13-857: Arroyito may refer to: [REDACTED] Look up arroyito in Wiktionary, the free dictionary. Geography [ edit ] Arroyito, Córdoba , Argentina; Arroyito, Neuquén , Argentina Arroyito, Salta ( es ) in Salta, Argentina Barrio Arroyito, popular name of Barrio Lisandro de la Torre , Rosario, Santa Fe, Argentina; Arroyito ( de ) town in Santa Cruz Department (Bolivia) Arroyity, Paraguay Arroyito stream, ( es ) in Treinta y Tres Department , Uruguay. Music [ edit ] "Arroyito", song composed by Agustín Lara and sung by himself in
26-598: A successful radio career. At the same time he acted and composed songs for such films as Santa . Lara's first tour, to Cuba in 1933, was a failure because of political turmoil on the island. Later, more successful tours in South America, as well as such new compositions as Solamente Una Vez (composed in Buenos Aires and dedicated to José Mojica ), Veracruz , Tropicana , and Pecadora increased his fame. In 1934 he went to Los Angeles, where he did multiple concerts at
39-764: Is different from Wikidata All article disambiguation pages All disambiguation pages arroyito Arroyito may refer to: [REDACTED] Look up arroyito in Wiktionary, the free dictionary. Geography [ edit ] Arroyito, Córdoba , Argentina; Arroyito, Neuquén , Argentina Arroyito, Salta ( es ) in Salta, Argentina Barrio Arroyito, popular name of Barrio Lisandro de la Torre , Rosario, Santa Fe, Argentina; Arroyito ( de ) town in Santa Cruz Department (Bolivia) Arroyity, Paraguay Arroyito stream, ( es ) in Treinta y Tres Department , Uruguay. Music [ edit ] "Arroyito", song composed by Agustín Lara and sung by himself in
52-486: Is different from Wikidata All article disambiguation pages All disambiguation pages Agust%C3%ADn Lara Ángel Agustín María Carlos Fausto Mariano Alfonso del Sagrado Corazón de Jesús Lara y Aguirre del Pino ( Spanish pronunciation: [aɣusˈtin ˈlaɾa] ; ['aŋxel aɣus'tin ma'ɾi.a 'kaɾlos 'fawsto ma'ɾjano al'fonso ð̞el sa'ɣɾað̞o koɾa'son de xe'sus 'laɾa i a'ɣire ð̞el 'pino] ; October 30, 1897 – November 6, 1970), known as Agustín Lara ,
65-673: The California Theatre . He would later return to the city to write songs for Tropic Holiday (1938), a musical film. By the beginning of the 1940s, Lara was well known in Spain. In 1965, the Spanish dictator Francisco Franco , gave him a house in Granada to show his appreciation of Lara's songs with Spanish themes, such as Toledo , Cuerdas de mi Guitarra , Granada , Seville and Madrid . He received additional honors and decorations from around
78-611: The elevator while being transferred to the intensive care unit. He never regained consciousness, and on November 6, 1970, Lara died. He was buried in Mexico City. By the time of his death, Lara had written more than 700 songs. A biography of him, "Agustín Lara: Vida y Pasiones", was written by his friend Javier Ruiz Rueda . Agustín was a son of Joaquín Lara and his wife María Aguirre y Pino. He had an aunt named Refugio Aguirre del Pino and younger sister, María Teresa Lara . He married María Félix and Rocío Durán (whom he adopted) and
91-513: The film Mujer en condominio (1958) Arroyito (song) , a song by Fonseca Topics referred to by the same term [REDACTED] This disambiguation page lists articles associated with the title Arroyito . If an internal link led you here, you may wish to change the link to point directly to the intended article. Retrieved from " https://en.wikipedia.org/w/index.php?title=Arroyito&oldid=1084547091 " Category : Disambiguation pages Hidden categories: Short description
104-513: The film Mujer en condominio (1958) Arroyito (song) , a song by Fonseca Topics referred to by the same term [REDACTED] This disambiguation page lists articles associated with the title Arroyito . If an internal link led you here, you may wish to change the link to point directly to the intended article. Retrieved from " https://en.wikipedia.org/w/index.php?title=Arroyito&oldid=1084547091 " Category : Disambiguation pages Hidden categories: Short description
117-660: The history of Latin American music. Notable performers of his work include Pedro Vargas who was a friend, Juan Arvizu , Nestor Mesta Chayres , Pedro Infante , Javier Solís , Julio Iglesias , Manuel Mijares , Vicente Fernández , Luis Miguel , Pérez Prado , Chavela Vargas , and Natalia Lafourcade among others. Outside the Spanish speaking world, his most famous songs are Granada , Solamente Una Vez (You Belong to My Heart) and Piensa en mí , which have both been recorded by numerous international singers, including Enrico Caruso , Mario Lanza , and José Carreras . Lara
130-401: The world. His career was portrayed in the 1959 Mexican film The Life of Agustín Lara . In 1968, Lara's health began to decline rapidly; and a fall that occurred on October 16, 1970, fractured his pelvis. He was hospitalized under the false name of Carlos Flores, but the press learned about his hospitalization anyway. The next day, October 17, 1970, he experienced cardiorespiratory arrest in
143-612: Was a Mexican composer and performer of songs and boleros. He is recognized as one of the most popular songwriters of his era. His work was widely appreciated not only in Mexico but also in Central and South America, the Caribbean and Spain. After his death, he has also been recognized in the United States, Italy, and Japan. His 1958 bolero album Rosa has been rated as one of the top 25 albums in
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#1732875865248156-542: Was born in Tlacotalpan, Veracruz to Joaquín Lara and Mara Aguirre del Pino. Later, the Lara family had to move to Mexico City, establishing their house in the borough of Coyoacán . After their mother died, Agustín and his siblings lived in a hospice run by their aunt. It was there that he had his first contact with music. Lara's first musical composition was Marucha , written in honor of one of his first loves. In 1927 he already
169-425: Was working in cabarets . It was around this time that he was involved in an argument with a showgirl named Estrella, who slashed him in the face with a broken bottle, leaving a distinct scar (a Glasgow smile ) on his cheek. He subsequently moved to Puebla , but returned to Mexico City in 1928. That same year he started working for the tenor Juan Arvizu as composer and accompanist. In September 1930, Lara began
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