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13-616: Stanley Crick , who was Pathe Freres manager in Australia, and Herbert Finlay had enjoyed success producing a series of Australian films directed by John Gavin . They decided to establish the Australian Photo-Play Company in June 1911 under the management of Crick with capital of £20,000. (Gavin later claimed it was his idea to form the company.) It was stated in the initial prospectus

26-546: A cash price for a parcel of shares, sold out my interest in the four films I had made, and started out on my own as the John F. Gavin Productions. Gavin claims after he left APP it "made four films, and went into liquidation within twelve months." Rolfe was extremely prolific. And the company distributed four films that Gavin had made earlier, The Assigned Servant , Keane of Kalgoorlie , Frank Gardiner , and Ben Hall . By June 1911

39-557: A chairman of director of Hoyts Theatres. He was an opponent of quotas for Australian films. He worked as an alderman on the Sydney City Council from 1935 and served as Lord Mayor of Sydney from 1940 to 1942. This article about a film producer is a stub . You can help Misplaced Pages by expanding it . Lacey Percival Lacey Percival (11 February 1885 - 7 August 1968) was an Australian cinematographer who worked on many early Australian silent films. He worked for

52-637: A laboratory managed by A. O. Segerberg and an acting troupe managed by Rolfe. Their main actors were Charles Villiers, Stanley Walpole and Ethel Phillips. Filming took place on location and at their facilities in Summer Hill, Sydney. The prime creative force behind the company was Alfred Rolfe, who had extensive stage experience. According to film historians Graham Shirley and Brian Adams: The conventions of spectacle melodrama so favourited in late nineteenth century Australian theatre, with their realistic settings and real chases on horseback and train wrecks, played

65-564: A large role in the films he made [for the company]... They were conventions in which his late father-in-law, Alfred Dampier had excelled in his stage productions... The Australian Photo-Play formula was a string of sensational incidents climaxed by a chase, with actuality footage sometimes cunningly incorporated... Nearly all the APP films made use of popular conceptions of the bush, peopling their stories with marauding Aboriginals, vengeful settlers, English outcasts and shamed women. Revenge melodramas were

78-548: The aim of the company was to purchase Crick and Finlay's film manufacturing business. The initial directors of the company Philip Lytton , Stanley Crick , Dr Sherlock Mason, Arthur Upjohn, and Douglas Selkirk. The company decided to erect two studios for film production – "one capable of producing large spectacular productions, and another smaller interior productions." A studio was built in Summer Hill in Sydney. The company secured

91-492: The company had distribution outlets in Australian and New Zealand. They produced an advertisement which claimed they were: The only real live Independent Australian Manufacturers, we make a specialty of the Australian made pictures, we do not run Shows and BOOM OUR OWN PRODUCTION'S whether they be WORTHY OR NOT; but we rely on the trade independently to say whether our goods are good or bad. The popular verdict can only be gauged by

104-464: The other under Alfred Rolfe. Gavin wound up only making one movie for the company, The Mark of the Lash . He later wrote: I did not favour the idea particularly, as they were introducing two more producers, and I did not think the time was quite ripe for such expansion. As it was, we were all making good money, but the extra people coming in would make the overhead absorb all this; so I pulled out and received

117-522: The quantity of shows running; our films all over the Commonwealth. The first four films made by the company were all different: Moora Neya , The Mark of the Lash , In the Nick of Time and a picture about snake catching in Australia. In September, 200 shares were offered for sale at £1 each. By November the company was estimated to employ over forty staff, with a camera department under Herbert Finlay ,

130-503: The services of A .J. Moulton, A. O. Segerberg , Herbert Finlay and Alfred Rolfe . It was also announced a "second company is at present being formed for the production of well known plays." The company said it "intends to make a specialty of Australian-made good, intending to use only Australian-made articles for the production of Australian films, the camera, printing machines, and developing plant being all locally manufactured." There were to be two production units, one under Gavin and

143-440: The staple. Many of the films were based on plays that were popular in Australia at the time. In particular, several had been performed by Philip Lytton prior to filming. The company were involved in a number of court actions during its existence including one against Lacey Percival . The company found it difficult to secure distribution for its movies and never became financially stable. It wound up production in mid-1912 and

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156-694: Was an Australian film producer, distributor and politician. He joined the Melbourne office of Pathe Freres and became manager of the Sydney branch in 1909. He went into production, first in partnership with Herbert Finlay then helping establish the Australian Photo-Play Company . When that ended in 1912 he went into distribution as managing director of the express Film Service and in 1914 became partner of John C. Jones in another distribution service. He managed Fox Film Corporation's Australian operation from 1919 to 1938, during that time also serving as

169-559: Was bought out by the local branch of the Gaumont Company, who took over on 25 March. By this stage the company was distributing two films of Gavin's, Keane of Kalgoorlie and Frank Gardiner . It was eventually absorbed into "the Combine" of Australasian Films and Union Theatres . However, Rolfe, Crick and Finlay all continued their involvement in the film industry. Stanley Crick Stanley Sadler Crick (9 October 1888 – 1955)

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