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38-639: The BFI Future Film Festival is a film festival which aims "to help young people break into the screen industries", organised by the British Film Institute . Founded in 2008, it takes place over four days in February each year, and focuses equally on fiction, animation and documentary, as well as TV and video games. The festival provides young people with masterclasses, workshops and film screenings from emerging filmmakers, at BFI Southbank in London. Since 2020,
76-502: A 'Network of Teaching Excellence'to support schools with the new curriculum. In 2015, the department announced a major restructuring of the further education sector, through 37 area reviews of post-16 provision. The proposals were criticised by NUS Vice President for Further Education Shakira Martin for not sufficiently taking into account the impact on learners; the Sixth Form Colleges' Association similarly criticised
114-552: A cinema showing. The BFI also distributes archival and cultural cinema to other venues – each year to more than 800 venues all across the UK, as well as to a substantial number of overseas venues. The BFI offers a range of education initiatives, in particular to support the teaching of film and media studies in schools. In late 2012, the BFI received money from the Department for Education to create
152-864: A couple of BAFTA winners of the future." The Guardian noted that the "festival is aimed at nurturing young film-makers, and there's plenty for them to be inspired by". 2017 and 2020 award winner Charlotte Regan has subsequently been nominated by BAFTA and won the World Cinema Grand Jury Prize: Dramatic at Sundance Film Festival for her debut feature, Scrapper . 17th Future Film Festival (2024) 16th Future Film Festival (2023) 15th Future Film Festival (2022) 14th Future Film Festival (2021) 13th Future Film Festival (2020) 12th Future Film Festival (2019) 11th Future Film Festival (2018) 10th Future Film Festival (2017) 9th Future Film Festival (2016) British Film Institute The British Film Institute ( BFI )
190-530: A range of industry figures. The delayed redevelopment of the National Film Theatre finally took place in 2007, creating in the rebranded "BFI Southbank" new education spaces, a contemporary art gallery dedicated to the moving image (the BFI Gallery ), and a pioneering mediatheque which for the first time enabled the public to gain access, free of charge, to some of the otherwise inaccessible treasures in
228-517: A variety of niche and art films. The institute was founded in 1933. Despite its foundation resulting from a recommendation in a report on Film in National Life , at that time the institute was a private company, though it has received public money throughout its history. This came from the Privy Council and Treasury until 1965, and from the various culture departments since then. The institute
266-596: Is a ministerial department of the Government of the United Kingdom . It is responsible for child protection , child services , education (compulsory, further, and higher education), apprenticeships , and wider skills in England . A Department for Education previously existed between 1992, when the Department of Education and Science was renamed, and 1995, when it was merged with the Department for Employment to become
304-547: Is a film and television charitable organisation which promotes and preserves film-making and television in the United Kingdom. The BFI uses funds provided by the National Lottery to encourage film production, distribution, and education. It is sponsored by the Department for Culture, Media and Sport , and partially funded under the British Film Institute Act 1949 . The BFI was established in 1933 to encourage
342-602: Is a planned agency that would will replace the Institute for Apprenticeships and Technical Education over a 9 month period commencing in July 2024 subject to legislation. The Standards and Testing Agency (STA) is responsible for developing and delivering all statutory assessments for school pupils in England . It was formed on 1 October 2011 and took over the functions of the Qualifications and Curriculum Development Agency . The STA
380-528: Is being supported by the Department for Education in England who have committed £1m per annum funding from April 2012 and 31 March 2015. It is also funded through the National Lottery , Creative Scotland and Northern Ireland Screen . On 29 November 2016, the BFI announced that over 100,000 television programmes are to be digitised before the video tapes, which currently have an estimated five-to-six-year shelf life, become unusable. The BFI aims to make sure that
418-614: Is devolved elsewhere in the United Kingdom. The department's main devolved counterparts are as follows: The Department for Education released a new National Curriculum for schools in England for September 2014, which included 'Computing'. Following Michael Gove 's speech in 2012, the subject of Information Communication Technology (ICT) has been disapplied and replaced by Computing. With the new curriculum, materials have been written by commercial companies, to support non-specialist teachers, for example, ' 100 Computing Lessons ' by Scholastic . The Computing at Schools organisation has created
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#1733084604524456-625: Is regulated by the examinations regulator, Ofqual . The Teaching Regulation Agency (TRA) is responsible for regulation of the teaching profession, including misconduct hearings. Its predecessors include the National College for Teaching and Leadership (to 2018), the Teaching Agency (to 2013) and the Training and Development Agency for Schools (from 1994). The DfE is also supported by 10 public bodies: Education, youth and children's policy
494-505: The BBC , including The Lost World of Mitchell & Kenyon , The Lost World of Friese-Greene and The Lost World of Tibet . The BFI has also produced contemporary artists' moving image work, most notably through the programme of the BFI Gallery , which was located at BFI Southbank from March 2007 to March 2011. The programme of the gallery resulted in several new commissions by leading artists, including projects which engaged directly with
532-512: The BFI Film & TV Database and Summary of Information on Film and Television (SIFT), which are databases of credits, synopses and other information about film and television productions. SIFT has a collection of about 7 million still frames from film and television. The BFI has co-produced a number of television series featuring footage from the BFI National Archive, in partnership with
570-644: The BFI Production Board . The institute received a royal charter in 1983. This was updated in 2000, and in the same year the newly established UK Film Council took responsibility for providing the BFI's annual grant-in-aid (government subsidy). As an independent registered charity, the BFI is regulated by the Charity Commission and the Privy Council. In 1988, the BFI opened the London Museum of
608-579: The Department for Education and Employment . The current holder of Secretary of State for Education is the Rt. Hon. Bridget Phillipson MP and Susan Acland-Hood is the permanent secretary . The expenditure, administration, and policy of the Department of Education are scrutinised by the Education Select Committee . The DfE was formed on 12 May 2010 by the incoming Coalition Government , taking on
646-658: The National Apprenticeship Service and the National Careers Service . The EFA was formed on 1 April 2012 by bringing together the functions of two non-departmental public bodies , the Young People's Learning Agency and Partnerships for Schools . The SFA was formed on 1 April 2010, following the closure of the Learning and Skills Council. David Withey is the agency's chief executive. Skills England
684-812: The Secretary of State for Culture, Media and Sport . The BFI operates with three sources of income. The largest is public money allocated by the Department for Culture, Media and Sport . For the year 2021–22, the BFI received £74.31m from the DCMS as Grant-in-Aid funding. The second largest source is commercial activity such as receipts from ticket sales at BFI Southbank or the BFI London IMAX theatre (£5m in 2007), sales of DVDs, etc. Thirdly, grants and sponsorship of around £5m are obtained from various sources, including National Lottery funding grants, private sponsors and through donations ( J. Paul Getty, Jr. , who died in 2003, left
722-632: The BFI Film Academy Network for young people aged between 16 and 25. A residential scheme is held at the NFTS every year. The BFI runs the annual London Film Festival along with BFI Flare: London LGBT Film Festival and the youth-orientated Future Film Festival . The BFI publishes the monthly Sight & Sound magazine, as well as films on Blu-ray , DVD and books. It runs the BFI National Library (a reference library), and maintains
760-640: The BFI National Archive facilities in Hertfordshire and Warwickshire. During 2009, the UK Film Council persuaded the government that there should only be one main public-funded body for film, and that body should be the UKFC, while the BFI should be abolished. In 2010, the government announced that there would be a single body for film. Despite intensive lobbying (including, controversially, using public funding to pay public relations agencies to put its case forward),
798-595: The BFI National Archive, among which are Patrick Keiller 's 'The City of the Future', Iain Forsyth and Jane Pollard 's 'RadioMania: An Abandoned Work' and Deimantas Narkevicious' 'Into the Unknown'. The Gallery also initiated projects by film-makers such as Michael Snow , Apichatpong Weerasethakul , Jane and Louise Wilson and John Akomfrah . The BFI also operates a streaming service called BFI Player. This streaming service offers
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#1733084604524836-417: The BFI a legacy of around £1m in his will). The BFI is also the distributor for all Lottery funds for film (in 2011–12 this amounted to c.£25m). As well as its work on film, the BFI also devotes a large amount of its time to the preservation and study of British television programming and its history. In 2000, it published a high-profile list of the 100 Greatest British Television Programmes , as voted for by
874-585: The Moving Image (MOMI) on the South Bank . MOMI was acclaimed internationally and set new standards for education through entertainment, but it did not receive the high levels of continuing investment that might have enabled it to keep pace with technological developments and ever-rising audience expectations. The museum was "temporarily" closed in 1999 when the BFI stated that it would be re-sited. This did not happen, and MOMI's closure became permanent in 2002 when it
912-573: The National Film & Television Archive. The mediatheque has proved to be the most successful element of this redevelopment, and there are plans to roll out a network of them across the UK. An announcement of a £25 million capital investment in the Strategy for UK Screen Heritage was made by Secretary of State for Culture, Media and Sport at the opening night of the 2007 London Film Festival. The bulk of this money paid for long overdue development of
950-447: The UKFC failed to persuade the government that it should have that role and, instead, the BFI took over most of the UKFC's functions and funding from 1 April 2011, with the UKFC being subsequently abolished. Since then, the BFI has been responsible for all Lottery funding for film—originally in excess of £25m p.a., and currently in excess of £40m p.a. The BFI Film Academy forms part of the BFI's overall 5–19 Education Scheme. The programme
988-558: The collection is British material but it also features internationally significant holdings from around the world. The Archive also collects films which feature key British actors and the work of British directors. The BFI runs the BFI Southbank (formerly the National Film Theatre (NFT)) and the BFI IMAX cinema, both located on the south bank of the River Thames in London. The IMAX has
1026-430: The development of the arts of film, television and the moving image throughout the United Kingdom, to promote their use as a record of contemporary life and manners, to promote education about film, television and the moving image generally, and their impact on society, to promote access to and appreciation of the widest possible range of British and world cinema and to establish, care for and develop collections reflecting
1064-490: The dissolved Department for Business, Innovation and Skills . The department is led by the secretary of state for education . The permanent secretary from December 2020 is Susan Acland-Hood. DfE is responsible for education, children's services, higher and further education policy, apprenticeships, and wider skills in England, and equalities. The predecessor department employed the equivalent of 2,695 staff as of April 2008 and as at June 2016, DfE had reduced its workforce to
1102-462: The equivalent of 2,301 staff. In 2015–16, the DfE has a budget of £58.2bn, which includes £53.6bn resource spending and £4.6bn of capital investments. The Department for Education's ministers are as follows, with cabinet members in bold: The management board is made up of: Non-executive board members: As at 2 August 2016, the DfE has five main sites: The Education and Skills Funding Agency (ESFA)
1140-430: The festival has simultaneously run online events, aimed at young people across the UK. Since 2024, the festival expanded to also have events and screenings in venues UK wide. Before the second year of the festival, the BBC 's Creative Director, Alan Yentob, said: "It's going to give young people a fantastic opportunity to get involved in something creative and possibly life-changing. Who knows, we may even be able to spot
1178-458: The largest cinema screen in the UK and shows popular recent releases and short films showcasing its technology, which includes IMAX 70mm screenings, IMAX 3D screenings and 11,600 watts of digital surround sound. BFI Southbank (the National Film Theatre screens and the Studio) shows films from all over the world, particularly critically acclaimed historical and specialised films that may not otherwise get
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1216-495: The moving image history and heritage of the United Kingdom. The BFI maintains the world's largest film archive , the BFI National Archive , previously called National Film Library (1935–1955), National Film Archive (1955–1992), and National Film and Television Archive (1993–2006). The archive contains more than 50,000 fiction films, over 100,000 non-fiction titles, and around 625,000 television programmes. The majority of
1254-474: The responsibilities and resources of the Department for Children, Schools and Families (DCSF). In June 2012 the Department for Education committed a breach of the UK's Data Protection Act due to a security flaw on its website which made email addresses, passwords and comments of people responding to consultation documents available for download. In July 2016, the department took over responsibilities for higher and further education and for apprenticeship from
1292-497: The reviews for not directly including providers of post-16 education other than colleges, such as school and academy sixth forms and independent training providers. In 2018, The Department for Education confirmed their commitment to forming positive relationships with the voluntary and community sector. In 2020 the department began funding the National Tutoring Programme which employed private companies to deliver
1330-848: The television archive is still there in 200 years' time. The BFI announced in February 2021 that it is teaming up with American diversity and inclusion program #StartWith8Hollywood founded by Thuc Doan Nguyen to make it global. The BFI is currently chaired by Jay Hunt and run by CEO Ben Roberts. Department for Education King Charles III [REDACTED] William, Prince of Wales [REDACTED] Charles III ( King-in-Council ) [REDACTED] Starmer ministry ( L ) Keir Starmer ( L ) Angela Rayner ( L ) ( King-in-Parliament ) [REDACTED] Charles III [REDACTED] [REDACTED] [REDACTED] The Lord Reed The Lord Hodge Andrew Bailey Monetary Policy Committee The Department for Education ( DfE )
1368-522: Was decided to redevelop the South Bank site. This redevelopment was itself then further delayed. The BFI is currently managed on a day-to-day basis by its chief executive, Ben Roberts. Supreme decision-making authority rests with a chair and a board of up to 15 governors. The current chair is Jay Hunt , a television executive, who took up the post in February 2024. Governors, including the Chair, are appointed by
1406-629: Was formed on 1 April 2017 following the merger of the Education Funding Agency and the Skills Funding Agency. Previously the Education Funding Agency (EFA) was responsible for distributing funding for state education in England for 3- to 19-year-olds, as well as managing the estates of schools , and colleges and the Skills Funding Agency was responsible for funding skills training for further education in England and running
1444-679: Was restructured following the Radcliffe Report of 1948, which recommended that it should concentrate on developing the appreciation of filmic art, rather than creating film itself. Thus control of educational film production passed to the National Committee for Visual Aids in Education and the British Film Academy assumed control for promoting production. From 1952 to 2000, the BFI provided funding for new and experimental film-makers via
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