122-407: Asesino (Spanish for "assassin" or "murderer") is an American deathgrind supergroup and a side project of Fear Factory guitarist Dino Cazares . The band has featured members of Brujeria , Fear Factory , Sepultura , Sadistic Intent , Possessed , Ministry , and Static-X . Asesino sometimes play Slayer covers live, most notably " Angel of Death " and " Raining Blood ". As with Brujeria ,
244-515: A distorted bass tone , an approach popularized by Burton and Motörhead 's Lemmy . Lyrical themes in thrash metal include warfare, corruption, injustice, murder, suicide, isolation, alienation, addiction, and other maladies that afflict the individual and society. In addition, politics, particularly pessimism and dissatisfaction towards politics, are common themes among thrash metal bands. Humor and irony can occasionally be found (Anthrax for example), but they are limited, and are an exception rather than
366-552: A recording contract with Earache Records . In 2019, Filipino band TUBERO signed a recording contract with Tower of Doom Records. Japanese noise rock group Boredoms have borrowed elements of grind, and toured with Brutal Truth in 1993. The Japanese grindcore group Gore Beyond Necropsy formed in 1989, and later collaborated with noise music artist Merzbow . Naked City , led by avant-garde jazz saxophonist John Zorn , performed an avant-garde form of polystylistic , grindcore-influenced punk jazz . Zorn later formed
488-481: A British term for thrash ; that term was prepended to -core from hardcore . Grindcore relies on standard hardcore punk instrumentation: electric guitar , bass and drums . However, grindcore alters the usual practices of metal or rock music in regard to song structure and tone. The vocal style is "ranging from high-pitched shrieks to low, throat-shredding growls and barks." In some cases, no clear lyrics exist. Vocals may be used as merely an added sound effect,
610-461: A Top 10 position in the Billboard 200 chart and went platinum in less than a year. The originators of the style have expressed some ambivalence regarding the subsequent popularity of grindcore. Pete Hurley, the guitarist of Extreme Noise Terror, declared that he had no interest in being remembered as a pioneer of this style: " grindcore was a legendarily stupid term coined by a hyperactive kid from
732-739: A United States metal band is a stub . You can help Misplaced Pages by expanding it . Deathgrind Grindcore is an extreme fusion genre of heavy metal and hardcore punk that originated in the mid-1980s, drawing inspiration from abrasive-sounding musical styles, such as thrashcore , crust punk , hardcore punk , extreme metal , and industrial . Grindcore is considered a more noise-filled style of hardcore punk while using hardcore's trademark characteristics such as heavily distorted , down-tuned guitars , grinding overdriven bass , high-speed tempo , blast beats , and vocals which consist of growls , shouts and high-pitched shrieks. Early groups such as England's Napalm Death are credited with laying
854-522: A band of their own. Hanneman and King recruited vocalist/bassist Tom Araya and drummer Dave Lombardo , and Slayer was formed. Slayer was discovered by Metal Blade Records executive Brian Slagel; the band's live performance of Iron Maiden 's "Phantom of the Opera" so impressed him that he promptly signed them to his label. In December 1983, five months after the release of Metallica's debut Kill 'Em All , Slayer released their debut album, Show No Mercy . To
976-589: A career in industrial metal with Godflesh . Mick Harris, in his post-Napalm Death project, Scorn , briefly experimented with the style. Scorn also worked in the industrial hip hop and isolationist styles. Fear Factory have also cited debts to the genre. Digital hardcore is an initially German hybrid of hardcore punk and hardcore techno . Agoraphobic Nosebleed and the Locust have solicited remixes from digital hardcore producers and noise musicians . James Plotkin , Dave Witte , and Speedranch participated in
1098-525: A common practice with bands such as the experimental and jazz-infused band Naked City . A characteristic of some grindcore songs is the "microsong," lasting only a few seconds. In 2001, the Guinness Book of World Records awarded Brutal Truth the record for "Shortest Music Video" for 1994's " Collateral Damage " (the song lasts four seconds). In 2007, the video for the Napalm Death song " You Suffer " set
1220-493: A heavy amount of grindcore influence; thus, these bands ended up becoming called "deathgrind" for short (sometimes written as death-grind or death/grind ). Dan Lilker described deathgrind as "combining the technicality of death metal with the intensity of grindcore." Some examples of death metal and grindcore hybrids include Assück , Circle of Dead Children , Misery Index , Exhumed , Gorerotted and Cattle Decapitation . Assück in particular has been credited as one of
1342-422: A hundred miles per hour, basically. Earache Records founder Digby Pearson concurs with Embury, saying that Napalm Death "put hardcore and metal through an accelerator." Pearson, however, said that grindcore "wasn't just about the speed of [the] drums, blast beats, etc." He claimed that "it actually was coined to describe the guitars – heavy, downtuned, bleak, harsh riffing guitars [that] 'grind', so that's what
SECTION 10
#17329013816721464-446: A key influence on the genre, due to its sound, which introduced the three-chord thrash style of guitar. Void has been credited as one of the earliest examples of hardcore/heavy metal crossover, whose chaotic musical approach is often cited as particularly influential. Their 1982 split LP with fellow Washington band The Faith showed both bands exhibiting quick, fiery, high-speed punk rock. It has been argued that those recordings laid
1586-453: A major impact on grindcore's emergence. The first grindcore, practiced by British bands such as Napalm Death , Extreme Noise Terror and Disrupt emerged from the crust punk scene. This early style is sometimes dubbed "crustgrind". Deathgrind is a shorthand term that is used to describe bands who play a fusion of death metal and grindcore. With growing popularity of grindcore in the metal fandom, some death metal bands were noted to feature
1708-488: A major role in the crossover success of thrash metal during this time, but helped push album sales of the genre's "Big Four" and similar bands, or moved them from playing clubs to arenas and stadiums. Anthrax made its mainstream breakthrough in 1987 with the release of their gold-certified album Among the Living , which borrowed elements from their two previous releases, with fast guitar riffs and pounding drums. Shortly after
1830-524: A more heavier direction, including Suicidal Tendencies , who are often considered to be one of the "fathers of crossover thrash", and became more recognized as a thrash metal band in the late 1980s (thanks in large part to the presence of guitarists Rocky George and Mike Clark ); the band would reach new heights of success with their first two major-label albums, How Will I Laugh Tomorrow When I Can't Even Smile Today (1988) and Controlled by Hatred/Feel Like Shit... Déjà Vu (1989). D.R.I. 's music took
1952-424: A new "Shortest Music Video" record: 1.3 seconds. Beyond the microsong, it is characteristic of grindcore to have short songs in general; for example, Carcass ' debut album Reek of Putrefaction (1988) consists of 22 tracks with an average length of 1 minute and 48 seconds. It is also not uncommon for grindcore albums to be very short when compared to other genres, usually consisting of a large track list but having
2074-591: A notable precursor, calling them "arguably one of the fastest bands on the planet back [in the mid 1980s]". Other groups in the British grindcore scene, such as Heresy and Unseen Terror , have emphasized the influence of American hardcore punk , including Septic Death , as well as Swedish D-beat . Sore Throat cites Discharge, Disorder , and a variety of European D-beat and thrash metal groups, including Hellhammer , and American hardcore groups, such as Poison Idea and D.R.I. Japanese hardcore , particularly GISM ,
2196-523: A primary influence on their playing. Thrash metal bands have also taken inspiration from Judas Priest , with Slayer guitarist Kerry King saying that, "There would be no Slayer without Priest." Metal Blade Records executive Brian Slagel played a key role in bringing the NWOBHM to a larger audience, as he was responsible for discovering both Metallica and Slayer and producing their earliest studio recordings. Greg Prato of Ultimate Guitar notes, "Although
2318-484: A return to their signature thrash metal sound, followed by Christ Illusion (2006) and World Painted Blood (2009), both of which marked their first studio albums with drummer Dave Lombardo in nearly two decades. Although their career had declined from its peak in the 1990s, Overkill was perhaps one of the most-active thrash metal groups outside of the "Big Four", having never disbanded or taken longer breaks in-between records, and by 2000's Bloodletting , they were
2440-536: A rule. The term proto-thrash has been used to describe bands as having elements of speed metal or thrash metal before those genres came to prominence in early-to-mid-1980s. Deep Purple 's 1970 album Deep Purple in Rock is perhaps the earliest proto-thrash/speed metal album, as music journalist Martin Popoff noted, "It's really about the discipline and classical haughtiness of this record, as well as 'Hard Lovin' Man' which
2562-556: A similar direction with their last three albums of the 1980s, Crossover (1987), 4 of a Kind (1988), and Thrash Zone (1989), and other bands would follow suit, including The Exploited , Excel (from Suicidal Tendencies' hometown of Venice ) and New York hardcore acts M.O.D. (fronted by former S.O.D. singer Billy Milano ), the Cro-Mags and the Crumbsuckers . From 1987 to 1989, Overkill released Taking Over , Under
SECTION 20
#17329013816722684-423: A slower and Black Sabbath -influenced heavy metal direction with their post-1980s output, adapting influences and textures of sludge , doom metal , blues, and southern rock on several of their albums, including Blind (1991), Deliverance (1994) and Wiseblood (1996). In the wake of the success of groove metal , instigated by Pantera (who went on to become one of the most successful heavy metal bands of
2806-565: A song entitled "Hit the Lights". Leather Charm soon disbanded and the band's primary songwriter, vocalist/rhythm guitarist James Hetfield , met drummer Lars Ulrich through a classified advertisement. Together, Hetfield and Ulrich formed Metallica , one of the "Big Four" thrash bands, with lead guitarist Dave Mustaine , who would later form Megadeth , another of the "Big Four" originators of thrash, and bassist Ron McGovney . McGovney would be replaced by Cliff Burton (formerly of Trauma ), and Mustaine
2928-507: A stylistic change in the band, eliminating much of the speed and longer song structures of the band's previous work, and instead focusing on more concise and heavier songs. The album was a change in Metallica's direction from the thrash metal style of the band's previous four studio albums towards a more contemporary heavy metal sound with original hard rock elements, but still had remnant characteristics of thrash metal. It would go on to become
3050-548: A total length of only 15 to 20 minutes. Many grindcore groups experiment with tuned-down guitars and play mostly with downstrokes of the pick, power chords and heavy distortion . While the vinyl A-side of Napalm Death's debut, 1987's Scum , is set to Eb tuning , on side B, the guitars are tuned down to C. Their second album From Enslavement to Obliteration and the Mentally Murdered EP were tuned to C ♯ . Harmony Corruption , their third full-length album,
3172-501: Is a chromatic descent, followed by a chromatic ascent based on the tritone . Speed, pacing, and time changes also define thrash metal. Thrash tends to have an accelerating feel which may be due in large part to its aggressive drumming style. For example, drummers often use two bass drums, or a double-bass pedal to create a relentless, driving beat. Cymbal stops/ chokes are often used to transition from one riff to another or to precede an acceleration in tempo. Some common characteristics of
3294-466: Is a great contender for first proto-thrash song ever." Queen 's 1974 song " Stone Cold Crazy " and Black Sabbath's " Symptom of the Universe ", released the following year, have also been cited as examples of proto-thrash/speed metal; the latter of which was a direct inspiration for Diamond Head 's pioneering song " Am I Evil? ". The new wave of British heavy metal (NWOBHM) bands emerging from Britain in
3416-525: Is a raw and dissonant subgenre of hardcore punk . The style is closely related to thrashcore and similar to grindcore. While powerviolence took inspiration from Napalm Death and other early grind bands, powerviolence groups avoided elements of heavy metal. Its nascent form was pioneered in the late 1980s in the music of hardcore punk band Infest , who mixed youth crew hardcore elements with noisier, sludgier qualities of Lärm and Siege . The microgenre solidified into its most commonly recognized form in
3538-408: Is also mentioned by a number of originators of the style. Other key groups cited by current and former members of Napalm Death as formative influences include Discharge, Amebix , Throbbing Gristle , and the aforementioned Dirty Rotten Imbeciles. Post-punk , such as Killing Joke and Joy Division , was also cited as an influence on early Napalm Death. Grindcore, as such, was developed during
3660-405: Is an extreme subgenre of heavy metal music characterized by its overall aggression and fast tempo. The songs usually use fast percussive beats and low-register guitar riffs , overlaid with shredding -style lead guitar work. The genre emerged in the early 1980s as musicians began fusing the double bass drumming and complex guitar stylings of the new wave of British heavy metal (NWOBHM) with
3782-400: Is cybergrind which incorporates electronic music elements such as sampling and programmed drums. Although influential within hardcore punk and extreme metal, grindcore remains an underground form of music. Grindcore is influenced by crust punk , thrashcore , hardcore punk and thrash metal , as well as noise musical acts like Swans . The name derives from the fact that grind is
Asesino - Misplaced Pages Continue
3904-484: Is faster than them ' ", drummer Robert Williams recalled. Repulsion is sometimes credited with inventing the classic grind blast beat (played at 190 bpm ), as well as its distinctive bass tone. Kevin Sharp of Brutal Truth declares that " Horrified was and still is the defining core of what grind became; a perfect mix of hardcore punk with metallic gore, speed and distortion." Writer Freddy Alva credited NYC Mayhem as
4026-491: Is inspired by thrash metal, such as Dark Angel and Slayer , the sludge metal of the Melvins , and grindcore practiced by Brutal Truth, while Agoraphobic Nosebleed takes cues from thrashcore and powerviolence , like D.R.I. and Crossed Out . The Locust , from San Diego, also take inspiration from powerviolence (Crossed Out, Dropdead ), first-wave screamo (Angel Hair), obscure experimental rock ( Art Bears , Renaldo and
4148-541: Is known for combining traditional thrash metal with elements of progressive, jazz or classical music . In a 2013 interview with Rolling Stone , Anthrax drummer Charlie Benante said: "When I was first learning to play drums, I would strap on my headphones, play along with [Rush's live album All the World's a Stage ] and be transformed. I remember talking with Cliff [Burton] and Kirk [Hammett of Metallica] back when we first met, and we all agreed how much of an influence Rush
4270-601: Is often identified as the origin of the goregrind style, which is devoted to "bodily" themes. Groups that shift their bodily focus to sexual matters, such as Gut and the Meat Shits, are sometimes referred to as pornogrind . Seth Putnam 's lyrics are notorious for their black comedy , while The Locust tend toward satirical collage, indebted to William S. Burroughs ' cut-up method. The early grindcore scene relied on an international network of tape trading and DIY production. The most widely acknowledged precursors of
4392-645: The Guinness World Record for shortest song ever recorded with the one-second " You Suffer " (1987). Many bands, such as Agoraphobic Nosebleed , record simple phrases that may be rhythmically sprawled out across an instrumental lasting only a couple of bars in length. A variety of subgenres and microgenres have subsequently emerged, often labeling bands according to traits that deviate from regular grindcore; including goregrind , focused on themes of gore (e.g. mutilation and pathology ), and pornogrind , fixated on pornographic lyrical themes. Another offshoot
4514-566: The Painkiller project with ambient dub producer Bill Laswell on bass guitar and Mick Harris on drums, which also collaborated with Justin Broadrick on some work. In addition, grindcore was one influence on the powerviolence movement within American hardcore punk, and has affected some strains of metalcore. Some musicians have also produced hybrids between grind and electronic music. Powerviolence
4636-733: The Phantomsmasher project, which melds grindcore and digital hardcore. Alec Empire collaborated with Justin Broadrick, on the first Curse of the Golden Vampire album, and with Gabe Serbian , of the Locust, live in Japan. Japanoise icon Merzbow also participated in the Empire/Serbian show. The 21st century also saw the development of "electrogrind" (or "cybergrind"), practiced by The Berzerker , Gigantic Brain and Genghis Tron which borrows from electronic music . These groups built on
4758-482: The Sepultura EP Bestial Devastation . Seven Churches and To Mega Therion are often credited for pioneering and popularizing the mid-1980s extreme metal scene (as well as the then-developing genres of death metal and black metal , respectively), while Energetic Disassembly has been cited as the first progressive/technical thrash metal album. From a creative standpoint, the year 1986
4880-454: The Swedish death metal scene, became a popular group, addressing political topics from a personal perspective. Anders Jakobson, their drummer, reported that "It was all these different types of people who enjoyed what we were doing. [...] We made grindcore a bit easier to listen to at the expense of the diehard grindcore fans who thought that we were, well, not sellouts , but not really true to
5002-454: The "Big Four", Anthrax (who, like Metallica, formed in 1981), and their song "Metal Thrashing Mad". Before this, Metallica frontman James Hetfield referred to his band's sound as speed metal or power metal . Another "Big Four" thrash band formed in Los Angeles in 1981, when guitarists Jeff Hanneman and Kerry King met while auditioning for the same band and subsequently decided to form
Asesino - Misplaced Pages Continue
5124-727: The 1990s), several thrash metal established bands started to expand their sound by adding elements and influences from the groove metal genre. Anthrax, who had recently replaced Joey Belladonna with John Bush as their singer, began stepping away from their previously established thrash metal formula to a more accessible alternative/groove metal approach for the remainder of their 1990s output, starting with and including Sound of White Noise (1993). Sacred Reich, Overkill, Coroner, Prong, Testament, and Forbidden followed this trend with their respective albums Independent , I Hear Black , Grin , Cleansing , Low , and Distortion . Sepultura's 1993 album Chaos A.D. also marked
5246-427: The 2000s. In 2003, Anthrax released their first studio album in five years We've Come for You All , followed a month later by Metallica's double platinum-certified album St. Anger . After experimenting further with a commercialized sound on their previous few albums, Megadeth returned to its heavier sound with their ninth album The World Needs a Hero (2001). It would be the band's final album before disbanding in
5368-464: The Bastard, Azucares and Dropdead ) took influence from anarcho-punk and crust punk , emphasizing animal rights and anti-militarism . The Locust and Agoraphobic Nosebleed later reincorporated elements of powerviolence into grindcore. Among other influences, Napalm Death took impetus from the industrial music scene. Subsequently, Napalm Death's former guitarist, Justin Broadrick , went on to
5490-574: The Bay Area would subsequently reunite, including Anthrax (twice with Joey Belladonna and briefly with John Bush ), Dark Angel , Nuclear Assault , Sacred Reich , UK bands Onslaught , Sabbat , and Xentrix , and Canada's Sacrifice , renewing interest in previous decades. The term "thrash-revivalists" has been applied to such bands as Lamb of God , Municipal Waste , Evile , Havok , Warbringer , Vektor , Bonded by Blood , Hatchet , and Power Trip . Evile's 2007 debut album Enter
5612-786: The Chapel and Overkill respectively. This led to a heavier-sounding form of thrash, which was reflected in Exodus' debut album Bonded by Blood , Slayer's Hell Awaits and Anthrax's Spreading the Disease , all three released in 1985. Several other debut albums were released that same year, including Megadeth's Killing Is My Business... and Business Is Good! , Overkill's Feel the Fire , Kreator's Endless Pain , Destruction's Infernal Overkill , Possessed 's Seven Churches , Celtic Frost 's To Mega Therion , Watchtower 's Energetic Disassembly and
5734-620: The Deceiver (released on the Fourth of July in 1986) received some attention as well, due to the album being "the first of only a handful" to ever receive a 6K rating from Kerrang! magazine, and it is also notable for featuring a then-unknown Jason Newsted , who, not long after the album's release, joined Metallica as Burton's replacement. Also during the mid-to-late 1980s, bands such as Suicidal Tendencies , D.R.I. , S.O.D. (who featured three-fifths of Anthrax), and Corrosion of Conformity paved
5856-493: The Facts , a Canadian group, practice classic grindcore, characterized by the "metronome-precision drumming and riffing [that] abound, as well as vocal screams and growls" by AllMusic reviewer Greg Prato. European groups, such as Agathocles , from Belgium, Patareni , of Croatia, and Fear of God , from Switzerland, are important early practitioners of the style. Filthy Christians, who signed to Earache Records in 1989, introduced
5978-524: The Grave , produced by former Metallica producer and engineer Flemming Rasmussen , received considerable praise for its sound, which combined elements of the sounds of Slayer and the Bay Area scene (particularly Exodus and Testament). Los Angeles-based bands Warbringer and Bonded by Blood took a similar approach on their respective debut albums, War Without End and Feed the Beast , both released in 2008. Perhaps
6100-601: The Influence , and The Years of Decay , three albums considered their best. Each of the "Big Four" of thrash metal bands released albums in 1988: Slayer released South of Heaven , Megadeth released So Far, So Good... So What! , Anthrax released State of Euphoria while Metallica's ...And Justice for All spawned the band's first video and Top 40 hit, the World War I –themed song " One ". That same year, Metallica joined Van Halen , Scorpions , Dokken and Kingdom Come on
6222-459: The Lights" would later open their first studio album, Kill 'Em All , released in July 1983. Kill 'Em All is widely regarded as the first thrash metal album, and one of the album's tracks " Whiplash " has been referred to as one of the first songs of the genre. The term "thrash metal" was first used in the music press by Kerrang! magazine's journalist Malcolm Dome while referring to another of
SECTION 50
#17329013816726344-530: The Loaf ), and death metal. The Locust were sometimes described as " hipster grind" because of their fan base and fashion choices. In Los Angeles, Hole also initially drew influence from grindcore in their early releases, particularly on their singles " Dicknail " and " Teenage Whore ", as well as on their debut album, Pretty on the Inside (1991), all of which featured sexually provocative and violent lyrics, as well as
6466-534: The Titans festival, which was held in August 2001 as a co-benefit concert for Testament singer Chuck Billy and Death 's Chuck Schuldiner , who were both battling cancer. The show is also notable for seeing several of Testament's Bay Area thrash metal contemporaries, including Exodus, Death Angel, Vio-lence , Forbidden Evil , Sadus and Legacy (a precursor to Testament), reunited. Many thrash metal bands from outside of
6588-643: The United States, American groups tended to take inspiration from later works, such as Harmony Corruption . American groups also often employ riffs taken from crossover thrash or thrash metal . Early American grind practitioners included Terrorizer and Assück . Anal Cunt , a particularly dissonant group who lacked a bass player, were also particularly influential. Their style was sometimes referred to as "noisecore" or "noisegrind", described by Giulio of Cripple Bastards as "the most anti-musical and nihilistic face of extreme music at that time." Brutal Truth
6710-581: The Vatican ; the latter three are often credited for being an integral part of the then-developing groove metal genre. All of those albums were commercial high points for the aforementioned artists. During this period, Megadeth and Slayer co-headlined one of the most successful tours in thrash metal history called the Clash of the Titans ; the first leg in Europe included support from Testament and Suicidal Tendencies, while
6832-491: The West Midlands, and it had nothing to do with us whatsoever. ENT were, are, and – I suspect – always will be a hardcore punk band... not a grindcore band, a stenchcore band, a trampcore band, or any other sub-sub-sub-core genre-defining term you can come up with." Lee Dorrian of Napalm Death indicated that "Unfortunately, I think the same thing happened to grindcore, if you want to call it that, as happened to punk rock – all
6954-436: The airy feel of synthesizers , popularized in industrial metal. Today the placing of bands within distinct sub-genres remains a source of contention for heavy metal fans, however, little debate resides over the fact that thrash metal is the sole proprietor of its respective spin-offs. A few thrash metal bands from the 1980s and early 1990s, particularly the genre's U.S. "big four", continued recording and touring with success in
7076-446: The band Massakre (1985) in Chile . In Europe, the earliest band of the emerging thrash movement was Venom from Newcastle upon Tyne , formed in 1979. Their 1982 album Black Metal has been cited as a major influence on many subsequent genres and bands in the extreme metal world, such as Bathory , Hellhammer , Slayer, and Mayhem . The European scene was almost exclusively influenced by
7198-554: The band's best-selling album and began a wave of thrash metal bands releasing more garage-oriented albums, or else more experimental ones. The era of 1991–1992 marked the beginning of the end of thrash metal's commercial peak, due to the rising popularity of the alternative metal and grunge movements (the latter spearheaded by Washington -based bands Nirvana , Soundgarden , Alice in Chains and Pearl Jam ). In response to this climate change, many thrash metal bands that had emerged from
7320-403: The band's earlier sound. Megadeth took a more accessible heavy metal route starting with their 1992 album Countdown to Extinction . Testament, Exodus and Flotsam and Jetsam all took a melodic/progressive approach with the albums The Ritual , Force of Habit , and Cuatro , respectively. One of the pioneers of crossover thrash, Corrosion of Conformity , began changing their sound into
7442-501: The beginning of their transition away from death/thrash metal to groove metal which had influenced then-up-and-coming bands like Korn , who reciprocally became the inspiration behind the nu metal style of the band's next album Roots (1996). Roots would influence a generation of bands from Linkin Park to Slipknot , which during the 1990s meant the replacement of death, thrash, and speed, by nu metal and metalcore as popular epicenters of
SECTION 60
#17329013816727564-905: The cornerstones of jazz-metal fusion and a major influence on the technical death metal genre, while Forced Entry 's debut album Uncertain Future helped pioneer the late 1980s Seattle music scene. A number of more typical but technically sophisticated albums were released in 1990, including Megadeth's Rust in Peace , Anthrax's Persistence of Time , Slayer's Seasons in the Abyss , Suicidal Tendencies' Lights...Camera...Revolution! , Testament's Souls of Black , Kreator's Coma of Souls , Destruction's Cracked Brain , Forbidden's Twisted into Form , Exodus' Impact Is Imminent , Sacred Reich 's The American Way , Prong 's Beg to Differ , Pantera 's Cowboys from Hell and Exhorder 's Slaughter in
7686-468: The earliest deathgrind acts. Blackened grindcore is a fusion genre that combines elements of black metal and grindcore. Notable bands include Anaal Nathrakh and early Rotting Christ . Noisegrind is a microgenre that combines elements of grindcore and harsh noise. Notable bands include Holy Grinder, Sete Star Sept, Full of Hell , Fear of God, Insufferable, and early Knelt Rote. Thrash metal Thrash metal (or simply thrash )
7808-586: The early 1990s, with the sounds of bands such as Man Is the Bastard , Crossed Out , No Comment, Capitalist Casualties , and Manpig. Powerviolence bands focus on speed, brevity, bizarre timing breakdowns, and constant tempo changes. Powerviolence songs are often very short; it is not uncommon for some to last less than 30 seconds. Some groups, particularly Man Is the Bastard, took influence from sludge metal and noise music . Lyrically and conceptually, powerviolence groups were very raw and underproduced, both sonically and in their packaging. Some groups (Man Is
7930-445: The emphasis on atmosphere over rhythm. As further extreme metal genres came to prominence in the 1990s ( industrial metal , death metal, and black metal each finding their own fanbase), the heavy metal "family tree" soon found itself blending aesthetics and styles. For example, bands with all the musical traits of thrash metal began using death growls , a vocal style borrowed from death metal, while black metal bands often utilized
8052-507: The first band in the genre to release more than ten studio albums. Overkill's popularity was reignited in the 2010s, with three of their albums, The Electric Age (2012), White Devil Armory (2014) and The Grinding Wheel (2017), all entering the Top 100 on the Billboard charts. The resurgence of interest in the thrash metal genre during the early 2000s was widely attributed to the Thrash of
8174-423: The following year, due to an arm injury that had left Dave Mustaine unable to play guitar; he would eventually reform Megadeth for a handful albums, including The System Has Failed (2004) which was originally going to be released as a solo album by him, before reuniting with co-founding member and bassist David Ellefson in 2010. Slayer released three albums in the 2000s: God Hates Us All (2001), which saw
8296-412: The former with more focus on melody rather than chromaticism. The blending of punk ethos and metal's brutal nature led to even more extreme, underground styles after thrash metal began gaining mild commercial success in the late 1980s. With gorier subject matter, heavier down tuning of guitars, more consistent use of blast beat drumming , and darker, atonal death growls , death metal was established in
8418-698: The foundation for early thrash metal, at least in terms of selected tempos, and that thrash is essentially hardcore punk with the technical proficiency missing from that genre. The crossover with hardcore punk has also been cited as important influence on thrash, especially the English hardcore punk band Discharge, whose "influence on heavy metal is incalculable and metal superstars such as Metallica, Anthrax, Machine Head , Sepultura , Soulfly , Prong and Arch Enemy have covered Discharge's songs in tribute." The eponymous debut albums by D.R.I. and Suicidal Tendencies , both released in 1983, have been credited for paving
8540-470: The gated community of patch-jackets and circle-pits as grindcore has in the UK. [...] the genre is a part of the British musical experience. Napalm Death's seismic impact inspired other British grindcore groups in the 1980s, among them Extreme Noise Terror , Carcass and Sore Throat . Extreme Noise Terror, from Ipswich, formed in 1984. With the goal of becoming "the most extreme hardcore punk band of all time,"
8662-471: The genre are fast guitar riffs with aggressive picking styles and fast guitar solos, and extensive use of two bass drums as opposed to the conventional use of only one, typical of most rock music. To keep up with the other instruments, many bassists use a plectrum (pick). However, some prominent thrash metal bassists have used their fingers , such as Frank Bello , Greg Christian , Steve Di Giorgio , Robert Trujillo , and Cliff Burton . Several bassists use
8784-494: The genre was described as, by the musicians who were its innovators [and] proponents." While abrasive, grindcore achieved a measure of mainstream visibility. New Musical Express featured Napalm Death on their cover in 1988, declaring them "the fastest band in the world." As James Hoare, deputy editor of Terrorizer , writes: It can be argued that no strand of extreme metal (with a touch of hardcore and post-punk tossed in for flavouring), has had so big an impact outside
8906-478: The genre, such as Havok and Legion of the Damned have turned their focus towards a more aggressive rendition of thrash metal, incorporating elements of melodic death metal . Thrash metal is directly responsible for the development of underground metal genres, such as death metal, black metal , and groove metal . In addition to this, metalcore , grindcore , and deathcore employ similar riffs in their composition,
9028-456: The great original bands were just plagiarised by a billion other bands who just copied their style identically, making it no longer original and no longer extreme." Journalist Kevin Stewart-Panko argues that the American grindcore of the 1990s borrowed from three sources: British grindcore, the American precursors, and death metal . As early Napalm Death albums were not widely distributed in
9150-444: The grindcore sound are Siege and Repulsion , an early death metal outfit. Siege, from Weymouth, Massachusetts , were influenced by classic American hardcore ( Minor Threat , Black Flag , Void ) and by British groups like Discharge , Venom , and Motörhead . Siege's goal was maximum velocity: "We would listen to the fastest punk and hardcore bands we could find and say, 'Okay, we're gonna deliberately write something that
9272-504: The groundwork for the style. It is most prevalent today in North America and Europe, with popular contributors such as Brutal Truth and Nasum . Lyrical themes range from a primary focus on social and political concerns, to gory subject matter and black humor . A trait of grindcore is the "microsong", which is far shorter than average for punk or metal; several bands have produced songs that are only seconds in length. Napalm Death holds
9394-577: The group took Mick Harris from Napalm Death in 1987. Ian Glasper describes the group as "pissed-off hateful noise with its roots somewhere between early Discharge and Disorder, with [vocalists] Dean [Jones] and Phil [Vane] pushing their trademark vocal extremity to its absolute limit." In 1991, the group collaborated with the acid house group The KLF , appearing onstage with the group at the Brit Awards in 1992. Carcass released Reek of Putrefaction in 1988, which John Peel declared his favorite album of
9516-423: The group's drummer. Punk historian Ian Glasper indicates that "For several months gob-smacked audiences weren't sure whether Napalm Death were actually a serious band any longer, such was the undeniable novelty of their hyper-speed new drummer." Albert Mudrian's research suggests that the name "grindcore" was coined by Harris. When asked about coming up with the term, Harris said: Grindcore came from "grind", which
9638-472: The hardest metal scene. Staying away from this new commercial mainstream of groove metal, metalcore, and especially nu metal, the second wave of black metal emerged as an opposed underground music scene, initially in Norway . This crop of new bands differenced themselves from the "first wave" by totally distilling black metal from the combined origins with thrash metal, but they preserved from all these sub-genres
9760-476: The heavy distortion and fluctuating tempo that distinguished the genre. Frontwoman Courtney Love stated that she wanted to capture the distinguishing elements of grindcore while incorporating more pop-based melodic structure, although the band distanced themselves from the style in their later releases. Other later prominent grindcore groups of North America include Brujeria , Soilent Green , Cephalic Carnage , Impetigo , and Circle of Dead Children . Fuck
9882-485: The intensity and sonic qualities of thrash metal and plays them at mid- tempo , with most bands making only occasional forays into fast tempo, but since the early 1990s, it started to favor a more death metal–derived sound. Thrash metal with stronger punk elements is called crossover thrash . Its overall sound is more punk-influenced than traditional thrash metal but has more heavy metal elements than hardcore punk and thrashcore . Thrash metal emerged predominantly from
10004-649: The kick drum, snare and ride, crash, or hi-hat cymbal." Blast beats have been described as "maniacal percussive explosions, less about rhythm per se than sheer sonic violence." Napalm Death coined the term, though this style of drumming had previously been practiced by others. Daniel Ekeroth argues that the blast beat was first performed by the Swedish group Asocial on their 1982 demo. Lärm ("Campaign For Musical Destruction") Dirty Rotten Imbeciles ("No Sense"), Stormtroopers of Death ("Milk"), Sarcófago ("Satanas"), Sepultura ("Antichrist"), and Repulsion also included
10126-518: The late 1970s further influenced the development of early thrash. The early work of artists such as Diamond Head, Iron Maiden , Venom , Motörhead , Tygers of Pan Tang , Raven , and Angel Witch , among others, introduced the fast-paced and intricate musicianship that became core aspects of thrash. Phil Taylor 's double-bass drumming featured in Motörhead's 1979 song " Overkill " has been acknowledged by many thrash drummers, most notably Lars Ulrich , as
10248-420: The latter album demonstrated a sound that was primarily driven by the fretless bass of Steve Di Giorgio . Also in 1988, Blind Illusion released its only studio album for more than two decades, The Sane Asylum , which received some particular attention as it was produced by Kirk Hammett , and is also notable for featuring bassist Les Claypool and former Possessed guitarist Larry LaLonde ; after its release,
10370-607: The lyrics are sung entirely in Spanish and with the same subject matter of death, violence and perversion. Guitarist Asesino describes the band as "the new Brujeria." Asesino also has the tendency of making satirical comments during the show, and when playing Brujeria songs, change the original lyrics to something more fitting. Asesino made a guest appearance as a couple of Mexican doctors in episode 57 of Metalocalypse on Adult Swim , with Campos voicing Dr. Sepultura and Cazares and Márquez voicing his assistant. This article on
10492-643: The mid-1980s in the United Kingdom by Napalm Death , a group who emerged from the anarcho-punk scene in Birmingham, England. While their first recordings were in the vein of Crass , they eventually became associated with crust punk , The group began to take on increasing elements of thrashcore , post-punk , and power electronics , and began describing their sound as "Siege with Celtic Frost riffs". The group also went through many changes in personnel. A major shift in style took place after Mick Harris became
10614-572: The mid-1980s. Black metal, also related to thrash metal, emerged at the same time, with many black metal bands taking influence from thrash metal bands such as Venom . Black metal continued deviating from thrash metal, often providing more orchestral overtones, open tremolo picking , blast beat drumming, shrieked or raspy vocals and pagan or occult -based aesthetics to distinguish itself from thrash metal. Thrash metal would later combine with its spinoffs, thus giving rise to genres like blackened thrash metal and deathrash . Groove metal takes
10736-448: The mid-1990s, mathcore groups such as The Dillinger Escape Plan , Some Girls , and Daughters began to take inspiration from developments in grindcore. These groups also include elements of post-hardcore . In addition to mathcore, some early screamo groups, like Circle Takes the Square and Orchid , have been associated with grindcore by some commentators. Crust punk had
10858-523: The mid-1990s, due to the commercial success of numerous genres such as alternative rock , grunge , and later pop-punk and nu metal . In response, some bands either disbanded or moved away from their thrash metal roots and more towards groove metal or alternative metal . The genre has seen a resurgence in popularity since the 2000s, with the arrival of various bands such as Bonded by Blood , Evile , Hatchet , Havok , Lamb of God , Municipal Waste , and Warbringer , who have all been credited for leading
10980-649: The most aggressive music Germany and England were producing at the time. British bands such as Tank and Raven , along with German bands Accept (whose 1982 song " Fast as a Shark " is often credited as one of the first-ever thrash/speed metal songs) and Living Death , motivated musicians from central Europe to start bands of their own, eventually producing groups such as Sodom , Kreator , and Destruction from Germany, as well as Switzerland's Celtic Frost (formed by two-thirds of Hellhammer ), Coroner and Carrion (who later became Poltergeist ) and Denmark's Artillery . In 1981, Los Angeles band Leather Charm wrote
11102-761: The most commercially successful band from the 2000s and 2010s thrash metal revival movement is Lamb of God, who are also considered a key part of the new wave of American heavy metal movement, have received two gold-certified albums in the U.S., and continue to play from small clubs to arenas and stadiums. Notable bands returned to their roots with releases such as Kreator's Violent Revolution (2001), Metallica's Death Magnetic (2008), Megadeth's Endgame (2009), Slayer's World Painted Blood (2009), Exodus' Exhibit B: The Human Condition (2010), Overkill's Ironbound (2010), Anthrax's Worship Music (2011), Testament's Dark Roots of Earth (2012), and Flotsam and Jetsam's Ugly Noise (2012). More recent bands of
11224-530: The most sinister thrash metal bands of the early 1980s, released Reign in Blood in October, an album considered by some to have single-handedly inspired the death metal genre. Also in October, Nuclear Assault released their debut album Game Over , followed a month later by Dark Angel 's Darkness Descends , which marked the debut of renowned drummer Gene Hoglan . Flotsam and Jetsam 's debut album Doomsday for
11346-515: The north, Canada produced influential thrash and speed metal bands such as Annihilator , Anvil , Exciter , Razor , Sacrifice , and Voivod . The popularity of thrash metal increased in 1984 with the release of Metallica's sophomore record Ride the Lightning , as well as Anthrax's debut Fistful of Metal and Metal Church 's eponymous debut album . Slayer and Overkill released extended plays on independent labels during this era, Haunting
11468-402: The original bassist of Megadeth , described thrash metal as "a combination of the attitude from punk rock but the riffs and complexities of traditional metal." On the origins of thrash metal, original Anthrax bassist Dan Lilker recalls: "Thrash was just what they called 'faster hardcore,' because you literally thrashed around when you were either playing it or reacting to it. And thrash metal
11590-585: The original essence of grindcore." Other Swedish groups, such as General Surgery and Regurgitate , practiced goregrind. Inhume , from the Netherlands, Rotten Sound , from Finland, and Leng Tch'e , from Belgium, were subsequent European groups who practiced grindcore with death metal inflections. In 2000s, the Belgium-based Aborted "had grown into the role of key contributors to the death-grind genres". In 2010, Singaporean band Wormrot signed
11712-451: The popularity of the "Big Four" but also had considerable success during the late 1980s and early 1990s, particularly on the strength of airplay on MTV 's Headbangers Ball . Some of the most successful international thrash metal bands from this era were Brazil's Sepultura , Canada's Voivod , and the genre's " Big Teutonic Four ": Kreator , Destruction , Sodom , and Tankard . The thrash metal genre had declined in popularity by
11834-411: The previous decade had called it quits or went on hiatus during the 1990s, while half of the "Big Four" and other veteran bands began changing to more accessible, radio-friendly styles. Metallica was a notable example of this shift, particularly with their mid–to–late 1990s albums Load , and ReLoad , which displayed minor blues and southern rock influences, and were seen as a major departure from
11956-686: The release of Among the Living , three Bay Area bands, Testament , Death Angel and Heathen , respectively released their debut albums The Legacy , The Ultra-Violence and Breaking the Silence . All of the "Big Four" of Teutonic thrash metal also released albums in 1987: Kreator's Terrible Certainty , Destruction's Release from Agony , Sodom's Persecution Mania and Tankard's Chemical Invasion ; these albums cemented their reputations as top-tier German thrash metal bands. In response to thrash metal's growing popularity during this period, several hardcore punk bands began changing their style to
12078-446: The same level of popularity as the "Big Four", while Exodus ' third album Fabulous Disaster (1989) garnered the band their first music video and one of their most recognized songs, the mosh-pit anthem " The Toxic Waltz ". Vio-lence , Forbidden , and Sadus , three relative latecomers to the Bay Area thrash metal scene, released their debut albums Eternal Nightmare , Forbidden Evil , and Illusions , respectively, in 1988;
12200-578: The second leg in North America had Anthrax and then-emerging Seattle band Alice in Chains , who were the supporting act. Several albums, some of which had come to be known as technical thrash metal, were released in 1991, including Overkill's Horrorscope , Heathen 's Victims of Deception , Dark Angel 's Time Does Not Heal , Sepultura's Arise , Coroner's Mental Vortex , Prong's Prove You Wrong and Forced Entry's As Above, So Below . In 1991, Metallica released their eponymous fifth studio album , known as "The Black Album". The album marked
12322-708: The so-called "thrash metal revival" scene. Thrash metal generally features fast tempos , low-register, complex guitar riffs , high-register guitar solos , and double bass drumming . The rhythm guitar parts are played with heavy distortion and often palm muted to create a tighter and more precise sound. Vocally, thrash metal can employ anything from melodic singing to shouted or screamed vocals. Most guitar solos are played at high speed and technically demanding, as they are usually characterized by shredding , and use advanced techniques such as sweep picking , legato phrasing , alternate picking , tremolo picking , string skipping , and two-hand tapping . David Ellefson ,
12444-556: The speed and aggression of hardcore punk and the technicality of progressive music . Philosophically, thrash metal developed as a backlash against both the conservatism of the Reagan era and the much more moderate, pop -influenced, and widely accessible heavy metal subgenre of glam metal which also developed concurrently in the 1980s. The early thrash metal movement revolved around independent record labels, including Megaforce , Metal Blade , Combat , Roadrunner , and Noise , and
12566-449: The style grindcore was Shane Embury , Napalm Death's bassist since 1987. Embury offers his own account of how the grindcore "sound" came to be: As far as how this whole sound got started, we were really into Celtic Frost , Siege – which is a hardcore band from Boston – a lot of hardcore and death-metal bands, and some industrial-noise bands like the early Swans. So, we just created a mesh of all those things. It's just everything going at
12688-587: The style in Sweden, D.D.T. & Fear of Dog were pioneering grind & noise in Serbia since mid-end of '80, Extreme Smoke 57 in Slovenia at the early beginning of the '90, while Cripple Bastards established Italian grindcore. Giulio of Cripple Bastards asserts that the name itself took some time to migrate from Britain, with the style being referred to as "death- thrashcore " for a time in Europe. Nasum , who emerged from
12810-512: The subsequent decade, two pioneers of the style became increasingly commercially viable. According to Nielsen Soundscan , Napalm Death sold 367,654 units between May 1991 and November 2003, while Carcass sold 220,374 units in the same period. The inclusion of Napalm Death's " Twist the Knife (Slowly) " on the Mortal Kombat soundtrack brought the band much greater visibility, as the compilation scored
12932-789: The technique prior to Napalm Death's emergence. Grindcore lyrics are typically provocative. A number of grindcore musicians are committed to political and ethical causes, generally leaning towards the far left in connection to grindcore's punk roots. For example, Napalm Death's songs address a variety of anarchist concerns, in the tradition of anarcho-punk . These themes include anti-racism , feminism , anti-militarism , and anti-capitalism . Early grindcore bands including Napalm Death, Agathocles and Carcass made animal rights one of their primary lyrical themes. Some of them, such as Cattle Decapitation and Carcass, have expressed disgust with human behavior and animal abuse, and are, in some cases, vegetarians or vegans . Carcass' work in particular
13054-415: The thrash movement seemed to have much more in common with punk than prog fashion-wise (leather jackets vs. capes), musically, there were certainly moments when thrash leaned more towards the prog side of things." Canadian progressive rock band Rush has been cited a formative influence on the thrash metal movement and the birth of its subgenre technical thrash metal (or " progressive thrash metal"), which
13176-749: The two would later team up together in Claypool's then-upcoming band Primus . Canadian thrashers Annihilator released their highly technical debut Alice in Hell in 1989, which was praised for its fast riffs and extended guitar solos. In Germany, Sodom released Agent Orange , and Kreator would release Extreme Aggression . Several highly acclaimed albums associated with the sub-genre of technical thrash metal were also released in 1989, including Coroner's No More Color , Dark Angel's Leave Scars , Toxik 's Think This , and Watchtower 's Control and Resistance , which has been recognized and acknowledged as one of
13298-515: The two-month-long arena and stadium tour Monsters of Rock in North America. In the spring of 1989, Anthrax teamed up with Exodus and Helloween on a US arena tour sponsored by Headbangers Ball . Sepultura's third album, Beneath the Remains (1989), earned them some mainstream appeal as it was released by Roadrunner Records . Testament's second and third albums, The New Order (1988) and Practice What You Preach (1989), nearly gained them
13420-415: The underground tape trading industry in both Europe and North America. The genre was commercially successful from approximately 1985 through 1991, bringing prominence to Metallica , Slayer , Megadeth , and Anthrax , all grouped together as the "Big Four" of U.S. thrash metal. Other U.S. bands, such as Overkill , Metal Church , and Bay Area acts Exodus , Testament and Death Angel , never achieved
13542-454: The way for thrashcore . In Latin America, this genre also gained a lot of strength, and its creation is also attributed to it, since it began to gain popularity due to the dictatorships that many countries faced at that time, with bands like V8 (1979) with their debut albums Demo 1982 or Luchando por el metal , and Bloke (1980) from Argentina , Transmetal (1987) from México , also
13664-675: The way to what became known as crossover thrash , a fusion genre that lies on a continuum between heavy metal and hardcore punk, and is arguably faster and more aggressive than thrash metal. By the mid-to-late 1980s, thrash metal began to achieve major mainstream success worldwide, with many bands of the genre receiving heavy rotation on MTV 's Headbangers Ball , and radio stations such as KNAC in Long Beach and Z Rock in Dallas , as well as coverage on numerous publications, including Kerrang! and RIP Magazine . These outlets not only played
13786-441: The work of Agoraphobic Nosebleed, Enemy Soil and The Locust, as well as industrial metal. The Berzerker also appropriated the distorted Roland TR-909 kick drums of gabber producers. Bands like Libido Airbag and Cumfilled Brain incorporates elements of Grindcore, such as pitch-shifted, gurgled vocals, with the rhythmic structures of Techstep . Many later electrogrind groups were caricatured for their hipster connections. In
13908-428: The year despite its very poor production. The band's focus on gore and anatomical decay, lyrically and in sleeve artwork, inspired the goregrind subgenre. Sore Throat, said by Ian Glasper to have taken "perhaps the most uncompromisingly anti-music stance" were inspired by crust punk as well as industrial music. Some listeners, such as Digby Pearson, considered them to be simply an in-joke or parody of grindcore. In
14030-884: Was a groundbreaking group in the American scene at the beginning of the 1990s. However, Sharp indicates that they were more inspired by the thrash metal of Dark Angel than the British groups. Discordance Axis had a more technical style of playing than many of the predecessors, and had a much more ornate visual and production style. Scott Hull is prominent in the contemporary grindcore scene, through his participation in Pig Destroyer and Agoraphobic Nosebleed . ANb's Frozen Corpse Stuffed with Dope has been described as "the Paul's Boutique of grindcore", by Village Voice critic Phil Freeman, for its "hyper-referential, impossibly dense barrage of samples, blast beats, answering machine messages, and incomprehensibly bellowed rants." Pig Destroyer
14152-408: Was born because it was influenced by thrash hardcore, and they just thought it was more metal, so they said, 'Okay, this is thrash metal.'" The guitar riffs often use chromatic scales and emphasize the tritone and diminished intervals, instead of using conventional single-scale-based riffing. For example, the intro riff of Metallica 's " Master of Puppets " (the title track of the namesake album )
14274-515: Was killed in a bus accident six months after its release. Kreator released Pleasure to Kill in April 1986, which would later be a major influence on the death metal scene. Megadeth released Peace Sells... but Who's Buying? in September, an album which proved to be the band's commercial and critical breakthrough and which AllMusic later cited as "a classic of early thrash". Slayer, regarded as one of
14396-521: Was later replaced by Kirk Hammett of the then-unsigned Bay Area thrash metal act Exodus , and at Burton's insistence, the band relocated to the San Francisco Bay Area . Before Metallica had even settled on a definitive lineup, Metal Blade Records executive Brian Slagel asked Hetfield and Ulrich (credited as "Mettallica") to record "Hit the Lights" for the first edition of his Metal Massacre compilation in 1982. A re-recorded version of "Hit
14518-789: Was on all of us." The thrash metal genre is also strongly influenced by punk rock , drawing inspiration from sources ranging from traditional punk bands from the 1970s, including the New York Dolls , the Ramones , the Sex Pistols and the Dead Boys , to late 1970s/early 1980s hardcore punk bands Discharge , GBH , Black Flag , the Misfits , the Dead Kennedys , and Bad Brains . The Ramones' 1976 self-titled debut album in particular has been noted as
14640-531: Was perhaps the pinnacle of thrash metal, as a number of critically acclaimed and genre-defining albums were released. Metallica's major label debut Master of Puppets was released in March, becoming the first thrash album to be certified platinum, being certified 6× platinum by the Recording Industry Association of America (RIAA); it would be the band's last album to feature bassist Cliff Burton , who
14762-414: Was the only word I could use to describe Swans after buying their first record in '84. Then with this new hardcore movement that started to really blossom in '85, I thought "grind" really fit because of the speed so I started to call it grindcore. Other sources contradict Harris' claim. In a Spin magazine article written about the genre, Steven Blush declares that "the man often credited" for dubbing
14884-475: Was tuned up to a D . Bolt Thrower went further, dropping 3½ steps down ( A ). Bass is tuned low as well, and is often distorted. The blast beat is a drum beat characteristic of grindcore in all its forms, although its usage predates the genre itself, in Adam MacGregor's definition, "the blast-beat generally comprises a repeated, sixteenth-note figure played at a very fast tempo, and divided uniformly among
#671328