco Gordon and Louis Jordan whose early recordings all contain the seeds of the "behind-the-beat" feel of ska and reggae. The stationing of American military forces during and after the war meant that Jamaicans could listen to military broadcasts of American music, and there was a constant influx of records from

1365-407: The "Offbeat is [often] where the downbeat is replaced by a rest or is tied over from the preceding bar". The downbeat can never be the off-beat because it is the strongest beat in 4 time. Certain genres tend to emphasize the off-beat, where this is a defining characteristic of rock'n'roll and ska music. A back beat , or backbeat , is a syncopated accentuation on the "off" beat. In

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1430-515: The 1949 recording of Mangaratiba by Luiz Gonzaga in Brazil. Slap bass executions on the backbeat are found in styles of country western music of the 1930s, and the late 1940s early 1950s music of Hank Williams reflected a return to strong backbeat accentuation as part of the honky tonk style of country. In the mid-1940s " hillbilly " musicians the Delmore Brothers were turning out boogie tunes with

1495-498: The 1990s and launching the genre into the public eye. Over the next few years, a string of notable ska and ska-influenced singles became hits on mainstream radio, including " Sell Out " by Reel Big Fish and " The Impression That I Get " by the Mighty Mighty Bosstones, all of whom would reach platinum status with each of their respective albums. By 1996, third wave ska was one of the most popular forms of alternative music in

1560-498: The 2 tone genre into the mainstream, with hits such as " One Step Beyond ", " Night Boat to Cairo ", and " Our House ". The music of this era resonated with white working class youth and West Indian immigrants who experienced the struggles addressed in the lyrics. Ska historian Albino Brown (of the radio program The Ska Parade ) coined the term "third-wave ska" (3rd Wave Ska) in 1989 and helped to catalyze such multi-platinum bands as No Doubt and Sublime . Third-wave ska originated in

1625-579: The Beatles' " And I Love Her ", and radically reinterpreted Bob Dylan 's " Like a Rolling Stone ". They also created their own versions of Latin-influenced music from artists such as Mongo Santamaría . The Skatalites, Lord Creator , Laurel Aitken , Roland Alphonso, Tommy McCook , Jackie Mittoo , Desmond Dekker , and Don Drummond also recorded ska. Byron Lee & the Dragonaires performed ska with Prince Buster, Eric "Monty" Morris , and Jimmy Cliff at

1690-596: The Gator" (which was Coxsone Dodd's number one selection). The first ska recordings were created at facilities such as Federal Records , Studio One , and WIRL Records in Kingston, Jamaica with producers such as Dodd, Reid, Prince Buster, and Edward Seaga . The ska sound coincided with the celebratory feelings surrounding Jamaica's independence from the UK in 1962; an event commemorated by songs such as Derrick Morgan 's "Forward March" and

1755-733: The Skatalites ' "Freedom Sound". Until Jamaica ratified the Berne Convention for the Protection of Literary and Artistic Works , the country did not honor international music copyright protection. This created many cover songs and reinterpretations. One such cover was Millie Small 's version of the R&;B/shuffle tune, "My Boy Lollypop", first recorded in New York in 1956 by 14-year-old Barbie Gaye . Small's rhythmically similar version, released in 1964,

1820-586: The United Kingdom. The Specials recorded " A Message to You Rudy " in 1979, featuring Rico Rodriguez , who played trombone on both the original Dandy Livingstone recording and the Specials' version. The 2 tone movement promoted racial unity at a time when racial tensions were high in England. There were many Specials songs that raised awareness of the issues of racism, fighting and friendship. Riots in English cities were

1885-453: The United States. By the late 1990s, mainstream interest in third wave ska bands waned as other music genres gained momentum. Moon Ska Records folded in 2000, but Moon Ska Europe, a licensed affiliate based in Europe, continued operating in the 2000s and was later relaunched as Moon Ska World . In 2003, Hingley launched a new ska record label, Megalith Records . In the early 21st century, ska

1950-594: The United States. The Uptones from Berkeley, California and the Toasters from New York City —both formed in 1981 — were among the first active ska bands in North America. They are both credited with laying the groundwork for American ska and establishing scenes in their respective regions. In Los Angeles around the same time, the Untouchables also formed. While many of the early American ska bands continued in

2015-493: The United States. To meet the demand for that music, entrepreneurs such as Prince Buster , Coxsone Dodd , and Duke Reid formed sound systems . As the supply of previously unheard tunes in the jump blues and more traditional R&B genres began to dry up in the late 1950s, Jamaican producers began recording their own version of the genres with local artists. These recordings were initially made to be played on "soft wax" (a lacquer on metal disc acetate later to become known as

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2080-542: The backbeat pattern. Early funk music often delayed one of the backbeats so as "to give a 'kick' to the [overall] beat". Some songs, such as The Beatles ' " Please Please Me " and " I Want to Hold Your Hand ", The Knack 's " Good Girls Don't " and Blondie 's cover of The Nerves ' " Hanging on the Telephone ", employ a double backbeat pattern. In a double backbeat, one of the off beats is played as two eighth notes rather than one quarter note. Cross-rhythm. A rhythm in which

2145-635: The beat to accompany dance. As beats are combined to form measures, each beat is divided into parts. The nature of this combination and division is what determines meter. Music where two beats are combined is in duple meter , music where three beats are combined is in triple meter . Music where the beat is split in two are in simple meter, music where the beat is split in three are called compound meter. Thus, simple duple ( 4 , 4 , etc.), simple triple ( 4 ), compound duple ( 8 ), and compound triple ( 8 ). Divisions which require numbers, tuplets (for example, dividing

2210-402: The beginning of the passage to be repeated. A mensurstrich is a bar line which stretches only between staves of a score, not through each staff; this is a specialized notation used by editors of early music to help orient modern musicians when reading music which was originally written without bar lines. Lines extending only partway through the staff are rarely used, sometimes to help orient

2275-473: The difference between R&B and ska beats is that the former goes " chink -ka" and the latter goes "ka- chink ". Famous ska band the Skatalites recorded "Dynamite", "Ringo" and "Guns of Navarone". One theory about the origin of ska is that Prince Buster created it during the inaugural recording session for his new record label Wild Bells. The session was financed by Duke Reid, who was supposed to get half of

2340-425: The downbeat and a constant eighth note subdivision on ride cymbal have been added, which would be counted as follows ( bold denotes a stressed beat): So "off-beat" is a musical term, commonly applied to syncopation , that emphasizes the weak even beats of a bar, as opposed to the usual on-beat. This is a fundamental technique of African polyrhythm that transferred to popular western music. According to Grove Music,

2405-406: The downbeat. Both terms correspond to the direction taken by the hand of a conductor . This idea of directionality of beats is significant when you translate its effect on music. The crusis of a measure or a phrase is a beginning; it propels sound and energy forward, so the sound needs to lift and have forward motion to create a sense of direction. The anacrusis leads to the crusis, but doesn't have

2470-638: The early 1990s and their influence is visible outside the Basque Country in punk-rock bands like Ska-P , Boikot and many others that have gained importance in the Spanish rock and punk rock scene and festivals. The Australian ska scene flourished in the mid-1980s, following the musical precedents set by 2 Tone, and spearheaded by bands such as the Porkers . Some of the Australian ska revival bands found success on

2535-489: The final "shout" or "out" chorus common in Dixieland jazz, urban contemporary gospel was stressing the back beat much earlier with hand-clapping and tambourines . There is a hand-clapping back beat on " Roll 'Em Pete " by Pete Johnson and Big Joe Turner , recorded in 1938. A distinctive back beat can be heard on "Back Beat Boogie" by Harry James And His Orchestra, recorded in late 1939. Other early recorded examples include

2600-428: The final verse of "Grand Slam" by Benny Goodman in 1942 and some sections of The Glenn Miller Orchestra 's "(I've Got A Gal In) Kalamazoo", while amateur direct-to-disc recordings of Charlie Christian jamming at Minton's Playhouse around the same time have a sustained snare-drum backbeat on the hottest choruses. Outside U.S. popular music, there are early recordings of music with a distinctive backbeat, such as

2665-592: The first American ska punk band to find mainstream commercial success, with their 1994 album Question the Answers achieving gold record status and peaking at number 138 on the Billboard 200 . In 1995, punk band Rancid , featuring former members of Operation Ivy, released the ska punk single " Time Bomb ", which reached number 8 on the Billboard Modern Rock Tracks , becoming the first major ska punk hit of

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2730-565: The first bands of genre. Then bands like Spitfire , Distemper , Leningrad and Markscheider Kunst became popular and commercially successful in Russia and abroad in the late 1990s. Japan established its own ska scene, colloquially referred to as J-ska , in the mid-1980s. The Tokyo Ska Paradise Orchestra , formed in 1985, have been one of the most commercially successful progenitors of Japanese ska. Latin America's ska scene started developing in

2795-463: The history of ska into three periods: the original Jamaican scene of the 1960s; the 2 Tone ska revival of the late 1970s in Britain, which fused Jamaican ska rhythms and melodies with the faster tempos and harder edge of punk rock forming ska-punk ; and third wave ska , which involved bands from a wide range of countries around the world, in the late 1980s and 1990s. There are multiple theories about

2860-426: The late 16th century but continued to be used irregularly. Not until the mid-17th century were bar lines used in the modern style with every measure being the same length, and they began to be associated with time signatures. Modern editions of early music that was originally notated without bar lines sometimes use a mensurstrich as a compromise. A hypermeasure , large-scale or high-level measure, or measure-group

2925-493: The mid-1980s. Latin American ska bands typically play traditional ska rhythms blended with strong influences from Latin music and rock en Español . The most prominent bands include the Grammy nominated Desorden Público from Venezuela and Grammy awarded Los Fabulosos Cadillacs from Argentina, who scored an international hit single with " El Matador " in 1994. By the early 1980s, 2 Tone-influenced ska bands began forming throughout

2990-423: The musical traditions set by 2 Tone and the mod revival , bands such as Fishbone , the Mighty Mighty Bosstones and Operation Ivy pioneered the American ska punk subgenre, a fusion of ska and punk rock that typically downplayed ska's R&B influence in favor of faster tempos and guitar distortion . In 1986, No Doubt , a ska punk band was formed. They were one of the more mainstream ska bands that set

3055-562: The national music charts, most notably Allniters , who had a number 10 hit with a ska cover of " Montego Bay " in 1983. The 30 piece Melbourne Ska Orchestra has enjoyed success in recent years, touring internationally, including sets at Glastonbury and Montreux Jazz Festival . A Russian (then-Soviet) ska scene was established in the mid-1980s in Saint Petersburg as a kind of anglophone opposition to more traditional Russian rock music. Strannye Igry , AVIA and N.O.M. were among

3120-407: The off-beat guitar chop that could be heard in some of the more uptempo late-1950s American rhythm and blues recordings such as Domino's " Be My Guest " and Barbie Gaye's " My Boy Lollypop ", both of which were popular on Jamaican sound systems of the late 1950s. Domino's rhythm, accentuating the offbeat, was a particular influence. This "classic" ska style was of bars made up of four triplets but

3185-431: The origins of the word ska . Ernest Ranglin claimed that the term was coined by musicians to refer to the "skat! skat! skat!" scratching guitar strum. Another explanation is that at a recording session in 1959 produced by Coxsone Dodd , double bassist Cluett Johnson instructed guitarist Ranglin to "play like ska, ska, ska", although Ranglin has denied this, stating "Clue couldn't tell me what to play!" A further theory

3250-411: The other, indicating that the section of music that is before is to be repeated. The beginning of the repeated passage can be marked by a begin-repeat sign ; if this is absent, the repeat is understood to be from the beginning of the piece or movement. This begin-repeat sign, if appearing at the beginning of a staff , does not act as a bar line because no bar is before it; its only function is to indicate

3315-437: The pulses in a series must be accented—marked for consciousness—relative to others. When pulses are thus counted within a metric context, they are referred to as beats . Metric levels faster than the beat level are division levels, and slower levels are multiple levels. Beat has always been an important part of music. Some music genres such as funk will in general de-emphasize the beat, while other such as disco emphasize

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3380-541: The punk scene in the late 1980s and became commercially successful in the 1990s. Although some third-wave ska has a traditional 1960s sound, most third-wave ska is characterized by dominating guitar riffs and large horn sections. By the late 1980s, ska had experienced a minor resurgence of popularity in the United Kingdom, due to bands such as the Burial and the Hotknives . The 1980s and 1990s also heralded many ska festivals, and

3445-471: The reader in very long measures in complex time signatures, or as brief section divisions in Gregorian chant notation . Some composers use dashed or dotted bar lines; others (including Hugo Distler ) have placed bar lines at different places in the different parts to indicate different stress patterns from part to part. If many consecutive bars contain only rests, they may be replaced by a single bar containing

3510-422: The regular pattern of accents of the prevailing meter is contradicted by a conflicting pattern and not merely a momentary displacement that leaves the prevailing meter fundamentally unchallenged A hyperbeat is one unit of hypermeter , generally a measure. "Hypermeter is meter, with all its inherent characteristics, at the level where measures act as beats." Beat perception refers to the human ability to extract

3575-488: The same 'explosion' of sound; it serves as a preparation for the crusis. An anticipatory note or succession of notes occurring before the first barline of a piece is sometimes referred to as an upbeat figure, section or phrase. Alternative expressions include "pickup" and " anacrusis " (the latter ultimately from Greek ana ["up towards"] and krousis ["strike"/"impact"] through French anacrouse ). In English, anákrousis translates literally as "pushing up". The term anacrusis

3640-465: The songs to release. The guitar began emphasizing the second and fourth beats in the bar, giving rise to the new sound. The drums were taken from traditional Jamaican drumming and marching styles. To create the ska beat, Prince Buster essentially flipped the R&B shuffle beat, stressing the offbeats with the help of the guitar. Prince Buster has explicitly cited American rhythm and blues as the origin of ska: specifically, Willis Jackson 's song "Later for

3705-537: The stage for many up and coming bands. Two hotspots for the United States' burgeoning ska scenes were New York City and Orange County , California. In New York, Toasters frontman Robert "Bucket" Hingley formed the independent record label Moon Ska Records in 1983. The label quickly became the largest independent ska label in the United States. The Orange County ska scene was a major breeding ground for ska punk and more contemporary pop-influenced ska music, personified by bands such as Reel Big Fish and Sublime . It

3770-454: Was Canada's primary producer and distributor of ska music. Additionally, many punk and indie rock labels, such as Hellcat Records and Fueled by Ramen , broadened their scope to include both ska and ska punk bands. Asian Man Records (formerly Dill Records ), founded in 1996, started out primarily releasing ska punk albums before branching out to other music styles. In 1993, the Mighty Mighty Bosstones signed with Mercury Records , becoming

3835-433: Was Jamaica's first commercially successful international hit. With over seven million copies sold, it remains one of the best selling reggae/ska songs of all time. Many other Jamaican artists would have success recording instrumental ska versions of popular American and British music, such as Beatles songs, Motown and Atlantic soul hits, movie theme songs and instrumentals (007, Guns of Navarone). The Wailers covered

3900-404: Was a fusion of Jamaican ska rhythms and melodies with punk rock 's more aggressive guitar chords and lyrics. Compared to 1960s ska, 2 Tone music had faster tempos, fuller instrumentation, and a harder edge. The genre was named after 2 Tone Records , a record label founded by Jerry Dammers of the Specials . In many cases, the reworking of classic ska songs turned the originals into hits again in

3965-399: Was borrowed from the field of poetry , in which it refers to one or more unstressed extrametrical syllables at the beginning of a line. In typical Western music 4 time , counted as " 1 2 3 4, 1 2 3 4... ", the first beat of the bar (downbeat) is usually the strongest accent in the melody and the likeliest place for a chord change, the third

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4030-552: Was characterized by a guitar chop on the off beat —known as an upstroke or 'skank'—with horns taking the lead and often following the off-beat skank and piano emphasizing the bass line and, again, playing the skank. Drums kept 4 time and the bass drum was accented on the third beat of each four-triplet phrase. The snare would play side stick and accent the third beat of each 4-triplet phrase. The upstroke sound can also be found in other Caribbean forms of music, such as mento and calypso . Ernest Ranglin asserted that

4095-577: Was coined by Edward T. Cone in Musical Form and Musical Performance (New York: Norton, 1968), and is similar to the less formal notion of a phrase . Ska Ska ( / s k ɑː / ; Jamaican Creole : skia , [skjæ] ) is a music genre that originated in Jamaica in the late 1950s and was the precursor to rocksteady and reggae . It combined elements of Caribbean mento and calypso with American jazz and rhythm and blues . Ska

4160-470: Was here that the term "third wave ska" was coined and popularized by Albino Brown and Tazy Phyllipz (hosts of the Ska Parade radio show) to describe the new wave of ska-influenced bands which were steadily gaining notoriety; and Brown wrote the first treatise on ska's third wave in 1994. The San Francisco Bay Area also contributed to ska's growing popularity, with Skankin' Pickle , Let's Go Bowling and

4225-771: Was mostly absent from the radio, though there were exceptions.  In 2017, Captain SKA reached number 4 on the UK Singles Chart with " Liar Liar GE2017 ." In 2018, the Interrupters broke into the U.S. charts with their single "She's Kerosene." By 2019, several publications started wondering aloud whether a "fourth wave" of ska was about to emerge. The term New Tone to describe a fourth wave of ska has started to pick up traction. The term New Tone originates from new ska band Bad Operation, to describe their two-tone sound and their city of New Orleans. The term has been popularized by

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